Lonely Hearts

It seems that one spring day, a character by the name of Nicely-Nicely Jones arrives in a ward in a hospital in the City of Newark, N.J., with such a severe case of pneumonia that the attending physician, who is a horse player at heart, and very absentminded, writes 100, 40 and 10 on the chart over Nicely-Nicely's bed. It comes out afterward that what the physician means is that it is 100 to 1 in his line that Nicely-Nicely does not recover at all, 40 to 1 that he will not last a week, and 10 to 1 that if he does get well he will never be the same again.

Well, Nicely-Nicely is greatly discouraged when he sees this price against him, because he is personally a chalk eater when it comes to price, a chalk eater being a character who always plays the short-priced favorites, and he can see that such a long shot as he is has very little chance to win. In fact, he is so discouraged that he does not even feel like taking a little of the price against him to show.

Afterward there is some criticism of Nicely-Nicely among the citizens around Mindy's restaurant on Broadway, because he does not advise them of this marker, as these citizens are always willing to bet that what Nicely-Nicely dies of will be overfeeding and never anything small like pneumonia, for Nicely-Nicely is known far and wide as a character who dearly loves to commit eating.

But Nicely-Nicely is so discouraged that he does not as much as send them word that he is sick, let alone anything about the price. He just pulls the covers up over his head and lies there waiting for the finish and thinking to himself what a tough thing it is to pass away of pneumonia, and especially in Newark, N.J., and nobody along Broadway knows of his predicament until Nicely-Nicely appears in person some months later and relates this story to me.

So now I will tell you about Nicely-Nicely Jones, who is called Nicely-Nicely because any time anybody asks him how he is feeling, or how things are going with him, he always says nicely, nicely, in a very pleasant tone of voice, although generally this is by no means the gospel truth, especially about how he is going.

He is a character of maybe forty-odd, and he is short, and fat, and very good-natured, and what he does for a livelihood is the best he can, which is an occupation that is greatly overcrowded at all times along Broadway.

Mostly, Nicely-Nicely follows the races, playing them whenever he has anything to play them with, but anyway following them, and the reason he finds himself in Newark, N.J., in the first place is because of a business proposition in connection with the races. He hears of a barber in Newark, N.J., who likes to make a wager on a sure thing now and then, and Nicely-Nicely goes over there to tell him about a sure thing that is coming up at Pimlico the very next Tuesday.

Nicely-Nicely figures that the barber will make a wager on this sure thing and cut him in on the profits, but it seems that somebody else gets to the barber the week before with a sure thing that is coming up a Monday, and the barber bets on this sure thing, and the sure thing blows, and now the barber will have to shave half of Newark, N.J., to catch even.

Nicely-Nicely always claims that the frost he meets when he approaches the barber with his sure thing gives him a cold that results in the pneumonia I am speaking of, and furthermore that his nervous system is so disorganized by the barber chasing him nine blocks with a razor in his hand that he has no vitality left to resist the germs.

But at that it seems that he has enough vitality left to beat the pneumonia by so far the attending physician is somewhat embarrassed, although afterward he claims that he makes a mistake in chalking up the 100, 40 and 10 on Nicely-Nicely's chart. The attending physician claims he really means the character in the bed next to Nicely-Nicely, who passes away of lockjaw the second day after Nicely-Nicely arrives.

Well, while he is convalescing in the hospital of this pneumonia, Nicely-Nicely has a chance to do plenty of thinking, and what he thinks about most is the uselessness of the life he leads all these years, and how he has nothing to show for same except some high-class knowledge of race horses, which at this time is practically a drug on the market.

There are many other patients in the same ward with Nicely-Nicely, and he sees their ever-loving wives, and daughters, and maybe their sweet-peas visiting them, and hears their cheerful chatter, and he gets to thinking that here he is without chick or child, and no home to go to, and it just about breaks his heart.

He gets to thinking of how he will relish a soft, gentle, loving hand on his brow at this time, and finally he makes a pass at one of the nurses, figuring she may comfort his lonely hours, but what she lays on his brow is a beautiful straight right cross, and furthermore she hollers watch, murder, police, and Nicely-Nicely has to pretend he has a relapse and is in a delirium to avoid being mistreated by the interns.

