Short Stories

The Adventure of the 'Western Star'

I was standing at the window of Poirot's rooms looking out idly on the street below.

'That's queer,' I ejaculated suddenly beneath my breath.

'What is, mon ami?' asked Poirot placidly, from the depths of his comfortable chair.

'Deduce, Poirot, from the following facts! Here is a young lady, richly dressed - fashionable hat, magnificent furs. She is coming along slowly, looking up at the houses as she goes. Unknown to her, she is being shadowed by three men and a middle-aged woman. They have just been joined by an errand boy who points after the girl, gesticulating as he does so. What drama is this being played? Is the girl a crook, and are the shadowers detectives preparing to arrest her? Or are they the scoundrels, and are they plotting to attack an innocent victim? What does the great detective say?'

'The great detective, mon ami, chooses, as ever, the simplest course. He rises to see for himself.' And my friend joined me at the window.

In a minute he gave vent to an amused chuckle.

'As usual, your facts are tinged with your incurable romanticism.

That is Miss Mary Marvell, the film star. She is being followed by a bevy of admirers who have recognized her. And, en passant , my dear Hastings, she is quite aware of the fact!'

I laughed.

'So all is explained! But you get no marks for that, Poirot. It was a mere matter of recognition.'

'En vérité! And how many times have you seen Mary Marvell on the screen, mon cher?'

I thought.

'About a dozen times perhaps.'

'And I - once! Yet I recognize her, and you do not.'

'She looks so different,' I replied rather feebly.

'Ah! Sacré!' cried Poirot. 'Is it that you expect her to promenade herself in the streets of London in a cowboy hat, or with bare feet, and a bunch of curls, as an Irish colleen? Always with you it is the non-essentials! Remember the case of the dancer. Valerie Saintclair.'

I shrugged my shoulders, slightly annoyed.

'But console yourself, mon ami,' said Poirot, calming down. 'All cannot be as Hercule Poirot! I know it well.'

'You really have the best opinion of yourself of anyone I ever knew!'

I cried, divided between amusement and annoyance.

'What will you? When one is unique, one knows it! And others share that opinion - even, if I mistake not, Miss Mary Marvell.'

'What?'

'Without doubt. She is coming here.'

'How do you make that out?'

'Very simply. This street, it is not aristocratic, mon ami! In it there is no fashionable doctor, no fashionable dentist - still less is there a fashionable milliner! But there is a fashionable detective. Oui, my friend, it is true - I am become the mode, the dernier cri! One says to another: 'Comment? You have lost your gold pencil-case? You must go to the little Belgian. He is too marvellous! Everyone goes!

Courez!' And they arrive! In flocks, mon ami! With problems of the most foolish!' A bell rang below. 'What did I tell you? That is Miss Marvell.'

As usual, Poirot was right. After a short interval, the American film star was ushered in, and we rose to our feet.

Mary Marvell was undoubtedly one of the most popular actresses on the screen. She had only lately arrived in England in company with her husband, Gregory B. Rolf, also a film actor. Their marriage had taken place about a year ago in the States and this was their first visit to England. They had been given a great reception.

Everyone was prepared to go mad over Mary Marvell, her wonderful clothes, her furs, her jewels, above all one jewel, the great diamond which had been nicknamed, to match its owner, 'The Western Star.' Much, true and untrue, had been written about this famous stone which was reported to be insured for the enormous sum of fifty thousand pounds.

All these details passed rapidly through my mind as I joined with Poirot in greeting our fair client.

Miss Marvell was small and slender, very fair and girlish-looking, with the wide innocent blue eyes of a child.

Poirot drew forward a chair for her, and she commenced talking at once.

'You will probably think me very foolish, Monsieur Poirot, but Lord Cronshaw was telling me last night how wonderfully you cleared up the mystery of his nephew's death, and I felt that I just must have your advice. I dare say it's only a silly hoax - Gregory says so - but it's just worrying me to death.'

She paused for breath. Poirot beamed encouragement.

'Proceed, madame. You comprehend, I am still in the dark.'

'It's these letters.' Miss Marvell unclasped her handbag, and drew out three envelopes which she handed to Poirot.

The latter scrutinized them closely.

'Cheap paper - the name and address carefully printed. Let us see the inside.' He drew out the enclosure.

I had joined him, and was leaning over his shoulder. The writing consisted of a single sentence, carefully printed like the envelope.

It ran as follows:

'The great diamond which is the left eye of the god must return whence it came.' The second letter was couched in precisely the same terms, but the third was more explicit:

'You have been warned. You have not obeyed. Now the diamond will be taken from you. At the full of the moon, the two diamonds which are the left and right eye of the god shall return. So it is written.'

'The first letter I treated as a joke,' explained Miss Marvell. 'When I got the second, I began to wonder. The third one came yesterday, and it seemed to me that, after all, the matter might be more serious than I had imagined.'

'I see they did not come by post, these letters.'

'No; they were left by hand - by a Chinaman. That is what frightens me.'

'Why?'

'Because it was from a Chink in San Francisco that Gregory bought the stone three years ago.'

'I see, madame, that you believe the diamond referred to to be - '

'"The Western Star,"' finished Miss Marvell. 'That's so. At the time, Gregory remembers that there was some story attached to the stone, but the Chink wasn't handing out any information. Gregory says he seemed just scared to death, and in a mortal hurry to get rid of the thing. He only asked about a tenth of its value. It was Greg's wedding present to me.'

Poirot nodded thoughtfully.

'The story seems of an almost unbelievable romanticism. And yet who knows? I pray of you, Hastings, hand me my little almanac.'

I complied.

'Voyons! ' said Poirot, turning the leaves. 'When is the date of the full moon? Ah, Friday next. That is in three days' time. Eh bien, madame, you seek my advice - I give it to you. This belle histoire may be a hoax - but it may not! Therefore I counsel you to place the diamond in my keeping until after Friday next. Then we can take what steps we please.'

A slight cloud passed over the actress's face, and she replied constrainedly:

'I'm afraid that's impossible.'

'You have it with you - hein?' Poirot was watching her narrowly.

The girl hesitated a moment, then slipped her hand into the bosom of her gown, drawing out a long thin chain. She leaned forward, unclosing her hand. In the palm, a stone of white fire, exquisitely set in platinum, lay and winked at us solemnly.

Poirot drew in his breath with a long hiss.

'Épatant!' he murmured. 'You permit, madame?' He took the jewel in his own hand and scrutinized it keenly, then restored it to her with a little bow. 'A magnificent stone - without a flaw. Ah, cent tonnerres! and you carry it about with you, comme ça !'

'No, no, I'm very careful really, Monsieur Poirot. As a rule it's locked up in my jewel-case, and left in the hotel safe deposit. We're staying at the Magnificent, you know. I just brought it along today for you to see.'

'And you will leave it with me, n'est-ce pas? You will be advised by Papa Poirot?'

'Well, you see, it's this way, Monsieur Poirot. On Friday we're going down to Yardly Chase to spend a few days with Lord and Lady Yardly.'

Her words awoke a vague echo of remembrance in my mind. Some gossip - what was it now? A few years ago Lord and Lady Yardly had paid a visit to the States, rumour had it that his lordship had rather gone the pace out there with the assistance of some lady friends - but surely there was something more, more gossip which coupled Lady Yardly's name with that of a 'movie' star in California why! it came to me in a flash - of course it was none other than Gregory B. Rolf.

'I'll let you into a little secret, Monsieur Poirot,' Miss Marvell was continuing. 'We've got a deal on with Lord Yardly. There's some chance of our arranging to film a play down there in his ancestral pile.'

'At Yardly Chase?' I cried, interested. 'Why, it's one of the show places of England.'

Miss Marvell nodded.

'I guess it's the real old feudal stuff all right. But he wants a pretty stiff price, and of course I don't know yet whether the deal will go through, but Greg and I always like to combine business with pleasure.'

'But - I demand pardon if I am dense, madame - surely it is possible to visit Yardly Chase without taking the diamond with you?'

A shrewd, hard look came into Miss Marvell's eyes which belied their childlike appearance. She looked suddenly a good deal older.

'I want to wear it down there.'

'Surely,' I said suddenly, 'there are some very famous jewels in the Yardly collection, a large diamond amongst them?'

'That's so,' said Miss Marvell briefly.

I heard Poirot murmur beneath his breath: 'Ah, c'est comme ça !'

Then he said aloud, with his usual uncanny luck in hitting the bull'seye (he dignifies it by the name of psychology): 'Then you are without doubt already acquainted with Lady Yardly, or perhaps your husband is?'

'Gregory knew her when she was out West three years ago,' said Miss Marvell. She hesitated a moment, and then added abruptly: 'Do either of you ever see Society Gossip?'

We both pleaded guilty rather shamefacedly.

'I ask because in this week's number there is an article on famous jewels, and it's really very curious - ' She broke off.

I rose, went to the table at the other side of the room and returned with the paper in question in my hand. She took it from me, found the article, and began to read aloud:

' ... Amongst other famous stones may be included The Star of the East, a diamond in the possession of the Yardly family. An ancestor of the present Lord Yardly brought it back with him from China, and a romantic story is said to attach to it. According to this, the stone was once the right eye of a temple god. Another diamond, exactly similar in form and size, formed the left eye, and the story goes that this jewel, too, would in course of time be stolen. "One eye shall go West, the other East, till they shall meet once more. Then, in triumph shall they return to the god." It is a curious coincidence that there is at the present time a stone corresponding closely in description with this one, and known as 'The Star of the West,' or 'The Western Star.' It is the property of the celebrated film star, Miss Mary Marvell. A comparison of the two stones would be interesting.' I stopped.

'Épatant!' murmured Poirot. 'Without doubt a romance of the first water.' He turned to Mary Marvell. 'And you are not afraid, madame? You have no superstitious terrors? You do not fear to introduce these two Siamese twins to each other lest a Chinaman should appear and, hey presto! whisk them both back to China?'

His tone was mocking, but I fancied that an undercurrent of seriousness lay beneath it.

'I don't believe that Lady Yardly's diamond is anything like as good as mine,' said Miss Marvell. 'Anyway, I'm going to see.'

What more Poirot would have said I do not know, for at that moment the door flew open, and a splendid-looking man strode into the room. From his crisply curling black head, to the tips of his patentleather boots, he was a hero fit for romance.

'I said I'd call round for you, Mary,' said Gregory Rolf, 'and here I am. Well, what does Monsieur Poirot say to our little problem? Just one big hoax, same as I do?'

Poirot smiled up at the big actor. They made a ridiculous contrast.

'Hoax or no hoax, Mr Rolf,' he said dryly, 'I have advised Madame your wife not to take the jewel with her to Yardly Chase on Friday.'

'I'm with you there, sir. I've already said so to Mary. But there! She's a woman through and through, and I guess she can't bear to think of another woman outshining her in the jewel line.'

'What nonsense, Gregory!' said Mary Marvell sharply. But she flushed angrily.

Poirot shrugged his shoulders.

'Madame, I have advised. I can do no more. C'est fini.'

He bowed them both to the door.

'Ah! la la,' he observed, returning. 'Histoire de femmes! The good husband, he hit the nail on the head - tout de même, but he was not tactful! Assuredly not.'

I imparted to him my vague remembrances, and he nodded vigorously.

'So I thought. All the same, there is something curious underneath all this. With your permission, mon ami, I will take the air. Await my return, I beg of you, I shall not be long.'

I was half asleep in my chair when the landlady tapped on the door, and put her head in.

'It's another lady to see Mr Poirot, sir. I've told her he was out, but she says as how she'll wait, seeing as she's come up from the country.'

'Oh, show her in here, Mrs. Murchison. Perhaps I can do something for her.'

In another moment the lady had been ushered in. My heart gave a leap as I recognized her. Lady Yardly's portrait had figured too often in the Society papers to allow her to remain unknown.

'Do sit down, Lady Yardly,' I said, drawing forward a chair. 'My friend Poirot is out, but I know for a fact that he'll be back very shortly.'

She thanked me and sat down. A very different type, this, from Miss Mary Marvell. Tall, dark, with flashing eyes, and a pale proud face yet something wistful in the curves of the mouth.

I felt a desire to rise to the occasion. Why not? In Poirot's presence I have frequently felt a difficulty - I do not appear at my best. And yet there is no doubt that I, too, possess the deductive sense in a marked degree. I leant forward on a sudden impulse.

'Lady Yardly,' I said. 'I know why you have come here. You have received blackmailing letters about the diamond.'

There was no doubt as to my bolt having shot home. She stared at me open-mouthed, all colour banished from her cheeks.

'You know?' she gasped. 'How?'

I smiled.

'By a perfectly logical process. If Miss Marvell has had warning letters - '

'Miss Marvell? She has been here?'

'She has just left. As I was saying, if she, as the holder of one of the twin diamonds, has received a mysterious series of warnings, you, as the holder of the other stone, must necessarily have done the same. You see how simple it is? I am right, then, you have received these strange communications also? '

For a moment she hesitated, as though in doubt whether to trust me or not, then she bowed her head in assent with a little smile.

'That is so,' she acknowledged.

'Were yours, too, left by hand - by a Chinaman?'

'No, they came by post; but tell me, has Miss Marvell undergone the same experience, then?'

I recounted to her the events of the morning. She listened attentively.

'It all fits in. My letters are the duplicates of hers. It is true that they came by post, but there is a curious perfume impregnating them something in the nature of joss-stick - that at once suggested the East to me. What does it all mean?'

I shook my head.

'That is what we must find out. You have the letters with you? We might learn something from the postmarks.'

'Unfortunately I destroyed them. You understand, at the time I regarded it as some foolish joke. Can it be true that some Chinese gang are really trying to recover the diamonds? It seems too incredible.'

We went over the facts again and again, but could get no further towards the elucidation of the mystery. At last Lady Yardly rose.

'I really don't think I need wait for Monsieur Poirot. You can tell him all this, can't you? Thank you so much, Mr - '

She hesitated, her hand outstretched.

'Captain Hastings.'

'Of course! How stupid of me. You're a friend of the Cavendishes, aren't you? It was Mary Cavendish who sent me to Monsieur Poirot.'

When my friend returned, I enjoyed telling him the tale of what had occurred during his absence. He cross-questioned me rather sharply over the details of our conversation and I could read between the lines that he was not best pleased to have been absent. I also fancied that the dear old fellow was just the least inclined to be jealous. It had become rather a pose with him to consistently belittle my abilities, and I think he was chagrined at finding no loophole for criticism. I was secretly rather pleased with myself, though I tried to conceal the fact for fear of irritating him. In spite of his idiosyncrasies, I was deeply attached to my quaint little friend.

'Bien!' he said at length, with a curious look on his face. 'The plot develops. Pass me, I pray you, that Peerage on the top shelf there.'

He turned the leaves. 'Ah, here we are! "Yardly ... 10th viscount, served South African War" ... tout ça n'a pas d'importance ... "mar.

1907 Hon. Maude Stopperton, fourth daughter of 3rd Baron Cotteril" ... um, um, um . . ."has iss. two daughters, born 1908, 1910

... Clubs ... residences." ... Violà, that does not tell us much. But tomorrow morning we see this milord!'

'What?'

'Yes. I telegraphed to him.'

'I thought you had washed your hands of the case?'

'I am not acting for Miss Marvell since she refuses to be guided by my advice. What I do now is for my own satisfaction - the satisfaction of Hercule Poirot! Decidedly, I must have a finger in this pie.'

'And you calmly wire Lord Yardly to dash up to town just to suit your convenience. He won't be pleased.'

'Au contraire, if I preserve for him his family diamond, he ought to be very grateful.'

'Then you really think there is a chance of it being stolen?' I asked eagerly.

'Almost a certainty,' replied Poirot placidly. 'Everything points that way.'

'But how - '

Poirot stopped my eager questions with an airy gesture of the hand.

'Not now, I pray you. Let us not confuse the mind. And observe that Peerage - how you have replaced him! See you not that the tallest books go in the top shelf, the next tallest in the row beneath, and so on. Thus we have order, method, which, as I have often told you, Hastings - '

'Exactly,' I said hastily, and put the offending volume in its proper place.

The Tragedy at Marsdon Manor

I had been called away from town for a few days, and on my return found Poirot in the act of strapping up his small valise.

'A la bonne heure, Hastings. I feared you would not have returned in time to accompany me.'

'You are called away on a case, then?'

'Yes, though I am bound to admit that, on the face of it, the affair does not seem promising. The Northern Union Insurance Company have asked me to investigate the death of a Mr Maltravers who a few weeks ago insured his life with them for the large sum of fifty thousand pounds.'

'Yes?' I said, much interested.

'There was, of course, the usual suicide clause in the policy. In the event of his committing suicide within a year the premiums would be forfeited. Mr Maltravers was duly examined by the Company's own doctor, and although he was a man slightly past the prime of life was passed as being in quite sound health. However, on Wednesday last - the day before yesterday - the body of Mr Maltravers was found in the grounds of his house in Essex, Marsdon Manor, and the cause of his death is described as some kind of internal haemorrhage. That in itself would be nothing remarkable, but sinister rumours as to Mr Maltravers' financial position have been in the air of late, and the Northern Union have ascertained beyond any possible doubt that the deceased gentleman stood upon the verge of bankruptcy. Now that alters matters considerably. Maltravers had a beautiful young wife, and it is suggested that he got together all the ready money he could for the purpose of paying the premiums on a life insurance for his wife's benefit, and then committed suicide. Such a thing is not uncommon.

In any case, my friend Alfred Wright, who is a director of the Northern Union, has asked me to investigate the facts of the case, but, as I told him, I am not very hopeful of success. If the cause of the death had been heart failure, I should have been more sanguine. Heart failure may always be translated as the inability of the local GP to discover what his patient really did die of, but a haemorrhage seems fairly definite. Still, we can but make some necessary inquiries. Five minutes to pack your bag, Hastings, and we will take a taxi to Liverpool Street.'

About an hour later, we alighted from a Great Eastern train at the little station of Marsdon Leigh. Inquiries at the station yielded the information that Marsdon Manor was about a mile distant. Poirot decided to walk, and we betook ourselves along the main street.

'What is our plan of campaign?' I asked.

'First I will call upon the doctor. I have ascertained that there is only one doctor in Marsdon Leigh, Dr Ralph Bernard. Ah, here we are at his house.'

The house in question was a kind of superior cottage, standing back a little from the road. A brass plate on the gate bore the doctor's name. We passed up the path and rang the bell.

We proved to be fortunate in our call. It was the doctor's consulting hour, and for the moment there were no patients waiting for him. Dr Bernard was an elderly man, high-shouldered and stooping, with a pleasant vagueness of manner.

Poirot introduced himself and explained the purpose of our visit, adding that Insurance Companies were bound to investigate fully in a case of this kind.

'Of course, of course,' said Dr Bernard vaguely. 'I suppose, as he was such a rich man, his life was insured for a big sum?'

'You consider him a rich man, doctor?'

The doctor looked rather surprised.

'Was he not? He kept two cars, you know, and Marsdon Manor is a pretty big place to keep up, although I believe he bought it very cheap.'

'I understand that he had had considerable losses of late,' said Poirot, watching the doctor narrowly.

The latter, however, merely shook his head sadly.

'Is that so? Indeed. It is fortunate for his wife, then, that there is this life insurance. A very beautiful and charming young creature, but terribly unstrung by this sad catastrophe. A mass of nerves, poor thing. I have tried to spare her all I can, but of course the shock was bound to be considerable.'

'You had been attending Mr Maltravers recently?'

'My dear sir, I never attended him.'

'What?'

'I understand Mr Maltravers was a Christian Scientist - or something of that kind.'

'But you examined the body?'

'Certainly. I was fetched by one of the under-gardeners.'

'And the cause of death was clear?'

'Absolutely. There was blood on the lips, but most of the bleeding must have been internal.'

'Was he still lying where he had been found?'

'Yes, the body had not been touched. He was lying at the edge of a small plantation. He had evidently been out shooting rooks, a small rook rifle lay beside him. The haemorrhage must have occurred quite suddenly. Gastric ulcer, without a doubt.'

'No question of his having been shot, eh?'

'My dear sir!'

'I demand pardon,' said Poirot humbly. 'But, if my memory is not at fault, in the case of a recent murder, the doctor first gave a verdict of heart failure - altering it when the local constable pointed out that there was a bullet wound through the head!'

'You will not find any bullet wounds on the body of Mr Maltravers,' said Dr Bernard dryly. 'Now, gentlemen, if there is nothing further - '

We took the hint.

'Good morning, and many thanks to you, doctor, for so kindly answering our questions. By the way, you saw no need for an autopsy?'

'Certainly not.' The doctor became quite apoplectic. 'The cause of death was clear, and in my profession we see no need to distress unduly the relatives of a dead patient.'

And, turning, the doctor slammed the door sharply in our faces.

'And what do you think of Dr Bernard, Hastings?' inquired Poirot, as we proceeded on our way to the Manor.

'Rather an old ass.'

'Exactly. Your judgments of character are always profound, my friend.'

I glanced at him uneasily, but he seemed perfectly serious. A twinkle, however, came into his eye, and he added slyly:

'That is to say, when there is no question of a beautiful woman!'

I looked at him coldly.

On our arrival at the manor-house, the door was opened to us by a middle-aged parlourmaid. Poirot handed her his card, and a letter from the Insurance Company for Mrs Maltravers. She showed us into a small morning-room, and retired to tell her mistress. About ten minutes elapsed, and then the door opened, and a slender figure in widow's weeds stood upon the threshold.

'Monsieur Poirot?' she faltered.

'Madame!' Poirot sprang gallantly to his feet and hastened towards her. 'I cannot tell you how I regret to derange you in this way. But what will you? Les affaires - they know no mercy.'

Mrs Maltravers permitted him to lead her to a chair. Her eyes were red with weeping, but the temporary disfigurement could not conceal her extraordinary beauty. She was about twenty-seven or eight, and very fair, with large blue eyes and a pretty pouting mouth.

'It is something about my husband's insurance, is it? But must I be bothered now - so soon?'

'Courage, my dear madame. Courage! You see, your late husband insured his life for rather a large sum, and in such a case the Company always has to satisfy itself as to a few details. They have empowered me to act for them. You can rest assured that I will do all in my power to render the matter not too unpleasant for you. Will you recount to me briefly the sad events of Wednesday?'

'I was changing for tea when my maid came up - one of the gardeners had just run to the house. He had found - '

Her voice trailed away. Poirot pressed her hand sympathetically.

'I comprehend. Enough! You had seen your husband earlier in the afternoon?'

'Not since lunch. I had walked down to the village for some stamps, and I believe he was out pottering round the grounds.'

'Shooting rooks, eh?'

'Yes, he usually took his little rook rifle with him, and I heard one or two shots in the distance.'

'Where is this little rook rifle now?'

'In the hall, I think.'

She led the way out of the room and found and handed the little weapon to Poirot, who examined it cursorily.

'Two shots fired, I see,' he observed, as he handed it back. 'And now, madame, if I might see - '

He paused delicately.

'The servant shall take you,' she murmured, averting her head.

The parlourmaid, summoned, led Poirot upstairs. I remained with the lovely and unfortunate woman. It was hard to know whether to speak or remain silent. I essayed one or two general reflections to which she responded absently, and in a very few minutes Poirot rejoined us.

'I thank you for all your courtesy, madame. I do not think you need be troubled any further with this matter. By the way, do you know anything of your husband's financial position?'

She shook her head.

'Nothing whatever. I am very stupid over business things.'

'I see. Then you can give us no clue as to why he suddenly decided to insure his life? He had not done so previously, I understand.'

'Well, we had only been married a little over a year. But, as to why he insured his life, it was because he had absolutely made up his mind that he would not live long. He had a strong premonition of his own death. I gather that he had had one haemorrhage already, and that he knew that another one would prove fatal. I tried to dispel these gloomy fears of his, but without avail. Alas, he was only too right!'

Tears in her eyes, she bade us a dignified farewell. Poirot made a characteristic gesture as we walked down the drive together.

'Eh bien, that is that! Back to London, my friend, there appears to be no mouse in this mouse-hole. And yet - '

'Yet what?'

'A slight discrepancy, that is all! You noticed it? You did not? Still, life is full of discrepancies, and assuredly the man cannot have taken his own life - there is no poison that would fill his mouth with blood. No, no, I must resign myself to the fact that all here is clear and above-board - but who is this?'

A tall young man was striding up the drive towards us. He passed us without making any sign, but I noted that he was not ill-looking, with a lean, deeply-bronzed face that spoke of life in a tropic clime.

A gardener who was sweeping up leaves had paused for a minute in his task, and Poirot ran quickly up to him.

'Tell me, I pray you, who is that gentleman? Do you know him?'

'I don't remember his name, sir, though I did hear it. He was staying down here last week for a night. Tuesday, it was.'

'Quick, mon ami, let us follow him.'

We hastened up the drive after the retreating figure. A glimpse of a black-robed figure on the terrace at the side of the house, and our quarry swerved and we after him, so that we were witnesses of the meeting.

Mrs Maltravers almost staggered where she stood, and her face blanched noticeably.

'You,' she gasped. 'I thought you were on the sea - on your way to East Africa?'

'I got some news from my lawyers that detained me,' explained the young man. 'My old uncle in Scotland died unexpectedly and left me some money. Under the circumstances I thought it better to cancel my passage. Then I saw this bad news in the paper and I came down to see if there was anything I could do. You'll want someone to look after things for you a bit perhaps.'

At that moment they became aware of our presence. Poirot stepped forward, and with many apologies explained that he had left his stick in the hall. Rather reluctantly, it seemed to me, Mrs Maltravers made the necessary introduction.

'Monsieur Poirot, Captain Black.'

A few minutes' chat ensued, in the course of which Poirot elicited the fact that Captain Black was putting up at the Anchor Inn. The missing stick not having been discovered (which was not surprising), Poirot uttered more apologies and we withdrew.

We returned to the village at a great pace, and Poirot made a bee line for the Anchor Inn.

'Here we establish ourselves until our friend the Captain returns,' he explained. 'You noticed that I emphasized the point that we were returning to London by the first train? Possibly you thought I meant it. But no - you observed Mrs Maltravers' face when she caught sight of this young Black? She was clearly taken aback, and he - eh bien, he was very devoted, did you not think so? And he was here on Tuesday night - the day before Mr Maltravers died. We must investigate the doings of Captain Black, Hastings.'

In about half an hour we espied our quarry approaching the inn.

Poirot went out and accosted him and presently brought him up to the room we had engaged.

'I have been telling Captain Black of the mission which brings us here,' he explained. 'You can understand, monsieur le capitaine , that I am anxious to arrive at Mr Maltravers' state of mind immediately before his death, and that at the same time I do not wish to distress Mrs Maltravers unduly by asking her painful questions. Now, you were here just before the occurrence, and can give us equally valuable information.'

'I'll do anything I can to help you, I'm sure,' replied the young soldier; 'but I'm afraid I didn't notice anything out of the ordinary.

You see, although Maltravers was an old friend of my people's, I didn't know him very well myself.'

'You came down - when?'

'Tuesday afternoon. I went up to town early Wednesday morning, as my boat sailed from Tilbury about twelve o'clock. But some news I got made me alter my plans, as I dare say you heard me explain to Mrs Maltravers.'

'You were returning to East Africa, I understand?'

'Yes. I've been out there ever since the War - a great country.'

'Exactly. Now what was the talk about at dinner on Tuesday night?'

'Oh, I don't know. The usual odd topics. Maltravers asked after my people, and then we discussed the question of German reparations, and then Mrs Maltravers asked a lot of questions about East Africa, and I told them one or two yarns, that's about all, I think.'

'Thank you.'

Poirot was silent for a moment, then he said gently: 'With your permission, I should like to try a little experiment. You have told us all that your conscious self knows, I want now to question your subconscious self.'

'Psychoanalysis, what?' said Black, with visible alarm.

'Oh, no,' said Poirot reassuringly. 'You see, it is like this, I give you a word, you answer with another, and so on. Any word, the first one you think of. Shall we begin?'

'All right,' said Black slowly, but he looked uneasy.

'Note down the words, please, Hastings,' said Poirot. Then he took from his pocket his big turnip-faced watch and laid it on the table beside him. 'We will commence. Day.'

There was a moment's pause, and then Black replied:

'Night.'

As Poirot proceeded, his answers came quicker.

'Name,' said Poirot.

'Place.'

'Bernard.'

'Shaw.'

'Tuesday.'

'Dinner'

'Journey.'

'Ship .'

'Country.'

'Uganda.'

'Story.'

'Lions'

'Rook Rifle.'

'Farm.'

'Shot.'

'Suicide.'

'Elephant.'

'Tusks.'

'Money.'

'Lawyers.'

'Thank you, Captain Black. Perhaps you could spare me a few minutes in about half an hour's time?'

'Certainly.' The young soldier looked at him curiously and wiped his brow as he got up.

'And now, Hastings,' said Poirot, smiling at me as the door closed behind him. 'You see it all, do you not?'

'I don't know what you mean.'

'Does that list of words tell you nothing?'

I scrutinized it, but was forced to shake my head.

'I will assist you. To begin with, Black answered well within the normal time limit, with no pauses, so we can take it that he himself has no guilty knowledge to conceal. "Day" to "Night" and "Place" to "Name" are normal associations. I began work with "Bernard," which might have suggested the local doctor had he come across him at all. Evidently he had not. After our recent conversation, he gave "Dinner" to my "Tuesday", but "Journey" and "Country" were answered by "Ship" and "Uganda", showing clearly that it was his journey abroad that was important to him and not the one which brought him down here. "Story" recalls to him one of the "Lion" stories he told at dinner. I proceeded to "Rook Rifle" and he answered with the totally unexpected word "Farm". When I say "Shot", he answers at once "Suicide". The association seems clear.

A man he knows committed suicide with a rook rifle on a farm somewhere. Remember, too, that his mind is still on the stories he told at dinner, and I think you will agree that I shall not be far from the truth if I recall Captain Black and ask him to repeat the particular suicide story which he told at the dinner-table on Tuesday evening.'

Black was straightforward enough over the matter.

'Yes, I did tell them that story now that I come to think of it. Chap shot himself on a farm out there. Did it with a rook rifle through the roof of his mouth, bullet lodged in the brain. Doctors were no end puzzled over it - there was nothing to show except a little blood on the lips. But what -? '

'What has it got to do with Mr Maltravers? You did not know, I see, that he was found with a rook rifle by his side.'

'You mean my story suggested to him - oh, but that is awful!'

'Do not distress yourself - it would have been one way or another.

Well, I must get on the telephone to London.'

Poirot had a lengthy conversation over the wire, and came back thoughtful. He went off by himself in the afternoon, and it was not till seven o'clock that he announced that he could put it off no longer, but must break the news to the young widow. My sympathy had already gone out to her unreservedly. To be left penniless, and with the knowledge that her husband had killed himself to assure her future was a hard burden for any woman to bear. I cherished a secret hope, however, that young Black might prove capable of consoling her after her first grief had passed. He evidently admired her enormously.

Our interview with the lady was painful. She refused vehemently to believe the facts that Poirot advanced, and when she was at last convinced broke down into bitter weeping. An examination of the body turned our suspicions into certainty. Poirot was very sorry for the poor lady, but, after all, he was employed by the Insurance Company, and what could he do? As he was preparing to leave he said gently to Mrs Maltravers:

'Madame, you of all people should know that there are no dead!'

'What do you mean?' she faltered, her eyes growing wide.

'Have you never taken part in any spiritualistic séances? You are mediumistic, you know.'

'I have been told so. But you do not believe in Spiritualism, surely?'

'Madame, I have seen some strange things. You know that they say in the village that this house is haunted?'

She nodded, and at that moment the parlourmaid announced that dinner was ready.

'Won't you just stay and have something to eat?'

We accepted gratefully, and I felt that our presence could not but help distract her a little from her own griefs.

We had just finished our soup, when there was a scream outside the door, and the sound of breaking crockery. We jumped up. The parlourmaid appeared, her hand to her heart.

'It was a man - standing in the passage.'

Poirot rushed out, returning quickly.

'There is no one there.'

'Isn't there, sir?' said the parlourmaid weakly. 'Oh, it did give me a start!'

'But why?'

She dropped her voice to a whisper.

'I thought - I thought it was the master - it looked like 'im.'

I saw Mrs Maltravers give a terrified start, and my mind flew to the old superstition that a suicide cannot rest. She thought of it too, I am sure, for a minute later, she caught Poirot's arm with a scream.

'Didn't you hear that? Those three taps on the window? That's how he always used to tap when he passed round the house.'

'The ivy,' I cried. 'It was the ivy against the pane.'

But a sort of terror was gaining on us all. The parlourmaid was obviously unstrung, and when the meal was over Mrs Maltravers besought Poirot not to go at once. She was clearly terrified to be left alone. We sat in the little morning room. The wind was getting up, and moaning round the house in an eerie fashion. Twice the door of the room came unlatched and the door slowly opened, and each time she clung to me with a terrified gasp.

'Ah, but this door, it is bewitched!' cried Poirot angrily at last. He got up and shut it once more, then turned the key in the lock. 'I shall lock it, so!'

'Don't do that,' she gasped, 'if it should come open now - '

And even as she spoke the impossible happened. The locked door slowly swung open. I could not see into the passage from where I sat, but she and Poirot were facing it. She gave one long shriek as she turned to him.

'You saw him - there in the passage?' she cried.

He was staring down at her with a puzzled face, then shook his head.

'I saw him - my husband - you must have seen him too?'

'Madame, I saw nothing. You are so well - unstrung - '

'I am perfectly well, I - Oh, God!'

Suddenly, without warning, the lights quivered and went out. Out of the darkness came three loud raps. I could hear Mrs Maltravers moaning.

And then - I saw!

The man I had seen on the bed upstairs stood there facing us, gleaming with a faint ghostly light. There was blood on his lips, and he held his right hand out, pointing. Suddenly a brilliant light seemed to proceed from it. It passed over Poirot and me, and fell on Mrs Maltravers. I saw her white terrified face, and something else!

'My God, Poirot!' I cried. 'Look at her hand, her right hand. It's all red!'

Her own eyes fell on it, and she collapsed in a heap on the floor.

'Blood,' she cried hysterically. 'Yes, it's blood. I killed him. I did it.

He was showing me, and then I put my hand on the trigger and pressed. Save me from him - save me! He's come back!'

Her voice died away in a gurgle.

'Lights,' said Poirot briskly.

The lights went on as if by magic.

'That's it,' he continued. 'You heard, Hastings? And you, Everett?

Oh, by the way, this is Mr Everett, rather a fine member of the theatrical profession. I 'phoned to him this afternoon. His make-up is good, isn't it? Quite like the dead man, and with a pocket torch and the necessary phosphorescence he made the proper impression. I shouldn't touch her right hand if I were you, Hastings.

Red paint marks so. When the lights went out I clasped her hand, you see. By the way, we mustn't miss our train. Inspector Japp is outside the window. A bad night - but he has been able to while away the time by tapping on the window every now and then.'

'You see,' continued Poirot, as we walked briskly through the wind and rain, 'there was a little discrepancy. The doctor seemed to think the deceased was a Christian Scientist, and who could have given him that impression but Mrs Maltravers? But to us she represented him as being in a grave state of apprehension about his own health. Again, why was she so taken aback by the reappearance of young Black? And lastly, although I know that convention decrees that a woman must make a decent pretence of mourning for her husband, I do not care for such heavily-rouged eyelids! You did not observe them, Hastings? No? As I always tell you, you see nothing!

'Well, there it was. There were the two possibilities. Did Black's story suggest an ingenious method of committing suicide to Mr Maltravers, or did his other listener, the wife, see an equally ingenious method of committing murder? I inclined to the latter view. To shoot himself in the way indicated, he would probably have had to pull the trigger with his toe - or at least so I imagine. Now if Maltravers had been found with one boot off, we should almost certainly have heard of it from someone. An odd detail like that would have been remembered.

'No, as I say, I inclined to the view that it was a case of murder, not suicide, but I realized that I had not a shadow of proof in support of my theory. Hence the elaborate little comedy you saw played tonight.'

'Even now I don't quite see all the details of the crime,' I said.

'Let us start from the beginning. Here is a shrewd and scheming woman who, knowing of her husband's financial débâcle and tired of the elderly mate she has only married for his money, induces him to insure his life for a large sum, and then seeks for the means to accomplish her purpose. An accident gives her that - the young soldier's strange story. The next afternoon when monsieur le capitaine , as she thinks, is on the high seas, she and her husband are strolling round the grounds. "What a curious story that was last night!" she observes. "Could a man shoot himself in such a way? Do show me if it is possible!" The poor fool - he shows her. He places the end of the rifle in his mouth. She stoops down, and puts her finger on the trigger, laughing up at him. "And now, sir," she says saucily, "supposing I pull the trigger?"

'And then - and then, Hastings - she pulls it!'

The Adventure of the Cheap Flat

So far, in the cases which I have recorded, Poirot's investigations have started from the central fact, whether murder or robbery, and have proceeded from thence by a process of logical deduction to the final triumphant unravelling. In the events I am now about to chronicle, a remarkable chain of circumstances led from the apparently trivial incidents which first attracted Poirot's attention to the sinister happenings which completed a most unusual case.

I had been spending the evening with an old friend of mine, Gerald Parker. There had been, perhaps, about half a dozen people there besides my host and myself, and the talk fell, as it was bound to do sooner or later wherever Parker found himself, on the subject of house-hunting in London. Houses and flats were Parker's special hobby. Since the end of the War, he had occupied at least half a dozen different flats and maisonnettes. No sooner was he settled anywhere than he would light unexpectedly upon a new find, and would forthwith depart bag and baggage. His moves were nearly always accomplished at a slight pecuniary gain, for he had a shrewd business head, but it was sheer love of the sport that actuated him, and not a desire to make money at it. We listened to Parker for some time with the respect of the novice for the expert.

Then it was our turn, and a perfect babel of tongues was let loose.

Finally the floor was left to Mrs Robinson, a charming little bride who was there with her husband. I had never met them before, as Robinson was only a recent acquaintance of Parker's.

'Talking of flats,' she said, 'have you heard of our piece of luck, Mr Parker? We've got a flat - at last! In Montagu Mansions.'

'Well,' said Parker, 'I've always said there are plenty of flats - at a price!'

'Yes, but this isn't at a price. It's dirt cheap. Eighty pounds a year!'

'But - but Montagu Mansions is just off Knightsbridge, isn't it? Big handsome building. Or are you talking of a poor relation of the same name stuck in the slums somewhere?'

'No, it's the Knightsbridge one. That's what makes it so wonderful.'

'Wonderful is the word! It's a blinking miracle. But there must be a catch somewhere. Big premium, I suppose?'

'No premium!'

'No prem - oh, hold my head, somebody!' groaned Parker.

'But we've got to buy the furniture,' continued Mrs Robinson.

'Ah!' Parker bristled up. 'I knew there was a catch!'

'For fifty pounds. And it's beautifully furnished!'

'I give it up,' said Parker. 'The present occupants must be lunatics with a taste for philanthropy.'

Mrs Robinson was looking a little troubled. A little pucker appeared between her dainty brows.

'It is queer, isn't it? You don't think that - that - the place is haunted?'

'Never heard of a haunted flat,' declared Parker decisively.

'No-o.' Mrs Robinson appeared far from convinced. 'But there were several things about it all that struck me as - well, queer.'

'For instance - ' I suggested.

'Ah,' said Parker, 'our criminal expert's attention is aroused!

Unburden yourself to him, Mrs Robinson. Hastings is a great unraveller of mysteries.'

I laughed, embarrassed, but not wholly displeased with the rôle thrust upon me.

'Oh, not really queer, Captain Hastings, but when we went to the agents, Stosser and Paul - we hadn't tried them before because they only have the expensive Mayfair flats, but we thought at any rate it would do no harm - everything they offered us was four and five hundred a year, or else huge premiums, and then, just as we were going, they mentioned that they had a flat at eighty, but that they doubted if it would be any good our going there, because it had been on their books some time and they had sent so many people to see it that it was almost sure to be taken - "snapped up" as the clerk put it - only people were so tiresome in not letting them know, and then they went on sending, and people get annoyed at being sent to a place that had, perhaps, been let some time.'

Mrs Robinson paused for some much needed breath, and then continued:

'We thanked him, and said that we quite understood it would probably be no good, but that we should like an order all the same just in case. And we went there straig ht away in a taxi, for, after all, you never know. No 4 was on the second floor, and just as we were waiting for the lift, Elsie Ferguson - she's a friend of mine, Captain Hastings, and they are looking for a flat too - came hurrying down the stairs. "Ahead of you for once, my dear," she said. "But it's no good. It's already let." That seemed to finish it, but - well, as John said, the place was very cheap, we could afford to give more, and perhaps if we offered a premium. A horrid thing to do, of course, and I feel quite ashamed of telling you, but you know what flathunting is.'

I assured her that I was well aware that in the struggle for houseroom the baser side of human nature frequently triumphed over the higher, and that the well-known rule of dog eat dog always applied.

'So we went up and, would you believe it, the flat wasn't let at all.

We were shown over it by the maid, and then we saw the mistress, and the thing was settled then and there. Immediate possession and fifty pounds for the furniture. We signed the agreement next day, and we are to move in tomorrow!' Mrs Robinson paused triumphantly.

'And what about Mrs Ferguson?' asked Parker. 'Let's have your deductions, Hastings.'

'"Obvious, my dear Watson,"' I quoted lightly. 'She went to the wrong flat.'

'Oh, Captain Hastings, how clever of you!' cried Mrs Robinson admiringly.

I rather wished Poirot had been there. Sometimes I have the feeling that he rather underestimates my capabilities.

The Mystery of Hunter's Lodge

'After all,' murmured Poirot, 'it is possible that I shall not die this time.'

Coming from a convalescent influenza patient, I hailed the remark as showing a beneficial optimism. I myself had been the first sufferer from the disease. Poirot in his turn had gone down. He was now sitting up in bed, propped up with pillows, his head muffled in a woollen shawl, and was slowly sipping a particularly noxious tisane which I had prepared according to his directions. His eye rested with pleasure upon a neatly graduated row of medicine bottles which adorned the mantelpiece.

'Yes, yes,' my little friend continued. 'Once more shall I be myself again, the great Hercule Poirot, the terror of evildoers! Figure to yourself, mon ami, that I have a little paragraph to myself in Society Gossip . But yes! Here it is: "Go it - criminals - all out! Hercule Poirot - and believe me, girls, he's some Hercules! - our own pet society detective can't get a grip on you. 'Cause why? 'Cause he's got la grippe himself"!'

I laughed.

'Good for you, Poirot. You are becoming quite a public character.

And fortunately you haven't missed anything of particular interest during this time.'

'That is true. The few cases I have had to decline did not fill me with any regret.'

Our landlady stuck her head in at the door.

'There's a gentleman downstairs. Says he must see Monsieur Poirot or you, Captain. Seeing as he was in a great to-do - and with all that quite the gentleman - I brought up 'is card.'

She handed me the bit of pasteboard. 'Mr Roger Havering,' I read.

Poirot motioned with his head towards the bookcase, and I obediently pulled forth Who's Who. Poirot took it from me and scanned the pages rapidly.

'Second son of fifth Baron Windsor. Married 1913 Zoe, fourth daughter of William Crabb.'

'H'm!' I said. 'I rather fancy that's the girl who used to act at the Frivolity - only she called herself Zoe Carrisbrook. I remember she married some young man about town just before the War.'

'Would it interest you, Hastings, to go down and hear what our visitor's particular little trouble is? Make him all my excuses.'

Roger Havering was a man of about forty, well set up and of smart appearance. His face, however, was haggard, and he was evidently labouring under great agitation.

'Captain Hastings? You are Monsieur Poirot's partner, I understand.

It is imperative that he should come with me to Derbyshire today.'

'I'm afraid that's impossible,' I replied. 'Poirot is ill in bed influenza.'

His face fell.

'Dear me, that is a great blow to me.'

'The matter on which you want to consult him is serious?'

'My God, yes! My uncle, the best friend I have in the world, was foully murdered last night.'

'Here in London?'

'No, in Derbyshire. I was in town and received a telegram from my wife this morning. Immediately upon its receipt I determined to come round and beg Monsieur Poirot to undertake the case.'

'If you will excuse me a minute,' I said, struck by a sudden idea.

I rushed upstairs, and in a few brief words acquainted Poirot with the situation. He took any further words out of my mouth.

'I see. I see. You want to go yourself, is it not so? Well, why not? You should know my methods by now. All I ask is that you should report to me fully every day, and follow implicitly any instructions I may wire you.'

To this I willingly agreed.

The Million Dollar Bond Robbery

'What a number of bond robberies there have been lately!' I observed one morning, laying aside the newspaper. 'Poirot, let us forsake the science of detection, and take to crime instead!'

'You are on the - how do you say it? - get-rich-quick tack, eh, mon ami?'

'Well, look at this last coup , the million dollars' worth of Liberty Bonds which the London and Scottish Bank were sending to New York, and which disappeared in such a remarkable manner on board the Olympia .'

'If it were not for the mal de mer, and the difficulty of practising the so excellent method of Laverguier for a longer time than the few hours of crossing the Channel, I should delight to voyage myself on one of these big liners,' murmured Poirot dreamily.

'Yes, indeed,' I said enthusiastically. 'Some of them must be perfect palaces; the swimming-baths, the lounges, the restaurant, the palm courts - really, it must be hard to believe that one is on the sea.'

'Me, I always know when I am on the sea,' said Poirot sadly. 'And all those bagatelles that you enumerate, they say nothing to me; but, my friend, consider for a moment the geniuses that travel as it were incognito! On board these floating palaces, as you so justly call them, one would meet the élite, the haute noblesse of the criminal world!'

I laughed.

'So that's the way your enthusiasm runs! You would have liked to cross swords with the man who sneaked the Liberty Bonds?'

The landlady interrupted us.

'A young lady as wants to see you, Mr Poirot. Here's her card.'

The card bore the inscription: Miss Esmée Farquhar, and Poirot, after diving under the table to retrieve a stray crumb, and putting it carefully in the waste-paper basket, nodded to the landlady to admit her.

In another minute one of the most charming girls I have ever seen was ushered into the room. She was perhaps about five-andtwenty, with big brown eyes and a perfect figure. She was welldressed and perfectly composed in manner.

'Sit down, I beg of you, mademoiselle. This is my friend, Captain Hastings, who aids me in my little problems.'

'I am afraid it is a big problem I have brought you today. Monsieur Poirot,' said the girl, giving me a pleasant bow as she seated herself. 'I dare say you have read about it in the papers. I am referring to the theft of Liberty Bonds on the Olympia .' Some astonishment must have shown itself on Poirot's face, for she continued quickly: 'You are doubtless asking yourself what I have to do with a grave institution like the London and Scottish Bank. In one sense nothing, in another sense everything. You see. Monsieur Poirot, I am engaged to Mr Philip Ridgeway.'

'Aha! and Mr Philip Ridgeway - '

'Was in charge of the bonds when they were stolen. Of course no actual blame can attach to him, it was not his fault in any way.

Nevertheless, he is half distraught over the matter, and his uncle, I know, insists that he must carelessly have mentioned having them in his possession. It is a terrible set-back in his career.'

'Who is his uncle?'

'Mr Vavasour, joint general manager of the London and Scottish Bank.'

'Suppose, Miss Farquhar, that you recount to me the whole story?'

'Very well. As you know, the Bank wished to extend their credits in America, and for this purpose decided to send over a million dollars in Liberty Bonds. Mr Vavasour selected his nephew, who had occupied a position of trust in the Bank for many years and who was conversant with all the details of the Bank's dealings in New York, to make the trip. The Olympia sailed from Liverpool on the 23rd, and the bonds were handed over to Philip on the morning of that day by Mr Vavasour and Mr Shaw, the two joint general managers of the London and Scottish Bank. They were counted, enclosed in a package, and sealed in his presence, and he then locked the package at once in his portmanteau.'

'A portmanteau with an ordinary lock?'

'No, Mr Shaw insisted on a special lock being fitted to it by Hubbs's.

Philip, as I say, placed the package at the bottom of the trunk. It was stolen just a few hours before reaching New York. A rigorous search of the whole ship was made, but without result. The bonds seemed literally to have vanished into thin air.'

Poirot made a grimace.

'But they did not vanish absolutely, since I gather that they were sold in small parcels within half an hour of the docking of the Olympia ! Well, undoubtedly the next thing is for me to see Mr Ridgeway.'

'I was about to suggest that you should lunch with me at the "Cheshire Cheese." Philip will be there. He is meeting me, but does not yet know that I have been consulting you on his behalf.'

We agreed to this suggestion readily enough, and drove there in a taxi.

Mr Philip Ridgeway was there before us, and looked somewhat surprised to see his fiancée arriving with two complete strangers.

He was a nice-looking young fellow, tall and spruce, with a touch of greying hair at the temples, though he could not have been much over thirty.

Miss Farquhar went up to him and laid her hand on his arm.

'You must forgive my acting without consulting you, Philip,' she said. 'Let me introduce you to Monsieur Hercule Poirot, of whom you must often have heard, and his friend, Captain Hastings.'

Ridgeway looked very astonished.

'Of course I have heard of you, Monsieur Poirot,' he said, as he shook hands, 'But I had no idea that Esmée was thinking of consulting you about my - our trouble.'

'I was afraid you would not let me do it, Philip,' said Miss Farquhar meekly.

'So you took care to be on the safe side,' he observed, with a smile.

'I hope Monsieur Poirot will be able to throw some light on this extraordinary puzzle, for I confess frankly that I am nearly out of my mind with worry and anxiety about it.'

Indeed, his face looked drawn and haggard and showed only too clearly the strain under which he was labouring.

'Well, well,' said Poirot. 'Let us lunch, and over lunch we will put our heads together and see what can be done. I want to hear Mr Ridgeway's story from his own lips.'

Whilst we discussed the excellent steak and kidney pudding of the establishment, Philip Ridgeway narrated the circumstances leading to the disappearance of the bonds. His story agreed with that of Miss Farquhar in every particular. When he had finished, Poirot took up the thread with a question.

'What exactly led you to discover that the bonds had been stolen, Mr Ridgeway?'

He laughed rather bitterly.

'The thing stared me in the face, Monsieur Poirot. I couldn't have missed it. My cabin trunk was half out from under the bunk and all scratched and cut about where they'd tried to force the lock.'

'But I understood that it had been opened with a key?'

'That's so. They tried to force it, but couldn't. And, in the end, they must have got it unlocked somehow or other.'

'Curious,' said Poirot, his eyes beginning to flicker with the green light I knew so well. 'Very curious! They waste much, much time trying to prise it open, and then - sapristi ! they find that they have the key all the time - for each of Hubbs's locks are unique.'

'That's just why they couldn't have had the key. It never left me day or night.'

'You are sure of that?'

'I can swear to it, and besides, if they had had the key or a duplicate, why should they waste time trying to force an obviously unforceable lock?'

'Ah! there is exactly the question we are asking ourselves! I venture to prophesy that the solution, if we ever find it, will hinge on that curious fact. I beg of you not to assault me if I ask you one more question: Are you perfectly certain you did not leave the trunk unlocked?'

Philip Ridgeway merely looked at him, and Poirot gesticulated apologetically.

'Ah, but these things can happen, I assure you! Very well, the bonds were stolen from the trunk. What did the thief do with them? How did he manage to get ashore with them?'

'Ah!' cried Ridgeway. 'That's just it. How? Word was passed to the Customs authorities, and every soul that left the ship was gone over with a toothcomb!'

'And the bonds, I gather, made a bulky package?'

'Certainly they did. They could hardly have been hidden on board and anyway we know they weren't, because they were offered for sale within half an hour of the Olympia's arrival, long before I got the cables going and the numbers sent out. One broker swears he bought some of them even before the Olympia got in. But you can't send bonds by wireless.'

'Not by wireless, but did any tug come alongside?'

'Only the official ones, and that was after the alarm was given when everyone was on the look-out. I was watching out myself for their being passed over to someone that way. My God, Monsieur Poirot, this thing will drive me mad! People are beginning to say I stole them myself.'

'But you also were searched on landing, weren't you?' asked Poirot gently.

'Yes.'

The young man stared at him in a puzzled manner.

'You do not catch my meaning, I see,' said Poirot, smiling enigmatically. 'Now I should like to make a few inquiries at the Bank.'

Ridgeway produced a card and scribbled a few words on it.

'Send this in and my uncle will see you at once.'

Poirot thanked him, bade farewell to Miss Farquhar, and together we started out for Threadneedle Street and the head office of the London and Scottish Bank. On production of Ridgeway's card, we were led through the labyrinth of counters and desks, skirting paying-in clerks and paying-out clerks and up to a small office on the first floor where the joint general managers received us. They were two grave gentlemen, who had grown grey in the service of the Bank. Mr Vavasour had a short white beard, Mr Shaw was clean shaven.

'I understand you are strictly a private inquiry agent?' said Mr Vavasour. 'Quite so, quite so. We have, of course, placed ourselves in the hands of Scotland Yard. Inspector McNeil has charge of the case. A very able officer, I believe.'

'I am sure of it,' said Poirot politely. 'You will permit a few questions, on your nephew's behalf? About this lock, who ordered it from Hubbs's?'

'I ordered it myself,' said Mr Shaw. 'I would not trust to any clerk in the matter. As to the keys, Mr Ridgeway had one, and the other two are held by my colleague and myself.'

'And no clerk has had access to them?'

Mr Shaw turned inquiringly to Mr Vavasour.

'I think I am correct in saying that they have remained in the safe where we placed them on the 23rd,' said Mr Vavasour. 'My colleague was unfortunately taken ill a fortnight ago - in fact on the very day that Philip left us. He has only just recovered.'

'Severe bronchitis is no joke to a man of my age,' said Mr Shaw ruefully. 'But I am afraid Mr Vavasour has suffered from the hard work entailed by my absence, especially with this unexpected worry coming on top of everything.'

Poirot asked a few more questions. I judged that he was endeavouring to gauge the exact amount of intimacy between uncle and nephew. Mr Vavasour's answers were brief and punctilious. His nephew was a trusted official of the Bank, and had no debts or money difficulties that he knew of. He had been entrusted with similar missions in the past. Finally we were politely bowed out.

'I am disappointed,' said Poirot, as we emerged into the street.

'You hoped to discover more? They are such stodgy old men.'

'It is not their stodginess which disappoints me, mon ami. I do not expect to find in a Bank manager a "keen financier with an eagle glance," as your favourite works of fiction put it. No, I am disappointed in the case - it is too easy!'

'Easy?'

'Yes, do you not find it almost childishly simple?'

'You know who stole the bonds?'

'I do.'

'But then - we must - why - '

'Do not confuse and fluster yourself, Hastings. We are not going to do anything at present.'

'But why? What are you waiting for?'

'For the Olympia . She is due on her return trip from New York on Tuesday.'

'But if you know who stole the bonds, why wait? He may escape.'

'To a South Sea island where there is no extradition? No, mon ami, he would find life very uncongenial there. As to why I wait - eh bien, to the intelligence of Hercule Poirot the case is perfectly clear, but for the benefit of others, not so greatly gifted by the good God - the Inspector McNeil, for instance - it would be as well to make a few inquiries to establish the facts. One must have consideration for those less gifted than oneself.'

'Good Lord, Poirot! Do you know, I'd give a considerable sum of money to see you make a thorough ass of yourself - just for once.

You're so confoundedly conceited!'

'Do not enrage yourself, Hastings. In verity, I observe that there are times when you almost detest me! Alas, I suffer the penalties of greatness!'

The little man puffed out his chest, and sighed so comically that I was forced to laugh.

Tuesday saw us speeding to Liverpool in a first-class carriage of the L and NWR. Poirot had obstinately refused to enlighten me as to his suspicions - or certainties. He contented himself with expressing surprise that I, too, was not equally au fait with the situation. I disdained to argue, and entrenched my curiosity behind a rampart of pretended indifference.

Once arrived at the quay alongside which lay the big transatlantic liner, Poirot became brisk and alert. Our proceedings consisted in interviewing four successive stewards and inquiring after a friend of Poirot's who had crossed to New York on the 23rd.

'An elderly gentleman, wearing glasses. A great invalid, hardly moved out of his cabin.'

The description appeared to tally with one Mr Ventnor who had occupied the cabin C24 which was next to that of Philip Ridgeway.

Although unable to see how Poirot had deduced Mr Ventnor's existence and personal appearance, I was keenly excited.

'Tell me,' I cried, 'was this gentleman one of the first to land when you got to New York?'

The steward shook his head.

'No, indeed, sir, he was one of the last off the boat.'

I retired crestfallen, and observed Poirot grinning at me. He thanked the steward, a note changed hands, and we took our departure.

'It's all very well,' I remarked heatedly, 'but that last answer must have damned your precious theory, grin as you please!'

'As usual, you see nothing, Hastings. That last answer is, on the contrary, the coping-stone of my theory.'

I flung up my hands in despair.

'I give it up.'

The Adventure of the Egyptian Tomb

I have always considered that one of the most thrilling and dramatic of the many adventures I have shared with Poirot was that of our investigation into the strange series of deaths which followed upon the discovery and opening of the Tomb of King Men-her-Ra.

Hard upon the discovery of the Tomb of Tutankh-Amen by Lord Carnarvon, Sir John Willard and Mr Bleibner of New York, pursuing their excavations not far from Cairo, in the vicinity of the Pyramids of Gizeh, came unexpectedly on a series of funeral chambers. The greatest interest was aroused by their discovery. The Tomb appeared to be that of King Men-her-Ra, one of those shadowy kings of the Eighth Dynasty, when the Old Kingdom was falling to decay. Little was known about this period, and the discoveries were fully reported in the newspapers.

An event soon occurred which took a profound hold on the public mind. Sir John Willard died quite suddenly of heart failure.

The more sensational newspapers immediately took the opportunity of reviving all the old superstitious stories connected with the ill luck of certain Egyptian treasures. The unlucky Mummy at the British Museum, that hoary old chestnut, was dragged out with fresh zest, was quietly denied by the Museum, but nevertheless enjoyed all its usual vogue.

A fortnight later Mr Bleibner died of acute blood poisoning, and a few days afterwards a nephew of his shot himself in New York. The 'Curse of Men-her-Ra' was the talk of the day, and the magic power of dead-and-gone Egypt was exalted to a fetish point.

It was then that Poirot received a brief note from Lady Willard, widow of the dead archaeologist, asking him to go and see her at her house in Kensington Square. I accompanied him.

Lady Willard was a tall, thin woman, dressed in deep mourning. Her haggard face bore eloquent testimony to her recent grief.

'It is kind of you to have come so promptly, Monsieur Poirot.'

'I am at your service, Lady Willard. You wished to consult me?'

'You are, I am aware, a detective, but it is not only as a detective that I wish to consult you. You are a man of original views, I know, you have imagination, experience of the world; tell me, Monsieur Poirot, what are your views on the supernatural?'

Poirot hesitated for a moment before he replied. He seemed to be considering. Finally he said:

'Let us not misunderstand each other, Lady Willard. It is not a general question that you are asking me there. It has a personal application, has it not? You are referring obliquely to the death of your late husband?'

'That is so,' she admitted.

'You want me to investigate the circumstances of his death?'

'I want you to ascertain for me exactly how much is newspaper chatter, and how much may be said to be founded on fact? Three deaths, Monsieur Poirot - each one explicable taken by itself, but taken together surely an almost unbelievable coincidence, and all within a month of the opening of the tomb! It may be mere superstition, it may be some potent curse from the past that operates in ways undreamed of by modern science. The fact remains - three deaths! And I am afraid, Monsieur Poirot, horribly afraid. It may not yet be the end.'

'For whom do you fear?'

'For my son. When the news of my husband's death came I was ill.

My son, who has just come down from Oxford, went out there. He brought the - the body home, but now he has gone out again, in spite of my prayers and entreaties. He is so fascinated by the work that he intends to take his father's place and carry on the system of excavations. You may think me a foolish, credulous woman, but, Monsieur Poirot, I am afraid. Supposing that the spirit of the dead King is not yet appeased? Perhaps to you I seem to be talking nonsense - '

'No, indeed, Lady Willard,' said Poirot quickly. 'I, too, believe in the force of superstition, one of the greatest forces the world has ever known.'

I looked at him in surprise. I should never have credited Poirot with being superstitious. But the little man was obviously in earnest.

'What you really demand is that I shall protect your son? I will do my utmost to keep him from harm.'

'Yes, in the ordinary way, but against an occult influence?'

'In volumes of the Middle Ages, Lady Willard, you will find many ways of counteracting black magic. Perhaps they knew more than we moderns with all our boasted science. Now let us come to facts, that I may have guidance. Your husband had always been a devoted Egyptologist, hadn't he?'

'Yes, from his youth upwards. He was one of the greatest living authorities upon the subject.'

'But Mr Bleibner, I understand, was more or less of an amateur?'

'Oh, quite. He was a very wealthy man who dabbled freely in any subject that happened to take his fancy. My husband managed to interest him in Egyptology, and it was his money that was so useful in financing the expedition.'

'And the nephew? What do you know of his tastes? Was he with the party at all?'

'I do not think so. In fact I never knew of his existence till I read of his death in the paper. I do not think he and Mr Bleibner can have been at all intimate. He never spoke of having any relations.'

'Who are the other members of the party?'

'Well, there's Dr Tosswill, a minor official connected with the British Museum; Mr Schneider of the Metropolitan Museum in New York; a young American secretary; Dr Ames, who accompanies the expedition in his professional capacity; and Hassan, my husband's devoted native servant.'

'Do you remember the name of the American secretary?'

'Harper, I think, but I cannot be sure. He had not been with Mr Bleibner very long, I know. He was a very pleasant young fellow.'

'Thank you, Lady Willard.'

'If there is anything else - '

'For the moment, nothing. Leave it now in my hands, and be assured that I will do all that is humanly possible to protect your son.'

They were not exactly reassuring words, and I observed Lady Willard wince as he uttered them. Yet, at the same time, the fact that he had not pooh-poohed her fears seemed in itself to be a relief to her.

For my part I had never before suspected that Poirot had so deep a vein of superstition in his nature. I tackled him on the subject as we went homewards. His manner was grave and earnest.

'But yes, Hastings. I believe in these things. You must not underrate the force of superstition.'

'What are we going to do about it?'

'Toujours pratique , the good Hastings! Eh bien, to begin with we are going to cable to New York for fuller details of young Mr Bleibner's death.'

He duly sent off his cable. The reply was full and precise. Young Rupert Bleibner had been in low water for several years. He had been a beachcomber and a remittance man in several South Sea islands, but had returned to New York two years ago, where he had rapidly sunk lower and lower. The most significant thing, to my mind, was that he had recently managed to borrow enough money to take him to Egypt. 'I've a good friend there I can borrow from,' he had declared. Here, however, his plans had gone awry. He had returned to New York cursing his skinflint of an uncle who cared more for the bones of dead and gone kings than his own flesh and blood. It was during his sojourn in Egypt that the death of Sir John Willard occurred. Rupert had plunged once more into his life of dissipation in New York, and then, without warning, he had committed suicide, leaving behind him a letter which contained some curious phrases. It seemed written in a sudden fit of remorse.

He referred to himself as a leper and an outcast, and the letter ended by declaring that such as he were better dead.

A shadowy theory leapt into my brain. I had never really believed in the vengeance of a long dead Egyptian king. I saw here a more modern crime. Supposing this young man had decided to do away with his uncle - preferably by poison. By mistake, Sir John Willard receives the fatal dose. The young man returns to New York, haunted by his crime. The news of his uncle's death reaches him.

He realizes how unnecessary his crime has been, and stricken with remorse takes his own life.

I outlined my solution to Poirot. He was interested.

'It is ingenious what you have thought of there - decidedly it is ingenious. It may even be true. But you leave out of count the fatal influence of the Tomb.'

I shrugged my shoulders.

'You still think that has something to do with it?'

'So much so, mon ami, that we start for Egypt tomorrow.'

'What?' I cried, astonished.

'I have said it.' An expression of conscious heroism spread over Poirot's face. Then he groaned. 'But, oh,' he lamented, 'the sea! The hateful sea!'

The Jewel Robbery at the Grand Metropolitan

'Poirot,' I said, 'a change of air would do you good.'

'You think so, mon ami?'

'I am sure of it.'

'Eh - eh?' said my friend, smiling, 'It is all arranged, then?'

'You will come?'

'Where do you propose to take me?'

'Brighton. As a matter of fact, a friend of mine in the City put me on to a very good thing, and - well, I have money to burn, as the saying goes. I think a weekend at the Grand Metropolitan would do us all the good in the world.'

'Thank you, I accept most gratefully. You have the good heart to think of an old man. And the good heart, it is in the end worth all the little grey cells. Yes, yes, I who speak to you am in danger of forgetting that sometimes.'

I did not quite relish the implication. I fancy that Poirot is sometimes a little inclined to underestimate my mental capacities. But his pleasure was so evident that I put my slight annoyance aside.

'Then, that's all right,' I said hastily.

Saturday evening saw us dining at the Grand Metropolitan in the midst of a gay throng. All the world and his wife seemed to be at Brighton. The dresses were marvellous, and the jewels - worn sometimes with more love of display than good taste - were something magnificent.

'Hein, it is a sight, this!' murmured Poirot. 'This is the home of the Profiteer, is it not so, Hastings?'

'Supposed to be,' I replied. 'But we'll hope they aren't all tarred with the Profiteering brush.'

Poirot gazed round him placidly.

'The sight of so many jewels makes me wish I had turned my brains to crime, instead of to its detection. What a magnificent opportunity for some thief of distinction! Regard, Hastings, that stout woman by the pillar. She is, as you would say, plastered with gems.'

