How To Be An Alien

Preface to the 24th impression

The reception given to this book when it first appeared in the autumn of 1946, was at once a pleasant surprise and a disappointment for me. A surprise, because the reception was so kind; a disappointment for the same reason.

Let me explain.

The first part of this statement needs little amplification. Even people who are not closely connected with the publishing trade will be able to realize that it is very nice — I'm sorry. I'd better be a little more English: a not totally unpleasant thing for a completely unknown author to run into three impressions within a few weeks of publication and thereafter into another twenty-one.

What is my grievance, then? It is that this book has completely changed the picture I used to cherish of myself. This was to be a book of defiance. Before its publication I felt myself a man who was going to tell the English where to get off. I had spoken my mind regardless of consequences; I thought I was brave and outspoken and expected either to go unnoticed or to face a storm. But no storm came. I expected the English to be up in arms against me but they patted me on the back; I expected the British nation to rise in wrath but all they said, was: ‘quite amusing’. It was indeed a bitter disappointment.

While the Rumanian Radio was serializing (without my permission) How to be an Alien as an anti-British tract, the Central Office of Information rang me up here in London and asked me to allow the book to be translated into Polish for the benefit of those many Polish refugees who were then settling in this country. ‘We want our friends to see us in this light,’ the man said on the telephone. This was hard to bear for my militant and defiant spirit. ‘But it's not such a favourable light,’ I protested feebly. ‘It's a very human light and that is the most favourable,’ retorted the official. I was crushed.

A few weeks later my drooping spirit was revived when I heard of a suburban bank manager whose wife had brought this book home to him remarking that she had found it fairly amusing. The gentleman in ques tionsat down in front of his open fire, put his feet up and read the book right through with a continually darkening face. When he had finished, he stood up and said:

‘Downright impertinence.’

And threw the book into the fire.

He was a noble and patriotic spirit and he did me a great deal of good. I wished there had been more like him in England. But I could never find another.

Since then I have actually written about a dozen books; but I might as well have never written anything else. I remained the author of How to be an Alien even after I had published a collection of serious essays. Even Mr Somerset Maugham complained about this type of treatment bitterly and repeatedly. Whatever he did, he was told that he would never write another Of Human Bondage! Arnold Bennett in spite of fifty other works remained the author of The Old Wives' Tale and nothing else; and Mr Robert Graves is just the author of the Claudius books. These authors are much more eminent than I am; but their problem is the same. At the moment I am engaged in writing a 750-page picaresque novel set in ancient Sumeria. It is taking shape nicely and I am going to get the Nobel Prize for it. But it will be of no use: I shall still remain the author of How to be an Alien.

I am not complaining. One's books start living their independent lives soon enough, just like one's children. I love this book; it has done almost as much for me as I have done for it. Yet, however loving a parent you may be, it hurts your pride a little if you are only known, acknowledged and accepted as the father of your eldest child.

In 1946 I took this manuscript to Andre Deutsch, a young man who had just decided to try his luck as a publisher. He used to go, once upon a time, to the same school as my younger brother. I knew him from the old days and it was quite obvious to me even then, in Budapest, when he was only twelve and wore shorts, that he would make an excellent publisher in London if he only had the chance. So I offered my book to him and as, at that time, he could not get manuscripts from better known authors, he accepted it with a sigh. He suggested that Nicolas Bentley should be asked to ‘draw the pictures’. I liked the idea but I said he would turn the suggestion down. Once again I was right: he did turn it down. Eventually, however, he was persuaded to change his mind.

Mr Deutsch was at that time working for a different firm. Four years after the publication of this book, and after the subsequent publication of three other Mikes-Bentley books, he left this firm while I stayed with them and went on working with another popular and able cartoonist, David Langdon. Now, however, Andre Deutsch has bought all the rights of my past and future output from his former firm and the original team of Deutsch, Bentley and myself are together again under the imprint of the first named gentleman. We are all twelve years older and Mr Deutsch does not wear shorts any more, or not in the office, at any rate.

‘When are you going to write another How to be an Alien?’ Deutsch and Bentley ask me from time to time and I am sure they mean it kindly.

They cannot quite make out the reply I mutter ill answer to their friendly query. It is: ‘Never, if I can help it.’

London, May 1958 GEORGE MIKES