As Nicely-Nicely begins getting some of his strength back, he takes to thinking, too, of such matters as food, and when Nicely-Nicely thinks of food it is generally very nourishing food, such as a nice double sirloin, smothered with chops, and thinking of these matters, and of hamburgers, and wiener schnitzel and goulash with noodles, and lamb stew, adds to his depression, especially when they bring him the light diet provided for invalids by the hospital.

He takes to reading to keep himself from thinking of his favorite dishes, and of his solitary life, and one day in a bundle of old magazines and newspapers that they give him to read, he comes upon a bladder that is called the Matrimonial Tribune, which seems to be all about marriage, and in this Matrimonial Tribune Nicely-Nicely observes an advertisement that reads as follows:

LONELY HEART

Widow of middle age, no children, cheerful companion, neat, excellent cook, owner of nice farm in Central New Jersey, wishes to meet home-loving gentleman of not more than fifty who need not necessarily be possessed of means but who will appreciate warm, tender companionship and pleasant home. Object, matrimony. Address Lonely Heart, this paper.

Well, Nicely-Nicely feels romance stirring in his bosom as he reads these lines, because he is never married, and has no idea that marriage is as described in this advertisement. So what does he do but write a letter to Lonely Heart in care of the Matrimonial Tribune stating that he is looking for a warm, tender companionship, and a pleasant home, and an excellent cook, especially an excellent cook, all his life, and the next thing he knows he is gazing into what at first seems to be an old-fashioned round cheese, but which he finally makes out as the face of a large Judy seated at his bedside.

She is anywhere between forty and fifty-five years of age, and she is as big and rawboned as a first baseman, but she is by no means a crow. In fact, she is rather nice-looking, except that she has a pair of eyes as pale as hens' eggs, and these eyes never change expression. She asks Nicely-Nicely as many questions as an assistant district attorney, and especially if he has any money, and does he have any relatives, and Nicely-Nicely is able to state truthfully that he is all out of both, although she does not seem to mind. She wishes to know about his personal habits, and Nicely-Nicely says they are all good, but of course he does not mention his habit of tapping out any time a 4-to-5 shot comes along, which is as bad a habit as anybody can have, and finally she says she is well satisfied with him and will be pleased to marry him when he is able to walk.

She has a short, sharp voice that reminds Nicely-Nicely of a tough starter talking to the jockeys at the post, and she never seems to smile, and, take her all around, the chances are she is not such a character as Nicely-Nicely will choose as his ever-loving wife if he has the pick of a herd, but he figures that she is not bad for an offhand draw.

So Nicely-Nicely and the Widow Crumb are married, and they go to live on her farm in Central New Jersey, and it is a very nice little farm, to be sure, if you care for farms, but it is ten miles from the nearest town, and in a very lonesome country, and furthermore there are no neighbors handy, and the Widow Crumb does not have a telephone or even a radio in her house.

In fact, about all she has on this farm are a couple of cows, and a horse, and a very old joskin with a chin whisker and rheumatism and a mean look, whose name seems to be Harley something, and who also seems to be the Widow Crumb's hired hand. Nicely-Nicely can see at once that Harley has no use for him, but afterward he learns that Harley has no use for anybody much, not even himself.

Well, it comes on suppertime the first night. Nicely-Nicely is there and he is delighted to observe that the Widow Crumb is making quite an uproar in the kitchen with the pots and pans, and this uproar is music to Nicely-Nicely's ears as by now he is in the mood to put on the hot meat very good, and he is wondering if the Widow Crumb is as excellent a cook as she lets on in her advertisement.

It turns out that she is even better. It turns out that she is as fine a cook as ever straddles a skillet, and the supper she spreads for Nicely-Nicely is too good for a king. There is round steak hammered flat and fried in a pan, with thick cream gravy, and hot biscuits, and corn on the cob, and turnip greens, and cottage-fried potatoes, and lettuce with hot bacon grease poured over it, and apple-pie, and coffee, and I do not know what all else, and Nicely-Nicely almost founders himself, because it is the first time since he leaves the hospital that he gets a chance to move into real food.