I followed his eyes.

'Why,' I exclaimed, 'it's Mrs Opalsen.'

'You know her?'

'Slightly. Her husband is a rich stockbroker who made a fortune in the recent Oil boom.'

After dinner we ran across the Opalsens in the lounge, and I introduced Poirot to them. We chatted for a few minutes, and ended by having our coffee together.

Poirot said a few words in praise of some of the costlier gems displayed on the lady's ample bosom, and she brightened up at once.

'It's a perfect hobby of mine, Mr Poirot. I just love jewellery. Ed knows my weakness, and every time things go well he brings me something new. You are interested in precious stones?'

'I have had a good deal to do with them one time and another, madame. My profession has brought me into contact with some of the most famous jewels in the world.'

He went on to narrate, with discreet pseudonyms, the story of the historic jewels of a reigning house, and Mrs Opalsen listened with bated breath.

'There now,' she exclaimed, as he ended. 'If it isn't just like a play!

You know, I've got some pearls of my own that have a history attached to them. I believe it's supposed to be one of the finest necklaces in the world - the pearls are so beautifully matched and so perfect in colour. I declare I really must run up and get it!'

'Oh, madame,' protested Poirot, 'you are too amiable. Pray do not derange yourself!'

'Oh, but I'd like to show it to you.'

The buxom dame waddled across to the lift briskly enough. Her husband, who had been talking to me, looked at Poirot inquiringly.

'Madame your wife is so amiable as to insist on showing me her pearl necklace,' explained the latter.

'Oh, the pearls!' Opalsen smiled in a satisfied fashion. 'Well, they are worth seeing. Cost a pretty penny too! Still, the money's there all right; I could get what I paid for them any day - perhaps more.

May have to, too, if things go on as they are now. Money's confoundedly tight in the City. All this infernal EPD.' He rambled on, launching into technicalities where I could not follow him.

He was interrupted by a small page-boy who approached and murmured something in his ear.

'Eh - what? I'll come at once. Not taken ill, is she? Excuse me, gentlemen.'

He left us abruptly. Poirot leaned back and lit one of his tiny Russian cigarettes. Then, carefully and meticulously, he arranged the empty coffee-cups in a neat row, and beamed happily on the result.

The minutes passed. The Opalsens did not return.

'Curious,' I remarked, at length. 'I wonder when they will come back.'

Poirot watched the ascending spirals of smoke, and then said thoughtfully:

'They will not come back.'

'Why?'

'Because, my friend, something has happened.'

'What sort of thing? How do you know?' I asked curiously.

Poirot smiled.

'A few moments ago the manager came hurriedly out of his office and ran upstairs. He was much agitated. The lift-boy is deep in talk with one of the pages. The lift-bell has rung three times, but he heeds it not. Thirdly, even the waiters are distrait; and to make a waiter distrait - ' Poirot shook his head with an air of finality. 'The affair must indeed be of the first magnitude. Ah, it is as I thought!

Here come the police.'

Two men had just entered the hotel - one in uniform, the other in plain clothes. They spoke to a page, and were immediately ushered upstairs. A few minutes later, the same boy descended and came up to where we were sitting.

'Mr Opalsen's compliments, and would you step upstairs?'

Poirot sprang nimbly to his feet. One would have said that he awaited the summons. I followed with no less alacrity.

The Opalsens' apartments were situated on the first floor. After knocking on the door, the page-boy retired, and we answered the summons, 'Come in!' A strange scene met our eyes. The room was Mrs Opalsen's bedroom, and in the centre of it, lying back in an armchair, was the lady herself, weeping violently. She presented an extraordinary spectacle, with the tears making great furrows in the powder with which her complexion was liberally coated. Mr Opalsen was striding up and down angrily. The two police officials stood in the middle of the room, one with a notebook in hand. An hotel chambermaid, looking frightened to death, stood by the fireplace; and on the other side of the room a Frenchwoman, obviously Mrs Opalsen's maid, was weeping and wringing her hands, with an intensity of grief that rivalled that of her mistress.

Into this pandemonium stepped Poirot, neat and smiling.

Immediately, with an energy surprising in one of her bulk, Mrs Opalsen sprang from her chair towards him.

'There now; Ed may say what he likes, but I believe in luck, I do. It was fated I should meet you the way I did this evening, and I've a feeling that if you can't get my pearls back for me nobody can.'

'Calm yourself, I pray of you, madame.' Poirot patted her hand soothingly. 'Reassure yourself. All will be well. Hercule Poirot will aid you!'

Mr Opalsen turned to the police inspector.

'There will be no objection to my - er - calling in this gentleman, I suppose?'

'None at all, sir,' replied the man civilly, but with complete indifference. 'Perhaps now your lady's feeling better she'll just let us have the facts?'

Mrs Opalsen looked helplessly at Poirot. He led her back to her chair.

'Seat yourself, madame, and recount to us the whole history without agitating yourself.'

Thus abjured, Mrs Opalsen dried her eyes gingerly, and began.

'I came upstairs after dinner to fetch my pearls for Mr Poirot here to see. The chambermaid and Célestine were both in the room as usual - '

'Excuse me, madame, but what do you mean by "as usual"?'

Mr Opalsen explained.

'I make it a rule that no one is to come into this room unless Célestine, the maid, is there also. The chambermaid does the room in the morning while Célestine is present, and comes in after dinner to turn down the beds under the same conditions; otherwise she never enters the room.'

'Well, as I was saying,' continued Mrs Opalsen, 'I came up. I went to the drawer here' - she indicated the bottom right-hand drawer of the knee-hole dressing-table - 'took out my jewel-case and unlocked it. It seemed quite as usual - but the pearls were not there!'

The inspector had been busy with his notebook. 'When had you last seen them?' he asked.

'They were there when I went down to dinner.'

'You are sure?'

'Quite sure. I was uncertain whether to wear them or not, but in the end I decided on the emeralds, and put them back in the jewelcase.'

'Who locked up the jewel-case?'

'I did. I wear the key on a chain round my neck.' She held it up as she spoke.

The inspector examined it, and shrugged his shoulders.

'The thief must have had a duplicate key. No difficult matter. The lock is quite a simple one. What did you do after you'd locked the jewel-case?'

'I put it back in the bottom drawer where I always keep it.'

'You didn't lock the drawer?'

'No, I never do. My maid remains in the room till I come up, so there's no need.'

The inspector's face grew graver.

'Am I to understand that the jewels were there when you went down to dinner, and that since then the maid has not left the room?'

Suddenly, as though the horror of her own situation for the first time burst upon her, Célestine uttered a piercing shriek, and, flinging herself upon Poirot, poured out a torrent of incoherent French.

The suggestion was infamous! That she should be suspected of robbing Madame! The police were well known to be of a stupidity incredible! But Monsieur, who was a Frenchman -

'A Belgian,' interjected Poirot, but Célestine paid no attention to the correction.

Monsieur would not stand by and see her falsely accused, while that infamous chambermaid was allowed to go scot-free. She had never liked her - a bold, red-faced thing - a born thief. She had said from the first that she was not honest. And had kept a sharp watch over her too, when she was doing Madame's room! Let those idiots of policemen search her, and if they did not find Madame's pearls on her it would be very surprising!

Although this harangue was uttered in rapid and virulent French, Célestine had interlarded it with a wealth of gesture, and the chambermaid realized at least a part of her meaning. She reddened angrily.

'If that foreign woman's saying I took the pearls, it's a lie!' she declared heatedly. 'I never so much as saw them.'

'Search her!' screamed the other. 'You will find it is as I say.'

'You're a liar - do you hear?' said the chambermaid, advancing upon her. 'Stole 'em yourself, and want to put it on me. Why, I was only in the room about three minutes before the lady come up, and then you were sitting here the whole time, as you always do, like a cat watching a mouse.'

The inspector looked across inquiringly at Célestine. 'Is that true?

Didn't you leave the room at all?'

'I did not actually leave her alone,' admitted Célestine reluctantly, 'but I went into my own room through the door here twice - once to fetch a reel of cotton, and once for my scissors. She must have done it then.'

'You wasn't gone a minute,' retorted the chambermaid angrily. 'Just popped out and in again. I'd be glad if the police would search me.

I've nothing to be afraid of.'

At this moment there was a tap at the door. The inspector went to it.

His face brightened when he saw who it was.

'Ah!' he said. 'That's rather fortunate. I sent for one of our female searchers, and she's just arrived. Perhaps if you wouldn't mind going into the room next door.'

He looked at the chambermaid, who stepped across the threshold with a toss of her head, the searcher following her closely.

The French girl had sunk sobbing into a chair. Poirot was looking round the room, the main features of which I have made clear by a sketch. 'Where does that door lead?' he inquired, nodding his head towards the one by the window.

'Into the next apartment, I believe,' said the inspector. 'It's bolted, anyway, on this side.'

Poirot walked across to it, tried it, then drew back the bolt and tried it again.

'And on the other side as well,' he remarked. 'Well, that seems to rule out that.'

He walked over to the windows, examining each of them in turn.

'And again - nothing. Not even a balcony outside.'

'Even if there were,' said the inspector impatiently, 'I don't see how that would help us, if the maid never left the room.'

'Évidemment,' said Poirot, not disconcerted. 'As Mademoiselle is positive she did not leave the room - '

He was interrupted by the reappearance of the chamber-maid and the police searcher.

'Nothing,' said the latter laconically.

'I should hope not, indeed,' said the chambermaid virtuously. 'And that French hussy ought to be ashamed of herself taking away an honest girl's character!'

'There, there, my girl; that's all right,' said the inspector, opening the door. 'Nobody suspects you. You go along and get on with your work.'

The chambermaid went unwillingly.

'Going to search her?' she demanded, pointing at Célestine.

'Yes, yes!' He shut the door on her and turned the key.

Célestine accompanied the searcher into the small room in her turn. A few minutes later she also returned. Nothing had been found on her.

The inspector's face grew graver.

'I'm afraid I'll have to ask you to come along with me all the same, miss.' He turned to Mrs Opalsen. 'I'm sorry, madam, but all the evidence points that way. If she's not got them on her, they're hidden somewhere about the room.'

Célestine uttered a piercing shriek, and clung to Poirot's arm. The latter bent and whispered something in the girl's ear. She looked up at him doubtfully.

'Si, si, mon enfant - I assure you it is better not to resist.' Then he turned to the inspector. 'You permit, monsieur? A little experiment purely for my own satisfaction.'

'Depends on what it is,' replied the police officer non-committally.

Poirot addressed Célestine once more.

'You have told us that you went into your room to fetch a reel of cotton. Whereabouts was it?'

'On top of the chest of drawers, monsieur.'

'And the scissors?'

'They also.'

'Would it be troubling you too much, mademoiselle, to ask you to repeat those two actions? You were sitting here with your work, you say?'

Célestine sat down, and then, at a sign from Poirot, rose, passed into the adjoining room, took up an object from the chest of drawers, and returned.

Poirot divided his attention between her movements and a large turnip of a watch which he held in the palm of his hand.

'Again, if you please, mademoiselle.'

At the conclusion of the second performance, he made a note in his pocket-book, and returned the watch to his pocket.

'Thank you, mademoiselle. And you, monsieur' - he bowed to the inspector - 'for your courtesy.'

The inspector seemed somewhat entertained by this excessive politeness. Célestine departed in a flood of tears, accompanied by the woman and the plain-clothes official.

Then, with a brief apology to Mrs Opalsen, the inspector set to work to ransack the room. He pulled out drawers, opened cupboards, completely unmade the bed, and tapped the floor. Mr Opalsen looked on sceptically.

'You really think you will find them?'

'Yes, sir. It stands to reason. She hadn't time to take them out of the room. The lady's discovering the robbery so soon upset her plans.

No, they're here right enough. One of the two must have hidden them - and it's very unlikely for the chambermaid to have done so.'

'More than unlikely - impossible!'' said Poirot quietly.

'Eh?' The inspector stared.

Poirot smiled modestly.

'I will demonstrate. Hastings, my good friend, take my watch in your hand - with care. It is a family heirloom! Just now I timed Mademoiselle's movements - her first absence from the room was of twelve seconds, her second of fifteen. Now observe my actions.

Madame will have the kindness to give me the key of the jewel-case.

I thank you. My friend Hastings will have the kindness to say "Go!"'

'Go! 'I said.

With almost incredible swiftness, Poirot wrenched open the drawer of the dressing-table, extracted the jewel-case, fitted the key in the lock, opened the case, selected a piece of jewellery, shut and locked the case, and returned it to the drawer, which he pushed to again. His movements were like lightning.

'Well, mon ami?' he demanded of me breathlessly.

'Forty-six seconds,' I replied.

'You see?' He looked round. 'There would not have been time for the chambermaid even to take the necklace out, far less hide it.'

'Then that settles it on the maid,' said the inspector with satisfaction, and returned to his search. He passed into the maid's bedroom next door.

Poirot was frowning thoughtfully. Suddenly he shot a question at Mr Opalsen.

'This necklace - it was, without doubt, insured?'

Mr Opalsen looked a trifle surprised at the question.

'Yes,' he said hesitatingly, 'that is so.'

'But what does that matter?' broke in Mrs Opalsen tearfully. 'It's my necklace I want. It was unique. No money could be the same.'

'I comprehend, madame,' said Poirot soothingly. 'I comprehend perfectly. To la femme sentiment is everything - is it not so? But, monsieur, who has not the so fine susceptibility, will doubtless find some slight consolation in the fact.'

'Of course, of course,' said Mr Opalsen rather uncertainly. 'Still - '

He was interrupted by a shout of triumph from the inspector. He came in dangling something from his fingers.

With a cry, Mrs Opalsen heaved herself up from her chair. She was a changed woman.

'Oh, oh, my necklace!'

She clasped it to her breast with both hands. We crowded round.

'Where was it?' demanded Opalsen.

'Maid's bed. In among the springs of the wire mattress. She must have stolen it and hidden it there before the chambermaid arrived on the scene.'

'You permit, madame?' said Poirot gently. He took the necklace from her and examined it closely; then handed it back with a bow.

'I'm afraid, madam, you'll have to hand it over to us for the time being,' said the inspector. 'We shall want it for the charge. But it shall be returned to you as soon as possible.'

Mr Opalsen frowned.

'Is that necessary?'

'I'm afraid so, sir. Just a formality.'

'Oh, let him take it, Ed!' cried his wife. 'I'd feel safer if he did. I shouldn't sleep a wink thinking someone else might try and get hold of it. That wretched girl! And I would never have believed it of her.'

'There, there, my dear, don't take on so.'

I felt a gentle pressure on my arm. It was Poirot.

'Shall we slip away, my friend? I think our services are no longer needed.'

Once outside, however, he hesitated, and then, much to my surprise, he remarked:

'I should rather like to see the room next door.'

The door was not locked, and we entered. The room, which was a large double one, was unoccupied. Dust lay about rather noticeably, and my sensitive friend gave a characteristic grimace as he ran his finger round a rectangular mark on a table near the window.

'The service leaves to be desired,' he observed dryly.

He was staring thoughtfully out of the window, and seemed to have fallen into a brown study.

'Well?' I demanded impatiently. 'What did we come in here for?'

He started.

'Je vous demande pardon, mon ami . I wished to see if the door was really bolted on this side also.'

'Well,' I said, glancing at the door which communicated with the room we had just left, 'it is bolted.'

Poirot nodded. He still seemed to be thinking.

'And anyway,' I continued, 'what does it matter? The case is over. I wish you'd had more chance of distinguishing yourself. But it was the kind of case that even a stiff-backed idiot like that inspector couldn't go wrong over.'

Poirot shook his head.

'The case is not over, my friend. It will not be over until we find out who stole the pearls.'

'But the maid did!'

'Why do you say that? '

'Why,' I stammered, 'they were found - actually in her mattress.'

'Ta, ta, ta!' said Poirot impatiently. 'Those were not the pearls.'

'What?'

'Imitation, mon ami.'

The statement took my breath away. Poirot was smiling placidly.

'The good inspector obviously knows nothing of jewels. But presently there will be a fine hullabaloo!'

'Come!' I cried, dragging at his arm.

'Where?'

'We must tell the Opalsens at once.'

'I think not.'

'But that poor woman - '

'Eh bien; that poor woman, as you call her, will have a much better night believing the jewels to be safe.'

'But the thief may escape with them!'

'As usual, my friend, you speak without reflection. How do you know that the pearls Mrs Opalsen locked up so carefully tonight were not the false ones, and that the real robbery did not take place at a much earlier date?'

'Oh! 'I said, bewildered.

'Exactly,' said Poirot, beaming. 'We start again.'

He led the way out of the room, paused a moment as though considering, and then walked down to the end of the corridor, stopping outside the small den where the chambermaids and valets of the respective floors congregated. Our particular chambermaid appeared to be holding a small court there, and to be retailing her late experiences to an appreciative audience. She stopped in the middle of a sentence. Poirot bowed with his usual politeness.

'Excuse that I derange you, but I shall be obliged if you will unlock for me the door of Mr Opalsen's room.'

The woman rose willingly, and we accompanied her down the passage again. Mr Opalsen's room was on the other side of the corridor, its door facing that of his wife's room. The chambermaid unlocked it with her pass-key, and we entered.

As she was about to depart Poirot detained her.

'One moment; have you ever seen among the effects of Mr Opalsen a card like this?'

He held out a plain white card, rather highly glazed and uncommon in appearance. The maid took it and scrutinized it carefully.

'No, sir, I can't say I have. But, anyway, the valet has most to do with the gentlemen's rooms.'

'I see. Thank you.'

Poirot took back the card. The woman departed. Poirot appeared to reflect a little. Then he gave a short, sharp nod of the head.

'Ring the bell, I pray of you, Hastings. Three times, for the valet.'

I obeyed, devoured with curiosity. Meanwhile Poirot had emptied the waste-paper basket on the floor, and was swiftly going through its contents.

In a few moments the valet answered the bell. To him Poirot put the same question, and handed him the card to examine. But the response was the same. The valet had never seen a card of that particular quality among Mr Opalsen's belongings. Poirot thanked him, and he withdrew, somewhat unwillingly, with an inquisitive glance at the overturned waste-paper basket and the litter on the floor. He could hardly have helped overhearing Poirot's thoughtful remark as he bundled the torn papers back again:

'And the necklace was heavily insured ... '

'Poirot,' I cried, 'I see - '

'You see nothing, my friend,' he replied quickly. 'As usual, nothing at all! It is incredible - but there it is. Let us return to our own apartments.'

We did so in silence. Once there, to my intense surprise, Poirot effected a rapid change of clothing.

'I go to London tonight,' he explained. 'It is imperative.'

'What?'

'Absolutely. The real work, that of the brain (ah, those brave little grey cells), it is done. I go to seek the confirmation. I shall find it!

Impossible to deceive Hercule Poirot!'

'You'll come a cropper one of these days,' I observed, rather disgusted by his vanity.

'Do not be enraged, I beg of you, mon ami. I count on you to do me a service - of your friendship.'

'Of course,' I said eagerly, rather ashamed of my moroseness.

'What is it?'

'The sleeve of my coat that I have taken off - will you brush it? See you, a little white powder has clung to it. You without doubt observed me run my finger round the drawer of the dressing-table?'

'No, I didn't.'

'You should observe my actions, my friend. Thus I obtained the powder on my finger, and, being a little overexcited, I rubbed it on my sleeve; an action without method which I deplore - false to all my principles.'

'But what was the powder?' I asked, not particularly interested in Poirot's principles.

'Not the poison of the Borgias,' replied Poirot, with a twinkle. 'I see your imagination mounting. I should say it was French chalk.'

'French chalk?'

'Yes, cabinet-makers use it to make drawers run smoothly.

I laughed.

'You old sinner! I thought you were working up to something exciting.'

'Au revoir, my friend. I save myself. I fly!'

The door shut behind him. With a smile, half of derision, half of affection, I picked up the coat and stretched out my hand for the clothes brush.

The Kidnapped Prime Minister

Now that war and the problems of war are things of the past, I think

I may safely venture to reveal to the world the part which my friend Poirot played in a moment of national crisis. The secret has been well guarded. Not a whisper of it reached the Press. But, now that the need for secrecy has gone by, I feel it is only just that England should know the debt it owes to my quaint little friend, whose marvellous brain so ably averted a great catastrophe.

One evening after dinner - I will not particularize the date; it suffices to say that it was at the time when 'Peace by negotiation' was the parrot-cry of England's enemies - my friend and I were sitting in his rooms. After being invalided out of the Army I had been given a recruiting job, and it had become my custom to drop in on Poirot in the evenings after dinner and talk with him of any cases of interest that he might have on hand.

I was attempting to discuss with him the sensational news of that day - no less than an attempted assassination of Mr David MacAdam, England's Prime Minister. The account in the papers had evidently been carefully censored. No details were given, save that the Prime Minister had had a marvellous escape, the bullet just grazing his cheek.

I considered that our police must have been shamefully careless for such an outrage to be possible. I could well understand that the German agents in England would be willing to risk much for such an achievement. 'Fighting Mac,' as his own party had nicknamed him, had strenuously and unequivocally combated the Pacifist influence which was becoming so prevalent.

He was more than England's Prime Minister - he was England; and to have removed him from his sphere of influence would have been a crushing and paralysing blow to Britain.

Poirot was busy mopping a grey suit with a minute sponge. Never was there a dandy such as Hercule Poirot. Neatness and order were his passion. Now, with the odour of benzene filling the air, he was quite unable to give me his full attention.

'In a little minute I am with you, my friend. I have all but finished. The spot of grease - he is not good - I remove him - so!' He waved his sponge.

I smiled as I lit another cigarette.

'Anything interesting on?' I inquired, after a minute or two.

'I assist a - how do you call it? - "charlady" to find her husband. A difficult affair, needing the tact. For I have a little idea that when he is found he will not be pleased. What would you? For my part, I sympathize with him. He was a man of discrimination to lose himself.'

I laughed.

'At last! The spot of grease, he is gone! I am at your disposal.'

'I was asking you what you thought of this attempt to assassinate MacAdam?'

'Enfantillage!' replied Poirot promptly. 'One can hardly take it seriously. To fire with the rifle - never does it succeed. It is a device of the past.'

'It was very near succeeding this time,' I reminded him.

Poirot shook his head impatiently. He was about to reply when the landlady thrust her head round the door and informed him that there were two gentlemen below who wanted to see him.

'They won't give their names, sir, but they says as it's very important.'

'Let them mount,' said Poirot, carefully folding his grey trousers.

In a few minutes the two visitors were ushered in, and my heart gave a leap as in the foremost I recognized no less a personage than Lord Estair, Leader of the House of Commons; whilst his companion, Mr Bernard Dodge, was also a member of the War Cabinet, and, as I knew, a close personal friend of the Prime Minister.

'Monsieur Poirot?' said Lord Estair interrogatively. My friend bowed. The great man looked at me and hesitated. 'My business is private.'

'You may speak freely before Captain Hastings,' said my friend, nodding to me to remain. 'He has not all the gifts, no! But I answer for his discretion.'

Lord Estair still hesitated, but Mr Dodge broke in abruptly:

'Oh, come on - don't let's beat about the bush! As far as I can see, the whole of England will know the hole we're in soon enough.

Time's everything.'

'Pray be seated, messieurs,' said Poirot politely. 'Will you take the big chair, milord?'

Lord Estair started slightly. 'You know me?'

Poirot smiled. 'Certainly. I read the little papers with the pictures.

How should I not know you? '

'Monsieur Poirot, I have come to consult you upon a matter of the most vital urgency. I must ask for absolute secrecy.'

'You have the word of Hercule Poirot - I can say no more!' said my friend grandiloquently.

'It concerns the Prime Minister. We are in grave trouble.'

'We're up a tree!' interposed Mr Dodge.

'The injury is serious then?' I asked.

'What injury?'

'The bullet wound.'

'Oh, that!' cried Mr Dodge contemptuously. 'That's old history.'

'As my colleague says,' continued Lord Estair, 'that affair is over and done with. Luckily, it failed. I wish I could say as much for the second attempt.'

'There has been a second attempt, then?'

'Yes, though not of the same nature. Monsieur Poirot, the Prime Minister has disappeared.'

'What?'

'He has been kidnapped!'

'Impossible!' I cried, stupefied.

Poirot threw a withering glance at me, which I knew enjoined me to keep my mouth shut.

'Unfortunately, impossible as it seems, it is only too true,' continued his lordship.

Poirot looked at Mr Dodge. 'You said just now, monsieur, that time was everything. What did you mean by that?'

The two men exchanged glances, and then Lord Estair said:

'You have heard, Monsieur Poirot, of the approaching Allied Conference?'

My friend nodded.

'For obvious reasons, no details have been given of when and where it is to take place. But, although it has been kept out of the newspapers, the date is, of course, widely known in diplomatic circles. The Conference is to be held tomorrow - Thursday evening at Versailles. Now you perceive the terrible gravity of the situation. I will not conceal from you that the Prime Minister's presence at the Conference is a vital necessity. The Pacifist propaganda, started and maintained by the German agents in our midst, has been very active. It is the universal opinion that the turning-point of the Conference will be the strong personality of the Prime Minister. His absence may have the most serious results possibly a premature and disastrous peace. And we have no one who can be sent in his place. He alone can represent England.'

Poirot's face had grown very grave. 'Then you regard the kidnapping of the Prime Minister as a direct attempt to prevent his being present at the Conference?'

'Most certainly I do. He was actually on his way to France at the time.'

'And the Conference is to be held?'

'At nine o'clock tomorrow night.'

Poirot drew an enormous watch from his pocket.

'It is now a quarter to nine.'

'Twenty-four hours,' said Mr Dodge thoughtfully.

'And a quarter,' amended Poirot. 'Do not forget the quarter, monsieur - it may come in useful. Now for the details - the abduction, did it take place in England or in France?'

'In France. Mr MacAdam crossed to France this morning. He was to stay tonight as the guest of the Commander-in-Chief, proceeding tomorrow to Paris. He was conveyed across the Channel by destroyer. At Boulogne he was met by a car from General Headquarters and one of the Commander-in-Chief's ADCs.'

'Eh bien?'

'Well, they started from Boulogne - but they never arrived.'

'What?'

'Monsieur Poirot, it was a bogus car and a bogus ADC. The real car was found in a side road, with the chauffeur and the ADC neatly gagged and bound.'

'And the bogus car?'

'Is still at large.'

Poirot made a gesture of impatience. 'Incredible! Surely it cannot escape attention for long?'

'So we thought. It seemed merely a question of searching thoroughly. That part of France is under Military Law. We were convinced that the car could not go long unnoticed. The French police and our own Scotland Yard men, and the military are straining every nerve. It is, as you say, incredible - but nothing has been discovered!'

At that moment a tap came at the door, and a young officer entered with a heavily sealed envelope which he handed to Lord Estair.

'Just through from France, sir. I brought it on here, as you directed.'

The Minister tore it open eagerly, and uttered an exclamation. The officer withdrew.

'Here is news at last! This telegram has just been decoded. They have found the second car, also the secretary, Daniels, chloroformed, gagged, and bound, in an abandoned farm near C-.

He remembers nothing, except something being pressed against his mouth and nose from behind, and struggling to free himself. The police are satisfied as to the genuineness of his statement.'

'And they have found nothing else?'

'No.'

'Not the Prime Minister's dead body? Then, there is hope. But it is strange. Why, after trying to shoot him this morning, are they now taking so much trouble to keep him alive?'

Dodge shook his head. 'One thing's quite certain. They're determined at all costs to prevent his attending the Conference.'

'If it is humanly possible, the Prime Minister shall be there. God grant it is not too late. Now, messieurs, recount to me everything from the beginning. I must know about this shooting affair as well.'

'Last night, the Prime Minister, accompanied by one of his secretaries, Captain Daniels - '

'The same who accompanied him to France?'

'Yes. As I was saying, they motored down to Windsor, where the Prime Minister was granted an Audience. Early this morning he returned to town, and it was on the way that the attempted assassination took place,'

'One moment, if you please. Who is this Captain Daniels? You have his dossier?'

Lord Estair smiled. 'I thought you would ask me that. We do not know very much of him. He is of no particular family. He has served in the English Army, and is an extremely able secretary, being an exceptionally fine linguist. I believe he speaks seven languages. It is for that reason that the Prime Minister chose him to accompany him to France.'

'Has he any relatives in England?'

'Two aunts. A Mrs Everard, who lives at Hampstead, and a Miss Daniels, who lives near Ascot.'

'Ascot? That is near to Windsor, is it not?'

'That point has not been overlooked. But it has led to nothing.'

'You regard the Capitaine Daniels, then, as above suspicion?'

A shade of bitterness crept into Lord Estair's voice, as he replied:

'No, Monsieur Poirot. In these days, I should hesitate before I pronounced anyone above suspicion.'

'Très bien. Now I understand, milord, that the Prime Minister would, as a matter of course, be under vigilant police protection, which ought to render any assault upon him an impossibility?'

Lord Estair bowed his head. 'That is so. The Prime Minister's car was closely followed by another car containing detectives in plain clothes. Mr MacAdam knew nothing of these precautions. He is personally a most fearless man, and would be inclined to sweep them away arbitrarily. But, naturally, the police make their own arrangements. In fact, the Premier's chauffeur, O'Murphy, is a CID man.'

'O'Murphy? That is a name of Ireland, is it not so?'

'Yes, he is an Irishman.'

'From what part of Ireland?'

'County Clare, I believe.'

'Tiens ! But proceed, milord.'

'The Premier started for London. The car was a closed one. He and Captain Daniels sat inside. The second car followed as usual. But, unluckily, for some unknown reason, the Prime Minister's car deviated from the main road - '

'At a point where the road curves?' interrupted Poirot.

'Yes - but how did you know?'

'Oh, c'est évident! Continue!'

'For some unknown reason,' continued Lord Estair, 'the Premier's car left the main road. The police car, unaware of the deviation, continued to keep to the high road. At a short distance down the unfrequented lane, the Prime Minister's car was suddenly held up by a band of masked men. The chauffeur - '

'That brave O'Murphy!' murmured Poirot thoughtfully.

'The chauffeur, momentarily taken aback, jammed on the brakes.

The Prime Minister put his head out of the window. Instantly a shot rang out - then another. The first one grazed his cheek, the second, fortunately, went wide. The chauffeur, now realizing the danger, instantly forged straight ahead, scattering the band of men.'

'A near escape,' I ejaculated, with a shiver.

'Mr MacAdam refused to make any fuss over the slight wound he had received. He declared it was only a scratch. He stopped at a local cottage hospital, where it was dressed and bound up - he did not, of course, reveal his identity. He then drove, as per schedule, straight to Charing Cross, where a special train for Dover was awaiting him, and, after a brief account of what had happened had been given to the anxious police by Captain Daniels, he duly departed for France. At Dover, he went on board the waiting destroyer. At Boulogne, as you know, the bogus car was waiting for him, carrying the Union Jack, and correct in every detail.'

'That is all you have to tell me?'

'Yes.'

'There is no other circumstance that you have omitted, milord?'

'Well, there is one rather peculiar thing.'

'Yes?'

'The Prime Minister's car did not return home after leaving the Prime Minister at Charing Cross. The police were anxious to interview O'Murphy, so a search was instituted at once. The car was discovered standing outside a certain unsavoury little restaurant in Soho, which is well known as a meeting-place of German agents.'

'And the chauffeur?'

'The chauffeur was nowhere to be found. He, too, had disappeared.'

'So,' said Poirot thoughtfully, 'there are two disappearances: the Prime Minister in France, and O'Murphy in London.'

He looked keenly at Lord Estair, who made a gesture of despair.

'I can only tell you, Monsieur Poirot, that, if anyone had suggested to me yesterday that O'Murphy was a traitor, I should have laughed in his face.'

'And today?'

'Today I do not know what to think.'

Poirot nodded gravely. He looked at his turnip of a watch again.

'I understand that I have carte blanche, messieurs - in every way, I mean? I must be able to go where I choose, and how I choose.'

'Perfectly. There is a special train leaving for Dover in an hour's time, with a further contingent from Scotland Yard. You shall be accompanied by a Military officer and a CID man, who will hold themselves at your disposal in every way. Is that satisfactory?'

'Quite. One more question before you leave, messieurs. What made you come to me? I am unknown, obscure, in this great London of yours.'

'We sought you out on the express recommendation and wish of a very great man of your own country.'

'Comment? My old friend the Préfet - ?'

Lord Estair shook his head.

'One higher than the Préfet. One whose word was once law in Belgium - and shall be again! That England has sworn!'

Poirot's hand flew swiftly to a dramatic salute. 'Amen to that! Ah, but my Master does not forget ... Messieurs, I, Hercule Poirot, will serve you faithfully. Heaven only send that it will be in time. But this is dark - dark ... I cannot see.'

'Well, Poirot,' I cried impatiently, as the door closed behind the Ministers, 'what do you think?'

My friend was busy packing a minute suit-case, with quick, deft movements. He shook his head thoughtfully.

'I do not know what to think. My brains desert me.'

'Why, as you said, kidnap him, when a knock on the head would do as well?' I mused.

'Pardon me, mon ami, but I did not quite say that. It is undoubtedly far more their affair to kidnap him.'

'But why?'

'Because uncertainty creates panic. That is one reason. Were the Prime Minister dead, it would be a terrible calamity, but the situation would have to be faced. But now you have paralysis. Will the Prime Minister reappear, or will he not? Is he dead or alive?

Nobody knows, and until they know nothing definite can be done.

And, as I tell you, uncertainty breeds panic, which is what les Boches are playing for. Then, again, if the kidnappers are holding him secretly somewhere, they have the advantage of being able to make terms with both sides. The German Government is not a liberal paymaster, as a rule, but no doubt they can be made to disgorge substantial remittances in such a case as this. Thirdly, they run no risk of the hangman's rope. Oh, decidedly, kidnapping is their affair.'

'Then, if that is so, why should they first try to shoot him?'

Poirot made a gesture of anger. 'Ah, that is just what I do not understand! It is inexplicable - stupid! They have all their arrangements made (and very good arrangements too!) for the abduction, and yet they imperil the whole affair by a melodramatic attack, worthy of a cinema, and quite as unreal. It is almost impossible to believe in it, with its band of masked men, not twenty miles from London!'

'Perhaps they were two quite separate attempts which happened irrespective of each other,' I suggested.

'Ah, no, that would be too much of a coincidence! Then, further who is the traitor? There must have been a traitor - in the first affair, anyway. But who was it - Daniels or O'Murphy? It must have been one of the two, or why did the car leave the main road? We cannot suppose that the Prime Minister connived at his own assassination!

Did O'Murphy take that turning of his own accord, or was it Daniels who told him to do so?'

'Surely it must have been O'Murphy's doing.'

'Yes, because if it was Daniels' the Prime Minister would have heard the order, and would have asked the reason. But there are altogether too many "whys" in this affair, and they contradict each other. If O'Murphy is an honest man, why did he leave the main road? But if he was a dishonest man, why did he start the car again when only two shots had been fired - thereby, in all probability, saving the Prime Minister's life? And, again, if he was honest, why did he, immediately on leaving Charing Cross, drive to a well-known rendezvous of German spies?'

'It looks bad,' I said.

'Let us look at the case with method. What have we for and against these two men? Take O'Murphy first. Against: that his conduct in leaving the main road was suspicious; that he is an Irishman from County Clare; that he has disappeared in a highly suggestive manner. For: that his promptness in restarting the car saved the Premier's life; that he is a Scotland Yard man, and, obviously, from the post allotted to him, a trusted detective. Now for Daniels. There is not much against him, except the fact that nothing is known of his antecedents, and that he speaks too many languages for a good Englishman! (Pardon me, mon ami, but, as linguists, you are deplorable!) Now for him, we have the fact that he was found gagged, bound, and chloroformed - which does not look as though he had anything to do with the matter.'

'He might have gagged and bound himself, to divert suspicion.'

Poirot shook his head. 'The French police would make no mistake of that kind. Besides, once he had attained his object, and the Prime Minister was safely abducted, there would not be much point in his remaining behind. His accomplices could have gagged and chloroformed him, of course, but I fail to see what object they hoped to accomplish by it. He can be of little use to them now, for, until the circumstances concerning the Prime Minister have been cleared up, he is bound to be closely watched.'

'Perhaps he hoped to start the police on a false scent?'

'Then why did he not do so? He merely says that something was pressed over his nose and mouth, and that he remembers nothing more. There is no false scent there. It sounds remarkably like the truth.'

'Well,' I said, glancing at the clock, 'I suppose we'd better start for the station. You may find more clues in France.'

'Possibly, mon ami, but I doubt it. It is still incredible to me that the Prime Minister has not been discovered in that limited area, where the difficulty of concealing him must be tremendous. If the military and the police of two countries have not found him, how shall I?'

At Charing Cross we were met by Mr Dodge.

'This is Detective Barnes, of Scotland Yard, and Major Norman.

They will hold themselves entirely at your disposal. Good luck to you. It's a bad business, but I've not given up hope. Must be off now.' And the Minister strode rapidly away.

We chatted in a desultory fashion with Major Norman. In the centre of the little group of men on the platform I recognized a little ferretfaced fellow talking to a tall, fair man. He was an old acquaintance of Poirot's - Detective-Inspector Japp, supposed to be one of the smartest of Scotland Yard's officers. He came over and greeted my friend cheerfully.

'I heard you were on this job too. Smart bit of work. So far they've got away with the goods all right. But I can't believe they can keep him hidden long. Our people are going through France with a toothcomb. So are the French. I can't help feeling it's only a matter of hours now.'

'That is, if he's still alive,' remarked the tall detective gloomily.

Japp's face fell. 'Yes ... But somehow I've got the feeling he's alive all right.'

Poirot nodded. 'Yes, yes; he's alive. But can he be found in time? I, like you, did not believe he could be hidden so long.'

The whistle blew, and we all trooped up into the Pullman car. Then, with a slow, unwilling jerk, the train drew out of the station.

It was a curious journey. The Scotland Yard men crowded together.

Maps of Northern France were spread out, and eager forefingers traced the lines of roads and villages. Each man had his own pet theory. Poirot showed none of his usual loquacity, but sat staring in front of him, with an expression on his face that reminded me of a puzzled child. I talked to Norman, whom I found quite an amusing fellow. On arriving at Dover Poirot's behaviour moved me to intense amusement. The little man, as he went on board the boat, clutched desperately at my arm. The wind was blowing lustily.

'Mon Dieu!' he murmured. 'This is terrible!'

'Have courage, Poirot,' I cried. 'You will succeed. You will find him. I am sure of it.'

'Ah, mon ami, you mistake my emotion. It is this villainous sea that troubles me! The mal de mer - it is horrible suffering!'

'Oh!' I said, rather taken aback.

The first throb of the engines was felt, and Poirot groaned and closed his eyes.

'Major Norman has a map of Northern France if you would like to study it? '

Poirot shook his head impatiently.

'But no, but no! Leave me, my friend. See you, to think, the stomach and the brain must be in harmony. Laverguier has a method most excellent for averting the mal de mer. You breathe in - and out slowly, so - turning the head from left to right and counting six between each breath.'

I left him to his gymnastic endeavours; and went on deck.

As we came slowly into Boulogne Harbour Poirot appeared, neat and smiling, and announced to me in a whisper that Laverguier's system had succeeded 'to a marvel!'

Japp's forefinger was still tracing imaginary routes on his map.

'Nonsense! The car started from Boulogne - here they branched off.

Now, my idea is that they transferred the Prime Minister to another car. See?'

'Well,' said the tall detective, 'I shall make for the seaports. Ten to one, they've smuggled him on board a ship.'

Japp shook his head. 'Too obvious. The order went out at once to close all the ports.'

The day was just breaking as we landed. Major Norman touched Poirot on the arm. 'There's a military car here waiting for you, sir.'

'Thank you, monsieur. But, for the moment, I do not propose to leave Boulogne.'

'What?'

'No, we will enter this hotel here, by the quay.'

He suited the action to the word, demanded and was accorded a private room. We three followed him, puzzled and uncomprehending.

He shot a quick glance at us. 'It is not so that the good detective should act, eh? I perceive your thought. He must be full of energy.

He must rush to and fro. He should prostrate himself on the dusty road and seek the marks of tyres through a little glass. He must gather up the cigarette-end, the fallen match? That is your idea, is it not?'

His eyes challenged us. 'But I - Hercule Poirot - tell you that it is not so! The true clues are within - here!' He tapped his forehead. 'See you, I need not have left London. It would have been sufficient for me to sit quietly in my rooms there. All that matters is the little grey cells within. Secretly and silently they do their part, until suddenly I call for a map, and I lay my finger on a spot - so - and I say: the Prime Minister is there! And it is so! With method and logic one can accomplish anything! This frantic rushing to France was a mistake it is playing a child's game of hide-and-seek. But now, though it may be too late, I will set to work the right way, from within. Silence, my friends, I beg of you.'

And for five long hours the little man sat motionless, blinking his eyelids like a cat, his green eyes nickering and becoming steadily greener and greener. The Scotland Yard man was obviously contemptuous, Major Norman was bored and impatient, and I myself found the time pass with wearisome slowness.

Finally, I got up and strolled as noiselessly as I could to the window.

The matter was becoming a farce. I was secretly concerned for my friend. If he failed, I would have preferred him to fail in a less ridiculous manner. Out of the window I idly watched the daily leave boat, belching forth columns of smoke, as she lay alongside the quay.

Suddenly I was aroused by Poirot's voice close to my elbow.

'Mes amis, let us start!'

I turned. An extraordinary transformation had come over my friend.

His eyes were flickering with excitement, his chest was swelled to the uttermost.

'I have been an imbecile, my friends! But I see daylight at last.'

Major Norman moved hastily to the door. 'I'll order the car.'

'There is no need. I shall not use it. Thank Heaven the wind has fallen.'

'Do you mean you are going to walk, sir?'

'No, my young friend. I am no St Peter. I prefer to cross the sea by boat.'

'To cross the sea?'

'Yes. To work with method, one must begin from the beginning. And the beginning of this affair was in England. Therefore, we return to England.'

The Disappearance of Mr Davenheim

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot's palate than what he described as 'your English poison.'

A sharp 'rat-tat' sounded below, and a few minutes afterwards Japp entered briskly.

'Hope I'm not late,' he said as he greeted us. 'To tell the truth, I was yarning with Miller, the man who's in charge of the Davenheim case.'

I pricked up my ears. For the last three days the papers had been full of the strange disappearance of Mr Davenheim, senior partner of Davenheim and Salmon, the well-known bankers and financiers.

On Saturday last he had walked out of his house, and had never been seen since. I looked forward to extracting some interesting details from Japp.

'I should have thought,' I remarked, 'that it would be almost impossible for anyone to "disappear" nowadays.'

Poirot moved a plate of bread and butter the eighth of an inch, and said sharply:

'Be exact, my friend. What do you mean by "disappear"? To which class of disappearance are you referring?'

'Are disappearances classified and labelled, then?' I laughed.

Japp smiled also. Poirot frowned at us both.

'But certainly they are! They fall into three categories: First, and most common, the voluntary disappearance. Second, the much abused "loss of memory" case - rare, but occasionally genuine.

Third, murder, and a more or less successful disposal of the body.

Do you refer to all three as impossible of execution?'

'Very nearly so, I should think. You might lose your own memory, but someone would be sure to recognize you - especially in the case of a well-known man like Davenheim. Then "bodies" can't be made to vanish into thin air. Sooner or later they turn up, concealed in lonely places, or in trunks. Murder will out. In the same way, the absconding clerk, or the domestic defaulter, is bound to be run down in these days of wireless telegraphy. He can be headed off from foreign countries; ports and railway stations are watched; and, as for concealment in this country, his features and appearance will be known to everyone who reads a daily newspaper. He's up against civilization.'

'Mon ami,' said Poirot, 'you make one error. You do not allow for the fact that a man who had decided to make away with another man or with himself in a figurative sense - might be that rare machine, a man of method. He might bring intelligence, talent, a careful calculation of detail to the task; and then I do not see why he should not be successful in baffling the police force.'

'But not you , I suppose?' said Japp good-humouredly, winking at me. 'He couldn't baffle you, eh, Monsieur Poirot?'

Poirot endeavoured, with a marked lack of success, to look modest.

'Me, also! Why not? It is true that I approach such problems with as exact science, a mathematical precision, which seems, alas, only too rare in the new generation of detectives!'

Japp grinned more widely.

'I don't know,' he said. 'Miller, the man who's on this case, is a smart chap. You may be very sure he won't overlook a footprint, or a cigar-ash, or a crumb even. He's got eyes that see everything.'

'So, mon ami,' said Poirot, 'has the London sparrow. But all the same, I should not ask the little brown bird to solve the problem of Mr Davenheim.'

'Come now, monsieur, you're not going to run down the value of details as clues?'

'By no means. These things are all good in their way. The danger is they may assume undue importance. Most details are insignificant; one or two are vital. It is the brain, the little grey cells' - he tapped his forehead - 'on which one must rely. The senses mislead. One must seek the truth within - not without.'

'You don't mean to say, Monsieur Poirot, that you would undertake to solve a case without moving from your chair, do you?'

'That is exactly what I do mean - granted the facts were placed before me. I regard myself as a consulting specialist.'

Japp slapped his knee. 'Hanged if I don't take you at your word. Bet you a fiver that you can't lay your hand - or rather tell me where to lay my hand - on Mr Davenheim, dead or alive, before a week is out.'

Poirot considered. 'Eh bien, mon ami, I accept. Le sport, it is the passion of you English. Now - the facts.'

'On Saturday last, as is his usual custom, Mr Davenheim took the 12.40 train from Victoria to Chingside, where his palatial country place, The Cedars, is situated. After lunch, he strolled round the grounds, and gave various directions to the gardeners. Everybody agrees that his manner was absolutely normal and as usual. After tea he put his head into his wife's boudoir; saying that he was going to stroll down to the village and post some letters. He added that he was expecting a Mr Lowen, on business. If he should come before he himself returned, he was to be shown into the study and asked to wait. Mr Davenheim then left the house by the front door, passed leisurely down the drive, and out at the gate, and - was never seen again. From that hour, he vanished completely.'

'Pretty - very pretty - altogether a charming little problem,' murmured Poirot. 'Proceed, my good friend.'

'About a quarter of an hour later a tall, dark man with a thick black moustache rang the front-door bell, and explained that he had an appointment with Mr Davenheim. He gave the name of Lowen, and in accordance with the banker's instructions was shown into the study. Nearly an hour passed. Mr Davenheim did not return. Finally Mr Lowen rang the bell, and explained that he was unable to wait any longer, as he must catch his train back to town.

'Mrs Davenheim apologized for her husband's absence, which seemed unaccountable, as she knew him to have been expecting the visitor. Mr Lowen reiterated his regrets and took his departure.

'Well, as everyone knows, Mr Davenheim did not return. Early on Sunday morning the police were communicated with, but could make neither head nor tail of the matter. Mr Davenheim seemed literally to have vanished into thin air. He had not been to the post office; nor had he been seen passing through the village. At the station they were positive he had not departed by any train. His own motor had not left the garage. If he had hired a car to meet him in some lonely spot, it seems almost certain that by this time, in view of the large reward offered for information, the driver of it would have come forward to tell what he knew. True, there was a small race-meeting at Entfield, five miles away, and if he had walked to that station he might have passed unnoticed in the crowd. But since then his photograph and a full description of him have been circulated in every newspaper, and nobody has been able to give any news of him. We have, of course, received many letters from all over England, but each clue, so far, has ended in disappointment.

'On Monday morning a further sensational discovery came to light.

Behind a portière in Mr Davenheim's study stands a safe, and that safe had been broken into and rifled. The windows were fastened securely on the inside, which seems to put an ordinary burglary out of court, unless, of course, an accomplice within the house fastened them again afterwards. On the other hand, Sunday having intervened, and the household being in a state of chaos, it is likely that the burglary was committed on the Saturday, and remained undetected until Monday.'

'Précisément,' said Poirot dryly. 'Well, is he arrested, ce pauvre M.

Lowen?'

Japp grinned. 'Not yet. But he's under pretty close supervision.'

Poirot nodded. 'What was taken from the safe? Have you any idea?'

'We've been going into that with the junior partner of the firm and Mrs Davenheim. Apparently there was a considerable amount in bearer bonds, and a very large sum in notes, owing to some large transaction having been just carried through. There was also a small fortune in jewellery. All Mrs Davenheim's jewels were kept in the safe. The purchasing of them had become a passion with her husband of late years, and hardly a month passed that he did not make her a present of some rare and costly gem.'

'Altogether a good haul,' said Poirot thoughtfully. 'Now, what about Lowen? Is it known what his business was with Davenheim that evening? '

'Well, the two men were apparently not on very good terms. Lowen is a speculator in quite small way. Nevertheless, he has been able once or twice to score a coup off Davenheim in the market, though it seems they seldom or never actually met. It was a matter concerning some South American shares which led the banker to make his appointment.'

'Had Davenheim interests in South America, then?'

'I believe so. Mrs Davenheim happened to mention that he spent all last autumn in Buenos Aires.'

'Any trouble in his home life? Were the husband and wife on good terms?'

'I should say his domestic life was quite peaceful and uneventful.

Mrs Davenheim is a pleasant, rather unintelligent woman. Quite a nonentity, I think.'

'Then we must not look for the solution of the mystery there. Had he any enemies?'

'He had plenty of financial rivals, and no doubt there are many people whom he has got the better of who bear him no particular goodwill. But there was no one likely to make away with him - and, if they had, where is the body?'

'Exactly. As Hastings says, bodies have a habit of coming to light with fatal persistency.'

'By the way, one of the gardeners says he saw a figure going round to the side of the house towards the rose-garden. The long french window of the study opens on to the rose-garden, and Mr Davenheim frequently entered and left the house that way. But the man was a good way off, at work on some cucumber frames, and cannot even say whether it was the figure of his master or not. Also, he cannot fix the time with any accuracy. It must have been before six, as the gardeners cease work at that time.'

'And Mr Davenheim left the house?'

'About half-past five or thereabouts.'

'What lies beyond the rose-garden?'

'A lake.'

'With a boathouse?'

'Yes, a couple of punts are kept there. I suppose you're thinking of suicide, Monsieur Poirot? Well, I don't mind telling you that Miller's going down tomorrow expressly to see that piece of water dragged.

That's the kind of man he is!'

Poirot smiled faintly, and turned to me. 'Hastings, I pray you, hand me that copy of Daily Megaphone. If I remember rightly, there is an unusually clear photograph there of the missing man.'

I rose, and found the sheet required. Poirot studied the features attentively.

'H'm!' he murmured. 'Wears his hair rather long and wavy, full moustache and pointed beard, bushy eyebrows. Eyes dark?'

'Yes.'

'Hair and beard turning grey?'

The detective nodded. 'Well, Monsieur Poirot, what have you got to say to it all? Clear as daylight, eh?'

'On the contrary, most obscure.'

The Scotland Yard man looked pleased.

'Which gives me great hopes of solving it,' finished Poirot placidly.

'Eh?'

'I find it a good sign when a case is obscure. If a thing is clear as daylight - eh bien, mistrust it! Someone has made it so.'

Japp shook his head almost pityingly. 'Well, each to their fancy. But it's not a bad thing to see your way clear ahead.'

'I do not see,' murmured Poirot. 'I shut my eyes - and think.'

Japp sighed. 'Well, you've got a clear week to think in.'

'And you will bring me any fresh developments that arise - the result of the labours of the hard-working and lynx-eyed Inspector Miller, for instance?'

'Certainly. That's in the bargain.'

'Seems a shame, doesn't it?' said Japp to me as I accompanied him to the door. 'Like robbing a child!'

I could not help agreeing with a smile. I was still smiling as I reentered the room.

'Eh bien!' said Poirot immediately. To make fun of Papa Poirot, is it not so?' He shook his finger at me. 'You do not trust his grey cells?

Ah, do not be confused! Let us discuss this little problem incomplete as yet, I admit, but already showing one or two points of interest.'

'The lake!' I said significantly.

'And even more than the lake, the boathouse!'

I looked sidewise at Poirot. He was smiling in his most inscrutable fashion. I felt that, for the moment, it would be quite useless to question him further.

We heard nothing of Japp until the following evening, when he walked in about nine o'clock. I saw at once by his expression that he was bursting with news of some kind.

'Eh bien, my friend,' remarked Poirot. 'All goes well? But do not tell me that you have discovered the body of Mr Davenheim in your lake, because I shall not believe you.'

'We haven't found the body, but we did find his clothes - the identical clothes he was wearing that day. What do you say to that?'

'Any other clothes missing from the house?'

'No, his valet is quite positive on that point. The rest of his wardrobe is intact. There's more. We've arrested Lowen. One of the maids, whose business it is to fasten the bedroom windows, declares that she saw Lowen coming towards the study through the rose-garden about a quarter past six. That would be about ten minutes before he left the house.'

'What does he himself say to that? '

'Denied first of all that he had ever left the study. But the maid was positive, and he pretended afterwards that he had forgotten just stepping out of the window to examine an unusual species of rose.

Rather a weak story ! And there's fresh evidence against him come to light. Mr Davenheim always wore a thick gold ring set with a solitaire diamond on the little finger of his right hand. Well, that ring was pawned in London on Saturday night by a man called Billy Kellett ! He's already known to the police - did three months last autumn for lifting an old gentleman's watch. It seems he tried to pawn the ring at no less than five different places, succeeded at the last one, got gloriously drunk on the proceeds, assaulted a policeman, and was run in in consequence. I went to Bow Street with Miller and saw him. He's sober enough now, and I don't mind admitting we pretty well frightened the life out of him, hinting he might be charged with murder. This is his yarn, and a very queer one it is.

'He was at Entfield races on Saturday, though I dare say scarfpins was his line of business, rather than betting. Anyway, he had a bad day, and was down on his luck. He was tramping along the road to Chingside, and sat down in a ditch to rest just before he got into the village. A few minutes later he noticed a man coming along the road to the village, "dark-complexioned gent, with a big moustache, one of them city toffs," is his description of the man.

'Kellett was half concealed from the road by a heap of stones. Just before he got abreast of him, the man looked quickly up and down the road, and seeing it apparently deserted he took a small object from his pocket and threw it over the hedge. Then he went on towards the station. Now, the object he had thrown over the hedge had fallen with a slight "chink" which aroused the curiosity of the human derelict in the ditch. He investigated and, after a short search, discovered the ring! That is Kellett's story. It's only fair to say that Lowen denies it utterly, and of course the word of a man like Kellett can't be relied upon in the slightest. It's within the bounds of possibility that he met Davenheim in the lane and robbed and murdered him.'

Poirot shook his head.

'Very improbable, mon ami. He had no means of disposing of the body. It would have been found by now. Secondly, the open way in which he pawned the ring makes it unlikely that he did murder to get it. Thirdly, your sneak-thief is rarely a murderer. Fourthly, as he has been in prison since Saturday, it would be too much of a coincidence that he is able to give so accurate a description of Lowen.'

Japp nodded. 'I don't say you're not right. But all the same, you won't get a jury to take much note of a jailbird's evidence. What seems odd to me is that Lowen couldn't find a cleverer way of disposing of the ring.'

Poirot shrugged his shoulders. 'Well, after all, if it were found in the neighbourhood, it might be argued that Davenheim himself had dropped it.'

'But why remove it from the body at all?' I cried.

'There might be a reason for that,' said Japp. 'Do you know that just beyond the lake, a little gate leads out on to the hill, and not three minutes' walk brings you to - what do you think? - a lime kiln.'

'Good heavens!' I cried. 'You mean that the lime which destroyed the body would be powerless to affect the metal of the ring?'

'Exactly.'

'It seems to me,' I said, 'that that explains everything. What a horrible crime!'

By common consent we both turned and looked at Poirot. He seemed lost in reflection, his brow knitted, as though with some supreme mental effort. I felt that at last his keen intellect was asserting itself. What would his first words be? We were not long left in doubt. With a sigh, the tension of his attitude relaxed and turning to Japp, he asked:

'Have you any idea, my friend, whether Mr and Mrs Davenheim occupied the same bedroom?'

The question seemed so ludicrously inappropriate that for a moment we both stared in silence. Then Japp burst into a laugh.

'Good Lord, Monsieur Poirot, I thought you were coming out with something startling. As to your question, I'm sure I don't know.'

'You could find out?' asked Poirot with curious persistence.

'Oh, certainly - if you really want to know.'

'Merci, mon ami. I should be obliged if you would make a point of it.'

Japp stared at him a few minutes longer, but Poirot seemed to have forgotten us both. The detective shook his head sadly at me, and murmuring, 'Poor old fellow! War's been too much for him!' gently withdrew from the room.

As Poirot still seemed sunk in a daydream, I took a sheet of paper, and amused myself by scribbling notes upon it. My friend's voice aroused me. He had come out of his reverie, and was looking brisk and alert.

'Que faites vous là, mon ami?'

'I was jotting down what occurred to me as the main points of interest in this affair.'

'You become methodical - at last!' said Poirot approvingly.

I concealed my pleasure. 'Shall I read them to you?'

'By all means.'

I cleared my throat.

'"One: All the evidence points to Lowen having been the man who forced the safe.

'"Two: He had a grudge against Davenheim.

'"Three: He lied in his first statement that he had never left the study.

'"Four: If you accept Billy Kellett's story as true, Lowen is unmistakably implicated."'

I paused. 'Well?' I asked, for I felt that I had put my finger on all the vital facts.

Poirot looked at me pityingly, shaking his head very gently. 'Mon pauvre ami! But it is that you have not the gift! The important detail, you appreciate him never! Also, your reasoning is false.'

'How?'

'Let me take your four points.

'One: Mr Lowen could not possibly know that he would have the chance to open the safe. He came for a business interview. He could not know beforehand that Mr Davenheim would be absent posting a letter, and that he would consequently be alone in the study!'

'He might have seized his opportunity,' I suggested.

'And the tools? City gentlemen do not carry round housebreaker's tools on the off chance! And one could not cut into that safe with a penknife, bien entendu!'

'Well, what about Number Two?'

'You say Lowen had a grudge against Mr Davenheim. What you mean is that he had once or twice got the better of him. And presumably those transactions were entered into with the view of benefiting himself. In any case you do not as a rule bear a grudge against a man you have got the better of - it is more likely to be the other way about. Whatever grudge there might have been would have been on Mr Davenheim's side.'

'Well, you can't deny that he lied about never having left the study?'

'No. But he may have been frightened. Remember, the missing man's clothes had just been discovered in the lake. Of course, as usual, he would have done better to speak the truth.'

'And the fourth point?'

'I grant you that. If Kellett's story is true, Lowen is undeniably implicated. That is what makes the affair so very interesting.'

'Then I did appreciate one vital fact?'

'Perhaps - but you have entirely overlooked the two most important points, the ones which undoubtedly hold the clue to the whole matter.'

'And pray, what are they?'

'One, the passion which has grown upon Mr Davenheim in the last few years for buying jewellery. Two, his trip to Buenos Aires last autumn.'

'Poirot, you are joking!'

'I am most serious. Ah, sacred thunder, but I hope Japp will not forget my little commission.'

But the detective, entering into the spirit of the joke, had remembered it so well that a telegram was handed to Poirot about eleven o'clock the next day. At his request I opened it and read it out:

'"Husband and wife have occupied separate rooms since last winter."'

'Aha!' cried Poirot, 'And now we are in mid June! All is solved!'

I stared at him.

'You have no money in the bank of Davenheim and Salmon, mon ami?'

'No,' I said, wondering. 'Why?'

'Because I should advise you to withdraw it - before it is too late.'

'Why, what do you expect?'

'I expect a big smash in a few days - perhaps sooner. Which reminds me, we will return the compliment of a dépêche to Japp. A pencil, I pray you, and a form. Voilà! 'Advise you to withdraw any money deposited with firm in question.' That will intrigue him, the good Japp! His eyes will open wide - wide! He will not comprehend in the slightest - until to-morrow, or the next day!'

I remained sceptical, but the morrow forced me to render tribute to my friend's remarkable powers. In every paper was a huge headline telling of the sensational future of the Davenheim bank. The disappearance of the famous financier took on a totally different aspect in the light of the revelation of the financial affairs of the bank.

Before we were half-way through breakfast, the door flew open and Japp rushed in. In his left hand was a paper; in his right was Poirot's telegram, which he banged down on the table in front of my friend.

'How did you know, Monsieur Poirot? How the blazes could you know?'

Poirot smiled placidly at him. 'Ah, mon ami, after your wire, it was a certainty! From the commencement, see you, it struck me that the safe burglary was somewhat remarkable. Jewels, ready money, bearer bonds - all so conveniently arranged for - whom? Well, the good Monsieur Davenheim was of those who "look after Number One" as your saying goes! It seemed almost certain that it was arranged for - himself! Then his passion of late years for buying jewellery! How simple! The funds he embezzled, he converted into jewels, very likely replacing them in turn with paste duplicates, and so he put away in a safe place, under another name, a considerable fortune to be enjoyed all in good time when everyone has been thrown off the track. His arrangements completed, he makes an appointment with Mr Lowen (who has been imprudent enough in the past to cross the great man once or twice), drills a hole in the safe, leaves orders that the guest is to be shown into the study, and walks out of the house - where?' Poirot stopped, and stretched out his hand for another boiled egg. He frowned. 'It is really insupportable,' he murmured, 'that every hen lays an egg of a different size! What symmetry can there be on the breakfast table?

At least they should sort them in dozens at the shop!'

'Never mind the eggs,' said Japp impatiently. 'Let 'em lay 'em square if they like. Tell us where our customer went to when he left The Cedars - that is, if you know!'

'Eh bien, he went to his hiding-place. Ah, this Monsieur Davenheim, there may be some malformation in his grey cells, but they are of the first quality!'

'Do you know where he is hiding?'

'Certainly! It is most ingenious.'

'For the Lord's sake, tell us, then!'

Poirot gently collected every fragment of shell from his plate, placed them in the egg-cup, and reversed the empty egg-shell on top of them. This little operation concluded, he smiled on the neat effect, and then beamed affectionately on us both.

'Come, my friends, you are men of intelligence. Ask yourself the question which I asked myself. "If I were this man, where should I hide?" Hastings, what do you say?'

'Well,' I said, 'I'm rather inclined to think I'd not do a bolt at all. I'd stay in London - in the heart of things, travel by tubes and buses; ten to one I'd never be recognized. There's safety in a crowd.'

Poirot turned inquiringly to Japp.

'I don't agree. Get clear away at once - that's the only chance. I would have had plenty of time to prepare things beforehand. I'd have a yacht waiting, with steam up, and I'd be off to one of the most out-of-the-way corners of the world before the hue and cry began!'

We both looked at Poirot. 'What do you say, monsieur?'

For a moment he remained silent. Then a very curious smile flitted across his face.

'My friends, if I were hiding from the police, do you know where I should hide? In a prison!'

'What?'

'You are seeking Monsieur Davenheim in order to put him in prison, so you never dream of looking to see if he may not be already there!'

'What do you mean?'

'You tell me Madame Davenheim is not a very intelligent woman.

Nevertheless I think that if you took her to Bow Street and confronted her with the man Billy Kellett, she would recognize him!

In spite of the fact that he has shaved his beard and moustache and those bushy eyebrows, and has cropped his hair close. A woman nearly always knows her husband, though the rest of the world may be deceived!'

'Billy Kellett? But he's known to the police!'

'Did I not tell you Davenheim was a clever man? He prepared his alibi long beforehand. He was not in Buenos Aires last autumn - he was creating the character of Billy Kellett, "doing three months," so that the police should have no suspicions when the time came. He was playing, remember, for a large fortune, as well as liberty. It was worth while doing the thing thoroughly. Only - '

'Yes?'

'Eh bien, afterwards he had to wear a false beard and wig, had to make up as himself again, and to sleep with a false beard is not easy - it invites detection! He cannot risk continuing to share the chamber of madame his wife. You found out for me that for the last six months, or ever since his supposed return from Buenos Aires, he and Mrs Davenheim occupied separate rooms. Then I was sure!

Everything fitted in. The gardener who fancied he saw his master going round to the side of the house was quite right. He went to the boathouse, donned his "tramp" clothes, which you may be sure had been safety hidden from the eyes of his valet, dropped the others in the lake, and proceeded to carry out his plan by pawning the ring in an obvious manner, and then assaulting a policeman, getting himself safely into the haven of Bow Street, where nobody would ever dream of looking for him!'

'It's impossible,' murmured Japp.

'Ask Madame,' said my friend, smiling. The next day a registered letter lay beside Poirot's plate.

He opened it, and a five-pound note fluttered out. My friend's brow puckered.

'Ah, sacré! But what shall I do with it? I have much remorse! Ce pauvre Japp? Ah, an idea! We will have a little dinner, we three!

That consoles me. It was really too easy. I am ashamed. I, who would not rob a child - mille tonnerres! Mon ami, what have you, that you laugh so heartily?'

The Adventure of the Italian Nobleman

Poirot and I had many friends and acquaintances of an informal nature. Amongst these was to be numbered Dr Hawker, a near neighbour of ours, and a member of the medical profession. It was the genial doctor's habit to drop in sometimes of an evening and have a chat with Poirot, of whose genius he was an ardent admirer.

The doctor himself, frank and unsuspicious to the last degree, admired the talents so far removed from his own.

On one particular evening in early June, he arrived about half past eight and settled down to a comfortable discussion on the cheery topic of the prevalence of arsenical poisoning in crimes. It must have been about a quarter of an hour later when the door of our sitting-room flew open, and a distracted female precipitated herself into the room.

'Oh, doctor, you're wanted! Such a terrible voice. It gave me a turn, it did indeed.'

