Cold Hand in Mine: Strange Stories

The Swords

My first experience?

My first experience was far more of a test than anything that has ever happened to me since in that line. Not more agreeable, but certainly more testing. I have noticed several times that it is to beginners that strange things happen, and often, I think, to beginners only. When you know about a thing, there's just nothing to it. This kind of thing included — anyway, in most cases. After the first six women, say, or seven, or eight, the rest come much of a muchness.

I was a beginner all right; raw as a spring onion. What's more, I was a real mother's boy: scared stiff of life, and crass ignorant. Not that I want to sound disrespectful to my old mother. She's as good as they come, and I still hit it off better with her than with most other females.

She had a brother, my Uncle Elias. I should have said that we're all supposed to be descended from one of the big pottery families, but I don't know how true it is. My gran had little bits of pot to prove it, but it's always hard to be sure. After my dad was killed in an accident, my mother asked my Uncle Elias to take me into his business. He was a grocery salesman in a moderate way — and nothing but cheap lines. He said I must first learn the ropes by going out on the road. My mother was thoroughly upset because of my dad having died in a smash, and because she thought I was bound to be in moral danger, but there was nothing she could do about it, and on the road I went.

It was true enough about the moral danger, but I was too simple and too scared to involve myself. As far as I could, I steered clear even of the other chaps I met who were on the road with me. I was pretty certain they would be bad influences, and I was always bound to be the baby of the party anyway. I was dead rotten at selling and I was utterly lonely — not just in a manner of speaking, but truly lonely. I hated the life but Uncle Elias had promised to see me all right and I couldn't think of what else to do. I stuck it on the road for more than two years, and then I heard of my present job with the building society — read about it, actually, in the local paper — so that I was able to tell Uncle Elias what he could do with his cheap groceries.

For most of the time we stopped in small hotels — some of them weren't bad either, both the room and the grub — but in a few towns there were special lodgings known to Uncle Elias, where I and Uncle Elias's regular traveller, a sad chap called Bantock, were ordered by Uncle Elias to go. To this day I don't know exactly why. At the time I was quite sure that there was some kickback for my uncle in it, which was the obvious thing to suppose, but I've come since to wonder if the old girls who kept the lodgings might not have been my uncle's fancy women in the more or less distant past. At least once, I got as far as asking Bantock about it, but he merely said he didn't know what the answer was. There was very little that Bantock admitted to knowing about anything beyond the current prices of soapflakes and Scotch. He had been 42 years on the road for my uncle when one day he dropped dead of a thrombosis in Rochdale. Mrs Bantock, at least, had been one of my uncle's women off and on for years. That was something everyone knew.

These women who kept the lodgings certainly behaved as if what I've said was true. You've never seen or heard such dives. Noises all night so that it was impossible to sleep properly, and often half-dressed tarts beating on your door and screaming that they'd been swindled or strangled. Some of the travellers even brought in boys, which is something I have never been able to understand. You read about it and hear about it, and I've often seen it happen, as I say, but I still don't understand it. And there was I in the middle of it all, pure and unspotted. The woman who kept the place often cheeked me for it. I don't know how old Bantock got on. I never found myself in one of these places at the same time as he was there. But the funny part was that my mother thought I was extra safe in one of these special lodgings, because they were all particularly guaranteed by her brother, who made Bantock and me go to them for our own good.

Of course it was only on some of the nights on the road. But always it was when I was quite alone. I noticed that at the time when Bantock was providing me with a few introductions and openings, they were always in towns where we could stay in commercial hotels. All the same, Bantock had to go to these special places when the need arose, just as much as I did, even though he never would talk about them.

One of the towns where there was a place on Uncle Elias's list was Wolverhampton. I fetched up there for the first time, after I had been on the job for perhaps four or five months. It was by no means my first of these lodgings, but for that very reason my heart sank all the more as I set eyes on the place and was let in by the usual bleary-eyed cow in curlers and a dirty overall.

There was absolutely nothing to do. Nowhere even to sit and watch the telly. All you could think of was to go out and get drunk, or bring someone in with you from the pictures. Neither idea appealed very much to me, and I found myself just wandering about the town. It must have been late spring or early summer, because it was pleasantly warm, though not too hot, and still only dusk when I had finished my tea, which I had to find in a café, because the lodging did not even provide tea.

I was strolling about the streets of Wolverhampton, with all the girls giggling at me, or so it seemed, when I came upon a sort of small fair. Not knowing the town at all, I had drifted into the rundown area up by the old canal. The main streets were quite wide, but they had been laid out for daytime traffic to the different works and railway yards, and were now quiet and empty, except for the occasional lorry and the boys and girls playing around at some of the corners. The narrow streets running off contained lines of small houses, but a lot of the houses were empty, with windows broken or boarded up, and holes in the roof. I should have turned back, but for the sound made by the fair; not pop songs on the amplifiers, and not the pounding of the old steam organs, but more a sort of high tinkling, which somehow fitted in with the warm evening and the rosy twilight. I couldn't at first make out what the noise was, but I had nothing else to do, very much not, and I looked around the empty back streets, until I could find what was going on.

It proved to be a very small fair indeed; just half a dozen stalls, where a few kids were throwing rings or shooting off toy rifles, two or three covered booths, and, in the middle, one very small roundabout. It was this that made the tinkling music. The roundabout looked pretty too; with snow-queen and icing sugar effects in the centre, and different coloured sleighs going round, each just big enough for two, and each, as I remember, with a coloured light high up at the peak. And in the middle was a very pretty, blonde girl dressed as some kind of pierrette. Anyway she seemed very pretty at that time to me. Her job was to collect the money from the people riding in the sleighs, but the trouble was that there weren't any. Not a single one. There weren't many people about at all, and inevitably the girl caught my eye. I felt I looked a Charley as I had no one to ride with, and I just turned away. I shouldn't have dared to ask the girl herself to ride with me, and I imagine she wouldn't have been allowed to in any case. Unless, perhaps, it was her roundabout.

