Little Miss Marker

One evening along toward seven o'clock, many citizens are standing out on Broadway in front of Mindy's restaurant, speaking of one thing and another, and particularly about the tough luck they have playing the races in the afternoon, when who comes up the street with a little doll hanging on to his right thumb but a guy by the name of Sorrowful.

This guy is called Sorrowful because this is the way he always is about no matter what, and especially about the way things are with him when anybody tries to put the bite on him. In fact, if anybody who tries to put the bite on Sorrowful can listen to him for two minutes about how things are with him and not bust into tears, they must be very hard-hearted, indeed.

Regret, the horse player, is telling me that he once tries to put the bite on Sorrowful for a sawbuck, and by the time Sorrowful gets through explaining how things are with him, Regret feels so sorry for him that he goes out and puts the bite on somebody else for the saw and gives it to Sorrowful, although it is well known to one and all that Sorrowful has plenty of potatoes hid away somewhere.

He is a tall, skinny guy with a long, sad, mean-looking kisser, and a mournful voice. He is maybe sixty years old, give or take a couple of years, and for as long as I can remember he is running a handbook over in Forty-ninth Street next door to a chop-suey joint. In fact, Sorrowful is one of the largest handbook makers in this town. Any time you see him he is generally by himself, because being by himself is not apt to cost him anything, and it is therefore a most surprising scene when he comes along Broadway with a little doll.

And there is much speculation among the citizens as to how this comes about, for no one ever hears of Sorrowful having any family, or relations of any kind, or even any friends.

The little doll is a very little doll indeed, the top of her noggin only coming up to Sorrowful's knee, although of course Sorrowful has very high knees, at that. Moreover, she is a very pretty little doll, with big blue eyes and fat pink cheeks, and a lot of yellow curls hanging down her back, and she has fat little legs and quite a large smile, although Sorrowful is lugging her along the street so fast that half the time her feet are dragging the sidewalk and she has a license to be bawling instead of smiling.

Sorrowful is looking sadder than somewhat, which makes his face practically heartrending, so he pulls up in front of Mindy's and motions us to follow him in. Anybody can see that he is worried about something very serious, and many citizens are figuring that maybe he suddenly discovers all his potatoes are counterfeit, because nobody can think of anything that will worry Sorrowful except money.

Anyway, four or five of us gather around the table where Sorrowful sits down with the little doll beside him, and he states a most surprising situation to as.

It seems that early in the afternoon a young guy who is playing the races with Sorrowful for several days pops into his place of business next door to the chop-suey joint, leading the little doll, and this guy wishes to know how much time he has before post in the first race at Empire.

Well, he only has about twenty-five minutes, and he seems very downhearted about this, because he explains to Sorrowful that he has a sure thing in this race, which he gets the night before off a guy who is a pal of a close friend of Jockey Workman's valet.

The young guy says he is figuring to bet himself about a deuce on this sure thing, but he does not have such a sum as a deuce on him when he goes to bed, so he plans to get up bright and early in the morning and hop down to a spot on Fourteenth Street where he knows a guy who will let him have the deuce.

But it seems he oversleeps, and here it is almost post time, and it is too late for him to get to Fourteenth Street and back before the race is run off, and it is all quite a sad story indeed, although of course it does not make much impression on Sorrowful, as he is already sadder than somewhat himself just from thinking that somebody may beat him for a bet during the day, even though the races do not start anywhere as yet.

Well, the young guy tells Sorrowful he is going to try to get to Fourteenth Street and back in time to bet on the sure thing, because he says it will be nothing short of a crime if he has to miss such a wonderful opportunity.

"But," he says to Sorrowful, "to make sure I do not miss, you take my marker for a deuce, and I will leave the kid here with you as security until I get back."

Now, ordinarily, asking Sorrowful to take a marker will be considered great foolishness, as it is well known to one and all that Sorrowful will not take a marker from Andrew Mellon. In fact, Sorrowful can almost break your heart telling you about the poor-houses that are full of bookmakers who take markers in their time.

