Cat Laughing Last. Cat Seeing Double. Cat Fear No Evil

7. CAT LAUGHING LAST

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Theman lay facedown, bleeding into the braided rug of Susan Brittain’s breakfast room, the fallen keyboard of Susan’s computer dangling from the edge of her desk and dripping blood onto his face. The sliding glass doors of the large, bright room stood open, admitting a damp, chill breeze. The white shutter doors of the floor-to-ceiling cupboards had been flung back, the contents of the shelves thrown to the floor, a jumble of office supplies, boxes of costume jewelry, and ceramic dishes. Susan’s prized houseplants were crushed beneath broken ceramic planters and heaps of black potting soil; every surface was dusted with soil and with clinging black powder where a plastic bottle of copier toner had burst open, the inky haze charring a blood-splattered doll and crusting the lenses of Susan’s good reflex camera.

One shoe print was incised in the toner powder but had been partially smeared away. The computer had been turned on, the program on the screen a list of eBay auction items showing photographs of each offering with its price. The time was 6:30 A.M. Susan had been gone from the house for half an hour. As the victim lay committing his blood to her hand-braided rug, across the village three seemingly unrelated events were taking place, three small dramas that might, at a future date, help construct a scenario of interest to Molena Point police-and to one gray tomcat and his tabby lady.

At the south side of the village, in the old mansion that housed Molena Point Little Theater, a young tortoiseshell cat prowled alone among the sets, her bright, inquisitive mind filled with wonderful questions. She was not hunting mice or snatching spiders from the cobwebs that hung in the far, high corners of the raftered ceiling. Her curiosity centered on the theater itself. She had watched the sets being built and painted, marveling at the green hills that looked so very like the real Molena Point hills over which she ranged each day. When she backed away from the sets, as the artist often did, the rolling slopes seemed nearly as huge and throbbing with light, the land running on forever along the edge of the Pacific. Only these hills didn’t smell like green grass and earth, they smelled like paint. And no houses nestled among them, just scattered oaks, and wandering herds of longhorn cattle and deer and elk, from a time long past.

“Did Molena Point truly look like this?” she whispered to the empty theater. “All wild and without people? And such big animals everywhere? Were there no little cats then? And no rabbits or gophers to hunt?”

Every wonder that the kit had encountered in her short life had demanded vociferous response. She had to talk about each new event, if only to herself. She stood watching the hills, filled with questions, and she looked above her, too, at the ropes and props of the theater, at the catwalk where she liked to prowl, at the electrical buttons and cords that operated the various curtains, and at the overhead pulleys and lights, all complicated and wonderful. Muttering among ragged purrs, she sat admiring the set of the Spanish hacienda, with its deep windows and ornamental grills, and its broad patio with masses of roses blooming. The long, painted tables seemed very real standing about the patio with their white cloths and silver and crystal and vases of flowers, waiting for the wedding party-for a bride and groom two hundred years dead. And the sadness of the love triangle sent a shiver through the kit, as if Marcos Romeros had just now been shot, this early dawn, as if at this moment he lay dying and betrayed.

The kit relished the stories that humans told-but especially she loved the ancient Celtic folklore that spoke of her own history. She had never seen any kind of play being made, she had never seen any story brought alive, onstage. This new kind of storytelling filled her with wonder almost greater than her small, tortoiseshell body could contain.

Whilethe tattercoat kit dreamed alone in the empty theater, and the morning sky over Molena Point brightened to fog-streaked silver, the man who lay bleeding in Susan Brittain’s breakfast room stirred. His fingers twitched, his hand moved. His eyes opened, his expression puzzled and then afraid.

And across the village in a handsome stone cottage, a phone rang. One ring, two. On the third bell the system switched to an answering tape, recording a long message from a New York literary agent. Ten minutes later the instrument rang again, and an equally terse and irritated communication was committed to the machine from a prestigious New York editor. No one emerged from the bedroom to check the messages, certainly not the handsome, silver-haired author, a man one would expect to stroll out garbed in an expensive silk dressing gown and hand-sewn slippers. But it was, after all, only 6:50, California time. A writer who worked into the small hours had no desire to rise with the sun.

Several blocks away, in the crowded front yard of the Roy McLeary residence, as villagers gathered for the McLeary yard sale, an altercation was about to erupt over a small and unprepossessing wooden box that lay half hidden among cast-off household accessories and scarred furniture. A clash of emotions that would amuse and surprise the dozens of early bargain hunters, and would sharply alert the two cats who lay draped over the branch of a huge oak at the edge of the yard, greatly entertained by the intense atmosphere of the early gathering.

Joe Grey and Dulcie, having come from a predawn hunt up on the open hills, had arrived before daylight prepared to enjoy the bargaining. Though most of Molena Point’s yard sales started officially at 8:00 A.M., by 6:30 or 7:00 they were well under way, every shopper eager for the best buys.

Among the dark, prickly leaves, Joe’s sleek silver gray coat blended so well that he was hardly visible. But one white-booted paw hung over the branch, and the white strip down his face and his white chest might be glimpsed among the dense foliage by an observant visitor. His yellow eyes gleamed, too, watching, highly intrigued by the human passion to possess another person’s broken cast-offs. Beside him, Dulcie’s green eyes were slitted with amusement. The tip of her dark tail twitched, and her dark brown stripes blended with the oak’s shadows. Neither cat anticipated the trouble that was about to explode below them; neither was prepared, this morning, for the innocent gathering to turn violent.

And while the three events were yet to merge into an interesting scenario, six blocks to the west, out on the wide, sandy shore where the breakers rolled steadily like an endless heartbeat, Susan Brittain and her big black poodle turned to head home, following their own double trail of footprints back toward the village. Susan’s short, white hair was covered by a baseball cap, the collar of her faded jacket turned up against the sea wind. On Saturdays she walked Lamb very early so she could get to the yard sales, and could beat the other first arrivals who would snatch up all the best items. This morning she had left the house at 5:30, heading downhill from her apartment toward the heart of Molena Point, the village rooftops and oak trees massed below her, like black cutouts against the silver gleam of the sea. She had passed only a few cottages with their lights on, and then the shop windows softly illuminated-little lighted stages showing off bright jewelry and imported sweaters and fine china. Susan didn’t need to urge Lamb along; knowing the Saturday routine, he leaned his strong ninety pounds on the leash as he did at no other time, looking back at her urging her to hurry. Heaven knew she moved as fast as she could, considering her seventy years; but not fast enough to suit Lamb.

There was nothing lamblike about the big dog. A standard poodle was not a cuddly playtoy Her daughter had called him Lamb when he was six weeks old, a small bundle of fluff then, and the name had stuck. Now, Lamb’s long aristocratic head and his muscular body beneath his short-clipped, tightly curled black coat showed clearly his power and dignity. Susan felt bad, sometimes, that he had never been taught the formal rituals of retrieving, of gathering in game birds, working with a human hunter on California’s lakes and rivers, that he had never been allowed to develop the instinctive art that ran so powerfully in his blood. He was a companion dog, forced to trade his wild yearnings for home and fireside.

Around them as they headed home, the village was waking, cottage lights popping on behind curtained windows, the smell of freshly brewed coffee warming the damp sea air. She never tired of the village’s diverse architecture, the small houses and shops an amazing and congenial mix of Bavarian, Swiss, Mexican adobe, California contemporary, Mediterranean, Victorian, all softened by the richly flowering gardens for which Molena Point was known, and by the dark and sprawling oaks and cypress trees that stood guard over the crowded rooftops. Somewhere ahead, a dog barked counterpoint to the sea’s steady thunder. She’d had a lovely, quiet ramble with Lamb along the empty shore, looking away where sea and sky stretched forever, and she felt at peace. She had no clue that when she arrived home, her life would be precipitously altered.

Hurrying up Ocean between the shops, she saw only a few other dog walkers, saw none of her dog-owning friends; nor did she encounter the quiet New Yorker, Lenny Wells, and his sad-faced dalmatian. The young man was new to Molena Point; she had stopped with him for coffee several times, sitting at a sidewalk table, their two dogs lying quietly by their feet. She had suggested several congenial groups that Lenny might join, to get acquainted. He seemed so shy and uncertain; that was little enough that she could do to help him get settled. He was years her junior, quiet and respectful, very gentle with the young dog.

By the time Susan and Lamb reached home they had done two miles, a distance that Lamb considered trifling, little more than a warm-up. They were back at the house at 6:40, the sky cream and silver above them over the Molena Point hills. Starting in through the side door of the garage, Lamb growled and lunged through ahead of her, his ears back, his teeth gleaming as fierce as the fangs of an attacking wolf.

Alarmed, she pulled him back forcefully, shut the door, and moved away, speaking softly to Lamb. Someone was there, or had been-the big dog was not given to flights of fancy. Snatching up a sturdy, five-gallon plastic pot that had come from the nursery, she turned it over beneath the garage window and stood on it to peer in.

She no longer kept her car parked inside; it had sat out on the drive since she’d converted the double garage into a neat and efficient workroom for the storage and shipping of yard sale purchases. Looking in, she caught her breath.

The three big work tables had been overturned, and one of the legs broken. Shelves were ripped from the wall, cupboard doors torn off-and all the carefully cataloged treasures that she and her friends had purchased at countless yard and estate sales lay broken and scattered across the concrete.

Stepping down from the makeshift stool, feeling more angry than afraid, she retrieved the short-handled shovel from where she’d leaned it against the wall last evening when she’d finished planting some lavender bushes in the side yard. Holding the shovel like a battering ram, and speaking quietly to the growling poodle, she flung open the garage door.

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Likea colony of pack rats,” Joe Grey said. “Such an appetite for other people’s possessions, it’s enough to make a possum laugh.” He turned to look at Dulcie. “Humans are as bad as you, when you steal the neighbors’ silk undies.”

If a cat could blush, Dulcie’s furry face would be red. She didn’t like him to laugh at her. But it was true, she’d been driven by a longing for cashmere and silk, for soft, pretty garments, since she was a kitten. Such a keen desire that she would slip out of the house in the small hours, and into her neighbors’ homes, pressing in through a partially open window or swinging on the knob of a back door left unlocked. Slipping toward the bedroom, she would depart moments later dragging a silk teddy in her teeth or a sheer stocking or a bright, soft sweater, taking each lovely item home to roll on, to sleep on, to rub her face against. And how else was she to have the lovely garments that she so coveted, except to borrow them? She was a cat. She couldn’t indulge in shopping sprees at Lord& Taylor’s or I. Magnin’s. She only wanted to enjoy those treasures for a little while before the neighbors came to retrieve them. Well, shehadkept Wilma’s good watch for over a year, hidden under the claw-footed bathtub.

As the sun rose beyond the cats’ leafy treetop, the crowded roofs of Molena Point caught gleams and flashes of light. Shingled roofs and red tile, sharp peaks and slanted were soon all aglow. The time was not yet 7:00. In the distance a dog barked, an insistent staccato against the soft pounding of the sea. The morning air smelled of pine, and iodine, and of multitudes of small, dead shell-creatures. Out over the Pacific, dawn was reflected from the sea like burnished metal. But beyond lay black rain clouds-they might blow away north toward San Francisco or might creep in over the village and rain on the McLearys’ sale.

Slow-moving traffic filled the narrow street as new arrivals tried to find parking places, so many eager shoppers that the lane was choked with vehicles. And the lawn was crowded with folks wandering among borrowed church tables piled with toys and clothes and baby garments, with bent silverware, outdated golf clubs, tarnished jewelry, with dented cookpots and old handbags and faded Christmas decorations. Between the tables stood scarred dressers, beds, breakfast tables, and toy chests.

Watching folks argue over prices or haul away chairs and tables and broken toys, jamming their newly acquired treasures into cars and SUVs and pickups, watching all the little dramas, Joe and Dulcie, replete with a breakfast of wharf rat and young rabbit, were of much of the same frame of mind as a human couple who, after a satisfying supper, had settled down in a front row at the theater to be entertained.

“The McLearys must have cleaned out not only their own attic,” Dulcie said, “but the houses of all their cousins and uncles.” Indeed, the Molena Point McLearys were a large clan. “An anthropological treasure trove, an artifactual record of four generations of McLeary family history.”

“Four generations of bad taste. A microcosm of useless human consumerism.”

She stared at him.

He shrugged his sleek gray shoulders. “Look around you.

Abandoned projects, thrown-away intentions, broken dreams, soured ambitions. Relics of human disenchantment.”

Easing his position on the branch, he looked at her with tomcat superiority. “You don’t see a cat going off on a dozen projects-golf, snooker, Chinese checkers, paint by numbers, needlework, photograph albums. You don’t see a cat tossing away one craze after another. Look at the wasted time and effort, to say nothing of the wasted money. And then they have to get rid of it all. And their neighbors grab and snatch, until their own closets are bulging.”

“You’re in an ugly mood. What happened to live-and-let-live?”

Joe Grey shrugged.

“What you see down there,” she told him, “is a lifetime of magnificent intentions. An incredible richness of human endeavor and imagination. You’re looking at dreams down there-at the products of creative human energy. At happy, vital, and endlessly diverse moments in McLeary family history.”

Joe Grey snorted, his ears and whiskers back in a derisive cat laugh.

She widened her green eyes, but kept her voice low. “I’ve never seen you so sour. Are things not good at home? What, Clyde’s messed-up love life is making you cross? Or,” she said, “is Clyde still thinking of selling the house? Is that what’s eating you?”

“My mood has nothing to do with the house, or with Clyde’s love life. I am not driven by Clyde Damen’s vicissitudes. I am simply making an observation about the confusion of the human mind. You don’t see a cat throwing out the livingroom furniture every year and buying all new stuff. Look around you. Why would-”

“Cats don’t have livingroom furniture.”

“I have an easy chair.” His tone was so pompous that they both laughed. Joe’s upholstered chair, which sat in the Damen living room by the front window, was so ragged and faded it resembled nothing as much as the hide of an ancient and molting pachyderm. “You don’t see me tossing my good chair away at some yard sale.”

“If that chair’s a prototype of the quality of your life, that clawed-to-rags, fur-matted, stained and smelly horror, then you, my dear tomcat, are in trouble.”

Joe nudged her playfully; but soon they peered down again, fascinated by the bargain hunters. The locals were dressed in jeans and sweatshirts, some folks freshly scrubbed, some still uncombed as if they’d just rolled out of bed. The conviviality of neighbors brightened the morning with friendly talk and wisecracks. Here and there a weekender wandered, just as eager for a bargain, a tourist dressed in brand-name shorts, starched shirt, and Gucci sandals, or golf or tennis attire. Some shoppers carried nonspill coffee mugs that they had brought from their cars. Two were munching on breakfast rolls, wrapped in squares of waxed paper, that they’d picked up at one of the bakeries on the way over. At events such as this, one saw a true cross-section of the village. Besides the rich and comfortable, and the famous, who “did” the yard sales for a lark, one saw clearly the Molena Point residents who lived on limited funds, people trying to stretch every dollar. The inveterate bargain hunters, rich or poor, showed up at every such event. The cats watched a portly, bleached blond lady in walking shorts, a blue sweatshirt, and red tennis shoes try to fit a six-foot wicker bookcase into a small Jaguar sports car. She had wrapped the bookcase carefully in blankets-whether to protect her ten-dollar bargain or protect the hundred-thousand-dollar Jag wasn’t clear.

Nearer to the cats’ oak tree, two women stood arguing over a glass-topped patio table that both claimed to have spoken for first. And directly below, a huge-bellied man, stripped to the waist, carried a ruffled, flowered chaise lounge over his head, in the direction of a battered pickup truck. The cats watched a tiny little old lady precariously juggle a glass punch bowl of such proportions that she could have used it for a sitz bath. Maybe that was her plan. Fill it with champagne, and voila, just like the old Harlow movies. The sight of her prompted Dulcie to quote to herself,When I am old, I will wear purple, and bathe in French champagne.She caught her breath when the lady nearly dropped her gleaming treasure, and before she thought, Dulcie reached down a paw as if to offer assistance-but drew back quickly, glancing at Joe with embarrassment.

No one looked up to wonder what that cat was doing. No one had seen the two cats in the tree or, if they had seen them, no one would imagine their conversation, or dream of the thoughts churning through those sleek feline heads. Their human neighbors would never imagine that cats might discuss human frailties-though they might allow that cats didn’t give a damn about human foolishness.

Of the residents of Molena Point, only four people knew that Joe Grey and Dulcie could speak, that the two cats read theMolena Point Gazettefar more perceptively than some human subscribers, that they liked to frequent the village news racks perusing the front page of theSan Francisco Examiner,and that when there was nothing more interesting at hand, they watched prime-time TV Only four people knew that Joe Grey and Dulcie were not your ordinary, everyday kitties or that they had, during various criminal investigations by Molena Point PD, not only pointed a paw at their share of killers and thieves, supplying critical evidence to convict the miscreants, but that they had spied as well on any number of villagers, in the comfort of the villagers’ own homes. No one knew that, posing as stray kitties, the two were adept at passing on sensitive information to police detectives. Not even Max Harper’s own cops, nor Captain Harper himself, knew the identity of their best informants; Joe Grey and Dulcie were far too smooth to blow their own cover.

But the two cats had other human friends besides the four who shared their secrets. Peering down, they watched three of their favorite senior ladies making their yard sale selections with careful judgment-and with huge dreams. These three women weren’t shopping for fun, they were searching out purchases to secure their own futures.

Mavity Flowers, small and sturdy in her threadbare maid’s uniform, perused a display of china and crystal about which, through necessity, she had come to know quite a lot. Cora Lee French, a head taller than Mavity, a lovely, slim Creole woman with graying hair, slipped lithely among tables of needlework and linens, touching the stitching with gentle, experienced hands. And tall, blond Gabrielle Row checked over the clothes that hung on long metal racks, looking not only for resalable bargains, but for anything useful to the little theater costume department.

Gabrielle was still elegant, despite her sixty-some years. Her short-clipped gray hair was skillfully colored to ash blond, and the cut of her cream blazer was long and lean over her white slacks. Working full-time as seamstress in her own shop, she had for many years been wardrobe director as well for Molena Point Little Theater. And now, frequenting the yard sales, she was not only hunting for costume material but was planning, too, for a time when she would be less active.

Five ladies made up the Senior Survival Club: Mavity, Cora Lee, and Gabrielle. And Susan Brittain, who was not to be seen this morning, though Susan hardly ever missed a sale. Susan’s garage was headquarters for wrapping and shipping the items the ladies sold on the Web. She handled, on her computer, all their eBay sales. The fifth member was Wilma Getz, Dulcie’s housemate, retired parole officer, gray haired, in her late fifties. Wilma might be called a silent partner, agreeing with the women’s plan, meaning to take part at some future time, but not totally committed.

The ladies were looking toward buying a communal dwelling that would accommodate them all plus a housekeeper and a caregiver when that time arrived. All of them had some savings, or home equity. And the cats were amazed at how much money they had set aside by hitting the yard sales and selling at auction. So far, it amounted to over ten thousand dollars.

Senior Survival’s plan for mutual security and comfort, in a world of dwindling incomes, increasing taxes, and the possibility of deteriorating health, seemed to Dulcie infinitely courageous, a bold alternative to the ladies’ separate interments in retirement or convalescent homes-a plan of mutual cooperation but individual responsibility. These ladies didn’t like conventional institutions.

Slowly the sun slid higher above the hills, slashing through the oak leaves into the cats’ faces, making them slit their eyes. Joe’s white paws and chest, and the white triangle down his nose, gleamed like snow against his smooth gray fur. As Dulcie backed along the branch, her dark stripes cloaked in shadow, she resembled a small, dark tiger. Only her green eyes caught the light. A breeze fingered into the tree, to rattle the leaves, a chill breath that, by its scent and direction, promised not rain as the marine clouds implied, but a warm day to come. Perhaps only a cat would be aware of the message-how sad that humans, trying to assess the weather, had to read barometers and listen to the questionable advice of some book-educated meteorologist hamming his way through the morning news. Such dependence left one open to innumerable misjudgments in attire-to getting one’s head and feet wet; while all a cat had to do was taste the wind and feel in every fiber of his body the changes in barometric pressure.