I recognized in our new visitor Dr Hawker's house-keeper, Miss Rider. The doctor was a bachelor, and lived in a gloomy old house a few streets away. The usually placid Miss Rider was now in a state bordering on incoherence.

'What terrible voice? Who is it, and what's the trouble?'

'It was the telephone, doctor. I answered it - and a voice spoke.

"Help," it said. "Doctor - help. They've killed me!" Then it sort of tailed away. "Who's speaking?" I said. "Who's speaking?" Then I got a reply, just a whisper, it seemed, "Foscatine" - something like that - "Regent's Court".'

The doctor uttered an exclamation.

'Count Foscatini. He has a flat in Regent's Court. I must go at once.

What can have happened?'

'A patient of yours?' asked Poirot.

'I attended him for some slight ailment a few weeks ago. An Italian, but he speaks English perfectly. Well, I must wish you good night.

Monsieur Poirot, unless - ' He hesitated.

'I perceive the thought in your mind,' said Poirot, smiling. 'I shall be delighted to accompany you. Hastings, run down and get hold of a taxi.'

Taxis always make themselves sought for when one is particularly pressed for time, but I captured one at last, and we were soon bowling along in the direction of Regent's Park. Regent's Court was a new block of flats, situated just off St John's Wood Road. They had only recently been built, and contained the latest service devices.

There was no one in the hall. The doctor pressed the lift-bell impatiently, and when the lift arrived questioned the uniformed attendant sharply.

'Flat 11. Count Foscatini. There's been an accident there, I understand.'

The man stared at him.

'First I've heard of it. Mr Graves - that's Count Foscatini's man went out about half an hour ago, and he said nothing.'

'Is the Count alone in the flat?'

'No, sir, he's got two gentlemen dining with him.'

'What are they like?' I asked eagerly.

We were in the lift now, ascending rapidly to the second floor, on which Flat 11 was situated.

'I didn't see them myself, sir, but I understand that they were foreign gentlemen.'

He pulled back the iron door, and we stepped out on the landing.

No 11 was opposite to us. The doctor rang the bell. There was no reply, and we could hear no sound from within. The doctor rang again and again; we could hear the bell trilling within, but no sign of life rewarded us.

'This is getting serious,' muttered the doctor. He turned to the lift attendant.

'Is there any pass-key to this door?'

'There is one in the porter's office downstairs.'

'Get it, then, and, look here, I think you'd better send for the police.'

Poirot approved with a nod of the head.

The man returned shortly; with him came the manager.

'Will you tell me, gentlemen, what is the meaning of all this?'

'Certainly. I received a telephone message from Count Foscatini stating that he had been attacked and was dying. You can understand that we must lose no time - if we are not already too late.'

The manager produced the key without more ado, and we all entered the flat.

We passed first into a small square lounge hall. A door on the right of it was half open. The manager indicated it with a nod.

'The dining room.'

Dr Hawker led the way. We followed close on his heels. As we entered the room I gave a gasp. The round table in the centre bore the remains of a meal; three chairs were pushed back, as though their occupants had just risen. In the corner, to the right of the fireplace, was a big writing-table, and sitting at it was a man - or what had been a man. His right hand still grasped the base of the telephone, but he had fallen forward, struck down by a terrific blow on the head from behind. The weapon was not far to seek. A marble statue stood where it had been hurriedly put down, the base of it stained with blood.

The doctor's examination did not take a minute. 'Stone dead. Must have been almost instantaneous. I wonder he even managed to telephone. It will be better not to move him until the police arrive.'

On the manager's suggestion we searched the flat, but the result was a foregone conclusion. It was not likely that the murderers would be concealed there when all they had to do was to walk out.

We came back to the dining room. Poirot had not accompanied us in our tour. I found him studying the centre table with close attention. I joined him. It was a well-polished round mahogany table. A bowl of roses decorated the centre, and white lace mats reposed on the gleaming surface. There was a dish of fruit, but the three dessert plates were untouched. There were three coffeecups with remains of coffee in them - two black, one with milk. All three men had taken port, and the decanter, half-full, stood before the centre plate. One of the men had smoked a cigar, the other two cigarettes. A tortoiseshell-and-silver box, holding cigars and cigarettes, stood open upon the table.

I enumerated all these facts to myself, but I was forced to admit that they did not shed any brilliant light on the situation. I wondered what Poirot saw in them to make him so intent. I asked him.

'Mon ami,' he replied, 'you miss the point. I am looking for something that I do not see.'

'What is that?'

'A mistake - even a little mistake - on the part of the murderer.'

He stepped swiftly to the small adjoining kitchen, looked in, and shook his head.

'Monsieur,' he said to the manager, 'explain to me, I pray, your system of serving meals here.'

The manager stepped to a small hatch in the wall.

'This is the service lift,' be explained. 'It runs to the kitchens at the top of the building. You order through the telephone, and the dishes are sent down in the lift, one course at a time. The dirty plates and dishes are sent up in the same manner. No domestic worries, you understand, and at the same time you avoid the wearying publicity of always dining in a restaurant.'

Poirot nodded.

'Then the plates and dishes that were used tonight are on high in the kitchen. You permit that I mount there?'

'Oh, certainly, if you like! Roberts, the lift man, will take you up and introduce you; but I'm afraid you won't find anything that's of any use. They're handling hundreds of plates and dishes, and they'll be all lumped together.'

Poirot remained firm, however, and together we visited the kitchens and questioned the man who had taken the order from Flat 11.

'The order was given from the à la carte menu - for three,' he explained. 'Soup julienne, filet de sole normande, tournedos of beef, and a rice soufflé. What time? Just about eight o'clock, I should say. No, I'm afraid the plates and dishes have been all washed up by now. Unfortunate. You were thinking of fingerprints, I suppose?'

'Not exactly,' said Poirot, with an enigmatical smile. 'I am more interested in Count Foscatini's appetite. Did he partake of every dish?'

'Yes; but of course I can't say how much of each he ate. The plates were all soiled, and the dishes empty - that is to say, with the exception of the rice soufflé. There was a fair amount of that left.'

'Ah!' said Poirot, and seemed satisfied with the fact.

As we descended to the flat again he remarked in a low tone:

'We have decidedly to do with a man of method.'

'Do you mean the murderer, or Count Foscatini?'

'The latter was undoubtedly an orderly gentleman. After imploring help and announcing his approaching demise, he carefully hung up the telephone receiver.'

I stared at Poirot. His words now and his recent inquiries gave me the glimmering of an idea.

'You suspect poison?' I breathed. 'The blow on the head was a blind.'

Poirot merely smiled.

We re-entered the flat to find the local inspector of police had arrived with two constables. He was inclined to resent our appearance, but Poirot calmed him with the mention of our Scotland Yard friend, Inspector Japp, and we were accorded a grudging permission to remain. It was a lucky thing we were, for we had not been back five minutes before an agitated middle-aged man came rushing into the room with every appearance of grief and agitation.

This was Graves, valet-butler to the late Count Foscatini. The story he had to tell was a sensational one.

On the previous morning, two gentlemen had called to see his master. They were Italians, and the elder of the two, a man of about forty, gave his name as Signer Ascanio. The younger was a welldressed lad of about twenty-four.

Count Foscatini was evidently prepared for their visit and immediately sent Graves out upon some trivial errand. Here the man paused and hesitated in his story. In the end, however, he admitted that, curious as to the purport of the interview, he had not obeyed immediately, but had lingered about endeavouring to hear something of what was going on.

The conversation was carried on in so low a tone that he was not as successful as he had hoped; but he gathered enough to make it clear that some kind of monetary proposition was being discussed, and that the basis of it was a threat. The discussion was anything but amicable. In the end, Count Foscatini raised his voice slightly, and the listener heard these words clearly:

'I have no time to argue further now, gentlemen. If you will dine with me tomorrow night at eight o'clock, we will resume the discussion.'

Afraid of being discovered listening, Graves had then hurried out to do his master's errand. This evening the two men had arrived punctually at eight. During dinner they had talked of indifferent matters - politics, the weather, and the theatrical world. When Graves had placed the port upon the table and brought in the coffee his master told him that he might have the evening off.

'Was that a usual proceeding of his when he had guests?' asked the inspector.

'No, sir; it wasn't. That's what made me think it must be some business of a very unusual kind that he was going to discuss with these gentlemen.'

That finished Graves' story. He had gone out about 8.30, and, meeting a friend, had accompanied him to the Metropolitan Music Hall in Edgware Road.

Nobody had seen the two men leave, but the time of the murder was fixed clearly enough at 8.47. A small clock on the writing-table had been swept off by Foscatini's arm, and had stopped at that hour, which agreed with Miss Rider's telephone summons.

The police surgeon had made his examination of the body, and it was now lying on the couch. I saw the face for the first time - the olive complexion, the long nose, the luxuriant black moustache, and the full red lips drawn back from the dazzlingly white teeth. Not altogether a pleasant face.

'Well,' said the inspector, refastening his notebook. 'The case seems clear enough. The only difficulty will be to lay our hands on this Signer Ascanio. I suppose his address is not in the dead man's pocket-book by any chance?'

As Poirot had said, the late Foscatini was an orderly man. Neatly written in small, precise handwriting was the inscription, 'Signer Paolo Ascanio, Grosvenor Hotel.'

The inspector busied himself with the telephone, then turned to us with a grin.

'Just in time. Our fine gentleman was off to catch the boat train to the Continong. Well, gentlemen, that's about all we can do here. It's a bad business, but straightforward enough. One of these Italian vendetta things, as likely as not.'

Thus airily dismissed, we found our way downstairs. Dr Hawker was full of excitement.

'Like the beginning of a novel, eh? Real exciting stuff. Wouldn't believe it if you read about it.'

Poirot did not speak. He was very thoughtful. All the evening he had hardly opened his lips.

'What says the master detective, eh?' asked Hawker, clapping him on the back. 'Nothing to work your grey cells over this time.'

'You think not?'

'What could there be?'

'Well, for example, there is the window.'

'The window? But it was fastened. Nobody could have got out or in that way. I noticed it specially.'

'And why were you able to notice it?'

The doctor looked puzzled. Poirot hastened to explain.

'It is to the curtains I refer. They were not drawn. A little odd, that.

And then there was the coffee. It was very black coffee.'

'Well, what of it?'

'Very black,' repeated Poirot. 'In conjunction with that let us remember that very little of the rice soufflé was eaten, and we get what?'

'Moonshine,' laughed the doctor. 'You're pulling my leg.'

'Never do I pull the leg. Hastings here knows that I am perfectly serious.'

'I don't know what you are getting at, the same,' I confessed. 'You don't suspect the manservant, do you? He might have been in with the gang, and put some dope in the coffee. I suppose they'll test his alibi?'

'Without doubt, my friend; but it is the alibi of Signor Ascanio that interests me.'

'You think he has an alibi?'

'That is just what worries me. I have no doubt that we shall soon be enlightened on that point.'

The Daily Newsmonger enabled us to become conversant with succeeding events.

Signer Ascanio was arrested and charged with the murder of Count Foscatini. When arrested, he denied knowing the Count, and declared he had never been near Regent's Court either on the evening of the crime or on the previous morning. The younger man had disappeared entirely. Signer Ascanio had arrived alone at the Grosvenor Hotel from the Continent two days before the murder. All efforts to trace the second man failed.

Ascanio, however, was not sent for trial. No less a personage than the Italian Ambassador himself came forward and testified at the police-court proceedings that Ascanio had been with him at the Embassy from eight till nine that evening. The prisoner was discharged. Naturally, a lot of people thought that the crime was a political one, and was being deliberately hushed up.

Poirot had taken a keen interest in all these points. Nevertheless, I was somewhat surprised when he suddenly informed me one morning that he was expecting a visitor at eleven o'clock, and that the visitor was none other than Ascanio himself.

'He wishes to consult you?'

'Du tout, Hastings. I wish to consult him.'

'What about?'

'The Regent's Court murder.'

'You are going to prove that he did it?'

'A man cannot be tried twice for murder, Hastings. Endeavour to have the common sense. Ah, that is our friend's ring.'

A few minutes later Signer Ascanio was ushered in - a small, thin man with a secretive and furtive glance in his eyes. He remained standing, darting suspicious glances from one to the other of us.

'Monsieur Poirot?'

My little friend tapped himself gently on the chest.

'Be seated, signor. You received my note. I am determined to get to the bottom of this mystery. In some small measure you can aid me.

Let us commence. You - in company with a friend - visited the late Count Foscatini on the morning of Tuesday the 9th - '

The Italian made an angry gesture.

'I did nothing of the sort. I have sworn in court - '

'Précisément - and I have a little idea that you have sworn falsely.'

'You threaten me? Bah! I have nothing to fear from you. I have been acquitted.'

'Exactly; and as I am not an imbecile, it is not with the gallows I threaten you - but with publicity. Publicity! I see that you do not like the word. I had an idea that you would not. My little ideas, you know, they are very valuable to me. Come, signer, your only chance is to be frank with me. I do not ask to know whose indiscretions brought you to England. I know this much, you came for the special purpose of seeing Count Foscatini.'

'He was not a count,' growled the Italian.

'I have already noted the fact that his name does not appear in the Almanach de Gotha. Never mind, the title of count is often useful in the profession of blackmailing.'

'I suppose I might as well be frank. You seem to know a good deal.'

'I have employed my grey cells to some advantage. Come, Signer Ascanio, you visited the dead man on the Tuesday morning - that is so, is it not?'

'Yes; but I never went there on the following evening. There was no need. I will tell you all. Certain information concerning a man of great position in Italy had come into this scoundrel's possession.

He demanded a big sum of money in return for the papers. I came over to England to arrange the matter. I called upon him by appointment that morning. One of the young secretaries of the Embassy was with me. The Count was more reasonable than I had hoped, although even then the sum of money I paid him was a huge one.'

'Pardon, how was it paid?'

'In Italian notes of comparatively small denomination. I paid over the money then and there. He handed me the incriminating papers.

I never saw him again.'

'Why did you not say all this when you were arrested?'

'In my delicate position I was forced to deny any association with the man.'

'And how do you account for the events of the evening, then?'

'I can only think that someone must have deliberately impersonated me. I understand that no money was found in the flat.'

Poirot looked at him and shook his head.

'Strange,' he murmured. 'We all have the little grey cells. And so few of us know how to use them. Good morning, Signor Ascanio. I believe your story. It is very much as I had imagined. But I had to make sure.'

After bowing his guest out, Poirot returned to his armchair and smiled at me.

'Let us hear M. le Capitaine Hastings on the case.'

'Well, I suppose Ascanio is right - somebody impersonated him.'

'Never, never will you use the brains the good God has given you.

Recall to yourself some words I uttered after leaving the flat that night. I referred to the window-curtains not being drawn. We are in the month of June. It is still light at eight o'clock. The light is failing by half-past. Ça vous dit quelque chose? I perceive a struggling impression that you will arrive some day. Now let us continue. The coffee was, as I said, very black. Count Foscatini's teeth were magnificently white. Coffee stains the teeth. We reason from that that Count Foscatini did not drink any coffee. Yet there was coffee in all three cups. Why should anyone pretend Count Foscatini had drunk coffee when he had not done so?'

I shook my head, utterly bewildered.

'Come, I will help you. What evidence have we that Ascanio and his friend, or two men posing as them, ever came to the flat that night?

Nobody saw them go in; nobody saw them go out. We have the evidence of one man and of a host of inanimate objects.'

'You mean?'

'I mean knives and forks and plates and empty dishes. Ah, but it was a clever idea! Graves is a thief and a scoundrel, but what a man of method! He overhears a portion of the conversation in the morning, enough to realize that Ascanio will be in awkward position to defend himself. The following evening, about eight o'clock, he tells his master he is wanted at the telephone. Foscatini sits down, stretches out his hand to the telephone, and from behind Graves strikes him down with the marble figure. Then quickly to the service telephone - dinner for three! It comes, he lays the table, dirties the plates, knives, and forks, etc. But he has to get rid of the food too.

Not only is he a man of brain; he has a resolute and capacious stomach! But after eating three tournedos, the rice soufflé is too much for him! He even smokes a cigar and two cigarettes to carry out the illusion. Ah, but it was magnificently thorough! Then, having moved on the hands of the clock to 8.47, he smashes it and stops it.

The one thing he does not do is to draw the curtains. But if there had been a real dinner party the curtains would have been drawn as soon as the light began to fail. Then he hurries out, mentioning the guests to the lift man in passing. He hurries to a telephone box, and as near as possible to 8.47 rings up the doctor with his master's dying cry. So successful is his idea that no one ever inquires if a call was put through from Flat 11 at that time.'

'Except Hercule Poirot, I suppose?' I said sarcastically.

'Not even Hercule Poirot,' said my friend, with a smile. 'I am about to inquire now. I had to prove my point to you first. But you will see, I shall be right; and then Japp, to whom I have already given a hint, will be able to arrest the respectable Graves. I wonder how much of the money he has spent.'

Poirot was right. He always is, confound him!

The Case of the Missing Will

The problem presented to us by Miss Violet Marsh made rather a pleasant change from our usual routine work. Poirot had received a brisk and businesslike note from the lady asking for an appointment, and he had replied asking her to call upon him at eleven o'clock the following day.

She arrived punctually - a tall, handsome young woman, plainly but neatly dressed, with an assured and business-like manner. Clearly a young woman who meant to get on in the world. I am not a great admirer of the so-called New Woman myself, and, in spite of her good looks, I was not particularly prepossessed in her favour.

'My business is of a somewhat unusual nature, Monsieur Poirot,' she began, after she had accepted a chair. 'I had better begin at the beginning and tell you the whole story.'

'If you please, mademoiselle.'

'I am an orphan. My father was one of two brothers, sons of a small yeoman farmer in Devonshire. The farm was a poor one, and the elder brother, Andrew, emigrated to Australia, where he did very well indeed, and by means of successful speculation in land became a very rich man. The younger brother, Roger (my father), had no leanings towards the agricultural life. He managed to educate himself a little, and obtained a post as a clerk with a small firm. He married slightly above him; my mother was the daughter of a poor artist. My father died when I was six years old. When I was fourteen, my mother followed him to the grave. My only living relation then was my Uncle Andrew, who had recently returned from Australia and bought a small place, Crabtree Manor, in his native county. He was exceedingly kind to his brother's orphan child, took me to live with him, and treated me in every way as though I was his own daughter.

'Crabtree Manor, in spite of its name, is really only an old farmhouse. Farming was in my uncle's blood, and he was intensely interested in various modern farming experiments. Although kindness itself to me, he had certain peculiar and deeply-rooted ideas as to the upbringing of women. Himself a man of little or no education, though possessing remarkable shrewdness, he placed little value on what he called "book knowledge". He was especially opposed to the education of women. In his opinion, girls should learn practical housework and dairy-work, be useful about the home, and have as little to do with book learning as possible. He proposed to bring me up on these lines, to my bitter disappointment and annoyance. I rebelled frankly. I knew that I possessed a good brain, and had absolutely no talent for domestic duties. My uncle and I had many bitter arguments on the subject, for, though much attached to each other, we were both self-willed. I was lucky enough to win a scholarship, and up to a certain point was successful in getting my own way. The crisis arose when I resolved to go to Girton. I had a little money of my own, left me by my mother, and I was quite determined to make the best use of the gifts God had given me. I had one long final argument with my uncle. He put the facts plainly before me. He had no other relations, and he had intended me to be his sole heiress. As I have told you, he was a very rich man. If I persisted in these "new-fangled notions" of mine, however, I need look for nothing from him. I remained polite, but firm. I should always be deeply attached to him, I told him, but I must lead my own life. We parted on that note. "You fancy your brains, my girl," were his last words. "I've no book learning, but, for all that, I'll pit mine against yours any day. We'll see what we shall see."'

'That was nine years ago. I have stayed with him for a week-end occasionally, and our relations were perfectly amicable, though his views remained unaltered. He never referred to my having matriculated, nor to my BSc. For the last three years his health had been failing, and a month ago he died.

'I am now coming to the point of my visit. My uncle left a most extraordinary will. By its terms, Crabtree Manor and its contents are to be at my disposal for a year from his death - "during which time my clever niece may prove her wits", the actual words run. At the end of that period, "my wits having proved better than hers", the house and all my uncle's large fortune pass to various charitable institutions.'

'That is a little hard on you, mademoiselle, seeing that you were Mr Marsh's only blood relation.'

'I do not look on it in that way. Uncle Andrew warned me fairly, and I chose my own path. Since I would not fall in with his wishes, he was at perfect liberty to leave his money to whom he pleased.'

'Was the will drawn up by a lawyer?'

'No; it was written on a printed will-form and witnessed by the man and his wife who live in the house and do for my uncle.'

'There might be a possibility of upsetting such a will?'

'I would not even attempt to do such a thing.'

'You regard it, then, as a sporting challenge on the part of your uncle?'

'That is exactly how I look upon it.'

'It bears that interpretation, certainly,' said Poirot thoughtfully.

'Somewhere in this rambling old manor-house your uncle has concealed either a sum of money in notes or possibly a second will, and has given you a year in which to exercise your ingenuity to find it.'

'Exactly, Monsieur Poirot; and I am paying you the compliment of assuming that your ingenuity will be greater than mine.'

'Eh, eh! but that is very charming of you. My grey cells are at your disposal. You have made no search yourself?'

'Only a cursory one; but I have too much respect for my uncle's undoubted abilities to fancy that the task will be an easy one.'

'Have you the will or a copy of it with you?'

Miss Marsh handed a document across the table. Poirot ran through it, nodding to himself.

'Made three years ago. Dated March 25; and the time is given also -

11 A.M.- that is very suggestive. It narrows the field of search.

Assuredly it is another will we have to seek for. A will made even half an hour later would upset this. Eh bien, mademoiselle, it is a problem charming and ingenious that you have presented to me here. I shall have all the pleasure in the world in solving it for you.

Granted that your uncle was a man of ability, his grey cells cannot have been of the quality of Hercule Poirot's!' (Really, Poirot's vanity is blatant!)

'Fortunately, I have nothing of moment on hand at the minute.

Hastings and I will go down to Crabtree Manor to-night. The man and wife who attended on your uncle are still there, I presume?'

'Yes, their name is Baker.'

1. A FAIRY IN THE FLAT

Mrs. Thomas Beresford shifted her position on the divan and looked gloomily out of the window of the flat. The prospect was not an extended one, consisting solely of a small block of flats on the other side of the road. Mrs. Beresford sighed and then yawned.

"I wish," she said, "something would happen."

Her husband looked up reprovingly.

"Be careful, Tuppence, this craving for vulgar sensation alarms me."

Tuppence sighed and closed her eyes dreamily.

"So Tommy and Tuppence were married," she chanted, "and lived happily ever afterwards. And six years later they were still living together happily ever afterwards. It is extraordinary," she said, "how different everything always is from what you think it is going to be."

"A very profound statement, Tuppence. But not original. Eminent poets and still more eminent divines have said it before-and, if you will excuse me saying so, have said it better."

"Six years ago," continued Tuppence, "I would have sworn that with sufficient money to buy things with, and with you for a husband, all life would have been one grand sweet song, as one of the poets you seem to know so much about puts it."

"Is it me or the money that palls upon you?" inquired Tommy coldly.

"Palls isn't exactly the word," said Tuppence kindly. "I'm used to my blessings, that's all. Just as one never thinks what a boon it is to be able to breathe through one's nose until one has a cold in the head."

"Shall I neglect you a little?" suggested Tommy. "Take other women about to night clubs. That sort of thing."

"Useless," said Tuppence. "You would only meet me there with other men. And I should know perfectly well that you didn't care for the other women, whereas you would never be quite sure that I didn't care for the other men. Women are so much more thorough."

"It's only in modesty that men score top marks," murmured her husband. "But what is the matter with you, Tuppence? Why this yearning discontent?"

"I don't know. I want things to happen. Exciting things. Wouldn't you like to go chasing German spies again, Tommy? Think of the wild days of peril we went through once. Of course I know you're more or less in the Secret Service now, but it's pure office work."

"You mean you'd like them to send me into darkest Russia disguised as a Bolshevik bootlegger, or something of that "That wouldn't be any good," said Tuppence. "They wouldn't let me go with you and I'm the person who wants something to do so badly.

Something to do. That is what I keep saying all day long."

"Woman's sphere," suggested Tommy waving his hand.

"Twenty minutes' work after breakfast every morning keeps the flat going to perfection. You have nothing to complain of, have you?"

"Your housekeeping is so perfect, Tuppence, as to be almost monotonous."

"I do like gratitude," said Tuppence.

"You, of course, have got your work," she continued, "but tell me, Tommy, don't you ever have a secret yearning for excitement, for things to happen?"

"No," said Tommy, "at least I don't think so. It is all very well to want things to happen-they might not be pleasant things."

"How prudent men are," sighed Tuppence. "Don't you ever have a wild secret yearning for romance-adventure- life?"

"What have you been reading, Tuppence?" asked Tommy.

"Think how exciting it would be," went on Tuppence, "if we heard a wild rapping at the door and went to open it and in staggered a dead man."

"If he was dead he couldn't stagger," said Tommy critically.

"You know what I mean," said Tuppence. "They always stagger in just before they die and fall at your feet just gasping out a few enigmatic words. 'The Spotted Leopard' or something like that."

"I advise a course of Schopenhauer or Emmanuel Kant," said Tommy.

"That sort of thing would be good for you," said Tuppence. "You are getting fat and comfortable."

"I am not," said Tommy indignantly. "Anyway, you do slimming exercises yourself."

"Everybody does," said Tuppence. "When I said you were getting fat I was really speaking metaphorically, you are getting prosperous and sleek and comfortable."

"I don't know what has come over you," said her husband.

"The spirit of adventure," murmured Tuppence. "It is better than a longing for romance anyway. I have that sometimes, too. I think of meeting a man, a really handsome man-"

"You have met me," said Tommy. "Isn't that enough for you?"

"A brown lean man, terrifically strong, the kind of man who can ride anything and lassoos wild horses-"

"Complete with sheepskin trousers and a cowboy hat," interpolated Tommy sarcastically.

"-and has lived in the Wilds," continued Tuppence.

"I should like him to fall simply madly in love with me. I should, of course, rebuff him virtuously and be true to my marriage vows but my heart would secretly go out to him."

"Well," said Tommy, "I often wish that I may meet a really beautiful girl.

A girl with corn-colored hair who will fall desperately in love with me.

Only I don't think I rebuff her-in fact I am quite sure I don't."

"That," said Tuppence, "is naughty temper."

"What," said Tommy, "is really the matter with you, Tuppence? You have never talked like this before."

"No, but I have been boiling up inside for a long time," said Tuppence.

"You see it is very dangerous to have everything you want-including enough money to buy things. Of course there are always hats."

"You have got about forty hats already," said Tommy "and they all look alike."

"Hats are like that," said Tuppence. "They are not really alike. There are nuances in them. I saw rather a nice one in Violette's this morning."

"If you haven't anything better to do than going on buying hats you don't need-"

"That's it," said Tuppence. "That's exactly it. If I had something better to do. I suppose I ought to take up good works. Oh, Tommy, I do wish something exciting would happen. I feel-I really do feel it would be good for us. If we could find a fairy-"

"Ah!" said Tommy. "It is curious your saying that."

He got up and crossed the room. Opening a drawer of the writing table he took out a small snapshot print and brought it to Tuppence.

"Oh!" said Tuppence, "So you have got them developed. Which is this, the one you took of this room or the one I took?"

"The one I took. Yours didn't come out. You under exposed it. You always do."

"It is nice for you," said Tuppence, "to think that there is one thing you can do better than me."

"A foolish remark," said Tommy, "but I will let it pass for the moment.

What I wanted to show you was this."

He pointed to a small white speck on the photograph. "That is a scratch on the film," said Tuppence.

"Not at all," said Tommy. "That, Tuppence, is a fairy."

"Tommy, you idiot."

"Look for yourself."

He handed her a magnifying glass. Tuppence studied the print attentively through it. Seen thus by a slight stretch of fancy the scratch on the film could be imagined to represent a small winged creature perched on the fender "It has got wings!" cried Tuppence. "What fun, a real live fairy in our flat. Shall we write to Conan Doyle about it? Oh, Tommy. Do you think she'll give us wishes?"

"You will soon know," said Tommy. "You have been wishing hard enough for something to happen all the afternoon."

At that minute the door opened, and a tall lad of fifteen who seemed undecided as to whether he was a footman or a page boy inquired in a truly magnificent manner:

"Are you at Home, Madam? The front door bell has just rung."

"I wish Albert wouldn't go to the Pictures," sighed Tuppence after she had signified her assent, and Albert had withdrawn. "He's copying a Long Island butler now. Thank goodness I've cured him of asking for people's cards and bringing them to me on a salver."

The door opened again, and Albert announced: "Mr. Carter," much as though it were a Royal title.

"The Chief," muttered Tommy, in great surprise.

Tuppence jumped up with a glad exclamation, and greeted a tall grayhaired man with piercing eyes and a tired smile.

"Mr. Carter, I am glad to see you."

"That's good, Mrs. Tommy. Now answer me a question. How's life generally?"

"Satisfactory, but dull," replied Tuppence with a twinkle.

"Better and better," said Mr. Carter. "I'm evidently going to find you in the right mood."

"This," said Tuppence, "sounds exciting."

Albert, still copying the Long Island butler, brought in tea. When this operation was completed without mishap and the door had closed behind him Tuppence burst out once more.

"You did mean something, didn't you Mr. Carter? Are you going to send us on a mission into darkest Russia?"

"Not exactly that," said Mr. Carter.

"But there is something."

"Yes-there is something. I don't think you are the kind who shrinks from risks, are you, Mrs. Tommy?"

Tuppence's eyes sparkled with excitement.

"There is certain work to be done for the Department-and I fancied-I just fancied-that it might suit you two."

"Go on," said Tuppence.

"I see that you take the Daily Leader," continued Mr. Carter, picking up that journal from the table.

He turned to the advertisement column and indicating a certain advertisement with his finger pushed the paper across to Tommy.

"Read that out," he said.

Tommy complied.

"The International Detective Agency. Theodore Blunt, Manager.

Private Inquiries. Large staff of confidential and highly skilled Inquiry Agents. Utmost discretion. Consultations free. 118 Haleham St. W.C."

He looked inquiringly at Mr. Carter. The latter nodded.

"That detective agency has been on its last legs for some time," he murmured. "Friend of mine acquired it for a mere song. We're thinking of setting it going again-say, for a six months' trial. And during that time, of course, it will have to have a Manager."

"What about Mr. Theodore Blunt?" asked Tommy.

"Mr. Blunt has been rather indiscreet, I'm afraid. In fact, Scotland Yard have had to interfere. Mr. Blunt is being detained at His Majesty's expense, and he won't tell us half of what we'd like to know."

"I see, sir," said Tommy. "At least, I think I see."

"I suggest that you have six months' leave from the office. III health.

And of course if you like to run a detective agency under the name of Theodore Blunt, it's nothing to do with me."

Tommy eyed his Chief steadily.

"Any instructions, sir?"

"Mr. Blunt did some foreign business, I believe. Look out for blue letters with a Russian stamp on them. From a ham merchant anxious to find his wife who came as a Refugee to this country some years ago.

Moisten the stamp and you'll find the number 16 written underneath.

Make a copy of these letters and send the originals on to me. Also if anyone comes to the office and makes a reference to the number 16, inform me immediately."

"I understand, sir," said Tommy. "And apart from these instructions?"

Mr. Carter picked up his gloves from the table and prepared to depart.

"You can run the Agency as you please. I fancied-" his eyes twinkled a little-"that it might amuse Mrs. Tommy to try her hand at a little detective work."

2. A POT OF TEA

Mr. and Mrs. Beresford took possession of the offices of the

International Detective Agency a few days later. They were on the second floor of a somewhat dilapidated building in Bloomsbury. In the small outer office, Albert relinquished the role of a Long Island butler, and took up that of office boy, a part which he played to perfection. A paper bag of sweets, inky hands, and a tousled head was his conception of the character.

From the outer office, two doors led into inner offices. On one door was painted the legend "Clerks." On the other "Private." Behind the latter was a small comfortable room furnished with an immense business like desk, a lot of artistically labeled files, all empty, and some solid leather-seated chairs. Behind the desk sat the pseudo Mr.

Blunt trying to look as though he had run a detective agency all his life.

A telephone, of course, stood at his elbow. Tuppence and he had rehearsed several good telephone effects, and Albert also had his instructions.

In the adjoining room was Tuppence, a typewriter, the necessary tables and chairs of an inferior type to those in the room of the great Chief, and a gas ring for making tea.

Nothing was wanting, in fact, save clients.

Tuppence, in the first ecstasies of initiation, had a few bright hopes.

"It will be too marvelous," she declared. "We will hunt down murderers, and discover the missing family jewels, and find people who've disappeared and detect embezzlers."

At this point Tommy felt it his duty to strike a more discouraging note.

"Calm yourself, Tuppence, and try and forget the cheap fiction you are in the habit of reading. Our clientele, if we have any clientele at all-will consist solely of husbands who want their wives shadowed, and wives who want their husbands shadowed. Evidence for divorce is the sole prop of private inquiry agents."

"Ugh!" said Tuppence wrinkling a fastidious nose. "We shan't touch divorce cases. We must raise the tone of our new profession."

"Ye-es," said Tommy doubtfully.

And now a week after installation they compare notes rather ruefully.

"Three idiotic women whose husbands go away for weekends," sighed Tommy. "Anyone come whilst I was out at lunch?"

"A fat old man with a flighty wife," sighed Tuppence sadly. "I've read in the papers for years that the divorce evil was growing, but somehow I never seemed to realize it until this last week. I'm sick and tired of saying 'We don't undertake divorce cases.' "

"We've put it in the advertisements now," Tommy reminded her. "So it won't be so bad."

"I'm sure we advertise in the most tempting way too," said Tuppence, in a melancholy voice. "All the same, I'm not going to be beaten. If necessary, I shall commit a crime myself, and you will detect it."

"And what good would that do? Think of my feelings when I bid you a tender farewell at Bow Street-or is it Vine Street?"

"You are thinking of your bachelor days," said Tuppence pointedly.

"The Old Bailey, that is what I mean," said Tommy.

"Well," said Tuppence, "something has got to be done about it. Here we are bursting with talent and no chance of exercising it."

"I always like your cheery optimism, Tuppence. You seem to have no doubt whatever that you have talent to exercise."

"Of course," said Tuppence opening her eyes very wide.

"And yet you have no expert knowledge whatever."

"Well, I have read every detective novel that has been published in the last ten years."

"So have I," said Tommy, "but I have a sort of feeling that that wouldn't really help us much."

"You always were a pessimist, Tommy. Belief in oneself-that is the great thing."

"Well, you have got it all right," said her husband.

"Of course it is all right in detective stories," said Tuppence thoughtfully, "because one works backwards. I mean if one knows the solution one can arrange the clues. I wonder now-"

She paused, wrinkling her brows.

"Yes?" said Tommy, inquiringly.

"I have got a sort of an idea," said Tuppence. "It hasn't quite come yet but it's coming." She rose resolutely. "I think I shall go and buy that hat I told you about."

"Oh God!" said Tommy. "Another hat!"

"It's a very nice one," said Tuppence with dignity.

She went out with a resolute look on her face.

Once or twice in the following days Tommy inquired curiously about the idea. Tuppence merely shook her head and told him to give her time.

And then, one glorious morning, the first client arrived, and all else was forgotten.

There was a knock on the outer door of the office Albert, who had just placed an acid drop between his lips, roared out an indistinct 'come in.' He then swallowed the acid drop whole in his surprise and delight.

For this looked like the Real Thing.

A tall young man, exquisitely and beautifully dressed, stood hesitating in the doorway.

"A toff, if ever there was one," said Albert to himself. His judgment in such matters was good.

The young man was about twenty-four years of age, had beautifully slicked-back hair, a tendency to pink rims round the eyes, and practically no chin to speak of.

In an ecstasy, Albert pressed a button under his desk, and almost immediately a perfect fusilade of typing broke out from the direction of "Clerks." Tuppence had rushed to the post of duty. The effect of this hum of industry was to overawe the young man still further.

"I say," he remarked. "Is this the whatnot-detective agency-Blunt's Brilliant Detectives? All that sort of stuff, you know? Eh?"

"Did you want, sir, to speak to Mr. Blunt himself?" inquired Albert, with an air of doubt as to whether such a thing could be managed.

"Well-yes, laddie, that was the jolly old idea. Can it be done?"

"You haven't an appointment, I suppose?"

The visitor became more and more apologetic.

"Afraid I haven't."

"It's always wise, sir, to ring up on the phone first. Mr. Blunt is so terribly busy. He's engaged on the telephone at the moment. Called into consultation by Scotland Yard."

The young man seemed suitably impressed.

Albert lowered his voice, and imported information in a friendly fashion.

"Important theft of documents from a Government Office. They want Mr. Blunt to take up the case."

"Oh! really. I say. He must be no end of a fellow."

"The Boss, sir," said Albert, "is It."

The young man sat down on a hard chair, completely unconscious of the fact that he was being subjected to keen scrutiny by two pairs of eyes looking through cunningly contrived peep holes-those of Tuppence, in the intervals of frenzied typing, and those of Tommy awaiting the suitable moment.

Presently a bell rang with violence on Albert's desk.

"The Boss is free now. I will find out whether he can see you," said Albert, and disappeared through the door marked "Private."

He reappeared immediately.

"Will you come this way, sir?"

The visitor was ushered into the private office, and a pleasant faced young man with red hair and an air of brisk capability rose to greet him.

"Sit down. You wished to consult me? I am Mr. Blunt."

"Oh! Really. I say, you're awfully young, aren't you?"

"The day of the Old Men is over," said Tommy waving his hand. "Who caused the War? The Old Men. Who is responsible for the present state of unemployment? The Old Men. Who is responsible for every single rotten thing that has happened? Again I say, the Old Men!"

"I expect you are right," said the client. "I know a fellow who is a poetat least he says he is a poet-and he always talks like that."

"Let me tell you this, sir, not a person on my highly trained staff is a day over twenty-five. That is the truth."

Since the highly trained staff consisted of Tuppence and Albert, the statement was truth itself.

"And now-the facts," said Mr. Blunt.

"I want you to find someone that's missing," blurted out the young man.

"Quite so. Will you give me the details?"

"Well, you see, it's rather difficult. I mean, it's a frightfully delicate business and all that. She might be frightfully waxy about it. I meanwell, it's so dashed difficult to explain."

He looked helplessly at Tommy. Tommy felt annoyed. He had been on the point of going out to lunch, but he foresaw that getting the facts out of this client would be a long and tedious business.

"Did she disappear of her own free will, or do you suspect abduction?" he demanded crisply.

"I don't know," said the young man. "I don't know anything."

Tommy reached for a pad and pencil.

"First of all," he said, "will you give me your name? My office boy is trained never to ask names. In that way consultations can remain completely confidential."

"Oh! rather," said the young man. "Jolly good idea. My name-er-my name's Smith."

"Oh! no," said Tommy. "The real one, please."

His visitor looked at him in awe.

"Er-St. Vincent," he said. "Lawrence St. Vincent."

"It's a curious thing," said Tommy, "how very few people there are whose real name is Smith. Personally, I don't know anyone called Smith. But nine men out of ten who wish to conceal their real name give that of Smith. I am writing a monograph upon the subject."

At that moment a buzzer purred discreetly on his desk. That meant that Tuppence was requesting to take hold. Tommy, who wanted his lunch, and who felt profoundly unsympathetic towards Mr. St. Vincent, was only too pleased to relinquish the helm.

"Excuse me," he said, and picked up the telephone.

Across his face there shot rapid changes-surprise, consternation, slight elation.

"You don't say so," he said into the phone. "The Prime Minister himself? Of course, in that case, I will come round at once."

He replaced the receiver on the hook, and turned to his client.

"My dear sir, I must ask you to excuse me. A most urgent summons. If you will give the facts of the case to my confidential secretary, she will deal with them."

He strode to the adjoining door.

"Miss Robinson."

Tuppence, very neat and demure with smooth black head and dainty collar and cuffs, tripped in. Tommy made the necessary introductions and departed.

"A lady you take an interest in has disappeared, I understand, Mr. St.

Vincent," said Tuppence, in her soft voice, as she sat down and took up Mr. Blunt's pad and pencil. "A young lady?"

"Oh! rather," said Mr. St. Vincent. "Young-and-and-awfully goodlooking and all that sort of thing."

Tuppence's face grew grave.

"Dear me," she murmured. "I hope that-"

"You don't think anything's really happened to her?" demanded Mr. St.

Vincent, in lively concern.

"Oh! we must hope for the best," said Tuppence, with a kind of false cheerfulness which depressed Mr. St. Vincent horribly.

"Oh! look here, Miss Robinson. I say, you must do something. Spare no expense. I wouldn't have anything happen to her for the world. You seem awfully sympathetic, and I don't mind telling you in confidence that I simply worship the ground that girl walks on. She's a topper, an absolute topper." "Please tell me her name and all about her."

"Her name's Janet-I don't know her second name. She works in a hat shop-Madame Violette's in Brook Street-but she's as straight as they make them. Has ticked me off no end of times-I went round there yesterday-waiting for her to come out-all the others came, but not her.

Then I found that she'd never turned up that morning to work at allsent no message either-old Madame was furious about it. I got the address of her lodgings, and I went round there. She hadn't come home the night before, and they didn't know where she was. I was simply frantic. I thought of going to the police. But I knew that Janet would be absolutely furious with me for doing that if she were really all right and had gone off on her own. Then I remembered that she herself had pointed out your advertisement to me one day in the paper and told me that one of the women who'd been in buying hats had simply raved about your ability and discretion and all that sort of thing. So I toddled along here right away."

"I see," said Tuppence. "What is the address of her lodgings?"

The young man gave it to her.

"That's all, I think," said Tuppence reflectively. "That is to say-am I to understand that you are engaged to this young lady?"

Mr. St. Vincent turned a brick red.

"Well, no-not exactly. I never said anything. But I can tell you this, I mean to ask her to marry me as soon as ever I see her-if I ever do see her again."

Tuppence laid aside her pad.

"Do you wish for our special twenty-four hour service?" she asked, in business like tones.

"What's that?"

"The fees are doubled, but we put all our available staff on to the case.

Mr. St. Vincent, if the lady is alive, I shall be able to tell you where she is by this time to-morrow."

"What? I say, that's wonderful."

"We only employ experts-and we guarantee results," said Tuppence crisply.

"But I say, you know. You must have the most topping staff."

"Oh! we have," said Tuppence. "By the way, you haven't given me a description of the young lady."

"She's got the most marvelous hair-sort of golden, but very deep, like a jolly old sunset-that's it, a, jolly old sunset. You know, I never noticed things like sunsets until lately. Poetry too, there's a lot more in poetry than I ever thought."

"Red hair," said Tuppence unemotionally, writing it down. "What height should you say the lady was?"

"Oh! tallish, and she's got ripping eyes, dark blue, I think. And a sort of decided manner with her-takes a fellow up short sometimes."

Tuppence wrote down a few words more, then closed her note book and rose.

"If you will call here to-morrow at two o'clock, I think we shall have news of some kind for you," she said. "Good morning, Mr. St. Vincent."

When Tommy returned Tuppence was just consulting a page of Debrett.

"I've got all the details," she said succinctly. "Lawrence St. Vincent is the nephew and heir of the Earl of Cheriton. If we pull this through we shall get publicity in the highest places."

Tommy read through the notes on the pad.

"What do you really think has happened to the girl?" he asked.

"I think," said Tuppence, "that she has fled at the dictates of her heart, feeling that she loves this young man too well for her peace of mind."

Tommy looked at her doubtfully.

"I know they do it in books," he said, "but I've never known any girl who did it in real life."

"No?" said Tuppence. "Well, perhaps you're right. But I daresay Lawrence St. Vincent will swallow that sort of slush. He's full of romantic notions just now. By the way, I guaranteed results in twentyfour hours-our special service."

"Tuppence-you congenital idiot, what made you do that?"

"The idea just came into my head. I thought it sounded rather well.

Don't you worry. Leave it to Mother. Mother knows best."

She went out, leaving Tommy profoundly dissatisfied.

Presently he rose, sighed, and went out to do what could be done, cursing Tuppence's over fervent imagination.

When he returned weary and jaded at half past four, he found Tuppence extracting a bag of biscuits from their place of concealment in one of the files.

"You look hot and bothered," she remarked. "What have you been doing?"

Tommy groaned.

"Making a round of the Hospitals with that girl's description."

"Didn't I tell you to leave it to me?" demanded Tuppence.

"You can't find that girl single handed before two o'clock tomorrow."

"I can-and what's more, I have!"

"You have? What do you mean?"

"A simple problem, Watson, very simple indeed."

"Where is she now?"

Tuppence pointed a hand over her shoulder "She's in my office next door."

"What is she doing there?"

Tuppence began to laugh.

"Well," she said, "early training will tell, and with a kettle, a gas ring, and half a pound of tea staring her in the face, the result is a foregone conclusion."

"You see," continued Tuppence gently. "Madame Violette's is where I go for my hats, and the other day I ran across an old pal of Hospital days amongst the girls there. She gave up nursing after the War and started a hat shop, failed, and took this job at Madame Violette's. We fixed up the whole thing between us . She was to rub the advertisement well into young St. Vincent, and then disappear. Wonderful efficiency of Blunt's Brilliant Detectives. Publicity for us and the necessary fillip to young St. Vincent to bring him to the point of proposing. Janet was in despair about it."

"Tuppence," said Tommy, "you take my breath away! The whole thing is the most immoral business I ever heard of. You aid and abet this young man to marry out of his class-"

"Stuff," said Tuppence. "Janet is a splendid girl-and the queer thing is that she really adores that weak kneed young man. You can see with half a glance what his family needs. Some good red blood in it. Janet will be the making of him. She'll look after him like a mother, ease down the cocktails and the night clubs and make him lead a good healthy country gentleman's life. Come and meet her."

Tuppence opened the door of the adjoining office and Tommy followed her.

A tall girl with lovely auburn hair, and a pleasant face, put down the steaming kettle in her hand, and turned with a smile that disclosed an even row of white teeth.

"I hope you'll forgive me, Nurse Cowley-Mrs. Beresford, I mean. I thought that very likely you'd be quite ready for a cup of tea yourself.

Many's the pot of tea you've made for me in the Hospital at three o'clock in the morning."

"Tommy," said Tuppence. "Let me introduce you to my old friend, Nurse Smith."

"Smith, did you say? How curious!" said Tommy, shaking hands. "Eh?

Oh! nothing-a little monograph that I was thinking of Writing."

"Pull yourself together, Tommy," said Tuppence.

She poured him out a cup of tea.

"Now, then, let's all drink together. Here's to the success of the International Detective Agency. Blunt's Brilliant Detectives! May they never know failure!"

3. THE AFFAIR OF THE PINK PEARL

"What on earth are you doing?" demanded Tuppence, as she entered the inner sanctum of the International Detective Agency-(Slogan-

Blunt's Brilliant Detectives) and discovered her lord and master prone on the floor in a sea of books.

Tommy struggled to his feet.

"I was trying to arrange these books on the top shelf of that cupboard," he complained. "And the damned chair gave way."

"What are they, anyway?" asked Tuppence, picking up a volume. "'The Hound of the Baskervilles.' I wouldn't mind reading that again some time."

"You see the idea?" said Tommy, dusting himself with care. "Half hours with the Great Masters-that sort of thing. You see, Tuppence, I can't help feeling that we are more or less amateurs at this business-of course amateurs in one sense we cannot help being, but it would do no harm to acquire the technique, so to speak. These books are detective stories by the leading masters of the art. I intend to try different styles, and compare results."

"H'm," said Tuppence. "I often wonder how those detectives would have got on in real life." She picked up another volume. "You'll find a difficulty in being a Thorndyke. You've no medical experience, and less legal, and I never heard that science was your strong point."

"Perhaps not," said Tommy. "But at any rate I've bought a very good camera, and I shall photograph footprints and enlarge the negatives and all that sort of thing. Now, mon ami, use your little grey cells-what does this convey to you?"

He pointed to the bottom shelf of the cupboard. On it lay a somewhat futuristic dressing gown, a tu rkish slipper, and a violin.

"Obvious, my dear Watson," said Tuppence.

"Exactly," said Tommy. "The Sherlock Holmes touch."

He took up the violin and drew the bow idly across the strings, causing Tuppence to give a wail of agony.

At that moment the buzzer rang on the desk, a sign that a client had arrived in the outer office and was being held in parley by Albert, the office boy.

Tommy hastily replaced the violin in the cupboard and kicked the books behind the desk.

"Not that there's any great hurry," he remarked. "Albert will be handing them out the stuff about my being engaged with Scotland Yard on the phone. Get into your office and start typing, Tuppence. It makes the office sound busy and active. No, on second thoughts, you shall be taking notes in shorthand from my dictation. Let's have a look before we get Albert to send the victim in."

They approached the peephole which had been artistically contrived so as to command a view of the outer office.

The client was a girl of about Tuppence's age, tall and dark with a rather haggard face and scornful eyes.

"Clothes cheap and striking," remarked Tuppence. "Have her in, Tommy."

In another minute the girl was shaking hands with the celebrated Mr.

Blunt, whilst Tuppence sat by with eyes demurely downcast, and pad and pencil in hand.

"My confidential secretary, Miss Robinson," said Mr. Blunt with a wave of the hand. "You may speak freely before her." Then he lay back for a minute, half closed his eyes and remarked in a tired tone: "You must find traveling in a bus very crowded at this time of day."

"I came in a taxi," said the girl.

"Oh!" said Tommy aggrieved. His eyes rested reproachfully on a blue bus ticket protruding from her glove. The girl's eyes followed his glance, and she smiled and drew it out.

"You mean this? I picked it up on the pavement. A little neighbor of ours collects them."

Tuppence coughed, and Tommy threw a baleful glare at her.

"We must get to business," he said briskly. "You are in need of our services, Miss-?"

"Kingston Bruce is my name," said the girl. "We live at Wimbledon.

Last night a lady who is staying with us lost a valuable pink pearl. Mr.

St. Vincent was also dining with us, and during dinner he happened to mention your firm. My mother sent me off to you this morning to ask you if you would look into the matter for us."

The girl spoke sullenly, almost disagreeably. It was clear as daylight that she and her mother had not agreed over the matter. She was here under protest.

"I see," said Tommy, a little puzzled. "You have not called in the police?"

"No," said Miss Kingston Bruce, "we haven't. It would be idiotic to call in the police and then find that the silly thing had rolled under the fireplace, or something like that."

"Oh!" said Tommy. "Then the jewel may only be lost after all?"

Miss Kingston Bruce shrugged her shoulders.

"People make such a fuss about things," she murmured.

Tommy cleared his throat.

"Of course," he said doubtfully. "I am extremely busy just now-"

"I quite understand," said the girl rising to her feet. There was a quick gleam of satisfaction in her eyes which Tuppence, for one, did not miss.

"Nevertheless," continued Tommy, "I think I can manage to run down to Wimbledon. Will you give me the address, please?"

"The Laurels, Edgeworth Road."

"Make a note of it, please, Miss Robinson."

Miss Kingston Bruce hesitated, then said rather ungraciously:

"We'll expect you then. Good morning."

"Funny girl," said Tommy. "I couldn't quite make her out."

"I wonder if she stole the thing herself," remarked Tuppence meditatively. "Come on, Tommy, let's put away these books and take the car and go down there. By the way, who are you going to be, Sherlock Holmes still?"

"I think I need practice for that," said Tommy. "I came rather a cropper over that bus ticket, didn't I?"

"You did," said Tuppence. "If I were you I shouldn't try too much on that girl-she's as sharp as a needle. She's unhappy too, poor devil." "I suppose you know all about her already," said Tommy with sarcasm, "simply from looking at the shape of her nose!"

"I'll tell you my idea of what we shall find at The Laurels," said Tuppence, quite unmoved. "A household of snobs, very keen to move in the best society; the father, if there is a father, is sure to have a military title. The girl falls in with their way of life and despises herself for doing so."

Tommy took a last look at the books now neatly ranged upon a shelf.

"I think," he said thoughtfully, "that I shall be Thorndyke to-day."

"I shouldn't have thought there was anything medico-legal about this case," remarked Tuppence.

"Perhaps not," said Tommy. "But I'm simply dying to use that new camera of mine! It's supposed to have the most marvelous lens that ever was or ever could be."

"I know those kind of lenses," said Tuppence. "By the time you've adjusted the shutter and stopped down and calculated the exposure and kept your eyes on the spirit level, your brain gives out, and you yearn for the simple Brownie."

"Only an unambitious soul is content with the simple Brownie."

"Well, I bet I shall get better results with it than you will."

Tommy ignored this challenge.

"I ought to have a 'Smoker's Companion,' " he said regretfully. "I wonder where one buys them?"

"There's always the patent corkscrew Aunt Araminta gave you last Xmas," said Tuppence helpfully.

"That's true," said Tommy. "A curious looking engine of destruction I thought it at the time, and rather a humorous present to get from a strictly teetotal aunt."

"I," said Tuppence, "shall be Polton."

Tommy looked at her scornfully.

"Polton indeed. You couldn't begin to do one of the things that he does."

"Yes, I can," said Tuppence. "I can rub my hands together when I'm pleased. That's quite enough to get on with. I hope you're going to take plaster casts of footprints?"

Tommy was reduced to silence. Having collected the corkscrew they went round to the garage, got out the car and started for Wimbledon.

The Laurels was a big house. It ran somewhat to gables and turrets, had an air of being very newly painted, and was surrounded with neat flower beds filled with scarlet geraniums.

A tall man with a close cropped white moustache, and an exaggeratedly martial bearing opened the door before Tommy had time to ring.

"I've been looking out for you," he explained fussily. "Mr. Blunt, is it not? I am Colonel Kingston Bruce. Will you come into my study?"

He led them into a small room at the back of the house.

"Young St. Vincent was telling me wonderful things about your firm.

I've noticed your advertisements myself. This guaranteed twenty-four hours service of yours-a marvelous notion. That's exactly what I need."

Inwardly anathematizing Tuppence for her irresponsibility in inventing this brilliant detail, Tommy replied: "Just so Colonel." "The whole thing is most distressing, sir, most distressing."

"Perhaps you would kindly give me the facts," said Tommy, with a hint of impatience.

"Certainly I will-at once. We have at the present moment staying with us a very old and dear friend of ours, Lady Laura Barton. Daughter of the late Earl of Carrowway. The present Earl, her brother, made a striking speech in the House of Lords the other day. As I say, she is an old and dear friend of ours. Some American friends of mine who have just come over, the Hamilton Betts, were most anxious to meet her.

'Nothing easier,' I said. 'She is staying with me now. Come down for the week-end.' You know what Americans are about titles, Mr. Blunt."

"And others besides Americans sometimes, Colonel Kingston Bruce."

"Alas! only too true, my dear sir. Nothing I hate more than a snob. Well, as I was saying, the Betts came down for the week-end. Last night-we were playing Bridge at the time-the clasp of a pendant Mrs. Hamilton Betts was wearing broke, so she took it off and laid it down on a small table, meaning to take it upstairs with her when she went. This, however, she forgot to do. I must explain, Mr. Blunt, that the pendant consisted of two small diamond wings, and a big pink pearl depending from them. The pendant was found this morning lying where Mrs. Betts had left it, but the pearl, a pearl of enormous value, had been wrenched off."

"Who found the pendant?" "The parlormaid-Gladys Hill."

"Any reason to suspect her?"

"She has been with us some years, and we have always found her perfectly honest. But, of course, one never knows-"

"Exactly. Will you describe your staff, and also tell me who was present at dinner last night?"

"There is the cook-she has been with us only two months, but then she would have no occasion to go near the drawingroom-the same applies to the kitchen maid. Then there is the housemaid, Alice Cummings.

She also has been with us for some years. And Lady Laura's maid, of course. She is French."

Colonel Kingston Bruce looked very impressive as he said this.

Tommy, unaffected by the revelation of the maid's nationality, said:

"Exactly. And the party at dinner?"

"Mr. and Mrs. Betts, ourselves-(my wife and daughter)-and Lady Laura.

Young St. Vincent was dining with us, and Mr. Rennie looked in after dinner for a while."

"Who is Mr. Rennie?"

"A most pestilential fellow-an arrant socialist. Good looking, of course, and with a certain specious power of argument. But a man, I don't mind telling you, whom I wouldn't trust a yard. A dangerous sort of fellow."

"In fact," said Tommy drily, "it is Mr. Rennie whom you suspect?" "I do, Mr. Blunt. I'm sure, holding the views he does, that he can have no principles whatsoever. What could have been easier for him than to have quietly wrenched off the pearl at a moment when we were all absorbed in our game? There were several absorbing moments-a redoubled No Trump hand, I remember, and also a painful argument when my wife had the misfortune to revoke."

"Quite so," said Tommy. "I should just like to know one thing-what is Mrs. Bett's attitude in all this?"

"She wanted me to call in the police," said Colonel Kingston Bruce reluctantly. "That is, when we had searched everywhere in case the pearl had only dropped off."

"But you dissuaded her?"

"I was very averse to the idea of publicity and my wife and daughter backed me up. Then my wife remembered young St. Vincent speaking about your firm at dinner last night-and the twenty-four hours special service."

"Yes," said Tommy with a heavy heart.

"You see, in any case no harm will be done. If we call in the police tomorrow, it can be supposed that we thought the jewel merely lost and were hunting for it. By the way, nobody has been allowed to leave the house this morning."

"Except your daughter, of course," said Tuppence, speaking for the first time.

"Except my daughter," agreed the Colonel. "She volunteered at once to go and put the case before you."

Tommy rose.

"We will do our best to give you satisfaction, Colonel," he said. "I should like to see the drawing-room, and the table on which the pendant was laid down. I should also like to ask Mrs. Betts a few questions. After that, I will interview the servants-or rather my assistant, Miss Robinson, will do so."

He felt his nerve quailing before the terrors of questioning the servants.

Colonel Kingston Bruce threw open the door, and led them across the hall. As he did so, a remark came to them clearly through the open door of the room they were approaching, and the voice that uttered it was that of the girl who had come to see them that morning.

"You know perfectly well, mother," she was saying, "that she did bring home a teaspoon in her muff."

In another minute they were being introduced to Mrs. Kingston Bruce, a plaintive lady with a languid manner. Miss Kingston Bruce acknowledged their presence with a short inclination of the head. Her face was more sullen than ever.

Mrs. Kingston Bruce was voluble.

"-but I know who I think took it," she ended. "That dreadful socialist young man. He loves the Russians and the Germans and hates the English-what else can you expect?"

"He never touched it," said Miss Kingston Bruce fiercely. "I was watching him-all the time. I couldn't have failed to see if he had."

She looked at them defiantly with her chin up.

Tommy created a diversion by asking for an interview with Mrs. Betts.

When Mrs. Kingston Bruce had departed accompanied by her husband and daughter to find Mrs. Betts, he whistled thoughtfully.

"I wonder," he said gently, "who it was who had a teaspoon in her muff?"

"Just what I was thinking," replied Tuppence.

Mrs. Betts, followed by her husband, burst into the room. She was a big woman with a determined voice. Mr. Hamilton Betts looked dyspeptic and subdued.

"I understand, Mr. Blunt, that you are a private inquiry agent, and one who hustles things through at a great rate?"

"Hustle," said Tommy, "is my middle name, Mrs. Betts. Let me ask you a few questions."

Thereafter things proceeded rapidly. Tommy was shown the damaged pendant, the table on which it had lain, and Mr. Betts emerged from his taciturnity to mention the value, in dollars, of the stolen pearl.

And withal, Tommy felt an irritating certainty that he was not getting on.

"I think that will do," he said at length. "Miss Robinson, will you kindly fetch the special photographic apparatus from the hall?"

Miss Robinson complied.

"A little invention of my own," said Tommy. "In appearance, you see, it is just like an ordinary camera."

He had some slight satisfaction in seeing that the Betts were impressed.

He photographed the pendant, the table on which it had lain, and took several general views of the apartment. Then "Miss Robinson" was delegated to interview the servants, and in view of the eager expectancy on the faces of Colonel Kingston Bruce and Mrs. Betts, Tommy felt called upon to say a few authoritative words.

"The position amounts to this," he said. "Either the pearl is still in the house, or it is not still in the house."

"Quite so," said the Colonel with more respect than was, perhaps, quite justified by the nature of the remark.

"If it is not in the house, it may be anywhere-but if it is in the house, it must necessarily be concealed somewhere-"

"And a search must be made," broke in Colonel Kingston Bruce.

"Quite so. I give you carte Blanche, Mr. Blunt. Search the house from attic to cellar."

"Oh! Charles," murmured Mrs. Kingston Bruce tearfully. "Do you think that is wise? The servants won't like it. I'm sure they'll leave."

"We will search their quarters last," said Tommy soothingly. "The thief is sure to have hidden the gem in the most unlikely place."

"I seem to have read something of the kind," agreed the Colonel.

"Quite so," said Tommy. "You probably remember the case of Rex. v.

Bailey which created a precedent."

"Oh-er-yes," said the Colonel looking puzzled.

"Now, the most unlikely place is in the apartments of Mrs. Betts," continued Tommy.

"My! Wouldn't that be too cute?" said Mrs. Betts admiringly.

Without more ado, she took him up to her room where Tommy once more made use of the special photographic apparatus.

Presently Tuppence joined him there.

"You have no objection, I hope, Mrs. Betts, to my assistant's looking through your wardrobe?"

"Why, not at all. Do you need me here any longer?"

Tommy assured her that there was no need to detain her, and Mrs.

Betts departed.

"We might as well go on bluffing it out," said Tommy. "But personally I don't believe we've a dog's chance of finding the thing. Curse you and your twenty-four hours stunt, Tuppence."

"Listen," said Tuppence. "The servants are all right, I'm sure, but I managed to get something out of the French maid. It seems that when Lady Laura was staying here a year ago, she went out to tea with some friends of the Kingston Bruces', and when she got home a teaspoon fell out of her muff. Everyone thought it must have fallen in by accident.

But, talking about similar robberies, I got hold of a lot more. Lady Laura is always staying about with people. She hasn't got a bean, I gather, and she's out for comfortable quarters with people to whom a title still means something. It may be a coincidence-or it may be something more, but five distinct thefts have taken place whilst she has been staying in various houses, sometimes trivial things, sometimes valuable jewels."

"Whew!" said Tommy, and gave vent to a prolonged whistle. "Where's the old bird's room, do you know?"

"Just across the passage."

"Then I think, I rather think, that we'll just slip across and investigate."

The room opposite stood with its door ajar. It was a spacious apartment, with white enameled fitments and rose pink curtains. An inner door led to a bathroom. At the door of this appeared a slim dark girl, very neatly dressed.

Tuppence checked the exclamation of astonishment on the girl's lips.

"This is Elise, Mr. Blunt," she said primly. "Lady Laura's maid."

Tommy stepped across the threshold of the bathroom, and approved inwardly its sumptuous and up to date fittings. He set to work to dispel the wide stare of suspicion on the French girl's face.

"You are busy with your duties, eh, Mademoiselle Elise?"

"Yes, Monsieur, I clean Milady's bath."

"Well, perhaps you'll help me with some photography instead. I have a special kind of camera here, and I am photographing the interiors of all the rooms in this house."

He was interrupted by the communicating door to the bedroom banging suddenly behind him. Elise jumped at the sound.

"What did that?"

"It must have been the wind," said Tuppence.

"We will come into the other room," said Tommy.

Elise went to open the door for them, but the door knob rattled aimlessly.

"What's the matter?" said Tommy sharply.

"Ah, Monsieur, but somebody must have locked it on the other side."

She caught up a towel and tried again. But this time the door handle turned easily enough, and the door swung open.

"Voila ce qui est curieux. It must have stuck," said Elise.

There was no one in the bedroom.

Tommy fetched his apparatus. Tuppence and Elise worked under his orders. But again and again his glance went back to the communicating door.

"I wonder," he said between his teeth. "I wonder why that door stuck?"

He examined it minutely, shutting and opening it. It fitted perfectly.

"One picture more," he said with a sigh. "Will you loop back that rose curtain, Mademoiselle Elise? Thank you. Just hold it so."

The familiar click occurred. He handed a glass slide to Elise to hold, relinquished the tripod to Tuppence, and carefully readjusted and closed the camera.

He made some easy excuse to get rid of Elise, and as soon as she was out of the room, he caught hold of Tuppence and spoke rapidly.

"Look here, I've got an idea. Can you hang on here? Search all the rooms-that will take some time. Try and get an interview with the old bird-Lady Laura-but don't alarm her. Tell her you suspect the parlormaid. But whatever you do, don't let her leave the house. I'm going off in the car. I'll be back as soon as I can."

"All right," said Tuppence. "But don't be too cocksure. You've forgotten one thing."

"What's that?"

"The girl. There's something funny about that girl. Listen, I've found out the time she started from the house this morning. It took her two hours to get to our office. That's nonsense. Where did she go before she came to us?"

"There's something in that," admitted her husband. "Well, follow up any old clue you like, but don't let Lady Laura leave the house. What's that?"

His quick ear had caught a faint rustle outside on the landing. He strode across to the door, but there was no one to be seen.

"Well, so long," he said. "I'll be back as soon as I can."

4. THE AFFAIR OF THE PINK PEARL (continued)

Tuppence watched him drive off in the car with a faint misgiving.

Tommy was very sure-she herself was not so sure. There were one or two things she did not quite understand.

She was still standing by the window, watching the road, when she saw a man leave the shelter of a gateway opposite, cross the road and ring the bell.