Harley, the old joskin, eats with them, and Nicely-Nicely notices that there is a fourth place set at the table, and he figures that maybe another hired hand is going to show up, but nobody appears to fill the vacant chair, and at first Nicely-Nicely is glad of it, as it gives him more room in which to eat.

But then Nicely-Nicely notices that the Widow Crumb loads the plate at the vacant place with even more food than she does any of the others, and all through the meal Nicely-Nicely keeps expecting someone to come in and knock off these victuals. Nobody ever appears, however, and when they are through eating, the Widow Crumb clears up the extra place the same as the others, and scrapes the food off the plate into a garbage pail.

Weil, of course, Nicely-Nicely is somewhat perplexed by this proceeding, but he does not ask any questions, because where he comes from only suckers go around asking questions. The next morning at breakfast, and again at dinner, and in fact at every meal put on the table the extra place is fixed, and the Widow Crumb goes through the same performance of serving the food to this place, and afterward throwing it away, and while Nicely-Nicely commences thinking it is a great waste of excellent food, he keeps his trap closed.

Now being the Widow Crumb's husband is by no means a bad dodge, as she is anything but a gabby Judy, and will go all day long without saying more than a few words, and as Nicely-Nicely is a character who likes to chat this gives him a chance to do all the talking, although she never seems to be listening to him much. She seldom asks him to do any work, except now and then to help the old joskin around the barn, so Nicely-Nicely commences to figure this is about as soft a drop-in as anybody can wish.

The only drawback is that sometimes the Widow Crumb likes to sit on Nicely-Nicely's lap of an evening, and as he does not have much lap to begin with, and it is getting less every day under her feeding, this is quite a handicap, but he can see that it comes of her affectionate nature, and he bears up the best he can.

One evening after they are married several months, the Widow Crumb is sitting on what is left of Nicely-Nicely's lap, and she puts her arms around his neck, and speaks to him as follows: "Nicely," she says, "do you love me?"

"Love you?" Nicely-Nicely says. "Why, I love you like anything. Maybe more. You are a wonderful cook. How can I help loving you?" he says.

"Well," the Widow Crumb says, "do you ever stop to consider that if anything happens to you, I will be left here lone and lorn, because you do not have any means with which to provide for me after you are gone?"

"What do you mean after I am gone?" Nicely-Nicely says. "I am not going anywhere."

"Life is always a very uncertain proposition," the Widow Crumb says. "Who can say when something is apt to happen to you and take you away from me, leaving me without a cent of life insurance?"

Naturally, Nicely-Nicely has to admit to himself that what she says is very true, and of course he never gives the matter a thought before, because he figures from the way the Widow Crumb feeds him that she must have some scratch of her own stashed away somewhere, although this is the first time the subject of money is ever mentioned between them since they are married.

"Why," Nicely-Nicely says, "you are quite right, and I will get my life insured as soon as I get enough strength to go out and raise a few dibs. Yes, indeed," Nicely-Nicely says, "I will take care of this situation promptly."

Well, the Widow Crumb says there is no sense in waiting on a matter as important as this, and that she will provide the money for the payment of the premiums herself, and for Nicely-Nicely to forget about going out to raise anything, as she cannot bear to have him out of her sight for any length of time, and then she gets to telling Nicely-Nicely what she is going to give him for breakfast, and he forgets about the insurance business.

But the next thing Nicely-Nicely knows, a thin character with a nose like a herring comes out from town, and there is another character with him who has whiskers that smell of corn whiskey, but who seems to be a doctor, and in practically no time at all Nicely-Nicely's life is insured for five thousand dollars, with double indemnity if he gets used up by accident, and Nicely-Nicely is greatly pleased by this arrangement because he sees that he is now worth something for the first time in his career, although everybody on Broadway claims it is a terrible overlay by the insurance company when they hear the story.

Well, several months more go by, and Nicely-Nicely finds life on the farm very pleasant and peaceful as there is nothing much for him to do but eat and sleep, and he often finds himself wondering how he ever endures his old life, following the races and associating with the low characters of the turf.

He gets along first class with the Widow Crumb and never has a cross word with her, and he even makes friends with the old joskin, Harley, by helping him with his work, although Nicely-Nicely is really not fitted by nature for much work, and what he likes best at the farm is the eating and sleeping, especially the eating.