The sun was returning to stay, no doubt of that. No more tearing March storms with winds wild enough to jerk a cat right out of his own pawprints. Spring was settling in at last, the acacia trees exploding with brilliant yellow blooms that smelled like honey. All the early flowers were opening. Village cats rolled with abandon in the gardens, and the outdoor cafes were filled with locals and tourists-a perfect spring, in the loveliest of villages. Who needed to travel the shores of Britain and France, Dulcie thought, or trek through Spain and Africa? Molena Point was so beautiful this morning that Dulcie’s purrs hummed through the branches like bumblebees.

But suddenly an unease touched the cats, a foreboding that made Dulcie stiffen and sent a chill twitching down Joe Grey’s spine as sharp as an electric shock.

They studied the crowd below, puzzled and alarmed, their ears flicking forward and back, every nerve on alert, as they tried to figure out what had alarmed them. They were crouched on the branch, wary and keenly predatory, when sirens sounded: a police car leaving the station, they could see beyond the treetops its red whirling beacon heading away through the village, in the same direction where, a quarter hour earlier, an ambulance had departed.

An ambulance, alone, was not uncommon. It could mean severe illness, a heart attack, the agony of a broken hip. A squad car alone could mean anything-a strayed child, a driver ramming into a tree. But the two vehicles together, the law and the medics, were inclined to mean trouble.

The cats had crouched to leap away across the roofs to have a look when Joe saw, in the street below, the source of their sudden unease. A growl rose in his throat as a petite young woman stepped out of her black Lincoln. The cats watched Vivi Traynor cross to the McLeary yard, trampling through a flower bed, shoving a child aside as she hurried to the sale tables. She was small and curvy, her black tights, plaid miniskirt, and black sweater clinging, her black hair teased into a bird’s nest around her thin face, and held back with a red bow. As she rifled through assemblages of household cast-offs, the village locals, who had not yet seen the author’s wife at a yard sale, watched her with interest. A portly tourist whipped out a scrap of paper as if to ask for Vivi’s autograph. Did the wife of an internationally famous novelist rate the status of autographs? Certainly Vivi always attracted attention. The couple had been in town barely three weeks, Elliott Traynor having come to oversee a little theater production of his only play, an experimental form that theGazettecalled innovative and exciting.

Word had it that Elliott was fighting cancer, that this theatrical production was a project he longed to enjoy while he was still able. The play was set in this area of the California coast where Molena Point now stood, and the musical score had been written by a well-known composer who made his home in the village. The cats watched Vivi wander the garden intently searching-for what? Perhaps looking for some stage prop? Slipping between a stack of used windows and a flowered couch, she performed a theatrical little hip wiggle to ease past a rusty barbecue, then giggled shrilly as she shouldered aside a portly lady tourist. The sight of her made Joe’s fur twitch.

Since their arrival, Elliott Traynor had kept largely to himself as he finished the last chapters ofTwilight Silver,the third novel in his historical trilogy. But Vivi had made herself known around the village, and not pleasantly-as if she enjoyed being rude to shopkeepers, as if she took pleasure in being abrupt and demanding.

The Traynors had not wanted a staff for the cottage they were renting, but had hired the cleaning service provided by Wilma Getz’s redheaded niece, Charlie. Charlie tended the Traynor house herself, early each morning, then left the couple to their privacy.

Molena Point’s residents, numbering so many writers and artists, were not put off by Elliott’s reclusive ways. They talked among themselves about his books and about the play, waved when occasionally they saw him on the streets or in the black Lincoln, as they headed to the theater; otherwise they left him to his own devices. The presence, alone, of the prestigious writer, seemed adequate enrichment to their well-appointed lives.

But no one had warmed to Vivi.

Traynor’s previous wife had died three years before. Six months later, he married Vivi, a woman forty years his junior. Besides her loud, rude ways, something else about her made the cats want to back away, hissing, a chill that perhaps only a cat would sense. Whatever reason she had for appearing this morning in the McLeary garden could only, in Joe Grey’s opinion, mean trouble.

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The light in Susan Brittain’s garage was dim. Standing in the doorway, again peering into the gloom, the first rays of sun striking in past her shoulder, she searched the shadows among the overturned shelves and tables, looking for someone perhaps still crouched there among the ripped-off cupboard doors and scattered empty shipping boxes. An unwound roll of bubble wrap lay twisted across the fallen shelf units like the cast-off skin of a giant snake. Susan could see no one standing silently, waiting for her to enter. Had the vandal been after something he imagined was secured behind the cabinets? Why else would he rip them from the wall? What could he imagine she had, of enough value for him to go to all that trouble? Her instinct was to run, to get away from the house, to call the police from her neighbor’s.

Was the vandal in the house somewhere? Had he broken into her home as well?

The door from the garage to the breakfast room was closed. She couldn’t see whether it had been tampered with, but when she headed further inside to try the lock, Lamb lunged into her path again, snapping at her leg and growling. She backed out of the garage, her hand on his head, grateful for his protection.

She didn’t want to go around to the patio entry. If someone was inside, she would be easily seen through the glass doors of the breakfast room before she could reach the front door.

Carrying the oversized plastic nursery pot from the side of the house, she stood on it again, to peer through the high windows into her bright breakfast room.

The cupboard doors stood open, their contents pulled out in a mess on the floor among the overturned dinette chairs, her watercolors jerked from their hooks, and the glass broken, her expensive ceramic pots thrown to the floor, spilling their delicate plants in heaps of black soil. Her heart was pounding so hard she felt faint. Both anger and panic blurred her vision-and fear.

A man lay sprawled beside her desk, facedown and unmoving, his blood mixed with spilled copier toner, the toner floating on top the viscous red pools like scum on a stagnant pond. She couldn’t see his face. What had he wanted? What had happened to him? She owned nothing of great value. Was this simply vandalism, senseless and cruel? Not a burglary at all, but someone mindlessly stoned and intent on destruction, who ended up harming himself?

Whatever had happened, she felt totally violated, felt far more wounded than she’d ever envisioned when she’d heard about others’ breakins. Reading those accounts, she’d tried to imagine how one would react, but she hadn’t had a clue.

She wondered, sickly, if he had trashed the whole house. Maybe he’d already made off with her TV and CD player, maybe with the few pieces of gold jewelry she kept in the top drawer of her dressing table, then had returned to see what else he could find. Had someone else been here, and hit him? He was very still, though from the way the blood and toner were smeared, it looked as if he had moved, maybe tried to roll over.

This was the stuff of some lurid movie. She needed the police, she needed someone. Her pride in her independence didn’t stretch this far.

Beside her, Lamb looked up at her with solemn, dark eyes, alert and questioning. Reaching down to stroke him, she tried to reassure herself, to take herself in hand.

Why had the burglar turned on her computer? Its light shone faintly across the man’s body, reflected from the eBay auction lists.

Andwasthere another vandal? Was he out here in the yard somewhere, watching her? Looking in both directions along the side of the house, she knew she should get away.

None of this made sense. Could that man in there be lying so still to deceive her, wanting to lure her inside and grab her? Someone who would hurt her simply for kicks? Lamb continued to watch the window, the gleam in his dark eyes hard and alert like a snake ready to strike.

Certainly, with Lamb by her side, she would be safe going in. If she went inside, she could see better what had happened, could see if the man was dead, then call 911.

Oh yes, she could do that. And maybe she should take his pulse, she thought, disgusted with herself.

Hands shaking, she stepped down off the plastic planter and backed away. Pulling Lamb’s leash tight, she slipped around to the drive where her car was parked. Unlocking the door, she signaled Lamb to get in. Following him, she locked the door again and used her cell phone, which she kept plugged into the dash, to call 911, her voice shaking so badly she could hardly make herself understood. That surprised her, that she would lose control. She managed to tell the dispatcher there was a man lying wounded in her house, bleeding and possibly dead, that there must have been two men. After she hung up, she wondered if she should back out of the drive, get away from there, even if the car was locked.

But it wouldn’t be long. She would wait in the drive until the police came.

They arrived within five minutes, a patrol officer-one of two new rookies, she thought. And the new detective from San Francisco, Detective Dallas Garza. She was aware of Garza from her friend Wilma, who knew most of the officers in the Molena Point PD. She wished that Captain Harper himself had come.

The captain had a terse but comforting way about him. During all that trouble up at the retirement home last year, when she’d been staying there recovering from her car accident, and those people were killed up there, Harper’s laid-back, quiet resolve had made everyone feel easier, had kept the elderly residents from panicking. But the department was growing, and Harper didn’t go out on many calls anymore.

Detective Garza was a squarely built, solid man in his late forties, dressed in slacks and a sport coat, his short black hair neatly trimmed, his black Latin eyes unreadable. The uniformed officer with him was young, with dimples and a cleft chin. Susan gave Dallas Garza her house key, and remained in her car with the doors locked, as he instructed, while they cleared the house. Garza had told her to be ready to drive away if anyone came out or if she felt threatened.

He was in there a very long time. Through her slightly open driver’s window, she heard the glass door of the breakfast room slide back, as if they had gone out that way and were looking over the patio. Then she heard the back patio gate creak open. Beside her, Lamb listened, following every sound.

Maybe ten minutes later she heard the gate shut again. She sat in the car feeling useless and uncharacteristically frightened. She didn’t approve of such fear in herself; she wondered sometimes if this Senior Survival plan was simply a sign of weakness-a gaggle of old ladies who felt they couldn’t cope with life alone? Looking over at Lamb, she was mighty thankful to have him. The big poodle, sitting erect in the passenger seat, watched the house as intently as if he could see through the walls. Another police car arrived, parking on the street. Garza came out of the house to confer with the officer, then walked over to her car, looking down at her as she rolled down her window.

“There’s no one in there, Mrs. Brittain.”

“That’s a relief. Is the man dead?”

“There’s no one in the breakfast room. There’s no body.” Garza looked at her carefully. “There’s a lot of blood. Detective Davis is on the way. She’ll photograph, take samples, and lift prints. Do you want to tell me again what you saw?”

Her hands began to shake. She couldn’t believe what he told her. Reaching to Lamb, she clutched her fingers into his short dense curls.

“You couldn’t have mistaken what you saw? Saw the blood, perhaps, and imagined�?”

“Of course not! Are you sure there was no one? You’re saying that man got up and walked away?”

“There was no one in the breakfast room. The glass door was unlocked and ajar. Did you leave it that way?”

“I left it locked. I would have heard it open. I looked in the window, standing on that plastic pot, and he was there. I came right to the car, locked myself in, and called you. Well, I guess he could have opened it then, when I was calling, and I wouldn’t have heard. But he was so still, and so much blood�”

“Could you describe again exactly what you saw?”

“A man. He looked dead. Lying on his stomach. Denim shirt and jeans. Lying in blood. His own blood, I supposed. Spilled printer toner mixed with blood, floating on top. Blood running into the spilled potting soil. He� the man was turned away, I couldn’t see his face. He had short brown hair, and he was thin.” She closed her eyes, trying to bring back the scene, then looked up at Garza. “I think he was young. Smooth neck, smooth hands.”

“Was he wearing rings or a watch?”

She closed her eyed again, but she couldn’t remember. Just kept seeing the blood.

“Did you notice anything else? His shoes? What kind of shoes?”

Again she tried to bring back the scene. “Blood and potting soil, or toner, on his shoes. They must have been jogging shoes. Yes, white. Blood and toner staining the white.”

Garza nodded. “There was a blood trail out the glass door and across the patio. But no one in the house. Your keyboard is filled with blood and could have prints. May we take it as evidence?”

“I have another, I just recently bought that curved one-to help prevent wrist problems, you know.”

Garza nodded. “And you’re all right waiting here while we finish the initial investigation?”

“I’m fine.” But,I’m hungry,she thought.Iwant my coffee.

She could go to the neighbors, beg a cup of coffee. But she didn’t want to talk to anyone, didn’t want to answer questions. And she didn’t want to ask to go in the house while they were taking evidence. They wouldn’t want her there getting in the way, maybe destroying something they felt was important.

As Garza turned away, a plain green Chevy pulled up the drive, parking beside Susan’s car. Detective Juana Davis got out, a squarely built Latina woman in her mid-thirties with short black hair. She smiled and waved to Susan, and went inside with Garza. Susan sat in her car thinking about having to clean up that mess, and about this loss to the Senior Survival club fund. They’d had no one item of value, but many small treasures that altogether would have brought a nice sum on the Web-now all shattered and destroyed. And she thought about the five members of the Senior Survival club buying a house together, wondered if five women living together might be more secure, maybe take better precautions-or if five lone women in a house would be sitting ducks for anyone who wanted to harm them.

I’m getting paranoid, this is crazy, this is not the way I look at life.She stroked Lamb and looked into his eyes, and saw such steadfast courage that she was ashamed of her own cowardice.

It was half an hour later that Davis came out to tell Susan that the trail of blood led across her backyard, across her neighbors’ side yard, and disappeared at the curb of the street below her house.

“The victim may have gotten into a car. Do you remember a car parked down there?” Davis pushed back her short hair. She was in uniform, though usually the detectives dressed in civilian clothes.

“I didn’t come home along the lower street,” Susan said. “I came up the other way, directly from the village. Walking. I’d been walking Lamb, on the beach.”

Davis nodded. Her dark Latin eyes warmed to Susan, and she reached to pat her arm. “You’ll continue to wait until Detective Garza can talk with you again? Are you comfortable?”

“Of course,” Susan said, badly wanting her coffee.

The detectives spent nearly two hours going over the scene, photographing, dusting for prints, taking blood samples from several locations, and taking Susan’s own fingerprints for comparison. After about an hour, Davis asked her if she wanted to come in and make coffee.

As she sipped that first, welcome cup, Detective Garza sat with her in her living room, refusing coffee, asking endless questions. She allowed him to examine her hands and arms for any cuts or scrapes or bruises. She tried not to let that ruffle her. This was part of his job, to be sure she hadn’t been involved, that she wasn’t holding back information.

“Who knows your routine, Mrs. Brittain? Who would know that you are in the habit of walking early in the morning?”

“All my neighbors know that. And my women friends. Wilma Getz� Shall I give you a list?”

“Yes, with addresses and phone numbers, if you would. Anyone else?”

“Other dog walkers would know. Anyone used to seeing me and Lamb in the village or on the beach. This is a small town, Detective Garza. Everyone knows your business.” Garza had only been in the village a few months; but surely even working in San Francisco, he’d be aware that some of the neighborhoods were like a small town, where everyone knew everyone else. And Garza knew the village, he had vacationed here for years.

“When can I begin to clean up?” she asked. “Do I have to leave that mess?”

“For a while you do. We’ll be putting up crime scene tape, we’ll want everything left untouched until we notify you. Can you stay with a friend for a few nights? Stay out of the house until we’re finished?”

“I’ll call Wilma. I’m supposed to meet her and some friends for brunch, but I�”

“It might help to have friends around you. And please don’t leave your dog here, for his own safety.”

“No, I wouldn’t leave Lamb. He’ll go with me.”

“He’s a fine, dignified fellow. Does he hunt?”

“No. My daughter never trained him. She got him for companionship. She’s working in San Francisco now, so I inherited Lamb. Do you have dogs?”

“I used to raise pointers. I have two that I’ll be bringing down later, when I get the backyard fixed up for them.” He smiled. “Go on to brunch, Mrs. Brittain-you and Lamb. I’ll wait while you pack an overnight bag.”

She gave Detective Garza her spare house key that she kept in her dresser, and packed a bag while he waited. His presence in the house was reassuring. Before she left, they checked the doors and windows together. As she drove away, she saw Detective Davis canvassing the neighborhood to see who might have been at home, who might have heard or seen anything unusual. The disappearance of the body-of the wounded man-distressed her. She didn’t like the idea that he might return.

But, comforted by the officers’ thoroughness, she began to feel easier. She was not a flighty woman, she was not going to get hysterical over this. After the wreck that had left her so crippled, which had taken a year to recover from, she had been able to keep herself together. So why go to pieces over something so much smaller? All the time she was in the wheelchair she had not lost her nerve or resolve-at least, not very often. She told herself that this breakin, this ugly invasion of her privacy, was nothing compared to that nightmare. Yet she couldn’t shake the sense of being totally violated.

She supposed everyone felt this way when such a thing happened, felt incredibly angry at their own helplessness. If she could get her hands on either of those men, even the hurt one, and if she was strong enough, she wouldn’t answer for what she might do.

Parking a block from the Swiss Cafe, she smoothed her short hair and put on some lipstick. Detective Garza was right, she needed her friends. Clipping on Lamb’s leash, she let him out of the car and headed for brunch, praying that she wouldn’t end up crying in her pancakes, making a fool of herself.

4 [��������: pic_5.jpg]

When the ambulance screamed again through the village, Mavity Flowers jumped, startled, dropping the handful of old beaded evening bags she’d been sorting through. That violent noise tore right through a person. She never got used to it, not since the ambulance came when her husband died, when Lou was taken away.

Pushing back her kinky gray hair, she knelt to pick up the little old purses, clutching them against her white uniform. Rising, she laid them out across the cluttered table atop a mess of other bargains so she could choose the best ones. You’d think she’d be used to sirens at her age, and with so many older folk in the village. The ambulance went out often, even if only for some poor soul who had taken a bad fall-went out more frequently than she liked to think about. She felt uneasy suddenly, thinking about her Senior Survival friends. But Cora Lee and Gabrielle were right there at the sale. Wilma never came to these events-but Wilma was healthy as a horse, working out twice a week and walking every day.

She hadn’t seen Susan, and that was strange. Susan got up so early, she was always among the first, eager to get the best buys.

Looking around for her, Mavity wanted to use the McLearys’ phone, see if she was all right.

But that was foolish, that was the kind of fussing that would deeply annoy Susan. She was too independent to tolerate her friends’ checking on her for no sensible reason.

Mavity knelt to pick up the purses, selecting the nicest ones, and looking to see if any beads were missing. She hoped that when her time came to depart this world, there would be no need for sirens. That she’d go fast, that she wouldn’t have some terrible, debilitating stroke to leave her lingering. It terrified her to think of growing weak and helpless, of being unable to care for herself.

Even though she was getting up in years, she felt young inside, and she kept herself in good shape, cleaning houses all day. She could still walk a mile into the village, buy her groceries, and carry them home again, and not be breathing hard when she plunked the bags down on the kitchen table. Still wore a size 4, even if all she bought was white uniforms in the used-clothing shops. Only when she looked in the mirror at her wrinkles and crow’s-feet did she see the truth about her age.

She had no children to look out for her if she got sick. Now that her niece was dead, she had only her brother Greeley, and what good was he? Older than she was, and he’d be all thumbs, trying to care for a person. Irresponsible, too. Living down there in Panama like some foreigner. The last time he flew up to see her, look at the trouble they’d had, him stealing, right there under her nose, robbing from the village stores.

No, she couldn’t depend on Greeley. When her time came, she prayed for one massive stroke. Zip. Gone-to whatever lay beyond.

Maybe she’d see Lou again, maybe not. Two old folks wandering hand in hand again. Or maybe they’d be young again. No aches and pains. Wouldn’t that be nice.

She hadn’t been to church for years, didn’t remember how a priest described Heaven. Well, if there wasn’t any Heaven, if there was nothing after this life, she wouldn’t know it, would she? Might as well think like there was, and enjoy the promise.

Anyway, now she wouldn’t be alone if she got decrepit, now she had a new kind of family to depend on, and to depend on her.

She’d balked at first at the idea of the Senior Survival club; it had seemed silly, and she’d never been a joiner. But maybe it would work. They were committed now, the five of them set on making their lives easier by their own efforts, not depending on some agency that they had no control over. Susan said they were reinventing their futures. Well, they weren’t planning on nothing fancy, no grand cruises or flights to Europe. Just a way to grow old with more security, by helping each other, using the money they were making right now as they picked over the McLearys’ cast-off junk, plus the money they’d all make selling their houses.

Mavity had to smile. This all sounded like a confidence scheme. Except there was no outsider to rip them off. It had been their own idea, the five of them, all friends for years. Four of them widowed, and Wilma divorced, all alone now and tossing out ideas for their futures. She paused a moment, looking across the garden at her friends, at Gabrielle, and at Cora Lee. And for a moment, she couldn’t help it; she felt a nudge of envy.