But it happens that business is just opening up for the day, and Sorrowful is pretty busy, and besides the young guy is a steady customer for several days, and has an honest pan, and Sorrowful figures a guy is bound to take a little doll out of hock for a deuce. Furthermore, while Sorrowful does not know much about kids, he can see the little doll must be worth a deuce, at least, and maybe more.

So he nods his head, and the young guy puts the little doll on a chair and goes tearing out of the joint to get the dough, while Sorrowful marks down a deuce bet on Cold Cuts, which is the name of the sure thing. Then he forgets all about the proposition for a while, and all the time the little doll is sitting on the chair as quiet as a mouse, smiling at Sorrowful's customers, including the Chinks from the chop-suey joint who come in now and then to play the races.

Well. Cold Cuts blows, and in fact is not even fifth, and along late in the afternoon Sorrowful suddenly realizes that the young guy never shows up again, and that the little doll is still sitting in the chair, although she is now playing with a butcher knife which one of the Chinks from the chop-suey joint gives her to keep her amused.

Finally it comes on Sorrowful's closing time, and the little doll is still there, so he can think of nothing else to do in this situation, but to bring her around to Mindy's and get a little advice from different citizens, as he does not care to leave her in his place of business alone, as Sorrowful will not trust anybody in there alone, not even himself. "Now," Sorrowful says, after giving us this long spiel, "what are we to do about this proposition?"

Well, of course, up to this minute none of the rest of us know we are being cut in on any proposition, and personally I do not care for any part of it, but Big Nig, the crap shooter, speaks up as follows:

"If this little doll is sitting in your joint all afternoon," Nig says, "the best thing to do right now is to throw a feed into her, as the chances are her stomach thinks her throat is cut."

Now this seems to be a fair sort of an idea, so Sorrowful orders up a couple of portions of ham hocks and sauerkraut, which is a very tasty dish in Mindy's at all times, and the little doll tears into it very enthusiastically, using both hands, although a fat old doll who is sitting at the next table speaks up and says this is terrible fodder to be tossing into a child at such an hour, and where is her mama?

"Well," Big Nig says to the old doll, "I hear of many people getting a bust in the snoot for not minding their own business in this town, but you give off an idea, at that. Listen," Big Nig says to the little doll, "where is your mama?"

But the little doll does not seem to know, or maybe she does not wish to make this information public, because she only shakes her head and smiles at Big Nig, as her mouth is too full of ham hocks and sauerkraut for her to talk.

"What is your name?" Big Nig asks, and she says something that Big Nig claims sounds like Marky, although personally I think she is trying to say Martha. Anyway it is from this that she gets the name we always call her afterward, which is Marky.

"It is a good monicker," Big Nig says. "It is short for marker, and she is certainly a marker unless Sorrowful is telling us a large lie. Why," Big Nig says, "this is a very cute little doll, at that, and pretty smart. How old are you, Marky?"

She only shakes her head again, so Regret, the horse player, who claims he can tell how old a horse is by its teeth, reaches over and sticks his finger in her mouth to get a peek at her crockery, but she seems to think Regret's finger is a hunk of ham hock and shuts down on it so hard Regret lets out an awful squawk. But he says that before she tries to cripple him for life he sees enough of her teeth to convince him she is maybe three, rising four, and this seems reasonable, at that. Anyway, she cannot be much older.

Well, about this time a guinea with a hand organ stops out in front of Mindy's and begins grinding out a tune while his ever-loving wife is passing a tambourine around among the citizens on the sidewalk and, on hearing this music, Marky slides off of her chair with her mouth still full of ham hock and sauerkraut, which she swallows so fast she almost chokes, and then she speaks as follows:

"Marky dance," she says.

Then she begins hopping and skipping around among the tables, holding her little short skirt up in her hands and showing a pair of white panties underneath. Pretty soon Mindy himself comes along and starts putting up a beef about making a dance hall of his joint, but a guy by the name of Sleep-out, who is watching Marky with much interest, offers to bounce a sugar bowl off of Mindy's sconce if he does not mind his own business.