The fair had been set up on a plot of land which was empty simply because the houses which had stood on it had been demolished or just fallen down. Tall, blank factory walls towered up on two sides of it, and the ground was so rough and uneven that it was like walking on lumpy rocks at the seaside. There was nothing in the least permanent about the fair. It was very much here today and gone tomorrow. I should not have wondered if it had had no real business to have set up there at all. I doubted very much if it had come to any kind of agreement for the use of the land. I thought at once that the life must be a hard one for those who owned the fair. You could see why fairs like that have so largely died out from what things used to be in my gran's day, who was always talking about the wonderful fairs and circuses when she was a girl. Such customers as there were, were almost all mere kids, even though kids do have most of the money nowadays. These kids were doing a lot of their spending at a tiny stall where a drab-looking woman was selling ice-cream and toffee-apples. I thought it would have been much simpler and more profitable to concentrate on that, and enter the catering business rather than trying to provide entertainment for people who prefer to get it in their houses. But very probably I was in a gloomy frame of mind that evening. The fair was pretty and old-fashioned, but no one could say it cheered you up.

The girl on the roundabout could still see me, and I was sure was looking at me reproachfully — and probably contemptuously as well. With that layout, she was in the middle of things and impossible to get away from. I should just have mooched off, especially since the people running the different stalls were all beginning to shout at me, as pretty well the only full adult in sight, when, going round, I saw a booth in more or less the farthest corner, where the high factory walls made an angle. It was a square tent of very dirty red and white striped canvas, and over the crumpled entrance flap was a rough-edged, dark painted, horizontal board, with written on it in faint gold capital letters THE SWORDS. That was all there was. Night was coming on fast, but there was no light outside the tent and none shining through from inside. You might have thought it was a store of some kind.

For some reason, I put out my hand and touched the hanging flap. I am sure I should never have dared actually to draw it aside and peep in. But a touch was enough. The flap was pulled back at once, and a young man stood there, sloping his head to one side so as to draw me in. I could see at once that some kind of show was going on. I did not really want to watch it, but felt that I should look a complete imbecile if I just ran away across the fairground, small though it was.

"Two bob," said the young man, dropping the dirty flap, and sticking out his other hand, which was equally dirty. He wore a green sweater, mended but still with holes, grimy grey trousers, and grimier sandshoes. Sheer dirt was so much my first impression of the place that I might well have fled after all, had I felt it possible. I had not noticed this kind of griminess about the rest of the fair.

Running away, however, wasn't on. There were so few people inside. Dotted about the bare, bumpy ground, with bricks and broken glass sticking out from the hard earth, were 20 or 30 wooden chairs, none of them seeming to match, most of them broken or defective in one way or another, all of them chipped and off-colour. Scattered among these hard chairs was an audience of seven. I know it was seven, because I had no difficulty in counting, and because soon it mattered. I made the eighth. All of them were in single units and all were men: this time men and not boys. I think that I was the youngest among them, by quite a long way.

And the show was something I have never seen or heard of since. Nor even read of. Not exactly.

There was a sort of low platform of dark and discoloured wood up against the back of the tent — probably right on to the factory walls outside. There was a burly chap standing on it, giving the spiel, in a pretty rough delivery. He had tight yellow curls, the colour of cheap lemonade but turning grey, and a big red face, with a splay nose, and very dark red lips. He also had small eyes and ears. The ears didn't seem exactly opposite one another, if you know what I mean. He wasn't much to look at, though I felt he was very strong, and could probably have taken on all of us in the tent single-handed and come out well on top. I couldn't decide how old he was — either then or later. (Yes, I did see him again — twice.) I should imagine he was nearing 50, and he didn't look in particularly good condition, but it seemed as though he had just been made with more thew and muscle than most people are. He was dressed like the youth at the door, except that the sweater of the chap on the platform was not green but dark blue, as if he were a seaman, or perhaps acting one. He wore the same dirty grey trousers and sandshoes as the other man. You might almost have thought the place was some kind of boxing booth.

But it wasn't. On the chap's left (and straight ahead of where I sat at the edge of things and in the back row) a girl lay sprawled out facing us in an upright canvas chair, as faded and battered as everything else in the outfit. She was dressed up like a French chorus, in a tight and shiny black thing, cut low, and black fishnet stockings, and those shiny black shoes with super high heels that many men go for in such a big way. But the total effect was not particularly sexy, all the same. The different bits of costume had all seen better days, like everything else, and the girl herself looked more sick than spicy. Under other conditions, I thought to begin with, she might have been pretty enough, but she had made herself up with green powder, actually choosing it apparently, or having it chosen for her, and her hair, done in a tight bun, like a ballet dancer's, was not so much mousy as plain colourless. On top of all this, she was lying over the chair, rather than sitting in it, just as if she was feeling faint or about to be ill. Certainly she was doing nothing at all to lead the chaps on. Not that I myself should have wanted to be led. Or so I thought at the start.

And in front of her, at the angle of the platform, was this pile of swords. They were stacked criss-cross, like cheese-straws, on top of a low stool, square and black, the sort of thing they make in Sedgeley and Wednesfield and sell as Japanese, though this specimen was quite plain and undecorated, even though more than a bit chipped. There must have been 30 or 40 swords, as the pile had four corners to it, where the hilts of the swords were set diagonally above one another. It struck me later that perhaps there was one sword for each seat, in case there was ever a full house in the tent.

If I had not seen the notice outside, I might not have realized they were swords, or not at first. There was nothing gleaming about them, and nothing decorative. The blades were a dull grey, and the hilts were made of some black stuff, possibly even plastic. They looked thoroughly mass-produced and industrial, and I could not think where they might have been got. They were not fencing foils but something much solider, and the demand for real swords nowadays must be mainly ceremonial, and less and less even of that. Possibly these swords came from suppliers for the stage, though I doubt that too. Anyway, they were thoroughly dingy swords, no credit at all to the regiment.