In a flash Tuppence was out of the room and down the stairs. Gladys Hill the parlormaid, was emerging from the back part of the house, but Tuppence motioned her back authoritatively. Then she went to the front door and opened it.

A lanky young man with ill-fitting clothes, and eager dark eyes was standing on the step.

He hesitated a moment, and then said.

"Is Miss Kingston Bruce in?"

"Will you come inside?" said Tuppence.

She stood aside to let him enter, closing the door.

"Mr. Rennie, I think?" she said sweetly.

He shot a quick glance at her.

"Er-yes."

"Will you come in here, please?"

She opened the study door. The room was empty, and Tuppence entered it after him, closing the door behind her. He turned on her with a frown.

"I want to see Miss Kingston Bruce."

"I am not quite sure that you can," said Tuppence composedly.

"Look here, who the devil are you?" said Mr. Rennie rudely.

"International Detective Agency," said Tuppence succinctly-and noticed Mr. Rennie's uncontrollable start.

"Please sit down, Mr. Rennie," she went on. "To begin with, we know all about Miss Kingston Bruce's visit to you this morning."

It was a bold guess, but it succeeded. Perceiving his consternation, Tuppence went on quickly.

"The recovery of the pearl is the great thing, Mr. Rennie. No one in this house is anxious for-publicity. Can't we come to some arrangement?"

The young man looked at her keenly.

"I wonder how much you know," he said thoughtfully. "Let me think for a moment."

He buried his head in his hands-then asked a most unexpected question.

"I say, is it really true that young St. Vincent is engaged to be married?"

"Quite true," said Tuppence. "I know the girl."

Mr. Rennie suddenly became confidential.

"It's been hell," he confided. "They've been asking him here morning, noon and night-chucking Beatrice at his head. All because he'll come into a title some day. If I had my way-"

"Don't let's talk politics," said Tuppence hastily. "Do you mind telling me, Mr. Rennie, why you think Miss Kingston Bruce took the pearl?"

"I-I don't."

"You do," said Tuppence calmly. "You wait to see the detective, as you think, drive off and the coast clear, and then you come and ask for her.

It's obvious. If you'd taken the pearl yourself, you wouldn't be half so upset."

"Her manner was so odd," said the young man. "She came this morning and told me about the robbery, explaining that she was on her way to a firm of private detectives. She seemed anxious to say something, and yet not able to get it out."

"Well," said Tuppence. "All I want is the pearl. You'd better go and talk to her."

But at that moment Colonel Kingston Bruce opened the door.

"Lunch is ready, Miss Robinson. You will lunch with us, I hope. The-"

Then he stopped and glared at the guest.

"Clearly," said Mr. Rennie, "you don't want to ask me to lunch. All right, I'll go."

"Come back later," whispered Tuppence, as he passed her.

Tuppence followed Colonel Kingston Bruce, still growling into his moustache about the pestilential impudence of some people, into a massive dining-room where the family was already assembled. Only one person present was unknown to Tuppence.

"This, Lady Laura, is Miss Robinson who is kindly assisting us."

Lady Laura bent her head, and then proceeded to stare at Tuppence through her pince nez. She was a tall thin woman, with a sad smile, a gentle voice, and very hard shrewd eyes. Tuppence returned her stare, and Lady Laura's eyes dropped.

After lunch Lady Laura entered into conversation with an air of gentle curiosity. How was the inquiry proceeding? Tuppence laid suitable stress on the suspicion attaching to the parlormaid, but her mind was not really on Lady Laura. Lady Laura might conceal teaspoons and other articles in her clothing, but Tuppence felt fairly sure that she had not taken the pink pearl.

Presently Tuppence proceeded with her search of the house. Time was going on. There was no sign of Tommy and, what mattered far more to Tuppence, there was no sign of Mr. Rennie. Suddenly Tuppence came out of a bedroom and collided with Beatrice Kingston Bruce who was going down stairs. She was fully dressed for the street.

"I'm afraid," said Tuppence, "that you mustn't go out just now."

The other girl looked at her haughtily.

"Whether I go out or not is no business of yours," she said coldly.

"It is my business whether I communicate with the police or not, though," said Tuppence.

In a minute the girl had turned ashy pale.

"You mustn't-you mustn't-I won't go out-but don't do that." She clung to Tuppence beseechingly.

"My dear Miss Kingston Bruce," said Tuppence smiling. "The case has been perfectly clear to me from the start-I-"

But she was interrupted. In the stress of her encounter with the girl, Tuppence had not heard the front door bell. Now, to her astonishment, Tommy came bounding up the stairs, and in the hall below she caught sight of a big burly man in the act of removing a bowler hat.

"Detective Inspector Marriot of Scotland Yard," he said with a grin.

With a cry, Beatrice Kingston Bruce tore herself from Tuppence's grasp and dashed down the stairs, just as the front door was opened once more to admit Mr. Rennie.

"Now you have torn it," said Tuppence bitterly.

"Eh?" said Tommy, hurrying into Lady Laura's room. He passed on into the bathroom, and picked up a large cake of soap which he brought out in his hands. The Inspector was just mounting the stairs.

"She went quite quietly," he announced. "She's an old hand, and knows when the game is up. What about the pearl?"

"I rather fancy," said Tommy, handing him the soap, "that you'll find it in here."

The Inspector's eyes lit up appreciatively.

"An old trick, and a good one. Cut a cake of soap in half, scoop out a place for the jewel, clap it together again, and smooth the join wed over with hot water. A very smart piece of work on your part, sir."

Tommy accepted the compliment gracefully. He and Tuppence descended the stairs. Colonel Kingston Bruce rushed at him and shook him warmly by the hand.

"My dear sir, I can't thank you enough. Lady Laura wants to thank you also-"

"I am glad we have given you satisfaction," said Tommy. "But I'm afraid I can't stop. I have a most urgent appointment. Member of the Cabinet."

He hurried out to the car and jumped in. Tuppence jumped in beside him.

"But Tommy," she cried. "Haven't they arrested Lady Laura, after all?"

"Oh!" said Tommy. "Didn't I tell you? They've not arrested Lady Laura.

They've arrested Elise."

"You see," he went on, as Tuppence sat dumbfounded, "I've often tried to open a door with soap on my hands myself. It can't be done-your hands slip. So I wondered what Elise could have been doing with the soap to get her hands as soapy as all that. She caught up a towel, you remember, so there were no traces of soap on the handle afterwards.

But it occurred to me that if you were a professional thief, it wouldn't be a bad plan to be maid to a lady suspected of kleptomania who stayed about a good deal in different houses. So I managed to get a photo of her as well as of the room, induced her to handle a glass slide and toddled off to dear old Scotland Yard. Lightning development of negative, successful identification of fingerprints-and photo. Elise was a long lost friend. Useful place, Scotland Yard."

"And to think," said Tuppence, finding her voice, "that those two young idiots were only suspecting each other in that weak way they do it in books. But why didn't you tell me what you were up to when you went off?"

"In the first place, I suspected that Elise was listening on the landing, and in the second place-"

"Yes?"

"My learned friend forgets," said Tommy. "Thorndyke never tells until the last moment. Besides, Tuppence, you and your pal Janet Smith put one over on me last time. This makes us an square."

5. THE ADVENTURE OF THE SINISTER STRANGER

"It's been a darned dull day," said Tommy, and yawned widely.

"Nearly tea time," said Tuppence and also yawned.

Business was not brisk in the International Detective Agency. The eagerly expected letter from the ham merchant had not arrived and bona fide cases were not forthcoming.

Albert, the office boy, entered with a sealed package which he laid on the table.

"The Mystery of the Sealed Packet," murmured Tommy. "Did it contain the fabulous pearls of the Russian Grand Duchess? Or was it an infernal machine destined to blow Blunt's Brilliant Detectives to pieces?"

"As a matter of fact," said Tuppence, tearing open the package, "it's my wedding present to Francis Haviland. Rather nice, isn't it?"

Tommy took a slender silver cigarette case from her outstretched hand, noted the inscription engraved in her own handwriting: Francis from Tuppence, opened and shut the case, and nodded approvingly.

"You do throw your money about, Tuppence," he remarked. "I'll have one like it, only in gold, for my birthday next month. Fancy wasting a thing like that on Francis Haviland, who always was and always will be one of the most perfect asses God ever made!"

"You forget I used to drive him about during the War, when he was a General. Ah! those were the good old days."

"They were," agreed Tommy. "Beautiful women used to come and squeeze my hand in Hospital, I remember. But I don't send them all wedding presents. I don't believe the bride will care much for this gift of yours, Tuppence."

"It's nice and slim for the pocket, isn't it?" said Tuppence disregarding his remarks.

Tommy slipped it into his own pocket.

"Just right," he said approvingly. ''Hullo, here is Albert with the afternoon post. Very possibly the Duchess of Pertheshire is commissioning us to find her prize Peke."

They sorted through the letters together. Suddenly Tommy gave vent to a prolonged whistle, and held up one of them in his hand.

"A blue letter with a Russian stamp on it. Do you remember what the Chief said? We were to look out for letters like that."

"How exciting," said Tuppence. "Something has happened at last.

Open it and see if the contents are up to schedule. A ham merchant, wasn't it? Half a minute. We shall want some milk for tea. They forgot to leave it this morning. I'll send Albert out for it."

She returned from the outer office, after despatching Albert on his errand, to find Tommy holding the blue sheet of paper in his hand.

"As we thought, Tuppence," he remarked. "Almost word for word what the Chief said."

Tuppence took the letter from him and read it.

It was couched in careful stilted English, and purported to be from one Gregor Feodorsky who was anxious for news of his wife. The International Detective Agency was urged to spare no expense in doing their utmost to trace her. Feodorsky himself was unable to leave Russia at the moment owing to a crisis in the Pork trade.

"I wonder what it really means," said Tuppence thoughtfully, smoothing out the sheet on the table in front of her.

"Code of some kind, I suppose," said Tommy. "That's not our business.

Our business is to hand it over to the Chief as soon as possible. Better just verify it by soaking off the st amp and seeing if the number 16 is underneath."

"All right," said Tuppence. "But I should think-"

She stopped dead, and Tommy, surprised by her sudden pause, looked up to see a man's burly figure blocking the doorway.

The intruder was a man of commanding presence, squareIy built, with a very round head and a powerful jaw. He might have been about fortyfive years of age.

"I must beg your pardon," said the stranger, advancing into the room, hat in hand. "I found your outer office empty, and this door open, so I ventured to intrude. This is Blunt's International Detective Agency, is it not?"

"Certainly it is."

"And you are, perhaps, Mr. Blunt? Mr. Theodore Blunt?"

"I am Mr. Blunt. You wished to consult me? This is my secretary, Miss Robinson."

Tuppence inclined her head gracefully, but continued to scrutinise the stranger narrowly through her downcast eyelashes. She was wondering how long he had been standing in the doorway, and how much he had seen and heard. It did not escape her observation that even while he was talking to Tommy, his eyes kept coming back to the blue paper in her hand.

Tommy's voice, sharp with a warning note, recalled her to the needs of the moment.

"Miss Robinson, please, take notes. Now, sir, will you kindly state the matter on which you wish to have my advice?"

Tuppence reached for her pad and pencil.

The big man began in rather a harsh voice.

"My name is Bower. Dr. Charles Bower. I live in Hampstead where I have a practice. I have come to you, Mr. Blunt, because several rather strange occurrences have happened lately."

"Yes, Dr. Bower?"

"Twice in the course of the last week, I have been summoned by telephone to an urgent case-in each case to find that the summons has been a fake. The first time I thought a practical joke had been played upon me, but on my return the second time, I found that some of my private papers had been displaced and disarranged, and I now believe that the same thing had happened the first time. I made an exhaustive search and came to the conclusion that my whole desk had been thoroughly ransacked, and the various papers replaced hurriedly."

Dr. Bower paused, and gazed at Tommy.

"Well, Mr. Blunt?"

"Well, Dr. Bower," replied the young man smiling.

"What do you think of it, eh?"

"Well, first I should like the facts. What do you keep in your desk?"

"My private papers."

"Exactly. Now, what do those private papers consist of? What value are they to the common thief-or any particular person?"

"To the common thief I cannot see that they would have any value at all, but my notes on certain obscure alkaloids would be of interest to anyone possessed of technical knowledge on the subject. I have been making a study of such matters for the last few years. These alkaloids are deadly and virulent poisons, and are, in addition, almost untraceable. They yield no known reactions."

"The secret of them would be worth money, then?" "To unscrupulous persons, yes."

"And you suspect-whom?"

The doctor shrugged his massive shoulders.

"As far as I can tell, the house was not entered forcibly from the outside. That seems to point to some member of my household, and yet I cannot believe-" He broke off abruptly, then began again, his face very grave.

"Mr. Blunt, I must place myself in your hands unreservedly. I dare not go to the police in the matter. Of my three servants I am almost entirely sure. They have served me long and faithfully. Still, one never knows.

Then I have living with me my two nephews, Bertram and Henry. Henry is a good boy-a very good boy-he has never caused me any anxiety, an excellent hard-working young fellow. Bertram, I regret to say, is of quite a different character-wild, extravagant, and persistently idle."

"I see," said Tommy thoughtfully. "You suspect your nephew Bertram of being mixed up in this business. Now I don't agree with you. I suspect the good boy-Henry."

"But why?"

"Tradition. Precedent." Tommy waved his hand airily. "In my experience, the suspicious characters are always innocent-and vice versa, my dear sir. Yes, decidedly, I suspect Henry."

"Excuse me, Mr. Blunt," said Tuppence, interrupting in a deferential voice. "Did I understand Dr. Bower to say that these notes on-erobscure alkaloids-are kept in the desk with the other papers?"

"They are kept in the desk, my dear young lady, but in a secret drawer, the position of which is known only to myself. Hence they have so far defied the search."

"And what exactly do you want me to do, Dr. Bower?" asked Tommy.

"Do you anticipate that a further search will be made?"

"I do, Mr. Blunt. I have every reason to believe so. This afternoon, I received a telegram from a patient of mine whom I ordered to Bournemouth a few weeks ago. The telegram states that my patient is in a critical condition, and begs me to come down at once. Rendered suspicious by the events I have told you of, I myself despatched a telegram, prepaid, to the patient in question, and elicited the fact that he was in good health and had sent no summons to me of any kind. It occurred to me that if I pretended to have been taken in, and duly departed to Bournemouth, we should have a very good chance of finding the miscreants at work. They-or he -will doubtless wait until the household has retired to bed before commencing operations. I suggest that you should meet me outside my house at eleven o'clock this evening, and we will investigate the matter together."

"Hoping, in fact, to catch them in the act." Tommy drummed thoughtfully on the table with a paper knife. "Your plan seems to me an excellent one, Dr. Bower. I cannot see any hitch in it. Let me see, your address is-?"

"The Larches, Hangman's Lane-rather a lonely part, I am afraid. But we command magnificent views over the Heath."

"Quite so," said Tommy.

The visitor rose.

"Then I shall expect you to-night, Mr. Blunt. Outside The Larches atshall we say, five minutes to eleven-to be on the safe side?"

"Certainly. Five minutes to eleven. Good afternoon, Dr. Bower."

Tommy rose, pressed the buzzer on his desk, and Albert appeared to show the client out. The doctor walked with a decided limp, but his powerful physique was evident in spite of it.

"An ugly customer to tackle," murmured Tommy to himself. "Well, Tuppence, old girl, what do you think of it?"

"I'll tell you in one word," said Tuppence. "Clubfoot!"

"What?"

"I said Clubfoot! My study of the Classics has not been in vain. Tommy, this thing's a plant. Obscure alkaloids indeed-I never heard a weaker story."

"Even I did not find it very convincing," admitted her husband.

"Did you see his eyes on the letter? Tommy, he's one of the gang.

They've got wise to the fact that you're not the real Mr. Blunt, and they're out for our blood."

"In that case," said Tommy, opening the side cupboard, and surveying his rows of books with an affectionate eye. "Our role is easy to select.

We are the brothers Okewood! And I am Desmond," he added firmly.

Tuppence shrugged her shoulders.

"All right. Have it your own way. I'd just as soon be Francis. Francis was much the more intelligent of the two. Desmond always gets into a mess, and Francis turns up as the gardener or something in the nick of time, and saves the situation."

"Ah!" said Tommy, "but I shall be a super Desmond! When I arrive at The Larches-"

Tuppence interrupted him unceremoniously.

"You're not going to Hampstead to-night?"

`'Why not?"

"Walk into a trap with your eyes shut!"

"No, my dear girl, walk into a trap with my eyes open. There's a lot of difference. I think our friend Dr. Bower will get a little surprise."

"I don't like it," said Tuppence. "You know what happens when Desmond disobeys the Chief's orders, and acts on his own. Our orders were quite clear. To send on the letters at once and to report immediately on anything that happened."

"You've not got it quite right," said Tommy. "We were to report immediately if anyone came in and mentioned the number 16. Nobody has."

"That's a quibble," said Tuppence.

"It's no good. I've got a fancy for playing a lone hand. My dear old Tuppence, I shall be all right. I shall go armed to the teeth. The essence of the whole thing is that I shall be on my guard and they won't know it. The Chief will be patting me on the back for a good night's work."

"Well," said Tuppence. "I don't like it. That man's as strong as a gorilla."

"Ah!" said Tommy, "but think of my blue-nosed automatic."

The door of the outer office opened and Albert appeared. Closing the door behind him, he approached them with an envelope in his hand.

"A gentleman to see you," said Albert. "When I began the usual stunt of saying you were engaged with Scotland Yard, he told me he knew all about that. Said he came from Scotland Yard himself! And he wrote something on a card and stuck it up in this envelope."

Tommy took the envelope and opened it. As he read the card, a grin passed across his face.

"The gentleman was amusing himself at your expense by speaking the truth, Albert," he remarked. "Show him in."

He tossed the card to Tuppence. It bore the name Detective Inspector Dymchurch, and across it was scrawled in pencil-"A friend of Marriot's."

In another minute the Scotland Yard detective was entering the inner office. In appearance, Inspector Dymchurch was of the same type as Inspector Marriot, short and thick set, with shrewd eyes.

"Good afternoon," said the detective breezily. "Marriot's away in South Wales, but before he went, he asked me to keep an eye on you two, and on this place in general. Oh! bless you, sir," he went on, as Tommy seemed about to interrupt him, "we know all about it. It's not our department, and we don't interfere. But somebody's got wise lately to the fact that all is not what it seems. You've had a gentleman here this afternoon. I don't know what he called himself, and I don't know what his real name is, but I know just a little about him. Enough to want to know more. Am I right in assuming that he made a date with you for some particular spot this evening?"

"Quite right."

"I thought as much. 16 Westerham Road, Finsbury Park? Was that it?"

"You're wrong there," said Tommy with a smile. "Dead wrong. The Larches, Hampstead."

Dymchurch seemed honestly taken aback. Clearly he had not expected this.

"I don't understand it," he muttered. "It must be a new layout. The Larches, Hampstead, you said?"

"Yes. I'm to meet him there at eleven o'clock to-night."

"Don't you do it, sir."

"There!" burst from Tuppence.

Tommy flushed.

"If you think, Inspector-" he began heatedly.

But the Inspector raised a soothing hand.

"I'll tell you what I think, Mr. Blunt. The place you want to be at eleven o'clock to-night is here in this office."

"What?" cried Tuppence, astonished.

"Here in this office. Never mind how I know-departments overlap sometimes-but you got one of those famous "Blue" letters to-day. Old what's his name is after that. He lures you up to Hampstead, makes quite sure of your being out of the way, and steps in here at night when all the building is empty and quiet to have a good search round at his leisure."

"But why should he think the letter would be here? He'd know I should have it on me or else have passed it on."

"Begging your pardon, sir, that's just what he wouldn't know. He may have tumbled to the fact that you're not the original Mr. Blunt, but he probably thinks that you're a bona fide gentleman who's bought the business. In that case, the letter would be all in the way of regular business and would be filed as such."

"I see," said Tuppence.

"And that's just what we've got to let him think. We'll catch him red handed here to-night."

"So that's the plan, is it?" "Yes. It's the chance of a lifetime. Now, let me see, what's the time? Six o'clock. What time do you usually leave here, sir?"

"About six."

"You must seem to leave the place as usual. Actually we'll sneak back to it as soon as possible. I don't believe they'll come here till about eleven, but of course they might. If you'll excuse me, I'll just go and take a look round outside and see if I can make out anyone watching the place."

Dymchurch departed, and Tommy began an argument with Tuppence.

It lasted some time and was heated and acrimonious. In the end Tuppence suddenly capitulated.

"All right," she said. "I give in. I'll go home, and sit there like a good little girl whilst you tackle crooks and hob nob with detectives-but you wait, young man. I'll be even with you yet for keeping me out of the fun."

Dymchurch returned at that moment.

"Coast seems clear enough," he said. "But you can't tell. Better seem to leave in the usual manner. They won't go on watching the place once you've gone."

Tommy called Albert, and gave him instructions to lock up.

Then the four of them made their way to the garage near by where the car was usually left. Tuppence drove and Albert sat beside her.

Tommy and the detective sat behind.

Presently they were held up by a block in the traffic. Tuppence looked over her shoulder and nodded. Tommy and the detective opened the right hand door, and stepped out into the middle of Oxford Street. In a minute or two Tuppence drove on.

6. THE ADVENTURE OF THE SINISTER STRANGER (continued)

"Better not go in just yet," said Dymchurch as he and Tommy hurried into Haleham Street. "You've got the key all right?"

Tommy nodded.

"Then what about a bite of dinner? It's early, but there's a little place here right opposite. We'll get a table by the window, so that we can watch the place all the time."

They had a very welcome little meal, in the manner the detective had suggested. Tommy found Inspector Dymchurch quite an entertaining companion. Most of his official work had lain amongst international spies, and he had tales to tell which astonished his simple listener.

They remained in the little Restaurant until eight o'clock when Dymchurch suggested a move.

"It's quite dark now, sir," he explained. "We shall be able to slip in without anyone being the wiser."

It was, as he said, quite dark. They crossed the road looked quickly up and down the deserted street, and slipped inside the entrance. Then they mounted the stairs, and Tommy inserted his key in the lock of the outer office.

Just as he did so, he heard, as he thought, Dymchurch whistle beside him.

"What are you whistling for?" he asked sharply.

"I didn't whistle," said Dymchurch, very much astonished, "I thought you did."

"Well, someone-" began Tommy.

He got no further. Strong arms seized him from behind, and before he could cry out, a pad of something sweet and sickly was pressed over his mouth and nose.

He struggled valiantly, but in vain. The chloroform did its work. His head began to whirl and the floor heaved up and down in front of him.

Choking, he lost consciousness....

He came to himself painfully but in full possession of his faculties. The chloroform had been only a whiff. They had kept him under long enough to force a gag into his mouth and ensure that he did not cry out.

When he came to himself, he was half lying, half sitting, propped against the wall in a corner of his own inner office. Two men were busily turning out the contents of the desk, and ransacking the cupboards, and as they worked they cursed freely.

"Swelp me, guvnor," said the taller of the two hoarsely, "we've turned the whole bloody place upside down and inside out. It's not there."

"It must be here," snarled the other. "It isn't on him. And there's no other place it can be."

As he spoke he turned, and to Tommy's utter amazement he saw that the last speaker was none other than Inspector Dymchurch. The latter grinned when he saw Tommy's astonished face.

"So our young friend is awake again," he said. "And a little surprisedyes, a little surprised. But it was so simple. We suspect that all is not as it should be with the International Detective Agency. I volunteer to find out if that is so, or not. If the new Mr. Blunt is indeed a spy, he will be suspicious, so I send first my dear old friend Carl Bauer. Carl is told to act suspiciously and pitch an improbable tale. He does so, and then I appear on the scene. I use the name of Inspector Marriot to gain confidence. The rest is easy."

He laughed.

Tommy was dying to say several things, but the gag in his mouth prevented him. Also, he was dying to do several things -mostly with his hands and feet-but alas, that too had been attended to. He was securely bound.

The thing that amazed him most was the astounding change in the man standing over him. As Inspector Dymchurch, the fellow had been a typical Englishman. Now, no one could have mistaken him for a moment for anything but a well educated foreigner who talked English perfectly without trace of accent.

"Coggins, my good friend," said the erstwhile Inspector, addressing his ruffianly looking associate. "Take your life preserver and stand by the prisoner. I am going to remove the gag. You understand, my dear Mr. Blunt, do you not, that is would be criminally foolish on your part to cry out? But I am sure you do. For your age, you are quite an intelligent lad."

Very deftly he removed the gag, and stepped back.

Tommy eased his stiff jaws, rolled his tongue round his mouth, swallowed twice-and said nothing at all.

"I congratulate you on your restraint," said the other. "You appreciate the position, I see. Have you nothing at all to say?"

"What I have to say will keep," said Tommy. "And it won't spoil by waiting."

"Ah! What I have to say will not keep. In plain English, Mr. Blunt, where is that letter?"

"My dear fellow, I don't know," said Tommy cheerfully. "I haven't got it.

But you know that as well as I do. I should go on looking about if I were you. I like to see you and friend Coggins playing Hide and Seek together."

The other's face darkened.

"You are pleased to be flippant, Mr. Blunt. You see that square box over there. That is Coggins' little outfit. In it there is vitriol . . . yes, vitriol . . . and irons that can be heated in the fire, so that they are red hot and burn . . ."

Tommy shook his head sadly.

"An error in diagnosis," he murmured. "Tuppence and I labelled this adventure wrong. It's not a Clubfoot story. It's a Bull Dog Drummond, and you are the inimitable Carl Peterson."

"What is this nonsense you are talking?" snarled the other.

"Ah!" said Tommy. "I see you are unacquainted with the Classics. A pity."

"Ignorant fool? Will you do what we want or will you not? Shall I tell Coggins to get out his tools and begin?"

"Don't be so impatient," said Tommy. "Of course I'll do what you want, as soon as you tell me what it is. You don't suppose I want to be carved up like a filleted sole and fried on a gridiron? I loathe being hurt."

Dymchurch looked at him in contempt.

"Gott! What cowards are these English."

"Common sense, my dear fellow, merely common sense. Leave the vitriol alone, and let us come down to brass tacks."

"I want the letter."

"I've already told you I haven't got it."

"We know that-we also know who must have it. The girl."

"Very possibly you're right," said Tommy. "She may have slipped it into her handbag when your pal Carl startled us."

"Oh, you do not deny. That is wise. Very good, you will write to this Tuppence, as you call her, bidding her bring the letter here immediately."

"I can't do that," began Tommy.

The other cut in before he had finished the sentence.

"Ah! You can't? Well, we shall soon see. Coggins!"

"Don't be in such a hurry," said Tommy. "And do wait for the end of the sentence. I was going to say that I can't do that unless you untie my arms. Hang it all, I'm not one of those freaks who can write with their noses or their elbows."

"You are willing to write, then?"

"Of course. Haven't I been telling you so all along? I'm all out to be pleasant and obliging. You won't do anything unkind to Tuppence, of course. I'm sure you won't. She's such a nice girl."

"We only want the letter," said Dymchurch, but there was a singularly unpleasant smile on his face.

At a nod from him, the brutal Coggins knealt down and unfastened Tommy's arms. The latter swung them to and fro.

"That's better," he said cheerfully. "Will kind Coggins hand me my fountain pen? It's on the table, I think, with my other miscellaneous property."

Scowling, the man brought it to hire, and provided a sheet of paper.

"Be careful what you say," Dymchurch said menacingly.

"We leave it to you, but failure means-death-and slow death at that." "In that case," said Tommy, "I will certainly do my best."

He reflected a minute or two, then began to scribble rapidly.

"How will this do?" he asked, handing over the completed epistle.

Dear Tuppence, Can you come along at once and bring that blue letter with you? We want to decode it here and now. In haste Francis "Francis?" queried the bogus Inspector, with lifted eyebrows. "Was that the name she called you?"

"As you weren't at my christening," said Tommy, "I don't suppose you can know whether it's my name or not. But I think the cigarette case you took from my pocket is a pretty good proof that I'm speaking the truth."

The other stepped over to the table and took up the case, read "Francis from Tuppence," with a faint grin and laid it down again.

"I am glad to find you are behaving so sensibly," he said. "Coggins, give that note to Vassily. He is on guard outside. Tell him to take it at once."

The next twenty minutes passed slowly, the ten minutes after that more slowly still. Dymchurch was striding up and down with a face that grew darker and darker. Once he turned menacingly on Tommy.

"If you have dared to double cross us . . ." he growled.

"If we'd had a pack of cards here, we might have had a game of picquet to pass the time," drawled Tommy. "Women always keep one waiting. I hope you're not going to be unkind to little Tuppence when she comes?"

"Oh! no," said Dymchurch. "We shall arrange for you to go to the same place-together."

"Will you, you swine," said Tommy under his breath.

Suddenly there was a stir in the outer office. A man whom Tommy had not yet seen poked his head in and growled something in Russian.

"Good," said Dymchurch. "She is coming-and coming alone."

For a moment a faint anxiety caught at Tommy's heart.

The next minute he heard Tuppence's voice.

"Oh! there you are, Inspector Dymchurch. I've brought the letter.

Where is Francis?"

With the last words she came through the door, and Vassily sprang on her from behind, clapping his hand over her mouth. Dymchurch tore the handbag from her grasp, and turned over its contents in a frenzied search.

Suddenly he uttered an ejaculation of delight and held up a blue envelope with a Russian stamp on it. Coggins gave a hoarse shout.

And just in that minute of triumph, the other door, the door into Tuppence's own office, opened noiselessly and Inspector Marriott and two men armed with revolvers stepped into the room, with the sharp command: "Hands Up!"

There was no fight. The others were taken at a hopeless disadvantage.

Dymchurch's automatic lay on the table, and the two others were not armed.

"A very nice little haul," said Inspector Marriott with approval, as he snapped on the last pair of handcuffs. "And we'll have more as time goes on, I hope."

White with rage, Dymchurch glared at Tuppence.

"You little devil," he snarled, "It was you put them on to us."

"It wasn't all my doing. I ought to have guessed, I admit, when you brought in the number sixteen this afternoon. But it was Tommy's note clinched matters. I rang up Inspector Marriot, got Albert to meet him with the duplicate key of the office, and came along myself with the empty blue envelope in my bag. The letter I forwarded according to my instructions as soon as I had parted from you two this afternoon."

But one word had caught the other's attention.

"Tommy?" he queried.

Tommy who had just been released from his bonds came towards them.

"Well done, brother Francis," he said to Tuppence, taking both her hands in his. And to Dymchurch: "As I told you, my dear fellow, you really ought to read the Classics."

7. FINESSING THE KING

It was a wet Wednesday in the offices of the International Detective

Agency. Tuppence let the Daily Leader fall idly from her hand.

"Do you know what I've been thinking, Tommy?"

"It's impossible to say," replied her husband. "You think of so many things, and you think of them all at once."

"I think it's time we went dancing again."

Tommy picked up the Daily Leader hastily.

"Our advertisement looks well," he remarked, his head on one side.

"Blunt's Brilliant Detectives. Do you realise, Tuppence, that you and you alone are Blunt's Brilliant Detectives? There's glory for you, as Humpty Dumpty would say."

"I was talking about dancing."

"There's a curious point that I have observed about newspapers. I wonder if you have ever noticed it. Take these three copies of the Daily Leader. Can you tell me how they differ one from the other?"

Tuppence took them with some curiosity.

"It seems fairly easy," she remarked witheringly. "One is to-day's, one is yesterday's, and one is the day before's."

"Positively scintillating, my dear Watson. But that was not my meaning.

Observe the headline, 'The Daily Leader.' Compare the three-do you see any difference between them?"

"No, I don't," said Tuppence, "and what's more, I don't believe there is any."

Tommy sighed, and brought the tips of his fingers together in the most approved Sherlock Holmes fashion.

"Exactly. Yet you read the papers as much-in fact, more than I do. But I have observed and you have not. If you will look at today's Daily Leader, you will see that in the middle of the downstroke of the D is a small white dot, and there is another in the L of the same word. But in yesterday's paper the white dot is not in DAILY at all. There are two white dots in the L of LEADER. That of the day before again has two dots in the D of DAILY. In fact, the dot, or dots, are in a different position every day."

"Why?" asked Tuppence.

"That's a journalistic secret."

"Meaning you don't know, and can't guess."

"I will merely say this-the practice is common to all newspapers."

"Aren't you clever?" said Tuppence. "Especially at drawing red herrings across the track. Let's go back to what we were talking about before."

"What were we talking about?"

"The Three Arts Ball."

Tommy groaned.

"No, no, Tuppence. Not the Three Arts Ball. I'm not young enough. I assure you I'm not young enough."

"When I was a nice young girl," said Tuppence, "I was brought up to believe that men-especially husbands-were dissipated beings, fond of drinking and dancing and staying up late at night. It took an exceptionally beautiful and clever wife to keep them at home. Another illusion gone! All the wives I know are hankering to go out and dance, and weeping because their husbands will wear bedroom slippers and go to bed at half past nine. And you do dance so nicely, Tommy dear."

"Gently with the butter, Tuppence."

"As a matter of fact," said Tuppence, "it's not purely for pleasure that I want to go. I'm intrigued by this advertisement."

She picked up the Daily Leader again, and read it out.

"I should go three hearts. 12 tricks. Ace of Spades. Necessary to finesse the King."

"Rather an expensive way of learning Bridge," was Tommy's comment.

"Don't be an ass. That's nothing to do with Bridge. You see, I was lunching with a girl yesterday at the Ace of Spades. It's a queer little underground den in Chelsea, and she told me that it's quite the fashion at these big shows to trundle round there in the course of the evening for bacon and eggs and Welsh Rabbits-Bohemian sort of stuff. It's got screened off booths all round it. Pretty hot place, I should say."

"And your idea is-?"

"Three hearts stands for the Three Arts Ball to-morrow night, 12 tricks is twelve o'clock, and the Ace of Spades is the Ace of Spades."

"And what about its being necessary to finesse the King?"

"Well, that's what I thought we'd find out."

"I shouldn't wonder if you weren't right, Tuppence," said Tommy magnanimously. "But I don't quite see why you want to butt in upon other people's love affairs."

"I shan't butt in. What I'm proposing is an interesting experiment in detective work. We need practice."

"Business is certainly not too brisk," agreed Tommy. "All the same, Tuppence, what you want is to go to the Three Arts Ball and dance!

Talk of red herrings."

Tuppence laughed shamelessly.

"Be a sport, Tommy. Try and forget you're thirty-two and have got one grey hair in your left eyebrow."

"I was always weak where women were concerned," murmured her husband. "Have I got to make an ass of myself in fancy dress?"

"Of course, but you can leave that to me. I've got a splendid idea."

Tommy looked at her with some misgiving. He was always profoundly mistrustful of Tuppence's brilliant ideas.

When he returned to the flat on the following evening, Tuppence came flying out of her bedroom to meet him.

"It's come," she announced.

"What's come?" "The costume. Come and look at it."

Tommy followed her. Spread out on the bed was a complete fireman's kit with shining helmet.

"Good God!" groaned Tommy. "Have I joined the Wembley fire brigade?"

"Guess again," said Tuppence. "You haven't caught the idea yet. Use your little grey cells, mon ami. Scintillate, Watson. Be a bull that has been more than ten minutes in the arena."

"Wait a minute," said Tommy. "I begin to see. There is a dark purpose in this. What are you going to wear, Tuppence?"

"An old suit of your clothes, an American hat and some horn spectacles."

"Crude," said Tommy. "But I catch the idea. McCarty incog. And I am Riordan."

"That's it. I thought we ought to practice American detective methods as well as English ones. Just for once I am going to be the star, and you will be the humble assistant."

"Don't forget," said Tommy warningly, "that it's always an innocent remark by the simple Denny that puts McCarty on the right track."

But Tuppence only laughed. She was in high spirits.

It was a most successful evening. The crowds, the music the fantastic dresses-everything conspired to make the young couple enjoy themselves. Tommy forgot his role of the bored husband dragged out against his will.

At ten minutes to twelve, they drove off in the car to the famous-or infamous-Ace of Spades. As Tuppence had said, it was an underground den, mean and tawdry in appearance, but it was nevertheless crowded with couples in fancy dress. There were closed in booths round the walls, and Tommy and Tuppence secured one of these. They left the doors purposely a little ajar so that they could see what was going on outside.

"I wonder which they are-our people, I mean," said Tuppence. "What about that Columbine over there with the red Mephistopheles?"

"I fancy the wicked Mandarin and the lady who calls herself a Battleship-more of a fast Cruiser, I should say."

"Isn't he witty?" said Tuppence. "All done on a little drop of drink!

Who's this coming in dressed as the Queen of Hearts-rather a good get up, that."

The girl in question passed into the booth next to them accompanied by her escort who was "the gentleman dressed in newspaper" from Alice in Wonderland. They were both wearing masks-it seemed to be rather a common custom at the Ace of Spades. "I'm sure we're in a real den of iniquity," said Tuppence with a pleased face. "Scandals all round us. What a row everyone makes."

A cry, as of protest, rang out from the booth next door and was covered by a man's loud laugh. Everybody was laughing and singing.

The shrill voices of the girls rose above the booming of their male escorts.

"What about that shepherdess?" demanded Tommy. "The one with the comic Frenchman. They might be our little lot."

"Anyone might be," confessed Tuppence. "I'm not going to bother. The great thing is that we are enjoying ourselves."

"I could have enjoyed myself better in another costume," grumbled Tommy. "You've no idea of the heat of this one."

"Cheer up," said Tuppence. "You look lovely."

"I'm glad of that," said Tommy. "It's more than you do. You're the funniest little guy I've ever seen."

"Will you keep a civil tongue in your head, Denny, my boy. Hullo, the gentleman in newspaper is leaving his lady alone. Where's he going, do you think?"

"Going to hurry up the drinks, I expect," said Tommy. "I wouldn't mind doing the same thing."

"He's a long time doing it," said Tuppence, when four or five minutes had passed. "Tommy, would you think me an awful ass-" She paused.

Suddenly she jumped up.

"Call me an ass if you like. I'm going in next door."

"Look here, Tuppence-you can't-"

"I've a feeling there's something wrong. "I know there is. Don't try and stop me."

She passed quickly out of their own booth, and Tommy followed her.

The doors of the one next door were closed. Tuppence pushed them apart and went in, Tommy on her heels.

The girl dressed as the Queen of Hearts sat in the corner leaning up against the wall in a queer huddled position. Her eyes regarded them steadily through her mask, but she did not move. Her dress was carried out in a bold design of red and white, but on the left side of the pattern seemed to have got mixed. There was more red than should have been. . . .

With a cry Tuppence hurried forward. At the same time, Tommy saw what she had seen, the hilt of a jewelled dagger just below the heart.

Tuppence dropped on her knees by the girl's side.

"Quick, Tommy, she's still alive. Get hold of the Manager and make him get a doctor at once."

"Right. Mind you don't touch the handle of that dagger, "I'll be careful. Go quickly."

Tommy hurried out, pulling the doors to behind him Tuppence passed her arm around the girl. The latter made a faint gesture, and Tuppence realised that she wanted to get rid of the mask. Tuppence unfastened it gently. She saw a fresh flower-like face, and wide starry eyes that were full of horror, suffering, and a kind of dazed bewilderment.

"My dear," said Tuppence, very gently. "Can you speak at all? Will you tell me, if you can, who did this?"

She felt the eyes fix themselves on her face. The girl was sighing, the deep palpitating sighs of a failing heart. And still she looked steadily at Tuppence. Then her lips parted.

"Bingo did it-" she said in a strained whisper Then her hands relaxed, and she seemed to nestle down on Tuppence's shoulder.

Tommy came in, two men with him. The bigger of the two came forward with an air of authority, the word, doctor, written all over him.

Tuppence relinquished her burden.

"She's dead, I'm afraid," she said with a catch in her voice.

The doctor made a swift examination.

"Yes," he said. "Nothing to be done. We had better leave things as they are till the police come. How did the thing happen?"

Tuppence explained rather haltingly, slurring over her reasons for entering the booth.

"It's a curious business," said the doctor. "You heard nothing?"

"I heard her give a kind of cry, but then the man laughed. Naturally I didn't think-"

"Naturally not," agreed the doctor. "And the man wore a mask, you say. You wouldn't recognise him?" "I'm afraid not. Would you, Tommy?" "No. Still there is his costume." "The first thing will be to identify this poor lady," said the doctor. "After that, well, I suppose the police will get down to things pretty quickly. It ought not to be a difficult case. Ah, here they come."

8. THE GENTLEMAN DRESSED IN NEWSPAPER

It was after three o'clock when, weary and sick at heart, the husband and wife reached home. Several hours passed before Tuppence could sleep. She lay tossing from side to side, seeing always that flower like face with the horror stricken eyes.

The dawn was coming in through the shutters when Tuppence finally dropped off to sleep. After the excitement, she slept heavily and dreamlessly. It was broad daylight when she awoke to find Tommy, up and dressed, standing by the bedside, shaking her gently by the arm.

"Wake up, old thing. Inspector Marriot and another man are here and want to see you." "What time is it?"

"Just on eleven. I'll get Alice to bring you your tea right away." "Yes, do. Tell Inspector Marriot I'll be there in ten minutes."

A quarter of an hour later, Tuppence came hurrying into the sitting room. Inspector Marriot who was sitting looking very straight and solemn, rose to greet her.

"Good morning, Mrs. Beresford. This is Sir Arthur Merivale."

Tuppence shook hands with a tall thin man with haggard eyes and preying hair.

"It's about this sad business last night," said Inspector Marriot. "I want Sir Arthur to hear from your own lips what you told me-the words the poor lady said before she died. Sir Arthur has been very hard to convince."

"I can't believe," said the other, "and I won't believe, that Bingo Hale ever hurt a hair on Vere's head."

Inspector Marriot went on.

"We've made some progress since last night, Mrs. Beresford," he said.

"First of all we managed to identify the lady as Lady Merivale. We communicated with Sir Arthur here. He recognised the body at once, and was horrified beyond words, of course. Then I asked him if he knew anyone called Bingo."

"You must understand Mrs. Beresford," said Sir Arthur, "that Captain Hale, who is known to all his friends as Bingo, is the dearest pal I have.

He practically lives with us. He was staying at my house when they arrested him this morning. I cannot but believe that you have made a mistake-it was not his name that my wife uttered."

"There is no possibility of mistake," said Tuppence gently. "She said 'Bingo did it-' "

"You see, Sir Arthur," said Marriot.

The unhappy man sank into a chair and covered his face with his hands.

"It's incredible. What earthly motive could there be? Oh! I know your idea, Inspector Marriot. You think Hale was my wife's lover, but even if that were so-which I don't admit for a moment-what motive was there for killing her?"

Inspector Marriot coughed.

"It's not a very pleasant thing to say, sir. But Captain Hale has been paying a lot of attention to a certain young American lady of late-a young lady with inconsiderable amount of money. If Lady Merivale liked to turn nasty, she could probably stop his marriage."

"This is outrageous, Inspector."

Sir Arthur sprang angrily to his feet. The other calmed him with a soothing gesture.

"I beg your pardon, I'm sure, Sir Arthur. You say that you and Captain Hale both decided to attend this show. Your wife was away on a visit at the time, and you had no idea that she was to be there?"

"Not the least idea."

"Just show him that advertisement you told me about, Mrs. Beresford."

Tuppence complied.

"That seems to me clear enough. It was inserted by Captain Hale to catch your wife's eye. They had already arranged to meet there. But you only made up your mind to go the day before, hence it was necessary to warn her. That is the explanation of the phrase "Necessary to finesse the King." You ordered your costume from a theatrical firm at the last minute, but Captain Hale's was a home made affair. He went as the Gentleman Dressed in Newspaper. Do you know, Sir Arthur, what we found clasped in the dead lady's hand? A fragment torn from a newspaper. My men have orders to take Captain Hale's costume away with them from your house. I shall find it at the Yard when I get back. If there's a tear in it corresponding to the missing piece-well, it'll be the end of the case."

"You won't find it," said Sir Arthur. "I know Bingo Hale."

Apologising to Tuppence for disturbing her, they took their leave.

Late that evening, there was a ring at the bell, and somewhat to the astonishment of the young pair, Inspector Marriot once more walked in.

"I thought Blunt's Brilliant Detectives would like to hear the latest developments," he said, with a hint of a smile.

"They would," said Tommy. "Have a drink?"

He placed materials hospitably at Inspector Marriot's elbow.

"It's a clear case," said the latter, after a minute or two. "Dagger was the lady's own-the idea was to have made it look like suicide, evidently, but thanks to you two being on the spot, that didn't come off. We've found plenty of letters -they'd been carrying on together for some time, that's clear-without Sir Arthur tumbling to it. Then we found the last link-"

"The last what?" said Tuppence sharply.

"The last link in the chain-that fragment of the Daily Leader. It was torn from the dress he wore-fits exactly. Oh! yes, it's a perfectly clear case.

By the way, I brought round a photograph of those two exhibits-I thought they might interest you. It's very seldom that you get such a perfectly clear case."

"Tommy," said Tuppence, when her husband returned from showing the Scotland Yard man out. "Why do you think Inspector Marriot keeps repeating that it's a perfectly clear case?"

"I don't know. Smug satisfaction, I suppose."

"Not a bit of it. He's trying to get us irritated. You know, Tommy, butchers, for instance, know something about meat, don't they?"

"I should say so, but what on earth-"

"And in the same way, greengrocers know all about vegetables, and fishermen about fish. Detectives, professional detectives, must know all about criminals. They know the real thing when they see it-and they know when it isn't the real thing. Marriot's expert knowledge tells him that Captain Hale isn't a criminal-but all the facts are dead against him.

As a last resource Marriot is egging us on, hoping against hope that some little detail or other will come back to us- something that happened last night-which will throw a different light on things.

Tommy, why shouldn't it be suicide, after all?"

"Remember what she said to you."

"I know-but take that a different way. It was Bingo's doing-his conduct that drove her to kill herself. It's just possible."

"Just. But it doesn't explain that fragment of newspaper."

"Let's have a look at Marriot's photographs. I forgot to ask him what Hale's account of the matter was."

"I asked him that in the hall just now. Hale declared he had never spoken to Lady Merivale at the show. Says somebody shoved a note into his hand which said: "Don't try and speak to me to-night. Arthur suspects." He couldn't produce the piece of paper, though, and it doesn't sound a very likely story. Anyway, you and I know he was with her at the Ace of Spades because we saw him."

Tuppence nodded and pored over the two photographs. One was a tiny fragment with the legend DAILY LE-and the rest torn off. The other was the front sheet of the Daily Leader with the small round tear at the top of it. There was no doubt about it. The two fitted together perfectly.

"What are all those marks down the side?" asked Tommy.

"Stitches," said Tuppence. "Where is was sewn to the others, you know." "I thought it might be a new scheme of dots," said Tommy. Then he gave a slight shiver. "My word, Tuppence, how creepy it makes one feel. To think that you and I were discussing dots and puzzling over that advertisement all as lighthearted as anything."

Tuppence did not answer. Tommy looked at her, and was startled to observe that she was staring ahead of her, her mouth slightly open, and a bewildered expression on her face.

"Tuppence," said Tommy gently, shaking her by the arm. "What's the matter with you? Are you just going to have a stroke or something?"

But Tuppence remained motionless. Presently she said in a far away voice.

"Denis Riordan."

"Eh?" said Tommy staring.

"It's just as you said. One simple innocent remark! Find me all this week's Daily Leaders."

"What are you up to?"

"I'm being McCarty. I've been worrying round, and thanks to you, I've got a notion at last. This is the front sheet of Tuesday's paper. I seem to remember that Tuesday's paper was the one with two dots in the L of LEADER. This has a dot in the D of DAILY-and one in the L too. Get me the papers and let's make sure."

They compared them anxiously. Tuppence had been quite right in her remembrance.

"You see? This fragment wasn't torn from Tuesday's paper."

"But Tuppence, we can't be sure. It may merely be different editions."

"It may-but at any rate it's given me an idea. It can't be coincidencethat's certain. There's only one thing it can be if I'm right in my idea.

Ring up Sir Arthur, Tommy. Ask him to come round here at once. Say I've got important news for him. Then get hold of Marriot. Scotland Yard will know his address if he's gone home."

Sir Arthur Merivale, very much intrigued by the summons, arrived at the flat in about half an hour's time. Tuppence came forward to greet hire. "I must apologise for sending for you in such a peremptory fashion," she said. "But my husband and I have discovered something that we think you ought to know at once. Do sit down."

Sir Arthur sat down, and Tuppence went on.

"You are, I know, very anxious to clear your friend."

Sir Arthur shook his head sadly.

"I was, but even I have had to give in to the overwhelming evidence."

"What would you say if I told you that chance has placed in my hands a piece of evidence that will certainly clear him of all complicity?"

"I should be overjoyed to hear it, Mrs. Beresford."

"Supposing," continued Tuppence, "that I had come across a girl who was actually dancing with Captain Hale last night at twelve o'clock-the hour when he was supposed to be at the Ace of Spades."

"Marvellous," cried Sir Arthur. "I knew there was some mistake. Poor Vere must have killed herself after all."

"Hardly that," said Tuppence. "You forget the other man."

"What other man?"

"The one my husband and I saw leave the booth. You see, Sir Arthur, there must have been a second man dressed in newspaper at the Ball.

By the way, what was your own costume?"

"Mine? I went as a seventeenth century executioner."

"How very appropriate," said Tuppence softly.

"Appropriate, Mrs. Beresford? What do you mean by appropriate?"

"For the part you played. Shall I tell you my ideas on the subject, Sir Arthur? The newspaper dress is easily put on over that of an executioner. Previously a little note has been slipped into Captain Hale's hand, asking him not to speak to a certain lady. But the lady herself knows nothing of that note. She goes to the Ace of Spades at the appointed time, and sees the figure she expects to see. They go into the booth. He takes her in his arms, I think, and kisses her-the kiss of a Judas, and as he kisses he strikes with the dagger. She only utters one faint cry and he covers that with a laugh. Presently he goes awayand to the last, horrified and bewildered, she believes her lover is the man who killed her.

"But she has torn a small fragment from the costume. The murderer notices that-he is a man who pays great attention to detail. To make the case absolutely clear against his victim the fragment must seem to have been torn from Captain Hale's costume. That would present great difficulties unless tale two men happened to be living in the same house. Then, of course, the thing would be simplicity itself. He makes an exact duplicate of the tear in Captain Hale's costume-then he burns his own and prepares to play the part of the loyal friend."

Tuppence paused.

"Well, Sir Arthur?"

Sir Arthur rose and made her a bow. "The rather vivid imagination of a charming lady who reads too much fiction."

"You think so?" said Tommy.

"And a husband who is guided by his wife," said Sir Arthur. "I do not fancy you will find anybody to take the matter seriously."

He laughed out loud, and Tuppence stiffened in her chair.

"I would swear to that laugh anywhere," she said. "I heard it last in the Ace of Spades. And you are under a little misapprehension about us both. Beresford is our real name, but we have another."

She picked up a card from the table and handed it to him. Sir Arthur read it aloud.

"International Detective Agency . . ." He drew his breath sharply. "So that is what you really are! That was why Marriot brought me here this morning. It was a trap-"

He strolled to the window.

"A fine view you have from here," he said. "Right over London."

"Inspector Marriot," cried Tommy sharply.

In a flash the Inspector appeared from the communicating door in the opposite wall.

A little smile of amusement came to Sir Arthur's lips.

"I thought as much," he said. "But you won't get me this time, I'm afraid, Inspector. I prefer to take my own way out."

And, putting his hands on the sill, he vaulted clean through the window.

Tuppence shrieked and clapped her hands to her ears to shut out the sound she had already imagined-the sickening thud far beneath.

Inspector Marriot uttered an oath. "We should have thought of the window," he said. "Though, mind you, it would have been a difficult thing to prove, I'll go down and-and-see to things."

"Poor devil," said Tommy slowly. "If he was fond of his wife-"

But the Inspector interrupted him with a snort.

"Fond of her? That's as may be. He was at his wits' end where to turn for money. Lady Merivale had a large fortune of her own, and it all went to him. If she'd bolted with young Hale, he'd never have seen a penny of it."

"That was it, was it?"

"Of course, from the very start, I sensed that Sir Arthur was a bad lot, and that Captain Hale was all right. We know pretty well what's what at the Yard-but it's awkward when you're up against facts. I'll be going down now-I should give your wife a glass of brandy if I were you, Mr.

Beresford-it's been upsetting like for her."

"Greengrowers," said Tuppence in a low voice as the door closed behind the imperturbable Inspector. "Butchers. Fishermen.

Detectives. I was right, wasn't I? He knew."

Tommy, who had been busy at the sideboard, approached her with a large glass.

"Drink this."

"What is it? Brandy?"

"No, it's a large cocktail-suitable for a triumphant McCarty. Yes, Marriot's right all round-that was the way of it. A bold finesse for game and rubber."

Tuppence nodded.

"But he finessed the wrong way round."

"And so," said Tommy. "Exit the King."

9. THE CASE OF THE MISSING LADY

The buzzer on Mr. Blunt's desk (International Detective Agency,

Manager, Theodore Blunt) uttered its warning call. Tommy and Tuppence both flew to their respective peepholes which commanded a view of the outer office. There it was Albert's business to delay the prospective clients with various artistic devices.

"I will see, sir," he was saying. "But I'm afraid Mr. Blunt is very busy just at present. He is engaged with Scotland Yard on the phone just now."

"I'll wait," said the visitor. "I haven't got a card with me, but my name is Gabriel Stavansson."

The client was a magnificent specimen of manhood, standing over six feet high. His face was bronzed and weather beaten, and the extraordinary blue of his eyes made an almost startling contrast to the brown skin.

Tommy swiftly made up his mind. He put on his hat, picked up some gloves, and opened the door. He paused on the threshold.

"This gentleman is waiting to see you, Mr. Blunt," said Albert.

A quick frown passed over Tommy's face. He took out his watch.

"I am due at the Duke's at a quarter to eleven," he said. Then he looked keenly at the visitor. "I can give you a few minutes if you will come this way."

The latter followed him obediently into the inner office where Tuppence was sitting demurely with pad and pencil.

"My confidential secretary, Miss Robinson," said Tommy. "Now, sir, perhaps you will state your business? Beyond the fact that it is urgent, that you came here in a taxi, and that you have lately been in the Arctic-or possibly the Antarctic, I know nothing."

The visitor stared at him in amazement.

"But this is marvellous," he cried. "I thought detectives only did such things in books! Your office boy did not even give you my name!"

Tommy sighed deprecatingly.

"Tut tut, all that was very easy," he said. "The rays of the midnight sun within the Arctic circle have a peculiar action upon the skin-the actinic rays have certain properties. I am writing a little monograph on the subject shortly. But all this is wide of the point. What is it that has brought you to me in such distress of mind?"

"To begin with, Mr. Blunt, my name is Gabriel Stavansson-', "Ah! of course " said Tommy. "The well known explorer. You have recently returned from the region of the North Pole, I believe?"

"I landed in England three days ago. A friend who was cruising in Northern waters brought me back on his yacht. Otherwise I should not have got back for another fortnight. Now I must tell you, Mr. Blunt, that before I started on this last expedition two years ago, I had the great good fortune to become engaged to Mrs. Maurice Leigh Gordon-"

Tommy interrupted.

"Mrs. Leigh Gordon was, before her marriage-"

"The Honorable Hermione Crane, second daughter of Lord Lanchester," reeled off Tuppence glibly.

Tommy threw her a glance of admiration.

"Her first husband was killed in the War," added Tuppence.

Gabriel Stavansson nodded.

"That is quite correct. As I was saying, Hermione and I became engaged. I offered, of course, to give up this expedition, but she wouldn't hear of such a thing-bless her! She's the right kind of woman for an explorer's wife. Well, my first thought on landing was to see Hermione. I sent a telegram from Southampton, and rushed up to town by the first train. I knew that she was living for the time being with an aunt of hers, Lady Susan Clonray, in Pont Street, and I went straight there. To my great disappointment, I found that Hermy was away visiting some friends in Northumberland. Lady Susan was quite nice about it, after getting over her first surprise at seeing me. As I told you, I wasn't expected for another fortnight. She said Hermy would be returning in a few days' time. Then I asked for her address, but the old woman hummed and hawed-said Hermy was staying at one of two different places, and that she wasn't quite sure what order she was taking them in. I may as well tell you, Mr. Blunt, that Lady Susan and I have never got on very well. She's one of those fat women with double chins. I loathe fat women-always have-fat women and fat dogs are an abomination unto the Lord-and unfortunately they so often go together! It's an idiosyncracy of mine, I know-but there it is-I never can get on with a fat woman."

"Fashion agrees with you, Mr. Stavansson," said Tommy drily. "And everyone has their own pet aversion-that of the late Lord Roberts was cats."

"Mind you, I'm not saying that Lady Susan isn't a perfectly charming woman-she may be, but I've never taken to her. I've always felt, deep down, that she disapproved of our engagement, and I feel sure that she would influence Hermy against me if that were possible. I'm telling you this for what it's worth. Count it out as prejudice, if you like. Well, to go on with my story, I'm the kind of obstinate brute who likes his own way. I didn't leave Pont Street until I'd got out of her the names and addresses of the people Hermy was likely to be staying with. Then I took the mail train North."

"You are, I perceive, a man of action, Mr. Stavansson," said Tommy, smiling.

"The thing came upon me like a bombshell. Mr. Blunt, none of these people had seen a sign of Hermy. Of the three houses, only one had been expecting her-Lady Susan must have made a bloomer over the other two-and she had put off her visit there at the last moment by telegram. I returned post haste to London, of course, and went straight to Lady Susan. I will do her the justice to say that she seemed upset. She admitted that she had no idea where Hermy could be. All the same, she strongly negatived any idea of going to the police. She pointed out that Hermy was not a silly young girl, but an independent woman who had always been in the habit of making her own plans. She was probably carrying out some idea of her own.

"I thought it quite likely that Hermy didn't want to report all her movements to Lady Susan. But I was still worried. I had that queer feeling one gets when something is wrong. I was just leaving when a telegram was brought to Lady Susan. She read it with an expression of relief and handed it to me. It ran as follows: "Changed my plans Just off to Monte Carlo for a week Hermy."

Tommy held out his hand.

"You have got the telegram with you?"

"No, I haven't. But it was handed in at Maldon, Surrey. I noticed that at the time, because it struck me as odd. What should Hermy be doing at Maldon? She'd no friends there that I had ever heard of."

"You didn't think of rushing off to Monte Carlo in the same way that you had rushed North?"

"I thought of it, of course. But I decided against it. You see, Mr. Blunt, whilst Lady Susan seemed quite satisfied by that telegram, I wasn't. It struck me as odd that she should always telegraph, not write. A line or two in her own handwriting would have set all my fears at rest. But anyone can sign a telegram 'Hermy.' The more I thought it over, the more uneasy I got. In the end I went down to Maldon. That was yesterday afternoon. It's a fair sized place-good links there and all that-two hotels. I inquired everywhere I could think of, but there wasn't a sign that Hermy had ever been there. Coming back in the train I read your advertisement, and I thought I'd put it up to you. If Hermy has really gone off to Monte Carlo, I don't want to set the police on her track and make a scandal, but I'm not going to be sent off on a wild goose chase myself. I stay here in London, in case- in case there's been foul play of any kind."

Tommy nodded thoughtfully.

"What do you suspect exactly?"

"I don't know. But I feel there's something wrong."

With a quick movement, Stavansson took a case from his pocket and laid it open before them. "That is Hermione," he said. "I will leave it with you."

The photograph represented a tan willowy woman, no longer in her first youth, but with a charming frank smile and lovely eyes.

"Now, Mr. Stavansson," said Tommy. "There is nothing you have omitted to tell me?"

"Nothing whatever."

"No detail, however small?"

"I don't think so."

Tommy sighed.

"That makes the task harder," he observed. "You must often have noticed, Mr. Stavansson, in reading of crime, how one small detail is all the great detective needs to set him on the track. I may say that this case presents some unusual features. I have, I think, practically solved it already, but time will show."

He picked up a violin which lay on the table, and drew the bow once or twice across the strings. Tuppence ground her teeth and even the explorer blenched. The performer laid the instrument down again.

"A few chords from Mosgovskensky," he murmured. "Leave me your address, Mr. Stavansson, and I will report progress to you."

As the visitor left the office, Tuppence grabbed the violin and putting it in the cupboard turned the key in the lock.

"If you must be Sherlock Holmes," she observed, "I'll get you a nice little syringe and a bottle labelled Cocaine, but for God's sake leave that violin alone. If that nice explorer man hadn't been as simple as a child, he'd have seen through you. Are you going on with the Sherlock Holmes touch?"

"I flatter myself that I have carried it through very well so far," said Tommy with some complacence. "The deductions were good, weren't they? I had to risk the taxi. After all, it's the only sensible way of getting to this place."

"It's lucky I had just read the bit about his engagement in this morning's Daily Mirror," remarked Tuppence.

"Yes, that looked well for the efficiency of Blunt's Brilliant Detectives.

This is decidedly a Sherlock Holmes case. Even you cannot have failed to notice the similarity between it and the disappearance of Lady Frances Carfax."

"Do you expect to find Mrs. Leigh Gordon's body in a coffin?"

"Logically, history should repeat itself. Actually-well, what do you think?"

"Well," said Tuppence. "The most obvious explanation seems to be that for some reason or other Hermy, as he calls her, is afraid to meet her fiancé, and that Lady Susan is backing her up. In fact, to put it bluntly, she's come a cropper of some kind, and has got the wind up about it."

"That occurred to me also," said Tommy. "But I thought we'd better make pretty certain before suggesting that explanation to a man like Stavansson. What about a run down to Maldon, old thing? And it would do no harm to take some golf clubs with us."

Tuppence agreeing, the International Detective Agency was left in the charge of Albert.

Maldon, though a well known residential place, did not cover a large area. Tommy and Tuppence, making every possible inquiry that ingenuity could suggest, nevertheless drew a complete blank. It was as they were returning to London that a brilliant idea occurred to Tuppence.

"Tommy, why did they put Maldon Surrey on the telegram?"

"Because Maldon is in Surrey, idiot."

"Idiot yourself-I don't mean that. If you get a telegram from-Hastings, say, or Torquay, they don't put the county after it. But from Richmond, they do put Richmond Surrey. That's because there are two Richmonds."

Tommy, who was driving, slowed up.

"Tuppence," he said affectionately. "Your idea is not so dusty. Let us make inquiries at yonder post office."

They drew up before a small building in the middle of a village street. A very few minutes sufficed to elicit the information that there were two Maldons. Maldon, Surrey, and Maldon, Sussex, the latter a tiny hamlet but possessed of a telegraph office.

"That's it," said Tuppence excitedly. "Stavansson knew Maldon was in Surrey, so he hardly looked at the word beginning with S. after Maldon."

"Tomorrow," said Tommy. "We'll have a look at Maldon, Sussex."

Maldon, Sussex, was a very different proposition to its Surrey namesake. It was four miles from a railway station, possessed two public houses, two small shops, a post and telegraph office combined with a sweet and picture postcard business, and about seven small cottages. Tuppence took on the shops whilst Tommy betook himself to the Cock and Sparrow. They met half an hour later.

"Well?" said Tuppence.

"Quite good beer," said Tommy, "but no information."

"You'd better try the King's Head," said Tuppence. "I'm going back to the post office. There's a sour old woman there, but I heard them yell to her that dinner was ready."

She returned to the place, and began examining postcards. A freshfaced girl, still munching, came out of the back room.

"I'd like these, please," said Tuppence. "And do you mind waiting whilst I just look over these comic ones?"

She sorted through a packet, talking as she did so.

"I'm ever so disappointed you couldn't tell me my sister's address.

She's staying near here and I've lost her letter. Leigh Wood, her name if."

The girl shook her head.

"I don't remember it. And we don't get many letters through here either-so I probably should if I'd seen it on a letter. Apart from the Grange, there isn't many big houses round about."

"What is the Grange?" asked Tuppence. "Who does it belong to?"

"Doctor Horriston has it. It's turned into a Nursing Home now. Nerve cases mostly, I believe. Ladies that come down for rest cures, and all that sort of thing. Well, it's quiet enough down here, Heaven knows."

She giggled.

Tuppence hastily selected a few cards and paid for them.

"That's Doctor Horriston's car coming along now," exclaimed the girl.

Tuppence hurried to the shop door. A small two seater was passing. At the wheel was a tall dark man with a neat black beard and a powerful, unpleasant face. The car went straight on down the street. Tuppence saw Tommy crossing the road towards her.

"Tommy, I believe I've got it. Doctor Horriston's Nursing Home."

"I heard about it at the King's Head, and I thought there might be something in it. But if she's had a nervous breakdown or anything of that sort, her aunt and her friends would know about it surely."

"Ye-es. I didn't mean that. Tommy, did you see that man in the two seater?"

"Unpleasant looking brute, yes."

"That was Doctor Horriston."

Tommy whistled.

"Shifty looking beggar. What do you say about it, Tuppence? Shall we go and have a look at the Grange?"

They found the place at last, a big rambling house, surrounded by deserted grounds, with a swift mill stream running behind the house.

"Dismal sort of abode," said Tommy. "It gives me the creeps, Tuppence. You know, I've a feeling this is going to turn out a far more serious matter than we thought at first."

"Oh! don't. If only we are in time. That woman's in some awful danger, I feel it in my bones."

"Don't let your imagination run away with you."

"I can't help it. I mistrust that man. What shall we do? I think it would be a good plan if I went and rang the bell alone first, and asked boldly for Mrs. Leigh Gordon just to see what answer I get. Because, after all, it may be perfectly fair and above board."