So Mindy goes away, but he keeps muttering about the white panties being a most immodest spectacle, which of course is great nonsense, as many dolls older than Marky are known to do dances in Mindy's, especially on the late watch, when they stop by for a snack on their way home from the nightclubs and the speaks, and I hear some of them do not always wear white panties, either.

Personally, I like Marky's dancing very much, although of course she is no Pavlova, and finally she trips over her own feet and falls on her snoot. But she gets up smiling and climbs back on her chair and pretty soon she is sound asleep with her head against Sorrowful.

Well, now there is much discussion about what Sorrowful ought to do with her. Some claim he ought to take her to a police station, and others say the best thing to do is to put an ad in the Lost and Found columns of the morning bladders, the same as people do when they find Angora cats, and Pekes, and other animals which they do not wish to keep, but none of these ideas seems to appeal to Sorrowful.

Finally he says he will take her to his own home and let her sleep there while he is deciding what is to be done about her, so Sorrowful takes Marky in his arms and lugs her over to a fleabag in West Forty-ninth Street where he has a room for many years, and afterward a bellhop tells me Sorrowful sits up all night watching her while she is sleeping.

Now what happens but Sorrowful takes on a great fondness for the little doll, which is most surprising, as Sorrowful is never before fond of anybody or anything, and after he has her overnight he cannot bear the idea of giving her up.

Personally, I will just as soon have a three-year-old baby wolf around me as a little doll such as this, but Sorrowful thinks she is the greatest thing that ever happens. He has a few inquiries made around and about to see if he can find out who she belongs to, and he is tickled silly when nothing comes of these inquiries, although nobody else figures anything will come of them anyway, as it is by no means uncommon in this town for little kids to be left sitting in chairs, or on doorsteps, to be chucked into orphan asylums by whoever finds them.

Anyway, Sorrowful says he is going to keep Marky, and his attitude causes great surprise, as keeping Marky is bound to be an expense, and it does not seem reasonable that Sorrowful will go to any expense for anything. When it commences to look as if he means what he says, many citizens naturally figure there must be an angle, and soon there are a great many rumors on the subject.

Of course one of these rumors is that the chances are Marky is Sorrowful's own offspring which is tossed back on him by the wronged mama, but this rumor is started by a guy who does not know Sorrowful, and after he gets a gander at Sorrowful, the guy apologizes, saying he realizes that no wronged mama will be daffy enough to permit herself to be wronged by Sorrowful. Personally, I always say that if Sorrowful wishes to keep Marky it is his own business, and most of the citizens around Mindy's agree with me.

But the trouble is Sorrowful at once cuts everybody else in on the management of Marky, and the way he talks to the citizens around Mindy's about her, you will think we are all personally responsible for her. As most of the citizens around Mindy's are bachelors, or are wishing they are bachelors, it is most inconvenient to them to suddenly find themselves with a family.

Some of us try to explain to Sorrowful that if he is going to keep Marky it is up to him to handle all her play, but right away Sorrowful starts talking so sad about all his pals deserting him and Marky just when they need them most that it softens all hearts, although up to this time we are about as pally with Sorrowful as a burglar with a copper. Finally every night in Mindy's is meeting night for a committee to decide something or other about Marky.

The first thing we decide is that the fleabag where Sorrowful lives is no place for Marky, so Sorrowful hires a big apartment in one of the swellest joints on West Fifty-ninth Street, overlooking Central Park, and spends plenty of potatoes furnishing it, although up to this time Sorrowful never sets himself back more than about ten bobs per week for a place to live and considers it extravagance, at that. I hear it costs him five G's to fix up Marky's bedroom alone, not counting the solid gold toilet set that he buys for her.

Then he gets her an automobile and he has to hire a guy to drive it for her, and finally when we explain to Sorrowful that it does not look right for Marky to be living with nobody but him and a chauffeur, Sorrowful hires a French doll with bobbed hair and red cheeks by the name of Mam'selle Fifi as a nurse for Marky, and this seems to be quite a sensible move, as it insures Marky plenty of company.