I do not know how long the show had been going on before I arrived, or if the man in the seaman's sweater had offered any explanations. Almost the first thing I heard was him saying, "And now, gentlemen, which of you is going to be the first?"

There was no movement or response of any land. Of course there never is.

"Come on," said the seaman, not very politely. I felt that he was so accustomed to the backwardness of his audiences that he was no longer prepared to pander to it. He did not strike me as a man of many words, even though speaking appeared to be his job. He had a strong accent, which I took to be Black Country, though I wasn't in a position properly to be sure at that time of my life, and being myself a Londoner.

Nothing happened.

"What you think you've paid your money for?" cried the seaman, more truculent, I thought, than sarcastic.

"You tell us," said one of the men on the chairs. He happened to be the man nearest to me, though in front of me.

It was not a very clever thing to say, and the seaman turned it to account.

"You," he shouted, sticking out his thick, red forefinger at the man who had cheeked him. "Come along up. We've got to start somewhere."

The man did not move. I became frightened by my own nearness to him. I might be picked on next, and I did not even know what was expected of me, if I responded.

The situation was saved by the appearance of a volunteer. At the other side of the tent, a man stood up and said, "I'll do it."

The only light in the tent came from a single Tilley lamp hissing away (none too safely, I thought) from the crosspiece of the roof, but the volunteer looked to me exactly like everyone else.

"At last," said the seaman, still rather rudely. "Come on then."

The volunteer stumbled across the rough ground, stepped on to my side of the small platform, and stood right in front of the girl. The girl seemed to make no movement. Her head was thrown so far back that, as she was some distance in front of me, I could not see her eyes at all clearly. I could not even be certain whether they were open or closed. "Pick up a sword," said the seaman sharply.

The volunteer did so, in a rather gingerly way. It looked like the first time he had ever had his hand on such a thing, and, of course, I never had either. The volunteer stood there with the sword in his hand, looking an utter fool. His skin looked grey by the light of the Tilley, he was very thin, and his hair was failing badly.

The seaman seemed to let him stand there for quite a while, as if out of devilry, or perhaps resentment at the way he had to make a living. To me the atmosphere in the dirty tent seemed full of tension and unpleasantness, but the other men in the audience were still lying about on their hard chairs looking merely bored.

After quite a while, the seaman, who had been facing the audience, and speaking to the volunteer out of the corner of his mouth, half-turned on his heel, and still not looking right at the volunteer, snapped out: "What are you waiting for? There are others to come, though we could do with more."

At this, another member of the audience began to whistle "Why are we waiting?" I felt he was getting at the seaman or showman, or whatever he should be called, rather than at the volunteer.

"Go on," shouted the seaman, almost in the tone of a drill instructor. "Stick it in."

And then it happened, this extraordinary thing.

The volunteer seemed to me to tremble for a moment, and then plunged the sword right into the girl on the chair. As he was standing between me and her, I could not see where the sword entered, but I could see that the man seemed to press it right in, because almost the whole length of it seemed to disappear. What I could have no doubt about at all was the noise the sword made. A curious thing was that we are so used to at least the idea of people being stuck through with swords, that, even though, naturally, I had never before seen anything of the kind, I had no doubt at all of what the man had done. The noise of the sword tearing through the flesh was only what I should have expected. But it was quite distinct even above the hissing of the Tilley. And quite long drawn out too. And horrible.

I could sense the other men in the audience gathering themselves together on the instant and suddenly coming to life. I could still see little of what precisely had happened.

"Pull it out," said the seaman, quite casually, but as if speaking to a moron. He was still only half-turned towards the volunteer, and still looking straight in front of him. He was not looking at anything; just holding himself in control while getting through a familiar routine.

The volunteer pulled out the sword. I could again hear that unmistakable sound.

The volunteer still stood facing the girl, but with the tip of the sword resting on the platform. I could see no blood. Of course I thought I had made some complete misinterpretation, been fooled like a kid. Obviously it was some kind of conjuring.

"Kiss her if you want to," said the seaman. "It's included in what you've paid."

And the man did, even though I could only see his back. With the sword drooping from his hand, he leaned forwards and downwards. I think it was a slow and loving kiss, not a smacking and public kiss, because this time I could hear nothing.

The seaman gave the volunteer all the time in the world for it, and, for some odd reason, there was no whistling or catcalling from the rest of us; but in the end, the volunteer slowly straightened up.

"Please put back the sword," said the seaman, sarcastically polite.

The volunteer carefully returned it to the heap, going to some trouble to make it lie as before.

I could now see the girl. She was sitting up. Her hands were pressed together against her left side, where, presumably, the sword had gone in. But there was still no sign of blood, though it was hard to be certain in the bad light. And the strangest thing was that she now looked not only happy, with her eyes very wide open and a little smile on her lips, but, in spite of that green powder, beautiful too, which I was far from having thought in the first place.

The volunteer passed between the girl and me in order to get back to his seat. Even though the tent was almost empty, he returned to his original place religiously. I got a slightly better look at him. He still looked just like everyone else.

"Next," said the seaman, again like a sergeant numbering off.

This time there was no hanging back. Three men rose to their feet immediately, and the seaman had to make a choice.

"You then," he said, jabbing out his thick finger towards the centre of the tent.

The man picked was elderly, bald, plump, respectable-looking, and wearing a dark suit. He might have been a retired railway foreman or electricity inspector. He had a slight limp, probably taken in the way of his work.

The course of events was very much the same, but the second comer was readier and in less need of prompting, including about the kiss. His kiss was as slow and quiet as the first man's had been: paternal perhaps. When the elderly man stepped away, I saw that the girl was holding her two hands against the centre of her stomach. It made me squirm to look.

And then came the third man. When he went back to his seat, the girl's hands were to her throat.

The fourth man, on the face of it a rougher type, with a cloth cap (which, while on the platform, he never took off) and a sports jacket as filthy and worn out as the tent, apparently drove the sword into the girl's left thigh, straight through the fishnet stocking. When he stepped off the platform, she was clasping her leg, but looking so pleased that you'd have thought a great favour had been done her. And still I could see no blood.