Mavity’s daydreaming again,” Dulcie said. “Woolgathering.” She watched Mavity, who was watching Gabrielle and Cora Lee, and she could almost guess what Mavity was thinking-a little of Mavity’s indulgent daydreaming. Across the McLeary garden, Gabrielle was inspecting a tableful of silverware, her tall slim figure handsome in her pale blazer, her short, soft blond hair catching the sunlight. Beyond her, Cora Lee French sorted through some boxes of books, her cafe-au-lait coloring and long white sundress making her look about seventeen, despite the salt and pepper in her black hair.

“What are you grinning about?” Joe asked, cutting her a look.

“About Mavity-at what she’s thinking.”

“What? You’re psychic suddenly?”

“She’s thinking,In my next life, I’ll be tall and willowy like Gabrielle and Cora Lee.”

“Come on, Dulcie�”

“She is. I’ve heard her say it often enough, rambling on while she’s helping Charlie clean someone’s house. It’s Mavity’s one discontent, that she isn’t tall.If I was born again tall and slim and beautiful, and with a little cash, I’d know I was in heaven.”

“You’re making fun of her.”

“Not at all. I love Mavity,” Dulcie said, her green eyes widening, her tail lashing. “But that is what she’s thinking. And probably thinking, too,Well you can’t have everything�And maybe,I’m healthy and independent. I can outwork most women half my age.“And the cats looked down fondly on little Mavity Flowers, hoping she’d be tall in the next life, the way she wanted to be.

They watched her select a pearl-beaded bag and tuck it with five other evening bags into her two-wheeled, wire mesh cart, laying half a dozen hand-embroidered hankies on top so they wouldn’t wrinkle. All would bring a nice profit on eBay. Amazing, the things people would buy on the Web. They’d listened to the ladies tell how they’d cleaned out their own mother’s attics years before, and sent to charity items they wished they had back. Old Sandwich glass, Dulcie remembered, that Gabrielle had once thought was so tacky. And the old brass binoculars that Wilma said would now bring eighty or ninety dollars.

Water under the bridge,Mavity would say, and that made Dulcie purr.What’s gone is gone.She could just hear her.Look at what’s right here under your nose, don’t be crying for what’s lost, that you can’t bring back.

“Youaremaking fun of her,” Joe said. “You’re smirking like the Cheshire cat.”

“I’m not. Anyway, Mavity doesn’t care what anyone thinks-she wouldn’t care what a cat thinks. Look, she’s going to buy those used uniforms, too, like she always does.”

Joe didn’t reply. He was watching an old man try out a set of golf clubs. Old guy had a real hook. He ought to take up checkers.

Dulcie smiled as Mavity held a white uniform against herself for size. Mavity bought the generic uniforms that would do for any trade, beautician, waitress, or her own job of housecleaning. The little, spry woman was proud of her work. Her square, blunt hands were rough from scrubbing, but gentle when they petted a cat. Her face was brown and lined from the California sun and from the sea wind that blew down the bay into her small house when she left the windows open.Fishing shack,Mavity would say,if the truth be told.

But now Mavity’s house was called a bayside cottage, and worth half a million. Mavity said that she and Lou had paid thirty thousand for it, forty years ago when they were first married. Just a little house on stilts, at the muddy edge where the marsh met Molena Point Bay. Amazing, everyone said, what had happened to the Molena Point economy-to the whole country’s economy. Mavity was, through no effort of her own, a well-to-do property owner.

Except that soon the house wouldn’t be hers. The home she’d kept dear since her husband died was, the ladies said, about to be gobbled up in the all-powerful sweep of village politics. About to be condemned, as was the whole row of bayside houses.

“Well, Mavity has a good job,” Dulcie said. Working for Charlie’s Fix-It, Clean-It, she couldn’t have a better boss. Tall, redheaded Charlie Getz was such a no-nonsense person. And now since Charlie had bought that old rundown duplex, she and Mavity were working on it, painting and sanding the floors. Mavity liked working in an empty place more than she liked cleaning while someone was in the house. She always said she didn’t like anyone looking over her shoulder, and Dulcie understood that.

Vivi Traynor was still picking and poking, now among some stacked boxes. When Charlie cleaned for them, she’d told Wilma, she had to be really quiet. She said Elliott was the temperamental kind of writer, couldn’t stand noise. She said less complimentary things about Vivi. One thing was sure, Vivi Traynor was young enough to be the novelist’s granddaughter.

Snippy, too,Dulcie thought.With a giggle like a freight train whistle.And Dulcie had seen Vivi flirting with the village men. Though if her famous husband was too busy with his writing to care, why should anyone else? He stayed at home in the afternoons and in the evening, shut up in his study, but most mornings when Charlie did up the place, the Traynors were at the little theater.

Vivi, having apparently found no treasure worth purchasing, rose from the clutter of boxes. She stood glancing around her, jingling her car keys and jangling those bangle bracelets she always wore, then she moved on again, looking, slipping among stacks of broken toys and used clothing. Dulcie watched her lift a folded bedspread to see what was underneath, then rifle through a stack of suitcases, shifting the dusty valises and opening them. She was very focused, as if she were looking for something special. As she pried and prodded, never stopping to admire any item, her face was frozen with distaste-maybe she couldn’t bear dirt or the smell of old things; but her black eyes darted everywhere, looking. And across the yard, Gabrielle had stopped collecting sale items, and stood very still, watching Vivi.

Strange that Gabrielle hadn’t greeted Vivi, that the two women hadn’t acknowledged the other. But Gabrielle was like that, she wouldn’t press their brief acquaintance. Despite her look of smooth sophistication, Gabrielle was shy and reserved-she had met the Traynors during a trip she’d made last fall to New York, one of those senior tours. She had gone to school with Elliott’s sister, and had called them, then stopped by their apartment to extend her condolences for the sister’s death, a year earlier.

Gabrielle stood frowning uneasily toward Vivi, as if puzzled or, Dulcie thought, almost uncomfortable because Vivi was there. But when Vivi glanced up, Gabrielle turned quickly away.

And here came Richard Casselrod, getting out of his Mercedes SUV Casselrod always seemed a bit seedy, his tweed sport coat worn and wrinkled, his black hair mussed. His pockmarked complexion made him look like a street bum-yet he did keep an elegant shop, two floors of lovely antique furniture and accessories. Wilma had bought several nice pieces from him, including her cherry desk where Dulcie liked to sit in the sunshine, looking out the front window. Strange, in Casselrod’s sour face, how his black eyes were always smiling-as if he loved everyone he met.

He showed up at all the yard sales and estate sales. The ladies of the Senior Survival club said he was always buying, and that they’d see him in the consignment shops, too, and the charity stores when they were looking for things Susan could sell on eBay. They said Casselrod had no compunction about elbowing a person out of the way to snatch up some nice bargain before you could get at it.

No compunction either about selling the stuff he bought in his fancy antiques store, Gabrielle said. She said he would buy stuff from his neighbors and from the charity shops, put it in his show window, and double the price for the tourists. The locals held out for better prices; they knew how to bargain with him. And now, Susan said, he was selling his purchases on the Web as well.

But the Senior Survival ladies were selling in the same way-only theirs was for a better cause. And after all, if that was the way Richard Casselrod wanted to make his living, it was no one’s business. No one had to patronize his store. All three senior ladies watched him as he moved along the tables examining each item, collecting a few nice things that, very likely, they wished they had grabbed up first.

But Casselrod’s attention was half on Vivi Traynor, giving her quick, sliding glances, making Dulcie wonder if Vivi was the kind that appealed to Richard Casselrod. She didn’t see how could Vivi be attractive to any man, with that grating giggle, and the way she was always sucking on a cherry, her mouth all pursed up.

I am being mean,Dulcie thought, smiling. Charlie said Vivi kept a container of cherries in the freezer, so she could suck on them like little round Popsicles. Even as Dulcie watched, Vivi spit out the pits and dropped a handful of cherry stems on the grass.

Casselrod had turned away, moving toward Cora Lee, who knelt sorting through a tangle of toys and small appliances. As she reached for something underneath, Casselrod moved closer.

Cora Lee was still a moment, then stood up holding a white-painted box, a small chest the size of a toaster. The wooden cask was lumpy looking, and the paint was streaked like thick whitewash. The front seemed to be carved with some kind of crude design. Examining it, touching the lid, she glanced up, startled, when she sensed someone watching her.

She stood looking at Casselrod, then turned away quickly, carrying the box, heading for the driveway, where Mr. McLeary sat at a card table, taking in the sale money and making change. She was paying for the chest when Casselrod moved past her up the drive and turned, blocking her way.

Cora Lee accepted her change and started to hurry past him, then everything happened at once, so fast that later, trying to recall the moment, even the cats weren’t sure what they had seen.

As Cora Lee started past Casselrod, he shouldered her aside, jerking the box from her hands. Then he swung around, and the box hit her in the shoulder so she stumbled and nearly fell. Casselrod backed away cradling the box, muttering a quick “Sorry.” He shoved a bill at Cora Lee as if to pay for what he’d taken, then spun away toward his SUV.

Cora Lee stood looking after him, the bill blowing on the grass at her feet. But Vivi Traynor took off following him, running, swiveling through the crowd and sliding into her black Lincoln, burning rubber as she headed out, on the tail of Casselrod’s Mercedes. Joe and Dulcie watched, rigid with interest.

A dozen people crowded around Cora Lee, helping her and looking away after Casselrod, all talking at once. Mavity hurried to her, but Gabrielle didn’t move. Her hand was lifted, as if she’d wanted to snatch Casselrod back, but she was very still.

“What was that about?” Joe said, digging his claws into the rough bark. “All over some piece of junk?”

“Apparently Casselrod didn’t think so. Nor Cora Lee,” Dulcie said. “Does he plan to put that ugly old box in his shop and call it an antique? Make up a history about it the way he does some old kitchen chair and sell it for a bundle?”

Joe looked intently at Dulcie. “Casselrod might boost the price, but he knows his antiques. And why was Vivi Traynor so interested?”

Dulcie flicked her tail. “I don’t-” But suddenly, below, something moved in a jumble of broken toys and faded baskets, a dark shape pressing the baskets aside. A mottled black-and-brown shadow coming to life, her dark, plumed tail flipping free, her long fur tangled with leaves. Her round yellow eyes were wide and earnest, gazing up at them.

“Well, Kit,” Dulcie whispered. “Come on up here.”

“Get up here, Kit,” Joe Grey snapped. “Get your tail up here. What are you into, with that innocent look?”

Like an explosion the kit swarmed up the oak’s thick trunk and onto Dulcie’s branch to nuzzle at her, purring.

“Where have you been?” Dulcie said suspiciously.

“Nowhere,” said the kit, her expression secretive.

“You smell of paint. You’ve been in the theater again.”

The kit smiled. Joe and Dulcie exchanged a look, but what could they say? The theater was huge and dark and mysterious-all the things that drew the little tattercoat. Though she was usually there with Cora Lee, and what could happen when Cora Lee was nearby to watch over her?

5 [��������: pic_6.jpg]

On the patio of the Swiss Cafe, only one table offered any degree of privacy where it stood in the corner behind a pair of potted trees and a climbing jasmine vine. The restaurant itself defined two sides of the terrace, while a high brick wall offered shelter from the street and side street. Atop the wall concealed within the flowering vine the three cats had joined, in their own way, the ladies of the Senior Survival club. Hidden, they looked down on Mavity and Wilma, Cora Lee and Gabrielle. The ladies had just ordered, and had ordered for Susan, as well. Wilma sat with her back to the wall, cozy in a red sweatshirt, a red scarf tying back her long white hair. She looked up as Susan arrived, with Lamb walking quietly at heel. Susan sat down unsteadily, next to Mavity. Her hands didn’t want to be still. She fiddled with her menu and stroked Lamb, who settled under the table leaning his head against her knee. She had called Wilma from her car, as she headed for the restaurant after her long session with Detectives Davis and Garza.

“I filled everyone in,” Wilma said. Cora Lee looked at Susan with sympathy, pulling her white stole closer around her shoulders, as if trying to ward off the ugliness of Susan’s experience.

Mavity put her arm around Susan. “What a shocking, terrible thing, and how frightening. Do the police have any idea who the man was? But there had to be two men.”

Susan shook her head. “If they can find the wounded man, find out what he was looking for� I didn’t know a breakin could make you feel so helpless.”

“As if you aren’t safe anymore,” Mavity said. “Can’t feel safe in your own home.” The ladies said all the trite, comforting things, hoping to ease Susan’s distress.

Cora Lee laid her hand on Susan’s, her slim, dusky fingers still graceful, though knotted from work and age. Her nail polish was the soft, blush red of persimmons, pulling attention away from the darkening veins. “What could they have wanted? No single item we’ve ever bought would be worth breaking in for and tearing up a house, pulling the shelves from the wall. All our work�”

“We’ll make it right,” Mavity said. “We’ll clean up. Could they have thought something was hidden behind the shelves? But it would have to be thin. A painting, maybe? How silly-like some old B movie. Or did they think there was another cupboard built in behind the shelves?”

Beside Mavity, Gabrielle was quiet, looking from one lady to the other. Above, them on the patio wall, the cats listened and wondered. Joe’s scowl was deep as he weighed the events of the morning. The kit snuggled close between Joe and Dulcie, her black-and-brown coat a part of the shadows, her attention not on the conversation but on the surrounding tables, where pancakes swam in butter, and sausages and ham laced the breeze with their delicious aroma. It wouldn’t take much, Dulcie knew, and the kit would be down there with her feet in someone’s breakfast.

But when, pressing against the little tattercoat, Dulcie gave her a warning look, the kit smiled back at her innocently, her round yellow eyes bright and teasing.

Only Wilma seemed aware of the cats-and Lamb, of course. He knew they were there. Entering the patio, he had rolled his eyes up at them as if amused, then had padded obediently under the table, the big poodle far too much of a gentleman to bark at cats.

“After all the trouble we went to,” Cora Lee said. “All those lovely shelves-all the hours we spent, putting them together. And our nice work tables broken. Did they get the digital camera?”

“No,” Susan said. “It was locked in the file drawer of my desk. I guess they didn’t have time to break the lock. They certainly broke everything else. And they didn’t take my reflex camera, just dumped a pile of dirt on it. They had the computer on, too. But why? It’s so frustrating not knowing what they were after-and maddening not to be able to get into my own house. I want to clean up that mess. All I did was pack a bag and lock up-after I looked things over for Detective Garza, trying to see what might be missing.”

“And?” Gabrielle said. “Nothing was missing?”

“Not that I could see. I went over it all as carefully as I could. It made me sick to look at so many of our treasures destroyed. I thought it strange that both detectives came out on the call, but they were very thorough-and they’re not finished. I hated leaving everything in that mess.”

“If the intruder turns up dead,” Wilma suggested, “your house would be the scene of a murder. There’s only one chance to collect evidence properly at a murder scene-when it’s fresh. You start cleaning up, the whole thing is contaminated.”

“How will you clean up?” Cora Lee said. “Do the police do that? I never thought about it. Or do we all pitch in?”

“Detective Garza suggested I call Charlie,” Susan said, glancing at Wilma. “He said Charlie’s Fix-It, Clean-It has had training in crime scene cleanup.”

Gabrielle looked surprised. “Is that wise?” she said hesitantly. “Should Charlie be doing that-accepting police work, when she and Captain Harper are� an item?” She looked at Wilma shyly.

“Charlie’s the only one in the village who’s had the special training,” Wilma said. “No other cleaning outfit has bothered to take those courses.”

“Well, I didn’t mean to imply�” Gabrielle began, embarrassed. “I know Captain Harper wouldn’t play favorites. I just� I’m sorry. This has been an upsetting morning.”

Yes it had, Dulcie thought. But upsetting for all the ladies. Well, Gabrielle was easily stressed. Watching the five women, she wondered whether anyone would guess that Gabrielle, or Cora Lee with her dark beauty, was over sixty. Both could pass for far younger than Wilma or Mavity or Susan, with their silver hair.

But it was more than their hair that made Cora Lee and Gabrielle look maybe ten years younger.It’s the bone structure,Dulcie thought.Long, lean bones. Like two Siamese cats, one dark, one light.And, watching Gabrielle, she wondered what was bothering the tall blonde, who seemed even more uncertain than usual, withdrawn and on edge.

“I hadn’t realized before,” Susan said, “but of course that man’s blood would be considered hazardous. I hope it will come out of my rug and walls, that I don’t have to get rid of my nice, hand-braided rug. Though I may have to repaint.” She sipped her coffee. “My insurance should pay for the cleanup. I’ll call them after breakfast.”

“And you have no idea who the man was?” Mavity said, brushing a crumb from her white uniform.

“He was lying with his back to me. Detective Garza said I shouldn’t discuss it. I just� No, I don’t know who he was. When Charlie’s done with the bad part of the cleanup,” she said, “would you�”

“Of course we will,” Cora Lee said. “We’ll get the workroom back in order, make it fresh and new again. And the broken items should be a claim loss.”

Susan nodded. “But only for the purchase amount, not for the profit we would have made.”

“Not a good morning,” Mavity said. “On top of it all, Richard Casselrod stole a wooden chest from Cora Lee.”

“He did what?” Susan said softly. “A wooden chest?”

“Snatched it from her, nearly knocked her down, threw her some money, and took off. He hit her with it, really hurt her,” Mavity said.

Cora Lee pulled back her stole to reveal a large bruise, ugly against her white sundress. “If Casselrod’s looks could kill, I’d be singing with the angels. Those black eyes flashing-as if I was the one who had snatched the box away.”

“What did it look like?” Susan said.

“That’s what’s so strange,” Cora Lee said. “Just a crude wooden box with a bad paint job. It didn’t look like it was worth fifty cents. I’m not sure why I wanted it. Something about its shape, about the hint of carvings under the paint. It made me think of the stage props-the boxes we made to look like carved Spanish chests, for Elliott Traynor’s play.”

Susan looked startled. She started to speak, then glanced at the tables around them and seemed to change her mind.

Mavity had no compunction about being overheard. “Vivi Traynor was so interested that she jumped in her car and took off after Casselrod.”

Susan sipped her coffee, both hands around the cup, as if trying to get warm. Beneath the table, Lamb whined, and she reached to stroke him.

Mavity said, “That Vivi Traynor is such a snip. She didn’t even wave to you, Gabrielle-as if she’d never seen you in her life. After all, you did go to school with Elliott’s sister and you did visit them in New York.”

“The day I stopped by their apartment, she was only there a few minutes,” Gabrielle said. “Elliott fixed coffee for me, but Vivi had an appointment. She probably doesn’t remember me. My visit was really a duty call, condolences for his sister’s death; she died a year ago. I never met him when she and I were in college. He was nice enough, but I only stayed a little while.

“He’s surely very busy,” she added, “and preoccupied, if he’s finishing up a novel. I must confess I haven’t read his books.”

“He’s quite a wonderful writer,” Wilma said. “This last trilogy of novels is set right here, along this part of the California coast. It takes you from the Spanish occupation through the land grant days, the Mexican revolution, and on through to the gold rush. But you’ve read the play; you know it’s based on a segment from the novels.”

Gabrielle nodded. “Cora Lee and I read it as soon as we knew we were doing the play here.”

“It’s such a painful story,” Cora Lee said. “And lovely. The music is beautiful.”

Days earlier, the cats, slipping into the empty theater, had heard Cora Lee singing one of the numbers, practicing to try out for the lead inThorns of Gold.Dulcie thought the dusky-skinned, dark-eyed woman would make a wonderful Catalina Ortega-Diaz. The play began when Catalina was very young-and onstage Cora Lee had looked young. The way she sang the lonely Spanish laments made Dulcie shiver right down to her claws. And Wilma had read the play to Dulcie and the kit, the three of them tucked up in bed with a warm fire burning in the grate; they agreed that Cora Lee would be wonderful in the part, that the sad story seemed to fit her.

“I don’t understand why,” Cora Lee said softly, “if Elliott Traynor is working so hard to finish his current novel, and he’s being treated for cancer, he would come all the way out to California. Why he didn’t stay in New York, not spend the time and energy to make such a move. Even if this play is close to his heart, you’d think� Oh, I don’t know. It just seems strange.” Cora Lee knew well the value of unbroken solitude in which to create.