For a while he finds it difficult to get as much sleep as he requires, because the Widow Crumb is a great hand for staying up late reading books in their bedroom by kerosene lamp, and at the same time eating molasses candy which she personally manufactures, and sometimes she does both in bed, and the molasses candy bothers Nicely-Nicely no little until he becomes accustomed to it.

Once he tries reading one of her books to put himself to sleep after she dozes off ahead of him, but he discovers that it is all about nothing but spiritualism, and about parties in this life getting in touch with characters in the next world, and Nicely-Nicely has no interest whatever in matters of this nature, although he personally knows a character by the name of Spooks McGurk who claims to be a spiritualist, and who makes a nice thing of it in connection with tips on the races, until a race-track fuzz catches up with him.

Nicely-Nicely never discusses the books with the Widow Crumb, because in the first place he figures it is none of his business, and in the second place, the more she reads the better chance he has of getting to sleep before she starts snoring, because it seems that as a snorer the Widow Crumb is really all-America material, although of course Nicely-Nicely is too much of a gentleman to make an issue of this.

She gives him three meals every day, and every meal is better than the last, and finally Nicely-Nicely is as fat as a goose, and can scarcely wobble. But he notices that the Widow Crumb never once fails to set the fourth place that nobody ever fills, and furthermore he suddenly commences to notice that she always puts the best cuts of meat, and the best of everything else on the plate at this place, even though she throws it all away afterward.

Well, this situation preys on Nicely-Nicely's mind, as he cannot bear to see all this good fodder going to waste, so one morning he gets hold of old Harley and puts the siphon on him, because by this time Harley talks freely with Nicely-Nicely, although Nicely-Nicely can see that Harley is somewhat simple in spots and his conversation seldom makes much sense.

Anyway, he asks Harley what the Widow Crumb's idea is about the extra place at the table, and Harley says like this: ''Why," he says, "the place is for Jake."

''Jake who?" Nicely-Nicely says.

"I do not recall his other name," Harley says. "He is her third or fourth husband, I do not remember which. Jake is the only one the Widow Crumb ever loves, although she does not discover this until after Jake departs. So," Harley says, "in memory of Jake she always sets his place at the table, and gives him the best she has. She misses Jake and wishes to feel that he is still with her."

"What happens to Jake?" Nicely-Nicely says.

"Arsenic," Harley says. "Jake departs ten years ago." W^rell, of course all this is news to Nicely-Nicely, and he becomes very thoughtful to be sure, because in all the time he is married to her the Widow Crumb does not crack to him about her other husbands, and in fact Nicely-Nicely has no idea there is ever more than one.

"What happens to the others?" he says. "Do they depart the same as Jake?"

"Yes," Harley says, "they all depart. One by one. I remember Number Two well. In fact, you remind me of him. Carbon monoxide," Harley says. "A charcoal stove in his room. It is most ingenious. The coroner says Number Three commits suicide by hanging himself with a rope in the barn loft. Number Three is small and weak, and it is no trouble whatever to handle him.

"Then comes Jake," Harley says, "unless Jake is Number Three and the hanging item is Number Four. I do not remember exactly. But the Widow Crumb never employs arsenic or other matters of this nature again. It is too slow. Jake lingers for hours. Besides," Harley says, "she realizes it may leave traces if anybody happens to get nosy.

"Jake is a fine-looking character," Harley says. "But a ne'er-do-well. He is a plumber from Salt Lake City, Utah, and has a hearty laugh. He is always telling funny stories. He is a great eater, even better than you, and he loves beans the way the Widow Crumb cooks them, with bacon and tomatoes. He suffers no littte from the arsenic. He gets it in his beans. Number Five comes upon a black widow spider in his bed. He is no good. I mean Number Five."

Well, by this time, Nicely-Nicely is very thoughtful to be sure, because what Harley says is commencing to sound somewhat disquieting.

"Number Six steps on a plank in the doorway of the house that drops a two-hundred-pound keystone on his head," Harley says. "The Widow Crumb personally figures this out herse!f. She is very bright. It is like a figure-4 trap, and has to be very accurate. An inch one way or the other, and the stone misses Number Six. I remember he has a big wen on the back of his neck. He is a carpenter from Keokuk, Iowa," Harley says.

