Maxim Jakubowski, John Harvey, Jason Starr, John Williams, Cara Black, Jean-Hugues Oppel, Michael Moorcock, Barry Gifford, Dominique Manotti, Scott Phillips, Sparkle Hayter, Dominique Sylvain, Jake Lamar, Jim Nisbet, Jerome Charyn, Romain Slocombe, Stella Duffy
Paris Noir

INTRODUCTION by MAXIM JAKUBOWSKI

By a twist of fate, my parents moved to France when I was only three years old and my first encounter with the dark side of Paris was when, a year or so later, I was parachuted into the école maternelle and, little British boy that I happened to be (albeit with a Polish name of sorts), was quickly bullied and mildly beaten up by all the other kids because, a long-lasting grievance in France, the British had once burned Joan of Arc!

Needless to say, becoming fluent in French became a personal priority, and I promptly made certain my true nationality was soon forgotten as well as finding out that Joan of Arc’s fiery demise was actually at the hands of her French compatriots…

To cut a long story short, I went on to live in Paris until my mid-twenties and have since cultivated a curious relationship with France and the French. But my love of Paris has never changed, a city of delights and contradictions which still manages to fascinate, surprise and unsettle me on every visit to old and new haunts. Much better commentators than me have waxed rhapsodic over the centuries about this city of light, its culture, its geography, its soul, its uniqueness, but being a foreigner in Paris, a spy beneath my bilingual cloak, has also allowed me different insights into the character of the city, its rainbow assortment of people and quirks. Indeed, Paris has proven a magnet for decades to generations of foreign writers, artists, more than just tourists, and this head-on clash of visions has generated some truly wonderful books, films and art.

When I decided to follow up my London Noir volume of crime and dark stories of over ten years ago, it became quickly obvious to me that I should tackle Paris, if only to compare my own vision of the city with that of others with different backgrounds, tastes and idiosyncrasies. I knew that many crime and mystery writers of my acquaintance had also spent time there or, in some cases, still made regular visits, and it made sense to invite a rather prestigious assortment of authors each to interpret the theme of Paris Noir in their own inimitable way. I think the results speak for themselves and offer a rich and varied panorama of Paris today, a psycho-history through the lens of noir fiction.

The writers and friends who climbed on board hail from the UK, the USA, Canada and also France, and all confess to an ambiguous relationship with the French capital. Some stories embrace history and politics, others examine crime and social ills, yet others even skirt fantasy, but all display a strong sense of place and take the reader on a thrilling ride through familiar and unfamiliar streets and quartiers, which even the literary tourist knows little about.

Tighten your seat belts, Mesdames et Messieurs.

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