Gabrielle offered no opinion. She seemed, Dulcie thought, distressed when the ladies talked about the Traynors.

Well, Gabrielle would be seeing them at the theater, as soon as they began to cast the play. She would be doing the costumes. Dulcie supposed whatever friction was between them would sort itself out then.

She knew from Wilma that Gabrielle had already bought the fabric or found costumes from other plays that she would remake.

Of course, Catalina’s Spanish finery was traditional, the bride’s white embroidered gowns, her white and black mantillas, her fans and lace flounces and Roman sashes, as well as the caballeros’ bright ruffled silks and sombreros and serapes.

In the village library, while Gabrielle had done her research, making sketches and photocopies, Dulcie had wandered across the library tables near her, and for a while had sat on the table beside Gabrielle’s books, looking at the illustrations. The library patrons were used to Dulcie; she prowled the stacks as she pleased. No one paid much attention to her except to pet her and sometimes to bring her little treats.

Often she stayed into the small hours, long after the library closed. Her access to the empty rooms, through her cat door in Wilma’s office, was one of the best perks of being Molena Point’s official library cat. Even Dulcie’s favorite library patrons would never imagine the little cat’s midnight literary excursions. They were happy just to enjoy her purring attention during library hours; and the children liked her to curl up with them on the window seat during story hour, while the librarian read to them.

But late at night, in the silent rooms, reading by the faint village light that filtered in through the library windows, Dulcie enjoyed an amazing kind of freedom. She could touch, then, any world she chose, could enter any year or century that appealed to her, could be transported away to far and wonderful places before she returned to the blood-hungry aspect of her nature and went to hunt rats with Joe, on the Molena Point hills.

And though Dulcie had been fascinated with the Spanish costumes forThorns of Gold,imagining the soft silks and velvets, the kit was wild with enthusiasm. The little tattercoat had fallen in love with the play, with the music, with the sets. She would follow Cora Lee into the theater and watch for hours as Cora Lee painted those vivid scenes.

The kit did have a fine imagination, Dulcie thought. Look at the kit’s stubborn insistence that she could slip underground through a cave or fissure into a subterranean world that waited to welcome their kind of cat; into a netherworld of green wizard light and granite sky, a country the kit described in such detail that sometimes she frightened Dulcie-but sometimes she had Dulcie dreaming, too, imagining that place as real, that land where speaking cats might have had their beginnings.

“I think we should all be careful for a while,” Wilma was saying. “To avoid another breakin, or worse. Susan will be staying with me, but� We all live alone. And all of you are seen at the sales. Until we know what this is about, I think we should watch ourselves. Check our locks and windows, look around outside before we go in the house, see if any window is broken or jimmied, that sort of thing.”

Wilma didn’t mention that she had some defense, where the others did not. Though if they’d thought about it, surely the ladies would guess that a retired U.S. parole officer might keep a firearm at home, might like the security of being armed. Not all Wilma’s parolees were far away; several had turned up in Molena Point, some with no love for the woman who had sent them back to prison.

Gabrielle said, “Wilma, you and the captain are good friends. Can’t you find out the identity of the man-so we’ll know what to watch for?”

“It’s too early for the department to know that,” Wilma said. “Even if they have a lead, it’s too early to share that with a civilian, even with me.”

There was a little silence as their waitress brought their breakfasts. Then after some moments, over pancakes and omelettes, the five ladies turned to quietly discussing the kind of comfortable Molena Point house they would like to find, with many bedrooms and baths, a home big enough to accommodate a housekeeper and caregiver when the ladies grew frail-which none of them was, yet-and maybe an extra bedroom or two that could be rented out to pay upkeep and taxes. The women had it all worked out. A private, do-it-yourself retirement home where they would share all expenses and all profits.

Only Wilma remained somewhat removed from their plans. Dulcie’s housemate wasn’t nearly ready yet for a change in lifestyle. She liked doing her own housework and gardening. She worked out at the gym twice a week and walked two miles a day, intending to hang on as long as she could to her independence. But Wilma said the ladies were to be admired, that too many women couldn’t bear to leave their own homes despite better alternatives, that these ladies were making their own options, and she respected that adventuresome turn of mind.

Though Mavity had no choice, Dulcie knew. She’d have to move when the city condemned her house. As for Cora Lee and Gabrielle, with both their husbands gone, they seemed eager to throw in together. And Susan, too, was a widow, living in the two-apartment home she had bought from her daughter just recently when the daughter’s job took her to Portland.

The thought of Wilma moving was unsettling to Dulcie. Moving was easier for a human than for a cat. When people changed to a new home, they took all their familiar possessions with them, all the things that gave their daily lives resonance. A cat couldn’t take her treasures. A cat’s hoard was places, a nook in the garden wall, the shade beneath a favorite bush, a tree branch that suited her exactly, the best mouse runs. All these formed a cat’s world, affording her security and comfort, giving her own life structure. A cat’s treasures could not be carried with her.

That was why, when humans moved with their cat, the cat wanted to return. The humans took their belongings. The cat was forced to leave hers. That was why, when sensible folk moved to a new home, they kept their cat inside for a month, gave her time to establish new indoor haunts, discover new pleasures, wrap that new world around herself. They didn’t let the cat bolt out the door and head straight for the old homestead-a matter of a mile away, or maybe hundreds of miles. Distance didn’t matter to a cat, all she wanted was to be among her belongings.

Well, whatever Wilma did in the future, Dulcie thought, the two of them were together. Just as were Joe Grey and Clyde.

Besides, she and Joe and the kit had ties to the whole village; their treasured haunts were scattered all over the square mile of Molena Point-and no one ever imagined that Wilma or Clyde would move away from the village.

The kit’s own situation was not quite so secure. Her real home was with elderly newlyweds Lucinda and Pedric Greenlaw, but she had moved in with Dulcie and Wilma on an almost permanent basis. Shortly after the Greenlaws were married they had succumbed to travel lust, had begun driving up and down the coast and through Arizona and Nevada and Oregon in their comfortable RV. The kit had a special bed in the RV, where she could look out the windows; she should, with her wild enthusiasms, have relished such traveling. But all that driving caused her to throw up, made the little tattercoat as sick as a poisoned hound dog.

“Could there be,” Mavity was saying, “a connection between Richard Casselrod’s snatching that box and the breakin at Susan’s house? So strange� two violent, senseless attacks in the same day, at almost the same time, and both to do with buying people’s cast-offs.”

Joe and Dulcie exchanged a look, Joe’s ears flat to his head, the white triangle down his face narrowed in a frown. Of course it was strange. These elderly ladies, who should be safe and cozy in the small village, had twice this morning been senselessly attacked. Whatever was astir put his fur on edge, made his yellow eyes blaze with challenge.

6 [��������: pic_7.jpg]

The kitchen counter was cold, the tile icy beneath Joe Grey’s paws. Beyond the closed shutters, the glass radiated a sharp chill. Turning his back to the night, he watched, beneath the yellow kitchen lights, as Clyde worked at the table laying out the snacks for a poker game. Clyde’s muscular frame showed clearly his addiction to the weights and bench press. His dark hair was freshly cut, sporting a thin line of pale skin around his ears. At forty, he might pass for thirty-five, Joe thought, if the lights weren’t so bright.

The tray he was arranging was impressive: thin slices of roast beef and turkey, three imported cheeses, and deviled eggs done up fancy with ruffled tops and sprinkles of paprika. No grocery store deli tonight, served up in their paper wrappings. Joe studied his housemate. “Who’s coming? How many ladies?”

Clyde laid out slices of imported Tilsit fanning one atop the next. “What ladies? Poker’s a man’s game.”

“Right. And for a couple of guys you’re wearing a new polo shirt and freshly pressed chinos? New Birkenstocks instead of those grungy jogging shoes?” Joe reached to snag a slice of Tilsit from the open wrapper. “Smoked Alaskan salmon instead of sardines? George Jolly’s world-class shrimp salad instead of grocery store potato salad? Hey, for Max Harper, you serve from cardboard cartons. So who’s coming?”

Clyde fixed a small plate for Joe, heavy on the roast beef. “This is to avoid problems later in the evening.” He fixed Joe with a look. “To keep your big feet out of the platter.”

“That is so rude. When have I ever touched your fancy buffet-in front of guests? So who’s coming?”

“Charlie and Detective Davis are coming, if it’s any of your business.”

“It’s my house, too. Charlie’s my friend as well as yours. What’s the big deal?”

Charlie Getz was, in fact, Joe’s very good friend, one of the four humans who knew his and Dulcie’s secret and with whom the cats dared speak. Until recently, Joe had hoped that Clyde and Charlie would marry, but then she got cozy with Max Harper.

Joe had briefly considered Detective Kathleen Ray as a wife for Clyde. It was time Clyde got married; he was getting reclusive and grouchy. And Kathleen was a looker, slim and quiet, with nice brown eyes and sleek dark hair. But then Kathleen had taken a detective’s job in Anchorage, where her grandfather had grown up. She’d packed up and moved practically to the north pole, surprising everyone.

“I miss Detective Ray,” he told Clyde, slurping up shrimp salad. “She was a real cat lover. You think she’s happy in Alaska?”

“How do you know she’s a cat lover? I never saw her make over you and Dulcie, or even notice you.”

“No one said you were super-observant. Kathleen had her moments-a pretty glance, a gentle touch, a little smile.”

“Well, aren’t you the ladykiller.”

“She’s happy in Alaska?”

“Harper says she loves it. She sends him e-mail messages every few days telling him how great it is. I think she has talked him into going up there on vacation.”

Joe snorted. “Max Harper hasn’t taken a vacation from Molena Point PD for as long as I’ve known him.”

“Harper and Charlie. They’ll take the cruise, spend a month with Kathleen.”

Joe stared at Clyde. “You are so laid back about this. Charlie was your girl. Your girl! I never saw you as serious about anyone. Now Harper takes over, and look at you. Couldn’t care less. You actually seem pleased with the idea. What, were you glad to dump Charlie?”

Clyde glared.

“Well, of course, now that Kate Osborne’s in the picture�”

“Kate is not in the picture, as you put it. We are merely friends.”

“I like Kate all right. But I like Charlie, too. I thought you and Charlie might get married.”

Clyde stopped dishing up shrimp salad into his best porcelain bowl. “Why do you always go on about my getting married? What earthly business is that of yours? Why do you always have to-”

“Keep in mind,” Joe said, “that Kate can’t repair the roof or fix the plumbing. Charlie can do those things. I don’t even know if Kate can cook.”

Clyde wiped the rim of the bowl, licked half the spoon, then held it out for Joe. “Who I marry is my business.IfIget married. And in case you’re interested, one doesn’t marry a woman because she can fix the plumbing.”

“You have to admit, it’s a nice perk. With the cost of plumbers and carpenters, Charlie’s skills shouldn’t be sneezed at.”

“If I get married, I will pick the woman-without quizzing her on her skills as a handyman and without any help from a cat.”

Joe licked shrimp salad from his whiskers. “Your face is getting red. Have you had your blood pressure checked lately?”

“Marriage is serious business.”

Joe gave him a hard, yellow-eyed stare. “Has it occurred to you that Charlie Getz knows all about me and Dulcie?”

“So does Kate.”

“But Max Harper doesn’t.”

“So?”

“If Charlie and Harper are as serious as they seem to be, and if they get married, what then?”

“Whatwhat,then?”

“It’s hard to keep a secret when you’re married. Every time Harper gets an anonymous phone call from me or Dulcie, he gets edgy. If the tip is something no human could easily know-like when we found that killer’s watch way back in that drainage pipe where no human could have seen it, he gets really nervous. If he finds cat hair at the scene of the crime, you can see him wondering. That stuff really upsets him.”

“So? What are you getting at?”

“So, how is Charlie going to handle that? Seeing him upset like that, when she knows the truth? Don’t you think she’d want to let him in on the facts, so he could stop worrying?”

Clyde turned hot water on the spoon, dropped it in the dishwasher, and turned to look at Joe. “You think that would stop Max Harper from worrying? Charlie tells him that a cat is the phantom snitch? That Clyde Damen’s gray tomcat is messing with police business and placing anonymous phone calls? That is going to ease Harper’s mind?”

“If she explained it to him, if he knew the truth�”

Clyde’s look at Joe was incredulous. “That information, if Charlie could prove it to Harper, could make him believe it, could put Harper right over the edge. Drop him right into the funny farm.”

“Come on�” Joe said, trying to keep his whiskers from twitching. Clyde did rise to the bait.

“Cops are fact-oriented, Joe. Harper couldn’t deal with that stuff!” He looked hard at Joe. “Anyway, Charlie has better sense, she knows what that would do to Max.”

“Pretty hard to keep her mouth shut when she’s crazy in love and sees him suffering, and when she wants to share everything with him.”

“Who said she’s crazy in love?”

“She would be, if she married him. Don’t you think-”

“I think you should mind your own business. I think that would be a nice perk in my life. And for your information, Max Harper is not constantly puzzled, as you seem to believe, about a few anonymous phone calls.”

“More than a dozen arrests and convictions,” Joe said, “thanks in part to our help. Harper’s record of solved crimes has made a big impression on the city council.”

“Talk about an overblown ego. You take yourself way too seriously.”

“Such a big impression on the city council that the one bad egg on the council tried to ruin Harper’s career, set Harper up to be prosecuted for murder. Tried to get him off the force big time-get him sent to prison on a life sentence.”

Clyde slid the platters of meat and cheese into the refrigerator, with the bowls of salad, and busied himself arranging crackers.

“Who found young Dillon Thurwell when she was kidnapped-when all the evidence pointed to Harper? Who helped her escape?”

“Harper would likely have found her.”

“Right. After she was dead. That woman was going to kill her.”

“All right,” Clyde said. “I have to admit you and Dulcie saved Harper’s skin on that one, and maybe saved Dillon’s life. But you two have come to believe that Harper can’t solve a crime without you, and I call that really insulting. You two cats think-”

“I never said he can’t solve a crime without us. I said we’ve helped him, that we’ve offered some positive input-the way any good snitch would do. Why can’t you enter into a simple discussion of the facts without getting emotional? Without getting your back up, to use a corny and inappropriate colloquialism!”

Clyde sat down at the table and put his face in his hands, shoving aside the rack of poker chips and two new decks of cards. He didn’t say, What did I do to be saddled with this insufferable, ego-driven animal? But it was there, in his silence, in the slump of his shoulders.

“And,” Joe said, “when you do marry, you’ll be in the same position as Charlie is with Harper. You marry anyone but Kate or Charlie, marry a woman who doesn’t know what kind of cat you live with, you try to hide the truth from her, there’s going to be trouble. It would never work. I’d have to move out, find another home-or you’d end up telling her about me! Sharing my fate with a total stranger. Compromising and endangering my life, and Dulcie’s. Putting us-”

Clyde swung around in his chair, his face decidedly red. “If you don’t get out of this house now, and stay out until we’re done playing poker and everyone has gone home, I swear I will not only evict you and nail your cat door shut, I will take you to the pound. Shove you in a cat carrier and leave you at the animal shelter. See you locked in a metal cage forever-because no one would want you. No one would adopt such a bad-tempered tomcat.”

Joe Grey smiled, leaped to the center of the table, and lifted a gentle white paw to Clyde. “You are becoming very creative. If you even tried such a thing, I would spill it all to Max Harper. I would break out of the pound-no trick for yours truly. I’d go straight to Harper. Sit down face-to-face with him and tell him my entire story. I would lay it all on him, every corroborating fragment of proof, every tip, every detail of past phone calls. Proof that I-I alone, not Dulcie-am his phantom snitch.”

He thought Clyde would laugh, but Clyde’s brown eyes blazed with anger. “If you ever did such a thing, I swear, Joe, I’d kill you.”

Clyde shoved his face close to Joe’s. “Do you remember the night at Moreno’s Bar, after Janet Jeannot was murdered, when Harper tried to tell me his suspicions about certain cats being involved in the case? About certain mysterious phone calls? And you were eavesdropping under the table? Do you remember how shaken Max was?”

“Come on, Clyde�”

Clyde glared. “You so much as whisper to Max Harper, and you’re a dead cat. Finished. Comprende?”

“You are so grouchy. You really need to get your life in hand.”

Joe dropped down to the linoleum, stalked through to the living room, pushed out his cat door, and crept under the front porch. He’d never seen Clyde so irritable.

He really did have to blame Clyde’s mood on pretty, blond Kate Osborne. Clyde and Kate were old friends, but now that Clyde had really fallen for her, she’d turned standoffish. Wouldn’t come down from San Francisco, hadn’t been down for over a month, didn’t want Clyde to come up. Something was going on with her. Clyde didn’t know what it was, and as a result, he’d been fierce as a goaded possum. Maybe it was Kate’s search for her unknown family, maybe she was totally wrapped up in that, didn’t want to think of anything else. Though that project, in Joe’s opinion, could lead her into more grief than she’d ever wanted.

Looking out through the cracks between the porch boards, he saw Charlie coming down the street, walking the few blocks from her apartment-and looking very pretty, her kinky red hair tied back with a calico ribbon, her blue-and-white striped dress as fresh as new milk. When she had hurried up the steps above his head and gone inside, he slipped out of the musty dark to the porch again and sat down beside his cat door, his face to the plastic flap to listen.

“Hi! Clyde, you there? Am I the first one here? You in the kitchen?”

Her cheery greeting met silence. Joe heard the kitchen door swing. “Hi! There you are. I brought some chips.”

No answer.

“What?” Charlie said.

“Can’t you knock? Since we’re not dating anymore, you could at least-”

“Well, pardon me.”

Again, silence.

“Where’s Joe?” she said. “You two have a fight?”

A longer silence.

“Well?”

“No, we didn’t have a fight!”

“So where did he go to sulk? And you’re sulking in here, in the kitchen. Were you fighting about the house again, about selling the house?”

“No, we weren’t fighting about selling the house.”

Charlie said no more. Joe heard one of them open the refrigerator and pop a couple of beers. Charlie knew how to handle him; Clyde’s moods didn’t bother her. And she was partly right. The problem about the house did make him cross.

Ever since construction had begun on Molena Point’s new, upscale shopping plaza-ever since its two-story, plastered wall had risen at the boundary behind Clyde’s backyard, blocking their view of the sunrise and the eastern hills, Clyde had been entertaining offers from realtors. The mall hadn’t affected the property values, not in Molena Point, where village lots were so scarce that a buyer would pay half a million for a teardown. And this latest offer to Clyde had topped all the others. It was not from someone wanting a home or vacation cottage, but from a restaurateur planning to open an upscale cafe-a perfectly understandable plan, in a village where the businesses and cottages were mingled, many shops occupying former residences.

The offering realtor said the house would remain, along with the house next door, which the buyer had already purchased. The two buildings would be converted into dining and kitchen space and joined by a patio whose tile paving would run back to the two-story plaster wall, with outdoor tables and umbrellas and potted trees.

Dulcie thought it would be charming. Joe thought there were enough patio restaurants in the village. Clyde vacillated between outright refusal and considering the offer; he couldn’t make up his mind. But he was as angry as a maimed wharf rat about his view being destroyed. Joe could understand that. The wall made Joe, too, feel like he was in a cage.

But what if Clyde did sell? Where would they live? The idea of moving upset Joe and seemed nearly as unsettling to Clyde.

Joe thought maybe his own distress came from his kittenhood, from the time when he’d had no real home, just an alley and a few one-night stands, then for a while a stranger with a shabby apartment and a bad disposition-until he met Clyde.

His and Clyde’s move down from San Francisco, when he was still a half-grown kitten, had left him nervous for weeks afterward, distraught at losing the only real home he knew. Even Charlie’s recent moves had unsettled him, first from her aunt Wilma’s and Dulcie’s house into an apartment, then into another apartment. Places that he’d liked to visit, gone before he got used to them. And now Mavity Flowers was about to be evicted, closing another door to him-and Mavity’s cottage held some rare memories.

It was there that he had spied on the black tomcat and his human partner in crime, Mavity’s no-good, thieving brother. It was there that Joe had routed some of the evidence that convicted the killer of Mavity’s niece. Besides, though Mavity’s cottage was just an old fishing shack, it was all Mavity had-he felt, too sharply, the little woman’s distress at her own impending loss.