In fact, up to the time that Sorrowful hires Mam'selle Fifi, many citizens are commencing to consider Marky something of a nuisance and are playing the duck for her and Sorrowful, but after Mam'selle Fifi comes along you can scarcely get in Sorrowful's joint on Fifty-ninth Street, or around his table in Mindy's when he brings Marky and Mam'selle Fifi to eat. But one night Sorrowful goes home early and catches Sleep-out guzzling Mam'selle Fifi, and Sorrowful makes Mam'selle Fifi take plenty of breeze, claiming she will set a bad example to Marky.

Then he gets an old tomato by the name of Mrs. Clancy to be Marky's nurse, and while there is no doubt Mrs. Clancy is a better nurse than Mam'selle Fifi and there is practically no danger of her setting Marky a bad example, the play at Sorrowful's joint is by no means as brisk as formerly.

You can see that from being closer than a dead heat with his potatoes, Sorrowful becomes as loose as ashes. He not only spends plenty on Marky, but he starts picking up checks in Mindy's and other spots, although up to this time picking up checks is something that is most repulsive to Sorrowful.

He gets so he will hold still for a bite, if the bite is not too savage and, what is more, a great change comes over his kisser. It is no longer so sad and mean looking, and in fact it is almost a pleasant sight at times, especially as Sorrowful gets so he smiles now and then, and has a big hello for one and all, and everybody says the Mayor ought to give Marky a medal for bringing about such a wonderful change.

Now Sorrowful is so fond of Marky that he wants her with him all the time, and by and by there is much criticism of him for having her around his handbook joint among the Chinks and the horse players, and especially the horse players, and for taking her around nightclubs and keeping her out at all hours, as some people do not consider this a proper bringing-up for a little doll.

We hold a meeting in Mindy's on this proposition one night, and we get Sorrowful to agree to keep Marky out of his joint, but we know Marky is so fond of nightclubs, especially where there is music, that it seems a sin and a shame to deprive her of this pleasure altogether, so we finally compromise by letting Sorrowful take her out one night a week to the Hot Box in Fifty-fourth Street, which is only a few blocks from where Marky lives, and Sorrowful can get her home fairly early. In fact, after this Sorrowful seldom keeps her out any later than 2 a.m.

The reason Marky likes nightclubs where there is music is because she can do her dance there, as Marky is practically daffy on the subject of dancing, especially by herself, even though she never seems to be able to get over winding up by falling on her snoot, which many citizens consider a very artistic finish, at that.

The Choo-Choo Boys' band in the Hot Box always play a special number for Marky in between the regular dances, and she gets plenty of applause, especially from the Broadway citizens who know her, although Henri, the manager of the Hot Box, once tells me he will just as soon Marky does not do her dancing there, because one night several of his best customers from Park Avenue, including two millionaires and two old dolls, who do not understand Marky's dancing, bust out laughing when she falls on her snoot, and Big Nig puts the slug on the guys, and is trying to put the slug on the old dolls, too, when he is finally headed off.

Now one cold, snowy night, many citizens are sitting around the tables in the Hot Box, speaking of one thing and another and having a few drams, when Sorrowful drops in on his way home, for Sorrowful has now become a guy who is around and about, and in and out. He does not have Marky with him, as it is not her night out and she is home with Mrs. Clancy.

A few minutes after Sorrowful arrives, a party by the name of Milk Ear Willie from the West Side comes in, this Milk Ear Willie being a party who is once a prizefighter and who has a milk ear, which is the reason he is called Milk Ear Willie, and who is known to carry a John Roscoe in his pants pocket. Furthermore, it is well known that he knocks off several guys in his time, so he is considered rather a suspicious character.