"Why," Nicely-Nicely says, "do you mean to say that the Widow Crumb purposely arranges to use up husbands in the manner you describe?"

"Oh, sure," Harley says. "Why do you suppose she marries them? It is a good living to her because of the insurance," he says, "although," he says, "to show you how bright she is, she does not insure Number Five for a dime, so people can never say she is making a business of the matter. He is a total loss to her, but it quiets talk. I am wondering," Harley says, "what she will think up for you."

Well, Nicely-Nicely now commences to wonder about this, too, and he hopes and trusts that whatever she thinks up it will not be a black widow spider, because if there is one thing Nicely-Nicely despises, it is insects. Furthermore, he does not approve of hanging, or of dropping weights on people.

After giving the matter much thought, he steps into the house and mentions to the Widow Crumb that he will like to pay a little visit to town, figuring that if he can get to town, she will never see him again for heel dust.

But he finds that the Widow Crumb is by no means in favor of the idea of him visiting the town. In fact, she says it will bring great sorrow to her if he absents himself from her side more than two minutes, and moreover, she points out that it is coming on winter, and that the roads are bad, and she cannot spare the horse for such a trip just now.

Well, Nicely-Nicely says he is a fair sort of walker and, in fact, he mentions that he once walks from Saratoga Springs to Albany to avoid a bookmaker who claims there is a slight difference between them, but the Widow Crumb says she will not hear of him trying to walk to town because it may develop varicose veins in his legs.

In fact, Nicely-Nicely can see that the subject of his leaving the farm is very distasteful to her in every respect, and the chances are he will feel quite flattered by her concern for him if he does not happen to go into the house again a little later this same afternoon, and find her cleaning a double-barreled shotgun.

She says she is thinking of going rabbit hunting, and wishes him to keep her company, saying it may take his mind off the idea of a visit to town; but she goes out of the room for a minute, and Nicely-Nicely picks up one of the shotgun shells she lays out on a table, and notices that it is loaded with buckshot.

So he tells her he guesses he will not go, as he is not feeling so good, and in fact he is not feeling so good, at that, because it seems that Nicely-Nicely is a rabbit hunter from infancy, and he never before hears of anyone hunting these creatures with buckshot. Then the Widow Crumb says all right, she will postpone her hunting until he feels better, but Nicely-Nicely cannot help noticing that she loads the shotgun and stands it in a corner where it is good and handy.

Well, Nicely-Nicely now sits down and gives this general situation some serious consideration, because he is now convinced that the Widow Crumb is unworthy of his companionship as a husband. In fact, Nicely-Nicely makes up his mind to take steps at his earliest convenience to sue her for divorce on the grounds of incompatibility, but in the meantime he has to think up a means of getting away from her, and while he is thinking of this phase of the problem, she calls him to supper.

It is now coming on dark, and she has the lamps lit and the table set when Nicely-Nicely goes into the dining room, and a fire is going in the base burner, and usually this is a pleasant and comforting scene to Nicely-Nicely, but tonight he does not seem to find it as attractive as usual.

As he sits down at the table he notices that Harley is not present at the moment, though his place at the table is laid, and as a rule Harley is Johnny-at-the-rat-hole when it comes time to scoff, and moreover he is a pretty good doer at that. The fourth place that nobody ever occupies is also laid as usual, and now that he knows who this place is for, Nicely-Nicely notes that it is more neatly laid than his own, and that none of the china at this place is chipped, and that the bread and butter, and the salt and pepper, and the vinegar cruet and the bottle of Worcestershire sauce are handier to it than to any other place, and naturally his feelings are deeply wounded.

Then the Widow Crumb comes out of the kitchen with two plates loaded with spareribs and sauerkraut, and she puts one plate in front of Nicely-Nicely, and the other at Jake's place, and she says to Nicely-Nicely like this:

"Nicely," she says, "Harley is working late down at the barn, and when you get through with your supper, you can go down and call him. But," she says, "go ahead and eat first."

