Paul Doherty
Murder Wears a Cowl

Prologue

The creaking of the scaffold rope was the only sound to disturb the dark silence which hung like a cloud over the great open expanse outside St Bartholomew’s in West Smithfield. During the day the area bustled with colour and noise but, at night, the ghosts would claim it for their own. The great scaffold with its out-jutting beams and yellow knotted ropes was a common sight, as were the corpses which dangled there, necks twisted, eyes protruding, swollen tongues clenched between yellow teeth. The city fathers decreed that executed malefactors should always hang for three days until their bodies started to rot and the sharp-beaked ravens began to gouge the eyes and soft flesh of the face.

No one ever approached that scaffold at night. The old hags claimed the Lords of Hell came to dance there. Even the dogs, cats and kites of the city left the place alone once darkness had fallen. Ragwort, the beggar, however, thought different. During the day Ragwort always sat at the corner of St Martin’s Lane in West Cheap, his copper-begging bowl extended as he whined for alms from the faithful, the rich and the patronising as they crossed London’s great market place to do business at St Paul’s. At night, however, Ragwort moved back to Smithfield, to sleep beneath the scaffold. He felt protected there. No one would dare accost him and he accepted the grisly corpses hanging above him as his companions, even protectors against the robbers, thieves and nightwalkers who plagued the narrow alleyways of London. Sometimes, when he could not sleep, Ragwort would crouch on the wooden slats he used as legs and chatter like a magpie to the corpses. He would wonder about their lives and what had gone wrong. They were the best, indeed the only listeners, to his own dismal tale: how he had been a soldier, born and bred in Lincolnshire, before becoming an archer in Edward of England’s army in Scotland. How he had attacked a castle with scores of his companions, climbing the scaling ladders and then how God, aided and abetted by a red-haired Scotsman, had brought him low as hell. The ladder had been overturned, Ragwort had fallen into the dry moat and, when he had tried to crawl away, his legs had been drenched in sticky, burning, black oil. He had screamed for days, twisted in agony for months after the surgeons neatly chopped both legs off beneath the knee and strapped on wooden slats. Ragwort had been given a few coins, put on a cart and sent south to London to beg for the rest of his life.

Ragwort had come to terms with this. He had good custom and the great lords and the fat lawyers were generous patrons. He ate well, drank a flagon of red wine each day and, when the weather turned cold, the good brothers in the hospital of St Bartholomew’s always allowed him to sleep in their cellars. Ragwort claimed he had visions, strange fancies which plagued his dreams: sometimes he was sure he saw red-horned demons walking the streets of London. On the evening of May 11th 1302, as Ragwort made himself comfortable beneath the swinging corpses, he had another premonition of impending evil: the stumps of his legs ached, he had a prickling at the back of his neck and his stomach bubbled like a pot of seething fat. He slept fitfully for a while and woke just as a strong breeze sprang up to send the cadavers above him twisting and turning in some macabre dance of death. Ragwort tapped the soles of one of the corpse’s feet.

‘Shush!’ he whispered. ‘Let old Ragwort listen!’

The beggar crouched like a dog, his ears straining into the darkness. Then he heard it, the slap of sandals on the cobbles and the sound of heavy breathing: a dark figure hurried towards him. Ragwort drew back into the darkness, almost hiding behind the legs of the corpses hanging there. He peered at the approaching figure. Who was it? A woman? Yes, a woman. She was wearing a dark gown and her footfall was heavy. An old woman, Ragwort concluded, as he caught a glimpse of grey hair beneath the hood and the slightly hunched shoulders. She seemed in no hurry and posed no threat so Ragwort wondered why his heart kept pounding, his throat turned dry and a terrible coldness caught the nape of his neck, as if one of the hanged men had stooped down to stroke him gently. Then Ragwort knew the reason. He heard another footfall, someone was hurrying behind the woman. This person moved with speed and greater purpose. The first figure stopped as she, too, heard the pursuing footsteps.

‘Who is there?’ the old woman called out. ‘What do you want?’

Ragwort tensed, pushing his fingers into his mouth. He felt the evil approach. He wanted to shriek out a warning. Something dreadful was going to happen. A second shape appeared out of the darkness and moved towards the old lady.