It seems that the reason he comes into the Hot Box is to shoot Sorrowful full of little holes, because he has a dispute with Sorrowful about a parlay on the races the day before, and the chances are Sorrowful will now be very dead if it does not happen that, just as Milk Ear outs with the old equalizer and starts taking dead aim at Sorrowful from a table across the room, who pops into the joint but Marky.

She is in a long nightgown that keeps getting tangled up in her bare feet as she runs across the dance floor and jumps into Sorrowful's arms, so if Milk Ear Willie lets go at this time he is apt to put a slug in Marky, and this is by no means Willie's intention. So Willie puts his rod back in his kick, but he is greatly disgusted and stops as he is going out and makes a large complaint to Henri about allowing children in a nightclub.

Well, Sorrowful does not learn until afterward how Marky saves his life, as he is too much horrified over her coming four or five blocks through the snow barefooted to think of anything else, and everybody present is also horrified and wondering how Marky finds her way there. But Marky does not seem to have any good explanation for her conduct, except that she wakes up and discovers Mrs. Clancy asleep and gets to feeling lonesome for Sorrowful.

About this time, the Choo-Choo Boys start playing Marky's tune, and she slips out of Sorrowful's arms and runs out on the dance floor.

"Marky dance," she says.

Then she lifts her nightgown in her hands and starts hopping and skipping about the floor until Sorrowful collects her in his arms again, and wraps her in an overcoat and takes her home.

Now what happens but the next day Marky is sick from being out in the snow barefooted and with nothing on but her nightgown, and by night she is very sick indeed, and it seems that she has pneumonia, so Sorrowful takes her to the Clinic hospital, and hires two nurses and two croakers, and wishes to hire more, only they tell him these will do for the present.

The next day Marky is no better, and the next night she is worse, and the management of the Clinic is very much upset because it has no place to put the baskets of fruit and candy and floral horseshoes and crates of dolls and toys that keep arriving every few minutes. Furthermore, the management by no means approves of the citizens who are tiptoeing along the hall on the floor where Marky has her room, especially such as Big Nig, and Sleep-out, and Wop Joey, and the Pale Face Kid and Guinea Mike and many other prominent characters, especially as these characters keep trying to date up the nurses.

Of course I can see the management's point of view, but I wish to say that no visitor to the Clinic ever brings more joy and cheer to the patients than Sleep-out, as he goes calling in all the private rooms and wards to say a pleasant word or two to the inmates, and I never take any stock in the rumor that he is looking around to see if there is anything worth picking up. In fact, an old doll from Rockville Center, who is suffering with yellow jaundice, puts up an awful holler when Sleep-out is heaved from her room, because she says he is right in the middle of a story about a traveling salesman and she wishes to learn what happens.

There are so many prominent characters in and around the Clinic that the morning bladders finally get the idea that some well-known mob guy must be in the hospital full of slugs, and by and by the reporters come buzzing around to see what is what. Naturally they find out that all this interest is in nothing but a little doll, and while you will naturally think that such a little doll as Marky can scarcely be worth the attention of the reporters, it seems they get more heated up over her when they hear the story than if she is Jack Diamond.

In fact, the next day all the bladders have large stories about Marky, and also about Sorrowful and about how all these prominent characters of Broadway are hanging around the Clinic on her account. Moreover, one story tells about Sleep-out entertaining the other patients in the hospital, and it makes Sleep-out sound like a very large-hearted guy.

It is maybe three o'clock on the morning of the fourth day Marky is in the hospital that Sorrowful comes into Mindy's looking very sad, indeed. He orders a sturgeon sandwich on pumpernickel, and then he explains that Marky seems to be getting worse by the minute and that he does not think his doctors are doing her any good, and at this Big Nig, the crap shooter, speaks up and states as follows:

"Well," Big Nig says, "if we are only able to get Doc Beerfeldt, the great pneumonia specialist, the chances are he will cure Marky like breaking sticks. But of course," Nig says, "it is impossible to get Doc Beerfeldt unless you are somebody like John D. Rockefeller, or maybe the President."