Tuppence carried out her plan. The door was opened almost immediately by a man servant with an impassive face.

"I want to see Mrs. Leigh Gordon if she is well enough to see me."

She fancied that there was a momentary flicker of the man's eyelashes, but he answered readily enough.

"There is no one of that name here, Madam."

"Oh! surely. This is Doctor Horriston's place, The Grange, is it not?"

"Yes, Madam, but there is nobody of the name of Mrs. Leigh Gordon here."

Baffled, Tuppence was forced to withdraw and hold a further consultation with Tommy outside the gate.

"Perhaps he was speaking the truth. After all, we don't know."

"He wasn't. He was lying. I'm sure of it."

"Wait until the doctor comes back," said Tommy. "Then I'll pass myself off as a journalist anxious to discuss his new system of rest cure with him. That will give me a chance of getting inside and studying the geography of the place."

The doctor returned about half an hour later. Tommy gave him about five minutes then he in turn marched up to the front door. But he too returned baffled.

"The doctor was engaged and couldn't be disturbed. And he never sees journalists. Tuppence, you're right. There's something fishy about this place. It's ideally situated-miles from anywhere. Any mortal thing could go on here, and no one would ever know."

"Come on," said Tuppence with determination.

"What are you going to do?"

"I'm going to climb over the wall and see if I can't get up to the house quietly without being seen."

"Right. I'm with you."

The garden was somewhat overgrown, and afforded a multitude of cover. Tommy and Tuppence managed to reach the back of the house unobserved.

Here there was a wide terrace, with some crumbling steps leading down from it. In the middle some French windows opened onto the terrace, but they dared not step out into the open, and the windows where they were crouching were too high for them to be able to look in. It did not seem as though their reconnaissance would be much use when suddenly Tuppence tightened her grasp of Tommy's arm.

Someone was speaking in the room close to them. The window was open and the fragment of conversation came clearly to their ears.

"Come in, come in, and shut the door," said a man's voice irritably "A lady came about an hour ago, you said, and asked for Mrs. Leigh Gordon?"

Tuppence recognised the answering voice as that of the impassive man servant.

"Yes, sir."

"You said she wasn't here, of course?"

"Of course, sir."

"And now this journalist fellow," fumed the other.

He came suddenly to the window, throwing up the sash, and the two outside, peering through a screen of bushes, recognised Dr.

Horriston.

"It's the woman I mind most about," continued the doctor. "What did she look like?"

"Young, good-looking, and very smartly dressed, sir."

Tommy nudged Tuppence in the ribs.

"Exactly," said the doctor between his teeth. "As I feared. Some friend of the Leigh Gordon woman's. It's getting very difficult. I shall have to take steps-"

He left the sentence unfinished. Tommy and Tuppence heard the door close. There was silence.

Gingerly, Tommy led the retreat. When they had reached a little clearing not far away, but out of earshot from the house, he spoke.

"Tuppence, old thing, this is getting serious. They mean mischief. I think we ought to get back to town at once and see Stavansson."

To his surprise Tuppence shook her head.

"We must stay down here. Didn't you hear him say he was going to take steps? That might mean anything."

"The worst of it is we've hardly got a case to go to the police on."

"Listen, Tommy. Why not ring up Stavansson from the village? I'll stay around here."

"Perhaps that is the best plan," agreed her husband. "But, I say-

Tuppence-"

"Well?"

"Take care of yourself-won't you?"

"Of course I shall, you silly old thing. Cut along."

It was some two hours later that Tommy returned. He found Tuppence awaiting him near the gate.

"Well?"

"I couldn't get on to Stavansson. Then I tried Lady Susan.

She was out too. Then I thought of ringing up old Brady. I asked him to look up Horriston in the Medical Directory or whatever the thing calls itself."

"Well, what did Dr. Brady say?"

"Oh! he knew the name at once. Horriston was once a bona fide doctor, but he came a cropper of some kind. Brady called him a most unscrupulous quack, and said he, personally, wouldn't be surprised at anything. The question is, what are we to do now?"

"We must stay here," said Tuppence instantly. "I've a feeling they mean something to happen tonight. By the way, a gardener has been clipping ivy round the house. Tommy, I saw where he put the ladder."

"Good for you, Tuppence," said her husband appreciatively. "Then tonight-"

"As soon as it's dark-"

"We shall see-"

"What we shall see."

Tommy took his turn at watching the house whilst Tuppence went to the village and had some food.

Then she returned and they took up the vigil together. At nine o'clock, they decided that it was dark enough to commence operations. They were now able to circle round the house in perfect freedom. Suddenly Tuppence clutched Tommy by the arm.

"Listen."

The sound she had heard came again, borne faintly on the night air. It was the moan of a woman in pain. Tuppence pointed upward to a window on the first floor.

"It came from that room," she whispered.

Again that low moan rent the stillness of the night.

The two listeners decided to put their original plan into action.

Tuppence led the way to where she had seen the gardener put the ladder. Between them they carried it to the side of the house from which they had heard the moaning. All the blinds of the ground floor rooms were drawn, but this particular window upstairs was unshuttered.

Tommy put the ladder as noiselessly as possible against the side of the house.

"I'll go up," whispered Tuppence. "You stay below. I don't mind climbing ladders and you can steady it better than I could. And in case the doctor should come round the corner you'd be able to deal with him and I shouldn't."

Nimbly Tuppence swarmed up the ladder, and raised her head cautiously to look in at the window. Then she ducked it swiftly, but after a minute or two brought it very slowly up again. She stayed there for about five minutes. Then she descended again.

"It's her," she said breathlessly and ungrammatically, "But oh! Tommy, it's horrible. She's lying there in bed, moaning and turning to and froand just as I got there a woman dressed as a nurse came in. She bent over her and injected something in her arm and then went away again.

What shall we do?"

"Is she conscious?"

"I think so. I'm almost sure she is. I fancy she may be strapped to the bed. I'm going up again, and if I can, I'm going to get into that room."

"I say, Tuppence-"

"If I'm in any sort of danger I'll yell for you. So long."

Avoiding further argument Tuppence hurried up the ladder again.

Tommy saw her try the window, then noiselessly push up the sash.

Another second, and she had disappeared inside.

And now an agonising time came for Tommy. He could hear nothing at first. Tuppence and Mrs. Leigh Gordon must be talking in whispers if they were talking at all. Presently he did hear a low murmur of voices and drew a breath of relief. But suddenly the voices stopped. Dead silence.

Tommy strained his ears. Nothing. What could they be doing?

Suddenly a hand fell on his shoulder.

"Come on," said Tuppence's voice out of the darkness. "Tuppence! How did you get here?" "Through the front door. Let's get out of this."

"Get out of this?"

"That's what I said."

"But-Mrs. Leigh Gordon?"

In a tone of indescribable bitterness Tuppence replied.

"Getting thin!"

Tommy looked at her, suspecting irony. "What do you mean?" "What I say. Getting thin. Slinkiness. Reduction of weight. Didn't you hear Stavansson say he hated fat women? In the two years he's been away, his Hermy has put on weight. Got a panic when she knew he was coming back, and rushed off to do this new treatment of Dr.

Horriston's. It's injections of some sort, and he makes a deadly secret of it, and charges through the nose. I daresay he is a quack-but he's a damned successful one! Stavansson comes home a fortnight too soon when she's only beginning the treatment. Lady Susan has been sworn to secrecy, and plays up. And we come down here and make blithering idiots of ourselves!"

Tommy drew a deep breath.

"I believe, Watson," he said with dignity, "that there is a very good Concert at the Queen's Hall tomorrow. We shall be in plenty of time for it. And you will oblige me by not placing this case upon your records. It has absolutely no distinctive features."

10. BLINDMAN'S BUFF

"Right," said Tommy, and replaced the receiver on its hoof`.

Then he turned to Tuppence.

"That was the Chief. Seems to have got the wind up about us. It appears that the parties we're after have got wise to the fact that I'm not the genuine Mr. Theodore Blunt. We're to expect excitements at any minute. The Chief begs you as a favor to go home and stay at home, and not mix yourself up in it any more. Apparently the hornet's nest we've stirred up is bigger than anyone imagined."

"All that about my going home is nonsense," said Tuppence decidedly.

"Who is going to look after you if I go home? Besides, I like excitement.

Business hasn't been very brisk just lately."

"Well, one can't have murders and robberies every day," said Tommy.

"Be reasonable. Now my idea is this. When business is slack, we ought to do a certain amount of home exercises every day."

"Lie on our backs and wave our feet in the air? That sort of thing?"

"Don't be so literal in your interpretation. When I say exercises, I mean exercises in the detective art. Reproductions of the Great Masters. For instance-"

From the drawer beside him, Tommy took out a formidable dark green eyeshade covering both eyes. This he adjusted with some care. Then he drew a watch from his pocket.

"I broke the glass this morning," he remarked. "That paved the way for its being the crystalless watch which my sensitive fingers touch so lightly."

"Be careful," said Tuppence. "You nearly had the short hand off then."

"Give me your hand," said Tommy. He held it, one finger feeling for the pulse. "Ah! the keyboard of silence. This woman has not got heart disease." "I suppose," said Tuppence, "that you are Thornley Colton?"

"Just so," said Tommy. "The blind Problemist. And you're thingumrnybob, the black-haired apple-cheeked secretary-"

"The bundle of baby clothes picked up on the banks of the English river," finished Tuppence.

"And Albert is the Fee, alias Shrimp."

"We must teach him to say 'Gee,' " said Tuppence. "And his voice isn't shrill. It's dreadfully hoarse."

"Against the wall by the door,' said Tommy, "you perceive the slim hollow cane which held in my sensitive hand tells me so much."

He rose and cannoned into a chair.

"Damn!" said Tommy. "I forgot that chair was there."

"It must be beastly to be blind," said Tuppence with feeling.

"Rather," agreed Tommy heartily. "I'm sorrier for all those poor devils who lost their eyesight in the War than for anyone else. But they say that when you live in the dark you really do develop special senses.

That's what I want to try and see if one couldn't do. It would be jolly handy to train oneself to be some good in the dark. Now, Tuppence, be a good Sydney Thames. How many steps to that cane?"

Tuppence made a desperate guess.

"Three straight, five left," she hazarded.

Tommy paced it uncertainly, Tuppence interrupting with a cry of warning as she realised that the fourth step left would take him slap against the wall.

"There's a lot in this," said Tuppence. "You've no idea how difficult it is to judge how many steps are needed."

"It's jolly interesting," said Tommy. "Call Albert in. I'm going to shake hands with you both, and see if I know which is which."

"All right," said Tuppence, "but Albert must wash his hands first.

They're sure to be sticky from those beastly acid drops he's always eating."

Albert, introduced to the game, was full of interest.

Tommy, the hand shakes completed, smiled complacently. "The keyboard of silence cannot lie," he murmured. 'The first was Albert, the second, you, Tuppence."

"Wrong!" shrieked Tuppence. "Keyboard of silence indeed! You went by my wedding ring. And I put that on Albert's finger."

Various other experiments were carried out, with indifferent success.

"But it's coming," declared Tommy. "One can't expect to be infallible straight away. I tell you what. It's just lunch time. You and I will go to the Blitz, Tuppence. Blind man and his keeper. Some jolly useful tips to be picked up there."

"I say, Tommy, we shall get into trouble."

"No, we shan't. I shall behave quite like the little gentleman. But I bet you that by the end of luncheon I shall be startling you."

All protests being thus overborne, a quarter of an hour later saw Tommy and Tuppence comfortably ensconced at a corner table in the Gold Room of the Blitz.

Tommy ran his fingers lightly over the Menu.

"Pilaff de Homard and Grilled Chicken for me," he murmured.

Tuppence also made her selection, and the waiter moved away.

"So far, so good," said Tommy. "Now for a more ambitious venture.

What beautiful legs that girl in the short skirt has-the one who has just come in."

"How was that done, Thorn?"

"Beautiful legs impart a particular vibration to the floor which is received by my hollow cane. Or, to be honest, in a big Restaurant there is nearly always a girl with beautiful legs standing in the doorway looking for her friends, and with short skirts going about, she'd be sure to take advantage of them."

The meal proceeded.

"The man two tables from us is a very wealthy profiteer, I fancy," said Tommy carelessly.

"Pretty good," said Tuppence appreciatively. "I don't follow that one."

"I shan't tell you how it's done every time. It spoils my show. The head waiter is serving champagne three tables off to thee right. A stout woman in black is about to pass our table." "Tommy, how can you-"

"Aha! You're beginning to see what I can do. That's a nice girl in brown just getting up at the table behind you."

"Snoo!" said Tuppence. "It's a young man in grey."

"Oh!" said Tommy, momentarily disconcerted.

And at that moment two men who had been sitting at a table not far away, and who had been watching the young pair with keen interest, got up and came across to the corner table.

"Excuse me," said the elder of the two, a tall well dressed man with an eyeglass and a small grey moustache. "But you have been pointed out to me as Mr. Theodore Blunt. May I ask if that is so?"

Tommy hesitated a minute, feeling somewhat at a disadvantage. Then he bowed his head. "That is so. I am Mr. Blunt."

"What an unexpected piece of good fortune! Mr. Blunt, I was going to call at your offices after lunch. I am in trouble-very grave trouble. Butexcuse me-you have had some accident to your eyes?"

"My dear sir," said Tommy in a melancholy voice. "I am blindcompletely blind."

"What?"

"You are astonished. But surely you have heard of blind detectives?"

"In fiction. Never in real life. And I have certainly never heard that you were blind."

"Many people are not aware of the fact," murmured Tommy. "I am wearing an eyeshade today to save my eyeballs from glare. But without it, quite a host of people have never suspected my infirmity-if you call it that. You see, my eyes cannot mislead me. But enough of all this. Shall we go at once to my office, or will you give me the facts of the case here? The latter would be best, I think."

A waiter brought up two extra chairs, and the two men sat down. The second man, who had not yet spoken, was shorter, sturdy in build and very dark.

"It is a matter of great delicacy," said the older man dropping his voice confidentially. He looked uncertainly at Tuppence. Mr. Blunt seemed to feel the glance.

"Let me introduce my confidential secretary," he said. "Miss Ganges.

Found on the banks of the Indian river-a mere bundle of baby clothes.

Very sad history. Miss Ganges is my eyes. She accompanies me everywhere."

The stranger acknowledged the introduction with a bow.

"Then I can speak out. Mr. Blunt, my daughter, a girl of sixteen, has been abducted under somewhat peculiar circumstances. I discovered this half an hour ago. The circumstances of the case were such that I dared not call in the police. Instead I rang up your office. They told me you were out to lunch, but would be back by half past two. I came in here with my friend Captain Harker-"

The short man jerked his head and muttered something.

"By the greatest good fortune you happened to be lunching here also.

We must lose no time. You must return with me to my house immediately."

Tommy demurred cautiously.

"I can be with you in half an hour. I must return to my office first."

Captain Harker, turning to glance at Tuppence, may have been surprised to see a half smile lurking for a moment at the corners of her mouth.

"No, no, that will not do. You must return with me." The grey haired man took a card from his pocket and handed it across the table. "That is my name."

Tommy fingered it.

"My fingers are hardly sensitive enough for that," he said with a smile, and handed it to Tuppence, who read out in a low voice: "The Duke of Blairgowrie."

She looked with great interest at their client. The Duke of Blairgowrie was well known to be a most haughty and inaccessible nobleman who had married as a wife the daughter of a Chicago pork butcher, many years younger than himself, and of a lively temperament that augured ill for their future together. There had been rumors of disaccord lately.

"You will come at once, Mr. Blunt?" said the Duke, with a tinge of acerbity in his manner.

Tommy yielded to the inevitable.

"Miss Ganges and I will come with you," he said quietly. "You will excuse my just stopping to drink a large cup of black coffee? They will serve it immediately. I am subject to very distressing headaches, the result of my eye trouble, and the coffee steadies my nerves."

He called a waiter and gave the order. Then he spoke to Tuppence.

"Miss Ganges-I am lunching here tomorrow with the French Prefect of Police. Just note down the luncheon, and give it to the head waiter with instructions to reserve me my usual table. I am assisting the French Police in an important case. The fee-" he paused-"is considerable. Are you ready, Miss Ganges?"

"Quite ready," said Tuppence, her stylo poised.

"We win start with that special salad of Shrimps that they have here.

Then to follow-let me see, to follow-Yes. Omelette Blitz, and perhaps a couple of Toundedos á l'Etranger."

He looked up, catching the Duke's eye.

"You will forgive me, I hope," he murmured. "Ah! yes, Soufflé en surprise. That will conclude the repast. A most interesting man, the French prefect. You know him, perhaps?"

The other replied in the negative, as Tuppence rose and went to speak to the head waiter. Presently she returned, just as the coffee was brought.

Tommy drank a large cup of it, sipping it slowly, then rose.

"My cane, Miss Ganges? Thank you. Directions, please?"

It was a moment of agony for Tuppence.

"One right, eighteen straight. About the fifth step, there is a waiter serving the table on your left."

Swinging his cane jauntily, Tommy set out. Tuppence kept close beside him, and endeavored unobtrusively to steer him. All went well until they were just passing out through the doorway. A man entered rather hurriedly, and before Tuppence could warn the blind Mr. Blunt, he had barged right into the newcomer. Explanations and apologies ensued.

At the door of the Blitz a smart landaulette was waiting. The Duke himself aided Mr. Blunt to get in.

"Your car here, Harker?" he asked over his shoulder.

"Yes. Just round the corner." "Take Miss Ganges in it, will you."

Before another word could be said, he had jumped in beside Tommy, and the car rolled smoothly away.

"A very delicate matter," murmured the Duke. "I can soon acquaint you with all the details."

Tommy raised his hand to his head.

"I can remove my eyeshade now," he observed pleasantly. "It was only the glare of artificial light in the Restaurant necessitated its use.

But his arm was jerked down sharply. At the same time he felt something hard and round being poked between his ribs. "No, my dear Mr. Blunt," said the Duke's voice-but a voice that seemed suddenly different. "You will not remove that eyeshade. You will sit perfectly still and not move in any way. You understand? I don't want this pistol of mine to go off. You see, I happen not to be the Duke of Blairgowrie at all. I borrowed his name for the occasion, knowing that you would not refuse to accompany such a celebrated client. I am something much more prosaic-a ham merchant who has lost his wife."

He felt the start the other gave. "That tells you something," he laughed. "My dear young man, you have been incredibly foolish. I'm afraid-I'm very much afraid that your activities will be curtailed in future."

He spoke the last words with a sinister relish.

Tommy sat motionless. He did not reply to the other's taunts.

Presently the car slackened its pace and drew up.

"Just a minute," said the pseudo Duke. He twisted a handkerchief deftly into Tommy's mouth, and drew up his scarf over it.

"In case you should be foolish enough to think of calling for help," he explained suavely.

The door of the car opened and the chauffeur stood ready. He and his master took Tommy between them and propelled him rapidly up some steps and in at the door of a house.

The door closed behind them. There was a rich oriental smell in the air.

Tommy's feet sank deep into velvet pile. He was propelled in the same fashion up a flight of stairs and into a room which he judged to be at the back of the house. Here the two men bound his hands together.

The chauffeur went out again, and the other removed the gag.

"You may speak freely now," he announced pleasantly. "What have you to say for yourself, young man?"

Tommy cleared his throat and eased the aching corners of his mouth.

"I hope you haven't lost my hollow cane," he said mildly. "It cost me a lot to have that made."

"You have nerve," said the other, after a minute's pause. "Or else you are just a fool. Don't you understand that I have got you-got you in the hollow of my hand? That you're absolutely in my power? That no one who knows you is ever likely to see you again?"

"Can't we cut out the melodrama?" asked Tommy plaintively. "Have I got to say 'You villain, I'll foil you yet?' That' sort of thing is so very much out of date."

"What about the girl?" said the other, watching him, "Doesn't that move you?"

"Putting two and two together during my enforced silence just now," said Tommy, "I have come to the inevitable conclusion that that chatty lad Harker is another of the doers of desperate deeds, and that therefore my unfortunate secretary will shortly join this little tea party."

"Right as to one point, but wrong on the other. Mrs. Beresford-you see I know all about you-Mrs. Beresford will not be brought here. That is a little precaution I took. It occurred to me that just probably your friends in high places might be keeping you shadowed. In that case, by dividing the pursuit, you could not both be trailed. I should still keep one in my hands. I am waiting now-"

He broke off, as the door opened. The chauffeur spoke.

"We've not been followed, sir. It's all clear."

"Good. You can go, Gregory."

The door closed again.

"So far, so good," said the 'Duke.' "And now what are we to do with you, Mr. Beresford Blunt?"

"I wish you'd take this confounded eyeshade off me," said Tommy.

"I think not. With it on, you are truly blind-without it you would see as well as I do-and that would not suit my little plan. For I have a plan. You are fond of sensational fiction, Mr. Blunt. This little game that you and your wife were playing today proves that. Now I too have arranged a little game something rather ingenious, as I am sure you will admit when I explain it to you.

"You see, this floor on which you are standing is made of metal, and here and there on its surface are little projections. I touch a switchso." A sharp click sounded. "Now the electric current is switched on.

To tread on one of those little knobs now means-death! You understand? If you could see . . . but you cannot see. You are in the dark. That is the game-Blindman's Buff with death. If you can reach the door in safety-freedom! But I think that long before you reach it you will have trodden on one of the danger spots. And that will be very amusing-for me!"

He came forward and unbound Tommy's hands. Then he handed him his cane with a little ironical bow.

"The blind Problemist. Let us see if he will solve this problem. I shall stand here with my pistol ready. If you raise your hands to your head to remove that eyeshade, I shoot. Is that clear?"

"Perfectly clear," said Tommy. He was rather pale, but determined. "I haven't got a dog's chance, I suppose?"

"Oh! that-" the other shrugged his shoulders.

"Damned ingenious devil, aren't you?" said Tommy. "But you've forgotten one thing. May I light a cigarette, by the way? My poor little heart's going pit a pat."

"You may light a cigarette-but no tricks. I am watching you, remember, with the pistol ready."

"I'm not a performing dog," said Tommy. "I don't do tricks." He extracted a cigarette from his case, then felt for a match box. "It's all right. I'm not feeling for a revolver. But you know well enough that I'm not armed. All the same, as I said before, you've forgotten one thing."

"What is that?"

Tommy took a match from the box, and held it ready to strike.

"I'm blind and you can see. That's admitted. The advantage is with you.

But supposing we were both in the dark- eh? Where's your advantage then?"

He struck the match.

The 'Duke' laughed contemptuously.

"Thinking of shooting at the switch of the lights? Plunging the room into darkness? It can't be done."

"Just so," said Tommy. "I can't give you darkness. But extremes meet, you know. What about light?"

As he spoke, he touched the match to something he held in his hand, and threw it down upon the table.

A blinding glare filled the room.

Just for a minute, blinded by the intense white light, the 'Duke' blinked and fell back, his pistol hand lowered.

He opened his eyes again to feel something sharp pricking his breast.

"Drop that pistol," ordered Tommy. "Drop it quick. I agree with you that a hollow cane is a pretty rotten affair. So I didn't get one. A good sword stick is a very useful weapon, though. Don't you think so?

Almost as useful as magnesium wire. Drop that pistol."

Obedient to the necessity of that sharp point, the man dropped it.

Then, with a laugh, he sprang back.

"But I still have the advantage," he mocked. "For I can see, and you cannot."

"That's where you're wrong," said Tommy. "I can see perfectly. This eyeshade's a fake. I was going to put one over on Tuppence. Make one or two bloomers to begin with, and then put in some perfectly marvellous stuff towards the end of the lunch. Why, bless you, I could have walked to the door and avoided all the knobs with perfect ease.

But I didn't trust you to play a sporting game. You'd never have let me get out of this alive. Careful now-"

For, with his face distorted with rage, the 'Duke' sprang forward, forgetting in his fury to look where he put his feet.

There was a sudden blue crackle of flame, and he swayed for a minute, then fell like a log. A faint odor of singed flesh filled the room, mingling with a stronger smell of ozone. "Whew," said Tommy.

He wiped his face.

Then, moving gingerly, and with every precaution, he reached the walk and touched the switch he had seen the other manipulate.

He crossed the room to the door, opened it carefully, and looked out.

There was no one about. He went down the stairs and out through the front door.

Safe in the street, he looked up at the house with a shudder, noting the number. Then he hurried to the nearest telephone box.

There was a moment of agonising anxiety, and then a well known voice spoke.

"Tuppence, thank goodness!"

"Yes, I'm all right. I got all your points. The Fee, Shrimp Come to the Blitz and follow the two strangers. Albert got there in time, and when we went off in separate cars, followed me in a taxi, saw where they took me, and rang up the police."

"Albert's a good lad," said Tommy. "Chivalrous. I was pretty sure he'd choose to follow you. But I've been worried, all the same. I've got lots to tell you. I'm coming straight back now. And the first thing I shall do when I get back is to write a thumping big cheque for St. Dunstan's.

Lord, it must be awful not to be able to see."

11. THE MAN IN THE MIST

Tommy was not pleased with life. Blunt's Brilliant Detectives had met with a reverse, distressing to their pride if not to their pockets. Called in professionally to elucidate the mystery of a stolen pearl necklace at

Adlington Hall, Adlington, Blunt's Brilliant Detectives had failed to make good. Whilst Tommy, hard on the track of a gambling Countess, was tracking her in the disguise of a Roman Catholic Priest, and Tuppence was 'getting off' with a nephew of the house on the golf links, the local Inspector of Police had unemotionally arrested the second footman who proved to be a thief well known at headquarters and who admitted his guilt without making any bones about it.

Tommy and Tuppence, therefore, had withdrawn with what dignity they could muster, and were at the present moment solacing themselves with cocktails at the Grand Adlington Hotel. Tommy still wore his clerical disguise.

"Hardly a Father Brown touch, that," he remarked gloomily. "And yet I've got just the right kind of umbrella."

"It wasn't a Father Brown problem," said Tuppence. "One needs a certain atmosphere from the start. One must be doing something quite ordinary, and then bizarre things begin to happen. That's the idea."

"Unfortunately," said Tommy, "we have to return to town. Perhaps something bizarre will happen on the way to the station."

He raised the glass he was holding to his lips, but the liquid in it was suddenly spilled, as a heavy hand smacked him on the shoulder, and a voice to match the hand boomed out words of greeting.

"Upon my soul, it is! Old Tommy! And Mrs. Tommy too. Where did you blow in from? Haven't seen or heard anything of you for years."

"Why, it's Bulger!" said Tommy, setting down what was left of the cocktail, and turning to look at the intruder, a big square-shouldered man of thirty years of age, with a round red beaming face, and dressed in golfing kit. "Good old Bulger!"

"But I say, old chap," said Bulger (whose real name by the way, was Mervyn Estcourt), "I never knew you'd taken orders. Fancy you a blinking parson."

Tuppence burst out laughing, and Tommy looked embarrassed. And then they suddenly became conscious of a fourth person.

A tall slender creature, with very golden hair and very round blue eyes, almost impossibly beautiful, with an effect of really expensive black topped by wonderful ermines, and very large pearl earrings. She was smiling. And her smile said many things. It asserted, for instance, that she knew perfectly well that she herself was the thing best worth looking at certainly in England, and possibly in the whole world. She was not vain about it in any way, but she just knew, with certainty and confidence, that it was so.

Both Tommy and Tuppence recognised her immediately. They had seen her three times in "The Secret of the Heart," and an equal number of times in that other great success, "Pillars of Fire," and in innumerable other plays. There was, perhaps, no other actress in England who had so firm a hold on the British public, as Miss Gilda Glen. She was reported to be the most beautiful woman in England. It was also rumored that she was the stupidest.

"Old friends of mine, Miss Glen," said Estcourt, with a tinge of apology in his voice for having presumed, even for a moment, to forget such a radiant creature. "Tommy, and Mrs. Tommy, let me introduce you to Miss Gilda Glen."

The ring of pride in his voice was unmistakable. By merely being seen in his company, Miss Glen had conferred great glory upon him.

The actress was staring with frank interest at Tommy.

"Are you really a Priest?" she asked. "A Roman Catholic Priest, I mean? Because I thought they didn't have wives."

Estcourt went off in a boom of laughter again.

"That's good," he exploded. "You sly dog, Tommy. Glad he hasn't renounced you, Mrs. Tommy, with all the rest of the pomps and vanities."

Gilda Glen took not the faintest notice of him. She continued to stare at Tommy with puzzled eyes.

"Are you a Priest?" she demanded.

"Very few of us are what we seem to be," said Tommy gently. "My profession is not unlike that of a Priest. I don't give Absolution-but I listen to Confessions-I-"

"Don't you listen to him," interrupted Estcourt. "He's pulling your leg."

"If you're not a clergyman, I don't see why you're dressed up like one," she puzzled. "That is, unless-"

"Not a criminal flying from justice," said Tommy. "The other thing."

"Oh!" she frowned, and looked at him with beautiful bewildered eyes.

"I wonder if she'll ever get that," thought Tommy to himself. "Not unless I put it in words of one syllable for her, I should say."

Aloud he said:

"Know anything about the trains back to town, Bulger? We've got to be pushing for home. How far is it to the station?"

"Ten minutes' walk. But no hurry. Next train up is the 6.35 and it's only about twenty to six now. You've just missed one."

"Which way is it to the station from here?"

"Sharp to the left when you turn out of the Hotel. Then- let me seedown Morgan's Avenue would be the best way, wouldn't it?"

"Morgan's Avenue?" Miss Glen started violently, and stared at him with startled eyes.

"I know what you're thinking of," said Estcourt, laughing "The Ghost.

Morgan's Avenue is bounded by the cemetery on one side, and tradition has it that a policeman who met his death by violence gets up and walks on his old beat up and down Morgan's Avenue. A spook policeman! Can you beat it? But lots of people swear to having seen him."

"A policeman?" said Miss Glen. She shivered a little. "But there aren't really any ghosts, are there? I mean-there aren't such things?"

She got up, folding her wrap tighter round her.

"Good bye," she said vaguely.

She had ignored Tuppence completely throughout, and now she did not even glance in her direction. But over her shoulder she threw one puzzled questioning glance at Tommy.

Just as she got to the door, she encountered a tall man with grey hair and a puffy red face who uttered an exclamation of surprise. His hand on her arm, he led her through the doorway, talking in an animated fashion.

"Beautiful creature, isn't she?" said Estcourt. "Brains of a rabbit.

Rumor has it that she's going to marry Lord Leconbury. That was Leconbury in the doorway."

"He doesn't look a very nice sort of man to marry," remarked Tuppence.

Estcourt shrugged his shoulders.

"A title has a kind of glamor still, I suppose," he said. "And Leconbury is not an impoverished peer by any means. She'll be in clover. Nobody knows where she sprang from. Pretty near the gutter, I daresay.

There's something deuced mysterious about her being down here anyway. She's not staying at the Hotel. And when I tried to find out where she was staying, she snubbed me-snubbed me quite crudely, in the only way she knows. Blessed if I know what it's all about."

He glanced at his watch and uttered an exclamation.

"I must be off. Jolly glad to have seen you two again. We must have a bust in town together some night. So long."

He hurried away, and as he did so, a page approached with a note on a salver. The note was unaddressed.

"But it's for you, sir," he said to Tommy. "From Miss Gilda Glen."

Tommy tore it open and read it with some curiosity. Inside were a few lines written in a straggling untidy hand. I'm not sure, but I think you might be able to help me. And you'll be going that way to the station. Could you be at The White House, Morgan's Avenue, at ten minutes past six? Yours sincerely, Gilda Glen.

Tommy nodded to the page who departed, and then handed the note to Tuppence.

"Extraordinary," said Tuppence. "Is it because she still thinks you're a Priest?"

"No," said Tommy thoughtfully. "I should say it's because she's at last taken in that I'm not one. Hullo! what's this?"

"This" was a young man with flaming red hair, a pugnacious jaw and appallingly shabby clothes. He had walked into the room and was now striding up and down muttering to himself.

"Hell!" said the red haired man, loudly and forcibly. "That's what I say-

Hell!"

He dropped into a chair near the young couple and stared at them moodily.

"Damn all women, that's what I say," said the young man, eyeing Tuppence ferociously. "Oh! all right, kick up a row if you like. Have me turned out of the Hotel! It won't be for the first time. Why shouldn't we say what we think? Why should we go about bottling up our feelings, and smirking, and saying things exactly like everyone else? I don't feel pleasant and polite. I feel like getting hold of someone round the throat and gradually choking them to death."

He paused.

"Any particular person?" asked Tuppence. "Or just anybody?"

"One particular person," said the young man grimly.

"This is very interesting," said Tuppence. "Won't you tell us some more?"

"My name's Reilly," said the red haired man. "James Reilly. You may have heard it. I wrote a little volume of Pacifist poems-good stuff, although I say so."

"Pacifist Poems?" said Tuppence.

"Yes-why not?" demanded Mr. Reilly belligerently.

"Oh! nothing," said Tuppence hastily.

"I'm for peace all the time," said Mr. Reilly fiercely. "To Hell with war.

And women! Women! Did you see that creature who was trailing around here just now? Gilda Glen, she calls herself. Gilda Glen! God! how I've worshipped that woman. And I'll tell you this-if she's got a heart at all, it's on my side. She cared once for me, and I could make her care again. And if she sells herself to that muck heap Leconburywell, God help her. I'd as soon kill her with my own hands."

And on this, suddenly, he rose and rushed from the room.

Tommy raised his eyebrows.

"A somewhat excitable gentleman," he murmured. "Well, Tuppence, shall we start?"

A fine mist was coming up as they emerged from the Hotel into the cool outer air. Obeying Estcourt's directions, they turned sharp to the left, and in a few minutes they came to a turning labelled Morgan's Avenue.

The mist had increased. It was soft and white, and hurried past them in little eddying drifts. To their left was the high wall of the Cemetery, on their right a row of small houses. Presently these ceased, and a high hedge took their place.

"Tommy," said Tuppence. "I'm beginning to feel jumpy. The mist-and the silence. As though we were miles from anywhere."

"One does feel like that," agreed Tommy. "All alone in the world. It's the effect of the mist, and not being able to see ahead of one."

Tuppence nodded. "Just our footsteps echoing on the pavement.

What's that?"

"What's what?"

"I thought I heard other footsteps behind us."

"You'll be seeing the ghost in a minute if you work yourself up like this," said Tommy kindly. "Don't be so nervy. Are you afraid the spook policeman will lay his hand on your shoulder?"

Tuppence emitted a shrill squeal.

"Don't, Tommy. Now you've put it into my head."

She craned her head back over her shoulder, trying to peer into the white veil that was wrapped all round them. "There they are again," she whispered. "No, they're in front now. Oh!

Tommy, don't say you can't hear them?"

"I do hear something. Yes, it's footsteps behind us . Somebody else walking this way to catch the train. I wonder-"

He stopped suddenly, and stood still, and Tuppence gave a gasp.

For the curtain of mist in front of them suddenly parted in the most artificial manner, and there, not twenty feet away a gigantic policeman suddenly appeared, as though materialized out of the fog. One minute he was not there, the next minute he was-so at least it seemed to the rather superheated imaginations of the two watchers. Then as the mist rolled back still more, a little scene appeared, as though set on a stage.

The big blue policeman, a scarlet pillar box, and on the right of the road the outlines of a white house.

"Red, white, and blue," said Tommy. "It's damned pictorial. Come on, Tuppence, there's nothing to be afraid of."

For, as he had already seen, the policeman was a real policeman. And moreover, he was not nearly so gigantic as he had at first seemed looming up out of the mist.

But as they started forward, footsteps came from behind them. A man passed them, hurrying along. He turned in at the gate of the white house, ascended the steps, and beat a deafening tattoo upon the knocker. He was admitted just as they reached the spot where the policeman was standing staring after him.

"There's a gentleman seems to be in a hurry," commented the policeman.

He spoke in a slow reflective voice, as of one whose thoughts took some time to mature.

"He's the sort of gentleman always would be in a hurry," remarked Tommy.

The policeman's stare, slow and rather suspicious, came round to rest on his face.

"Friend of yours?" he demanded, and there was distinct suspicion now in his voice.

"No," said Tommy. "He's not a friend of mine, but I happen to know who he is. Name of Reilly."

"Ah!" said the policeman. 'Well, I'd better be getting along."

"Can you tell me where the White House is?" asked Tommy.

The constable jerked his head sideways.

"This is it. Mrs. Honeycott's." He paused, and added evidently with the idea of giving them valuable information: "Nervous party. Always suspecting burglars is around. Always asking me to have a look around the place. Middle-aged women get like that."

"Middle aged, eh?" said Tommy. "Do you happen to know if there's a young lady staying there?"

"A young lady," said the policeman, ruminating. "A young lady. No, I can't say I know anything about that."

"She mayn't be staying here, Tommy," said Tuppence. "And anyway, she mayn't be here yet. She could only have started just before we did."

"Ah!" said the policeman suddenly. "Now that I call it to mind, a young lady did go in at this gate. I saw her as I was coming up the road. About three or four minutes ago it might be."

"With ermine furs on?" asked Tuppence eagerly.

"She had some kind of white rabbit round her throat," admitted the policeman.

Tuppence smiled. The policeman went on in the direction from which they had just come, and they prepared to enter the gate of the White House.

Suddenly a faint muffled cry sounded from inside the house, and almost immediately afterwards the front door opened and James Reilly came rushing down the steps. His face was white and twisted, and his eyes glared in front of him unseeingly. He staggered like a drunken man.

He passed Tommy and Tuppence as though he did not see them, muttering to himself with a kind of dreadful repetition.

"My God! My God! Oh, my God!"

He clutched at the gate post, as though to steady himself, and then, as though animated by sudden panic, he raced off down the road as hard as he could go in the opposite direction to that taken by the policeman.

12. THE MAN IN THE MIST (continued)

Tommy and Tuppence stared at each other in bewilderment. "Well," said Tommy, "something's happened in that house to scare our friend

Reilly pretty badly."

Tuppence drew her finger absently across the gate post.

"He must have put his hand on some wet red paint somewhere," she said idly.

"H'm," said Tommy. "I think we'd better go inside rather quickly. I don't understand this business."

In the doorway of the house a white capped maid servant was standing, almost speechless with indignation.

"Did you ever see the likes of that now, Father," she burst out, as Tommy ascended the steps. "That fellow comes here, asks for the young lady, rushes upstairs without how or by your leave. She lets out a screech like a wild cat-and what wonder, poor pretty dear, and straightway he comes rushing down again, with the white face on him, like one who's seen a ghost. What will be the meaning of it all?"

"Who are you talking with at the front door, Ellen?" demanded a sharp voice from the interior of the hall.

"Here's Missus," said Ellen, somewhat unnecessarily.

She drew back and Tommy found himself confronting a grey haired, middle aged woman, with frosty blue eyes imperfectly concealed by pince nez, and a spare figure clad in black with bugle trimming.

"Mrs. Honeycott?" said Tommy. "I came here to see Miss Glen."

Mrs. Honeycott gave him a sharp glance, then went on to Tuppence and took in every detail of her appearance.

"Oh! you did, did you?" she said. "Well, you'd better come inside."

She led the way into the hall and along it into a room at the back of the house facing on the garden. It was a fair sized room, but looked smaller than it was, owing to the large amount of chairs and tables crowded into it. A big fire burned in the grate, and a chintz covered sofa stood at one side of it. The wall paper was a small grey stripe with a festoon of roses round the top. Quantities of engravings and oil paintings covered the walls.

It was a room almost impossible to associate with the expensive personality of Miss Gilda Glen.

"Sit down," said Mrs. Honeycott. "To begin with, you'll excuse me if I say I don't hold with the Roman Catholic religion. Never did I think to see a Roman Catholic priest in my house. But if Gilda's gone over to the Scarlet Woman it's only what's to be expected in a life like hers-and I daresay it might be worse. She mightn't have any religion at all. I should think more of Roman Catholics if their priests were married-I always speak my mind. And to think of those convents-quantities of beautiful young girls shut up there, and no one knowing what becomes of them-well, it won't bear thinking about."

Mrs. Honeycott came to a full stop, and drew a deep breath.

Without entering upon a defence of the celibacy of the priesthood or the other controversial points touched upon, Tommy went straight to the point.

"I understand, Mrs. Honeycott, that Miss Glen is in this house."

"She is. Mind you, I don't approve. Marriage is marriage and your husband's your husband. As you make your bed, so you must lie on it."

"I don't quite understand-" began Tommy, bewildered.

"I thought as much. That's the reason I brought you in here. You can go up to Gilda after I've spoken my mind. She came to me-after all these years, think of it!-and asked me to help her. Wanted me to see this man and persuade him to agree to a divorce. I told her straight out I'd have nothing whatever to do with it. Divorce is sinful. But I couldn't refuse my own sister shelter in my house, could I now?"

"Your sister?" exclaimed Tommy.

"Yes, Gilda's my sister. Didn't she tell you?"

Tommy stared at her open mouthed. The thing seemed fantastically impossible. Then he remembered that the angelic beauty of Gilda Glen had been in evidence for many years. He had been taken to see her act as quite a small boy. Yes, it was possible after all. But what a piquant contrast. So it was from this lower middle class respectability that Gilda Glen had sprung. How well she had guarded her secret!

"I am not yet quite clear," he said. "Your sister is married?"

"Ran away to be married as a girl of seventeen," said Miss Honeycott succinctly. "Some common fellow far below her in station. And our father a reverend. It was a disgrace. Then she left her husband and went on the stage. Play acting! I've never been inside a theatre in my life. I hold no truck with wickedness. Now, after all these years, she wants to divorce the man. Means to marry some big wig, I suppose.

But her husband's standing firm-not to be bullied and not to be bribed-I admire him for it."

"What is his name?" asked Tommy suddenly.

"That's an extraordinary thing now, but I can't remember! It's nearly twenty years ago, remember, since I heard it. My father forbade it to be mentioned. And I've refused to discuss the matter with Gilda. She knows what I think, and that's enough for her."

"It wasn't Reilly, was it?"

"Might have been. I really can't say. It's gone clean out of my head."

"The man I mean was here just now."

"That man! I thought he was an escaped lunatic. I'd been in the kitchen giving orders to Ellen. I'd just got back into this room, and was wondering whether Gilda had come in yet (she has a latch key) when I heard her. She hesitated a minute or two in the hall and then went straight upstairs. About three minutes later, all this tremendous rat tatting began. I went out into the hall, and just saw a man rushing upstairs. Then there was a sort of cry upstairs and presently down he came again and rushed out like a madman. Pretty goings on."

Tommy rose.

"Mrs. Honeycott, let us go upstairs at once. I am afraid-"

"What of?"

"Afraid that you have no red wet paint in the house."

Mrs. Honeycott stared at him.

"Of course I haven't." "That is what I feared," said Tommy gravely. "Please let us go to your sister's room at once."

Momentarily silenced, Mrs. Honeycott led the way. They caught a glimpse of Ellen in the hall, backing hastily into one of the rooms.

Mrs. Honeycott opened the first door at the top of the stairs. Tommy and Tuppence entered close behind her.

Suddenly she gave a gasp and fell back.

A motionless figure in black and ermine lay stretched on the sofa. The face was untouched, a beautiful soulless face like a mature child asleep. The wound was on the side of the head, a heavy blow with some blunt instrument had crushed in the skull. Blood was dripping slowly onto the floor, but the wound itself had long since ceased to bleed. . .

Tommy examined the prostrate figure his face very white "So," he said at last, "he didn't strangle her after all."

"What do you mean? Who?" cried Mrs. Honeycott. "Is she dead?"

"Oh! yes, Mrs. Honeycott, she's dead. Murdered. The question is-by whom? Not that it is much of a question. Funny-for all his ranting words, I didn't think the fellow had got it in him."

He paused a minute, then turned to Tuppence with decision.

"Will you go out and get a policeman, or ring up the police station from somewhere?"

Tuppence nodded. She, too, was very white. Tommy led Mrs.

Honeycott downstairs again.

"I don't want there to be any mistake about this," he said. "Do you know exactly what time it was when your sister came in?"

"Yes, I do," said Mrs. Honeycott. "Because I was just setting the clock on five minutes as I have to do every evening. It gains just five minutes a day. It was exactly eight minutes past six by my watch, and that never loses or gains a second."

Tommy nodded. That agreed perfectly with the policeman's story. He had seen the woman with the white furs go in at the gate, probably three minutes had elapsed before he and Tuppence had reached the same spot. He had glanced at his own watch then and had noted that it was just one minute after the time of their appointment.

There was just the faint chance that someone might have been waiting for Gilda Glen in the room upstairs. But if so, he must still be hiding in the house. No one but James Reilly had left it.

He ran upstairs and made a quick but efficient search of the premises.

But there was no one concealed anywhere.

Then he spoke to Ellen. After breaking the news to her, and waiting for her first lamentations and invocations to the Saints to have exhausted themselves, he asked a few questions.

"Had anyone come to the house that afternoon asking for Miss Glen?

No one whatsoever. Had she herself been upstairs at all that evening?

Yes, she'd gone up at six o'clock as usual to draw the curtains-or it might have been a few minutes after six. Anyway it was just before that wild fellow come breaking the knocker down. She'd run downstairs to answer the door. And him a black hearted murderer at the time."

Tommy let it go at that. But he still felt a curious pity for Reilly, an unwillingness to believe the worst of him. And yet there was no one else who could have murdered Gilda Glen. Mrs. Honeycott and Ellen had been the only two people in the house.

He heard voices in the hall, and went out to find Tuppence and the policeman from the beat outside. The latter had produced a notebook, and a rather blunt pencil which he licked surreptitiously. He went upstairs and surveyed the victim stolidly, merely remarking that if he was to touch anything the Inspector would give him beans. He listened to all Mrs. Honeycott's hysterical outbursts and confused explanations, and occasionally he wrote something down. His presence was calming and soothing.

Tommy finally got him alone for a minute or two on the steps outside, ere he departed to telephone headquarters.

"Look here," said Tommy. "You saw the deceased turning in at the gate, you say. Are you sure she was alone?"

"Oh, she was alone all right. Nobody with her."

"And between that time and when you met us, nobody came out of the gate?"

"Not a soul."

"You'd have seen them if they had?"

"In course I should. Nobody come out till that wild chap did."

The majesty of the law moved portentously down the steps and paused by the white gate post which bore the imprint of a hand in red.

"Kind of amateur he must have been," he said pityingly. "To leave a thing like that."

Then he swung out into the road.

It was the day after the crime. Tommy and Tuppence were still at the Grand Hotel, but Tommy had thought it prudent to discard his clerical disguise.

James Reilly had been apprehended, and was in custody. His solicitor, Mr. Marvell, had just finished a lengthy conversation with Tommy on the subject of the crime.

"I never would have believed it of James Reilly," he said simply. "He's always been a man of violent speech, but that's all."

Tommy nodded.

"If you disperse energy in speech, it doesn't leave you too much over for action. What I realise is that I shall be one of the principal witnesses against him. That conversation he had with me just before the crime was particularly damning. And in spite of everything, I like the man, and if there was anyone else to suspect, I should believe him to be innocent. What's his own story?"

The solicitor pursed up his lips.

"He declares that he found her lying there dead. But that's impossible, of course. He's using the first lie that comes into his head."

"Because, if he happened to be speaking the truth, it would mean that our garrulous Mrs. Honeycott committed the crime-and that is fantastic. Yes, he must have done it."

"The maid heard her cry out, remember."

"The maid-yes-"

Tommy was silent a moment. Then he said thoughtfully:

"What credulous creatures we are, really. We believe evidence as though it were gospel truth. And what is it ready? Only the impressions conveyed to the mind by the senses- and suppose they're the wrong impressions?"

The lawyer shrugged his shoulders.

"Oh! we all know that there are unreliable witnesses, witnesses who remember more and more as time goes on, with no real intention to deceive."

"I don't mean only that. I mean all of us-we say things that aren't really so, and never know that we've done so. For instance, both you and I, without doubt, have said some time or other 'There's the post,' when what we really meant was that we'd heard a double knock and the rattle of the letter box. Nine times out of ten we'd be right, and it would be the post, but just possibly the tenth time it might be only a little urchin playing a joke on us. See what I mean?"

"Ye-es," said Mr. Marvell slowly. "But I don't see what you're driving at?"

"Don't you? I'm not sure that I do myself. But I'm beginning to see. It's like the stick, Tuppence. You remember? One end of it pointed one way-but the other end always points the opposite way. It depends whether you get hold of it by the right end. Doors open-but they also shut. People go upstairs, but they also go downstairs. Boxes shut, but they also open."

"What do you mean?" demanded Tuppence.

"It's so ridiculously easy, really," said Tommy. "And yet it's only just come to me. How do you know when a person's come into the house?

You hear the door open and bang to, and if you re expecting anyone to come in, you will be quite sure it is them. But it might just as easily be someone going out."

"But Miss Glen didn't go out?"

"No, I know she didn't. But someone else did-the murderer."

"But how did she get in, then?"

"She came in whilst Mrs. Honeycott was in the kitchen talking to Ellen.

They didn't hear her. Mrs. Honeycott went back to the drawing-room, wondered if her sister had come in and began to put the clock right, and then, as she thought, she heard her come in and go upstairs."

"Well, what about that? The footsteps going upstairs?"

"That was Ellen, going up to draw the curtains. You remember, Mrs.

Honeycott said her sister paused before going up . That pause was just the time needed for Ellen to come out from the kitchen into the hall.

She just missed seeing the murderer."

"But Tommy," cried Tuppence. "The cry she gave?"

"That was James Reilly. Didn't you notice what a high pitched voice he has? In moments of great emotion, men often squeal just like a woman."

"But the murderer? We'd have seen him?"

"We did see him. We even stood talking to him. Do you remember the sudden way that policeman appeared? That was because he stepped out of the gate, just after the mist cleared from the road. It made us jump, don't you remember? After all, though we never think of them as that, policemen are men just like any other men. They love and they hate. They marry. . . .

"I think Gilda Glen met her husband suddenly just outside that gate, and took him in with her to thrash the matter out. He hadn't Reilly's relief of violent words, remember. He just saw red-and he had his truncheon handy. . . ."

13. THE CRACKLER

"Tuppence," said Tommy, "we shall have to move into a much larger office."

"Nonsense," said Tuppence, "You mustn't get swollen headed and think you are a millionaire just because you solved two or three twopenny halfpenny cases with the aid of the most amazing luck."

"What some call luck, others call skill."

"Of course if you really think you are Sherlock Holmes, Thorndyke, McCarty and the Brothers Okewood all rolled into one there is no more to be said. Personally I would much rather have luck on my side than all the skill in the world."

"Perhaps there is something in that," conceded Tommy. "All the same, Tuppence, we do need a larger office."

"Why?"

"The Classics," said Tommy. "We need several hundreds of yards of extra book shelf if Edgar Wallace is to be properly represented."

"We haven't had an Edgar Wallace case yet."

"I am afraid we never shall," said Tommy. "If you notice he never does give the amateur sleuth much of a chance. It is all stern Scotland Yard kind of stuff-the real thing and no base counterfeit."

Albert, the office boy, appeared at the door.

"Inspector Marriot to see you," he announced.

"The mystery man of Scotland Yard" murmured Tommy.

"The busiest of the Busies," said Tuppence. "Or is it 'Noses?' I always get mixed between Busies and Noses."

The Inspector advanced upon them with a beaming smile of welcome.

"Well and how are things?" he asked breezily. "None the worse for our little adventure the other day?"

"Oh! rather not," said Tuppence. "Too, too marvellous, wasn't it?"

"Well, I don't know that I would describe it exactly that way myself," said Marriot cautiously.

"What has brought you here today, Marriott?" asked Tommy. "Not just solicitude for our nervous systems, is it?"

"No," said the Inspector. "It is work for the brilliant Mr. Blunt."

"Ha!" said Tommy. "Let me put my brilliant expression on."

"I have come to make you a proposition, Mr. Beresford. What would you say to rounding up a really big gang?"

"Is there such a thing?" asked Tommy.

"What do you mean, is there such a thing?"

"I always thought that gangs were confined to fiction-like master crooks, and super criminals." "The master crook isn't very common," agreed the Inspector. "But Lord bless you, sir, there's any amount of gangs knocking about."

"I don't know that I should be at my best dealing with a gang," said Tommy. "The amateur crime, the crime of quiet family life-that is where I flatter myself that I shine. Drama of strong domestic interest. That's the thing-with Tuppence at hand to supply all those little feminine details which are so important, and so apt to be ignored by the denser male."

His eloquence was arrested abruptly, as Tuppence threw a cushion at him and requested him not to talk nonsense.

"Will have your little bit of fun, won't you, sir?" said Inspector Marriot, smiling paternally at them both. "If you'll not take offense at my saying so, it's a pleasure to see two your" people enjoying life as much as you two do."

"Do we enjoy life?" said Tuppence, opening her eyes very wide. "I suppose we do. I've never thought about it before."

"To return to that gang you were talking about," said Tommy. "In spite of my extensive private practice, Duchesses, millionaires, and all the best charwomen-I might perhaps condescend to look into the matter for you. I don't like to see Scotland Yard at fault. You'll have the Daily Mail after you before you know where you are."

"As I said before, you must have your bit of fun. Well, it's like this."

Again he hitched his chair forward. "There's any amount of forged notes going about just now-hundreds of 'em! The amount of counterfeit Treasury notes in circulation would surprise you. Most artistic bit of work it is. Here's one of 'em."

He took a one pound note from his pocket and handed it to Tommy.

"Looks all right, doesn't it?"

Tommy examined the note with great interest.

"By Jove, I'd never spot there was anything wrong with that."

"No more would most people. Now here's a genuine one. I'll show you the differences-very slight they are, but you'll soon learn to tell them apart. Take this magnifying glass."

At the end of five minutes' coaching, both Tommy and Tuppence were fairly expert.

"What do you want us to do, Inspector Marriot?" asked Tuppence.

"Just keep our eyes open for these things?"

"A great deal more than that, Mrs. Beresford. I'm pinning my faith on you to get to the bottom of the matter. You see we've discovered that the notes are being circulated from the West End. Somebody pretty high up in the social scale is doing the distributing. They're passing them the other side of the Channel as well. Now there's a certain person who is interesting us very much. A Major Laidlaw-perhaps you've heard the name?"

"I think I have," said Tommy. "Connected with racing, isn't that it?"

"Yes. Major Laidlaw is pretty well known in connection with the Turf.

There's nothing actually against him, but there's a general impression that he's been a bit too smart over one or two rather shady transactions. Men in the know look queer when he's mentioned.

Nobody knows much of his past or where he came from. He's got a very attractive French wife who's seen about everywhere with a train of admirers. They must spend a lot of money, the Laidlaws, and I'd like to know where it comes from."

"Possibly from the train of admirers," suggested Tommy.

"That's the general idea. But I'm not so sure. It may be coincidence, but a lot of notes have been forthcoming from a certain very smart little gambling club which is much frequented by the Laidlaws and their set. This racing, gambling set get rid of a lot of loose money in notes. There couldn't be a better way of getting it into circulation."

"And where do we come in?"

"This way. Young St. Vincent and his wife are friends of yours, I understand? They're in pretty thick with the Laidlaw set-though not as thick as they were. Through them it will be easy for you to get a footing in the same set in a way that none of our people could attempt. There's no likelihood of their spotting you. You'll have an ideal opportunity."

"What have we got to find out exactly?"

"Where they get the stuff from, if they are passing it."

"Quite so," said Tommy. "Major Laidlaw goes out with an empty suitcase. When he returns it is crammed to the bursting point with Treasury notes. How is it done? I sleuth him and find out. Is that the idea?"

"More or less. But don't neglect the lady, and her father, M. Heroulade.

Remember the notes are being passed on both sides of the Channel."

"My dear Marriot," exclaimed Tommy reproachfully. "Blunt's Brilliant Detectives do not know the meaning of the word neglect."

The Inspector rose.

"Well, good luck to you," he said, and departed.

"Slush," said Tuppence enthusiastically.

"Eh?" said Tommy perplexed.

"Counterfeit money," explained Tuppence. "It is always called Slush. I know I'm right. Oh, Tommy, we have got an Edgar Wallace case. At last we are Busies."

"We are," said Tommy, "and we are out to get The Crackler and we will get him good."

"Did you say The Cackler or The Crackler?"

"The Crackler."

"Oh, what is a Crackler?"

"A new word that I have coined," said Tommy. "Descriptive of one who passes false notes into circulation. Bank notes crackle; therefore he is called a Crackler. Nothing could be more simple."

"That is rather a good idea," said Tuppence, "it makes it seem more real. I like the Rustler myself. Much more descriptive and sinister."

"No," said Tommy, "I said the Crackler first and I stick to it."

"I shall enjoy this case," said Tuppence. "Lots of Night Clubs and cocktails in it. I shall buy some eyelash black to-morrow."

"Your eyelashes are black already," objected her husband.

"I could make them blacker," said Tuppence, "and cherry lip stick would be useful too. That ultra bright kind."

"Tuppence," said Tommy, "you're a real rake at heart. What a good thing it is that you are married to a sober steady middle aged man like myself."

"You wait," said Tuppence. "When you have been to the Python Club a bit you mayn't be so sober yourself."

Tommy produced from a cupboard various bottles, two glasses, and a cocktail shaker.

"Let's start now," he said. "We are after you, Crackler, and we mean to get you."

14. THE CRACKLER (continued)

Making the acquaintance of the Laidlaws proved an easy affair.

Tommy and Tuppence, young, well dressed, eager for life and with apparently money to burn, were soon made free of that particular coterie in which the Laidlaws had their being.

Major Laidlaw was a tall fair man, typically English in appearance, with a hearty sportsmanlike manner, slightly belied by the hard lines round his eyes and the occasional quick sideways glance that assorted oddly with his supposed character.

He was a very dexterous card player, and Tommy noticed that when the stakes were high he seldom rose from the table a loser.

Marguerite Laidlaw was quite a different proposition. She was a charming creature, with the slenderness of a wood nymph and the face of a Greuze picture. Her dainty broken English was fascinating, and Tommy felt that it was no wonder most men were her slaves. She seemed to take a great fancy to Tommy from the first, and playing his part, he allowed himself to be swept into her train.

"My Tommee," she would say. "But positively I cannot go without my Tommee. His 'air, eet ees the color of the sunset, ees eet not?"

Her father was a more sinister figure. Very correct, very upright, with his little black beard and his watchful eyes.

Tuppence was the first to report progress. She came to Tommy with ten one pound notes.

"Have a look at these. They're wrong 'uns, aren't they?"

Tommy examined them and confirmed.Tuppence's diagnosis.

"Where did you get them from?"

"That boy, Jimmy Faulkener. Marguerite Laidlaw gave them to him to put on a horse for her. I said I wanted small notes, and gave him a tenner in exchange."

"All new and crisp," said Tommy thoughtfully. "They can't have passed through many hands. I suppose young Faulkener is all right?"

"Jimmy? Oh! he's a dear. He and I are becoming great Friends."

"So I have noticed," said Tommy coldly. "Do you really think it is necessary?"

"Oh! it isn't business," said Tuppence cheerily. "It's pleasure. He's such a nice boy. I'm glad to get him out of that woman's clutches.

You've no idea of the amount of money she's cost him."

"It looks to me as though he were getting rather a pash for you, Tuppence."

"I've thought the same myself sometimes. It's nice to know one's still young and attractive, isn't it?"

"Your moral tone, Tuppence, is deplorably low. You look at these things from the wrong point of view."

"I haven't enjoyed myself so much for years," declared Tuppence shamelessly. "And anyway, what about you? Do I ever see you nowadays? Aren't you always living in Marguerite Laidlaw's pocket?"

"Business," said Tommy crisply.

"But she is attractive, isn't she?"

"Not my type," said Tommy. "I don't admire her."

"Liar," laughed Tuppence. "But I always did think I'd rather marry a liar than a fool."

"I suppose," said Tommy, "that there's no absolute necessity for a husband to be either?"

But Tuppence merely threw him a pitying glance and withdrew.

Amongst Mrs. Laidlaw's train of admirers was a simple but extremely wealthy gentleman of the name of Hank Ryder.

Mr. Ryder came from Alabama, and from the first he was disposed to make a friend and confidant of Tommy.

"That's a wonderful woman, sir," said Mr. Ryder, following the lovely Marguerite with reverential eyes. "Plumb full of civilization. Can't beat la gaie France, can you? When I'm near her, I feel as though I was one of the Almighty's earliest experiments. I guess He'd got to get His hand in before He attempted anything so lovely as that perfectly lovely woman."

Tommy agreeing politely with these sentiments, Mr. Ryder unburdened himself still further.

"Seems kind of a shame a lovely creature like that should have money worries."

"Has she?" asked Tommy.

"You betcha life she has. Queer fish, Laidlaw. She's skeered of him.

Told me so. Daren't tell him about her little bills."

"Are they little billls?" asked Tommy.

"Well-when I say little! After all, a woman's got to wear clothes, and the less there are of them the more they cost, the way I figure it out. And a pretty woman like that doesn't want to go about in last season's goods.

Cards too, the poor little thing's been mighty unlucky at cards. Why, she lost fifty to me last night."

"She won two hundred from Jimmy Faulkener the night before," said Tommy drily.

"Did she indeed? That relieves my mind some. By the way, there seems to be a lot of dud notes floating around in your country just now.

I paid in a bunch at my bank this morning, and twenty-five of them were down and outers, so the polite gentleman behind the counter informed me."

"That's rather a large proportion. Were they new looking?"

"New and crisp as they make 'em. Why, they were the ones Mrs.

Laidlaw paid over to me, I reckon. Wonder where she got 'em from.

One of these toughs on the race course as likely as not."

"Yes," said Tommy. "Very likely."

"You know, Mr. Beresford, I'm new to this sort of high life. All these swell dames, and the rest of the outfit. Only made my pile a short while back. Came right over to Yurrop to see life."

Tommy nodded. He made a mental note to the effect that with the aid of Marguerite Laidlaw Mr. Ryder would probably see a good deal of life and that the price charged would be heavy.

Meantime, for the second time, he had evidenced that the forged notes were being distributed pretty near at hand, and that in all probability Marguerite Laidlaw had a hand in their distribution.

On the following night he himself was given a proof.

It was at that small select meeting place mentioned by Inspector Marriot. There was dancing there, but the real attraction of the place lay behind a pair of imposing folding doors. There were two rooms there with green baize covered tables, where vast sums changed hands nightly.

Marguerite Laidlaw, rising at last to go, thrust a quantity of small notes into Tommy's hands.

"They are so bulkee, Tommee-you will change them, yes? A beeg note.

See my so sweet leetle bag, it bulges him to distraction."

Tommy brought her the hundred pound note she asked for. Then in a quiet corner, he examined the notes she had given him. At least a quarter of them were counterfeit.

But where did she get her supplies from? To that he had as yet no answer. By means of Albert's cooperation, he was almost sure that Laidlaw was not the man. His movements had been watched closely and had yielded no result.

Tommy suspected her father, the saturnine M. Heroulade. He went to and fro to France fairly often. What could be simpler than to bring the notes across with him? A false bottom to a trunk-something of that kind.

Tommy strolled slowly out of the Club, absorbed in these thoughts, but was suddenly recalled to immediate necessities. Outside in the street was Mr. Hank P. Ryder, and it was clear at once that Mr. Ryder was not strictly sober. At the moment he was trying to hang his hat on the radiator of a car, and missing it by some inches every time.

"This goddarned hatshtand, this goddarned hatshtand," said Mr.

Ryder tearfully. "Not like that in the Shtates. Man can hang up hishhat every night-every night, sir. You're wearing two hatshs. Never sheen a man wearing two hatsh before. Mushtbe effectclimate."

"Perhaps I've got two heads," said Tommy gravely.

"Sho you have," said Mr. Ryder. "Thatsh odd. Thatsh remarkable fac.

Letsh have a cocktail. Prohibition-probishun-thatsh whatsh done me in. I guess I'm drunk-constootionally drunk. Cocktailsh-mixed 'em-

Angel's Kiss- that's Marguerite-lovely creature, fon' o' me too. Horshes Neck, two Martinis-three Road to Ruinsh-no, roadshto roon-mixed 'em all-in a beer tankard. Bet me I wouldn't-I shaid-to hell, I shayed-"

Tommy interrupted.

"That's all right," he said soothingly. "Now what about getting home?"

"No home to go to," said Mr. Ryder sadly, and wept.

"What Hotel are you staying at?" asked Tommy.

"Can't go home," said Mr. Ryder. "Treasurehunt. Swell thing to do. She did it. Whitechapel-White heartsh, white headsh shorrow to the grave-"

"Never mind that," said Tommy. "Where are you-"

But Mr. Ryder became suddenly dignified. He drew himself erect and attained a sudden miraculous command over his speech.

"Young man, I'm telling you. Margee took me. In her car Treasure Hunting. Englisharishtocrashy all do it. Under the cobblestones. Five hundred poundsh. Solemn thought, 'tis solemn thought. I'm telling you, young man. You've been kind to me. I've got your welfare at heart, sir, at heart. We Americans-"

Tommy interrupted him this time with even less ceremony.

"What's that you say? Mrs. Laidlaw took you in a car?"

The American nodded with a kind of owlish solemnity.

"To Whitechapel?" Again that owlish nod. "And you found five hundred pounds there?"

Mr. Ryder struggled for words.

"S-she did," he corrected his questioner. "Left me outside. Outside the door. Always left outside. It's kinder sad. Outside-always outside."

"Would you know your way there?"

"I guess so. Hank Ryder doesn't lose his bearings-"

Tommy hauled him along unceremoniously. He found his own car where it was waiting, and presently they were bowling eastward. The cool air revived Mr. Ryder. After slumping against Tommy's shoulder in a kind of stupor, he awoke clear headed and refreshed.