Then she returns to the kitchen, which is right next to the dining room with a swinging door in between, and Nicely-Nicely now observes that the very choicest spareribs are on Jake's plate, and also the most kraut, and this is really more than Nicely-Nicely can bear, for if there is one thing he adores it is spareribs, so he gets to feeling very moody to be sure about this discrimination, and he turns to Jake's place, and in a very sarcastic tone of voice he speaks out loud as follows:

"Well," he says, "it is pretty soft for you, you big lob, living on the fat of the land around here."

Now of course what Nicely-Nicely is speaking is what he is thinking, and he does not realize that he is speaking out loud until the Widow Crumb pops into the dining room carrying a bowl of salad, and looking all around and about.

"Nicely," she says, "do I hear you talking to someone?" Well, at first Nicely-Nicely is about to deny it, but then he takes another look at the choice spareribs on Jake's plate, and he figures that he may as well let her know that he is on to her playing Jake for a favorite over him, and maybe cure her of it, for by this time Nicely-Nicely is so vexed about the spareribs that he almost forgets about leaving the farm, and is thinking of his future meals, so he says to the Widow Crumb like this:

"Why, sure," he says. "I am talking to Jake."

"Jake?" she says. "What Jake?"

And with this she starts looking all around and about again, and Nicely-Nicely can see that she is very pale, and that her hands are shaking so that she can scarcely hold the bowl of salad, and there is no doubt but what she is agitated no little, and quite some. "What Jake?" the Widow Crumb says again.

Nicely-Nicely points to the empty chair, and says:

"Why, Jake here," he says. "You know Jake. Nice fellow, Jake." Then Nicely-Nicely goes on talking to the empty chair as follows: "I notice you are not eating much tonight, Jake," Nicely-Nicely says. "What is the matter, Jake? The food cannot disagree with you, because it is all picked out and cooked to suit you, Jake. The best is none too good for you around here, Jake," he says.

Then he lets on that he is listening to something Jake is saying in reply, and Nicely-Nicely says is that so, and I am surprised, and what do you think of that, and tut-tut, and my-my, just as if Jake is talking a blue streak to him, although, of course, Jake is by no means present.

Now Nicely-Nicely is really only being sarcastic in this conversation for the Widow Crumb's benefit, and naturally he does not figure that she will take it seriously, because he knows she can see Jake is not there, but Nicely-Nicely happens to look at her while he is talking, and he observes that she is still standing with the bowl of salad in her hands, and looking at the empty chair with a most unusual expression on her face, and in fact, it is such an unusual expression that it makes Nicely-Nicely feel somewhat uneasy, and he readies himself up to dodge the salad bowl at any minute.

He commences to remember the loaded shotgun in the corner, and what Harley gives him to understand about the Widow Crumb's attitude towards Jake, and Nicely-Nicely is sorry he ever brings Jake's name up, but it seems that Nicely-Nicely now finds that he cannot stop talking to save his life with the Widow Crumb standing there with the unusual expression on her face, and then he remembers the books she reads in her bed at night, and he goes on as follows:

"Maybe the pains in your stomach are just indigestion, Jake," he says. "I have stomach trouble in my youth myself. You are suffering terribly, eh, Jake? Well, maybe a little of the old bicarb will help you, Jake. Oh," Nicely-Nicely says, "there he goes."

And with this he jumps up and runs to Jake's chair and lets on that he is helping a character up from the floor, and as he stoops over and pretends to be lifting this character, Nicely-Nicely grunts no little, as if the character is very heavy, and the grunts are really on the level with Nicely-Nicely as he is now full of spareribs, because he never really stops eating while he is talking, and stooping is not easy for him.

At these actions the Widow Crumb lets out a scream and drops the bowl of salad on the floor.

"I will help you to bed, Jake," he says. "Poor Jake. I know your stomach hurts, Jake. There now, Jake," he says, "take it easy. I know you are suffering horribly, but I will get something for you to ease the pain. Maybe it is the sauerkraut," Nicely-Nicely says.

Then when he seems to get Jake up on his legs, Nicely-Nicely pretends to be assisting him across the floor towards the bedroom and all the time he is talking in a comforting tone to Jake, although you must always remember that there really is no Jake.