Naturally, everybody knows that what Big Nig says is very true, for Doc Beerfeldt is the biggest croaker in this town, but no ordinary guy can get close enough to Doc Beerfeldt to hand him a ripe peach, let alone get him to go out on a case. He is an old guy, and he does not practice much any more, and then only among a few very rich and influential people. Furthermore, he has plenty of potatoes himself, so money does not interest him whatever, and anyway it is great foolishness to be talking of getting Doc Beerfeldt out at such an hour as this.

"Who do we know who knows Doc Beerfeldt?" Sorrowful says. "Who can we call up who may have influence enough with him to get him to just look at Marky? I will pay any price," he says. "Think of somebody," he says.

Well, while we are all trying to think, who comes in but Milk Ear Willie, and he comes in to toss a few slugs at Sorrowful, but before Milk Ear can start blasting Sleep-out sees him and jumps up and takes him off to a corner table, and starts whispering in Milk Ear's good ear.

As Sleep-out talks to him Milk Ear looks at Sorrowful in great surprise, and finally he begins nodding his head, and by and by he gets up and goes out of the joint in a hurry, while Sleep-out comes back to our table and says like this:

"Well," Sleep-out says, "let us stroll over to the Clinic. I just send Milk Ear Willie up to Doc Beerfeldt's house on Park Avenue to get the old Doc and bring him to the hospital. But, Sorrowful," Sleep-out says, "if he gets him, you must pay Willie the parlay you dispute with him, whatever it is. The chances are," Sleep-out says, "Willie is right. I remember once you out-argue me on a parlay when I know I am right."

Personally, I consider Sleep-out's talk about sending Milk Ear Willie after Doc Beerfeldt just so much nonsense, and so does everybody else, but we figure maybe Sleep-out is trying to raise Sorrowful's hopes, and anyway he keeps Milk Ear from tossing these slugs at Sorrowful, which everybody considers very thoughtful of Sleep-out, at least, especially as Sorrowful is under too great a strain to be dodging slugs just now.

About a dozen of us walk over to the Clinic, and most of us stand around the lobby on the ground floor, although Sorrowful goes up to Marky's floor to wait outside her door. He is waiting there from the time she is first taken to the hospital, never leaving except to go over to Mindy's once in a while to get something to eat, and occasionally they open the door a little to let him get a peek at Marky.

Well, it is maybe six o'clock when we hear a taxi stop outside the hospital and pretty soon in comes Milk Ear Willie with another character from the West Side by the name of Fats Finstein, who is well known to one and all as a great friend of Willie's, and in between them they have a little old guy with a Vandyke beard, who does not seem to have on anything much but a silk dressing-gown and who seems somewhat agitated, especially as Milk Ear Willie and Fats Finstein keep prodding him from behind.

Now it comes out that this little old guy is nobody but Doc Beerfeldt, the great pneumonia specialist, and personally I never see a madder guy, although I wish to say I never blame him much for being mad when I learn how Milk Ear Willie and Fats Finstein boff his butler over the noggin when he answers their ring, and how they walk right into old Doc Beerfeldt's bedroom and haul him out of the hay at the point of their Roscoes and make him go with them.

In fact, I consider such treatment most discourteous to a prominent croaker, and if I am Doc Beerfeldt I will start hollering copper as soon as I hit the hospital, and for all I know maybe Doc Beerfeldt has just such an idea, but as Milk Ear Willie and Fats Finstein haul him into the lobby who comes downstairs but Sorrowful. And the minute Sorrowful sees Doc Beerfeldt he rushes up to him and says like this:

"Oh Doc," Sorrowful says, "do something for my little girl. She is dying, Doc," Sorrowful says. "Just a little bit of a girl, Doc. Her name is Marky. I am only a gambler, Doc, and I do not mean anything to you or to anybody else, but please save the little girl."

