Last Stories and Other Stories

TO THE READER

This is my final book. Any subsequent productions bearing my name will have been composed by a ghost. As I watch this world turn past my window, I wonder how I should have lived. Now that it seems too late to alter myself, I decline to complain; indeed, my only regret is that pleasure comes to an end. Wherever there is a rose, runs the ancient Gulistan, there is a thorn; and when wine is drunk there is a hangover; where treasure is buried there is a snake; where there is the noble pearl there are sharks; the pain of death follows the pleasures of life, and the delights of Paradise are hidden by a wall of ill. — This wall of ill, won’t you view it with me? Through my late father’s binoculars, its aggregates of bloody leaves resemble coral or scrambled eggs, all washed and blended by watercolor fogs. Now let’s step up to count vines and snakes! If you’ll kindly verify my tally, I promise to prove that for all its deadliness, our wall of ill remains no less green and delicious. To be stung by that poisonous creeper over there might even induce an orgasm; for its leaves bear undeniably precious speckles, and there appear to be vermilion dewdrops upon its urticating hairs. And don’t forget to lick Malkhut, the Unlighted Mirror! Some of you may decline, in keeping with the axiom: This shall not happen to Makso. But why not make the occasion a dress ball, should the hole in the ground prove wide enough? As for me, even when I dance I long to describe everything — not least, the elephants who carry great blossoms on their braided trunks, and the green monkeys standing on the elephants’ heads — for what “posterity” declines to censor, time will blight, causing happy new generations of the ignorant to suppose that our wall of ill was never better than a hedge of grey thorns, so read me now! For I do see beauty; I retain my sexual hopes! Consider that bluish-faced crested iguana over there with the white-banded flesh; the way it watches me while slowly drawing itself along a branch can’t help but put me in mind of miscegenatory sports. Having heard so much, you still don’t care to crawl closer? Pick a rose with me; sip a bitter cup — or would you rather dive for noble pearls in your own private cesspool? Infinity, I am sure, will kiss you in this blue and green and cloudy land. Or should you prefer doctrine to sensation, I’ll guide you through barbed wire past Makso’s grave (and mine) to the Last Meadow, where my favorite moss-bearded prophet has nearly finished computing the answer to the following test of intellect: Is it better to lose all quickly or slowly — or best never to have been born? He has already taught me the names of the evil angels. He says: There is no means through which those who have been born can escape dying. Therefore the wise do not grieve, knowing the terms of the world. — I’ll believe him — so long as I can whiten my face and dance with an iguana. My prophet intimates that both may be possible. He runs a barbering business on the side. He’ll rouge your cheeks and lips for next to nothing. When prostitutes can’t help you anymore, let him sell you a hole! He’s shown me how to play with death as did Newton with thought-pebbles. Before he got enlightened, he used to worry that you and I would feel sad upon learning how small we are. He himself is big. He says: You too will come to comprehend, if you but keep to the ill-ward path. — It was he who first led me to the pale river which is white in the morning, brown in the afternoon. Down this chalky way of rusty ships and crescent-boats sail people whom I used to know; they will transfer at various terminals, and then, somewhere I have not been, all of them, those rich crowds with red or yellow umbrellas, those poor men with the sacks on their heads, those longhaired women in flower-patterned dresses, will go swarming off the last ferry into the rain. Wasn’t that Makso over there? And didn’t my pretty lizard just make a getaway? Sharpening his razor, my prophet advises me to make my own fun. I may as well stay here overnight, polishing these last stories until they’re good enough to bury in the ground.

I see trees head on, in layers and layers, and now the river has turned to jade, because it reflects bamboos muted by the humid sky. Behind a stand of needle-leaved whipping-trees comes a mountain of writhing cobras; and from within that mountain I hear the hoarse rapid laughter of children.

A man and a woman sit across from each other, and on the round table between them lies a perfectly wrapped box of sweets. The man opens it. The woman smiles; her finger hovers, for each candy is a different color and shape, with a unique poison at its heart. She takes a pale jade jelly with sesame seeds on top. He takes a red one made of bean paste. She touches his hand. They gaze down into their candy box. Just so I gaze into my lovely wall of ill.

WTV

Sacramento 2005–2013