"Say, boy, where are we?" he demanded.

"Whitechapel," said Tommy crisply. "Is this where you came with Mrs.

Laidlaw tonight?"'

"It looks kinder familiar," admitted Mr. Ryder looking round. "Seems to me we turned off to the left somewhere down here. That's it-that street there."

Tommy turned off obediently. Mr. Ryder issued directions.

"That's it. Sure. And round to the right. Say, aren't the smells awful?

Yes, past the pub at the corner-sharp round, and stop at the mouth of that little alley. But what's the big idea? Hand it to me. Some of the oof left behind? Are we going to put one over on them?"

"That's exactly it," said Tommy. "We're going to put one over on them.

Rather a joke, isn't it?"

"I'll tell the world," assented Mr. Ryder. "Though I'm just a mite hazed about it all," he ended wistfully.

Tommy got out and assisted Mr. Ryder to alight also. They advanced into the alley way. On the left were the backs of a row of dilapidated houses, most of which had doors opening into the alley. Mr. Ryder came to a stop before one of these doors.

"In here she went," he declared. "It was this door-I'm plumb certain of it."

"They all look very alike," said Tommy. "Reminds me of the story of the soldier and the Princess. You remember, they made a cross on the door to show which one it was. Shall we do the same?"

Laughing, he drew a piece of white chalk from his pocket and made a rough cross low down on the door. Then he looked up at various dim shapes that prowled high on the walls of the alley, one of which was uttering a blood curdling yawl.

"Lots of cats about," he remarked cheerfully.

"What is the procedure?" asked Mr. Ryder. "Do we step inside?"

"Adopting due precautions we do," said Tommy.

He glanced up and down the alley way, then softly tried the door. It yielded. He pushed it open, and peered into a dim yard.

Noiselessly he passed through, Mr. Ryder on his heels.

"Gee!" said the latter. "There's someone coming down the alley."

He slipped outside again. Tommy stood still for a minute, then hearing nothing went on. He took a torch from his pocket and switched on the light for a brief second. That momentary flash enabled him to see his way ahead. He pushed forward and tried the closed door ahead of him.

That too gave, and very softly he pushed it open and went in.

After standing still a second and listening, he again switched on the torch, and at that flash, as though at a given signal, the place seemed to rise round him. Two men were in front of him, two men were behind him. They closed in on him, and bore him down.

"Lights," growled a voice.

An incandescent gas burner was lit. By its light Tommy saw a circle of unpleasing faces. His eyes wandered gently round the room and noted some of the objects in it.

"Ah!" he said pleasantly. "The headquarters of the counterfeiting industry, if I am not mistaken."

"Shut your jaw," growled one of the men.

The door opened and shut behind Tommy, and a genial and well known voice spoke.

"Got him, boys. That's right. Now, Mr. Busy, let me tell you you're up against it."

"That dear old word," said Tommy. "How it thrills me. Yes. I am the Mystery Man of Scotland Yard. Why it's Mr. Hank Ryder. This is a surprise."

"I guess you mean that too. I've been laughing fit to bust all this evening-leading you here like a little child. And you so pleased with your cleverness. Why, sonny, I was on to you from the start. You weren't in with that crowd for your health. I let you play about for a while, and when you got real suspicious of the lovely Marguerite, I said to myself 'Now's the time to lead him to it.' I guess your friends won't be hearing of you for some time."

"Going to do me in? That's the correct expression, I believe. You have got it in for me."

"You've got a nerve all right. Not we shan't attempt violence. Just keep you under restraint, so to speak."

"I'm afraid you're backing the wrong horse," said Tommy. "I've no intention of being 'kept under restraint' as you call it."

Mr. Ryder smiled genially. From outside a cat uttered a melancholy cry to the moon.

"Banking on that cross you put on the door, eh Sonny?" said Mr.

Ryder. "I shouldn't if I were you. Because I know that story you mentioned. Heard it when I was a little boy. I stepped back into the alleyway to enact the part of the dog with eyes as big as cart wheels. If you were in that alley now, you would observe that every door in the alley is marked with an identical cross."

Tommy drooped his head despondently.

"Thought you were mighty clever, didn't you?" said Ryder.

As the words left his lips a sharp rapping sounded on the door.

"What's that?" he cried, starting.

At the same time, an assault began on the front of the house. The door at the back was a flimsy affair. The lock gave almost immediately and Inspector Marriot showed in the doorway.

"Well done, Marriot," said Tommy. "You were quite right as to the district. I'd like you to make the acquaintance of Mr. Hank Ryder who knows all the best fairy tales."

"You see, Mr. Ryder," he added gently, "I've had my suspicions of you.

Albert (that important looking boy with the big ears is Albert) had orders to follow on his motor cycle if you and I went off joy riding at any time. And whilst I was ostentatiously marking a chalk cross on the door to engage your attention, I also emptied a little bottle of valerian on the ground. Nasty smell, but cats love it. All the cats in the neighborhood were assembled outside to mark the right house when Albert and the police arrived."

He looked at the dumbfounded Mr. Ryder with a smile. Then rose to his feet.

"I said I would get you, Crackler, and I have got you," he observed.

"What the Hell are you talking about?" asked Mr. Ryder. "What do you mean-Crackler?"

"You will find it in the glossary of the next criminal dictionary," said Tommy. "Etymology doubtful."

He looked round him with a happy smile.

"And all done without a Nose," he murmured brightly. "Good night, Marriot. I must go now to where the happy ending of the story awaits me. No reward like the love of a good woman-and the love of a good woman awaits me at home-that is I hope it does, but one never knows nowadays. This has been a very dangerous job, Marriot. Do you know Captain Jimmy Faulkener? His dancing is simply too marvellous and as for his taste in cocktails-! Yes, Marriot, it has been a very dangerous job."

15.THE SUNNINGDALE MYSTERY

"Do you know where we are going to lunch today, Tuppence?"

Mrs. Beresford considered the question.

"The Ritz?" she suggested hopefully.

"Think again."

"That nice little place in Soho?"

"No." Tommy's tone was full of importance. "An A.B.C. shop. This one in fact."

He drew her deftly inside an establishment of the kind indicated, and steered her to a corner marble-topped table.

"Excellent," said Tommy with satisfaction, as he seated himself.

"Couldn't be better."

"Why has this craze for the simple life come upon you?" demanded Tuppence.

"You see, Watson, but you do not observe. I wonder now whether one of these haughty damsels would condescend to notice us? Splendid, she drifts this way. It is true that she appears to be thinking of something else, but doubtless her subconscious mind is functioning busily with such matters as ham and eggs and pots of tea. Chop and fried potatoes, please, Miss, and a large coffee, a roll and butter, and a plate of tongue for the lady."

The waitress repeated the order in a scornful tone, but Tuppence leant forward suddenly and interrupted her.

"No, not a chop and fried potatoes. This gentleman will have a cheese cake and a glass of milk."

"A cheese cake and a milk," said the waitress with even deeper scorn if that were possible. Still thinking of something else, she drifted away again.

"That was uncalled for," said Tommy coldly.

"But I'm right, aren't I? You are the Old Man in the Corner? Where's your piece of string?"

Tommy drew a long twisted mesh of string from his pocket, and proceeded to tie a couple of knots in it.

"Complete to the smallest detail," he murmured.

"You made a small mistake in ordering your meal, though."

"Women are so literal minded," said Tommy. "If there's one thing I hate it's milk to drink, and cheese cakes are always so yellow and bilious looking."

"Be an artist," said Tuppence. "Watch me attack my cold tongue. Jolly good stuff, cold tongue. Now then, I'm all ready to be Miss Polly Burton. Tie a large knot and begin."

"First of all," said Tommy, "speaking in a strictly unofficial capacity, let me point out this. Business is not too brisk lately. If business does not come to us, we must go to business. Apply our minds to one of the great public mysteries of the moment. Which brings me to the point-the Sunningdale Mystery."

"Ah!" said Tuppence, with deep interest. "The Sunningdale Mystery!"

Tommy drew a crumpled piece of newspaper from his pocket and laid it on the table.

"That is the latest portrait of Captain Sessle as it appeared in the Daily Leader."

"Just so," said Tuppence. "I wonder someone doesn't sue these newspapers sometimes. You can see it's a man and that's all."

"When I said the Sunningdale Mystery, I should have said the so-called Sunningdale Mystery," went on Tommy rapidly. "A mystery to the police perhaps, but not to an intelligent mind."

"Tie another knot," said Tuppence.

"I don't know how much of the case you remember," continued Tommy quietly.

"All of it," said Tuppence, "but don't let me cramp your style."

"It was just over three weeks ago," said Tommy, "that that gruesome discovery was made on the famous golf links. Two members of the Club who were enjoying an early round were horrified to find the body of a man lying face downwards on the seventh tee. Even before they turned him over they had guessed him to be Captain Sessle, a well known figure on the links, and who always wore a golf coat of a peculiarly bright blue color.

"Captain Sessle was often seen out on the links early in the morning, practicing, and it was thought at first that he had been suddenly overcome by some form of heart disease. But examination by a doctor revealed the sinister fact that he had been murdered, stabbed to the heart with a significant object, a woman's hat pin. He was also found to have been dead at least twelve hours.

"That put an entirely different complexion on the matter, and very soon some interesting facts came to light. Practically the last person to see Captain Sessle alive was his friend and partner Mr. Hollaby of the Porcupine Assurance Co., and he told his story as follows.

"Sessle and he played a round earlier in the day. After tea the other suggested that they should play a few more holes before it got too dark to see. Hollaby assented. Sessle seemed in good spirits, and was in excellent form. There is a public footpath that crosses the links, and just as they were playing up to the sixth green Hollaby noticed a woman coming along it. She was very tall and dressed in brown, but he did not observe her particularly and Sessle he thought did not notice her at all.

"The footpath in question crosses in front of the seventh tee," continued Tommy. "The woman had passed along this, and was standing at the farther side, as though waiting. Captain Sessle was the first to reach the tee, as Mr. Hollaby was replacing the pin in the hole.

As the latter came towards the tee, he was astonished to see Sessle and the woman talking together. As he came nearer, they both turned abruptly, Sessle calling over his shoulder: 'Shan't be a minute.' "The two of them walked off side by side, still deep in earnest conversation. The footpath there leaves the course, and passing between two narrow hedges of neighboring gardens comes out on the road to Windlesham.

"Captain Sessle was as good as his word. He reappeared within a minute or two, much to Hollaby's satisfaction, as two other players were coming up behind them, and the light was failing rapidly. They drove off, and at once Hollaby noticed that something had occurred to upset his companion. Not only did he foozle his drive badly, but his face was worried, and his forehead creased in a big frown. He hardly answered his companion's remarks, and his golf was atrocious.

Evidently something had occurred to put him completely off his game.

"They played that hole and the eighth, and then Captain Sessle declared abruptly that the light was too bad and that he was off home.

Just at that point there is another of those narrow 'slips' leading to the Windlesham road, and Captain Sessle departed that way which was a short cut to his home, a small bungalow on the road in question. The other two players came up, a Major Barnard and Mr. Lecky, and to them Hollaby mentioned Captain Sessle's sudden change of manner.

They also had seen him speaking to the woman in brown, but had not been near enough to see her face. All three men wondered what she could have said to upset their friend to that extent.

"They returned to the Club House together, and as far as was known at the time, were the last people to see Captain Sessle alive. The day was a Wednesday and on Wednesdays cheap tickets to London are issued.

The man and wife who ran Captain Sessle's small bungalow were up in town according to custom, and did not return until the late train. They entered the Bungalow as usual, and supposed their master to be in his room asleep. Mrs. Sessle, his wife, was away on a visit.

"The murder of the Captain was a nine days' wonder. Nobody could suggest a motive for it. The identity of the tall woman in brown was eagerly discussed, but without result. The police were, as usual, blamed for their supineness-most unjustly as time was to show. For a week later, a girl called Doris Evans was arrested and charged with the murder of Captain Anthony Sessle.

"The police had had little to work upon. A strand of fair hair caught in the dead man's fingers, and a few threads of flame colored wool caught on one of the buttons of his blue coat. Diligent inquiries at the Railway Station and elsewhere had elicited the following facts.

"A young girl dressed in a flame colored coat and skirt had arrived by Main that evening about seven o'clock, and had asked the way to Captain Sessle's house. The same girl had reappeared again at the station, two hours later. Her hat was awry and her hair tousled, and she seemed in a state of great agitation. She inquired about the trains back to town, and was continually looking over her shoulder as though afraid of something.

"Our police force is in many ways very wonderful. With this slender evidence to go upon, they managed to track down the girl, and identify her as one Doris Evans. She was charged with murder, and cautioned that anything she might say would be used against her, but she nevertheless persisted in making a statement, and this statement she repeated again in detail, without any substantial variation, at the subsequent proceedings.

"Her story was this. She was a typist by profession, and had made friends one evening, in a Cinema, with a well dressed man who declared he had taken a fancy to her. His name, he told her, was Anthony, and he suggested that she should come down to his bungalow at Sunningdale. She had no idea then, or at any other time, that he had a wife. It was arranged between them that she should come down on the following Wednesday-the day, you will remember, when the servants would be absent and his wife away from home. In the end he told her his full name was Anthony Sessle, and gave her the name of his house.

"She duly arrived at the Bungalow on the evening in question, and was greeted by Sessle who had just come in from She links. Though he professed himself delighted to see her, the girl declared that from the first his manner was strange and different. A half acknowledged fear sprang up in her, and she wished fervently that she had not come.

"After a simple meal which was all ready and prepared, Sessle suggested going out for a stroll. The girl consenting, he took her out of the house, down the road, and along the 'slip' onto the golf course. And then suddenly, just as they were crossing the seventh tee, he seemed to go completely mad. Drawing a revolver from his pocket, he brandished it in the air, declaring that he had come to the end of his tether.

"'Everything must go! I'm ruined-done for. And you shall go with me. I shall shoot you first-then myself. They will find our bodies here in the morning side by side-together in death.'

"And so on-a lot more. He had hold of Doris Evans by the arm and she, realising she had to do with a madman, made frantic efforts to free herself, or failing that to get the revolver away from him. They struggled together, and in that struggle he must have torn out a piece of her hair and got the wool of her coat entangled on a button.

"Finally, with a desperate effort, she freed herself, and ran for her life across the golf links, expecting every minute to be shot down with a revolver bullet. She fell twice-tripping over the heather, but eventually regained the road to the station and realised that she was not being pursued.

"That is the story that Doris Evans tells-and from which she has never varied. She strenuously denies that she ever struck at him with a hat pin in self defence-a natural enough thing to do under the circumstances, though-and one which may well be the truth. In support of her story a revolver has been found in the furze bushes near where the body is lying. It had not been fired.

"Doris Evans has been sent for trial, but the mystery still remains a mystery. If her story is to be believed, who was it who stabbed Captain Sessle? The other woman, the tall woman in brown whose appearance so upset him? So far no one has explained her connection with the case. She appears out of space suddenly on the footpath across the links, she disappears along the slip, and no one ever hears of her again. Who was she? A local resident? A visitor from London? If so, did she come by car or train? There is nothing remarkable about her except her height, no one seems to be able to describe her appearance. She could not have been Doris Evans for Doris Evans is small and fair, and moreover was only just then arriving at the station."

"The wife?" suggested Tuppence. "What about the wife?"

"A very natural suggestion. But Mrs. Sessle is also a small woman, and besides Mr. Hollaby knows her well by sight, and there seems no doubt that she was really away from home. One further development has come to light. The Porcupine Assurance Co. is in liquidation. The accounts reveal the most daring misappropriation of funds. The reasons for Captain Sessle's wild words to Doris Evans are now quite apparent. For some years past, he must have been systematically embezzling money. Neither Mr. Hollaby, nor his son, had any idea of what was going on. They are practically ruined.

"The case stands like this. Captain Sessle was on the verge of discovery and ruin. Suicide would be a natural solution, but the nature of the wound rules that theory out. Who killed him? Was it Doris Evans?

Was it the mysterious woman in brown?"

Tommy paused, took a sip of milk, made a wry face, and bit cautiously at the cheese cake.

16. THE SUNNINGDALE MYSTERY (continued)

"Of course," murmured Tommy, "I saw at once where the hitch in this particular case lay, and just where the police were going astray."

"Yes?" said Tuppence eagerly.

Tommy shook his head sadly.

"I wish I did. Tuppence, it's dead easy being the Old Man in the Corner up to a certain point. But the solution beats me. Who did murder the beggar? I don't know."

He took some more newspaper cuttings out of his pocket.

"Further exhibits. Mr. Hollaby. His son. Mrs. Sessle. Doris Evans."

Tuppence pounced on the last, and looked at it for some time.

"She didn't murder him anyway," she remarked at last. "Not with a hat pin."

"Why this certainty?"

"A Lady Molly touch. She's got bobbed hair. Only one woman in twenty uses hat pins nowadays, anyway-long hair or short. Hats fit tight and pull on-there's no need for such a thing."

"Still, she might have had one by her."

"My dear boy, we don't keep them as heirlooms! What on earth should she have brought a hat pin down to Sunningdale for?"

"Then it must have been the other woman, the woman in brown."

"I wish she hadn't been tall. Then she could have been the wife. I always suspect wives who are away at the time and so couldn't have had anything to do with it. If she found her husband carrying on with that girl, it would be quite natural for her to go for him with a hat pin."

"I shall have to be careful, I see," remarked Tommy.

But Tuppence was deep in thought and refused to be drawn.

"What were the Sessles like?" she asked suddenly. "What sort of thing did people say about them?"

"As far as I can make out, they were very popular. He and his wife were supposed to be devoted to one another. That's what makes the business of the girl so odd. It's the last thing you'd have expected of a man like Sessle. He was an ex-soldier, you know. Came into a good bit of money, retired and went into this Insurance business. The last man in the world, apparently, whom you would have suspected of being a crook."

"Is it absolutely certain that he was the crook? Couldn't it have been the other two who took the money?"

"The Hollabys? They say they're ruined."

"Oh, they say! Perhaps they've got it all in a Bank under another name.

I put it foolishly, I daresay, but you know what I mean. Suppose they'd been speculating with the money for some time, unbeknownst to Sessle, and lost it all. It might be jolly convenient for them that Sessle died just when he did."

Tommy tapped the photograph of Mr. Hollaby senior with his finger nail. "So you're accusing this respectable gentleman of murdering his friend and partner? You forget that he parted from Sessle on the links in full view of Barnard and Lecky, and spent the evening in the Dormy House. Besides, there's the hat pin."

"Bother the hat pin," said Tuppence impatiently. "That hat pin, you think, points to the crime having been committed by a woman?"

"Naturally. Don't you agree?"

"No. Men are notoriously old fashioned. It takes them ages to rid themselves of preconceived ideas. They associate hat pins and hairpins with the female sex, and call them 'women's weapons.' They may have been in the past, but they're both rather out of date now.

Why, I haven't had a hat pin or hairpin for the last four years."

"Then you think-?"

"That it was a man killed Sessle. The hat pin was used to make it seem a woman's crime."

"There's something in what you say, Tuppence," said Tommy slowly.

"It's extraordinary how things seem to straighten themselves out when you talk a thing over."

Tuppence nodded.

"Everything must be logical-if you look at it the right way. And remember what Marriot once said about the Amateur point of view-that it had the intimacy. We know something about people like Captain Sessle and his wife. We know what they're likely to do-and what they're not likely to do. And we've each got our special knowledge."

Tommy smiled.

"You mean," he said, "that you are an authority on what people with bobbed and shingled heads are likely to have in their possession, and that you have an intimate acquaintance with what wives are likely to feel and do?"

"Something of the sort."

"And what about me? What is my special knowledge? Do husbands pick up girls etc.?"

"No," said Tuppence gravely. "You know the course you've been on itnot as a detective, searching for clues, but as a golfer. You know about golf, and what's likely to put a man off his game."

"It must have been something pretty serious to put Sessle off his game. His handicap's two, and from the seventh tee on he played like a child, so they say."

"Who say?"

"Barnard and Lecky. They were playing just behind him, you remember."

"That was after he met the woman-the tall woman in brown. They saw him speaking to her, didn't they?"

"Yes-at least-"

Tommy broke off. Tuppence looked up at him, and was puzzled. He was staring at the piece of string in his fingers, but staring with the eyes of one who sees something very different.

"Tommy-what is it?"

"Be quiet, Tuppence. I'm playing the sixth hole at Sunningdale. Sessle and old Hollaby are holding out on the sixth green ahead of me. It's getting dusk, but I can see that bright blue coat of Sessle's clearly enough. And on the footpath to the left of me there's a woman coming along. She hasn't crossed from the Ladies' Course-that's on the right-I should have seen her if she had done so. And it's odd I didn't see her on the footpath before-from the fifth tee, for instance."

He paused.

"You said just now I knew the course, Tuppence. Just behind the sixth tee, there's a little hut or shelter made of turf. Anyone could wait in there until-the right moment came. They could change their appearance there. I mean-tell me, Tuppence this is where your special knowledge comes in again-would it be very difficult for a man to look like a woman, and then change back to being a man again? Could he wear a skirt over plus fours, for instance?"

"Certainly he could. The woman would look a bit bulky, that would be all. A longish brown skirt, say, a brown sweater of the kind both men and women wear, and a woman's felt hat with a bunch of side curls attached each side. That would be all that was needed-I'm speaking, of course, of what would pass at a distance, which I take to be what you are driving at. Switch off the skirt, take off the hat and curls, and put on a man's cap which you can carry rolled up in your hand, and there you'd be-back as a man again."

"And the time required for the transformation?"

"From woman to man, a minute and a half at the outside, probably a good deal less. The other way about would take longer, you'd have to arrange the hat and curls a bit, and the skirt would stick getting it on over the plus fours."

"That doesn't worry me. It's the time for the first that matters. As I tell you, I'm playing the sixth hole. The woman in brown has reached the seventh tee now. She crosses it and waits. Sessle in his blue coat goes towards her. They stand together a minute, and then they follow the path round the trees out of sight. Hollaby is on the tee alone. Two or three minutes pass. I'm on the green now. The man in the blue coat comes back and drives off, foozling badly. The light's getting worse. I and my partner go on. Ahead of us are those two, Sessle slicing and topping and doing everything he shouldn't do. At the eighth green, I see him stride off and vanish down the slip. What happened to him to make him play like a different man?"

"The woman in brown-or the man, if you think it was a man."

"Exactly, and where they were standing-out of sight, remember, of those coming after them-there's a deep tangle of furze bushes. You could thrust a body in there, and it would be pretty certain to lie hidden until the morning." "Tommy! You think it was then-But someone would have heard-"

"Heard what? The doctors agreed death must have been instantaneous. I've seen men killed instantaneously in the War. They don't cry out as a rule-just a gurgle, or a moan -perhaps just a sigh, or a funny little cough. Sessle comes towards the seventh tee, and the woman comes forward and speaks to him. He recognizes her perhaps, as a man he knows masquerading. Curious to learn the why and wherefore, he allows himself to be drawn along the footpath out of sight. One stab with the deadly hat pin as they walk along. Sessle fallsdead. The other man drags his body into the furze bushes, strips off the blue coat, then sheds his own skirt and the hat and curls. He puts on Sessle's well known blue coat and cap, and strides back to the tee.

Three minutes would do it. The others behind can't see his face, only the peculiar blue coat they know so well. They never doubt that it's Sessle-but he doesn't play Sessle's brand of golf. They all say he played like a different man. Of course he did. He was a different man."

"But-"

"Point No. 2. His action in bringing the girl down there was the action of a different man. It wasn't Sessle who met Doris Evans at a Cinema, and induced her to come down to Sunningdale. It was a man calling himself Sessle. Remember, Doris Evans wasn't arrested until a fortnight after the crime. She never saw the body. If she had, she might have bewildered everyone by declaring that that wasn't the man who took her out on the golf links that night, and spoke so wildly of suicide.

It was a carefully laid plot. The girl invited down for Wednesday when Sessle's house would be empty, then the hat pin which pointed to its being a woman's doing. The murderer meets the girl, takes her into the Bungalow and gives her supper, then takes her out on the links and when he gets to the scene of the crime, brandishes his revolver and scares the life out of her. Once she has taken to her heels, all he has to do is to pull out the body and leave it lying on the tee. The revolver he chucks into the bushes. Then he makes a neat parcel of the skirt and hat and-now I admit I'm guessing-in all probability walks to Woking which is only about six or seven miles away, and goes back to town from there."

"Wait a minute," said Tuppence. "There's one thing you haven't explained. What about Hollaby?"

"Hollaby?"

"Yes. I admit that the people behind couldn't have seen whether it was really Sessle or not. But you can't tell me that the man who was playing with him was so hypnotised by the blue coat that he never looked at his face."

"My dear old thing," said Tommy. "That's just the point. Hollaby knew all right. You see, I'm adopting your theory-that Hollaby and his son were the real embezzlers. The murderer's got to be a man who knew Sessle pretty well-knew, for instance, about the servants being always out on a Wednesday, and that his wife was away. And also someone who was able to get an impression of Sessle's latch key. I think Hollaby Junior would fulfill all these requirements. He's about the same age and height as Sessle, and they were both clean shaven men. Doris Evans probably saw several photographs of the murdered man reproduced in the papers, but as you yourself observed-one can just see that it's a man and that's about all."

"Didn't she ever see Hollaby in Court?"

"The son never appeared in the case at all. Why should he? He had no evidence to give. It was old Hollaby, with his irreproachable alibi, who stood in the limelight throughout. Nobody has even bothered to inquire what son was doing that particular evening."

"It all fits in," admitted Tuppence. She paused a minute, and then asked: "Are you going to tell all this to the police?"

"I don't know if they'd listen."

"They'll listen all right," said an unexpected voice behind him.

Tommy swung round to confront Inspector Marriot. The Inspector was sitting at the next table. In front of him was a poached egg.

"Often drop in here to lunch," said Inspector Marriot. "As I was saying, we'll listen all right-in fact I've been listening . I don't mind telling you that we've not been quite satisfied all along over those Porcupine figures. You see, we've had our suspicions of those Hollabys. But nothing to go upon. Too sharp for us. Then this murder came, and that seemed to upset all our ideas. But thanks to you and the lady, sir, we'll confront young Hollaby and Doris Evans and see if she recognizes him.

I rather fancy she will. That's a very ingenious idea of yours about the blue coat. I'll see that Blunt's Brilliant Detectives get the credit for it."

"You are a nice man, Inspector Marriot," said Tuppence gratefully.

"We think a lot of you two at the Yard," replied that stolid gentleman.

"You'd be surprised. If I may ask you, sir, what's the meaning of that piece of string?"

"Nothing," said Tommy, stuffing it into his pocket. "A bad habit of mine.

As to the cheese cake and the milk-I'm on a diet. Nervous dyspepsia.

Busy men are always martyrs to it."

"Ah!" said the detective. "I thought perhaps you'd been reading-well, it's of no consequence."

But the Inspector's eyes twinkled.

17. THE HOUSE OF LURKING DEATH

"What-" began Tuppence, and then stopped.

She had just entered the private office of Mr. Blunt from the adjoining one marked "Clerks," and was surprised to behold her lord and master with his eye riveted to the private peep hole into the outer office.

"Ssh," said Tommy, warningly. "Didn't you hear the buzzer? It's a girlrather a nice girl-in fact she looks to me a frightfully nice girl. Albert is telling her all that tosh about my being engaged with Scotland Yard."

"Let me see," demanded Tuppence.

Somewhat unwillingly, Tommy moved aside. Tuppence in her turn glued her eye to the peep hole.

"She's not bad," admitted Tuppence. "And her clothes are simply the latest shout."

"She's perfectly lovely," said Tommy. "She's like those girls Mason writes about-you know, frightfully sympathetic, and beautiful, and distinctly intelligent without being too saucy. I think, yes-I certainly think-I shall be the great Hanaud this morning."

"Hm," said Tuppence. "If there is one detective out of all the others whom you are most unlike-I should say it was Hanaud. Can you do the lightning changes of personality? Can you be the great comedian, the little gutter boy, the serious and sympathetic friend-all in five minutes?"

"I know this," said Tommy, rapping sharply on the desk, "I am the Captain of the Ship-and don't you forget it, Tuppence. I'm going to have her in."

He pressed the buzzer on his desk. Albert appeared ushering in the client.

The girl stopped in the doorway as though undecided. Tommy came forward.

"Come in, Mademoiselle," he said kindly, "and seat yourself here."

Tuppence choked audibly, and Tommy turned upon her with a swift change of manner. His tone was menacing.

"You spoke, Miss Robinson? Ah! no, I thought not."

He turned back to the girl.

"We will not be serious or formal," he said. "You will just tell me all about it, and then we will discuss the best way to help you."

"You are very kind," said the girl. "Excuse me, but are you a foreigner?"

A fresh choke from Tuppence. Tommy glared in her direction out of the corner of his eye.

"Not exactly," he said with difficulty. "But of late years I have worked a good deal abroad. My methods are the methods of the Sûreté."

"Oh!" The girl seemed impressed.

She was, as Tommy had indicated, a very charming girl. Young and slim, with a trace of golden hair peeping out from under her little brown felt hat, and big serious eyes.

That she was nervous could be plainly seen. Her little hands were twisting themselves together, and she kept clasping and unclasping the catch of her lacquer red handbag.

"First of all, Mr. Blunt, I must tell you that my name is Lois Hargreaves.

I live in a great rambling old fashioned house called Thurnly Grange. It is in the heart of the country. There is the village of Thurnly near by, but it is very small and insignificant. There is plenty of hunting in winter, and we get tennis in summer, and I have never felt lonely there.

Indeed I much prefer country to town life.

"I tell you this so that you may realise that in a country village like ours, everything that happens is of supreme importance. About a week ago, I got a box of chocolates sent through the post. There was nothing inside to indicate who they came from. Now I myself am not particularly fond of chocolates, but the others in the house are, and the box was passed around. As a result, everyone who had eaten any chocolates was taken ill. We sent for the doctor, and after various inquiries as to what other things had been eaten, he took the remains of the chocolates away with him, and had them analysed. Mr. Blunt, those chocolates contained arsenic! Not enough to kill anyone, but enough to make anyone quite ill."

"Extraordinary," commented Tommy.

"Dr. Burton was very excited over the matter. It seems that this was the third occurrence of the kind in the neighborhood. In each case a big house was selected, and the inmates were taken ill after eating the mysterious chocolates. It looked as though some local person of weak intellect was playing a particularly fiendish practical joke."

"Quite so, Miss Hargreaves."

"Dr. Burton put it down to Socialist agitation-rather absurdly, I thought. But there are one or two malcontents in Thurnly village, and it seemed possible that they might have had something to do with it. Dr.

Burton was very keen that I should put the whole thing in the hands of the police."

"A very natural suggestion," said Tommy. "But you have not done so, I gather, Miss Hargreaves?"

"No," admitted the girl. "I hate the fuss and the publicity that would ensue-and you see, I know our local Inspector. I can never imagine him finding out anything! I have often seen your advertisements, and I told Dr. Burton that it would be much better to call in a private detective."

"I see."

"You say a great deal about discretion in your advertisement. I take that to mean-that-that-well, that you would not make anything public without my consent?"

Tommy looked at her curiously, but it was Tuppence who spoke.

"I think," she said quietly, "that it would be as well if Miss Hargreaves told us everything."

She laid especial stress upon the last word, and Lois Hargreaves flushed nervously.

"Yes " said Tommy quickly. "Miss Robinson is right. You must tell us everything."

"You will not-" she hesitated.

"Everything you say is understood to be strictly in confidence."

"Thank you. I know that I ought to have been quite frank with you. I have a reason for not going to the police. Mr. Blunt, that box of chocolates was sent by someone in our house!"

"How do you know that, Mademoiselle?"

"It's very simple. I've got a habit of drawing a little silly thing-three fish intertwined-whenever I have a pencil in my hand. A parcel of silk stockings arrived from a certain shop in London not long ago. We were at the breakfast table. I'd just been marking something in the newspaper, and without thinking, I began to draw my silly little fish on the label of the parcel before cutting the string and opening it. I thought no more about the matter, but when I was examining the piece of brown paper in which the chocolates had been sent, I caught sight of the corner of the original label-most of which had been torn off. My silly little drawing was on it."

Tommy drew his chair forward.

"That is very serious. It creates, as you say, a very strong presumption that the sender of the chocolates is a member of your household. But you will forgive me if I say that I still do not see why that fact should render you indisposed to call in the police?"

Lois Hargreaves looked him squarely in the face.

"I will tell you, Mr. Blunt. I may want the whole thing hushed up."

Tommy retired gracefully from the position.

"In that case," he murmured, "we know where we are. I see, Miss Hargreaves, that you are not disposed to tell me who it is you suspect?"

"I suspect no one-but there are possibilities."

"Quite so. Now will you describe the household to me in detail?"

"The servants, with the exception of the parlormaid, are all old ones who have been with us many years. I must explain to you, Mr. Blunt, that I was brought up by my Aunt, Lady Radclyffe, who was extremely wealthy. Her husband made a big fortune, and was knighted. It was he who bought Thurnly Grange, but he died two years after going there, and it was then that Lady Radclyffe sent for me to come and make my home with her. I was her only living relation. The other inmate of the house was Dennis Radclyffe, her husband's nephew. I have always called him cousin, but of course he is really nothing of the kind. Aunt Lucy always said openly that she intended to leave her money, with the exception of a small provision for me, to Dennis. It was Radclyffe money, she said, and ought to go to a Radclyffe. However, when Dennis was twenty-two, she quarrelled violently with him-over some debts that he had run up, I think. When she died, a year later, I was astonished to find that she had made a will leaving all her money to me.

It was, I know, a great blow to Dennis, and I felt very badly about it. I would have given him the money if he would have taken it, but it seems that that kind of thing can't be done. However, as soon as I was twentyone, I made a will leaving it all to him. That's the least I can do. So if I'm run over by a motor, Dennis will come into his own."

"Exactly," said Tommy. "And when were you twenty-one, if I may ask the question?"

"Just three weeks ago."

"Ah!" said Tommy. "Now will you give me fuller particulars of the members of your household at this minute?"

"Servants-or-others?"

"Both."

"The servants, as I say, have been with us some time. There is old Mrs.

Holloway, the cook, and her niece Rose, the kitchenmaid. Then there are two elderly housemaids, and Hannah who was my aunt's maid and who has always been devoted to me. The parlormaid is called Esther Quant, and seems a very nice quiet girl. As for ourselves, there is Miss Logan who was Aunt Lucy's companion and who runs the house for me, and Captain Radclyffe-Dennis, you know, whom I told you about, and there is a girl called Mary Chilcott, an old school friend of mine who is staying with us."

Tommy thought for a moment.

"That all seems fairly clear and straightforward, Miss Hargreaves," he said after a minute or two. "I take it that you have no special reason for attaching suspicion more to one person than another? You are only afraid it might prove to be-well-not a servant, shall we say?"

"That's it exactly, Mr. Blunt. I have honestly no idea who used that piece of brown paper. The handwriting was printed."

"There seems only one thing to be done," said Tommy. "I must be on the spot."

The girl looked at him inquiringly.

Tommy went on after a moment's thought.

"I suggest that you prepare the way for the arrival of-say, Mr. and Miss Van Dusen-American friends of yours. Will you be able to do that quite naturally?"

"Oh! yes. There will be no difficulty at all. When will you come down-tomorrow-or the day after?"

"To-morrow, if you please. There is no time to waste."

"That is settled, then."

The girl rose, and held out her hand.

"One thing, Miss Hargreaves, not a word, mind, to anyone-anyone at all, that we are not what we seem."

"What do you think of it, Tuppence?" he asked, when he returned from showing the visitor out.

"I don't like it," said Tuppence decidedly. "Especially I don't like the chocolates having so little arsenic in them."

"What do you mean?"

"Don't you see? All those chocolates being sent round the neighborhood were a blind. To establish the idea of a local maniac.

Then, when the girl was really poisoned, it would be thought to be the same thing. You see, but for a stroke of luck, no one would ever have guessed that the chocolates were actually sent by someone in the house itself."

"That was a stroke of luck. You're right. You think it's a deliberate plot against the girl herself?"

"I'm afraid so. I remember reading about old Lady Radclyffe's will. That girl has come into a terrific lot of money."

"Yes, and she came of age and made a will three weeks ago. It looks bad-for Dennis Radclyffe. He gains by her death."

Tuppence nodded.

"The worst of it is-that she thinks so too! That's why she won't have the police called in. Already she suspects him. And she must be more than half in love with him to act as she has done."

''In that case," said Tommy thoughtfully, "why the devil doesn't he marry her? Much simpler and safer."

Tuppence stared at him.

"You've said a mouthful," she observed. "Oh! boy. I'm getting ready to be Miss Van Dusen, you observe."

"Why rush to crime, where there is a lawful means near at hand?"

Tuppence reflected for a minute or two.

"I've got it," she announced. "Clearly he must have married a barmaid whilst at Oxford. Origin of the quarrel with his aunt. That explains everything."

"Then why not send poisoned sweets to the barmaid?" suggested Tommy. "Much more practical. I wish you wouldn't jump to these wild conclusions, Tuppence."

"They're deductions," said Tuppence, with a good deal of dignity. "This is your first corrida, my friend, but when you have been twenty minutes in the arena-"

Tommy flung the office cushion at her.

18. THE HOUSE OF LURKING DEATH (continued)

"Tuppence, I say, Tuppence, come here."

It was breakfast time the next morning. Tuppence hurried out of her bedroom and into the dining room. Tommy was striding up and down, the open newspaper in his hand.

"What's the matter?"

Tommy wheeled round, and shoved the paper into her hand, pointing to the headlines.

MYSTERIOUS POISONING CASE

DEATHS FROM FIG SANDWICHES

Tuppence read on. This mysterious outbreak of ptomaine poisoning had occurred at Thurnly Grange. The deaths so far reported were those of Miss Lois Hargreaves, the owner of the house, and the parlormaid, Esther Quant. A Captain Radclyffe and a Miss Logan were reported to be still seriously ill. The cause of the outbreak was supposed to be some fig paste used in sandwiches, since another lady, a Miss Chilcott, who had not partaken of these, was reported to be quite well.

"We must get down there at once," said Tommy. "That girl! That perfectly ripping girl! Why the devil didn't I go straight down there with her yesterday?"

"If you had," said Tuppence, "you'd probably have eaten fig sandwiches too for tea, and then you'd have been dead. Come on, let's start at once. I see it says that Dennis Radclyffe is seriously ill also."

"Probably shamming, the dirty blackguard."

They arrived at the small village of Thurnly about midday. An elderly woman with red eyes opened the door to them when they arrived at Thurnly Grange. "Look here," said Tommy quickly before she could speak. "I'm not a reporter or anything like that. Miss Hargreaves came to see me yesterday, and asked me to come down here. Is there anyone I can see?"

"Dr. Burton is here now if you'd like to speak to him," said the woman doubtfully. "Or Miss Chilcott. She's making all the arrangements."

But Tommy had caught at the first suggestion.

"Dr. Burton," he said authoritatively. "I should like to see him at once if he is here."

The woman showed them into a small morning room. Five minutes later the door opened, and a tall elderly man with bent shoulders and a kind but worried face, came in.

"Dr. Burton?" said Tommy. He produced his professional card. "Miss Hargreaves called on me yesterday with reference to those poisoned chocolates. I came down to investigate the matter at her request-alas! too late."

The doctor looked at him keenly.

"You are Mr. Blunt himself?"

"Yes. This is my assistant, Miss Robinson."

The doctor bowed to Tuppence.

"Under the circumstances, there is no need for reticence. But for the episode of the chocolates, I might have believed these deaths to be the result of severe ptomaine poisoning-but ptomaine poisoning of an unusually virulent kind. There is gastro-intestinal inflammation and haemorrhage. As it is, I am taking the fig paste to be analysed."

"You suspect arsenic poisoning?"

"No. The poison, if a poison has been employed, is something far more potent and swift in its action. It looks more like some powerful vegetable toxin."

"I see. I should like to ask you, Dr. Burton, whether you are thoroughly convinced that Captain Radclyffe is suffering from the same form of poisoning?"

The doctor looked at him.

"Captain Radclyffe is not suffering from any sort of poisoning now."

"Aha," said Tommy. "I-"

"Captain Radclyffe died at five o'clock this morning."

Tommy was utterly taken aback. The doctor prepared to depart.

"And the other victim, Miss Logan?" asked Tuppence.

"I have every reason to hope that she will recover since she has survived so far. Being an older woman, the poison seems to have had less effect on her. I will let you know the result of the analysis, Mr.

Blunt. In the meantime, Miss Chilcott will, I am sure, tell you anything you want to know."

As he spoke, the door opened, and a girl appeared. She was tall, with a tanned face, and steady blue eyes.

Dr. Burton performed the necessary introductions.

"I am glad you have come, Mr. Blunt," said Mary Chilcott. "This affair seems too terrible. Is there anything you want to know that I can tell you?"

"Where did the fig paste come from?"

"It is a special kind that comes from London. We often have it. No one suspected that this particular pot differed from any of the others.

Personally I dislike the flavor of figs. That explains my immunity. I cannot understand how Dennis was affected, since he was out for tea.

He must have picked up a sandwich when he came home, I suppose."

Tommy felt Tuppence's hand press his arm ever so slightly.

"What time did he come in?" he asked.

"I don't really know. I could find out." "Thank you, Miss Chilcott. It doesn't matter. You have no objection, I hope, to my questioning the servants?"

"Please do anything you like, Mr. Blunt. I am nearly distraught. Tell meyou don't think there has been-foul play?"

Her eyes were very anxious as she put the question.

"I don't know what to think. We shall soon know."

"Yes, I suppose Dr. Burton will have the paste analysed."

Quickly excusing herself, she went out by the window to speak to one of the gardeners.

"You take the housemaids, Tuppence," said Tommy, "and I'll find my way to the kitchen. I say, Miss Chilcott may feel very distraught, but she doesn't look it."

Tuppence nodded assent without replying.

Husband and wife met half an hour later.

"Now to pool results," said Tommy. "The sandwiches came out from tea, and the parlormaid ate one-that's how she got it in the neck. Cook is positive Dennis Radclyffe hadn't returned when tea was cleared away. Query-how did he get poisoned?"

"He came in at a quarter to seven," said Tuppence.

Housemaid saw him from one of the windows. He had a cocktail before dinner-in the library. She was just clearing away the glass now, and luckily I got it from her before she washed it. It was after that that he complained of feeling ill."

"Good," said Tommy. "I'll take that glass along to Burton presently.

Anything else?"

"I'd like you to see Hannah, the maid. She's-she's queer."

"How do you mean-queer?"

"She looks to me as though she were going off her head."

"Let me see her."

Tuppence led the way upstairs. Hannah had a small sittingroom of her own. The maid sat upright on a high chair. On her knees was an open Bible. She did not look towards the two strangers as they entered.

Instead she continued to read aloud to herself.

"Let hot burning coals fall upon them, let them be cast into the fire and into the pit, that they never rise up again."

"May I speak to you a minute?" asked Tommy.

Hannah made an impatient gesture with her hand.

"This is no time. The time is running short, I say. I will follow upon mine enemies and overtake them, neither will I turn again till I have destroyed them. So it is written. The word of the Lord has come to me.

I am the scourge of the Lord."

"Mad as a hatter," murmured Tommy.

"She's been going on like that all the time," whispered Tuppence.

Tommy picked up a book that was lying open, face downwards on the table. He glanced at the title and slipped it into his pocket.

Suddenly the old woman rose and turned towards them menacingly.

"Go out from here. The time is at hand! I am the flail of the Lord. The wind bloweth where it listeth-so do I destroy. The ungodly shall perish.

This is a house of evil-of evil, I tell you! Beware of the wrath of the Lord whose handmaiden I am."

She advanced upon them fiercely. Tommy thought it best to humor her and withdrew. As he closed the door, he saw her pick up the Bible again.

"I wonder if she's always been like that," he muttered.

He drew from his pocket the book he had picked up off the table.

"Look at that. Funny reading for an ignorant maid."

Tuppence took the book.

"Materia Medica," she murmured. She looked at the fly leaf. "Edward Logan. It's an old book. Tommy, I wonder if we could see Miss Logan?

Dr. Burton said she was better."

"Shall we ask Miss Chilcott?"

"No. Let's get hold of a housemaid, and send her in to ask."

After a brief delay, they were informed that Miss Logan would see them. They were taken into a big bedroom facing over the lawn. In the bed was an old lady with white hair, her delicate old face drawn by suffering.

"I have been very ill," she said faintly. "And I can't talk much, but Ellen tells me you are detectives. Lois went to consult you then? She spoke of doing so."

"Yes, Miss Logan," said Tommy. "We don't want to tire you, but perhaps you can answer a few questions. The maid, Hannah, is she quite right in her head?"

Miss Logan looked at them with obvious surprise.

"Oh! yes. She is very religious-but there is nothing wrong with her."

Tommy held out the book he had taken from the table.

"Is this yours, Miss Logan?"

"Yes. It was one of my father's books. He was a great doctor, one of the pioneers of serum therapeutics."

The old lady's voice rang with pride.

"Quite so," said Tommy. "I thought I knew his name," he added mendaciously. "This book now, did you lend it to Hannah?"

"To Hannah?" Miss Logan raised herself in bed with indignation. "No, indeed. She wouldn't understand the first word of it. It is a highly technical book."

"Yes. I see that. Yet I found it in Hannah's room."

"Disgraceful," said Miss Logan. "I will not have the servants touching my things."

"Where ought it to be?"

"In the bookshelf in my sitting-room-or-stay, I lent it to Mary. The dear girl is very interested in herbs. She has made one or two experiments in my little kitchen. I have a little place of my own, you know, where I brew liqueurs and make preserves in the old fashioned way. Dear Lucy, Lady Radclyffe, you know, used to swear by my tansy tea-a wonderful thing for a cold in the head. Poor Lucy, she was subject to colds. So is Dennis. Dear boy, his father was my first cousin."

Tommy interrupted these reminiscences.

"This kitchen of yours? Does anyone else use it except you and Miss Chilcott?"

"Hannah clears up there. And she boils the kettle there for our early morning tea."

"Thank you, Miss Logan," said Tommy. "There is nothing more I want to ask you at present. I hope we haven't tired you too much."

He left the room and went down the stairs, frowning to himself.

"There is something here, my dear Mr. Ricardo, that I do not understand."

"I hate this house," said Tuppence with a shiver. "Let's go for a good long walk and try to think things out."

Tommy complied and they set out. First they left the cocktail glass at the doctor's house and then set off for a good tramp across country discussing the case as they did so.

"It makes it easier somehow if one plays the fool," said Tommy. "All this Hanaud business. I suppose some people would think I didn't care.

But I do, most awfully. I feel that somehow or other we ought to have prevented this."

"I think that's foolish of you," said Tuppence. "It is not as though we had advised Lois Hargreaves not to go to Scotland Yard or anything like that. Nothing would have induced her to bring the police into the matter. If she hadn't come to us, she would have done nothing at all."

"And the result would have been the same. Yes, you are right, Tuppence. It's morbid to reproach oneself over something one couldn't help. What I would like to do is to make good now."

"And that's not going to be easy."

"No, it isn't. There are so many possibilities, and yet all of them seem wild and improbable. Supposing Dennis Radclyffe put the poison in the sandwiches. He knew he would be out to tea. That seems fairly plain sailing."

"Yes," said Tuppence, "that's all right so far. Then we can put against that the fact that he was poisoned himself-so that seems to rule him out. There is one person we mustn't forget-and that is Hannah."

"Hannah?"

"People do all sorts of queer things when they have religious mania."

"She is pretty far gone with it too," said Tommy. "You ought to drop a word to Dr. Burton about it."

"It must have come on very rapidly," said Tuppence. "That is if we go by what Miss Logan said."

"I believe religious mania does," said Tommy. "I mean, you go on singing hymns in your bedroom with the door open for years, and then you go suddenly right over the line and become violent." "There is certainly more evidence against Hannah than against anybody else," said Tuppence thoughtfully, "and yet I have an idea-"

She stopped.

"Yes?" said Tommy encouragingly.

"It is not really an idea. I suppose it is just a prejudice."

"A prejudice against someone?"

Tuppence nodded.

"Tommy-did you like Mary Chilcott?"

Tommy considered.

"Yes, I think I did. She struck me as extremely capable and businesslike-perhaps a shade too much so-but very reliable."

"You didn't think it was odd that she didn't seem more upset?"

"Well, in a way that is a point in her favor. I mean, if she had done anything, she would make a point of being upset-lay it on rather thick."

"I suppose so," said Tuppence. "And anyway there doesn't seem to be any motive in her case. One doesn't see what good this wholesale slaughter can do her."

"I suppose none of the servants are concerned?"

"It doesn't seem likely. They seem a quiet reliable lot. I wonder what Esther Quant, the parlormaid, was like."

"You mean, that if she was young and good-looking there was a chance that she was mixed up in it some way."

"That is what I mean." Tuppence sighed. "It is all very discouraging."

"Well, I suppose the police will get down to it all right," said Tommy.

"Probably. I should like it to be us. By the way, did you notice a lot of small red dots on Miss Logan's arm?"

"I don't think I did. What about them?" "They looked as though they were made by a hypodermic syringe," said Tuppence.

"Probably Dr. Burton gave her a hypodermic injection of some kind."

"Oh, very likely. But he wouldn't give her about forty."

"The cocaine habit," suggested Tommy helpfully.

"I thought of that," said Tuppence, "but her eyes were all right. You would see at once if it was cocaine or morphia. Besides she doesn't look that sort of old lady."

"Most respectable and God fearing" agreed Tommy.

"It is all very difficult," said Tuppence. "We have talked and talked and we don't seem any nearer now than we were. Don't let's forget to call at the doctor's on our way home."

The doctor's door was opened by a lanky boy of about fifteen.

"Mr. Blunt?" he inquired. "Yes, the doctor is out but he left a note for you in case you should call."

He handed them the note in question and Tommy tore it open.

"Dear Mr. Blunt, There is reason to believe that the poison employed was Ricin, a vegetable toxalbumose of tremendous potency. Please keep this to yourself for the present."

Tommy let the note drop, but picked it up quickly.

"Ricin," he murmured. "Know anything about it, Tuppence? You used to be rather well up in these things."

"Ricin," said Tuppence, thoughtfully. "You get it out of Castor Oil, I believe."

"I never did take kindly to Castor Oil," said Tommy. "I am more set against it than ever now." "The oil's all right. You get Ricin from the seeds of the Castor Oil plant.

I believe I saw some Castor Oil plants in the garden this morning-big things with glossy leaves."

"You mean that someone extracted the stuff on the premises. Could Hannah do such a thing?

Tuppence shook her head.

"Doesn't seem likely. She wouldn't know enough."

Suddenly Tommy gave an exclamation.

"That book. Have I got it in my pocket still? Yes." He took it out, and turned over the leaves vehemently. "I thought so. Here's the page it was open at this morning. Do you see, Tuppence? Ricin!"

Tuppence seized the book from him.

"Can you make head or tail of it? I can't."

"It's clear enough to me," said Tuppence. She walked along, reading busily, with one hand on Tommy's arm to steer herself. Presently she shut the book with a bang. They were just approaching the house again.

"Tommy, will you leave this to me? Just for once, you see, I am the bull that has been more than twenty minutes in the arena."

Tommy nodded.

"You shall be the Captain of the Ship, Tuppence," he said gravely.

"We've got to get to the bottom of this."

"First of all," said Tuppence as they entered the house, "I must ask Miss Logan one more question."

She ran upstairs. Tommy followed her. She rapped sharply on the old lady's door, and went in.

"Is that you, my dear?" said Miss Logan. "You know you are much too young and pretty to be a detective. Have you found out anything?"

"Yes," said Tuppence. "I have."

Miss Logan looked at her questioningly.

"I don't know about being pretty," went on Tuppence, "but being young, I happened to work in a hospital during the War. I know something about serum therapeutics. I happen to know that when Ricin is injected in small doses hypodermically immunity is produced, antiricin is formed. That fact paced the way for the foundation of serum therapeutics. You knew that, Miss Logan. You injected Ricin for some time hypodermically into yourself. Then you let yourself be poisoned with the rest. You helped your father in his work, and you knew all about Ricin and how to obtain it and extract it from the seeds.

You chose a day when Dennis Radclyffe was out for tea. It wouldn't do for him to be poisoned at the same time-he might die before Lois Hargreaves. So long as she died first, he inherited her money, and at his death it passes to you, his next of kin. You remember, you told us this morning that his father was your first cousin."

The old lady stared at Tuppence with baleful eyes.

Suddenly a wild figure burst in from the adjoining room. It was Hannah.

In her hand she held a lighted torch which she waved frantically.

"Truth has been spoken. That is the wicked one. I saw her reading the book, and smiling to herself and I knew. I found the book and the pagebut it said nothing to me. But the voice of the Lord spoke to me. She hated my mistress, her ladyship. She was always jealous and envious.

She hated my own sweet Miss Lois. But the wicked shall perish, the fire of the Lord shall consume them."

Waving her torch she sprang forward to the bed.

A cry arose from the old lady.

"Take her away-take her away. It's true-but take her away."

Tuppence flung herself upon Hannah, but the woman managed to set fire to the curtains of the bed before Tuppence could get the torch from her and stamp on it. Tommy, however, had rushed in from the landing outside. He tore down the bed hangings and managed to stifle the flames with a rug. Then he rushed to Tuppence's assistance and between them they subdued Hannah just as Dr. Burton came hurrying in.

A very few words sufficed to put him au courant of the situation.

He hurried to the bedside, lifted Miss Logan's hand, then uttered a sharp exclamation.

"The shock of fire has been too much for her. She's dead. Perhaps it is as well under the circumstances."

He paused and then added, "There was Ricin in the cocktail glass as well."

"It's the best thing that could have happened," said Tommy when they had relinquished Hannah to the doctor's care, and were alone together. "Tuppence, you were simply marvellous."

"There wasn't much Hanaud about it," said Tuppence.

"It was too serious for play acting. I still can't bear to think of that girl. I won't think of her. But, as I said before, you were marvellous. The honors are with you. To use a familiar quotation, 'It is a great advantage to be intelligent and not to look it.' "

"Tommy," said Tuppence. "You're a beast."

19. THE UNBREAKABLE ALIBI

Tommy and Tuppence were busy sorting correspondence. Tuppence gave an exclamation and handed a letter across to Tommy.

"A new client," she said importantly.

"Ha!" said Tommy. "What do we deduce from this letter, Watson?

Nothing much, except the somewhat obvious fact that Mr.-er-

Montgomery Jones is not one of the world's best spellers, thereby proving that he has been expensively educated."

"Montgomery Jones?" said Tuppence. "Now what do I know about a Montgomery Jones? Oh, yes, I have got it now. I think Janet St. Vincent mentioned him. His mother was Lady Aileen Montgomery, very crusty and high church, with gold crosses and things, and she married a man called Jones who is immensely rich."

"In fact the same old story," said Tommy. "Let me see, what time does this Mr. M. J. wish to see us? Ah, eleven thirty."

At eleven thirty precisely a very tall young man with an amiable and ingenuous countenance entered the outer office and addressed himself to Albert, the office boy.

"Look here-I say. Can I see Mr.-er-Blunt?"

"Have you an appointment, sir?" said Albert.

"I don't quite know. Yes, I suppose I have. What I mean is I wrote a letter-"

"What name, sir?"

"Mr. Montgomery Jones."

"I will take your name in to Mr. Blunt."

He returned after a brief interval.

"Will you wait a few minutes please, sir. Mr. Blunt is engaged on a very important conference at present."

"Oh-er-yes-certainly," said Mr. Montgomery Jones. Having, he hoped, impressed his client sufficiently Tommy rang the buzzer on his desk, and Mr. Montgomery Jones was ushered into the inner office by Albert.

Tommy rose to greet him, and shaking him warmly by the hand motioned towards the vacant chair.

"Now, Mr. Montgomery Jones," he said briskly, "what can we have the pleasure of doing for you?"

Mr. Montgomery Jones looked uncertainly at the third occupant of the office.

"My confidential secretary, Miss Robinson," said Tommy. "You can speak quite freely before her. I take it that this is some family matter of a delicate kind?"

"Well-not exactly," said Mr. Montgomery Jones.

"You surprise me," said Tommy. "You are not in trouble of any kind yourself, I hope?"

"Oh rather not," said Mr. Montgomery Jones.

"Well," said Tommy, "perhaps you will-er-state the facts plainly."

That, however, seemed to be the one thing that Mr. Montgomery Jones could not do.

"It's a dashed odd sort of thing I have got to ask you," he said hesitatingly. "I-er-I really don't know how to set about it."

"We never touch divorce cases," said Tommy.

"Oh Lord no," said Mr. Montgomery Jones. "I don't mean that. It is just, well-it's a deuced silly sort of a joke. That's all."

"Someone has played a practical joke on you of a mysterious nature?" suggested Tommy.

But Mr. Montgomery Jones once more shook his head.

"Well," said Tommy retiring gracefully from the position, "take your own time and let us have it in your own words."

There was a pause.

"You see," said Mr. Jones at last, "it was at dinner. I sat next to a girl."

"Yes?" said Tommy encouragingly.

"She was a-oh, well, I really can't describe her, but she was simply one of the most sporting girls I ever met. She's an Australian over here with another girl, sharing a flat with her in Clarges Street. She's simply game for anything. I absolutely can't tell you the effect that girl had on me."

"We can quite imagine it, Mr. Jones," said Tuppence.

She saw clearly that if Mr. Montgomery Jones' troubles were ever to be extracted a sympathetic feminine touch was needed, as distinct from the businesslike methods of Mr. Blunt.

"We can understand," said Tuppence encouragingly.

"Well, the whole thing came as an absolute shock to me," said Mr.

Montgomery Jones, "that a girl could, well-knock you over like that.

There had been another girl-in fact two other girls. One was awfully jolly and all that but I didn't much like her chin. She danced marvellously though and I have known her all my life which makes a fellow feel kind of safe, you know. And then there was one of the girls at the 'Frivolity.' Frightfully amusing, but of course there would be a lot of ructions with the mater over that, and anyway I really didn't want to marry either of them, but I was thinking about things you know and then-slap out of the blue-I sat next to this girl and-"

"The whole world was changed," said Tuppence in a feeling voice.

Tommy moved impatiently in his chair. He was by now somewhat bored by the recital of Mr. Montgomery Jones' love affairs.

"You put it awfully well," said Mr. Montgomery Jones. "That is absolutely what it was like. Only, you know, l fancy she didn't think much of me. You mayn't think it but I am not terribly clever."

"Oh, you mustn't be too modest," said Tuppence.

"Oh, I do realize that I am not much of a chap," said Mr. Jones with an engaging smile. "Not for a perfectly marvellous girl like that. That is why I just feel I have got to put this thing through. It's my only chance.

She's such a sporting girl that she would never go back on her word."

"Well I am sure we wish you luck and all that," said Tuppence kindly.

"But I don't exactly see what you want us to do."

"Oh Lordl" said Mr. Montgomery Jones. "Haven't I explained?"

"No," said Tommy. "You haven't."

"Well, it was like this. We were talking about detective stories. Unathat's her name-is just as keen about them as I am. We got talking about one in particular. It all hinges on an alibi. Then we got talking about alibis and faking them. Then I said-no, she said-now which of us was it that said it?"

"Never mind which of you it was," said Tuppence.

"I said it would be a jolly difficult thing to do. She disagreed-said it only wanted a bit of brain work. We got all hot and excited about it and in the end she said 'I will make you a sporting offer. What do you bet that I can produce an alibi that nobody can shake?"

"Anything you like, I said, and we settled it then and there. She was frightfully cocksure about the whole thing. 'It's an odds on chance for me,' she said. 'Don't be so sure of that,' I said. 'Supposing you lose and I ask you for anything I like?' She laughed and said she came of a gambling family and I could."

"Well?" said Tuppence as Mr. Jones came to a pause and looked at her appealingly.

"Well, don't you see? It is up to me. It is the only chance I have got of getting a girl like that to look at me. You have no idea how sporting she is. Last summer she was out in a boat and someone bet her she wouldn't jump overboard and swim ashore in her clothes, and she did it."

"It is a very curious proposition," said Tommy. "I am not quite sure I yet understand it."

"It is perfectly simple," said Mr. Montgomery Jones. "You must be doing this sort of thing all the time. Investigating fake alibis and seeing where they fall down."

"Oh-er-yes, of course," said Tommy. "We do a lot of that sort of work."

"Someone has got to do it for me," said Montgomery Jones. "I shouldn't be any good at that sort of thing myself. You have only got to catch her out and everything is all right. I daresay it seems rather a futile business to you but it means a lot to me and I am prepared to pay-er-all necessary whatnots you know."

"That will be all right," said Tuppence. "I am sure Mr. Blunt will take the case on for you."

"Certainly, certainly," said Tommy. "A most refreshing case, most refreshing indeed."

Mr. Montgomery Jones heaved a sigh of relief and pulled a mass of papers from his pocket and selected one of them. "Here it is," he said.

She says, 'I am sending you proof I was in two distinct places at one and the same time. According to one story I dined at the Bon Temps Restaurant in Soho by myself, went to the Duke's Theatre and had supper with a friend, Mr. le Marchant, at the Savoy-but I was also staying at the Castle Hotel, Torquay, and only returned to London on the following morning. You have got to find out which of the two stories is the true one and how I managed the other."

"There," said Mr. Montgomery Jones. "Now you see what it is that I want you to do."

"A most refreshing little problem," said Tommy. "Very naïve."

"Here is Una's photograph," said Mr. Montgomery Jones. "You will want that."

"What is the lady's full name?" inquired Tommy.

"Miss Una Drake. And her address is 180 Clarges Street."

"Thank you," said Tommy. "Well, we will look into the matter for you, Mr. Montgomery Jones. I hope we shall have good news for you very shortly."

"I say you know, I am no end grateful," said Mr. Jones rising to his feet and shaking Tommy by the hand. "It has taken an awful load off my mind."

Having seen his client out, Tommy returned to the inner office.

Tuppence was at the cupboard that contained the Classic library.

"Inspector French," said Tuppence.

"Eh?" said Tommy.

"Inspector French of course," said Tuppence. "He always does alibis. I know the exact procedure. We have to go over everything and check it. At first it will seem all right and then when we examine it more closely we shall find the flaw."

"There ought not to be much difficulty about that," agreed Tommy. "I mean, knowing that one of them is a fake to start with makes the thing almost a certainty I should say. That is what worries me."

"I don't see anything to worry about in that."

"I am worrying about the girl," said Tommy. "She will probably be let in to marry that young man whether she wants to or not."

"Darling," said Tuppence, "don't be foolish. Women are never the wild gamblers they appear. Unless that girl was already perfectly prepared to marry that pleasant but rather empty-headed young man, she would never have let herself in for a wager of this kind. But, Tommy, believe me, she will marry him with more enthusiasm and respect if he wins the wager than if she has to make it easy for him some other way."

"You do think you know about everything," said her husband.

"I do," said Tuppence.

"And now to examine our data," said Tommy drawing the papers towards him. "First the photograph-hm-quite a nice looking girl-and quite a good photograph I should say. Clear and easily recognizable."

"We must get some other girls' photographs," said Tuppence.

"Why?"

"They always do," said Tuppence. "You show four or five to waiters and they pick out the right one."

"Do you think they do?" said Tommy-"pick out the right one I mean."

"Well, they do in books," said Tuppence.

"It is a pity that real life is so different from fiction," said Tommy. "Now then what have we here? Yes, this is the London lot. Dined at the Bon Temps seven thirty. Went to Duke's Theatre and saw Delphiniums Blue. Counterfoil of theatre ticket enclosed. Supper at the Savoy with Mr. le Marchant. We can, I suppose, interview Mr. le Marchant."

"That tells us nothing at all," said Tuppence, "because if he is helping her to do it he naturally won't give the show away. We can wash out anything he says now."

"Well, here is the Torquay end," went on Tommy. "Twelve o'clock train from Paddington, had lunch in the Restaurant Car, receipted bill enclosed. Stayed at Castle Hotel for one night. Again receipted bill."

"I think this is all rather weak," said Tuppence. "Anyone can buy a theatre ticket, you need never go near the theatre. The girl just went to Torquay and the London thing is a fake."

"If so, it is rather a sitter for us," said Tommy. "Well, I suppose we might as well go and interview Mr. Ie Marchant."

Mr. le Marchant proved to be a breezy youth who betrayed no great surprise on seeing them.

"Una has got some little game on, hasn't she?" he asked. "You never know what that kid is up to."

"I understand, Mr. le Marchant," said Tommy, "that Miss Drake had supper with you at the Savoy last Tuesday evening."

"That's right," said Mr. le Marchant. "I know it was Tuesday because Una impressed it on me at the time and what's more she made me write it down in a little book."

With some pride he showed an entry faintly pencilled: "Having supper with Una. Savoy. Tuesday 19th."

"Where had Miss Drake been earlier in the evening? Do you know?"

"She had been to some rotten show called Pink Peonies or something like that. Absolute slosh so she told me."

"You are quite sure Miss Drake was with you that evening?"

Mr. le Marchant stared at him.

"Why, of course. Haven't I been telling you?"

"Perhaps she asked you to tell us," said Tuppence.

"Well, for a matter of fact she did say something that was rather dashed odd. She said, what was it now? 'You think you are sitting here having supper with me, Jimmy, but really, I am having supper two hundred miles away in Devonshire.' Now that was a dashed odd thing to say, don't you think so? Sort of astral body stuff. The funny thing is that a pal of mine, Dicky Rice, thought he saw her there."