If all those houses along the bay were destroyed, who knew what the village would do with that land? The city council was still arguing the issue. And now, with Mavity’s friends planning to sell their houses too, and buy some big old house where they would rattle around, everything was changing. All these moves and prospective moves made the whole world seem shaky under his paws.

And to top it off, the entire Molena Point Police Department was being renovated, Harper’s officers taking up temporary quarters in the courthouse while Harper remodeled the building.

Already Joe missed the big, casual squad room with all its desks and clutter. Now the space was full of lumber and Sheetrock and carpenters with loud hammers and louder power tools. The department that Joe thought of as the heart of the village was going to be totally different. He had no idea whether, with the new design, he’d even be able to get inside. When finally the renovation would be complete and everyone back together again, who knew what the offices would be like? Harper might make the building so secure that no cat could breach the locks to slip in to hide under the first handy desk.

What was he going to do then? It was hard enough for a cat to get police intelligence. Imagining the new setup made him feel like he was walking on a broken tree limb that hung shattered and ready to fall. As if there was nothing secure left in the world, nothing steady that he could count on.

When two cars pulled to the curb in front of the house, he dropped off the porch into the bushes. Watching Detectives Dallas Garza and Juana Davis and Captain Harper thunder up the steps, laughing-likely at some rank cop joke-and bang into the house, Joe felt for an instant incredibly lonely. Quickly he slipped through his cat door, following them inside. Slipping behind the couch, he heard beer cans being popped and the cards shuffled. He listened for some time, staying out of sight as Clyde preferred, and feeling put upon, but the conversation didn’t touch on the breakin at Susan Brittain’s house, it was just light banter. He had nearly dozed off when the phone rang.

Clyde answered, then Detective Garza took the phone. It was apparently a personal call, from the tone of Garza’s voice. Yes, he was talking to his niece, Ryan, a young woman who was as close to Garza as if she were his own daughter.

“You what? You’re kidding!” Garza sounded pleased. But Joe could hear the faint echo of a tight, angry female voice from the other end of the line.

“You’re leaving him?”

Ryan was Garza’s youngest niece. He had helped raise her and her two sisters after their mother died. Likely Ryan was calling from San Francisco, where she and her husband ran a building construction business-or apparently had run it. Sounded like they were splitting. For an instant Joe sensed what Garza must be feeling, deep parental distress for a young woman who had apparently decided to pull up stakes, chuck everything, and start her life all over again.

The foolish mobility of humanity,Joe thought.People abandoningfamilies, racing off in every direction-it’s a wonder the world itself doesn’t fly apart.

“That’s the best news I’ve had in ages,” Garza said, laughing. “Where are you now? You have your key to the cottage?”

Garza listened, then, “Of course I understand. Guess I’d feel the same. But the cottage is there if you want it-when you want some company.”

They talked for some time, something about a job Ryan had just finished. Interested, Joe trotted into the kitchen and leaped to the counter. When Garza hung up, he was grinning. He sat down at the table between Clyde and Juana Davis, where Clyde was counting out poker chips.

“She’s left him. Packed up and moved out. He’s been cheating on her for years. She came on down to the village, she’s in the Turtle Motel up on Fifth. Wants some time alone. Wants to look for a house. Sounds like she means to stay.”

Joe couldn’t remember when he’d seen Garza looking so pleased. Stretching out, he waited to hear how the scenario would develop-and waited as well for the conversation to turn, as it inevitably would, to police business. Did the department have a make on Susan Brittain’s burglar? Had they found him? Surely by now they would have a record of his prints. Joe waited patiently to pick up whatever tidbits the officers might toss back and forth over the poker table-until he felt Clyde’s gaze on him. Then he closed his eyes and tried for a soft, rhythmic snore-not to fool Clyde, but to keep his relationship with the department as untainted as a sleuthing cat could manage. No point in enraging Clyde further, and making Harper edgy; though it was hard to resist the urge to taunt them both.

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Clyde pulled the snack tray from the refrigerator and set it on the counter, giving Joe a warning look, his dark eyes threatening dire repercussions if Joe so much as reached a paw into the party food or made a scene in any way. Joe hissed at him in a casual manner and settled more stubbornly down onto the cold tile counter, watching the three officers and Charlie rise to load their plates, then fit them in beside their cards and poker chips and beer cans.

Harper’s lined, sun-wrinkled face made him seem years older than Clyde, though they were the same age, had gone all through grammar school together, had rodeoed together when they were in high school. With his lean, tall build, he looked very at home on horseback.

Dallas Garza was built more like Clyde, blocky and solid. He was about the same age as Clyde and Harper, somewhere around forty. His tanned Latino face was square and smooth, his expression closed, his black Latin eyes watchful-a man who exuded a steady and comforting presence. Garza seemed always in control, calm and unruffled. And Joe had learned that Garza was an officer to be trusted-as was Detective Davis, with her dark, steady gaze.

Juana Davis was maybe in her early fifties, had been widowed, and had two grown children, both cops.

Charlie was the only fair one at the table, with her bright freckles and brighter hair. She was younger, too, maybe four years out of art school-which she described as her squandered past.

Garza said, “Ryan’s been up in San Andreas for a month, designing the addition to a vacation cottage, surveying the land, finalizing the plans. She gets home, another woman’s clothes are in her closet, a strange car in her half of the garage.

“She said she wanted to put her pickup in four-wheel drive and run that little red convertible right through the back of the garage. Only thing that stopped her was the legal mess she’d be in-and she didn’t want her insurance canceled.”

“I’d have killed him,” Juana said, with a twisted smile.

Charlie nodded. “A slow and painful death.”

“Rupert did her one good turn,” Garza said. “The nine years they’ve been married, she’s had a chance to work into the building trade-but only at her insistence. She got him to let her do some designing and to work on the jobs. She’s learned the business well, and she has solid carpentry skills.”

Garza discarded two cards and watched Juana deal. “In all other ways, Rupert’s a real loser. But Ryan’s good at what she does, she’s made a name for herself as well as for the firm-something Rupert never gave her credit for. She has a nice design style, very original. She wants to get her license in this county, start her own construction firm. She loves the village. When the girls were small, we spent a lot of summers and holidays down here.”

From the kitchen counter, Joe watched Garza with interest. He’d seen something of Garza’s closeness with Ryan’s sister Hanni, who now lived in the village and had her own interior designing firm. But he’d not seen this degree of fatherly pride that Dallas had for Ryan. He knew that, under the guidance of Garza and the girls’ father, the three sisters had learned not only to cook and clean house, but to shoot and handle firearms properly, to train the hunting dogs that Garza loved, and to ride a horse-all skills, apparently, that the two law enforcement officers felt would build strong young women. Joe had learned a lot about Garza when he’d moved in with the detective last winter, playing needy kitty.

That was when Garza was first sent down to the village, on loan from San Francisco PD, to investigate the murders for which Max Harper was the prime suspect. When Garza first arrived, Joe and Dulcie both had thought they smelled a rat. They’d been sure that in this prime case of collusion to ruin Harper, Garza was part of the setup. The week that Joe had lived with the detective, he had playing up to Garza as shamelessly as any groveling canine in order to learn Garza’s agenda.

He’d ended up not only sharing Garza’s supper, and privately accessing Garza’s interview tapes and notes, but admiring and respecting the detective. Then later, when the case was closed, Max Harper had thought enough of Garza to ask him to join Molena Point PD. Garza had jumped at the chance to get out of San Francisco for the last five years of his service.

“She’ll be taking her maiden name again,” Garza said, “R. Flannery. She wants no part of Rupert, except to be paid for her half of the business. Said she doesn’t want to see me or her sister for a few days, either, until she gets herself together. That’s the way she is. Hardheaded independent.”

“Don’t know where she got that,” Harper said, grinning.

“One thing,” Garza said, shuffling the cards. “She drove one of the company trucks down, to haul her stuff. Said the brakes were really soft.” He looked at Clyde. “Would you�?”

“First thing in the morning,” Clyde said. “Tell her we open at eight.”

“Likely she’ll be waiting at the door.” Garza paused, surveying his cards. “She did say something strange-she asked about Elliott Traynor. Said she’d heard the Traynors were in the village, asked if I’d met them. Said they’d spent a month in San Francisco last fall. Before Traynor got sick, I guess. They flew out from New York, apparently on business. She and Rupert met them through mutual friends.”

At mention of the Traynors, Charlie looked quickly down at her cards. Laying her cards facedown, she bent her head to retie the ribbon that bound back her kinky hair, hiding her face, concealing some swift and uncomfortable reaction that made Joe Grey watch her with interest. Was there a look of guilt on her freckled face? But why would Charlie feel guilty about Vivi and Elliott Traynor?

As Clyde dealt a hand of five card draw, Joe’s attention remained on Charlie. They played three more hands of stud before Clyde mentioned the breakin at Susan Brittain’s. “Have you found the guy yet? Or found his body?”

“Nothing,” Harper said. “One set of prints isn’t on record.”

“That’s unusual.”

“Very,” Garza said. “Information on the other set hasn’t come back yet.”

Clyde sipped his beer, setting the can on a folded paper napkin. “How did Susan handle the breakin? Was she pretty shaken?”

“Not at all,” Garza said. “In fact, very cool. She seems a straightforward woman. She thinks she might know the man. She saw only his back, but when she thought about it awhile, she was certain he looked familiar.” He paused, waiting for Clyde to bet. Charlie raised Clyde, and Garza and Davis folded. Harper raised Charlie, winning the pot with three jacks, giving her a superior look that made her laugh.

“So who is he?” Clyde said.

“She thinks he might be an early morning dog walker she’s run into, a newcomer to the village, a Lenny Wells. Young man who just moved down from San Francisco. About thirty, six feet, maybe a hundred and seventy, she thought. Light brown hair. She stopped for coffee with him a couple of times when they were walking the dogs, said she told him a little about the village to help him get settled.”

Juana Davis dealt the next hand, upping the ante on seven card stud. Clyde showed a pair of aces, but when the hand was finished Davis raked in the pot on three eights. Their poker was never high-powered, with the keen attention and subtleties of a serious professional game, just a friendly excuse to get together. The conversation turned to the remodeling of the police station and how soon the contractor would be finished. “An equation,” Harper said, “arrived at by squaring the original four months to completion time.”

Joe thought about Susan’s breakin, and about the grungy white box that Richard Casselrod had snatched from Cora Lee French. He saw again the shocked, angry look on Cora Lee’s face when Casselrod swung the box and hit her, saw her dark eyes blazing with hurt surprise.

He wanted a look at that box, he wanted to know what made it so valuable.

Richard Casselrod’s antique shop was in a tight building, not easy to get into, after hours, even for an expert at break-and-enter. But there was one high, attic window that Joe meant to check out.

He’d as soon not slip in during the day and hide until they closed up. There was something about Richard Casselrod that did not invite close proximity among closed doors and solid walls.

He came to attention when Charlie raised on a pair of sixes, though Juana had three jacks showing. Was Charlie bluffing? Did she have two sixes in the hole? Or was she merely preoccupied?Wake up, Charlie. Pay attention. What are you thinking about?

Charlie saw her mistake and watched Juana rake in the pot, her mind uncomfortably on Elliott Traynor. How strange that Garza’s niece should know Traynor. And how interesting that the Traynors had so recently been in San Francisco. Maybe that explained the envelopes with San Francisco postmarks that she’d found in Traynor’s wastebasket.

When you’re cleaning for such interesting tenants, and when they’re gone most mornings, it’s hard not to snoop. At least it was hard for Charlie, when the snooping involved an author whose work she so greatly admired. The Traynors had been in the village for over two weeks. She cleaned their cottage each morning, did the shopping and the laundry, put the dinner and breakfast dishes in the dishwasher, and sometimes started lunch or something for dinner with Vivi’s written instructions. She was at the cottage from eight until twelve, quite often alone because Traynor wrote at night, and they went to the theater some mornings, or out walking. When she did see him, he seemed dour and unresponsive.

Traynor was a wide-shouldered man in his late sixties. Close-cropped salt-and-pepper hair, a nice tan despite his illness, strong-looking square hands that she could imagine handling a sail and jib or a hunting rifle. Friendly green eyes that seemed to analyze and weigh her far too closely The eyes of a writer, exhibiting a nature intriguing but too intimately curious for comfort. An unusually virile-looking man, considering that he was suffering from some serious sort of cancer-she hadn’t asked what kind. Not that it was any of her business. The times when she did see him, he would look her over in that too interested, piercing way, then would turn remote and unsmiling.

Well, she was, after all, only the cleaning woman. And he had to be preoccupied-from his cancer treatments, and working on his new book, and overseeing the production of his play. His medical treatments alone could make him feel too ill to be civil. Very likely it was all he could do to handle his work and find time for the theater; surely there was nothing left over with which to be courteous to some housekeeper.

Except, much of the time, he wasn’t civil even to his wife. That relationship, on both their parts, seemed cold and rigid-certainly not in keeping with what Gabrielle and Cora Lee had told Wilma, that at the theater, meeting with the producer and directors, Vivi clung to Elliott so attentively that he could hardly move.

The six envelopes that Charlie had pulled from the trash in Traynor’s study-just to have a quick look, out of innocent curiosity, she told herself-had not been wadded up but simply dropped into the leather wastebasket all together. Lifting them out to put them in her trash bag, she had flipped through them, her face warming with embarrassment at the transgression.

All were from San Francisco, all but one from antique dealers, maybe answering some research questions about the furniture or artifacts of the period in which his novel was set. At first she thought there were no letters, just the envelopes, all handwritten and sent first class. But then she saw the one letter, tucked under the flap of the last envelope. It was also from the city. Both the letter and the envelope were typewritten, from Harlan Scott of theSan Francisco Chronicle,a book reviewer whom Charlie usually read. Had Scott written about a review? Did authors have their work reviewed before they finished it? She read quickly.

Dear Elliott,

Good to hear from you and to know you’re settled so quickly and back at work. The new book sounds fascinating. You’re to be commended for being able to finish writing the novel and oversee production of the play-two very distinct projects-when you’re feeling under the weather.

Yes, there are several collectors in the bay area. I’ll put together a list, try to get it off to you at the end of the week. All my good thoughts are with you. I hope the casting and rehearsals go well. Hope the treatments are not too uncomfortable. Sounds to me like you’re doing very well. Give me a call if you and Vivi want to come up for a talk with these people, or if you simply want to get away for a weekend.

Very best, Harlan.

When she heard the Traynors returning, she had dropped the envelopes and letter hastily into her trash bag. But it was the next day that she faced real temptation, when Traynor’s manuscript pages began to appear on his desk, one new chapter each morning, printed out, lying beside the computer.

Alone in Traynor’s paneled study with its leaded windows and pale stone fireplace, she had guiltily reached for the first pages, telling herself she wanted just a peek. Because she loved his work. Because she longed to see his work in progress, still forming, see how he accomplished his smooth and exciting prose. The guilt she should normally feel took a weak second place to the artistic hunger that rose in her, a keen fascination at the proximity of this fine writer.

Traynor’s study looked the same each morning when she entered, the desk immaculate, no paper left out. The little footstool pushed just so, to the corner of the desk against the bookcase, its loose, tasseled pillow aligned perfectly on top. She thought perhaps he used the pillow to ease his back as he worked. The books he had brought with him from New York were few, and all on California history-a row perhaps two feet long standing neatly on the otherwise empty shelves, beside a stack of photocopied research material. The bookshelf stood at right angles to his desk, close enough to be reached from his chair. It was flanked by a window directly at the end of the desk that looked out on the drive and front garden.

Charlie’s aunt Wilma, who was a research assistant at the Molena Point library, had mailed a thick package of machine copies to Traynor nearly a year ago, all research on local California history, much of it family journals collected over the years by priests at the nearby mission, and a history of the mission itself as well as the surrounding land, which had been divided by grants into huge cattle spreads. Because of Wilma’s thoroughness in her assistance, Traynor had sent quite a nice, and welcome, donation to the library’s book purchasing fund.

Alone in Traynor’s study, eagerly picking up the pages, Charlie had thought,Why am I doing this, why am I so interested? I’m not a writer, I have no professional curiosity.Her animal drawings were quite demanding enough of her creative skills; there was plenty to learn studying bone structure and doing quick sketches of moving animals. She had no time to divert her attention to a second discipline, no matter how much the beauty of the written word made her want to try. And yet any work of art, in a state of becoming, was fascinating stuff, seeming to her vividly alive. She had begun to read eagerly, glancing out the window in case they might return.

She’d had no idea how Traynor’s prose would affect her-no notion of the sudden, perplexed unease that would wash over her.

She had laid the pages down, had stood beside the desk staring out at the empty drive, confused and puzzled, not understanding why he had written this-how he could have written this.

This was not the lyric prose she had so admired from Elliott Traynor; his sentences were awkward and confused. The experience had shocked and saddened her. There was no other explanation than that his illness had affected his work. She had turned away filled almost with a personal loss. And ashamed, too, that she had pried-and she was touched as well with a cold little fear for herself, with a sharp sense of helplessness, that creative skills might so suddenly be diminished.

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Clyde woke in the dark predawn when he felt Joe drop off the far side of the bed. He hadn’t slept well, had just managed to drift into sleep, and wasn’t happy to be jerked awake again. He’d dreamed of Kate, not pleasant dreams. Why did she insist on staying in San Francisco? Jimmie was safely in prison, he couldn’t hurt her now. In the dream, she’d been so-distant. So removed, darkly preoccupied, not at all like the bright, sunny Kate Osborne he knew.

He could feel the warmth at his back where the tomcat, moments before, had been curled up asleep before he thumped softly to the wood floor, apparently trying to be silent. Why all the stealth; what was he up to? Joe’s usual departure was a four-star performance, tramping across Clyde’s stomach with those big, hard paws, dropping to the floor with all the finesse of a truckload of rocks.

In the near-dark, Clyde watched Joe pad softly around the end of the bed, a shadow sneaking across the Sarouk rug, heading away down the hall.

In a moment he heard Joe’s cat door slap, swinging against its metal frame.

Between Joe’s unusual behavior and his own unpleasant dreams, Clyde was wide awake. Leaving the warm bed, he stood at the open window, peering out from behind the curtain like some little old lady spying on the neighbors. The sea breeze was cool against his skin. In the faint moonlight that filtered through the blowing oak leaves, he could see Joe fast disappearing up the sidewalk, his gray coat nearly lost among the leafy shadows, only his white paws clearly visible, flashing along with swift determination.

Joe went out every night to hunt rabbits or, if he was obsessed with some police business that was none ofhisbusiness, to peer into windows or slip into people’s houses, poking and prying-Clyde had ceased to ask for details. But the tomcat was seldom silent in his nocturnal departures. And it wasn’t like there was some big crime under current investigation-nothing but that breakin at Susan Brittain’s place. No jewel heist or bank robbery, no murder that they knew of. Well, the damn cat wouldn’t leave anything alone. Let someone steal a pencil, Joe was on their case.

Wide awake and angry, he had half a mind to pull on his jeans and shoes and follow Joe. He could see him, almost to Ocean now, hardly visible in the blowing night. Clyde reached for his jeans but didn’t pull them on. If he tried to follow, the tomcat would simply take to the roofs and vanish.

His dream of Kate was still vivid; he’d been with her in San Francisco, walking the windy midnight streets. She told him she wasn’t coming back to Molena Point ever, that she wouldn’t see him again, that they didn’t belong together, that he wasn’t right for her.

But they had been right for each other, they’d known it long before she left Jimmie, though neither did anything about it. And then suddenly Jimmie was involved in murder and car theft; those days came back to him sharply. A killer loose in the village, hired by Jimmie to murder Kate-an incredible scenario, and the Welshman killer also had personal reasons for stalking Joe Grey and Dulcie.

That was when Clyde first learned that Joe Grey could speak, and Joe himself first became aware of that alarming talent-as if the shock of seeing a man murdered had thrust Joe from one facet of his existence into a deeper consciousness. That was when Joe’s true nature had come to light, and of course Dulcie’s hidden abilities as well.