‘Who are you?’ she repeated. ‘What do you want? I am on God’s business.’

Ragwort moaned gently to himself. Couldn’t the woman see? he thought. Couldn’t she sense the malevolence creeping through the darkness? The second figure drew closer. All Ragwort saw was a hood and a gown. As the moon slipped from between the clouds, he caught the gleam of white flesh and saw that the second stranger also wore sandals. The old woman relaxed.

‘Oh, it’s you!’ she snapped. ‘What now?’

Ragwort couldn’t hear the muttered reply. The two figures drew together. Ragwort saw a flash of steel and hid his eyes. He heard the gentle slash of a razor-edged knife cutting skin, vein and windpipe. A dreadful scream shattered the silence, cut off by a terrible gurgle as the old woman, choking on the blood which gushed up into her throat, crumpled to the cobblestones. Ragwort opened his eyes. The second figure had gone. The old lady lay in an untidy heap. She moved once but Ragwort sat transfixed by terror at the thin stream of blood snaking across the cobblestones towards him.

Later that same week in a garret at the top of a decaying mansion on the corner of Old Jewry and Lothbury, Isabeau the Fleming carefully counted out the coins in neat little stacks, the fruits of her hard night’s work. She had accepted three visitors: a young nobleman, lusty and vigorous, a yeoman from the Tower garrison and an old merchant from Bishopsgate who liked to tie her up whilst he lay beside her. Isabeau grinned. He was always the easiest, so quickly pleased and so generous in his thanks. Isabeau drew the ribbons from her bright red hair and shook her locks loose over her shoulders. She shrugged off the dress of blue damascene and threw it, together with her undershift and gartered hose, into a crumpled heap. She stood and turned before the shining piece of metal which served as a mirror. She always went through the same ritual every night. Old Mother Tearsheet had advised her to do this.

‘A courtesan who looks after herself, Isabeau,’ the old beldame had cackled, ‘stays younger and lives longer. Always remember that.’

Isabeau went over to the pewter bowl which stood on the lavarium and, using a sponge and a piece of Castillan soap, provided by a grateful Genoese captain, carefully washed her smooth, alabaster-white body. She jumped as a small bird, fluttering under the eaves of the old house, dashed itself against the shutters. A cat, hunting in the dark alleyway below, sang a screeching song to the moon. Isabeau stopped and listened to the old house creaking on its timbers. She must be so careful. The killer had already slain fourteen, or was it more, of her sisters? Their necks slashed so roughly, their heads dangled to the rest of the body only by strips of bone and muscle. She had seen one, the corpse of Amasis, the young French whore who used to trip so daintily up and down Milk Street looking for custom. Isabeau went back to her washing, enjoying the sensuous feel of the sponge against her skin. She cupped her full young breasts and ran her hand over her muscular, flat stomach. She heard a sound on the stairs but dismissed it as some foraging rat, seized a napkin and began to dry herself. She turned, moving the candle to a small chest next to the huge bed, covered with a swan-feather mattress, and donned a crumpled nightgown.

‘Isabeau.’ The voice was soft.

The whore turned, staring at the door.

‘Isabeau, Isabeau, please I need to see you!’

The girl recognised the voice, smiled and tripped quietly to the door. She drew back the huge iron bolts, swung the door open and stared at the dark cowled figure cradling a small candle.

‘What is it you want?’ Isabeau stepped back. ‘Surely not now,’ she mocked, ‘at this time of night?’

‘Here,’ her unexpected guest replied. ‘Hold the candle!’

Isabeau stretched out her hand and, for a second, glimpsed the broad-bladed knife as it swept towards her soft, tender throat. She felt a terrible fiery pain and collapsed as her life-blood streamed down her freshly washed body.