"Who is this Mr. Rice?"

"Oh, just a friend of mine. He had been down in Torquay staying with an aunt. Sort of old bean who is always going to die and never does.

Dicky had been down doing the dutiful nephew. He said, 'I saw that Australian girl one day-Una something or other. Wanted to go and talk to her but my aunt carried me off to chat with an old Pussy in a bathchair.' I said, 'When was this?' and he said, 'Oh, Tuesday about tea time.' I told him of course that he had made a mistake, but it was odd, wasn't it? With Una saying that about Devonshire that evening."

"Very odd," said Tommy. "Tell me, Mr. le Marchant, did anyone you know have supper near you at the Savoy?"

"Some people called Oglander were at the next table."

"Do they know Miss Drake?"

"Oh yes, they know her. They are not frightful friends or anything of that kind."

"Well, if there's nothing more you can tell us, Mr. le Marchant, I think we will wish you good morning."

"Either that chap is an extraordinary good liar," said Tommy as they reached the street, "or else he is speaking the truth."

"Yes," said Tuppence. "I have changed my opinion. I have a sort of feeling now that Una Drake was at the Savoy for supper that night."

"We will now go to the Bon Temps," said Tommy. "A little food for starving sleuths is clearly indicated. Let's just get a few girls' photographs first."

This proved rather more difficult than was expected. Turning into a photographer's and demanding a few assorted photographs, they were met with a cold rebuff.

"Why are all the things that are so easy and simple in books so difficult in real life?" wailed Tuppence. "How horribly suspicious they looked.

What do you think they thought we wanted to do with the photographs?

We had better go and raid Jane's flat."

Tuppence's friend Jane proved of an accommodating disposition and permitted Tuppence to rummage in a drawer and select four specimens of former friends of Jane's who had been shoved hastily in to be out of sight and mind.

Armed with this galaxy of feminine beauty they proceeded to the Bon Temps where fresh difficulties and much expense awaited them.

Tommy had to get hold of each waiter in turn, tip him and then produce the assorted photographs. The result was unsatisfactory. At least three of the photographs were promising starters as having dined there last Tuesday. They then returned to the office where Tuppence immersed herself in an A.B.C.

"Paddington twelve o'clock. Torquay three thirty-five. That's the train and le Marchant's friend, Mr. Sago, or Tapioca or something, saw her there about tea time."

"We haven't checked his statement, remember," said Tommy. "If, as you said to begin with, le Marchant is a friend of Una Drake's, he may have invented this story."

"Oh, we'll hunt up Mr. Rice," said Tuppence. "I have a kind of hunch that Mr. le Marchant was speaking the truth No, what I am trying to get at now is this. Una Drake leaves London by the twelve o'clock train, possibly takes a room at a hotel and unpacks. Then she takes a train back to town arriving in time to get to the Savoy. There is one at four forty gets up to Paddington at nine ten."

"And then?" said Tommy. "And then," said Tuppence, frowning, "it is rather more difficult. There is a midnight train from Paddington down again but she could hardly take that, that would be too early."

"A fast car," suggested Tommy.

"H'm," said Tuppence. "It is just on two hundred miles."

"Australians, I have always been told, drive very recklessly."

"Oh, I suppose it could be done," said Tuppence, "she would arrive there about seven."

"Are you supposing her to have nipped into her bed at the Castle Hotel without being seen? Or arriving there explaining that she had been out all night and could she have her bill, please?"

"Tommy," said Tuppence. "We are idiots. She needn't have gone back to Torquay at all. She has only got to get a friend to go to the Hotel there and collect her luggage and pay her bill. Then you get the receipted bill with the proper date on it."

"I think on the whole we have worked out a very sound hypothesis," said Tommy. "The next thing to do is to catch the twelve o'clock train to Torquay tomorrow and verify our brilliant conclusions."

Armed with a portfolio of photographs, Tommy and Tuppence duly established themselves in a first class carriage the following morning, and booked seats for the second lunch.

"It probably won't be the same dining car attendants," said Tommy.

"That would be too much luck to expect. I expect we shall have to travel up and down to Torquay for days before we strike the right ones."

"This alibi business is very trying," said Tuppence. "In books it is all passed over in two or three paragraphs. Inspector Something then boarded the train to Torquay and questioned the dining car attendants and so ended the story."

For once, however, the young couple's luck was in. In answer to their question the attendant who brought their bill for lunch proved to be the same one who had been on duty the preceding Tuesday. What Tommy called the ten shilling note touch then came into action and Tuppence produced the portfolio.

"I want to know," said Tommy, "if any of these ladies had lunch on this train on Tuesday last?"

In a gratifying manner worthy of the best detective fiction the man at once indicated the photograph of Una Drake.

"Yes sir, I remember that lady, and I remember that it was Tuesday, because the lady herself drew attention to the fact saying it was always the luckiest day in the week for her."

"So far, so good," said Tuppence as they returned to their compartment. "And we will probably find that she booked at the Hotel all right. It is going to be more difficult to prove that she travelled back to London, but perhaps one of the porters at the station may remember."

Here, however, they drew a blank and crossing to the up platform Tommy made inquiries of the ticket collector and of various porters.

After the distribution of half crowns as a preliminary to inquiring, two of the porters picked out one of the other photographs with a vague remembrance that someone like that travelled to town by the four forty that afternoon, but there was no identification of Una Drake.

"But that doesn't prove anything," said Tuppence as they left the station. "She may have travelled by that train and no one noticed her."

"She may have gone from the other station, from Torre."

"That's quite likely," said Tuppence, "however, we can see to that after we have been to the hotel."

The Castle Hotel was a big one overlooking the sea. After booking a room for the night and signing the register, Tommy observed pleasantly:

"I believe you had a friend of ours staying here last Tuesday. Miss Una Drake."

The young lady in the bureau beamed at him.

"Oh yes, I remember quite well. An Australian young lady I believe."

At a sign from Tommy, Tuppence produced the photograph.

"That is rather a charming photograph of her, isn't it?" said Tuppence.

"Oh very nice, very nice indeed, quite stylish."

"Did she stay here long?" inquired Tommy.

"Only one night. She went away by the Express the next morning back to London. It seemed a long way to come for one night but of course I suppose Australian ladies don't think anything of travelling."

"She is a very sporting girl," said Tommy, "always having adventures.

It wasn't here, was it, that she went out to dine with some friends, went for a drive in their car afterwards, ran the car into a ditch and wasn't able to get home till morning?"

"Oh, no," said the young lady. "Miss Drake had dinner here in the Hotel."

"Really," said Tommy, "are you sure of that? I mean-how do you know?"

"Oh, I saw her."

"I asked because I understood she was dining with some friends in Torquay," explained Tommy.

"Oh, no sir, she dined here." The young lady laughed and blushed a little. "I remember she had on a most sweetly pretty frock. One of those new flowered chiffons all over pansies."

"Tuppence, this tears it," said Tommy when they had been shown upstairs to their room.

"It does rather," said Tuppence. "Of course that woman may be mistaken. We will ask the waiter at dinner. There can't be very many people here just at this time of year."

This time it was Tuppence who opened the attack.

"Can you tell me if a friend of mine was here last Tuesday?" she asked the waiter with an engaging smile. "A Miss Drake, wearing a frock all over pansies I believe." She produced a photograph. "This lady."

The waiter broke into immediate smiles of recognition.

"Yes, yes, Miss Drake. I remember her very well. She told me she came from Australia."

"She dined here?"

"Yes. It was last Tuesday. She asked me if there was anything to do afterwards in the town."

"Yes?"

"I told her the theatre, the Pavilion, but in the end she decided not to go and she stayed here listening to our orchestra."

"Oh damn," said Tommy under his breath.

"You don't remember what time she had dinner, do you?" said Tuppence.

"She came down a little late. It must have been about eight o'clock."

"Damn, Blast, and Curse," said Tuppence as she and Tommy left the dining-room. "Tommy, this is all going wrong. It seemed so clear and lovely."

"Well, I suppose we ought to have known it wouldn't all be plain sailing."

"Is there any train she could have taken after that I wonder?"

"Not one that would have landed her in London in time to go to the Savoy."

"Well," said Tuppence, "as a last hope I am going to talk to the chambermaid. Una Drake had a room on the same floor as ours."

The chambermaid was a voluble and informative woman. Yes, she remembered the young lady quite well. That was her picture right enough. A very nice young lady, very merry and talkative. Had told her a lot about Australia and the kangaroos.

The young lady rang the bell about half past nine and asked for her bottle to be filled and put in her bed and also to be called the next morning at half past seven-with coffee instead of tea.

"You did call her and she was in bed?" asked Tuppence, The chambermaid stared at her.

"Why, yes Ma'am, of course."

"Oh, I only wondered if she was doing exercises or anything," said Tuppence, wildly. "So many people do in the early morning."

"Well, that seems cast iron enough," said Tommy, when the chambermaid had departed. "There is only one conclusion to be drawn from it. It is the London side of the thing that must be faked."

"Mr. le Marchant must be a more accomplished liar than we thought," said Tuppence.

"We have a way of checking his statements," said Tommy. "He said there were people sitting at the next table whom Una knew slightly.

What was their name-Oglander, that was it. We must hunt up these Oglanders and we ought also to make inquiries at Miss Drake's flat in Clarges Street."

The following morning they paid their bill and departed somewhat crestfallen.

Hunting out the Oglanders was fairly easy with the aid of the telephone book. Tuppence this time took the offensive and assumed the character of a representative of a new illustrated paper. She called on Mrs. Oglander asking for a few details of their "smart" supper party at the Savoy on Tuesday evening. These details Mrs. Oglander was only too willing to supply. Just as she was leaving Tuppence added carelessly: "Let me see, wasn't Miss Una Drake sitting at the table next you? Is it really true that she is engaged to the Duke of Perth? You know her, of course."

"I know her slightly," said Mrs. Oglander. "A very charming girl I believe. Yes, she was sitting at the next table to ours with Mr. le Marchant. My girls know her better than I do."

Tuppence's next port of call was the flat in Clarges Street.

Here she was greeted by Miss Mariory Leicester, the friend with whom Miss Drake shared a flat.

"Do tell me what all this is about?" asked Miss Leicester plaintively.

"Una has some deep game on and I don't know what it is. Of course she slept here on Tuesday night."

"Did you see her when she came in?"

"No, I had gone to bed. She has got her own latch key, of course. She came in about one o'clock, I believe."

"When did you see her?"

"Oh, the next morning about nine-or perhaps it was nearer ten."

As Tuppence left the flat she almost collided with a tall, gaunt female who was entering.

"Excuse me, Miss, I'm sure," said the gaunt female.

"Do you work here?" asked Tuppence.

"Yes, Miss, I come daily."

"What time do you get here in the morning?"

"Nine o'clock is my time, Miss."

Tuppence slipped a hurried half crown into the gaunt female's hand.

"Was Miss Drake here last Tuesday morning when you arrived?"

"Why yes, Miss, indeed she was. Fast asleep in her bed and hardly woke up when I brought her in her tea."

"Oh, thank you," said Tuppence and went disconsolately down the stairs.

She had arranged to meet Tommy for lunch in a small Restaurant in Soho and there they compared notes.

"I have seen that fellow, Rice. It is quite true he did see Una Drake in the distance at Torquay."

"Well," said Tuppence, "we have checked these alibis all right. Here, give me a bit of paper and a pencil, Tommy. Let us put it down neatly like all detectives do."

1.30 Una Drake seen in Luncheon Car of train.

4 o'clock Arrives at Castle Hotel.

5 o'clock Seen by Mr. Rice.

8 o'clock Seen dining at Hotel.

9.30 Asks for hot water bottle.

11:30 Seen at Savoy with Mr. le Marchant.

7.30a.m. Called by chambermaid at Castle Hotel.

9 o'clock Called by charwoman at flat at Clarges Street.

They looked at each other.

"Well, it looks to me as if Blunt's Brilliant Detectives are beat," said Tommy.

"Oh, we mustn't give up," said Tuppence. "Somebody must be lying!"

"The queer thing is that it strikes me nobody was lying. They all seemed perfectly truthful and straightforward."

"Yet there must be a flaw. We know there is. I think of all sorts of things like private aeroplanes but that doesn't really get us any forwarder."

"I am inclined to the theory of an astral body."

"Well," said Tuppence, "the only thing to do is to sleep on it. Your subconscious works in your sleep."

"H'm," said Tommy. "If your subconscious provides you with a perfectly good answer to this riddle by tomorrow morning, I take off my hat to it."

They were very silent all that evening. Again and again Tuppence reverted to the paper of times. She wrote things on bits of paper. She murmured to herself, she sought perplexedly through Rail Guides. But in the end they both rose to go to bed with no faint glimmer of light on the problem.

"This is very disheartening," said Tommy.

"One of the most miserable evenings I have ever spent," said Tuppence.

"We ought to have gone to a Music Hall," said Tommy. "A few good jokes about mothers-in-law and twins and bottles of beer would have done us no end of good."

"No, you will see this concentration will work in the end," said Tuppence. "How busy our subconscious will have to be in the next eight hours!" And on this hopeful note they went to bed.

"Well," said Tommy next morning, "has the subconscious worked?"

"I have got an idea," said Tuppence.

"You have. What sort of an idea?"

"Well, rather a funny idea. Not at all like anything I have ever read in detective stories. As a matter of fact it is an idea that you put into my head."

"Then it must be a good idea," said Tommy firmly. "Come on, Tuppence, out with it."

"I shall have to send a cable to verify it," said Tuppence. "No, I am not going to tell you. It's a perfectly wild idea but it's the only thing that fits the facts."

"Well," said Tommy, "I must away to the office. A roomful of disappointed clients must not wait in vain. I leave this case in the hands of my promising subordinate."

Tuppence nodded cheerfully.

She did not put in an appearance at the office all day. When Tommy returned that evening about half past five it was to find a wildly exultant Tuppence awaiting him.

"I have done it, Tommy. I have solved the mystery of the alibi. We can charge up all these half crowns and ten shilling notes and demand a substantial fee of our own from Mr. Montgomery Jones and he can go right off and collect his girl."

"What is the solution?" cried Tommy.

"A perfectly simple one," said Tuppence. "Twins."

"What do you mean?-Twins?"

"Why just that. Of course it is the only solution. I will say you put it into my head last night talking about mothers-in-law, twins, and bottles of beer. I cabled to Australia and got back the information I wanted. Una has a twin sister, Vera, who arrived in England last Monday. That is why she was able to make this bet so spontaneously. She thought it would be a frightful rag on poor Montgomery Jones. The sister went to Torquay and she stayed in London."

"Do you think she'll be terribly despondent that she's lost?" asked Tommy.

"No," said Tuppence. "I don't. I gave you my views about that before.

She will put all the kudos down to Montgomery Jones. I always think respect for your husband's abilities should be the foundation of married life."

"I am glad to have inspired these sentiments in you, Tuppence."

"It is not a really satisfactory solution," said Tuppence.

"Not the ingenious sort of flaw that Inspector French would have detected."

"Nonsense," said Tommy. "I think the way I showed these photographs to the waiter in the Restaurant was exactly like Inspector French."

"He didn't have to use nearly so many half crowns and ten shilling notes as we seem to have done," said Tuppence.

"Never mind," said Tommy. "We can charge them all up with additions to Mr. Montgomery Jones. He will be in such a state of idiotic bliss that he would probably pay the most enormous bill without jibbing at it."

"So he should," said Tuppence. "Haven't Blunt's Brilliant Detectives been brilliantly successful? Oh, Tommy, I do think we are extraordinarily clever. It quite frightens me sometimes."

"The next case we have shall be a Roger Sheringham case and you, Tuppence, shall be Roger Sheringham."

"I shall have to talk a lot," said Tuppence.

"You do that naturally," said Tommy. "And now I suggest that we carry out my programme of last night and seek out a Music Hall where they have plenty of jokes about mothers-in-law, bottles of beer, and Twins."

20. THE CLERGYMAN'S DAUGHTER

"I wish," said Tuppence, roaming moodily round the office, "that we could befriend a clergyman's daughter."

"Why?" asked Tommy.

"You may have forgotten the fact, but I was once a clergyman's daughter myself. I remember what it was like. Hence this altruistic urge-this spirit of thoughtful consideration for others-this-"

"You are getting ready to be Roger Sheringham, I see," said Tommy.

"If you will allow me to make a criticism, you talk quite as much as he does, but not nearly so well."

"On the contrary," said Tuppence, "there is a feminine subtlety about my conversation, a je ne sais quoi, that no gross male could ever attain to. I have, moreover, powers unknown to my prototype-do I mean prototype? Words are such uncertain things, they so often sound well but mean the opposite of what one thinks they do."

"Go on," said Tommy kindly.

"I was. I was only pausing to take breath. Touching these powers, it is my wish to-day to assist a clergyman's daughter. You will see, Tommy, the first person to enlist the aid of Blunt's Brilliant Detectives will be a clergyman's daughter."

"I'll bet you it isn't," said Tommy.

"Done," said Tuppence. "Hist! To your typewriters, Oh! Israel. One comes."

Mr. Blunt's office was humming with industry as Albert opened the door and announced:

"Miss Monica Deane."

A slender brown haired girl, rather shabbily dressed, entered and stood hesitating. Tommy came forward.

"Good-morning, Miss Deane. Won't you sit down and tell us what we can do for you? By the way, let me introduce my confidential secretary, Miss Sheringham." "I am delighted to make your acquaintance, Miss Deane," said Tuppence. "Your father was in the Church, I think." "Yes, he was. But how did you know that?"

"Oh! we have our methods," said Tuppence. "You mustn't mind me rattling on. Mr. Blunt likes to hear me talk. He always says it gives him ideas."

The girl stared at her. She was a slender creature, not beautiful, but possessing a wistful prettiness. She had a quantity of soft mousecolored hair, and her eyes were dark blue and very lovely, though the dark shadows round them spoke of trouble and anxiety.

"Will you tell me your story, Miss Deane?" said Tommy.

The girl turned to him gratefully.

"It's such a long, rambling story," said the girl. "My name is Monica Deane. My father was the rector of Little Hampsley in Suffolk. He died three years ago, and my mother and I were left very badly off. I went out as a governess, but my mother became a confirmed invalid and I had to come home to look after her. We were desperately poor, but one day we received a lawyer's letter telling us that an aunt of my father's had died and had left everything to me. I had often heard of this aunt who had quarreled with my father many years ago, and I knew that she was very well off, so it really seemed that our troubles were at an end. But matters did not turn out quite as well as we had hoped. I inherited the house she had lived in, but after paying one or two small legacies, there was no money left. I suppose she must have lost it during the war, or perhaps she had been living on her capital.

Still, we had the house, and almost at once we had a chance of selling it at quite an advantageous price. But, foolishly perhaps, I refused the offer. We were in tiny, but expensive lodgings, and I thought it would be much nicer to live in the Red House where my mother could have comfortable rooms and take in paying guests to cover our expenses.

"I adhered to this plan, notwithstanding a further tempting offer from the gentlemen who wanted to buy. We moved in, and I advertised for paying guests. For a time, all went well, we had several answers to our advertisement, my aunt's old servant remained on with us and she and I between us did the work of the house. And then these unaccountable things began to happen."

"What things?" "The queerest things. The whole place seemed bewitched. Pictures fell down, crockery flew across the room and broke, one morning we came down to find all the furniture moved round. At first we thought someone was playing a practical joke, but we had to give up that explanation. Sometimes when we were all sitting down to dinner, a terrific crash would be heard overhead. We would go up and find no one there, but a piece of furniture thrown violently to the ground."

"A poltergeist," cried Tuppence, much interested.

"Yes, that's what Dr. O'Neill said-though I don't know what it means."

"It's a sort of evil spirit that plays tricks," explained Tuppence who in reality knew very little of the subject, and was not even sure that she had got the word poltergeist right.

"Well, at any rate, the effect was disastrous. Our visitors were frightened to death, and left as soon as possible. We got new ones, and they too left hurriedly. I was in despair, and, to crown all, our own tiny income ceased suddenly-the Company in which it was invested failed."

"You poor dear," said Tuppence sympathetically. "What a time you have had. Did you want Mr. Blunt to investigate this 'haunting' business?"

"Not exactly. You see, three days ago, a gentleman called upon us. His name was Dr. O'Neill. He told us that he was a member of the Society for Physical Research, and that he had heard about the curious manifestations that had taken place in our house and was much interested. So much so, that he was prepared to buy it from us, and conduct a series of experiments there."

"Well?"

"Of course, at first, I was overcome with joy. It seemed the way out of all our difficulties. But-"

"Yes?"

"Perhaps you will think me fanciful. Perhaps I am. But-oh! I'm sure I haven't made a mistake. It was the same man!"

"What same man?"

"The same man who wanted to buy it before. Oh! I'm sure I'm right."

"But why shouldn't it be?"

"You don't understand. The two men were quite different, different name and everything. The first man was quite young, a spruce dark young man of thirty odd. Dr. O'Neill is about fifty, he has a grey beard and wears glasses and stoops. But when he talked I saw a gold tooth on one side of his mouth. It only shows when he laughs. The other man had a tooth in just the same position, and then I looked at his ears. I had noticed the other man's ears, because they were a peculiar shape with hardly any lobe. Dr. O'Neill's were just the same. Both things couldn't be a coincidence, could they? I thought and thought and finally I wrote and said I would let him know in a week. I had noticed Mr. Blunt's advertisement some time ago-as a matter of fact in an old paper that lined one of the kitchen drawers. I cut it out and came up to town."

"You were quite right," said Tuppence, nodding her head with vigor.

"This needs looking into."

"A very interesting case, Miss Deane," observed Tommy. "We shall be pleased to look into this for you-eh, Miss Sheringham?"

"Rather," said Tuppence, "and we'll get to the bottom of it too."

"I understand, Miss Deane," went on Tommy, "that the household consists of you and your mother and a servant. Can you give me any particulars about the servant?"

"Her name is Crockett. She was with my aunt about eight or ten years.

She is an elderly woman, not very pleasant in manner, but a good servant. She is inclined to give herself airs because her sister married out of her station. Crockett has a nephew whom she is always telling us is 'quite the gentleman.' "

"H'm," said Tommy, rather at a loss how to proceed.

Tuppence had been eyeing Monica keenly, now she spoke with sudden decision.

"I think the best plan would be for Miss Deane to come out and lunch with me. It's just on one o'clock. I can get full details from her."

"Certainly, Miss Sheringham," said Tommy. "An excellent plan."

"Look here," said Tuppence when they were comfortably ensconced at a little table in a neighboring restaurant, "I want to know. Is there any special reason why you want to find out about all this?"

Monica blushed.

"Well, you see-"

"Out with it," said Tuppence encouragingly.

"Well-there are two men who-who-want to marry me."

"The usual story, I suppose? One rich, one poor, and the poor one is the one you like!"

"I don't know how you know all these things," murmured the girl.

"That's a sort of law of Nature," explained Tuppence. "It happens to everybody. It happens to me."

"You see, even if I sell the house, it won't bring us enough to live on.

Gerald is a dear, but he's desperately poor-though he's a very clever engineer and if only he had a little capital, his firm would take him into partnership. The other, Mr. Partridge, is a very good man, I am sureand well off, and if I married him it would be an end of all our troubles.

But-but-"

"I know," said Tuppence sympathetically. "It isn't the same thing at all.

You can go on telling yourself how good and worthy he is, and adding up his qualities as though they were an addition sum-and it all has a simply refrigerating effect."

Monica nodded.

"Well," said Tuppence, "I think it would be as well if we went down to the neighborhood and studied matters upon the spot. What is the address?"

"The Red House, Stourton in the Marsh."

Tuppence wrote down the address in her note book.

"I didn't ask you," Monica began-"about terms-" she ended, blushing a little.

"Our payments are strictly by results," said Tuppence gravely. "If the secret of the Red House is a profitable one, as seems possible from the anxiety displayed to acquire the property, we should expect a small percentage, otherwise-nothing!" "Thank you very much," said the girl gratefully.

"And now," said Tuppence, "don't worry. Everything's going to be all right. Let's enjoy lunch and talk of interesting things."

21. THE RED HOUSE

"Well," said Tommy, looking out of the window of the Crown and

Anchor, "here we are at Toad in the Hole-or whatever this blasted village is called."

"Let us review the case," said Tuppence.

"By all means," said Tommy. "To begin with, getting my say in first, I suspect the invalid mother!"

"Why?"

"My dear Tuppence, grant that this poltergeist business is all a put up job, got up in order to persuade the girl to sell the house, someone must have thrown the things about. Now the girl said everyone was at dinner-but if the mother is a thoroughgoing invalid, she'd be upstairs in her room."

"If she was an invalid she could hardly throw furniture about."

"Ah! but she wouldn't be a real invalid. She'd be shamming."

"Why?"

"There you have me," confessed her husband. "I was really going on the well known principle of suspecting the most unlikely person."

"You always make fun of everything," said Tuppence severely. "There must be something that makes these people so anxious to get hold of the house. And if you don't care about getting to the bottom of this matter, I do. I like that girl. She's a dear."

Tommy nodded seriously enough.

"I quite agree. But I never can resist ragging you, Tuppence. Of course there's something queer about the house, and whatever it is, it's something that's difficult to get at. Otherwise a mere burglary would do the trick. But to be willing to buy the house means either that you've got to take up floors or pull down walls, or else that there's a coal mine under the back garden!"

"I don't want it to be a coal mine. Buried treasure is much more romantic."

"H'm," said Tommy. "In that case I think that I shall pay a visit to the local Bank Manager, explain that I am staying here over Christmas and probably buying the Red House, and discuss the question of opening an account."

"But why-?"

"Wait and see."

Tommy returned at the end of half an hour. His eyes were twinkling.

"We advance, Tuppence. Our interview proceeded on the lines indicated. I then asked casually whether he had had much gold paid in, as is often the case nowadays in these small country banks-small farmers who hoarded it during the war, you understand. From that we proceeded quite naturally to the extraordinary vagaries of old ladies. I invented an aunt, who on the outbreak of the war, drove to the Army and Navy Stores in a four wheeler, and returned with sixteen hams. He immediately mentioned a client of his own who had insisted on drawing out every penny of money she had-in gold as far as possible, and who also insisted on having her securities, bearer bonds and such things, given into her own custody. I exclaimed on such an act of folly, and he mentioned casually that she was the former owner of the Red House.

You see, Tuppence? She drew out all this money, and she hid it somewhere. You remember that Monica Deane mentioned that they were astonished at the small amount of her estate? Yes, she hid it in the Red House, and someone knows about it. I can make a pretty good guess who that someone is too."

"Who?"

"What about the faithful Crockett? She would know all about her mistress's peculiarities."

"And that gold-toothed Dr. O'Neill?"

"The gentlemanly nephew, of course! That's it. But whereabouts did she hide it? You know more about old ladies than I do, Tuppence.

Where do they hide things?"

"Wrapped up in stockings and petticoats, under mattresses."

Tommy nodded.

"I expect you're right. All the same, she can't have done that because it would have been found when her things were turned over. It worries me-you see, an old lady like that can't have taken up floors or dug holes in the garden. All the same it's there in the Red House somewhere. Crockett hasn't found it, but she knows it's there, and once they get the house to themselves, she and her precious nephew, they can turn it upside down until they find what they're after. We've got to get ahead of them. Come on, Tuppence. We'll go to the Red House."

Monica Deane received them. To her mother and Crockett they were represented as would be purchasers of the Red House which would account for their being taken all over the house and grounds. Tommy did not tell Monica of the conclusions he had come to, but he asked her various searching questions. Of the garments and personal belongings of the dead woman, some had been given to Crockett and the others sent to various poor families. Everything had been gone through and turned out.

"Did your aunt leave any papers?"

"The desk was full, and there were some in a drawer in her bedroom, but there was nothing of importance amongst them."

"Have they been thrown away?"

"No, my mother is always very loath to throw away old papers. There were some old fashioned recipes among them which she intends to go through one day."

"Good," said Tommy approvingly. Then, indicating an old man who was at work upon one of the flower beds in the garden, he asked: "Was that old man the gardener here in your aunt's time?"

"Yes, he used to come three days a week. He lives in the village. Poor old fellow, he is past doing any really useful work. We have him just once a week to keep things tidied up. We can't afford more."

Tommy winked at Tuppence to indicate that she was to keep Monica with her, and he himself stepped across to where the gardener was working. He spoke a few pleasant words to the old man, asked him if he had been there in the old lady's time, and then said casually:

"You buried a box for her once, didn't you?"

"No, sir, I never buried naught for her. What should she want to bury a box for?"

Tommy shook his head. He strolled back to the house frowning. It was to be hoped that a study of the old lady's papers would yield some clue-otherwise the problem was a hard one to solve. The house itself was old fashioned, but not old enough to contain a secret room or passage.

Before leaving, Monica brought them down a big cardboard box, tied with string.

"I've collected all the papers," she whispered. "And they're in here. I thought you could take it away with you, and then you'll have plenty of time to go over them-but I'm sure you won't find anything to throw light on the mysterious happenings in this house-"

Her words were interrupted by a terrific crash overhead. Tommy ran quickly up the stairs. A jug and basin in one of the front rooms was lying on the ground broken to pieces. There was no one in the room.

"The ghost up to its tricks again," he murmured with a grin.

He went down stairs again thoughtfully.

"I wonder, Miss Deane, if I might speak to the maid, Crockett, for a minute."

"Certainly. I will ask her to come to you."

Monica went off to the kitchen. She returned with the elderly maid who had opened the door to them earlier.

"We are thinking of buying this house," said Tommy pleasantly, "and my wife was wondering whether, in that case, you would care to remain on with us?"

Crockett's respectable face displayed no emotion of any kind.

"Thank you, sir," she said. "I should like to think it over if I may."

Tommy turned to Monica.

"I am delighted with the house, Miss Deane. I understand that there is another buyer in the market. I know what he has offered for the house, and I will willingly give a hundred more. And mind you, that is a good price I am offering."

Monica murmured something noncommittal, and the Beresfords took their leave.

"I was right," said Tommy, as they went down the drive. "Crockett's in it. Did you notice that she was out of breath? That was from running down the back stairs after smashing the jug and basin. Sometimes, very likely, she has admitted her nephew secretly, and he has done a little poltergeisting, or whatever you call it, whilst she has been innocently with the family. You'll see, Dr. O'Neill will make a further offer before the day is out."

True enough, after dinner a note was brought. It was from Monica.

"I have just heard from Dr. O'Neill. He raises his previous offer by ВЈ150."

"The nephew must be a man of means," said Tommy thoughtfully. "And I tell you what, Tuppence, the prize he's after must be well worth while."

"Oh! Oh! Oh! if only we could find it!"

"Well, let's get on with the spade work."

They were sorting through the big box of papers, a wearisome affair, as they were all jumbled up pell mell without any kind of order or method. Every few minutes they compared notes.

"What's the latest, Tuppence?"

"Two old receipted bills, three unimportant letters, a recipe for preserving new potatoes and one for making lemon cheesecake.

What's yours?"

"One bill, poem on Spring, two newspaper cuttings: 'Why Women buy Pearls-a sound investment' and 'Man with Four Wives'-Extraordinary Story,' and a recipe for Jugged Hare."

"It's heart breaking," said Tuppence, and they fell to once more. At last the box was empty. They looked at each other.

"I put this aside," said Tommy, picking up a half sheet of notepaper, "because it struck me as peculiar. But I don't suppose it's got anything to do with what we're looking for."

"Let's see it. Oh! it's one of those funny things, what do they call them?

Anagrams, charades or something." She read it: "My first you put on glowing coal And into it you put my whole My second really is the first My third mislikes the winter blast."

"H'm," said Tommy critically. "I don't think much of the poet's rhymes."

"I don't see what you find peculiar about it, though," said Tuppence.

"Everybody used to have a collection of these sort of things about fifty years ago. You saved them up for winter evenings round the fire."

"I wasn't referring to the verse. It's the words written below it that strike me as peculiar.

"St. Luke XI. 9," she read. "It's a text."

"Yes. Doesn't that strike you as odd? Would an old lady of a religious persuasion write a text just under a charade?"

"It is rather odd," agreed Tuppence thoughtfully.

"I presume that you, being a clergyman's daughter, have got your Bible with you?"

"As a matter of fact I have. Aha, you didn't expect that. Wait a sec."

Tuppence ran to her suit case, extracted a small red volume and returned to the table. She turned the leaves rapidly. "Here we are.

Luke, Chapter XI, Verse 9. Oh! Tommy, look."

Tommy bent over and looked where Tuppence's small finger pointed to a portion of the verse in question.

"Seek, and ye shall find."

"That's it," cried Tuppence. "We've got it! Solve the cryptogram and the treasure is ours-or rather Monica's."

"Well, let's get to work on the cryptogram, as you call it. 'My first you put on glowing coal.' What does that mean, I wonder? Then-'My second really is the first.' That's pure gibberish."

"It's quite simple really," said Tuppence kindly. "It's just a sort of knack. Let me have it."

Tommy surrendered it willingly. Tuppence ensconed herself in an arm chair, and began muttering to herself with bent brows.

"It's quite simple really," murmured Tommy when half an hour had elapsed.

"Don't crow! We're the wrong generation for this. I've a good mind to go back to town tomorrow and call on some old pussy who would probably read it as easy as winking. It's a knack, that's all."

"Well, let's have one more try."

"There aren't many things you can put on glowing coal," said Tuppence thoughtfully. "There's water, to put it out, or wood, or a kettle."

"It must be one syllable, I suppose? What about wood, then?"

"You couldn't put anything into wood, though."

"There's no one syllable word instead of water, but there must be one syllable things you can put on a fire in the kettle line."

"Saucepans," mused Tuppence. "Frying pans. How about pan? Or pot? What's a word beginning pan or pot that is something you cook?"

"Pottery," suggested Tommy. "You bake that in the fire. Wouldn't that be near enough?"

"The rest of it doesn't fit. Pancakes? No. Oh! bother."

They were interrupted by the little serving maid, who told them that dinner would be ready in a few minutes.

"Only Mrs. Lumley, she wanted to know if you'd like your potatoes fried, or boiled in their jackets? She's got some of each."

"Boiled in their jackets," said Tuppence promptly. "I love potatoes-"

She stopped dead with her mouth open.

"What's the matter, Tuppence? Have you seen a ghost?"

'Tommy," cried Tuppence. "Don't you see? That's it! The word, I mean.

Potatoes! 'My first you put on glowing coal'-that's pot. 'And into it you put my whole.'

'My second really is the first.' that's A, the first letter of the alphabet. 'My third mislikes the wintry blast'-cold toes of course!"

"You're right, Tuppence. Very clever of you. But I'm afraid we've wasted an awful lot of time over nothing. Potatoes don't fit in at all with missing treasure. Half a sec., though. What did you read out just now, when we were going through the box? Something about a recipe for New Potatoes. I wonder whether there's anything in that."

He rummaged hastily through the pile of recipes.

"Here it is. 'TO KEEP NEW POTATOES. Put the new potatoes into tins and bury them in the garden. Even in the middle of winter, they will taste as though freshly dug.' "

"We've got it," screamed Tuppence. "That's it. The treasure is in the garden, buried in a tin."

"But I asked the gardener. He said he'd never buried anything."

"Yes, I know, but that's because people never really answer what you say, they answer what they think you mean. He knew he'd never buried anything out of the common. We'll go to-morrow and ask him where he buried the potatoes."

The following morning was Christmas Eve. By dint of inquiry they found the old gardener's cottage. Tuppence broached the subject after some minutes' conversation.

"I wish one could have new potatoes at Christmas time," she remarked. "Wouldn't they be good with turkey? Do people round here ever bury them in tins? I've heard that keeps them fresh."

"Ay, that they do," declared the old man. "Old Miss Deane, up to the Red House, she allus had three tins buried every summer, and as often as not forgot to have 'em dug up again!"

"In the bed by the house, as a rule, didn't she?"

"No, over against the wall by the fir tree."

Having got the information they wanted, they soon took their leave of the old man, presenting him with five shillings as a Christmas box.

"And now for Monica," said Tommy.

"Tommy! You have no sense of the dramatic. Leave it to me. I've got a beautiful plan. Do you think you could manage to beg, borrow, or steal a spade?"

Somehow or other, a spade was duly produced, and that night, late, two figures might have been seen stealing into the grounds of the Red House. The place indicated by the gardener was easily found, and Tommy set to work. Presently his spade rang on metal, and a few seconds later he had unearthed a big biscuit tin. It was sealed round with adhesive plaster and firmly fastened down, but Tuppence, by the aid of Tommy's knife, soon managed to open it. Then she gave a groan.

The tin was full of potatoes. She poured them out so that the tin was completely empty, but there were no other contents.

"Go on digging, Tommy."

It was some time before a second tin rewarded their search As before Tuppence unsealed it.

"Well?" demanded Tommy anxiously.

"Potatoes again!"

"Damn!" said Tommy and set to once more "The third time is lucky," said Tuppence consolingly.

"I believe the whole thing's a mare's nest," said Tommy gloomily, but he continued to dig.

At last a third tin was brought to light.

"Potatoes aga-" began Tuppence, then stopped. "Oh! Tommy, we've got it. It's only potatoes on top. Look!"

She held up a big old fashioned velvet bag.

"Cut along home," cried Tommy. "It's icy cold. Take the bag with you. I must just shovel back the earth. And may a thousand curses light upon your head, Tuppence, if you open that bag before I come!"

"I'll play fair. Ouch! I'm frozen." She beat a speedy retreat.

On arrival at the Inn she had not long to wait. Tommy was hard upon her heels, perspiring freely after his digging and the final brisk run.

"Now then," said Tommy. 'The private inquiry agents make good! Open the loot, Mrs. Beresford."

Inside the bag was a package done up in oil silk and a heavy chamois leather bag. They opened the latter first. It was full of gold sovereigns.

Tommy counted them.

"Two hundred pounds. That was all they would let her have, I suppose.

Cut open the package."

Tuppence did so. It was full of closely folded banknotes. Tommy and Tuppence counted them carefully. They amounted to exactly twenty thousand pounds!

"Whew!" said Tommy. "Isn't it lucky for Monica that we're both rich and honest? What's that done up in tissue paper?"

Tuppence unrolled the little parcel and drew out a magnificent string of pearls, exquisitely matched.

"I don't know much about these things," said Tommy slowly, "But I'm pretty sure that those pearls are worth another five thousand pounds at least. Look at the size of them. Now I see why the old lady kept that cutting about pearls being a good investment. She must have realized all her securities and turned them into notes and jewels."

"Oh! Tommy, isn't it wonderful? Darling Monica. Now she can marry her nice young man and live happily ever afterwards, like me."

"That's rather sweet of you, Tuppence. So you are happy with me?"

"As a matter of fact," said Tuppence, "I am. But I didn't mean to say so.

It slipped out. What with being excited, and Christmas Eve, and one thing and another-"

"If you really love me," said Tommy, "will you answer me one question?"

"I hate these catches," said Tuppence. "But-well-all right."

"Then how did you know that Monica was a clergyman's daughter?"

"Oh, that was just cheating," said Tuppence happily. "I opened her letter making an appointment, and a Mr. Deane was Father's curate once and he had a little girl called Monica, about four or five years younger than me. So I put two and two together."

"You are a shameless creature," said Tommy. "Hullo, there's twelve o'clock striking. Happy Christmas, Tuppence."

"Happy Christmas, Tommy. It'll be a Happy Christmas for Monica tooand all owing to US. I am glad. Poor thing, she has been so miserable.

Do you know, Tommy, I feel all queer and choky about the throat when I think of it."

"Darling Tuppence," said Tommy.

"Darling Tommy," said Tuppence. "How awfully sentimental we are getting."

"Christmas comes but once a year," said Tommy sententiously. "That's what our great grandmothers said and I expect there's a lot of truth in it still."

22. THE AMBASSADOR'S BOOTS

"My dear fellow, my dear fellow," said Tuppence and waved a heavily buttered muffin.

Tommy looked at her for a minute or two, then a broad grin spread over his face and he murmured. "We do have to be so very careful." "That's right," said Tuppence delighted. "You guessed. I am the famous Dr. Fortune and you are Superintendent Bell."

"Why are you being Reginald Fortune?"

"Well really because I feel like a lot of hot butter."

"That is the pleasant side of it," said Tommy. "But there is another. You will have to examine horribly smashed faces and very extra dead bodies a good deal."

In answer Tuppence threw across a letter. Tommy's eyebrows rose in astonishment.

"Randolph Wilmott, the American Ambassador. I wonder what he wants."

"We shall know to-morrow at eleven o'clock.

Punctually to the time named, Mr. Randolph Wilmott, United States Ambassador to the Court of St. James, was ushered into Mr. Blunt's office. He cleared his throat and commenced speaking in a deliberate and characteristic manner.

"I have come to you, Mr. Blunt-By the way, it is Mr. Blunt himself to whom I am speaking, is it not?"

"Certainly," said Tommy. "I am Theodore Blunt, the head of the firm."

"I a ways prefer to deal with heads of de-partments," said Mr. Wilmott.

"It is more satisfactory in every way. As I was about to say, Mr. Blunt, this business gets my goat. There's nothing in it to trouble Scotland Yard about-I'm not a penny the worse in any way, and it's probably all due to a simple mistake. But all the same, I don't see just how that mistake arose. There's nothing criminal in it, I daresay, but I'd like just to get the thing straightened out. It makes me mad not to see the why and wherefore of a thing."

"Absolutely," said Tommy.

Mr. Wilmott went on. He was slow and given to much detail. At last Tommy managed to get a word in.

"Quite so," he said, "the position is this. You arrived by the liner Nomadic a week ago. In some way your kitbag and the kitbag of another gentleman, Mr. Ralph Westerham whose initials are the same as yours, got mixed up. You took Mr. Westerham's kitbag, and he took yours. Mr. Westerham discovered the mistake immediately, sent round your kitbag to the Embassy, and took away his own. Am I right so far?"

"That is precisely what occurred. The two bags must have been practically identical, and with the initials R.W. being the same in both cases, it is not difficult to understand that an error might have been made. I myself was not aware of what had happened until my valet informed me of the mistake, and that Mr. Westerham-he is a Senator, and a man for whom I have a great admiration-had sent round for his bag and returned mine."

"Then I don't see-"

"But you will see. That's only the beginning of the story. Yesterday, as it chanced, I ran up against Senator Westerham, and I happened to mention the matter to him jestingly. To my great surprise, he did not seem to know what I was talking about, and when I explained, he denied the story absolutely. He had not taken my bag off the ship in mistake for his own-in fact, he had not travelled with such an article amongst his luggage."

"What an extraordinary thing!"

"Mr. Blunt, it is an extraordinary thing. There seems no rhyme or reason in it. Why, if anyone wanted to steal my kitbag, he could do so easily enough without resorting to all this round about business! And anyway, it was not stolen, but returned to me. On the other hand, if it were taken by mistake, why use Senator Westerham's name? It's a crazy business-but just for curiosity I mean to get to the bottom of it. I hope the case is not too trivial for you to undertake?"

"Not at all. It is a very intriguing little problem, capable as you say, of many simple explanations, but nevertheless baffling on the face of it.

The first thing, of course, is the reason of the substitution, if substitution it was. You say nothing was missing from your bag when it came back into your possession?"

"My man says not. He would know."

"What was in it, if I may ask?"

"Mostly boots."

"Boots," said Tommy discouraged.

"Yes," said Mr. Wilmott. "Boots. Odd, isn't it?"

"You'll forgive my asking you," said Tommy, "but you didn't carry any secret papers, or anything of that sort sewn in the lining of a boot or screwed into a false heel?"

The Ambassador seemed amused by the question.

"Secret diplomacy hasn't got to that pitch, I hope."

"Only in fiction," said Tommy with an answering smile, and a slightly apologetic manner. "But you see, we've got to account for the thing somehow. Who came for the bag-the other bag, I mean?"

"Supposed to be one of Westerham's servants. Quite a quiet ordinary man, so I understand. My valet saw nothing wrong with him."

"Had it been unpacked, do you know?"

"That I can't say. I presume not. But perhaps you'd like to ask the valet a few questions? He can tell you more than I can about the business."

"I think that would be the best plan, Mr. Wilmott."

The Ambassador scribbled a few words on a card and handed it to Tommy.

"I opine that you would prefer to go round to the Embassy and make your inquiries there? If not, I will have the man,-his name is Richards, by the way-sent round here."

"No, thank you, Mr. Wilmott. I should prefer to go to the Embassy."

The Ambassador rose, glancing at his watch.

"Dear me, I shall be late for an appointment. Well, good bye, Mr. Blunt.

I leave the matter in your hands."

He hurried away. Tommy looked at Tuppence who had been scribbling demurely on her pad in the character of the efficient Miss Robinson.

"What about it, old thing?" he asked. "Do you see, as the old bird put it, any rhyme or reason in the proceeding?"

"None whatever," replied Tuppence cheerily.

"Well, that's a start anyway! It shows that there is really something very deep at the back of it."

"You think so?"

"It's a generally accepted hypothesis. Remember Sherlock Holmes and the depth the butter had sunk into the parsley-I mean the other way round. I've always had a devouring wish to know all about that case. Perhaps Watson will disinter it from his notebook one of these days. Then I shall die happy. But we must get busy."

"Quite so," said Tuppence. "Not a quick man, the esteemed Wilmott, but sure."

"She knows men," said Tommy. "Or do I say he knows men. It is so confusing when you assume the character of a male detective."

"Oh! My dear fellow, my dear fellow!"

"A little more action, Tuppence, and a little less repetition."

"A classic phrase cannot be repeated too often," said Tuppence with dignity.

"Have a muffin," said Tommy kindly.

"Not at eleven o'clock in the morning, thank you. Silly case, this. Bootsyou know-Why boots?"

"Well," said Tommy, "why not?"

"It doesn't fit. Boots." She shook her head. "All wrong. Who wants other people's boots? The whole thing's mad."

"Perhaps they got hold of the wrong bag?" suggested Tommy.

"That's possible. But if they were after papers, a despatch case would be more likely. Papers are the only things one thinks of in connection with ambassadors."

"Boots suggest footprints," said Tommy thoughtfully. "Do you think they wanted to lay a trail of Wilmott's footsteps somewhere?"

Tuppence considered the suggestion, abandoning her role, then shook her head.

"It seems wildly impossible," she said. "No, I believe we shall have to resign ourselves to the fact that the boots have nothing to do with it."

"Well," said Tommy with a sigh. "The next step is to interview friend Richards. He may be able to throw some light on the mystery."

On production of the Ambassador's card, Tommy was admitted to the Embassy, and presently a pale young man, with a respectful manner, and a subdued voice, presented himself to undergo examination.

"I am Richards, sir, Mr. Wilmott's valet. I understood you wished to see me?"

"Yes, Richards. Mr. Wilmott called on me this morning, and suggested that I should come round and ask you a few questions. It is this matter of the kitbag."

"Mr. Wilmott was rather upset over the affair, I know, sir. I can hardly see why, since no harm was done. I certainly understood from the man who called for the other bag that it belonged to Senator Westerham, but of course I may have been mistaken."

"What kind of a man was he?"

"Middle-aged. Grey-hair. Very good class, I should say-most respectable. I understood he was Senator Westerham's valet. He left Mr. Wilmott's bag and took away the other."

"Had it been unpacked at all?"

"Which one, sir?"

"Well I meant the one you brought from the boat. But I should like to know about the other as well-Mr. Wilmott's own. Had that been unpacked, do you fancy?"

"I should say not, sir. It was just as I strapped it up on the boat. I should say the gentleman-whoever he was-just opened it-realized it wasn't his, and shut it up again."

"Nothing missing? No small article?"

"I don't think so, sir. In fact, I'm quite sure."

"And now the other one. Had you started to unpack that?" "As a matter of fact, sir, I was just opening it at the very moment Senator Westerham's man arrived. I'd just undone the straps."

"Did you open it at all?"

"We just unfastened it together, sir, to be sure no mistake had been made this time. The man said it was all right, and he strapped it up again and took it away."

"What was inside? Boots also?"

"No, sir, mostly toilet things, I fancy. I know I saw a tin of bath salts."

Tommy abandoned that line of research.

"You never saw anyone tampering with anything in your master's cabin on board ship, I suppose?"

"Oh, no, sir."

"Never anything suspicious of any kind?"

"And what do I mean by that, I wonder," he thought to himself with a trace of amusement. "Anything suspicious-just words!"

But the man in front of him hesitated.

"Now that I remember it-"

"Yes," said Tommy eagerly. "What?"

"I don't think it could have anything to do with it. But there was a young lady."

"Yes? A young lady, you say, what was she doing?"

"She was taken faint, sir. A very pleasant young lady. Miss Eileen O'Hara, her name was. A dainty looking lady, not tall, with black hair.

Just a little foreign looking."

"Yes?" said Tommy, with even greater eagerness.

"As I was saying, she was taken queer. Just outside Mr. Wilmott's cabin. She asked me to fetch the doctor. I helped her to the sofa, and then went off for the doctor. I was some time finding him, and when I found him and brought him back, the young lady was nearly all right again."

"Oh!" said Tommy.

"You don't think, sir-"

"It's difficult to know what to think," said Tommy noncommittally. "Was this Miss O'Hara travelling alone?"

"Yes, I think so, sir."

"You haven't seen her since you landed?"

"No, sir."

"Well," said Tommy, after a minute or two spent in reflection. `'I think that's all. Thank you, Richards."

"Thank you, sir."

Back at the office of the Detective Agency, Tommy retailed his conversation with Richards to Tuppence who listened attentively.

"What do you think of it, Tuppence?"

"Oh! my dear fellow, we doctors are always sceptical of a sudden faintness! So very convenient. And Eileen as well as O'Hara. Almost too impossibly Irish, don't you think?"

"It's something to go upon at last. Do you know what I am going to do, Tuppence? Advertise for the lady."

"What?"

"Yes. Any information respecting Miss Eileen O'Hara, known to have travelled such and such a ship and such and such a date. Either she'll answer it herself if she's genuine, or someone may come forward to give us information about her. So far, it's the only hope of a clue."

"You'll also put her on her guard, remember."

"Well," said Tommy. "One's got to risk something."

"I still can't see any sense in the thing," said Tuppence, frowning. "If a gang of crooks get hold of the Ambassador's bag for an hour or two, and then send it back, what possible good can it do them? Unless there are papers in it they want to copy, and Mr. Wilmott swears there was nothing of the kind. "

Tommy stared at her thoughtfully.

"You put these things rather well, Tuppence," he said at last. "You've given me an idea."

It was two days later. Tuppence was out to lunch. Tommy, alone in the austere office of Mr. Theodore Blunt, was improving his mind by reading the latest sensational thriller.

The door of the office opened and Albert appeared.

"A young lady to see you, sir. Miss Cicely March. She says she has called in answer to an advertisment."

"Show her in at once," cried Tommy, thrusting his novel into a convenient drawer.

In another minute Albert had ushered in the young lady.

Tommy had just time to see that she was fair haired and extremely pretty when the amazing occurrence happened.

The door through which Albert had just passed out was rudely burst open. In the doorway stood a picturesque figure-a big dark man, Spanish in appearance, with a flaming red tie. His features were distorted with rage, and in his hand was a gleaming pistol.

"So this is the office of Mr. Busybody Blunt," he said in perfect English.

His voice was low and venomous. "Hands up at once-or I shoot."

It sounded no idle threat. Tommy's hands went up obediently. The girl, crouched against the wall, gave a gasp of terror.

"This young lady will come with me," said the man. "Yes, you will, my dear. You have never seen me before, but that doesn't matter. I can't have my plans ruined by a silly little chit like you. I seem to remember that you were one of the passengers on the Nomadic. You must have been peering into things that didn't concern you-but I've no intention of letting you blab any secrets to Mr. Blunt here. A very clever gentleman, Mr. Blunt, with his fancy advertisements. But as it happens. I keep an eye on the advertisement columns. That's how I got wise to his little game."

"You interest me exceedingly," said Tommy. "Won't you go on?"

"Cheek won't help you, Mr. Blunt. From now on, you're a marked man.

Give up this investigation, and we'll leave you alone. Otherwise-God help you! Death comes swiftly to those who thwart our plans."

Tommy did not reply. He was staring over the intruder's shoulder as though he saw a ghost.

As a matter of fact he was seeing something that caused him far more apprehension than any ghost could have done. Up to now, he had not given a thought to Albert as a factor in the game. He had taken for granted that Albert had already been dealt with by the mysterious stranger. If he had thought of him at all, it was as one lying stunned on the carpet in the outer office.

He now saw that Albert had miraculously escaped the stranger's attention. But instead of rushing out to fetch a policeman in good sound British fashion, Albert had elected to play a lone hand. The door behind the stranger had opened noiselessly, and Albert stood in the aperture enveloped in a coil of rope.

An agonized yelp of protest burst from Tommy, but too late. Fired with enthusiasm, Albert flung a loop of rope over the intruder's head, and jerked him backwards off his feet.

The inevitable happened. The pistol went off with a roar and Tommy felt the bullet scorch his ear in passing, ere it buried itself in the plaster behind him.

"I've got him, sir," cried Albert, flushed with triumph. "I've lassoed him.

I've been practicing with a lasso in my spare time, sir. Can you give me a hand? He's very violent."

Tommy hastened to his faithful henchman's assistance, mentally determining that Albert should have no further spare time.

"You damned idiot," he said. "Why didn't you go for a policeman?

Owing to this fool's play of yours, he as near as anything plugged me through the head. Whew! I've never had such a near escape."

"Lassoed him in the nick of time, I did," said Albert, his ardor quite undamped. "It's wonderful what those chaps can do on the prairies, sir."

"Quite so," said Tommy, "but we're not on the prairies. We happen to be in a highly civilized city. And now, my dear sir," he added to his prostrate foe. "What are we going to do with you?"

A stream of oaths in a foreign language was his only reply.

"Hush," said Tommy. "I don't understand a word of what you're saying, but I've got a shrewd idea it's not the kind of language to use before a lady. You'll excuse him, won't you, Miss-do you know, in the excitement of this little upset, I've quite forgotten your name?"

"March," said the girl. She was still white and shaken. But she came forward now and stood by Tommy looking down on the recumbent figure of the discomfited stranger. "What are you going to do with him?"

"I could fetch a bobby now," said Albert helpfully.

But Tommy, looking up, caught a very faint negative movement of the girl's head, and took his cue accordingly.

"We'll let him off this time," he remarked. "Nevertheless I shall give myself the pleasure of kicking him downstairs- if it's only to teach him manners to a lady."

He removed the rope, hauled the victim to his feet, and propelled him briskly through the outer office.

A series of shrill yelps was heard and then a thud. Tommy came back, flushed but smiling.

The girl was staring at him with round eyes.

"Did you-hurt him?"

"I hope so," said Tommy. "But these foreigners make a practice of crying out before they're hurt-so I can't be quite sure about it. Shall we come back into my office, Miss March, and resume our interrupted conversation? I don't think we shall be interrupted again."

"I'll have my lasso ready, sir, in case," said the helpful Albert.

"Put it away," ordered Tommy sternly.

He followed the girl into the inner office, and sat down at his desk whilst she took a chair facing him.

"I don't quite know where to begin," said the girl. "As you heard that man say, I was a passenger on the Nomadic. The lady you advertised about, Miss O'Hara, was also on board."

"Exactly," said Tommy. "That we know already, but I suspect you must know something about her doings on board that boat or else that picturesque gentleman would not have been in such a hurry to intervene."

"I will tell you everything. The American Ambassador was on board.

One day, as I was passing his cabin, I saw this woman inside, and she was doing something so extraordinary that I stopped to watch. She had a man's boot in her hand-"

"A boot?" cried Tommy excitedly. "I'm sorry, Miss March, go on."

"With a little pair of scissors, she was slitting up the lining. Then she seemed to push something inside. Just at that minute the doctor and another man came down the passage, and immediately she dropped back on the couch and groaned. I waited, and I gathered from what was being said that she had pretended to feel faint. I say pretendedbecause when I first caught sight of her, she was obviously feeling nothing of the kind."

Tommy nodded.

"Well?"

"I rather hate to tell you the next part. I was-curious. And also I'd been reading silly books, and I wondered if she'd put a bomb or a poisoned needle or something like that in Mr. Wilmott's boot. I know it's absurdbut I did think so. Anyway, next time I passed the empty cabin, I slipped in, and examined the boot. I drew out from the lining a slip of paper. Just as I had it in my hand, I heard the steward coming, and I hurried out so as not to be caught. The folded paper was still in my hand. When I got into my own cabin, I examined it. Mr. Blunt, it was nothing but some verses from the Bible."

"Verses from the Bible?" said Tommy, very much intrigued.

"At least I thought so at the time. I couldn't understand it, but I thought perhaps it was the work of a religious maniac. Anyway, I didn't feel it was worth while replacing it. I kept it without thinking much about it until yesterday when I used it to make into a boat for my little nephew to sail in his bath. As the paper got wet, I saw a queer kind of design coming out all over it. I hastily took it out of the bath, and smoothed it out flat. The water had brought out the hidden message. It was a kind of tracing-and looked like the mouth of a harbor. Immediately after that I read your advertisement."

Tommy sprang from his chair.

"But this is most important. I see it all now. That tracing is probably the plan of some important harbor defences. It had been stolen by this woman. She feared someone was on her track, and not daring to conceal it amongst her own belongings, she contrived this hidingplace. Later, she obtained possession of the bag in which the boot was packed-only to discover that the paper had vanished. Tell me, Miss March, you have brought this paper with you?"

The girl shook her head.

"It's at my place of business. I run a beauty parlor in Bond Street. I am really an agent for the 'Cyclamen' preparations in New York. That is why I had been over there. I thought the paper might be important, so I locked it up in the safe before coming out. Ought not Scotland Yard to know about it?"

"Yes, indeed."

"Then shall we go there now, get it out, and take it straight to Scotland Yard?"

"I am very busy this afternoon," said Tommy adopting his professional manner and consulting his watch. "The Bishop of London wants me to take up a case for him. A very curious problem, concerning some vestments and two curates."

"Then in that case," said Miss March, rising, "I will go alone."

Tommy raised a hand in protest.

"As I was about to say," he said, "the Bishop must wait. I will leave a few words with Albert. I am convinced, Miss March, that until that paper has been safely deposited with Scotland Yard you are in active danger."

"Do you think so?" said the girl doubtfully.

"I don't think, I'm sure. Excuse me." He scribbled some words on the pad in front of him, then tore off the leaf and folded it.

Taking his hat and stick, he intimated to the girl that he was ready to accompany her. In the outer office, he handed the folded paper to Albert with an air of importance.

"I am called out on an urgent case. Explain that to his lordship if he comes. Here are my notes on the case for Miss Robinson."

"Very good, sir," said Albert playing up. "And what about the Duchess's pearls?"

Tommy waved his hand irritably.

"That must wait also."

He and Miss March hurried out. Half way down the stairs they encountered Tuppence coming up. Tommy passed her with a brusque:

"Late again, Miss Robinson. I am called out on an important case."

Tuppence stood still on the stairs and stared after them. Then, with raised eyebrows, she went on up to the office.

As they reached the street, a taxi came sailing up to them. Tommy, on the point of hailing it, changed his mind.

"Are you a good walker, Miss March?" he asked seriously.

"Yes, why? Hadn't we better take that taxi? It will be quicker."

"Perhaps you did not notice. That taxi driver has just refused a fare a little lower down the street. He was waiting for us. Your enemies are on the look out. If you feel equal to it, it would be better for us to walk to Bond Street. In the crowded streets, they will not be able to attempt much against us."

"Very well," said the girl, rather doubtfully.

They walked westwards. The streets, as Tommy had said, were crowded, and progress was slow. Tommy kept a sharp look out.

Occasionally he drew the girl to one side with a quick gesture, though she herself had seen nothing suspicious.

Suddenly glancing at her, he was seized with compunction.

"I say, you look awfully done up. The shock of that man. Come into this place and have a good cup of strong coffee. I suppose you wouldn't hear of a nip of brandy."

The girl shook her head, with a faint smile.

"Coffee be it then," said Tommy. "I think we can safely risk its being poisoned."

They lingered some time over their coffee, and finally set off at a brisker pace.

"We've thrown them off, I think," said Tommy, looking over his shoulder.

Cyclamen Ltd. was a small establishment in Bond Street, with pale pink taffeta curtains, and one or two jars of face cream and a cake of soap decorating the window.

Cicely March entered, and Tommy followed. The place inside was tiny.

On the left was a glass counter with toilet preparations. Behind this counter was a middle-aged woman with grey hair and an exquisite complexion who acknowledged Cicely March's entrance with a faint inclination of the head before continuing to talk to the customer she was serving.

This customer was a small dark woman. Her back was to them and they could not see her face. She was speaking in slow difficult English.

On the right was a sofa and a couple of chairs with some magazines on a table. Here sat two men-apparently bored husbands waiting for their wives.

Cicely March passed straight on through a door at the end which she held ajar for Tommy to follow her. As he did so, the woman customer exclaimed. "Ah! but I think that is an amico of mine," and rushed after them, inserting her foot in the door just in time to prevent its closing.

At the same time, the two men rose to their feet. One followed her through the door, the other advanced to the shop attendant and clapped his hand over her mouth to drown the scream rising to her lips.

In the meantime, things were happening rather quickly beyond the swing door. As Tommy passed through, a cloth was flung over his head, and a sickly odor assailed his nostrils. Almost as soon however, it was jerked off again, and a woman's scream rang out.

Tommy blinked a little and coughed as he took in the scene in front of him. On his right was the mysterious stranger of a few hours ago, and busily fitting handcuffs upon him was one of the bored men from the shop parlor. Just in front of him was Cicely March wrestling vainly to free herself, whilst the woman customer from the shop held her firmly pinioned. As the latter turned her head, and the veil she wore unfastened itself and fell off, the well known features of Tuppence were revealed.

"Well done, Tuppence," said Tommy, moving forward. "Let me give you a hand. I shouldn't struggle if I were you, Miss O'Hara-or do you prefer to be called Miss March?"

"This is Inspector Grace, Tommy," said Tuppence. "As soon as I read the note you left I rang up Scotland Yard, and Inspector Grace and another man met me outside here."

"Very glad to get hold of this gentleman," said the Inspector, indicating his prisoner. "He's wanted badly. But we've never had cause to suspect this place-thought it was a genuine beauty shop."

"You see," explained Tommy gently. "We do have to be so very careful!

Why should anyone want the Ambassador's bag for an hour or so? I put the question the other way round. Supposing it was the other bag that was the important one. Someone wanted that bag to be in the Ambassador's possession for an hour or so. Much more illuminating!

Diplomatic luggage is not subjected to the indignities of a Customs examination. Clearly smuggling. But smuggling of what? Nothing too bulky. At once I thought of drugs. Then that picturesque comedy was enacted in my office. They'd seen my advertisement and wanted to put me off the scent-or failing that, out of the way altogether. But I happened to notice an expression of blank dismay in the charming lady's eyes when Albert did his lasso act. That didn't fit in very well with her supposed part. The stranger's attack was meant to assure my confidence in her. I played the part of the credulous sleuth with all my might-swallowed her rather impossible story and permitted her to lure me here, carefully leaving behind full instructions for dealing with the situation. Under various pretexts I delayed our arrival, so as to give you all plenty of time."

Cicely March was looking at him with a stony expression.

"You are mad. What do you expect to find here?"

"Remembering that Richards saw a tin of bath salts, what do you say about beginning with the bath salts, eh Inspector?"

"A very sound idea, sir."

He picked up one of the dainty pink tins, and emptied it on the table.

The girl laughed.

"Genuine crystals, eh?" said Tommy. "Nothing more deadly than carbonate of soda?"

"Try the safe," suggested Tuppence.

There was a small wall safe in the corner. The key was in the lock.

Tommy swung it open and gave a shout of satisfaction. The back of the safe opened out into a big recess in the wall, and that recess was stacked with the same elegant tins of bath salts. Rows and rows of them. He took one out and prised up the lid. The top showed the same pink crystals, but underneath was a fine white powder.

The Inspector uttered an ejaculation.

"You've got it, sir. Ten to one, that tin's full of pure cocaine. We knew there was a distributing area somewhere round here, handy to the West End, but we haven't been able to get a clue to it. This is a fine coup of yours, sir."

"Rather a triumph for Blunt's Brilliant Detectives," said Tommy to Tuppence, as they emerged into the street together. "It's a great thing to be a married man. Your persistent schooling has at last taught me to recognize peroxide when I see it. Golden hair has got to be the genuine article to take me in. We will concoct a businesslike letter to the Ambassador, informing him that the matter has been dealt with satisfactorily. And now, my dear fellow, what about tea, and lots of hot buttered muffins?"

23. THE MAN WHO WAS No.16

Tommy and Tuppence were closeted with the Chief in his private room.

His commendation had been warm and sincere.

"You have succeeded admirably. Thanks to you we have laid our hands on no less than five very interesting personages, and from them we have received much valuable information. Meanwhile I learn from a creditable source that headquarters in Moscow have taken alarm at the failure of their agents to report. I think, that in spite of all our precautions, they have begun to suspect that all is not well at what I may call the distributing centre-the office of Mr. Theodore Blunt-the International Detective Bureau."

"Well," said Tommy. "I suppose they were bound to tumble to it sometime or other, sir."

"As you say, it was only to be expected. But I am a little worried-about Mrs. Tommy."

"I can look after her all right, sir," said Tommy, at exactly the same minute as Tuppence said, "I can take care of myself."