I did not really know whether or not I wanted to see more of the details. Raw as I was, it would have been difficult for me to decide.

I didn't have to decide, because I dared not shift in any case to a seat with a better view. I considered that a move like that would quite probably result in my being the next man the seaman called up. And one thing I knew for certain was that whatever exactly was being done, I was not going to be one who did it. Whether it was conjuring, or something different that I knew nothing about, I was not going to get involved.

And, of course, if I stayed, my turn must be coming close in any case.

Still, the fifth man called was not me. He was a tall, lanky, perfectly black Negro. I had not especially spotted him as such before. He appeared to drive the sword in with all the force you might expect of a black man, even though he was so slight, then threw it on the floor of the platform with a clatter, which no one else had done before him, and actually drew the girl to her feet when kissing her. When he stepped back, his foot struck the sword. He paused for a second, gazing at the girl, then carefully put the sword back on the heap.

The girl was still standing, and it passed across my mind that the Negro might try to kiss her again. But he didn't. He went quietly back to his place. Behind the scenes of it all, there appeared to be some rules, which all the other men knew about. They behaved almost as though they came quite often to the show, if a show was what it was.

Sinking down once more into her dilapidated canvas chair, the girl kept her eyes fixed on mine. I could not even tell what colour her eyes were, but the fact of the matter is that they turned my heart right over. I was so simple and inexperienced that nothing like that had ever happened to me before in my whole life. The incredible green powder made no difference. Nothing that had just been happening made any difference. I wanted that girl more than I had ever wanted anything. And I don't mean I just wanted her body. That comes later in life. I wanted to love her and tousle her and all the other, better things we want before the time comes when we know that however much we want them, we're not going to get them.

But, in justice to myself, I must say that I did not want to take my place in a queue for her.

That was about the last thing I wanted. And it was one chance in three that I should be next to be called. I drew a deep breath and managed to scuttle out. I can't pretend it was difficult. I was sitting near the back of the tent, as I've said, and no one tried to stop me. The lad at the entrance merely gaped at me like a fish. No doubt he was quite accustomed to the occasional patron leaving early. I fancied that the bruiser on the platform was in the act of turning to me at the very instant I got up, but I knew it was probably imagination on my part. I don't think he spoke, nor did any of the other men react. Most men at shows of that kind prefer to behave as if they were invisible. I did get mixed up in the greasy tent flap, and the lad in the green sweater did nothing to help, but that was all. I streaked across the fairground, still almost deserted, and still with the roundabout tinkling away, all for nothing, but very prettily. I tore back to my nasty bedroom, and locked myself in.

On and off, there was the usual fuss and schemozzle in the house, and right through the hours of darkness. I know, because I couldn't sleep. I couldn't have slept that night if I'd been lying between damask sheets in the Hilton Hotel. The girl on the platform had got deep under my skin, green face and all: the girl and the show too, of course. I think I can truly say that what I experienced that night altered my whole angle on life, and it had nothing to do with the rows that broke out in the other bedrooms, or the cackling and bashing on the staircase, or the constant pulling the plug, which must have been the noisiest in the Midlands, especially as it took six or seven pulls or more for each flush. That night I really grasped the fact that most of the time we have no notion of what we really want, or we lose sight of it. And the even more important fact that what we really want just doesn't fit in with life as a whole, or very seldom. Most folk learn slowly, and never altogether learn at all. I seemed to learn all at once.

Or perhaps not quite, because there was very much more to come.

The next morning I had calls to make, but well before the time arrived for the first of them I had sneaked back to that tiny, battered, little fairground. I even skipped breakfast, but breakfast in Uncle Elias's special lodging was very poor anyway, though a surprising number turned up for it each day. You wondered where so many had been hiding away all night. I don't know what I expected to find at the fair. Perhaps I wasn't sure I should find the fair there at all.

But I did. In full daylight, it looked smaller, sadder, and more utterly hopeless for making a living even than the night before. The weather was absolutely beautiful, and so many of the houses in the immediate area were empty, to say nothing of the factories, that there were very few people around. The fair itself was completely empty, which took me by surprise. I had expected some sort of gypsy scene and had failed to realize that there was nowhere on the lot for even gypsies to sleep. The people who worked the fair must have gone to bed at home, like the rest of the world. The plot of land was surrounded by a wire-mesh fence, put up by the owner to keep out tramps and meth-drinkers, but by now the fence wasn't up to much, as you would expect, and, after looking round, I had no difficulty in scrambling through a hole in it, which the lads of the village had carved out for fun and from having nothing better to do. I walked over to the dingy booth in the far corner, and tried to lift the flap.

It proved to have been tied up at several places and apparently from the inside. I could not see how the person doing the tying had got out of the tent when he had finished, but that was the sort of trick of the trade you would expect of fairground folk. I found it impossible to see inside the tent at all without using my pocketknife, which I should have hesitated to do at the best of times, but while I was fiddling around, I heard a voice just behind me.

"What's up with you?"

There was a very small, old man standing at my back. I had certainly not heard him come up, even though the ground was so rough and lumpy. He was hardly more than a dwarf, he was as brown as a horse-chestnut or very nearly, and there was not a hair on his head.

"I wondered what was inside," I said feebly.

"A great big python, two miles long, that don't even pay its rent," said the little man.

"How's that?" I asked. "Hasn't it a following?"

"Old-fashioned," said the little man. "Old-fashioned and out of date. Doesn't appeal to the women. The women don't like the big snakes. But the women have the money these times, and the power and the glory too." He changed his tone. "You're trespassing."

"Sorry, old man," I said. "I couldn't hold myself back on a lovely morning like this."

"I'm the watchman," said the little man. "I used to have snakes too. Little ones, dozens and dozens of them. All over me, and every one more poisonous than the next. Eyes darting, tongues flicking, scales shimmering: then in, right home, then back, then in again, then back. Still in the end, it wasn't a go. There's a time and a span for all things. But I like to keep around. So now I'm the watchman. While the job lasts. While anything lasts. Move on then. Move on."

