Colum McCann
This Side of Brightness

For Siobhan, Sean, Oonagh, and Ronan.

And, of course, for Allison.

We started dying before the snow and, like the snow, we continued to fall. It was surprising there were so many of us left to die.

LOUISE ERDRICH, Tracks

chapter 1. 1991

On the evening before the first snow fell, he saw a large bird frozen in the waters of the Hudson River. He knew it must have been a goose or a heron, but he decided that it was a crane. Its neck was tucked under its wingpit and the head was submerged in the river. He peered down at the water’s surface and imagined the ancient ornamental beak. The bird’s legs were spread out and one wing was uncurled as if it had been attempting to fly through ice.

Treefrog found some bricks at the edge of the path that ran along the waterfront, lifted them high, and flung them down around the bird. The first brick bounced and skidded on the ice, but the second broke the surface and animated the crane for just a moment. The wings skipped minutely. The neck moved in a stiff, majestic arc and the head emerged from under the water, gray and bloated. He rained the bricks down with ferocious intent until the bird was free to move beyond the ice to where the river flowed.

Tipping his sunglasses up on his forehead, Treefrog watched the bird float away. He knew it would sink to the sands of the Hudson or get frozen in the ice once more, but he turned his back and walked away through the empty park. He kicked at some litter, touched the icy bark of a crab-apple tree, reached the tunnel entrance, and removed both his overcoats. He squeezed his way into a gap in the iron gate and crawled through.

The tunnel was wide and dark and familiar. There was no sound. Treefrog walked along the railway tracks until he came to a large concrete column. He touched the column with both hands and waited a moment for his eyes to adjust; then he grabbed onto a handhold and, with spectacular strength, hauled himself up. He walked along the beam with perfect balance, reached another catwalk, and shunted himself upward once more.

In his dark nest, high in the tunnel, Treefrog lit a small fire of twigs and newspaper. It was late evening. A train rumbled in the distance.

A few pellets of ratshit had collected on the bedside table, and he swept them off before opening the table drawer. From the depths of the drawer Treefrog took out a small purple jewelry bag, undid the yellow string. For a moment he warmed the harmonica in his gloved fist above the fire. He put it to his mouth, tested its warmth, and pulled in a net of tunnel air. The Hohner slipped along his lips. His tongue flickered in against the reeds, and the tendons in his neck shone. He felt the music was breathing him, asserting itself through him. A vision of his daughter whipped up — she was there, she was listening, she was part of his music, she sat with her knees tucked up to her chest and rocked back and forth in childish ecstasy — and he thought once again of the frozen crane in the river.

Sitting there, in his nest, in the miasmic dark, Treefrog played, transforming the air, giving back to the tunnels their original music.

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