Well, old Doc Beerfeldt sticks out his Vandyke beard and looks at Sorrowful a minute, and he can see there are large tears in old Sorrowful's eyes, and for all I know maybe the Doc knows it has been many and many a year since there are tears in these eyes, at that. Then the Doc looks at Milk Ear Willie and Fats Finstein and the rest of us, and at the nurses and interns who are commencing to come running up from every which way. Finally, he speaks as follows:

"What is this?" he says. "A child? A little child? Why," he says, "I am under the impression that these gorillas are kidnaping me to attend to some other sick or wounded gorilla. A child? This is quite different. Why do you not say so in the first place? Where is the child?" Doc Beerfeldt says, "and," he says, "somebody get me some pants."

We all follow him upstairs to the door of Marky's room and we wait outside when he goes in, and we wait there for hours, because it seems that even old Doc Beerfeldt cannot think of anything to do in this situation no matter how he tries. And along toward ten-thirty in the morning he opens the door very quietly and motions Sorrowful to come in, and then he motions all the rest of us to follow, shaking his head very sad.

There are so many of us that we fill the room around a little high narrow bed on which Marky is lying like a flower against a white wall, her yellow curls spread out over her pillow. Old Sorrowful drops on his knees beside the bed and his shoulders heave quite some as he kneels there, and I hear Sleep-out sniffing as if he has a cold in his head. Marky seems to be asleep when we go in, but while we are standing around the bed looking down at her, she opens her eyes and seems to see us and, what is more, she seems to know us, because she smiles at each guy in turn and then tries to hold out one of her little hands to Sorrowful.

Now very faint, like from far away, comes a sound of music through a half-open window in the room, from a jazz band that is rehearsing in a hall just up the street from the hospital, and Marky hears this music because she holds her head in such a way that anybody can see she is listening, and then she smiles again at us and whispers very plain, as follows:

"Marky dance."

And she tries to reach down as if to pick up her skirt as she always does when she dances, but her hands fall across her breast as soft and white and light as snowflakes, and Marky never again dances in this world.

Well, old Doc Beerfeldt and the nurses make us go outside at once, and while we are standing there in the hall outside the door, saying nothing whatever, a young guy and two dolls, one of them old, and the other not so old, come along the hall much excited. The young guy seems to know Sorrowful, who is sitting down again in his chair just outside the door, because he rushes up to Sorrowful and says to him like this:

"Where is she?" he says. "Where is my darling child? You remember me?" he says. "I leave my little girl with you one day while I go on an errand, and while I am on this errand everything goes blank, and I wind up back in my home in Indianapolis with my mother and sister here, and recall nothing about where I leave my child, or anything else."

"The poor boy has amnesia," the old doll says. "The stories that he deliberately abandons his wife in Paris and his child in New York are untrue."

"Yes," the doll who is not old puts in. "If we do not see the stories in the newspapers about how you have the child in this hospital we may never learn where she is. But everything is all right now. Of course we never approve of Harold's marriage to a person of the stage, and we only recently learn of her death in Paris soon after their separation there and are very sorry. But everything is all right now. We will take full charge of the child."

Now while all this gab is going on, Sorrowful never glances at them. He is just sitting there looking at Marky's door. And now as he is looking at the door a very strange thing seems to happen to his kisser, for all of a sudden it becomes the sad, mean-looking kisser that it is in the days before he ever sees Marky, and furthermore it is never again anything else.

"We will be rich," the young guy says. "We just learn that my darling child will be sole heiress to her maternal grandpapa's fortune, and the old guy is only a hop ahead of the undertaker right now. I suppose," he says, "I owe you something?"

And then Sorrowful gets up off his chair, and looks at the young guy and at the two dolls, and speaks as follows:

"Yes," he says, "you owe me a two-dollar marker for the bet you blow on Cold Cuts, and," he says, "I will trouble you to send it to me at once, so I can wipe you off my books."

Now he walks down the hall and out of the hospital, never looking back again, and there is a very great silence behind him that is broken only by the sniffing of Sleep-out, and by some first-class sobbing from some of the rest of us, and I remember now that the guy who is doing the best job of sobbing of all is nobody but Milk Ear Willie.