I hesitated.

"This big snake you talk of," I began, "this python — "

But he interrupted quite shrilly.

"There's no more to be said. Not to the likes of you, any road. Off the ground you go, and sharply. Or I'll call the police constable. He and I work hand in glove. I take care to keep it that way. You may not have heard that trespass is a breach of the peace. Stay here and you'll be sorry for the rest of your life."

The little man was actually squaring up to me, even thought the top of his brown skull (not shiny, by the way, but matt and patchy, as if he had some trouble with it) rose hardly above my waist. Clearly, he was daft.

As I had every kind of reason for going, I went. I did not even ask the little man about the times of performances that evening, or if there were any. Inside myself, I had no idea whether I should be back, even if there were performances, as there probably were.

I set about my calls. I'd had no sleep, and, since last night's tea, no food, and my head was spinning like a top, but I won't say I did my business any worse than usual. I probably felt at the time that I did, but now I doubt it. Private troubles, I have since noticed, make very little difference to the way most of us meet the outside world, and as for food and sleep, they don't matter at all until weeks and months have passed.

I pushed on then, more or less in the customary way (though, in my case, the customary way, at that job, wasn't up to very much at the best of times), and all the while mulling over and around what had happened to me, until the time came for dinner. I had planned to eat in the café where I had eaten the night before, but I found myself in a different part of the city, which, of course, I didn't know at all, and, feeling rather faint and queer, fell instead into the first place there was.

And there, in the middle of the floor, believe it or not, sitting at a Formica-topped table, was my girl with the green powder, and, beside her, the seaman or showman, looking more than ever like a run-down boxer.

I had not seriously expected ever to set eyes on the girl again. It was not, I thought, the kind of thing that happens. At the very most I might have gone again to the queer show, but I don't think I really would have done, when I came to think out what it involved.

The girl had wiped off the green powder, and was wearing a black coat and skirt and a white blouse, a costume you might perhaps have thought rather too old for her, and the same fishnet stockings. The man was dressed exactly as he had been the night before, except that he wore heavy boots instead of dirty sandshoes, heavy and mud-caked, as if he had been walking through fields.

Although it was the dinner-hour, the place was almost empty, with a dozen unoccupied tables, and these two sitting in the centre. I must almost have passed out.

But I wasn't really given time. The man in the jersey recognized me at once. He stood up and beckoned to me with his thick arm. "Come and join us." The girl had stood up too.

There was nothing else I could do but what he said.

The man actually drew back a chair for me (they were all painted in different, bright colours, and had been reseated in new leatherette), and even the girl waited until I had sat down before sitting down herself.

"Sorry you missed the end of last night's show," said the man.

"I had to get back to my lodgings, I suddenly realized." I made it up quite swiftly. "I'm new to the town," I added.

"It can be difficult when you're new," said the man. "What'll you have?"

He spoke as if we were on licensed premises, but it was pretty obvious we weren't, and I hesitated.

"Tea or coffee?"

"Tea, please," I said.

"Another tea, Berth," called out the man. I saw that the two of them were both drinking coffee, but I didn't like the look of it, any more than I usually do.

"I'd like something to eat as well," I said, when the waitress brought the tea. "Thank you very much," I said to the man.

"Sandwiches: York ham, salt beef, or luncheon meat. Pies. Sausage rolls," said the waitress. She had a very bad stye on her left lower eyelid.

"I'll have a pie," I said, and, in due course, she brought one, with some salad on the plate, and the bottle of sauce. I really required something hot, but there it was.

"Come again tonight," said the man.

"I'm not sure I'll be able to."

I was finding it difficult even to drink my tea properly, as my hands were shaking so badly, and I couldn't think how I should cope with a cold pie.

"Come on the house, if you like. As you missed your turn last night."

The girl, who had so far left the talking to the other, smiled at me very sweetly and personally, as if there was something quite particular between us. Her white blouse was open very low, so that I saw more than I really should, even though things are quite different today from what they once were. Even without the green powder, she was a very pale girl, and her body looked as if it might be even whiter than her face, almost as white as her blouse. Also I could now see the colour of her eyes. They were green. Somehow I had known it all along.

"In any case," went on the man, "it won't make much difference with business like it is now."

The girl glanced at him as if she were surprised at his letting out something private, then looked at me again and said, "Do come." She said it in the friendliest, meltingest way, as if she really cared. What's more, she seemed to have some kind of foreign accent, which made her even more fascinating, if that were possible. She took a small sip of coffee.

"It's only that I might have another engagement that I couldn't get out of. I don't know right now."

"We mustn't make you break another engagement," said the girl, in her foreign accent, but sounding as if she meant just the opposite.

I managed a bit more candour. "I might get out of my engagement," I said, "but the truth is, if you don't mind my saying so, that I didn't greatly care for some of the others in the audience last night."

"I don't blame you," said the man very dryly, and rather to my relief, as you can imagine. "What would you say to a private show? A show just for you?" He spoke quite quietly, suggesting it as if it had been the most normal thing in the world, or as if I had been Charles Clore.

I was so taken by surprise that I blurted out, "What! Just me in the tent?"

"In your own home, I meant," said the man, still absolutely casually, and taking a noisy pull on his pink earthenware cup. As the man spoke, the girl shot a quick, devastating glance. It was exactly as if she softened everything inside me to water. And, absurdly enough, it was then that my silly pie arrived, with the bit of green salad, and the sauce. I had been a fool to ask for anything at all to eat, however much I might have needed it in theory.

"With or without the swords," continued the man, lighting a cheap-looking cigarette. "Madonna has been trained to do anything else you want. Anything you may happen to think of." The girl was gazing into her teacup.

I dared to speak directly to her. "Is your name really Madonna? It's nice."

"No," she said, speaking rather low. "Not really. It's my working name." She turned her head for a moment, and again our eyes met.