In the Louvre Palace, which stood on the Ile de France under the towering mass of Notre Dame Cathedral, ran a maze of secret corridors and passageways. Some led to nowhere but blank walls. Others twisted and turned so much that any intruder soon became lost and disheartened. At the end of this maze, like the centre of some great web, was Philip IV’s secret chamber. A room in the shape of an octagon, its walls were wood-panelled with only two small, arrow-slit windows high in the wall. The floor was carpeted from wall to wall in thick wool almost a foot deep. Philip IV liked this room. No sounds were ever heard. Even the door had been cunningly built into wood-panelled walls, so it was difficult to get in and, for the unwary, even more confusing to get out. The room was always lit by dozens of pure beeswax candles, the best the court chamberlain could provide. In the centre of the room was a square oaken table with a green baize top. Behind it a high-backed chair and, on either side of the table, two huge coffers, each with six locks. Inside each of these was another casket secured by five padlocks containing Philip of France’s secret letters, memoranda and the reports of spies from all over Europe. Here, Philip sat at the centre of his web and spun his skein of lies and deceits to ensnare the other rulers of Europe, be they Prince or Pope.

Philip of France now lounged in his huge chair, staring at the gold and silver stars painted on the ceiling, gently drumming his fingers on top of the table. Across from him sat his Chancellor and Master of Secrets, the apostate William of Nogaret. This Keeper of the King’s Secrets talked softly, yet rapidly, as he moved from one European court to another and all the time he watched this most impassive of kings. Philip, whom men nicknamed ‘Beautiful’, with his long, white face, pale blue eyes and hair the colour of burnished gold, looked every inch a king. He exuded majesty, as a woman would perfume, or a court fop an exotic fragrance, but Nogaret knew his master to be a cunning, sly fox who kept his face and his manner inscrutable, leaving others to guess his true intentions.

Nogaret paused and swallowed hard. He edged his stool slightly sideways for he knew that on his side of the desk was a dreadful oubliette, a trap door in the floor controlled by a lever under the rim of the King’s desk. Nogaret knew what would happen if that trap door suddenly opened. He himself had seen a victim fall on to the steel-tipped stakes below.

‘You have paused, William?’ the King murmured.

‘Your Grace, there is the matter of finance.’

Philip’s blue eyes swung lazily at Nogaret.

‘We have our taxes.’

Nogaret’s dark hooded eyes blinked and he gently stroked his skin, a gesture which made his sallow, narrow face look even more drawn and pinched.

‘Your Grace, a war against Flanders will empty the Treasury!’

‘We can borrow.’

‘The Lombards won’t lend!’

‘There are merchants who will.’

‘They are taxed to the hilt.’

‘So, what do you suggest, William?’

‘There is the Church.’

Philip smiled slightly and gazed hard at his master of secrets.

‘You would like that, wouldn’t you? You would like us to tax the Church?’ Philip leaned forward, lacing slender fingers together. ‘Some men, William,’ he continued, ‘some men maintain you do not believe in the Church. You do not believe in God or Le Bon Seigneur.’

Nogaret gazed blankly back. ‘Some men say the same of you, your Grace.’

Philip’s eyes rounded in mock innocence.

‘But my grandfather was the sainted Louis, whilst your grandfather, William, together with your mother, was condemned as a heretic, placed in a barrel of tar and burnt in the public market place.’

Philip watched the muscles in Nogaret’s face tense with fury. He liked that. He relished it when others lost their calm and showed the true nature of their souls. The King leaned back and sighed.

‘Enough! Enough!’ he muttered. ‘We cannot, we will not, tax the Church.’

‘Then “we cannot, we will not”,’ Nogaret snapped back, mimicking the King’s words, ‘invade Flanders.’

Philip curbed the rush of fury within him and smiled. He gently smoothed the green-baized table top. ‘Be careful, William,’ he murmured. ‘You are my right hand.’ The King lifted his fingers, ‘But if my right hand knew what my left hand was doing, I would cut it off!’

Philip turned, grasped the wine jug and filled a cup to the brim, watching the wine wink and bubble around the rim. He handed it to Nogaret.

‘Now, my Master of Secrets, enough of this bandying of words. I need money, and you have a plan.’

Nogaret sipped gingerly at the wine and stared back.

‘You do have a plan?’ Philip repeated.

Nogaret placed the cup down. ‘Yes, your Grace, I do. It will involve us in the affairs of England.’ He leaned forward and began to talk quietly.

Philip listened impassively but, as Nogaret described his scheme, the King folded his arms, almost hugging himself with pleasure at the honeyed words and phrases which dripped from Nogaret’s lips.

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