Now, all of a sudden, Nicely-Nicely hears the Widow Crumb's voice, and it is nothing but a hoarse whisper that sounds very strange in the room, as she says like this:

"Yes," she says, "it is Jake. I see him. I see him as plain as day."

Well, at this Nicely-Nicely is personally somewhat startled, and he starts looking around and about himself, and it is a good thing for Jake that Nicely-Nicely is not really assisting Jake or Jake will find himself dropped on the floor, as the Widow Crumb says:

"Oh, Jake," she says, "I am so sorry. I am sorry for you in your suffering. I am sorry you ever leave me. I am sorry for everything. Please forgive me, Jake," she says. "I love you."

Then the Widow Crumb screams again and runs through the swinging door into the kitchen and out the kitchen door and down the path that leads to the barn about two hundred yards away, and it is plain to be seen that she is very nervous. In fact, the last Nicely-Nicely sees of her before she disappears in the darkness down the path, she is throwing her hands up in the air, and letting out little screams, as follows: eee-eee-eee, and calling out old Harley's name. Then Nicely-Nicely hears one extra loud scream, and after this there is much silence, and he figures that now is the time for him to take his departure, and he starts down the same path toward the barn, but figuring to cut off across the fields to the road that leads to the town when he observes a spark of light bobbing up and down on the path ahead of him, and presently he comes upon old Harley with a lantern in his hand.

Harley is down on his knees at what seems to be a big, round hole in the ground, and this hole is so wide it extends clear across the path, and Harley is poking his lantern down the hole, and when he sees Nicely-Nicely, he says:

"Oh," he says, "there you are. I guess there is some mistake here," he says. "The Widow Crumb tells me to wait in the barn until after supper and she will send you out after me, and," Harley says, "she also tells me to be sure and remove the cover of this old well as soon as it comes on dark. And," Harley says, "of course, I am expecting to find you in the well at this time, but who is in there but the Widow Crumb. I hear her screech as she drops in. I judge she must be hastening along the path and forgets about telling me to remove the cover of the well," Harley says. "It is most confusing," he says.

Then he pokes his lantern down the well again, and leans over and shouts as follows:

"Hello, down there," Harley shouts. "Hello, hello, hello." But all that happens is an echo comes out of the well like this: Hello. And Nicely-Nicely observes that there is nothing to be seen down the well, but a great blackness.

"It is very deep, and dark, and cold down there," Harley says. "Deep, and dark, and cold, and half full of water. Oh, my poor baby," he says.

Then Harley busts out crying as if his heart will break, and in fact he is so shaken by his sobs that he almost drops the lantern down the well.

Naturally Nicely-Nicely is somewhat surprised to observe these tears because personally he is by no means greatly distressed by the Widow Crumb being down the well, especially when he thinks of how she tries to put him down the well first, and finally he asks Harley why he is so downcast, and Harley speaks as follows:

"I love her," Harley says. "I love her very, very, very much. I am her Number One husband, and while she divorces me thirty years ago when it comes out that I have a weak heart, and the insurance companies refuse to give me a policy, I love her just the same. And now," Harley says, "here she is down a well."

And with this he begins hollering into the hole some more, but the Widow Crumb never personally answers a human voice in this life again and when the story comes out, many citizens claim this is a right good thing, to be sure.

So Nicely-Nicely returns to Broadway, and he brings with him the sum of eleven hundred dollars, which is what he has left of the estate of his late ever-loving wife from the sale of the farm, and one thing and another, after generously declaring old Harley in for fifty percent of his bit when Harley states that the only ambition he has left in life is to rear a tombstone to the memory of the Widow Crumb, and Nicely-Nicely announces that he is through with betting on horses, and other frivolity, and will devote his money to providing himself with food and shelter, and maybe a few clothes.

Well, the chances are Nicely-Nicely will keep his vow, too, but what happens the second day of his return, but he observes in the entries for the third race at Jamaica a horse by the name of Apparition, at 10 to 1 in the morning line, and Nicely-Nicely considers this entry practically a message to him, so he goes for his entire bundle on Apparition.

And it is agreed by one and all along Broadway who knows Nicely-Nicely's story that nobody in his right mind can possibly ignore such a powerful hunch as this, even though it loses, and Nicely-Nicely is again around doing the best he can.