"There's no harm in it. We're not Catholics," said the man, "though Madonna was once."

"I like it," I said. I was wondering what to do about the pie. I could not possibly eat.

"Of course a private show would cost a bit more than two bob," said the man. "But it would be all to yourself, and, under those conditions, Madonna will do anything you feel like." I noticed that he was speaking just as he had spoken in the tent: looking not at me or at anyone else, but straight ahead into the distance, and as if he were repeating words he had used again and again and was fed up with but compelled to make use of.

I was about to tell him I had no money, which was more or less the case, but didn't.

"When could it be?" I said.

"Tonight, if you like," said the man. "Immediately after the regular show, and that won't be very late, as we don't do a ten or eleven o'clock house at a date like this. Madonna could be with you at a quarter to ten, easy. And she wouldn't necessarily have to hurry away either, not when there's no late-night matinée. There'd be time for her to do a lot of her novelties if you'd care to see them. Items from her repertoire, as we call them. Got a good place for it, by the way? Madonna doesn't need much. Just a room with a lock on the door to keep out the non-paying patrons, and somewhere to wash her hands."

"Yes," I said. "As a matter of fact, the place I'm stopping at should be quite suitable, though I wish it was brighter, and a bit quieter too."

Madonna flashed another of her indescribably sweet glances at me. "I shan't mind," she said softly.

I wrote down the address on the corner of a paper I had found on my seat, and tore it off.

"Shall we call it ten pounds?" said the man, turning to look at me with his small eyes. "I usually ask twenty and sometimes fifty, but this is Wolverhampton not the Costa Brava, and you belong to the refined type."

"What makes you say that?" I asked; mainly in order to gain time for thinking what I could do about the money.

"I could tell by where you sat last night. At pretty well every show there's someone who picks that seat. It's a special seat for the refined types. I've learnt better now than to call them up, because it's not what they want. They're too refined to be called up, and I respect them for it. They often leave before the end, as you did. But I'm glad to have them in at any time. They raise the standard. Besides, they're the ones who are often interested in a private show, as you are, and willing to pay for it. I have to watch the business of the thing too."

"I haven't got ten pounds ready in spare cash," I said, "but I expect I can find it, even if I have to fiddle it."

"It's what you often have to do in this world," said the man. "Leastways if you like nice things."

"You've still got most of the day," said the girl, smiling encouragingly.

"Have another cup of tea?" said the man.

"No thanks very much."

"Sure?"

"Sure."

"Then we must move. We've an afternoon show, though it'll probably be only for a few kids. I'll tell Madonna to save herself as much as she can until the private affair tonight."

As they were going through the door on to the street, the girl looked back to throw me a glance over her shoulder, warm and secret. But when she was moving about, her clothes looked much too big for her, the skirt too long, the jacket and blouse too loose and droopy, as if they were not really her clothes at all. On top of everything else, I felt sorry for her. Whatever the explanation of last night, her life could not be an easy one.

They'd both been too polite to mention my pie. I stuffed it into my attaché case, of course without the salad, paid for it, and dragged off to my next call, which proved to be right across the town once more.

I didn't have to do anything dishonest to get the money.

It was hardly to be expected that my mind would be much on my work that afternoon, but I stuck to it as best I could, feeling that my life was getting into deep waters and that I had better keep land of some kind within sight, while it was still possible. It was as well that I did continue on my proper round of calls, because at one of the shops my immediate problem was solved for me without my having to lift a finger. The owner of the shop was a nice old gentleman with white hair, named Mr Edis, who seemed to take to me immediately I went through the door. He said at one point that I made a change from old Bantock with his attacks of asthma (I don't think I've so far mentioned Bantock's asthma, but I knew all about it), and that I seemed a good lad, with a light in my eyes. Those were his words, and I'm not likely to make a mistake about them just yet, seeing what he went on to. He asked me if I had anything to do that evening. Rather pleased with myself, because it was not an answer I should have been able to make often before, not if I had been speaking the truth, I told him Yes, I had a date with a girl.

"Do you mean with a Wolverhampton girl?" asked Mr Edis.

"Yes. I've only met her since I've been in the town." I shouldn't have admitted that to most people, but there was something about Mr Edis that led me on and made me want to justify his good opinion of me.

"What's she like?" asked Mr Edis, half closing his eyes, so that I could see the red all round the edges of them.

"Gorgeous." It was the sort of thing people said, and my real feelings couldn't possibly have been put into words.

"Got enough small change to treat her properly?"

I had to think quickly, being taken so much by surprise, but Mr Edis went on before I had time to speak.

"So that you can cuddle her as you want?"

I could see that he was getting more and more excited.

"Well, Mr Edis," I said, "as a matter of fact, not quite enough. I'm still a beginner in my job, as you know."

I thought I might get a pound out of him, and quite likely only as a loan, the Midlands people being what we all know they are.

But on the instant he produced a whole fiver. He flapped it in front of my nose like a kipper.

"It's yours on one condition."

"I'll fit in if I can, Mr Edis."

"Come back tomorrow morning after my wife's gone out — she works as a traffic warden, and can't hardly get enough of it — come back here and tell me all about what happens."

I didn't care for the idea at all, but I supposed that I could make up some lies, or even break my word and not go back at all, and I didn't seem to have much alternative.

"Why, of course, Mr Edis. Nothing to it."

He handed over the fiver at once.

"Good boy," he said. "Get what you're paying for out of her, and think of me while you're doing it, though I don't expect you will."

As for the other five pounds, I could probably manage to wangle it out of what I had, by scraping a bit over the next week or two, and cooking the cash book a trifle if necessary, as we all do. Anyway, and being the age I was, I hated all this talk about money. I hated the talk about it much more than I hated the job of having to find it. I did not see Madonna in that sort of way at all, and I should have despised myself if I had. Nor, to judge by how she spoke, did it seem the way in which she saw me. I could not really think of any other way in which she would be likely to see me, but I settled that one by trying not to think about the question at all.