Standing before the open window in his shorts, holding his jeans and a sweatshirt, he wondered how long before Katewouldget over her fear of being in the village and decide to move back home. He thought of her not as in the dream, but as she really was, imagined her there with him, her golden hair catching the faint moonlight, her eyes loving and kind. Dreaming of Kate, he started when a dark shape leaped to the window, crouching on the sill, pressed against the screen.

In the darkness, Joe’s white paws and chest were sharply defined, the white triangle down his nose pinched into a scowl. He looked intently at Clyde, at the jeans and sweatshirt. “What are you doing, Clyde? You weren’t going to follow me?”

Clyde looked at him innocently. “Couldn’t sleep,” Clyde said inadequately.

“You weren’t going to sneak out into the night and follow me? Pry into my private business? At three in the morning?”

“Would I do that? That’s very insulting. In all the hundreds of times you’ve gone out looking for trouble, in all the nights I’ve lain in bed worrying that you’d got yourself killed, have I ever followed you?”

“So why were you putting on your jeans?”

“I wasn’t putting them on. I was holding them. And is there any law against putting my pants on, going into my own kitchen, and making a sandwich? I couldn’t sleep. All right?”

“You never put your pants on when you invade the kitchen in the middle of the night, waking up old Rube and the other cats. Why are you so testy? Why would you want to follow me?”

Clyde glowered. Why did he have to get involved with a tomcat who seemed to know exactly what he was thinking?

“You were dreaming about Kate, calling her name in your sleep. Go on out in the kitchen, Clyde. Drink some hot milk and brandy, maybe that will help you sleep.”

Clyde just looked at him.

“You want to know where I’m going,” Joe said. “What difference does it make? You can’t stop me, and you can’t help me. You’re getting way too nosy in your advanced years.”

“Forty-some is not advanced, as you put it. I had no intention of stopping you. I simply wondered where were you going. Wondered why the secrecy? Why all the silence, slipping out trying not to wake me?”

“For your information, I was being thoughtful. Apparently that concept escapes you. You were obviously having trouble sleeping. You’d dozed off at last, and I didn’t want to wake you. Okay?”

“So where are you going? This is some kind of state secret? I know what you do at night, I know about your snooping. Someday, Joe-”

“If it’s any of you business, Dulcie and I thought we’d wander over to Hidalgo Plaza and check out the shops.”

“At three in the morning.”

“Why not? We can look in the windows. Dulcie loves to look in shop windows.”

“So you’re nosing around Casselrod’s Antiques, just because he snatched that old chest from Cora Lee. And would this have anything to do with the breakin at Susan Brittain’s?”

Joe sighed. “For your edification, antique stores, estate sales, yard sales� That’s where any cop would start looking for the guy who trashed Susan’s place.”

“That’s so simplistic. Max Harper would laugh his head off.”

“Not at all. A cop checks out the obvious first, even if it is simplistic. Take my word. Dallas Garza will be having a good look among the local junk dealers.” Joe gave Clyde a toothy smile, twitched a whisker, and was gone as swiftly as he had appeared, swarming up the oak tree to the roof, where he would again head for Ocean Avenue. Clyde imagined Dulcie waiting for him there among the trees of Ocean’s wide, grassy median, imagined the two galloping up the median to disappear in the direction of the long, wild park that bordered Molena Point on the southeast.

At the mouth of the park stood the cluster of converted buildings that made up Hidalgo Plaza, a collection of steep-roofed houses and old barns remodeled into a complex of antique and craft shops, boutiques, and art galleries. The largest structure among them, the old Hidalgo mansion, was now Molena Point Little Theater. Above many of the shops were offices and small businesses that didn’t need the exposure of a storefront. Casselrod’s Antiques occupied the entire two floors of its building, with wide showroom windows facing the brick walk.

Up on the roof, on the tilting peak, the two cats padded along the sharp hip. Where the peak ended, they dropped down to the tiny false balcony that protruded from the featureless wall three stories above the ground.

Rearing up on the four-inch protrusion, Joe pawed at the glass, shaking and forcing the frail old casement. Because the window opened in a sheer wall with only the fake four-inch balcony, it had never presented a security problem, and no one had bothered to lock it. The casement gave, and Joe and Dulcie slipped inside.

Padding through the dark attic beneath stacked chairs and tables, between ancient trunks and antique dressers and cartons of bric-a-brac, their paws stirring through rivers of dust, they were searching for a way down to the shop below when they saw, against the far attic window, a figure poised, backlighted from the street below. Though they had been silent, and hadn’t spoken, she was surely watching them.

Scenting out, they couldn’t smell anything remotely human. Warily, they crept closer.

“A mannequin!” Dulcie breathed.

“Buckram and wire,” Joe said, disgusted. Sniffing at the construction then brushing past the flimsy form, he headed for the stairs.

The second floor of Casselrod’s Antiques was not only cleaner and smelled better but was handsomely arranged, with small groups of ornate furniture displayed on fine Oriental rugs, against nice paintings and antique screens.

“Just like the architectural magazines,” Dulcie said, lifting a paw to stroke the soft patina of a fine cherry dresser, patting at the clustered grapes that had been wrought by a master carver.

Trunks and small chests stood on the floor among the furniture or on various tables. “Mostly Chinese,” Dulcie said. Certainly they were not roughly made, like the chest from the McLeary yard sale. Some were no bigger than a little birdhouse, some large enough to conceal a German shepherd. The cats prowled every dark corner and open shelf but did not find the chest they were looking for.

Descending the last flight to the main floor, they faced a wide bank of windows where beyond the glass shone the street lights of the plaza, and the softly lit windows of other shops. Here on the main floor, they could smell the perfume of Richard Casselrod’s assistant, a distinctive and clinging scent, in one of the upholstered chairs where Fern Barth had apparently sat. Joe sniffed at the too sweet perfume and made a flehmen face, lifting his lip in disdain. “Does she buy that stuff by the quart? Smells like dimestore jelly beans.”

“Maybe it’s something very expensive, to appeal to the opposite sex.”

“I bet it has the men flocking.”

Dulcie backed away from the smell, leaped to the shelves, and prowled carefully along them, skirting among delicate Dresden figures and porcelain dinnerware. To her right, a table was covered with boxes of silver flatware and stacks of lace and linens. Amazing how much care, how much time and art went into the accessories for human lives. “No matter how much we dislike Richard Casselrod,” she said softly, “you have to admit, he buys lovely things.”

But Joe had vanished. No shadow moved, not a sound. She mewed softly.

Nothing.

Leaping to the top of a drop-front desk, she yowled.

“In here,” he hissed from beyond an open door.

Dropping to the floor, trotting under the chairs and between table legs, she paused at the door to a small, fusty office that was nearly filled with a rolltop desk. “In here?”

No answer. Moving on, she slipped into a large workroom that smelled of paint, and raw wood, wax and varnish. The floor was scattered with sawdust and with curls of wood trimmings that tickled her paws. Joe stood atop a worktable, poised rigid with interest. She leaped up.

High above them through a small window set among the rafters, faint light seeped in from the street, seeming in the dusty air to filter all to one place, onto seven white slabs of painted, carved wood that lay among a collection of hammers and screwdrivers.

Two sides, two ends, and the lid of the chest lay beside two planks that had made up the base. These appeared to fit together like two slices of bread for a sandwich, each slice hollowed out in the center to form a shallow dish. When joined by their neatly carved wooden dovetails, the base of the chest would have a hiding place.

Joe sniffed at the planks. “Smells like jelly beans.”

“I smell Casselrod, too,” Dulcie said. “That tweedy, musty scent. So what was hidden in here? Or did they take it all apart and find nothing? What were they looking for?”

Where the joints of the little trunk had been left unpainted, the old, seasoned oak shone deep and rich. The four sides and top had been carved in geometric patterns, with a circular design in the center. The paint over the carving was thick and uneven, filling up some of the indentations. “The circle is a rosette,” Dulcie said. “It’s a�” she stared at Joe. “Oh, my.”

“What?”

“It’s a Spanish motif. I’ve seen it on pictures of Spanish furniture.”

“So?”

“Like the old Spanish chests in Elliott Traynor’s play, that Catalina’s lover carved and gave to her, where she kept some of the letters she wrote to him, that she never sent. Couldthisbe one of those? Is that why Casselrod was so interested-why he snatched it from Cora Lee?” Her green eyes widened. “The research that Wilma collected for Elliott Traynor said that likely the old casks had been lost, broken or rotted or burned in the fire that destroyed the rancho some years after Catalina died.”

Joe nosed at the rough white slabs. “This stuff doesn’t look all that valuable.”

But Dulcie was fascinated, tingling with a resonance that made her whiskers twitch. She wasn’t sure what to call the feeling, but the sensation made her purr boldly, the same as when she had a rat by the scruff of the neck, ready to dispatch it.

Was this the key to the events of the last few days? Was the answer right there in Elliott Traynor’s play? Had some of the letters survived that Catalina wrote to her lover? Dulcie was wild with excitement-but Joe was still thinking it over.

“Why now?” he said. “Why would Casselrod and the men who broke into Susan’s suddenly be so interested?”

“Because now that the play is about to be produced, everyone has a script. All of a sudden, more people know about the letters.”

Joe wasn’t convinced but he helped her search for some old, frail letter written in Spanish, trying the desks and file cabinets and the rolltop desk which looked like a good place to hide valuables. All its drawers were locked with heavy, old-fashioned brass locks that wouldn’t budge.

And later, when Dulcie asked Wilma’s opinion, Wilma said, “I’ve always supposed the letters didn’t survive. Or maybe that some collector had them tucked away. I’ve never given them much thought.” She looked at Dulcie as doubtfully as Joe Grey had done, as if Dulcie was way off base on this one.

But then Joe and Dulcie caught Charlie snooping through Elliott Traynor’s desk, something they’d never dreamed that Charlie would do. Spying was a cat’s prerogative, but there was Charlie brazenly prying, shocking the cats with her nosiness and delighting them-and soon, both Charlie and Ryan Flannery would add tinder to the fires of their sharp curiosity.

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In the velvet evening, Mexican music beat brassy and sweet, and the aroma of chilies and roasted meats floated on the cool air, enticing Joe Grey and Dulcie as they trotted along behind their human friends. Licking their whiskers at the good smells, the two cats tried not to draw attention to themselves. But the kit raced boldly ahead, brushing past Charlie’s ankles and between Max Harper’s feet with no thought to keeping a low profile. Charlie glanced down at her once, grinning, and reached down to stroke her. Walking between Max Harper and Clyde, Charlie moved together with Harper as if their thoughts, their very spirits were in perfect sync.

Lovers, Dulcie thought, watching them. Or soon to be lovers. You could always tell, in the beginning. And that made her feel sad for Clyde, made her wish Clyde and Kate would work out their differences, wish that Kate would come home, that she would get serious about Clyde and move back to the village. Clyde seemed so-unfinished, Dulcie thought. She knew, with typical female logic, that it was time Clyde Damen got married.

Though apparently Joe didn’t think so. Why must he always know her thoughts? Beside her, he flicked a whisker with annoyance, his yellow eyes burning, his look saying clearly,Leave it alone, Dulcie. Leave Clyde alone, quit matchmaking.Joe said when she was matchmaking, her tail flicked in a certain way. Well, he wasn’t any help, he did nothing to nudge Clyde along. For all of Joe Grey’s input, Clyde could stay a bachelor forever.

Only, sometimes she did catch an irritated and speculative look in Joe’s eyes that made her wonder what he and Clyde talked about, in private. Made her wonder if, alone with Clyde, Joe hassled him to get married more than she imagined. Maybe, she thought, amused, Joe didn’t want her to catch him matchmaking.

When Clyde and Charlie and Harper entered the patio of Lupe’s Playa, moving in through the wrought iron gate, the kit barged in right between their feet-until Dulcie snaked out a swift paw and snatched her back, hissing at her and then purring and licking her ear.

Chastened, the kit followed Dulcie and Joe away from the entry and around behind the restaurant and up a bougainvillea vine to the top of the high patio wall. Padding along above the diners’ heads, the three cats slipped into a mass of purple blossoms where they were well concealed yet had a fine view of Lupe’s Playa. Below them, at Harper’s usual table, Detective Garza and his slim, dark-haired niece were already seated.

The patio was softly lighted by colored oil lamps that hung from the branches of three giant oak trees around which the tables were clustered. From the eaves of the building hung bright pinatas and Mexican flags. The restaurant itself, with its bright dining rooms, flanked two sides of the terrace, the lighted windows revealing more crowded tables and happy, laughing diners. Lupe’s Playa was the piece de resistance for fine Mexican food, a four-star winner, Harper and Clyde said. Both men were authorities, their appraisal of Mexican cuisine a serious avocation.

In their rodeo days, Max Harper and Clyde had frequented every good Mexican cafe between Portland and San Diego, and inland to the Nevada border. Both could describe in detail the specific virtues of an excellent chili relleno or an enchilada ranchero, both would turn up their noses at ground beef as a filling; both could name the painstaking steps in the proper preparation of tamales, a process that, when correctly done, took three days, from the soaking and roasting of the corn to the drying of the husks and the final rolling of the tamales.

Garza and his niece sat with their backs to the wall, unaware of the three cats hidden in the vines above them. The cats’ view of Ryan was the top of her head, her dark curly hair tousled and windblown. She was dressed in jeans and a pale blue T-shirt with no cutesy logos emblazoned on it. Was she reading Garza off, or only laying out her troubles? Whichever, this lady had a hot temper.

“This is not a simple quarrel! I’m not going back to him. I’m not staying with a man I don’t trust or respect.” She shifted in her chair, looking at Dallas more directly, her green eyes blazing beneath thick black lashes.

Garza was grinning. “Don’t lay your anger on me-I couldn’t be happier. You should have done this years ago.”

“I have an appointment tomorrow morning with the attorney Max Harper recommended. Thanks for talking to him.” She sipped her beer. “I want to get the divorce started, get my contractor’s license-and my half of the value of the business. In a few months, I’ll be running my new company. R. Flannery Construction.” She laid her hand on his. “I want to get into a place of my own, lick my wounds alone. Does that disappoint you?”

“Of course it doesn’t. You’re in the village, we can have dinner, run the dogs when I bring them down-go hunting this fall without Rupert pitching a fit.” He patted her hand. “Just glad to have you near, honey. Glad to see you free of him.”

“An apartment with good storage space,” Ryan said. “Have to buy all new equipment, power tools, ladders, wheelbarrows, you name it. Have to do some advertising-to say nothing of hiring. Besides the job in San Anselmo, I have a couple of other nibbles, contacts from San Francisco. One of our-of Rupert’s-clients wants me to build a small vacation cottage down here. They bought a lot last year, a teardown.”

“So you’re not only going to fight Rupert for your half of the business, you’re going to steal the firm’s clients.”

“I don’t consider it stealing, if they come to me. None of them was happy with Rupert, with his attitude.”

“I have to say, you came away armed. Armed for what, time will tell.”

“Don’t be a cop, Dallas. I’ll work it out.”

Garza stood up as Clyde and Charlie and Harper approached. Harper pulled out a chair for Charlie; but as the three were seated, Joe nudged Dulcie. She followed his gaze across the patio, where Vivi and Elliott Traynor had just appeared, waiting for a table.

Vivi looked incredibly small and thin next to Elliott, who seemed twice her size. He was a handsome man, with well-styled silver hair, dressed in a suede leather sport coat and pale slacks, a man who looked used to living well. Vivi, in her black tights and black sweater and wildly frizzy hair, looked like something he might have picked up south of town.

Glancing around the patio, Vivi began to fidget as if she should not have to wait to be seated. When she spotted their table she did a comic double take, turned her back to the party, and grabbed Elliott’s arm, dragging him toward the door. Looking surprised, Traynor followed her. When the maitre d’ turned back to them, they were gone.

Ryan sat very still, staring after them. “Why did they turn away? She spotted us, and spun around like she’d been scalded.”

“I told you the Traynors were here,” Garza said. “She was looking straight at you.” He studied his niece. “Something happen in San Francisco? I thought you hardly knew them, that you’d met them only once. Some business dinner?”

“Rupert and I had dinner with them one evening, with friends. Then Rupert insisted we take them out. We did, but I didn’t especially enjoy it. Though I can’t think of anything that would make them avoid me.

“Unless�” Ryan colored. “Unless she and Rupert�”

Garza’s expression didn’t change.

“Dinner waswell, both evenings were pleasant enough, really. But Rupert was fidgety and rude because he had to listen to details about Elliott’s play. He thought Elliott was totally egocentric. I didn’t think so, I liked him, he’s a charming man. He’d been making arrangements with Molena Point Players, someone down here was doing the music and lyrics. Mark King?”

“Yes,” Charlie said. “Mark King.”

“He talked about his historical trilogy, too,” Ryan said. “It was interesting. But Rupert� Well,” she said slowly, “Rupert did spend a good deal of time talking with Vivi.” She went a shade paler, lowering her gaze.

Charlie looked across at Ryan. “Elliott Traynor’s play-isn’t it based on the same historical material as his last three novels?” Under the table, Charlie and Harper were holding hands. Only the cats could see them, from the angle of the wall. The kit’s tail twitched with merriment.

“Yes,” Ryan said. “He seems totally caught up in early California history. But the material of the novels is different. The play centers around Catalina Ortega-Diaz and her love story.”

“My aunt Wilma supplied some of the research for the books,” Charlie said, “as well as for the play, from the library’s local history collection and from the records kept at the mission.”

“I haven’t read the trilogy,” Ryan said. “But Traynor told us the true story of the play. Catalina was the daughter of a wealthy Spanish ranchero-this would be somewhere in the eighteen fifties, when the rancheros began to mortgage parcels of their land to buy luxuries-silks, crystal, golden goblets brought over by ship from Europe. Apparently they and their families lived pretty high, enjoyed life day to day and really didn’t take the mortgages seriously. Didn’t think the notes would ever be called in.

“The heart of the play is the effect of this on Catalina’s life. When the notes were foreclosed and the merchants started taking over the land, some of the rancheros went bankrupt, Catalina’s father included. Well, I didn’t mean to lay out the whole story.”

“Go on,” Charlie said. “Don’t leave us hanging.”

Ryan smiled. “Along comes a wealthy American named Stanton, offering to pay off Ortega-Diaz’s debts in exchange for his land-and for Catalina’s hand. Keep the ranch in the family. He promised Diaz that he could stay there in his own home and live well. It was the answer to the ranchero’s prayer.

“But Catalina was in love with someone else,” Ryan said. “When she refused to marry Stanton, her father locked her in her room, fed her on bread and water. According to Traynor, she finally gave in. Though she married Stanton and bore his children and made a respectable life, she wrote letters to her lost love until she died.

“No one knows how many of the letters she sent. According to Traynor, she hid many of them in her chambers-rather like a secret journal. The way Traynor described it, the whole thrust of the play is on the letters between Catalina and Marcos Romero-her songs are the letters. Traynor tells the story so beautifully. I was fascinated. But Vivi seemed annoyed that he talked so much about the play; she seemed as bored as Rupert.”

Charlie laughed. “I know how she is. I work for them, I do their cleaning. Vivi can be� off-putting.”

“I liked Elliott,” Ryan said. “He’s a fiery man, but he seemed kind. I think he could be kind-without Vivi.”

From atop the brick wall, Dulcie watched the two women, thinking that they hit it off very well. They seemed about the same age, and certainly they agreed about Vivi-but then, who wouldn’t?

When the waiter came with their menus, the conversation died. From the wall, the three cats peered over, considering the selections and what they might be able to cadge. That was when Clyde spotted them, when the kit thrust her nose out to see better. Everyone looked; no one laughed. Detective Garza seemed to find their presence amusing. “That gray tomcat gets around, Damen. I never saw a cat quite so-with so much presence. He’s almost like a dog.”

The tomcat thought of several things he’d like to tell Detective Garza, none of them polite.

Clyde shifted his chair so his back was to the cats, disclaiming all responsibility for their presence; but he included in his order a selection of their favorites on a paper plate: chicken fajitas with jack cheese and sour cream. The egg-and-batter portion of a chili relleno, with mild sauce. And a cup of flan, for the kit. Ryan appeared as entertained as Garza; she kept glancing up at the three cats, as if watching for further developments.

When the orders came and Clyde placed the paper plate on the wall, the cats feasted, Joe and Dulcie eating in silence and neatly licking their whiskers, the kit guzzling loudly and enthusiastically, smearing flan from her whiskers to her ears. She received amused glances from several tables.

The village was used to dogs in their restaurant patios, but companion cats were another matter, though most of the villagers knew Clyde Damen’s odd preference for the gray tomcat. This was a community of writers and artists and of people rich enough or confident enough to be as eccentric as they liked-if Damen wanted to bring his cats to dinner, that was fine.

But Dallas was asking Charlie about the apartment she had for rent. “Max told me it was a duplex?”

“Yes, both sides of a duplex.” She looked at Ryan. “One is a studio, double garage underneath. The other has one bedroom, same garage arrangement.”

“I’d like to see the studio,” Ryan said. “Would you mind my keeping construction equipment there?”

“Not at all. It’s a perfect arrangement. After dinner, you want to take a look?”

“Love to.”

“So would I,” said Clyde. “I haven’t seen it since you painted and fixed it up.”

“We’re not finished with the larger one,” Charlie said, watching him with interest. “Mavity’s helping me. The studio side is done.”

“I’d like to see the one-bedroom,” Clyde said. “We’re-I’m thinking of taking that offer for the house, since they built the wall of China behind me.”

Joe and Dulcie exchanged a look.

“What about your own apartment building?” Charlie said.

“Those are all one-year leases, Charlie, with options to renew. You were there when I rented those units, you were still working on the outside of the building.”

Charlie tried to look at him seriously, but the cats saw a sly grin creep across her freckled face, as if she could read Clyde too well. Her look seemed a mixture of jealousy, levity, and honest pleasure and relief.

How complicated humans were, Dulcie thought. A she-cat would either turn away uninterested, or would leap on her rival spitting and clawing.

But Charlie had already abandoned Clyde, he was a free agent. Dulcie watched the exchange of looks between Charlie and Harper. Charlie’s leg was pressed against his under the table. Clyde didn’t seem to notice, his full attention was on Ryan. He rose with her as dinner ended and as Harper and Garza headed back to the station. He escorted her out as if she were his date, handing her into his antique yellow roadster to ride the few blocks to the duplex. The kit crouched, meaning to leap down and follow, but Dulcie snatched her back.

“Let them go, Kit. We don’t need to act all that eager for a car ride. No need to put too many questions in people’s heads.” She looked after Clyde’s convertible. “Ryan Flannery is a looker. I don’t think Kate will like this.”

“Serve her right,” Joe said, wondering how this would play out. Ryan was a beauty, all right, and apparently full of fight and determination. She seemed, in fact, the kind of human woman he most admired. Well, but so was Charlie. Determined and feisty.

But the woman he was really curious about, who sent Joe leaping from the wall and snaking away up the street between pedestrians’ legs, was Vivi Traynor. Why had she practically run from the restaurant to avoid either Detective Garza or his niece Ryan Flannery?

Heading across the darkening village dodging tourists’ shoes, the three cats’ eyes caught light from shop windows and from passing cars. The sky above them was heavy with cloud behind the black silhouettes of oak and pine trees. Above the cats, a little bat darted over the treetops, squeaking its high-pitched sonar. Dulcie, hurrying along beside Joe, puzzled over Vivi Traynor’s hasty retreat but also kept thinking about Traynor’s play and about the research that Wilma had done for him.

Wilma had read her some of the research that came from the mission archives, before she sent it to Traynor. Apparently one of the priests knew about Catalina’s letters and wrote about them in his journal. The Ortega-Diaz ranch wasn’t far from the mission. “That priest wrote that Catalina made little paintings on the letters-of the ranch, of branding, whatever they do with cattle. How strange,” she said, “the way humans collect and record history.”

“How else would they do it?” Joe said sensibly.

“I don’t know. All the letters and journals and all kinds of old records woven together to make a pattern of the past. To a human, that may seem dull. I think it’s like making magic, to be able to bring the dead past alive.”

Joe stared at her. “You’re talking just like the kit,” he said rudely.

Hurt, she glanced back at the kit, who had stopped to paw at a snail. “Sometimes,” Dulcie said, “I feel like the kit.” And she turned away from Joe.

But he pressed against her, licking her ear. “That’s why I love you,” he said softly. “Because you see not only the rat to hunt but also the flowers where it’s crouched.”

She looked at him, her eyes wide, then gave him a nuzzling purr. Sometimes this tomcat wasn’t so rough and uncaring. Sometimes he truly surprised her. And in a little while, she said, “Hundred-and-fifty-year-old letters from California history with sketches of the period should be worth a bundle, Joe. Maybe Traynor’s looking for them himself.”

“Traynor or Vivi? It was Vivi who followed Casselrod when he snatched the white chest.”

“If Traynor wants the letters, why would he put them in the play so everyone would know about them? So other people would start looking?”

“Maybe he planned to have found them already before the time the play was produced.” Joe leaped to the top of a fence and down the other side. He watched Dulcie and the kit drop down beside him. “If Elliott and Vivi are still having dinner somewhere, and if we’re fast, we can be inside their cottage before they ever get home.” Joe’s yellow eyes blazed. “I want to know more about Vivi, about both the Traynors.”

10 [��������: pic_11.jpg]

Trotting single file along a twisted oak branch, the three cats crossed above Elliot Traynor’s roof to the high clerestory windows that looked down into the living room. Within the house, no lights burned. The Traynor’s black Lincoln was not in the drive where they usually parked. Peering down through the glass, the cats could see the stone fireplace and a pale leather couch and love seat, set on a richly patterned area rug. The handsomely designed room was now strewn with items of clothing as if Vivi had wandered through undressing as she went. Joe was pawing at the sliding panels trying to open one, when car lights swept the garden. As the Lincoln turned into the drive, the cats closed their eyes so not to catch the glow like a row of miniature spotlights mounted among the shingles.

Vivi got out of the driver’s side carrying a large paper bag in both hands. The cats could smell enchiladas. Elliott followed her in though the back door, and light came on in the kitchen, reflecting across the drive and illuminating the flowering shrubs, burnishing their leaves like polished copper.

Soon the cats could hear water running in the kitchen, then a metallic clatter as if silverware was being taken from the drawer.

They imagined Elliott and Vivi sitting down to Styrofoam containers heaped with enchiladas and tamales. Maybe, when the cats saw them hurry out of Lupe’s, they told the waiter that they’d changed their minds and that they wanted takeout, then had waited outside for their order like any ordinary villager, lurking beyond the patio wall where they wouldn’t be seen.

When the clerestory windows wouldn’t open, Dulcie dropped from the roof and headed for the back door to see if it might be ajar, though she didn’t relish slipping into the house that close to Vivi. Trotting through the dark garden toward the back porch, she brushed through tall stands of daisies and overgrown clumps of daylilies and yellow-flowering euryops bushes, collecting their scents on her coat. Above her, up the stone walls of the cottage, the many-paned windows remained dark, there was only that light at the back, in the small bay window that extended out from the kitchen. The spicy smell of Mexican food filled her nostrils, so strong she could taste it. She heard Vivi giggle somewhere inside, that high, irritating laugh that set Dulcie’s fur on edge. Elliott said something that Dulcie couldn’t make out, and Vivi snapped angrily at him, her shout coming clearly enough.

“She was with two cops. Those guys were cops. That tall skinny one is the chief. What did you expect me to do?”

Elliott’s muttered reply wasn’t clear. It sounded like, “� other one� didn’t see the� mumble mumble�”

“Well, she would remember!” Vivi said. “One wrong word in front of the law, one little wiggle� If you run into her, you be careful. You’re way too casual about this.”

Again his response was too low to be heard, sullen and angry. Why didn’t he yell at her? He was way too casual about what? Had Vivi had an affair with Ryan’s husband, the way Ryan thought? And Vivi didn’t want to confront Ryan? But if Elliott knew about that, didn’t he care? How strange humans were, Dulcie thought. Joe would have killed another tomcat who touched her.

He had wanted to kill that black tom, Azrael. Had tried to kill him. Though Dulcie hadn’t really looked at another tomcat since she met Joe, there had been that one weak moment when Azrael came on to her, she remembered ashamedly. When the dark voodoo cat ignited a frightened purr-until she angrily rejected the philandering thief.

They were still snapping at each other as Vivi’s high heels clicked across the room toward the back door. Dulcie backed into the bushes as the door opened and light spilled out. She could never get over the feeling that people would know she was eavesdropping; she always wanted to hide.

But how could anyone know? So Vivi saw a cat in the garden. What was she going to do, throw the garbage can at her?

Knowing Vivi, she might. Vivi dropped a bag of trash into the garbage can. She stood a few moments in the cool night as if trying to control her temper, then turned back inside, where Elliott had switched on the TV and the canned voices of a late newscast filled the kitchen.

Racing back through the quiet dark of the garden, Dulcie let the human sounds fade behind her, let the garden smells fill her nose, and the damp earth ooze cool beneath her paws. Brushing through the scented leaves of geranium and lavender, in the deepening evening chill, she raced up the oak tree again. From somewhere high above her came the scream of a screech owl crying his hunting call-hunting in the wind, diving among the pines and oaks. Catching arboreal mice? she thought, amused. Or snatching up tree-climbing crickets?

Feeling lonely suddenly, she fled to Joe. She and Joe were launched on their own kind of hunt, the game far larger and more dangerous than anything that little owl could trap. And, thinking of what they might find, she was suddenly afraid.

Storming up through the thick foliage of the oak tree, darkness seemed to crush in around her. Racing along the branch with clinging claws, she nudged Joe with her nose, sniffing in his scent, rubbing her face against his sleek, silken fur. But after a moment, she asked, “Where’s the kit?”

Joe smiled and glanced above them. She followed his gaze to where the kit clung nearly at the top of the oak among the smallest branches, a dark lump, her long, fluffy tail hanging down like a pendulum, the tip of it twitching in that slow rhythm that indicated some prankish desire or some other, equally busy mental process.

“Vivi and Elliott were arguing,” Dulcie told Joe. “Talking about Ryan. Vivi said, ‘She would remember. And she was with two cops-those guys were cops.’ Then, ‘That tall skinny one is the chief. What did you expect me to do?’”

Joe listened, saying nothing.

“Elliott muttered something like,’� other one� didn’t see�’ That’s all I could make out. She told him to be careful, that he was way too casual. Then she closed the door tight. And no windows are open.”

Somewhere near, a barn owl hooted, deep and frightening, and the kit came backing down the tree fast, to snuggle between them. Joe peered in again through the high window. “Strange, what a bad feeling I have about this.”

“So do I,” she said. “Likely it’s Vivi, she’d make anyone uneasy. Wilma calls her a name I won’t repeat,” she said, glancing at the kit.

“What name?” asked the kit.

No one answered her. Joe worked at the window again, clawing and pulling, then backed down the tree to the garden and went to circle the house, a gray streak in the darkness leaping up at each window, scrabbling and pawing. Dulcie followed him down to try the vents in the foundation. She was clawing at a grid when suddenly from above, lights poured down on them. They fled into the bushes, hunching down in the leaves, looking up through the little twiggy branches at the one window, halfway along the house, that shone brightly.

No figure moved against the glass, no one looked out. They could see beyond the curtains a tall chest of drawers with a small mirror standing on top, light reflecting from it.

Lights blazed on in a second room, at the front where the draperies were drawn, then a smaller window in between burned brightly. They heard water running, but then at last the bathroom light went out and the back bedroom darkened except for the glow of a TV.

In the illuminated front room, a shadow moved behind the draperies, thrown tall by the lamp, and then sat down. In a few minutes they heard the soft click, click of computer keys.

“So Vivi’s gone to bed to watch TV,” Dulcie said. “And Elliott’s at work on the book.”

Moving out from beneath the bush, Joe looked up at the vents of the attic.

“Wait for me,” he whispered. “Watch the window.” And he was gone up the rose trellis, his white paws flashing as he skillfully avoided the thorns. She watched nervously from the bushes, wishing she didn’t feel so edgy. In a moment she heard him scratching and tearing at the wall, rustling within the foliage. She had never seen Joe so interested, when no serious crime had been committed. Usually he reserved his predatory sleuthing for some major transgression, but tonight he was keen to break and enter, hot on the trail-of what? Oh, Vivi and Elliott did put him off, did make him uneasy. Above her, Joe snatched and clawed at the vent as he swung from the trellis anchored only by his hind paws, fighting to get inside, following his instincts.

Max Harper, she thought, would never move on cop sense alone, on some itchy feeling, without due cause. Whatever problems the Traynors had, such as their avoidance of Ryan Flannery, and Vivi’s nervousness around police, didn’t necessarily point to criminal activity. And yet�

She wondered if they could be dealing drugs. She didn’t like to think that about someone like Elliott Traynor. Were his medical bills so high that he was desperate, hard up for cash even if he was a famous writer? Cancer treatment must be very expensive. Maybe writers didn’t have medical insurance. Certainly drugs were easy to sell. On the streets of New York and San Francisco there would be plenty of buyers eager to hand over their money.

But she was letting her imagination go wild. And how was Garza’s niece involved? Did Ryan know more about the Traynors than she was saying-more than she wanted to tell her uncle?

“I could go to the door,” the kit said. “Scratch at the door.”

“Do what, Kit?” Dulcie stared at her, then looked up to where Joe had his claws hooked in the vent, stubbornly pulling.

“I could play lost kitty like Joe did at Detective Garza’s house, when he moved in to spy. Like you did with that old lady, after Janet Jeannot was killed. You lived with that old woman for a week, and look how much you found out! I could-”

The vent came loose and fell, as Joe leaped clear. It clattered loudly to the brick walk-and Elliott’s typing stopped. Dulcie and the kit froze, ready to run. Above them, Joe disappeared into the attic.

In a moment the typing started again. The kit, fascinated with her idea, went on as if she’d never been interrupted. “I could make nice to Elliott Traynor and Vivi and get them to feed me and make a bed for me and I would purr for them, and when they went to sleep I would open the door for you, catch the knob in my paws, and swing and hold tight-I can do that. I could-”

“Hush, Kit, you’re making me crazy. You mustn’t do any of that. Be still.” She could hear sounds from the front of the garden. Someone was coming. She pulled the kit deeper under the hydrangea bush. Crouching among the leaves and branches, they listened.

Was it a person approaching in the dark? More likely a dog, Dulcie thought. The brushing noise was too low to the ground for a human. The kit, very still now, pressed close to her as something came lumbering in their direction, waddling back and forth on all fours.

This was no dog. Dulcie could feel the kit’s heart pounding against her. She could see the beast’s stripes now, his black beady eyes, could see the mask across his face. He was bigger than a bulldog and seemed twice as broad, and behind him came four smaller raccoons looking out from behind identical masks, swinging along predatory and bold on their dainty black paws. Five lethal fighting machines. Dulcie and the kit didn’t breathe.

The raccoons lurched past not ten feet from them, their raised noses sucking in the lingering smell of enchiladas. Maybe that garlicky confection of meat and chilies and cilantro would hide the smell of cat. Lurching toward the back of the house and the garbage cans, they were soon scrabbling on metal and chittering impatiently, pawing to get the lids off. A lid dropped into the bushes. The can fell, breaking leafy twigs and immediately the raccoons were into it, scrabbling and fighting.

Dulcie led the kit back up the trellis, the kit’s long fine fur catching in the thorns with little ripping sounds.

“We’re safe now,” the kit whispered, edging toward the hole that Joe Grey had opened to the dark attic.

“Hush!” Dulcie said. “They can climb, too. Get yourself inside!” Below them, the sounds of bickering and of claws tearing at Styrofoam gave her the shivers. She imagined the animals devouring enchilada-flavored Styrofoam as if it were candy. But when they finished with the garbage, what would they do next?

Following the kit into the dusty, mouse-scent dark of the attic, she mewed softly for Joe Grey. There was no answer, no movement among the shadows. She heard, from the yard below, the sounds of the raccoons change from gorging garbage to little chirps of curiosity, then heard the beasts coming back, shouldering through the bushes toward the trellis that she and the kit had climbed. Beside her, the kit peered down. “What are they doing? Why�?”

“Be still! They’ll climb up here quick as squirrels!” She looked hard at the kit, whose tail was twitching with that devilish, looking-for-trouble rhythm.

“Didn’t you ever have to battle raccoons, Kit, when you lived with that traveling band of cats? They’re as dangerous as coyotes or bobcats.”

“The big cats fought them. I was too little. I always hid. But I’m big now, and you and Joe are big. They wouldn’t-”

“Oh wouldn’t they?” She turned blazing eyes on the kit. “Have you never seen a cat torn apart by raccoons? Like you would tear apart a little mouse!”

The kit’s eyes grew round. She dropped her tail, dropped her ears flat to her head, and backed away from the vent into the deeper shadows of the attic. And Dulcie began to search for something heavy they could push against the vent hole.

11 [��������: pic_12.jpg]

In the black attic Dulcie raced among hulking furniture, clawing at cartons, searching for a box that she could move, could shove against the hole to block the raccoons’ entrance. In the little square of moonlit sky that marked the vent hole, a black shape loomed, and another was coming fast up the trellis. Her nose was filled with the smells of mildew and dust and ancient mouse droppings, as if all the house dirt of generations had been sucked upward into this dank space. Searching, pulling at heavy boxes, she watched the lead raccoon forcing himself through the little vent, could hear the others behind him pushing up the trellis following the scent of cat.

They daren’t shout; the Traynors would hear them-she wondered if Elliott heard the raccoons scrabbling up the wall of the house. She attacked another box, straining with claws and teeth to drag it toward the opening. Where was Joe? Cats weren’t built to move heavy loads. If she got a grip with her claws and pulled, she pulled her own back feet out from under herself. When she tried pushing with her shoulder, the box might as well be nailed to the floor. Straining, lying on her back, pulling, she mewled when the box gave suddenly, was shoved so hard it nearly ran her over. She rolled away as it rammed against the wall.

“Push, Dulcie. Push now!” Joe hissed. In the darkness behind the box, his white face and chest gleamed. But as they fought the carton toward the opening, the beast pushed through, forcing the box back in their faces. He was a huge animal; he seemed to fill the attic.

“Run, Kit. Run.” The three cats flew through the dark, dodging between the legs of stacked furniture.

“Here,” Joe hissed. “Down through the crawl door.” He shouldered the kit toward a thick slab of plywood lying askew on the rough flooring, a crack of blackness showing at its edge.

“This?” Dulcie said. “We have to move this?” She pawed uselessly at the slab.

“All together. Hook your claws in the edge.”

They hooked into the rough splintery plywood and pulled, lunging backward. The slab moved, and moved again. Behind them, the beasts came swaying and lumbering. Pulling again, they jerked the cover aside far enough to free a six-inch hole. As the masked bandit lunged at them, Joe shoved the kit, and they dropped through into blackness.

They landed on hard linoleum, in a little room walled by shelves that smelled of raisins, brown sugar, cereal. Above them in the hole, a masked face peered down, and another. Trapped in the pantry, they watched the raccoons turn, preparing to back down, watched the first one reach a hind foot to grip the nearest shelf.

Leaping, Joe pawed at the pantry door swinging on the knob and turning it. The door flew open, they were through.

“Get your tail through, Kit.”

She flicked her fluffy tail away, and Joe flung himself against the door again, slamming it closed.

They heard the raccoons drop, then a terrible thudding racket as they fought among themselves, scrabbling at the door to force it open. The cats fled, searching the kitchen for a place to hide, listening to the latch rattle as if any minute it would give.

The animals charged the door for some moments, then began, apparently, to vent their rage and hunger on the pantry shelves. Cans and boxes fell clattering, cardboard was torn and ripped to the sounds of munching and slurping-five voracious eating machines heralding their entry into Elliot Traynor’s cottage, announcing their arrival with enough noise to wake the village.

The Traynor kitchen, even without lights, was a bright room, its cabinets and tile floor creamy pale, its wide bay window over the sink offering a vista of starlight above the massed houseplants. But its pristine counters afforded no shelter. When a door banged, down the hall, the cats fled behind the refrigerator.