My Uncle Elias's special lodging in Wolverhampton was not the kind of place where visitors just rang the bell and waited to be admitted by the footman. You had to know the form a bit, if you were to get in at all, not being a resident, and still more if, once inside, you were going to find the exact person you were looking for. At about half past nine I thought it best to start lounging around in the street outside. Not right on top of the house door, because that might have led to misunderstanding and trouble of some kind, but moving up and down the street, keeping both eyes open and an ear cocked for the patter of tiny feet on the pavement. It was almost dark, of course, but not quite. There weren't many people about but that was partly because it was raining gently, as it does in the Midlands: a soft, slow rain that you can hardly see, but extra wetting, or so it always feels. I am quite sure I should have taken up my position earlier if it hadn't been for the rain. Needless to say, I was like a cat on hot bricks. I had managed to get the pie inside me between calls during the afternoon. I struggled through it on a bench just as the rain was beginning. And at about half past six I'd had a cup of tea and some beans in the café I'd been to the night before. I didn't want any of it. I just felt that I ought to eat something in view of what lay ahead of me. Though, of course, I had precious little idea of what that was. When it's truly your first experience, you haven't; no matter how much you've been told and managed to pick up. I'd have been in a bad state if it had been any woman that was supposed to be coming, let alone my lovely Madonna.

And there she was, on the dot, or even a little early. She was dressed in the same clothes as she had worn that morning. Too big for her and too old for her; and she had no umbrella and no raincoat and no hat.

"You'll be wet," I said.

She didn't speak, but her eyes looked, I fancied, as if she were glad to see me. If she had set out in that green powder of hers, it had all washed off.

I thought she might be carrying something, but she wasn't, not even a handbag.

"Come in," I said.

Those staying in the house were lent a key (with a deposit to pay on it), and, thank God, we got through the hall and up the stairs without meeting anyone, or hearing anything out of the way, even though my room was at the top of the building.

She sat down on my bed and looked at the door. After what had been said, I knew what to do and turned the key. It came quite naturally. It was the sort of place where you turned the key as a matter of course. I took off my raincoat and let it lie in a corner. I had not turned on the light. I was not proud of my room.

"You must be soaked through," I said. The distance from the fairground was not all that great, but the rain was of the specially wetting kind, as I've remarked.

She got up and took off her outsize black jacket. She stood there holding it until I took it and hung it on the door. I can't say it actually dripped, but it was saturated, and I could see a wet patch on the eiderdown where she had been sitting. She had still not spoken a word. I had to admit that there seemed to have been no call for her to do so.

The rain had soaked through to her white blouse. Even with almost no light in the room I could see that. The shoulders were sodden and clinging to her, one more than the other. Without the jacket, the blouse looked quainter than ever. Not only was it loose and shapeless, but it had sleeves that were so long as to droop down beyond her hands when her jacket was off. In my mind I had a glimpse of the sort of woman the blouse was made for, big and stout, not my type at all.

"Better take that off too," I said, though I don't now know how I got the words out. I imagine that instinct looks after you even the first time, provided it is given a chance. Madonna did give me a chance, or I felt that she did. Life was sweeter for a minute or two than I had ever thought possible.

Without a word, she took off her blouse and I hung it over the back of the single bedroom chair.

I had seen in the café that under it she had been wearing something black, but I had not realized until now that it was the same tight, shiny sheath that she wore in the show, and that made her look so French.

She took off her wet skirt. The best I could do was to drape it over the seat of the chair. And there she was, super high heels and all. She looked ready to go on stage right away, but that I found rather disappointing.

She stood waiting, as if for me to tell her what to do.

I could see that the black sheath was soaking wet, anyway in patches, but this time I didn't dare to suggest that she take it off.

At last Madonna opened her mouth. "What would you like me to begin with?"

Her voice was so beautiful, and the question she asked so tempting, that something got hold of me and, before I could stop myself, I had put my arms round her. I had never done anything like it before in my whole life, whatever I might have felt.

She made no movement, so that I supposed at once I had done the wrong thing. After all, it was scarcely surprising, considering how inexperienced I was.

But I thought too that something else was wrong. As I say, I wasn't exactly accustomed to the feel of a half-naked woman, and I myself was still more or less fully dressed, but all the same I thought at once that the feel of her was disappointing. It came as a bit of a shock. Quite a bad one, in fact. As often, when facts replace fancies. Suddenly it had all become rather like a nightmare.

I stepped back.

"I'm sorry," I said.

She smiled in her same sweet way. "I don't mind," she said.

It was nice of her, but I no longer felt quite the same about her. You know how, at the best, a tiny thing can make all the difference in your feeling about a woman, and I was far from sure that this thing was tiny at all. What I was wondering was whether I wasn't proving not to be properly equipped for life. I had been called backward before now, and perhaps here was the reason.

Then I realized that it might all be something to do with the act she put on, the swords. She might be some kind of freak, or possibly the man in the blue jersey did something funny to her, hypnotized her, in some way.

"Tell me what you'd like," she said, looking down at the scruffy bit of rug on the floor.

I was a fool, I thought, and merely showing my ignorance.

"Take that thing off," I replied. "It's wet. Get into bed. You'll be warmer there."

I began taking off my own clothes.

She did what I said, squirmed out of the black sheath, took her feet gently out of the sexy shoes, rolled off her long stockings. Before me for a moment was my first woman, even though I could hardly see her. I was still unable to face the idea of love by that single, dim electric light, which only made the draggled room look more draggled.

Obediently, Madonna climbed into my bed and I joined her there as quickly as I could.

Obediently, she did everything I asked, just as the man in the blue sweater had promised. To me she still felt queer and disappointing — flabby might almost be the word — and certainly quite different from what I had always fancied a woman's body would feel like if ever I found myself close enough to it. But she gave me my first experience none the less, the thing we're concerned with now. I will say one thing for her: from first to last she never spoke an unnecessary word. It's not always like that, of course.