Elliott Traynor came running, Vivi close behind him. Peering out, the cats watched the Traynors pause, staring at the closed pantry door where, within, the raccoons were knocking down cans and thudding against the walls. Elliott was dressed in a velvet robe, pajamas, and slippers-and carrying a black automatic. Crouched behind the refrigerator, Dulcie and the kit hunched close to Joe.

Moving to the pantry, Elliott paused for a long minute, listening. When he jerked the door open, Vivi screamed. Two shots rang. At the booming explosion, the cats scorched down the hall, into the living room and underneath the couch.

“He shot them,” Dulcie whispered, shocked. As terrified as she’d been of the raccoons, she was appalled that Traynor had killed them. Crouching in the black dusty dark beneath the couch, she pressed against Joe, shivering. “He might have shot us.”

“Shhh.” Joe’s warning hiss was cut off by Vivi’s high, nervous giggle.

“My God! Why did you have to shoot them! Look at the mess you made. What on earth are they, what kind of animal would�?” She giggled again. “Oh, it’s gory. What are we going to do?”

“Raccoons,” Traynor snapped. “Get some garbage bags.”

“You had to load with soft-nose.”

“Be glad I did. Bullet could go right through these walls, who knows where. Then there’d be hell to pay. Get me the damn bags. Hope to hell the neighbors thought it was a backfire.”

“How did they get in?”

Silence-as if Traynor might be pointing above them, to the crawl hole.

“Well, how did they get in there?”

“How the hell do I know? There are vents in an attic. Get the damn bags.”

“You don’t need to snap at me.”

“I’ll snap if I want. And look in the garage for a ladder.”

Beneath the couch, Dulcie said, “Maybe our uneasy feeling wasn’t so silly. Why would Traynor have a gun?”

“I don’t know, Dulcie. Maybe he carries it when he’s traveling. Clyde carries a gun in the car when-”

“The Traynors flew out. People aren’t supposed to carry guns on planes.”

“They can, if they check their bag. And lock it. Unload the gun and declare it. Get a special tag-”

The back door banged. Elliott snapped, “Hold the damn bag open!”

“I don’t want to do this! Leave that for the cleaning woman-keep it away from me. This makes me sick.”

“Shut up and hold the bag!”

They listened to sounds of scraping, laced with plenty of swearing. Pretty soon they heard the back door open again, then the clanging of metal from the backyard as if Elliott had righted the garbage can that the raccoons had earlier turned over. The idea of a dead animal, even a raccoon, stuffed into a garbage can sickened the cats. They heard Traynor secure the lid and pound it down, as if with an angry fist.

“How many did he kill?” Dulcie said. “There were only two shots. Why didn’t we hear the others running away across the attic?”

“Maybe two for one,” Joe said coldly. “I hope he closed the door tight.”

The kit began to wriggle. Joe scowled at her.

“Curl up, Kit. Close your eyes. We can’t leave with them fussing around in the kitchen.

“Come here, Kit,” Dulcie said, nudging her. She licked the kit’s face and ears, washing her gently until the kit stretched out and dozed off. Dulcie didn’t mean to sleep, but she woke later with the kit curled against her and Joe Grey gone.

Listening, she heard not the faintest noise in the house. Leaving the sleeping kit, she crept out from behind the couch and followed Joe’s scent down the hall.

No light burned beneath the bedroom door. She could hear Vivi and Elliott breathing, in two separate rhythms. Their human sleep-smell was sour. Beyond the bedroom, Elliott’s study was dark, the door pulled nearly closed. Pressing it open, she padded in.

Against the pale color of the drawn draperies, where a thin wash of moonlight brightened the window, Joe sat atop Elliott Traynor’s desk, his silhouette black, his white markings gleaming, his ears pricked sharply-he was as still as a sphinx, watching her. The illuminated clock on the desk said 1:30. She leaped up beside him.

A heavy brown folder lay at his feet, from which he had pawed out a thick sheaf of papers, scattering them across the blotter. There was barely enough light to read, even for a cat. She looked at the pages, frowning.

“Traynor’s research,” he said softly. “Take a look at this. A San Francisco museum owns some of Catalina’s letters, which they have translated-pretty impassioned letters,” he said, grinning. “She was mad as hell when her father made her marry the American. And look at this.”

With a deft claw he pulled out several pages revealing a paper tucked between them, an auction house notice offering two letters written by Catalina Ortega-Diaz, the bidding for each to start at ten thousand dollars. A handwritten notation at the bottom indicated that one had sold for twelve thousand, one for fourteen. Clipped to the notice was a printed statement listing the two items, and making payment to Vivi Traynor.

In the gloom, Joe Grey’s eyes were as black as obsidian. “Did someone say there’s been no crime? Famous author or not, this is most interesting. There’s money here, Dulcie-how many letters did she write over her lifetime? How many did she never send?

“Catalina had seven carved chests that Marcos made for her. Was that white cask one of them? And did they all have secret compartments? Even so, how did she keep her husband from finding them?

“The research said they had separate chambers-bedrooms- where the chests were hidden.”

Dulcie looked at the date on the auction notice. “Only a few weeks since these letters were sold. Then Susan Brittain’s house is broken into, and the burglar is attacked. Did those men think she had one of the chests? And the same morning, Casselrod snatches the white one.”

“Add to that,” Joe said, “that Elliott carries a gun and that Vivi and Elliott are afraid of the cops and apparently of Garza’s niece.” He looked intently at Dulcie, his yellow eyes gleaming with a hot predatory flame-with the same resolve that he had reserved, in the past, for thieves and killers.

“He’s a famous author,” Dulcie said softly. “He’s� Well, I don’t know. To accuse a man like that�” Looking around the study, looking at the papers that Joe was neatly pawing together, she shivered. “Prying into Elliott Traynor’s business makes me nervous.”

“Come on,” he said, pawing the envelope open and pushing the papers in. “Get the kit, let’s get out of here. I need fresh air, away from these people.” Quickly he pushed beneath the draperies and slid the window lock. He had the glass open when Dulcie returned with the yawning kit. And they left the Traynor’s with far more silence than they had entered, softly sliding the window closed behind them, as they dropped down among the bushes.

But Joe Grey was back inside the cottage again by the time Charlie got to work. He had watched from the oak tree as Vivi and Elliott left the house, had come in through the window, returning to Elliot’s study, his curiosity not nearly satisfied.

He had no idea what else he would find-and no idea that he would catch Charlie snooping, exactly as he and Dulcie had done, hiding her prying with energetic bouts of vacuuming and dusting.

12 [��������: pic_13.jpg]

Whetheryou’re a cop with a search warrant or the weekly cleaning person come to scour the bathrooms and vacuum the rugs, if you peek through someone’s private papers you can stir matters you might wish you’d let lie. The more bizarre the results of such prying, the more compelled one may feel to keep searching, to see what else might come to light.

Charlie Getz had no idea, when she let herself into the Traynor cottage at nine on Monday morning, of the bloody mess she’d have to clean up or of what she would find later in Elliott Traynor’s study.

The cottage the Traynors had rented was one of the most charming in the village, with its pale stone exterior and winding brick walk through a lush and tastefully planted garden. The high roof, above tall clerestory windows, was sheltered by an ancient oak. The front porch was laid with pale stone. The hand-carved front door opened into a handsome foyer brightened by a skylight and by a floor of cream-toned Mexican tiles. From the high-ceilinged living room to the tile-floored kitchen, the interior was filled with light.

The furnishings were casual and well designed, the copies of antique Persian rugs well made and rich in color, every detail planned for a tasteful but durable upscale rental. The owners had only recently refurnished, storing their antique pieces in the insulated attic among chests of outgrown children’s toys and personal mementos.

Unloading her grocery bag, Charlie rinsed the salad greens and the pound of Bing cherries she had bought for Vivi, put the cherries into a flat plastic container, and slipped them in the freezer-frozen cherries for Vivi to suck on during the day, a childish habit that seemed to Charlie to have weird sexual connotations.

Moving into the living room, she watered the plants with a specially prepared plant food that was kept in a gallon plastic bottle under the wet bar. It was when she returned to the bright kitchen to get the vacuum from the cleaning closet next to the pantry, that she smelled something sour and metallic, a vile stink like spoiling meat, seeping out around the pantry door. Had some food gone bad, or a can of something exploded?

That didn’t seem likely. She had stocked the shelves herself, only three weeks before, with freshly purchased staples, following instructions from the rental agent. Reaching for the doorknob, she hesitated, filled with a strange apprehension.

Slowly she pulled the pantry door open-and slammed it closed again, trying to catch her breath.

Her first thought was that some kind of meat had been butchered in there and been flung around, then left lying in globs on the floor. Who would do such a thing? And there were hanks of hair on it, pieces of fur.

Dark fur, mixed with gore and blood.

Fur mottled like�

Terrified, ripping open the door again, she expected to see tortoiseshell fur mottled black and brown. Those cats roamed everywhere, they were likely to slip into anyone’s house. But who would�?

Oh, not the kit. Please, not the kit.

Having flung open the door, she forced herself to look carefully.

Relief flooded her. This wasn’t the kit’s tortoiseshell fur, nor Dulcie’s tabby-striped coat. This fur was coarse and rough-black and gray, not brown.

Raccoons?

Raisins and crackers were mixed with the blood. From the shelves, the contents of burst cans of corn and fruit salad dripped down. Raccoons couldn’t do that-the cans had been blown open by some tremendous force.

She turned away, her breakfast wanting to come up. What kind of horrible prank was this? What sick joke? She stood holding her hand to her mouth, trying to mask the smell, trying to keep from heaving. Trying to construct a plausible scenario.

Chill air touched her from above, a cold draft. Looking up at the pantry ceiling, she saw the access door had been tampered with, the plywood cover apparently pulled aside, then pushed crookedly back again into place, its unpainted parts marking its altered position. Would raccoons be able to pull aside an attic door, would they know how to do that?

Certainly raccoons had broken into several village houses that were supposedly vermin proof. She remembered when a dozen of the beasts got into the Carvers’ house through the attic and down into an upstairs bedroom, terrifying old Mrs. Carver nearly to apoplexy. And that wasn’t the only bizarre tale of the damage raccoons could do. When two of them got into the high school by shoving aside an acoustical tile, they took over the principal’s office and quite effectively rearranged his filing system before they could be evicted. As she stood studying the bloody mess, trying not to be sick, she realized she was looking, among a pattern of dark splatters, at a ragged hole in the Sheetrock.

A bullet hole? Was that what happened, had these animals been shot? She thought the bullet would have to have been a hollow-point, to tear the beasts up like that and to make that huge ragged hole in the wall.

She imagined the animals breaking in, making a racket as they attacked the food, then Elliott flinging open the door and shooting them. Afterward, he must have pushed the plywood back over the ceiling opening, maybe thinking that more of the beasts were up there.

Couldn’t he have thought of some other approach than killing them? The police carried animal nets for this kind of emergency. Or the police would have called a specialist. There were several services in the area that had humane traps to deal with such cases. She felt rage that he had called no one, that he had shot the them. And then, to top it off, he had left the mess for her to clean up.

Swallowing back her anger, she fetched rubber gloves from her tote bag, and put on one of the surgical masks she carried for use when she didn’t want to breathe caustic fumes. Tying a dish-towel over her hair, she cursed the Traynors. She was a cleaning professional, not a dead body disposal service. Not in this situation. This wasn’t the aftermath of police business, to which she had been summoned. She felt like walking out, telling them to clean up their own mayhem.

With a roll of paper towels and a dustpan to use as a scoop and several heavy garbage bags, she cleared out the spilled food and scrubbed away the blood where it had splattered on the walls and shelves. She dumped the undamaged cans in a bucket of hot, soapy water and scrubbed each one. As she cleaned, she found three other holes. From one, she dug out a soft-nosed bullet smashed like a mushroom. The other was too deeply embedded. When she had finished scrubbing and disinfecting and carried the bags out to the garbage, she saw that her work wasn’t finished.

The yard around the back door was covered with garbage-empty cans, soiled wrapping paper, all kinds of household refuse. Strange that the garbage can itself was upright, with the lid secured.

After pitching the scattered garbage piece by piece into a fresh plastic bag, she opened the tall can and saw that two bags were already there, heavy with something, and smelling of gore; and she felt disgust all over again. Traynor had put the bodies here. That sickened her. Couldn’t he have given them a decent burial? This was going to be her last day working for Elliott Traynor. It took a really colossal nerve to leave such a mess, not only in the pantry but in the yard, not even to pick up the garbage, no matter how famous he was.

When she’d finished cleaning, she threw her mask and hair cover and gloves into the garbage, fetched a clean uniform and shoes from her van, and, in the Traynor’s guest bath, washed her face and hands and arms, washed every exposed part of herself, dropping her soiled garments and shoes in a plastic bag to be discarded. She’d bill Traynor for replacements. Cleaning up after a murder didn’t hold a candle to this.

Returning to the kitchen to fetch the vacuum, the thought struck her that not only raccoons but a man could have been shot in there.

How silly. Did she always have to imagine more than was possible?

And yet�

If there had been a man, she thought, panicked, she had destroyed the evidence.

Hurrying out to the garbage can, she hauled out the plastic bags she had filled and opened the two at the bottom.

Raccoons. Badly mangled. Surely that accounted for the blood and gore.

Tying up the bags again and stuffing everything back on top, she closed the lid tightly and went inside to scrub herself all over again-and to call the police department. Her feelings about Elliott Traynor, which had before today deteriorated from admiration to puzzled unease, had turned to disgust.

She supposed she was too inclined to see her heroes as giants above reproach. She expected Elliott Traynor to be without any possible fault.

Though she didn’t suppose that it was illegal to shoot raccoons, under the circumstances, she thought she ought to tell Max of the incident, thought there might be some reason that he would need to know this. When she’d placed the call, the dispatcher told her Captain Harper was in court. She left a message for him to call her, she didn’t want to tell the dispatcher why. She felt tired, enervated. Felt used and unnaturally defenseless-not her usual state of mind.

She wanted to see Max and feel the strength of him holding her, wanted to hear some wisecrack, some wry comment about murdered raccoons, some twisted cop humor that would make her laugh.

But then when she went to dust the dining room and mop its tile floor, she found Traynor’s note. It lay on the table beside a hundred-dollar bill.

Ms. Getz:

Raccoons got in the pantry. No time to call anyone. I shot them with a target pistol. Sorry for the mess. Here’s an extra hundred. Appreciate if you don’t mention this. Embarrassing scene I�d not want talked about.

Not a graceful communication. Short and abrupt. Well, what did she want, a eulogy to dead raccoons? She felt inclined to leave his hundred-dollar bill. Surely Traynor had intended this as a bribe.

But she had more than earned the hundred, cleaning up his mess. If she didn’t take it now, she’d be billing him for the extra work. Likely the money was intended as both payment and bribe.

She called it earned, slipped it her pocket, and got on with the vacuuming. She did the living room and front bedroom, emptying the wastebaskets with distaste, where Vivi’s cherry seeds stuck to the plastic liners. Only when she started on Traynor’s study did she slow her pace.

When she wheeled the vacuum into Traynor’s study, it was as neat and tidy as ever. Nothing on the desk but his computer and the freshly printed chapter he had written the night before. He always left the new chapter on the desk, possibly to go over the next day when he and Vivi returned from their walk or from the theater. They went often to approve the sets that Cora Lee was painting, then had breakfast out.

Tryouts were tonight. Charlie supposed that when rehearsals began they’d be at the theater for longer periods. It seemed a rigorous routine for someone being treated for cancer. Traynor had told her, when they first arrived and were discussing her work routine, that he worked late into the night. He said that was when the juices flowed. She remembered the amused look in his eyes, some private joke-or maybe his faint smile was simply juvenile humor at the off-color connotation. A strange man. He still interested her, despite her anger this morning.

He was far more stern in real life than he looked in the promotion picture on his book jackets. Long before this morning, Traynor had made her uncomfortable. He seemed to analyze and weigh a person far too closely-maybe a writer’s penetrating observation, she supposed, as he tried to see beneath the surface.

Did she, when she was sketching an animal, stare like that at her subject? Did she make her animals uncomfortable? With Joe and Dulcie, she’d seen them both wince when she was drawing them. And despite the kit’s bright disposition, several times when she’d looked too hard at the kit, she’d gotten a hiss in return or a striking paw that surprised her and made her draw back.

Who knew what an animal felt when you stared at them? In the animal world, a stare meant the threat of attack. One was supposed to stare at a mountain lion, to keep him from attacking first-to show superiority. But one was not, while hunting, supposed to look a deer or rabbit in the eye, that only alerted them.

Joe and Dulcie and the kit were sentient cats, not instinct-driven wild beasts. Most of the time, logic drove those three-but a logic overlying the same deep feline nature as any ordinary kitty-they weren’t any less cat, they were simply more than cat.

Vacuuming beneath the fine walnut desk and along beside the walnut bookshelves, she reached to try the desk drawers and file drawers. As usual, they were locked. Hesitantly she reached for the new pages of Traynor’s book that lay before her.

All week she had been sneaking looks at Traynor’s manuscript. Last Friday, reading his earlier pages, she had been shocked and deeply upset. She’d been so excited to have a look at his work, had told herself that after all, it was written for public consumption, and it was right there on the desk; she only wanted to see how he developed his prose, from the beginning. In school she had been interested in writing fiction-though far more fascinated, always, with drawing, with the visual images she wanted to create. But Traynor had always been a favorite; she had loved reading some of his passages over and over, simply for their poetry.

She’d heard him tell someone on the phone that this new book was set in Marin County, above San Francisco, at the turn of the century. She liked the title,Twilight Silver.She had stood with the vacuum paused and roaring, reading the neatly printed pages.

They’d been dreadful. The words stumbled, the paragraphs didn’t make sense. She had started again, thinking her lack of comprehension was her fault. She had skipped ahead several pages, but had found no improvement. She’d decided this must be a first draft, a rough beginning. Surely a writer was allowed a flawed first draft.

But why print it out so neatly? Why bother, until it was the way he wanted it-why print out these garbled pages, this lack of clarity with not a hint of his lucid style?

Being an artist herself, with a duly accredited degree-for whatever that was worth, she thought wryly-she felt that she had some sense of how a work of art, a drawing or manuscript, grew to fruition. But those pages, despite the promise of an exciting plot, had been so clumsy they embarrassed her.

Had the illness done this to Traynor? Was it slowly taking his mind as well as his body? The thought deeply distressed her.

Well, she didn’t know much about how writers worked. Maybe from this draft he would construct the smooth prose that she so loved. Still, she’d thought that writers edited on screen, didn’t print until they felt they had something of value. But maybe not. Surely they didn’t all work the same.

That morning, aligning the pages as she had found them, she had felt a deep disappointment, almost a loss.

But now, this morning, maybe these pages would be better. Watching the driveway through the study window, she picked up the current chapter. She read hopefully, but only for a moment. His words were just as inept, just as off-putting. She read two pages, then tried again, but it was no better. She stopped when she heard a car pulling in, and laid the chapter on the desk.

But the car appeared in the next drive, parking before the house next door. Aligning the pages, she glanced up into the bookshelves-and caught her breath.

Joe Grey stepped out from behind the row of books, his yellow eyes wide with amusement. “I’m surprised at you, Charlie. I didn’t dream you’d take the Traynor’s money as a trustworthy professional, then pry into their personal business.”

“What are you doing here? What are you up to?”

Joe smiled. “Does he always lock the drawers?”

Charlie grinned. “Why would you snoop on the Traynors?”

The tomcat shrugged, a tilt of his handsome head, a twitch of his muscled gray shoulders.

“Where’s Dulcie? And what,” she said, fixing Joe with a deep scowl, “did you have to do with that mess in the pantry?”

“You think I shot those beasts? That I’ve learned to use a pistol? Come on, Charlie.”

“What did you have to do with those raccoons getting in the house?”

His gaze was innocent.

“Besides the raccoons-besides that gruesome mess that I had to clean up, what are you up to? There’s not enough crime in the village? You’ve been reduced to idle snooping?”

“And what about you?” He lifted a white-tipped gray paw. “You sound so much like Clyde it’s scary. No wonder you stopped dating him-before you turned into his clone.”

“That is really very rude.” She reached up to stroke Joe’s gleaming gray shoulder. “Come on down. Were you looking for Traynor’s research about Catalina’s letters?”