But everything had gone wrong. For example, we had not even started by kissing. I had been cram full of romantic ideas about Madonna, but I felt that she was not being much help in that direction, for all her sweet and beautiful smiles and her soft voice and the gentle things she said. She was making herself almost too available, and not bringing out the best in me. It was as if I had simply acquired new information, however important, but without any exertion of my feelings. You often feel like that, of course, about one thing or another, but it seemed dreadful to feel it about this particular thing, especially when I had felt so differently about it only a little while before.

"Come on," I said to her. "Wake up."

It wasn't fair, but I was bitterly disappointed, and all the more because I couldn't properly make out why. I only felt that everything in my life might be at stake.

She moaned a little.

I heaved up from on top of her in the bed and threw back the bedclothes behind me. She lay there flat in front of me, all grey — anyway in the dim twilight. Even her hair was colourless, in fact pretty well invisible.

I did what I suppose was rather a wretched thing. I caught hold of her left arm by putting both my hands round her wrist, and tried to lug her up towards me, so that I could feel her thrown against me, and could cover her neck and front with kisses, if only she would make me want to. I suppose I might under any circumstances have hurt her by dragging at her like that, and that I shouldn't have done it. Still no one could have said it was very terrible. It was quite a usual sort of thing to do, I should say.

But what actually happened was very terrible indeed. So simple and so terrible that people won't always believe me. I gave this great, bad-tempered, disappointed pull at Madonna. She came up towards me and then fell back again with a sort of wail. I was still holding on to her hand and wrist with my two hands, and it took me quite some time to realize what had happened. What had happened was that I had pulled her left hand and wrist right off.

On the instant, she twisted out of the bed and began to wriggle back into her clothes. I was aware that even in the almost nonexistent light she was somehow managing to move very swiftly. I had a frightful sensation of her beating round in my room with only one hand, and wondered in terror how she could possibly manage. All the time, she was weeping to herself, or wailing might be the word. The noise she made was very soft, so soft that but for what was happening, I might have thought it was inside my own head.

I got my feet on to the floor with the notion of turning on the light. The only switch was of course by the door. I had the idea that with some light on the scene, there might be certain explanations. But I found that I couldn't get to the switch. In the first place, I couldn't bear the thought of touching Madonna, even accidentally. In the second place, I discovered that my legs would go no farther. I was too utterly scared to move at all. Scared, repelled, and that mixed-up something else connected with disappointed sex for which there is no exact word.

So I just sat there, on the edge of the bed, while Madonna got back into her things, crying all the while, in that awful, heart-breaking way which I shall never forget. Not that it went on for long. As I've said, Madonna was amazingly quick. I couldn't think of anything to say or do. Especially with so little time for it.

When she had put on her clothes, she made a single appallingly significant snatch in my direction, caught something up, almost as if she, at least, could see in the dark. Then she had unlocked the door and bolted.

She had left the door flapping open off the dark landing (we had time-switches, of course), and I could hear her pat-patting down the staircase, and so easily and quietly through the front door that you might have thought she lived in the place. It was still a little too early for the regulars to be much in evidence.

What I felt now was physically sick. But I had the use of my legs once more. I got off the bed, shut and locked the door, and turned on the light.

There was nothing in particular to be seen. Nothing but my own clothes lying about, my sodden-looking raincoat in the corner, and the upheaved bed. The bed looked as if some huge monster had risen through it, but nowhere in the room was there blood. It was all just like the swords.

As I thought about it, and about what I had done, I suddenly vomited. They were not rooms with hot and cold running water, and I half-filled the old-fashioned washbowl, with its faded flowers at the bottom and big thumbnail chippings round the rim, before I had finished.

I lay down on the crumpled bed, too fagged to empty the basin, to put out the light, even to draw something over me, though I was still naked and the night getting colder.

I heard the usual sounds beginning on the stairs and in the other rooms. Then, there was an unexpected, businesslike rapping at my own door.

It was not the sort of house where it was much use first asking who was there. I got to my feet again, this time frozen stiff, and, not having a dressing-gown with me, put on my wet raincoat, as I had to put on something and get the door open, or there would be more knocking, and then complaints, which could be most unpleasant.

It was the chap in the blue sweater; the seaman or showman or whatever he was. Somehow I had known it might be.

I can't have looked up to much, as I stood there shaking, in only the wet raincoat, especially as all the time you could hear people yelling and beating it up generally in the other rooms. And of course I hadn't the slightest idea what line the chap might choose to take.

I needn't have worried. Not at least about that.

"Show pass off all right?" was all he asked; and looking straight into the distance as if he were on his platform, not at anyone or anything in particular, but sounding quite friendly notwithstanding, provided everyone responded in the right kind of way.

"I think so," I replied.

I daresay I didn't appear very cordial, but he seemed not to mind much.

"In that case, could I have the fee? I'm sorry to disturb your beauty sleep, but we're moving on early."

I had not known in what way I should be expected to pay, so had carefully got the ten pounds into a pile, Mr Edis's fiver and five single pounds of my own, and put it into the corner of a drawer, before I had gone out into the rain to meet Madonna.

I gave it to him.

"Thanks," he said, counting it, and putting it into his trousers pocket. I noticed that even his trousers seemed to be seaman's trousers, now that I could see them close to, with him standing just in front of me. "Everything all right then?"

"I think so," I said again. I was taking care not to commit myself too far in any direction I could think of.

I saw that now he was looking at me, his small eyes deep-sunk.

At that exact moment, there was a wild shriek from one of the floors below. It was about the loudest human cry I had heard until then, even in one of those lodgings.

But the man took no notice.

"All right then," he said.

For some reason, he hesitated a moment, then he held out his hand. I took it. He was very strong, but there was nothing else remarkable about his hand.

"We'll meet again," he said. "Don't worry."

Then he turned away and pressed the black time-switch for the staircase light. I did not stop to watch him go. I was sick and freezing.

And so far, despite what he said, our paths have not recrossed.