"H'm," said Mr. Carter. "Excessive self-confidence was always a characteristic of you two. Whether your immunity is entirely due to your own superhuman cleverness, or whether a small percentage of luck creeps in, I'm not prepared to say. But luck changes, you know.

However, I won't argue the point. From my extensive knowledge of Mrs. Tommy, I suppose it's quite useless to ask her to keep out of the limelight for the next week or two?"

Tuppence shook her head very energetically.

"Then all I can do is to give you all the information that I can. We have reason to believe that a special agent has been despatched from Moscow to this country. We don't know what name he is travelling under, we don't know when he will arrive. But we do know something about him. He is a man who gave us great trouble in the war, a ubiquitous kind of fellow who turned up all over the place where we least wanted him. He is a Russian by birth, and an accomplished linguist-so much so that he can pass as half a dozen other nationalities, including our own. He is also a past master in the art of disguise. And he has brains. It was he who devised the No. 16 code.

"When and how he will turn up, I do not know. But I am fairly certain that he will turn up. We do know this-he was not personally acquainted with the real Mr. Theodore Blunt. I think that he will turn up at your office, on the pretext of a case which he will wish you to take up, and will try you with the passwords. The first, as you know, is the mention of the number sixteen-which is replied to by a sentence containing the same number. The second, which we have only just learnt, is an inquiry as to whether you have ever crossed the Channel. The answer to that is: "I was in Berlin on the 13th of last month." As far as we know, that is all. I would suggest that you reply correctly, and so endeavor to gain his confidence. Sustain the fiction if you possibly can. But even if he appears to be completely deceived, remain on your guard. Our friend is particularly astute, and can play a double game as well, or better, than you can. But in either case, I hope to get him through you.

From this day forward I am adopting special precautions. A dictaphone was installed last night in your office, so that one of my men in the room below will be able to hear everything that passes in your office. In this way, I shall be immediately informed if anything arises, and can take the necessary steps to safeguard you and your wife whilst securing the man I am after."

After a few more instructions, and a general discussion of tactics, the two young people departed, and made their way as rapidly as possible to the office of Blunt's Brilliant Detectives.

"It's late," said Tommy, looking at his watch. "Just on twelve o'clock.

We've been a long time with the Chief. I hope we haven't missed a particularly spicy case."

"On the whole," said Tuppence, "we've not done badly. I was tabulating results the other day. We've solved four baffling murder mysteries, rounded up a gang of counterfeiters, ditto gang of smugglers-"

"Actually two gangs," interpolated Tommy. "So we have! I'm glad of that. 'Gangs' sounds so professional."

Tuppence continued, ticking off the items on her fingers.

"One jewel robbery, two escapes from violent death, one case of missing lady reducing her figure, one young girl befriended, an alibi successfully exploded, and alas! one case where we made utter fools of ourselves. On the whole, jolly good! We're very clever, I think."

"You would think so," said Tommy. "You always do. Now I have a secret feeling that once or twice we've been rather lucky."

"Nonsense," said Tuppence. "All done by the little grey cells."

"Well, I was damned lucky once," said Tommy. "The day that Albert did his lasso act! But you speak, Tuppence, as though it was all over?"

"So it is," said Tuppence. She lowered her voice impressively. "This is our last case. When they have laid the super spy by the heels, the great detectives intend to retire and take to bee keeping or vegetablemarrow growing. It's always done."

"Tired of it, eh?"

"Ye-es, I think I am. Besides, we're so successful now- the luck might change."

"Who's talking about luck now?" asked Tommy triumphantly.

At that moment they turned in at the doorway of the block of buildings in which the International Detective Bureau had its offices, and Tuppence did not reply.

Albert was on duty in the outer office, employing his leisure in balancing, or endeavoring to balance, the office ruler upon his nose.

With a stern frown of reproof, the great Mr. Blunt passed into his own private office. Divesting himself of his overcoat and hat, he opened the cupboard, on the shelves of which reposed his classic library of the great detectives of fiction.

"The choice narrows," murmured Tommy. "On whom shall I model myself to-day?"

Tuppence's voice, with an unusual note in it, made him turn sharply.

"Tommy," she said. "What day of the month is it?"

"Let me see-the eleventh-why?"

"Look at the calendar."

Hanging on the wall was one of those calendars from which you tear a leaf every day. It bore the legend of Sunday the 16th. To-day was Monday.

"By Jove, that's odd. Albert must have torn off too many. Careless little devil."

"I don't believe he did," said Tuppence. "But we'll ask him."

Albert, summoned and questioned, seemed very astonished. He swore he had only torn off one leaf-that of the day before. His statement was presently supported, for whereas, the leaf torn off by Albert was found in the grate, the succeeding ones were lying in the waste paper basket.

"A neat and methodical criminal," said Tommy. "Who's been here this morning, Albert? A client of any kind?"

"Just one, sir."

"What was he like?"

"It was a she. A Hospital Nurse. Very upset and anxious to see you.

Said she'd wait until you came. I put her in 'Clerks' because it was warmer."

"And from there she could walk in here, of course, without your seeing her. How long has she been gone?"

"About half an hour, sir. Said she'd call again this afternoon. A nice motherly looking body."

"A nice motherly-oh! get out, Albert."

Albert withdrew, injured.

"Queer start, that," said Tommy. "It seems a little purposeless. Puts us on our guard. I suppose there isn't a bomb concealed in the fireplace or anything of that kind?"

He reassured himself on that point, then he seated himself at the desk and addressed Tuppence.

"Mon ami," he said. "We are here faced with a matter of the utmost gravity. You recall, do you not, the man who was No. 4. Him whom I crushed like an egg shell in the Dolomites-with the aid of high explosives, bien entendu. But he was not really dead-ah! no, they are never really dead, these super criminals. This is the man-but even more so, if I may so put it. He is the 4 squared-in other words, he is now the No. 16. You comprehend, my friend?"

"Perfectly," said Tuppence. "You are the great Hercule Poirot."

"Exactly. No moustaches, but lots of grey cells."

"I've a feeling," said Tuppence, "that this particular adventure will be called the 'Triumph of Hastings.' "

"Never," said Tommy. "It isn't done. Once the idiot friend, always the idiot friend. There's an etiquette in these matters. By the way, man ami, can you not part your hair in the middle instead of one side? The present effect is unsymmetrical and deplorable."

The buzzer rang sharply on Tommy's desk. He returned the signal and Albert appeared bearing a card.

"Prince Vladiroffsky," read Tommy, in a low voice. He looked at Tuppence. "I wonder-Show him in, Albert."

The man who entered was of middle height, graceful in bearing, with a fair beard, and apparently about thirty-five years of age.

"Mr. Blunt?" he inquired. His English was perfect. "You have been most highly recommended to me. Will you take up a case for me?"

"If you will give me the details-?"

"Certainly. It concerns the daughter of a friend of mine-a girl of sixteen. We are anxious for no scandal-you understand."

"My dear sir," said Tommy. "This business has been running successfully for sixteen years owing to our strict attention to that particular principle."

He fancied he saw a sudden gleam in the other's eye. If so, it passed as quickly as it came.

"You have branches, I believe, on the other side of the Channel?"

"Oh! yes. As a matter of fact," he brought out the word with great deliberation, "I myself was in Berlin on the 13th of last month."

"In that case," said the stranger, "it is hardly necessary to keep up the little fiction. The daughter of my friend can be conveniently dismissed.

You know who I am-at any rate I see you have had warning of my coming."

He nodded towards the calendar on the wall.

"Quite so," said Tommy.

"My friends-I have come over here to investigate matters. What has been happening?" "Treachery," said Tuppence, no longer able to remain quiescent.

The Russian shifted his attention to her, and raised his eyebrows.

"Ah ha, that is so, is it? I thought as much. Was it Sergius?"

"We think so," said Tuppence unblushingly.

"It would not surprise me. But you yourselves, you are under no suspicion?"

"I do not think so. We handle a good deal of bona fide business, you see," explained Tommy.

The Russian nodded. "That is wise. All the same, I think it would be better if I did not come here again. For the moment, I am staying at the Blitz. I will take Marisethis is Marise, I suppose?"

Tuppence nodded.

"What is she known as here?"

"Oh! Miss Robinson."

"Very well, Miss Robinson, you will return with me to the Blitz and lunch with me there. We will all meet at headquarters at three o'clock.

Is that clear?" He looked at Tommy.

"Perfectly clear," replied Tommy, wondering where on earth headquarters might be.

But he guessed that it was just those very headquarters that Mr.

Carter was so anxious to discover.

Tuppence rose and slipped on her long black coat with its leopardskin collar. Then, demurely, she declared herself ready to accompany the Prince.

They went out together, and Tommy was left behind, a prey to conflicting emotions.

Supposing something had gone wrong with the dictaphone?

Supposing the mysterious Hospital Nurse had somehow or other learnt of its installation, and had rendered it useless?

He seized the telephone and called a certain number. There was a moment's delay, and then a well known voice spoke.

"Quite O.K. Come round to the Blitz at once."

Five minutes later Tommy and Mr. Carter met in the Palm Court of the Blitz. The latter was crisp and reassuring.

"You've done excellently. The Prince and the little lady are at lunch in the Restaurant. I've got two of my men in there as waiters. Whether he suspects, or whether he doesn't-and I'm fairly sure he doesn't-we've got him on toast. There are two men posted upstairs to watch his suite, and more outside ready to follow wherever they go. Don't be worried about your wife. She'll be kept in sight the whole time. I'm not going to run any risks."

Occasionally one of the Secret Service men came to report progress.

The first time it was a waiter who took their orders for cocktails, the second time it was a fashionable vacant-faced young man.

"They're coming out," said Mr. Carter. "We'll retire behind this pillar in case they sit down here, but I fancy he'll take her up to his suite. Ah! yes, I thought so."

From their post of vantage, Tommy saw the Russian and Tuppence cross the hall and enter the lift.

The minutes passed and Tommy began to fidget.

"Do you think, sir. I mean, alone in that suite-"

"One of my men's inside-behind the sofa. Don't worry, man."

A waiter crossed the hall and came up to Mr. Carter.

"Got the signal they were coming up, sir-but they haven't come. Is it all right?"

"What?" Mr. Carter spun around. "I saw them go into the lift myself.

Just"-he glanced up at the clock-"four and a half minutes ago. And they haven't shown up...."

He hurried across to the lift which had just that minute come down again, and spoke to the uniformed attendant.

"You took up a gentleman with a fair beard and a young lady a few minutes ago to the second floor."

"Not the second floor. Third floor the gentleman asked for."

"Oh!" The Chief jumped in, motioning Tommy to accompany him. "Take us up to the third floor, please."

"I don't understand this," he murmured in a low voice. "But keep calm.

Every exit from the Hotel is watched, and I've got a man on the third floor as well-on every floor, in fact. I was taking no chances."

The lift door opened on the third floor and they sprang out, hurrying down the corridor. Half way along it, a man dressed as a waiter came to meet them.

"It's all right, Chief. They're in No. 318."

Carter breathed a sigh of relief.

"That's all right. No other exit?"

"It's a suite, but there are only these two doors into the corridor, and to get out from any of these rooms, they'd have to pass us to get to the staircase or the lifts."

"That's all right, then. Just telephone down and find out who is supposed to be occupying this suite."

The waiter returned in a minute or two.

"Mrs. Cortlandt Van Snyder of Detroit."

Mr. Carter became very thoughtful.

"I wonder now. Is this Mrs. Van Snyder an accomplice, or is she-"

He left the sentence unfinished.

"Hear any noise from inside?" he asked abruptly.

"Not a thing. But the doors fit well. One couldn't hope to hear much."

Mr. Carter made up his mind suddenly.

"I don't like this business. We're going in. Got the master key?"

"Of course, sir."

"Call up Evans and Clydesly."

Reinforced by the other two men, they advanced towards the door of the suite. It opened noiselessly when the first man inserted his key.

They found themselves in a small hall. To the right was the open door of a bathroom, and in front of them was the sitting room. On the left was a closed door and from behind it a faint sound-rather like an asthmatic pug-could be heard. Mr. Carter pushed the door open and entered.

The room was a bedroom, with a big double bed ornately covered with a bedspread of rose and gold. On it, bound hand and foot, with her mouth secured by a gag and her eyes almost starting out of her head with pain and rage, was a middle aged fashionably dressed woman.

On a brief order from Mr. Carter, the other men had covered the whole suite. Only Tommy and his Chief had entered the bedroom. As he leant over the bed and strove to unfasten the knots, Carter's eyes went roving round the room in perplexity. Save for an immense quantity of truly American luggage, the room was empty. There was no sign of the Russian or Tuppence.

In another minute the waiter came hurrying in, and reported that the other rooms were also empty. Tommy went to the window, only to draw back and shake his head. There was no balcony-nothing but a sheer drop to the street below.

"Certain it was this room they entered?" asked Carter peremptorily.

"Sure. Besides-" The man indicated the woman on the bed.

With the aid of a pen knife, Carter parted the scarf that was half choking her, and it was at once clear that whatever her sufferings, they had not deprived Mrs. Cortlandt Van Snyder of the use of her tongue.

When she had exhausted her first indignation, Mr. Carter spoke mildly.

"Would you mind telling me exactly what happened-from the beginning?"

"I guess I'll sue the Hotel for this. It's a perfect outrage. I was just looking for my bottle of 'Killagrippe' when a man sprang on me from behind and broke a little glass bottle right under my nose, and before I could get my breath I was all in. When I came to I was lying here, all trussed up, and goodness knows what's happened to my jewels. He's gotten the lot, I guess."

"Your jewels are quite safe, I fancy," said Mr. Carter drily. He wheeled round and picked up something from the floor. "You were standing just where I am when he sprang upon you?"

"That's so," assented Mrs. Van Snyder.

It was a fragment of thin glass that Mr. Carter had picked up. He sniffed it and handed it to Tommy.

"Ethyl Chloride," he murmured. "Instant anaesthetic. But it only keeps one under for a moment or two. Surely he must still have been in the room when you came to, Mrs. Van Snyder?"

"Isn't that just what I'm telling you? Oh! it drove me half crazy to see him getting away and me not able to move or do anything at all."

"Getting away?" said Mr. Carter sharply. "Which way?"

"Through that door." She pointed to one in the opposite wall. "He had a girl with him, but she seemed kind of limp as though she'd had a dose of the same dope."

Carter looked a question at his henchman.

"Leads into the next suite, sir. But double doors-supposed to be bolted each side."

Mr. Carter examined the door carefully. Then he straightened himself up and turned towards the bed.

"Mrs. Van Snyder," he said quietly. "Do you still persist in your assertion that the man went out this way?"

"Why, certainly he did. Why shouldn't he?"

"Because the door happens to be bolted on this side," said Mr. Carter drily. He rattled the handle as he spoke.

A look of the utmost astonishment spread over Mrs. Van Snyder's face.

"Unless someone bolted the door behind him," said Mr. Carter, "he cannot have gone out that way."

He turned to Evans who had just entered the room.

"Sure they're not anywhere in this suite? Any other communicating doors?"

"No, sir, and I'm quite sure."

Carter turned his gaze this way and that about the room. He opened the big hanging wardrobe, looked under the bed, up the chimney and behind all the curtains. Finally, struck by a sudden idea, and disregarding Mrs. Van Snyder's shrill protests, he opened the large wardrobe trunk and rummaged swiftly in the interior.

Suddenly Tommy, who had been examining the communicating door, gave an exclamation.

"Come here, sir, look at this. They did go this way."

The bolt had been very cleverly filed through, so close to the socket that the join was hardly perceptible.

"The door won't open because it's locked on the other side," explained Tommy.

In another minute they were out in the corridor again and the waiter was opening the door of the adjoining suite with his pass key. This suite was untenanted. When they came to the communicating door, they saw that the same plan had been adopted. The bolt had been filed through, and the door was locked, the key having been removed. But nowhere in the suite was there any sign of Tuppence or the fairbearded Russian, and there was no other communicating door, only the one on the corridor.

"But I'd have seen them come out," protested the waiter. "I couldn't have helped seeing them. I can take my oath they never did."

"Damn it all," cried Tommy. "They can't have vanished into thin air!"

Carter was calm again now, his keen brain working.

"Telephone down and find who had this suite last, and when."

Evans, who had come with them, leaving Clydesly on guard in the other suite, obeyed. Presently he raised his head from the telephone.

"An invalid French lad, M. Paul de Varez. He had a Hospital Nurse with him. They left this morning."

An exclamation burst from the other Secret Service man, the waiter.

He had gone deathly pale.

"The invalid boy-the Hospital Nurse," he stammered. "I-they passed me in the passage. I never dreamed-I had seen them so often before."

"Are you sure they were the same?" cried Mr. Carter. "Are you sure, man? You looked at them well?"

The man shook his head.

"I hardly glanced at them. I was waiting, you understand, on the alert for the others, the man with the fair beard and the girl."

"Of course," said Mr. Carter, with a groan. "They counted on that."

With a sudden exclamation, Tommy stooped down and pulled something out from under the sofa. It was a small rolled up bundle of black. Tommy unrolled it and several articles fell out. The outside wrapper was the long black coat Tuppence had worn that day. Inside was her walking dress, her hat and a long fair beard.

"It's clear enough now," he said bitterly. "They've got her-got Tuppence. That Russian devil has given us the slip. The Hospital Nurse and the boy were accomplices. They stayed here for a day or two to get the Hotel people accustomed to their presence. The man must have realized at lunch that he was trapped and proceeded to carry out his plan. Probably he counted on the room next door being empty since it was when he fixed the bolts. Anyway he managed to silence both the woman next door and Tuppence, brought her in here, dressed her in boy's clothes, altered his own appearance, and walked out as bold as brass. The clothes must have been hidden ready. But I don't quite see how he managed Tuppence's acquiescence."

"I can see," said Mr. Carter. He picked up a little shining piece of steel from the carpet. "That's a fragment of a hypodermic needle. She was doped."

"My God!" groaned Tommy. "And he's got clear away."

"We won't know that," said Carter quickly. "Remember every exit is watched."

"For a man and a girl. Not for a Hospital Nurse and an invalid boy.

They'll have left the Hotel by now."

Such, on inquiry, proved to be the case. The nurse and her patient had driven away in a taxi some five minutes earlier.

"Look here, Beresford," said Mr. Carter. "For God's sake, pull yourself together. You know that I won't leave a stone unturned to find that girl.

I'm going back to my office at once and in less than five minutes every resource of the department will be at work. We'll get them yet."

"Will you, sir? He's a clever devil, that Russian. Look at the cunning of this coup of his. But I know you'll do your best. Only-pray God it's not too late. They've got it in for us badly."

He left the Blitz Hotel and walked blindly along the street, hardly knowing where he was going. He felt completely paralyzed. Where to search? What to do?

He went into the Green Park, and dropped down upon a seat. He hardly noticed when someone else sat down at the opposite end, and was quite startled to hear a well known voice.

"If you please, sir, if I might make so bold-"

Tommy looked up.

"Hullo, Albert," he said dully.

"I know all about it, sir-but don't take on so."

"Don't take on-" He gave a short laugh. "Easily said, isn't it?"

"Ah, but think, sir. Blunt's Brilliant Detectives! Never beaten. And if you'll excuse my saying so, I happen to overhear what you and the Missus was ragging about this morning. Mr. Poirot, and his little grey cells. Well, sir, why not use your little grey cells, and see what you can do?"

"It's easier to use your little grey cells in fiction than it is in fact, my boy."

"Well," said Albert stoutly, "I don't believe anybody could put the Missus out, for good and all. You know what she is sir, just like one of those rubber bones you buy for little dorgs-guaranteed indestructible."

"Albert," said Tommy, "you cheer me."

"Then what about using your little grey cells, sir?"

"You're a persistent lad, Albert. Playing the fool has served us pretty well up to now. We'll try it again. Let us arrange our facts neatly, and with method. At ten minutes past two exactly, our quarry enters the lift.

Five minutes later we speak to the lift man, and having heard what he says, we also go up to the third floor. At, say, nineteen minutes past two we enter the suite of Mrs. Van Snyder. And now, what significant fact strikes us?"

There was a pause, no significant fact striking either of them. "There wasn't such a thing as a trunk in the room, was there?" asked Albert, his eyes lighting suddenly.

"Mon ami," said Tommy. "You do not understand the psychology of an American woman who has just returned from Paris. There were, I should say, about nineteen trunks in the room."

"What I meantersay is, a trunk's a handy thing if you've got a dead body about you want to get rid of-not that she is dead, for a minute."

"We searched the only two that were big enough to contain a body.

What is the next fact in chronological order?"

"You've missed one out-when the Missus and the bloke dressed up as a Hospital Nurse passed the waiter in the passage."

"It must have been just before we came up in the lift," said Tommy.

"They must have had a narrow escape of meeting us face to face.

Pretty quick work, that. I-"

He stopped.

"What is it, sir?"

"Be silent, mon ami. I have the kind of little idea-colossal, stupendousthat always comes sooner or later to Hercule Poirot. But if so-if that's it-Oh! Lord, I hope I'm in time."

He raced out of the Park, Albert hard on his heels, inquiring breathlessly as he ran. "What's up, sir? I don't understand."

"That's all right," said Tommy. "You're not supposed to. Hastings never did. If your grey cells weren't of a very inferior order to mine, what fun do you think I should get out of this game? I'm talking damned rot-but I can't help it. You're a good lad, Albert. You know what Tuppence is worth-she's worth a dozen of you and me."

Thus talking breathlessly as he ran, Tommy reentered the portals of the Blitz. He caught sight of Evans, and drew him aside with a few hurried words. The two men entered the lift, Albert with them.

"Third floor," said Tommy.

At the door of No. 318 they paused. Evans had a pass key, and used it forthwith. Without a word of warning, they walked straight into Mrs.

Van Snyder's bedroom. The lady was still lying on the bed, but was now arrayed in a becoming negligee. She stared at them in surprise.

"Pardon my failure to knock," said Tommy, pleasantly. "But I want my wife. Do you mind getting off that bed?"

"I guess you've gone plumb crazy," cried Mrs. Van Snyder.

Tommy surveyed her thoughtfully, his head on one side.

"Very artistic," he pronounced. "But it won't do. We looked under the bed-but not in it. I remember using that hiding-place myself when young. Horizontally across the bed, underneath the bolster. And that nice wardrobe trunk all ready to take away the body in later. But we were a bit too quick for you just now. You'd had time to dope Tuppence, put her under the bolster, and be gagged and bound by your accomplices next door, and I'll admit we swallowed your story all right for the moment. But when one came to think it out-with order and method-impossible to drug a girl, dress her in boy's clothes, gag and bind another woman, and change one's own appearance-all in five minutes. Simply a physical impossibility. The Hospital Nurse and the boy were to be a decoy. We were to follow that trail, and Mrs. Van Snyder was to be a pitied victim. Just help the lady off the bed, will you, Evans? You have automatic? Good."

Protesting shrilly, Mrs. Van Snyder was hauled from her place of repose. Tommy tore off the coverings and the bolster.

There, lying horizontally across the top of the bed was Tuppence, her eyes closed, and her face waxen. For a moment, Tommy felt a sudden dread, then he saw the slight rise and fall of her breast. She was drugged, not dead.

He turned to Albert and Evans.

"And now, Messieurs," he said dramatically. "The final coup!"

With a swift unexpected gesture, he seized Mrs. Van Snyder by her elaborately dressed hair. It came off in his hand.

"As I thought," said Tommy. "No. 16!"

It was about half an hour later when Tuppence opened her eyes and found a doctor and Tommy bending over her.

Over the events of the next quarter of an hour a decent veil had better be drawn, but after that period the doctor departed with the assurance that all was now well.

"Mon ami, Hastings," said Tommy fondly. "How I rejoice that you are still alive."

"Have we got No. 16?"

"Once more have I crushed him like an egg shell-In other words, Carter's got him. The little grey cells! By the way, I'm raising Albert's wages." "Tell me all about it."

Tommy gave her a spirited narrative, with certain omissions.

"Weren't you half frantic about me?" asked Tuppence faintly.

"Not particularly. One must keep calm, you know."

"Liar!" said Tuppence. "You look quite haggard still."

"Well, perhaps I was just a little worried, darling. I say-we're going to give it up now, aren't we?"

"Certainly we are."

Tommy gave a sigh of relief.

"I hoped you'd be sensible. After a shock like this-"

"It's not the shock. You know I never mind shocks."

"A rubber bone-indestructible," murmured Tommy.

"I've got something better to do," continued Tuppence. "Something ever so much more exciting. Something I've never done before."

Tommy looked at her with lively apprehension.

"I forbid it, Tuppence."

"You can't," said Tuppence. "It's a law of nature."

"What are you talking about, Tuppence?"

"I'm talking," said Tuppence, "of Our Baby. Wives don't whisper nowadays. They shout. OUR BABY! Tommy, isn't everything marvellous?"

Chapter 1 THE COMING OF MR QUIN

It was New Year's Eve.

The elder members of the house party at Royston were assembled in the big hall.

Mr Satterthwaite was glad that the young people had gone to bed. He was not fond of young people in herds. He thought them uninteresting and crude. They lacked subtlety and as life went he had become increasingly fond of subtleties.

Mr Satterthwaite was sixty-two - a little bent, dried-up man with a peering face oddly elf-like, and an intense and inordinate interest in other people's lives. All his life, so to speak, he had sat in the front row of the stalls watching various dramas of human nature unfold before him. His ræle had always been that of the onlooker. Only now, with old age holding him in its clutch, he found himself increasingly critical of the drama submitted to him. He demanded now something a little out of the common.

There was no doubt that he had a flair for these things. He knew instinctively when the elements of drama were at hand. Like a war horse, he sniffed the scent. Since his arrival at Royston this afternoon, that strange inner sense of his had stirred and bid him be ready. Something interesting was happening or going to happen.

The house party was not a large one. There was Tom Evesham their genial good-humoured host and his serious political wife who had been before her marriage Lady Laura Keene. There was Sir Richard Conway, soldier, traveler and sportsman, there were six or seven young people whose names Mr Satterthwaite had not grasped and there were the Portals.

It was the Portals who interested Mr Satterthwaite.

He had never met Alex Portal before, but he knew all about him. Had known his father and his grandfather. Alex Portal ran pretty true to type. He was a man of close on forty, fair-haired, and blue-eyed like all the Portals, fond of sport, good at games, devoid of imagination.

Nothing unusual about Alex Portal. The usual good sound English stock.

But his wife was different. She was, Mr Satterthwaite knew, an Australian. Portal had been out in Australia two years ago, had met her out there and had married her and brought her home. She had never been to England previous to her marriage. All the same, she wasn't at all like any other Australian woman Mr Satterthwaite had met.

He observed her now, covertly. Interesting woman - very. So still, and yet so - alive. Alive! That was just it! Not exactly beautiful - no, you wouldn't call her beautiful, but there was a kind of calamitous magic about her that you couldn't miss - that no man could miss. The masculine side of Mr Satterthwaite spoke there, but the feminine side (for Mr Satterthwaite had a large share of femininity) was equally interested in another question. Why did Mrs Portal dye her hair?

No other man would probably have known that she dyed her hair, but Mr Satterthwaite knew. He knew all those things. And it puzzled him.

Many dark women dye their hair blonde - he had never before come across a fair woman who dyed her hair black.

Everything about her intrigued him. In a queer intuitive way, he felt certain that she was either very happy or very unhappy - but he didn't know which, and it annoyed him not to know. Furthermore there was the curious effect she had upon her husband.

"He adores her," said Mr Satterthwaite to himself, "but sometimes he's - yes, afraid of her! That's very interesting. That's uncommonly interesting."

Portal drank too much. That was certain. And he had a curious way of watching his wife when she wasn't looking.

"Nerves," said Mr Satterthwaite. "The fellow's all nerves. She knows it too, but she won't do anything about it."

He felt very curious about the pair of them. Something was going on that he couldn't fathom.

He was roused from his meditations on the subject by the solemn chiming of the big clock in the corner.

"Twelve o'clock," said Evesham. "New Year's Day. Happy New Year everybody. As a matter of fact that clock's five minutes fast - I don't know why the children wouldn't wait up and see the New Year in?"

"I don't suppose for a minute they've really gone to bed," said his wife placidly. "They're probably putting hairbrushes or something in our beds. That sort of thing does so amuse them. I can't think why.

We should never have been allowed to do such a thing in my young days."

"Autre temps, autre moeurs," said Conway, smiling.

He was a tall soldierly-looking man. Both he and Evesham were much of the same type honest upright kindly men with no great pretensions to brains.

"In my young days we all joined hands in a circle and sang Auld Lang Syne," continued Lady Laura. "Should auld acquaintance be forgot so touching, I always think the words are."

Evesham moved uneasily.

"Oh! Drop it, Laura," He muttered. "Not here."

He strode across the wide hall where they were sitting, and switched on an extra light.

"Very stupid of me," said Lady Laura, sotto voce. "Reminds him of poor Mr Capel, of course. My dear, is the fire too hot for you?"

Eleanor Portal made a brusque movement.

"Thank you. I'll move my chair back a little."

What a lovely voice she had - one of those low murmuring echoing voices that stay in your memory, thought Mr Satterthwaite. Her face was in shadow now. What a pity.

From her place in the shadow she spoke again. "Mr Capel?"

"Yes. The man who originally owned this house. He shot himself you know - oh! Very well, Tom dear, I won't speak of it unless you like. It was a great shock for Tom, of course, because he was here when it happened. So were you, weren't you, Sir Richard?"

"Yes, Lady Laura."

An old grandfather clock in the corner groaned, wheezed, snorted asthmatically, and then struck twelve.

"Happy New Year, Tom," grunted Evesham perfunctorily.

Lady Laura wound up her knitting with some deliberation.

"Well, we've seen the New Year in," she observed, and added, looking towards Mrs Portal, "What do you think, my dear?"

Eleanor Portal rose quickly to her feet "Bed, by all means," she said lightly.

"She's very pale," thought Mr Satterthwaite, as he too rose, and began busying himself with candlesticks. "She's not usually as pale as that."

He lighted her candle and handed it to her with a funny little oldfashioned bow. She took it from him with a word of acknowledgment and went slowly up the stairs.

Suddenly a very odd impulse swept over Mr Satterthwaite. He wanted to go after her, to reassure her - he had the strangest feeling that she was in danger of some kind. The impulse died down, and he felt ashamed. He was getting nervy too.

She hadn't looked at her husband as she went up the stairs, but now she turned her head over her shoulder and gave him a long searching glance which had a queer intensity in it. It affected Mr Satterthwaite very oddly.

He found himself saying good night to his hostess in quite a flustered manner.

"I'm sure I hope it will be a happy New Year," Lady Laura was saying.

"But the political situation seems to me to be fraught with grave uncertainty."

"I'm sure it is," said Mr Satterthwaite earnestly. "I'm sure it is."

"I only hope," continued Lady Laura, without the least change of manner, "that it will be a dark man who first crosses the threshold.

You know that superstition, I suppose, Mr Satterthwaite? No? You surprise me. To bring luck to the house it must be a dark man who first steps over the door step on New Year's Day. Dear me, I hope I shan't find anything very unpleasant in my bed, I never trust the children. They have such very high spirits."

Shaking her head in sad foreboding, Lady Laura moved majestically up the staircase.

With the departure of the women, chairs were pulled in closer round the blazing logs on the big open hearth.

"Say when," said Evesham, hospitably, as he held up the whisky decanter.

When everybody had said when, the talk reverted to the subject which had been tabooed before.

"You knew Derek Capel, didn't you, Satterthwaite?" asked Conway.

"Slightly - yes."

"And you, Portal?"

"No, I never met him."

So fiercely and defensively did he say it that Mr Satterthwaite looked up in surprise.

"I always hate it when Laura brings up the subject," said Evesham slowly. "After the tragedy, you know, this place was sold to a big manufacturer fellow. He cleared out after a year - didn't suit him or something. A lot of tommy rot was talked about the place being haunted, of course, and it gave the house a bad name. Then, when Laura got me to stand for West Kidleby, of course it meant living up in these parts, and it wasn't so easy to find a suitable house. Royston was going cheap, and - well, in the end I bought it. Ghosts are all tommy rot, but all the same one doesn't exactly care to be reminded that you're living in a house where one of your own friends shot himself. Poor old Derek - we shall never know why he did it."

"He won't be the first or the last fellow who's shot himself without being able to give a reason," said Alex Portal heavily.

He rose and poured himself out another drink, splashing the whisky in with a liberal hand.

"There's something very wrong with him," said Mr Satterthwaite, to himself. "Very wrong indeed. I wish I knew what it was all about."

"Gad!" said Conway. "Listen to the wind. It's a wild night."

"A good night for ghosts to walk," said Portal with a reckless laugh.

"All the devils in Hell are abroad tonight."

"According to Lady Laura, even the blackest of them would bring us luck," observed Conway, with a laugh. "Hark to that!"

The wind rose in another terrific wail, and as it died away there came three loud knocks on the big nailed doorway.

Everyone started.

"Who on earth can that be at this time of night?" cried Evesham.

They stared at each other.

"I will open it," said Evesham. "The servants have gone to bed."

He strode across to the door, fumbled a little over the heavy bars, and finally flung it open. An icy blast of wind came sweeping into the hall.

Framed in the doorway stood a man's figure, tall and slender. To Mr Satterthwaite, watching, he appeared by some curious effect of the stained glass above the door, to be dressed in every colour of the rainbow. Then, as he stepped forward, he showed himself to be a thin dark man dressed in motoring clothes.

"I must really apologise for this intrusion," said the stranger, in a pleasant level voice. "But my car broke down. Nothing much, my chauffeur is putting it to rights, but it will take half an hour or so, and it is so confoundedly cold outside -"

He broke off, and Evesham took up the thread quickly.

"I should think it was. Come in and have a drink. We can't give you any assistance about the car, can we?"

"No, thanks. My man knows what to do. By the way, my name is Quin - Harley Quin."

"Sit down, Mr Quin," said Evesham. "Sir Richard Conway, Mr Satterthwaite. My name is Evesham."

Mr Quin acknowledged the introductions, and dropped into the chair that Evesham had hospitably pulled forward. As he sat, some effect of the firelight threw a bar of shadow across his face which gave almost the impression of a mask.

Evesham threw a couple more logs on the fire.

"A drink?"

"Thanks."

Evesham brought it to him and asked as he did so:

"So you know this part of the world well, Mr Quin?"

"I passed through it some years ago."

"Really?"

"Yes. This house belonged then to a man called Capel."

"Ah! Yes," said Evesham. "Poor Derek Capel. You knew him?"

"Yes, I knew him."

Evesham's manner underwent a faint change, almost imperceptible to one who had not studied the English character. Before, it had contained a subtle reserve, now this was laid aside. Mr Quin had known Derek Capel. He was the friend of a friend, and, as such, was vouched for and fully accredited.

"Astounding affair, that," he said confidentially. "We were just talking about it. I can tell you, it went against the grain, buying this place. If there had been anything else suitable, but there wasn't you see. I was in the house the night he shot himself - so was Conway, and upon my word, I've always expected his ghost to walk."

"A very inexplicable business," said Mr Quin, slowly and deliberately, and he paused with the air of an actor who has just spoken an important cue.

"You may well say inexplicable," burst in Conway. "The thing's a black mystery - always will be."

"I wonder," said Mr Quin, noncommittally. "Yes, Sir Richard, you were saying?"

"Astounding - that's what it was. Here's a man in the prime of life, gay, light-hearted, without a care in the world. Five or six old pals staying with him. Top of his spirits at dinner, full of plans for the future. And from the dinner table he goes straight upstairs to his room, takes a revolver from a drawer and shoots himself. Why?

Nobody ever knew. Nobody ever will know."

"Isn't that rather a sweeping statement, Sir Richard?" asked Mr Quin, smiling.

Conway stared at him.

"What d'you mean? I don't understand."

"A problem is not necessarily unsolvable because it has remained unsolved."

"Oh! Come, man, if nothing came out at the time, it's not likely to come out now - ten years afterwards?"

Mr Quin shook his head gently.

"I disagree with you. The evidence of history is against you. The contemporary historian never writes such a true history as the historian of a later generation. It is a question of getting the true perspective, of seeing things in proportion. If you like to call it so, it is, like everything else, a question of relativity."

Alex Portal leant forward, his face twitching painfully.

"You are right, Mr Quin," he cried," you are right. Time does not dispose of a question - it only presents it anew in a different guise."

Evesham was smiling tolerantly.

"Then you mean to say, Mr Quin, that if we were to hold, let us say, a Court of Inquiry tonight, into the circumstances of Derek Capel's death, we are as likely to arrive at the truth as we should have been at the time?"

"More likely, Mr Evesham. The personal equation has largely dropped out, and you will remember facts as facts without seeking to put your own interpretation upon them."

Evesham frowned doubtfully.

"One must have a starting point, of course," said Mr Quin in his quiet level voice. "A starting point is usually a theory. One of you must have a theory, I am sure. How about you, Sir Richard?"

Conway frowned thoughtfully.

"Well, of course," he said apologetically, "we thought - naturally we all thought - that there must be a woman in it somewhere. It's usually either that or money, isn't it? And it certainly wasn't money. No trouble of that description. So - what else could it have been?"

Mr Satterthwaite started. He had leant forward to contribute a small remark of his own and in the act of doing so, he had caught sight of a woman's figure crouched against the balustrade of the gallery above. She was huddled down against it, invisible from everywhere but where he himself sat, and she was evidently listening with strained attention to what was going on below. So immovable was she that he hardly believed the evidence of his own eyes.

But he recognised the pattern of the dress easily enough - an oldworld brocade. It was Eleanor Portal.

And suddenly all the events of the night seemed to fall into pattern -

Mr Quin's arrival, no fortuitous chance, but the appearance of an actor when his cue was given. There was a drama being played in the big hall at Royston tonight - a drama none the less real in that one of the actors was dead. Oh! Yes, Derek Capel had a part in the play.

Mr Satterthwaite was sure of that.

And, again suddenly, a new illumination came to him. This was Mr Quin's doing. It was he who was staging the play - was giving the actors their cues. He was at the heart of the mystery pulling the strings, making the puppets work. He knew everything, even to the presence of the woman crouched against the woodwork upstairs.

Yes, he knew.

Sitting well back in his chair, secure in his ræle of audience, Mr Satterthwaite watched the drama unfold before his eyes. Quietly and naturally, Mr Quin was pulling the strings, setting his puppets in motion.

"A woman - yes," he murmured thoughtfully. "There was no mention of any woman at dinner?"

"Why, of course," cried Evesham, "he announced his engagement.

That's just what made it seem so absolutely mad. Very bucked about it he was. Said it wasn't to be announced just yet - but gave us the hint that he was in the running for the Benedick stakes."

"Of course we all guessed who the lady was," said Conway.

"Marjorie Dilke. Nice girl."

It seemed to be Mr Quin's turn to speak, but he did not do so, and something about his silence seemed oddly provocative. It was as though he challenged the last statement. It had the effect of putting Conway in a defensive position.

"Who else could it have been? Eh, Evesham?"

"I don't know," said Tom Evesham slowly. "What did he say exactly now? Something about being in the running for the Benedick stakes that he couldn't tell us the lady's name till he had her permission - it wasn't to be announced yet. He said, I remember, that he was a damned lucky fellow. That he wanted his two old friends to know that by that time next year he'd be a happy married man. Of course, we assumed it was Marjorie. They were great friends and he'd been about with her a lot."

"The only thing -" began Conway and stopped.

"What were you going to say, Dick?"

"Well, I mean, it was odd in a way, if it were Marjorie, that the engagement shouldn't be announced at once. I mean, why the secrecy? Sounds more as though it were a married woman - you know, someone whose husband had just died, or who was divorcing him."

"That's true," said Evesham. "If that were the case, of course, the engagement couldn't be announced at once. And you know, thinking back about it, I don't believe he had been seeing much of Marjorie.

All that was the year before. I remember thinking things seemed to have cooled off between them."

"Curious," said Mr Quin.

"Yes - looked almost as though someone had come between them."

"Another woman," said Conway thoughtfully.

"By Jove," said Evesham. "You know, there was something almost indecently hilarious about old Derek that night. He looked almost drunk with happiness. And yet - I can't quite explain what I mean - but he looked oddly defiant too."

"Like a man defying Fate," said Alex Portal heavily.

Was it of Derek Capel he was speaking - or was it of himself? Mr Satterthwaite, looked at him, inclined to the latter view. Yes, that was what Alex Portal represented - a man defying Fate.

His imagination, muddled by drink, responded suddenly to that note in the story which recalled his own secret preoccupation.

Mr Satterthwaite looked up. She was still there. Watching, listening still motionless, frozen - like a dead woman.

"Perfectly true," said Conway. "Capel was excited - curiously so. I'd describe him as a man who has staked heavily and won against well nigh overwhelming odds."

"Getting up courage, perhaps, for what he's made up his mind to do?" suggested Portal.

And as though moved by an association of ideas, he got up and helped himself to another drink.

"Not a bit of it," said Evesham sharply. "I'd almost swear nothing of that kind was in his mind. Conway's right. A successful gambler who has brought off a long shot and can hardly believe in his own good fortune. That was the attitude."

Conway gave a gesture of discouragement.

"And yet," he said. "Ten minutes later -"

They sat in silence. Evesham brought his hand down with a bang on the table.

"Something must have happened in that ten minutes," he cried. "It must! But what? Let's go over it carefully. We were all talking. In the middle of it Capel got up suddenly and left the room -"

"Why?" said Mr Quin.

The interruption seemed to disconcert Evesham.

"I beg your pardon?"

"I only said: Why?" said Mr Quin. Evesham frowned in an effort of memory.

"It didn't seem vital at the time. Oh! Of course, the post. Don't you remember that jangling bell, and how excited we were. We'd been snowed up for three days, remember. Biggest snowstorm for years and years. All the roads were impassable. No newspapers, no letters. Capel went out to see if something had come through at last, and got a great pile of things. Newspapers and letters. He opened the paper to see if there was any news, and then went upstairs with his letters. Three minutes afterwards, we heard a shot... Inexplicable - absolutely inexplicable."

"That's not inexplicable," said Portal "Of course the fellow got some unexpected news in a letter. Obvious, I should have said."

"Oh! Don't think we missed anything so obvious as that. It was one of the Coroner's first questions. But Capel never opened one of his letters. The whole pile lay unopened on his dressing-table."

Portal looked crestfallen.

"You're sure he didn't open just one of them? He might have destroyed it after reading it?"

"No, I'm quite positive. Of course, that would have been the natural solution. No, every one of the letters was unopened. Nothing burnt nothing torn up - There was no fire in the room?"

Portal shook his head.

"Extraordinary."

"It was a ghastly business altogether," said Evesham in a low voice.

"Conway and I went up when we heard the shot, and found him - It gave me a shock, I can tell you."

"Nothing to be done but telephone for the police, I suppose?" said Mr Quin.

"Royston wasn't on the telephone then. I had it put in when I bought the place. No, luckily enough, the local constable happened to be in the kitchen at the time. One of the dogs - you remember poor old Rover, Conway? - had strayed the day before. A passing carter had found it half buried in a snowdrift and had taken it to the police station. They recognised it as Capel's, and a dog he was particularly fond of, and the constable came up with it. He'd just arrived a minute before the shot was fired. It saved us some trouble."

"Gad, that was a snowstorm," said Conway reminiscently. "About this time of year, wasn't it? Early January."

"February, I think. Let me see, we went abroad soon afterwards."

"I'm pretty sure it was January. My hunter Ned - you remember Ned?

- lamed himself the end of January. That was just after this business."

"It must have been quite the end of January then. Funny how difficult it is to recall dates after a lapse of years."

"One of the most difficult things in the world," said Mr Quin, conversationally. "Unless you can find a landmark in some big public event - an assassination of a crowned head, or a big murder trial."

"Why, of course," cried Conway, "it was just before the Appleton case."

"Just after, wasn't it?"

"No, no, don't you remember - Capel knew the Appletons - he'd stayed with the old man the previous Spring - just a week before he died. He was talking of him one night - what an old curmudgeon he was, and how awful, it must have been for a young and beautiful woman like Mrs Appleton to be tied to him. There was no suspicion then that she had done away with him."

"By Jove, you're right. I remember reading the paragraph in the paper saying an exhumation order had been granted. It would have been that same day - I remember only seeing it with half my mind, you know, the other half wondering about poor old Derek lying dead upstairs."

"A common, but very curious phenomenon, that," observed Mr Quin.

"In moments of great stress, the mind focuses itself upon some quite unimportant matter which is remembered long afterwards with the utmost fidelity, driven in, as it were, by the mental stress of the moment. It may be some quite irrelevant detail, like the pattern of a wallpaper, but it will never be forgotten."

"Rather extraordinary, your saying that, Mr Quin," said Conway.

"Just as you were speaking, I suddenly felt myself back in Derek Capel's room with Derek lying dead on the floor. I saw as plainly as possible the big tree outside the window, and the shadow it threw upon the snow outside. Yes, the moonlight, the snow, and the shadow of the tree I can see them again this minute. By Gad, I believe I could draw them, and yet I never realised I was looking at them at the time."

"His room was the big one over the porch, was it not?" asked Mr Quin.

"Yes, and the tree was the big beech, just at the angle of the drive."

Mr Quin nodded, as though satisfied. Mr Satterthwaite was curiously thrilled. He was convinced that every word, every inflection of Mr Quin's voice, was pregnant with purpose. He was driving at something - exactly what Mr Satterthwaite did not know, but he was quite convinced as to whose was the master hand.

There was a momentary pause, and then Evesham reverted to the preceding topic.

"That Appleton case, I remember it very well now. What a sensation it made. She got off, didn't she? Pretty woman, very fair - remarkably fair."

Almost against his will, Mr Satterthwaite's eyes sought the kneeling figure up above. Was it his fancy, or did he see it shrink a little as though at a blow. Did he see a hand slide upwards to the table cloth and then pause.

There was a crash of falling glass. Alex Portal, helping himself to whisky, had let the decanter slip.

"I say - sir, dam' sorry. Can't think what came over me."

Evesham cut short his apologies.

"Quite all right. Quite all right, my dear fellow. Curious - That smash reminded me. That's what she did, didn't she? Mrs Appleton?

Smashed the port decanter?"

"Yes. Old Appleton had his glass of port - only one - each night. The day after his death, one of the servants saw her take the decanter out and smash it deliberately. That set them talking, of course. They all knew she had been perfectly wretched with him. Rumour grew and grew, and in the end, months later, some of his relatives applied for an exhumation order. And sure enough, the old fellow had been poisoned. Arsenic, wasn't it?"

"No - strychnine, I think. It doesn't much matter. Well, of course, there it was. Only one person was likely to have done it. Mrs Appleton stood her trial. She was acquitted more through lack of evidence against her than from any overwhelming proof of innocence. In other words, she was lucky. Yes, I don't suppose there's much doubt she did it right enough. What happened to her afterwards?"

"Went out to Canada, I believe. Or was it Australia? She had an uncle or something of the sort out there who offered her a home. Best thing she could do under the circumstances."

Mr Satterthwaite was fascinated by Alex Portal's right hand as it clasped his glass. How tightly he was gripping it.

"You'll smash that in a minute or two, if you're not careful," thought Mr Satterthwaite. "Dear me, how interesting all this is."

Evesham rose and helped himself to a drink.

"Well, we're not much nearer to knowing why poor Derek Capel shot himself," he remarked. "The Court of Inquiry hasn't been a great success, has it, Mr Quin?"

Mr Quin laughed...

It was a strange laugh, mocking - yet sad. It made everyone jump.

"I beg your pardon," he said. "You are still living in the past, Mr Evesham. You are still hampered by your preconceived notion. But I the man from outside, the stranger passing by, see only - facts!"

"Facts?"

"Yes - facts."

"What do you mean?" said Evesham, "I see a clear sequence of facts, outlined by yourselves, but of which you have not seen the significance. Let us go back ten years and look at what we see untrammelled by ideas or sentiment."

Mr Quin had risen. He looked very tall. The fire leaped fitfully behind him. He spoke in a low compelling voice.

"You are at dinner. Derek Capel announces his engagement. You think then it was to Marjorie Dilke. You are not so sure now. He has the restlessly excited manner of a man who has successfully defied Fate - who, in your own words, has pulled off a big coup against overwhelming odds. Then comes the clanging of the bell. He goes out to get the long overdue mail. He doesn't open his letters, but you mention yourselves that he opened the paper to glance at the news.

It is ten years ago - so we cannot know what the news was that day a far-off earthquake, a near at hand political crisis? The only thing we do know about the contents of that paper is that it contained one small paragraph - a paragraph stating that the Home Office had given permission to exhume the body of Mr Appleton three days ago."

"What?"

Mr Quin went on.

"Derek Capel goes up to his room, and there he sees something out of the window. Sir Richard Conway has told us that the curtain was not drawn across it and further that it gave on to the drive. What did he see? What could he have seen that forced him to take his life?"

"What do you mean? What did he see?"

"I think," said Mr Quin, "that he saw a policeman. A policeman who had come about a dog - But Derek Capel didn't know that - he just saw - a policeman."

There was a long silence - as though it took some time to drive the inference home.

"My God!" whispered Evesham at last. "You can't mean that?

Appleton? But he wasn't there at the time Appleton died. The old man was alone with his wife -"

"But he may have been there a week earlier. Strychnine is not very soluble unless it is in the form of hydrochloride. The greater part of it, put into the port, would be taken in the last glass, perhaps a week after he left."

Portal sprung forward. His voice was hoarse his eyes bloodshot.

"Why did she break the decanter?" he cried. "Why did she break the decanter? Tell me that!"

For the first time that evening, Mr Quin addressed himself to Mr Satterthwaite.

"You have a wide experience of life, Mr Satterthwaite. Perhaps you can tell us that."

Mr Satterthwaite's voice trembled a little. His cue had come at last.

He was to speak some of the most important lines in the play. He was an actor now - not a looker-on.

"As I see it," he murmured modestly, "she cared for Derek Capel.

She was, I think, a good woman - and she had sent him away. When her husband died, she suspected the truth. And so, to save the man she loved, she tried to destroy the evidence against him. Later, I think, he persuaded her that her suspicions were unfounded, and she consented to marry him. But even then, she hung back - women, I fancy, have a lot of instinct."

Mr Satterthwaite had spoken his part.

Suddenly a long trembling sigh filled the air.

"My God!" cried Evesham, starting, "what was that?"

Mr Satterthwaite could have told him that it was Eleanor Portal in the gallery above, but he was too artistic to spoil a good effect.

Mr Quin was smiling.

"My car will be ready by now. Thank you for your hospitality, Mr Evesham. I have, I hope, done something for my friend."

They stared at him in blank amazement "That aspect of the matter has not struck you? He loved this woman, you know. Loved her enough to commit murder for her sake. When retribution overtook him, as he mistakenly thought, he took his own life. But unwittingly, he left her to face the music."

"She was acquitted," muttered Evesham.

"Because the case against her could not be proved. I fancy - it may be only a fancy - that she is still - facing the music."

Portal had sunk into a chair, his face buried in his hands.

Quin turned to Satterthwaite.

"Good-bye, Mr Satterthwaite. You are interested in the drama, are you not?"

Mr Satterthwaite nodded surprised.

"I must recommend the Harlequinade to your attention. It is dying out nowadays - but it repays attention, I assure you. Its symbolism is a little difficult to follow - but the immortals are always immortal, you know. I wish you all good-night."

They saw him stride out into the dark. As before, the coloured glass gave the effect of motley...

Mr Satterthwaite went upstairs. He went to draw down his window, for the air was cold. The figure of Mr Quin moved down the drive, and from a side door came a woman's figure, running. For a moment they spoke together, then she retraced her steps to the house. She passed just below the window, and Mr Satterthwaite was struck anew by the vitality of her face. She moved now like a woman in a happy dream.

"Eleanor!"

Alex Portal had joined her.

"Eleanor, forgive me - forgive me - You told me the truth, but God forgive me - I did not quite believe..."

Mr Satterthwaite was intensely interested in other people's affairs, but he was also a gentleman It was borne in upon him that he must shut the window. He did so.

But he shut it very slowly.

He heard her voice, exquisite and indescribable.

"I know - I know. You have been in hell. So was I once. Loving - yet alternately believing and suspecting - thrusting aside one's doubts and having them spring up again with leering faces... I know, Alex, I know... But there is a worse hell than that, the hell I have lived in with you. I have seen your doubt - your fear of me... poisoning all our love.

That man - that chance passer by, saved me. I could bear it no longer, you understand. Tonight - tonight I was going to kill myself...

Alex... Alex..."

Chapter 2 THE SHADOW ON THE GLASS

"Listen to this," said Lady Cynthia Drage.

She read aloud from the journal she held in her hand.

"Mr and Mrs Unkerton are entertaining a party at Greenways House this week. Amongst the guests are Lady Cynthia Drage, Mr and Mrs Richard Scott, Major Porter, D.S.O., Mrs Staverton, Captain Allenson and Mr Satterthwaite."

"It's as well, "remarked Lady Cynthia, casting away the paper, "to know what we're in for. But they have made a mess of things!"

Her companion, that same Mr Satterthwaite whose name figured at the end of the list of guests, looked at her interrogatively. It had been said that if Mr Satterthwaite were found at the houses of those rich who had newly arrived, it was a sign either that the cooking was unusually good, or that a drama of human life was to be enacted there. Mr Satterthwaite was abnormally interested in the comedies and tragedies of his fellow men.

Lady Cynthia, who was a middle-aged woman, with a hard face and a liberal allowance of make-up, tapped him smartly with the newest thing in parasols which lay rakishly across her knee.

"Don't pretend you don't understand me. You do perfectly. What's more, I believe you're here on purpose to see the fur fly!"

Mr Satterthwaite protested vigorously. He didn't know what she was talking about.

"I'm talking about Richard Scott. Do you pretend you've never heard of him?"

"No, of course not. He's the Big Game man, isn't he?"

"That's it - 'Great big bears and tigers, etc.' as the song says. Of course, he's a great lion himself just now - the Unkertons would naturally be mad to get hold of him - and the bride! A charming child -

Oh! Quite a charming child - but so nañve, only twenty, you know, and he must be at least forty-five."

"Mrs Scott seems to be very charming," said Mr Satterthwaite sedately.

"Yes, poor child."

"Why poor child?"

Lady Cynthia cast him a look of reproach, and went on approaching the point at issue in her own manner.

"Porter's all right - a dull dog, though - another of these African hunters, all sunburnt and silent. Second fiddle to Richard Scott and always has been - life-long friends and all that sort of thing. When I come to think of it, I believe they were together on that trip -"

"Which trip?"

"The trip. The Mrs Staverton trip. You'll be saying next you've never heard of Mrs Staverton."

"I have heard of Mrs Staverton," said Mr Satterthwaite, almost with unwillingness.

And he and Lady Cynthia exchanged glances.

"It's so exactly like the Unkertons," wailed the latter, "they are absolutely hopeless - socially, I mean. The idea of asking those two together! Of course they'd heard that Mrs Staverton was a sportswoman and a traveller and all that, and about her book. People like the Unkertons don't even begin to realise what pitfalls there are!

I've been running them, myself, for the last year, and what I've gone through nobody knows. One has to be constantly at their elbow.

'Don't do that!'

'You can't do this!' Thank goodness, I'm through with it now. Not that we've quarrelled - Oh! No, I never quarrel, but somebody else can take on the job. As I've always said, I can put up with vulgarity, but I can't stand meanness!"

After this somewhat cryptic utterance, Lady Cynthia was silent for a moment, ruminating on the Unkertons' meanness as displayed to herself.

"If I'd still been running the show for them," she went on presently, "I should have said quite firmly and plainly - 'You can't ask Mrs Staverton with the Richard Scotts. She and he were once -'"

She stopped eloquently.

"But were they once?" asked Mr Satterthwaite.

"My dear man! It's well known. That trip into the Interior! I'm surprised the woman had the face to accept the invitation."

"Perhaps she didn't know the others were coming?" suggested Mr Satterthwaite.

"Perhaps she did. That's far more likely."

"You think -?"

"She's what I call a dangerous woman - the sort of woman who'd stick at nothing. I wouldn't be in Richard Scott's shoes this weekend."

"And his wife knows nothing, you think?"

"I'm certain of it. But I suppose some kind friend will enlighten her sooner or later. Here's Jimmy Allenson. Such a nice boy. He saved my life in Egypt last winter - I was so bored, you know. Hullo, Jimmy, come here at once."

Captain Allenson obeyed, dropping down on the turf beside her. He was a handsome young fellow of thirty, with white teeth and an infectious smile.

"I'm glad somebody wants me," he observed. "The Scotts are doing the turtle dove stunt, two required, not three, Porter's devouring the Field, and I've been in mortal danger of being entertained by my hostess."

He laughed. Lady Cynthia laughed with him. Mr Satterthwaite, who was in some ways a little old-fashioned, so much so that he seldom made fun of his host and hostess until after he had left their house, remained grave.

"Poor Jimmy," said Lady Cynthia, "Mine not to reason why, mine but to swiftly fly. I had a narrow escape of being told the family ghost story."

"An Unkerton ghost," said Lady Cynthia. "How screaming."

"Not an Unkerton ghost," said Mr Satterthwaite. "A Greenways ghost. They bought it with the house."

"Of course," said Lady Cynthia. "I remember now. But it doesn't clank chains, does it? It's only something to do with a window."

Jimmy Allenson looked up quickly.

"A window?"

But for the moment Mr Satterthwaite did not answer. He was looking over Jimmy's head at three figures approaching from the direction of the house - a slim girl between two men. There was a superficial resemblance between the men, both were tall and dark with bronzed faces and quick eyes, but looked at more closely the resemblance vanished. Richard Scott, hunter and explorer, was a man of extraordinarily vivid personality. He had a manner that radiated magnetism. John Porter, his friend and fellow hunter, was a man of squarer build with an impassive, rather wooden face, and very thoughtful grey eyes. He was a quiet man, content always to play second fiddle to his friend.

And between these two walked Moira Scott who, until three months ago, had been Moira O'Connell. A slender figure, big wistful brown eyes, and golden red hair that stood out round her small face like a saint's halo.

"That child mustn't be hurt," said Mr Satterthwaite to himself. "It would be abominable that a child like that should be hurt."

Lady Cynthia greeted the newcomers with a wave of the latest thing in parasols.

"Sit down, and don't interrupt," she said. "Mr Satterthwaite is telling us a ghost story."

"I love ghost stories," said Moira Scott. She dropped down on the grass.

"The ghost of Greenways House?" asked Richard Scott.

"Yes. You know about it?"

Scott nodded.

"I used to stay here in the old days," he explained. "Before the Elliots had to sell up. The Watching Cavalier, that's it, isn't it?"

"The Watching Cavalier," said his wife softly. "I like that. It sounds interesting. Please go on."

But Mr Satterthwaite seemed somewhat loath to do so. He assured her that it was not really interesting at all.

"Now you've done it, Satterthwaite," said Richard Scott sardonically.

"That hint of reluctance clinches it."

In response to popular clamour, Mr Satterthwaite was forced to speak.

"It's really very uninteresting," he said apologetically. "I believe the original story centres round a Cavalier ancestor of the Elliot family.

His wife had a Roundhead lover. The husband was killed by the lover in an upstairs room, and the guilty pair fled, but as they fled, they looked back at the house, and saw the face of the dead husband at the window, watching them. That is the legend, but the ghost story is only concerned with a pane of glass in the window of that particular room on which is an irregular stain, almost imperceptible from near at hand, but which from far away certainly gives the effect of a man's face looking out."

"Which window is it?" asked Mrs Scott, looking up at the house.

"You can't see it from here," said Mr Satterthwaite. "It is round the other side but was boarded up from the inside some years ago - forty years ago, I think, to be accurate."

"What did they do that for? I thought you said the ghost didn't walk."

"It doesn't," Mr Satterthwaite assured her. "I suppose - well, I suppose there grew to be a superstitious feeling about it, that's all."

Then, deftly enough, he succeeded in turning the conversation.

Jimmy Allenson was perfectly ready to hold forth upon Egyptians and diviners.

"Frauds, most of them. Ready enough to tell you vague things about the past, but won't commit themselves as to the future."

"I should have thought it was usually the other way about," remarked John Porter.

"It's illegal to tell the future in this country, isn't it?" said Richard Scott. "Moira persuaded a gypsy into telling her fortune, but the woman gave her her shilling back, and said there was nothing doing, or words to that effect."

"Perhaps she saw something so frightful that she didn't like to tell it me," said Moira.

"Don't pile on the agony, Mrs Scott," said Allenson lightly. "I, for one, refuse to believe that an unlucky fate is hanging over you."

"I wonder," thought Mr Satterthwaite to himself. "I wonder..."

Then he looked up sharply. Two women were coming from the house, a short stout woman with black hair, inappropriately dressed in jade green, and a tall slim figure in creamy white. The first woman was his hostess, Mrs Unkerton, the second was a woman he had often heard of, but never met.

"Here's Mrs Staverton," announced Mrs Unkerton, in a tone of great satisfaction. "All friends here, I think."

"These people have an uncanny gift for saying just the most awful things they can, "murmured Lady Cynthia, but Mr Satterthwaite was not listening. He was watching Mrs Staverton.

Very easy - very natural Her careless "Hullo! Richard, ages since we met. Sorry I couldn't come to the wedding. Is this your wife? You must be tired of meeting all your husband's weather-beaten old friends." Moira's response - suitable , rather shy. The elder woman's swift appraising glance that went on lightly to another old friend.

"Hullo, John!" The same easy tone, but with a subtle difference in it a warming quality that had been absent before.

And then that sudden smile. It transformed her. Lady Cynthia had been quite right. A dangerous woman! Very fair - deep blue eyes not the traditional colouring of the siren - a face almost haggard in repose. A woman with a slow dragging voice and a sudden dazzling smile.

Iris Staverton sat down. She became naturally and inevitably the centre of the group. So you felt it would always be.

Mr Satterthwaite was recalled from his thoughts by Major Porter's suggesting a stroll. Mr Satterthwaite, who was not as a general rule much given to strolling, acquiesced. The two men sauntered off together across the lawn.

"Very interesting story of yours just now," said the Major.

"I will show you the window," said Mr Satterthwaite.

He led the way round to the west side of the house. Here there was a small formal garden - the Privy Garden, it was always called, and there was some point in the name, for it was surrounded by high holly hedges, and even the entrance to it ran zigzag between the same high prickly hedges.

Once inside, it was very charming with an old-world charm of formal flower beds, flagged paths and a low stone seat, exquisitely carved.

When they had reached the centre of the garden, Mr Satterthwaite turned and pointed up at the house. The length of Greenways House ran north and south. In this narrow west wall there was only one window, a window on the first floor, almost overgrown by ivy, with grimy panes, and which you could just see was boarded up on the inside.

"There you are," said Mr Satterthwaite.

Craning his neck a little, Porter looked up.

"H'm. I can see a kind of discolouration on one of the panes, nothing more."

"We're too near," said Mr Satterthwaite. "There's a clearing higher up in the woods where you get a really good view."

He led the way out of the Privy Garden, and turning sharply to the left, struck into the woods. A certain enthusiasm of showmanship possessed him, and he hardly noticed that the man at his side was absent and inattentive.

"They had, of course, to make another window, when they boarded up this one," he explained. "The new one faces south overlooking the lawn where we were sitting just now. I rather fancy the Scotts have the room in question. That is why I didn't want to pursue the subject.

Mrs Scott might have felt nervous if she had realised that she was sleeping in what might be called the haunted room."

"Yes, I see," said Porter.

Mr Satterthwaite looked at him sharply, and realised that the other had not heard a word of what he was saying.

"Very interesting," said Porter. He slashed with his stick at some tall foxgloves, and, frowning, he said. "She ought not to have come. She ought never to have come."

People often spoke after this fashion to Mr Satterthwaite. He seemed to matter so little, to have so negative a personality. He was merely a glorified listener.

"No," said Porter, "she ought never to have come."

Mr Satterthwaite knew instinctively that it was not of Mrs Scott he spoke.

"You think not?" he asked.

Porter shook his head as though in foreboding.

"I was on that trip," he said abruptly. "The three of us went. Scott and I and Iris. She's a wonderful woman - and a damned fine shot." he paused. "What made them ask her?" he finished abruptly.

Mr Satterthwaite shrugged his shoulders.

"Ignorance," he said.

"There's going to be trouble," said the other. "We must stand by and do what we can."

"But surely Mrs Staverton -?"

"I'm talking of Scott." he paused. "You see - there's Mrs Scott to consider."

Mr Satterthwaite had been considering her all along, but he did not think it necessary to say so, since the other man had so clearly forgotten her until this minute.

"How did Scott meet his wife?" he asked.

"Last winter, in Cairo. A quick business. They were engaged in three weeks, and married in six."

"She seems to me very charming."

"She is, no doubt about it. And he adores her - but that will make no difference. "And again Major Porter repeated to himself, using the pronoun that meant to him one person only: "Hang it all, she shouldn't have come..."

Just then they stepped out upon a high grassy knoll at some little distance from the house. With again something of the pride of the showman, Mr Satterthwaite stretched out his arm.

"Look," he said.

It was fast growing dusk. The window could still be plainly observed, and apparently pressed against one of the panes was a man's face surmounted by a plumed cavalier's hat.

"Very curious," said Porter. "Really very curious. What will happen when that pane of glass gets smashed some day?"

Mr Satterthwaite smiled.

"That is one of the most interesting parts of the story. That pane of glass has been replaced to my certain knowledge at least eleven times, perhaps oftener. The last time was twelve years ago when the then owner of the house determined to destroy the myth. But it's always the same. The stain reappears - not all at once, the discolouration spreads gradually. It takes a month or two as a rule."

For the first time, Porter showed signs of real interest. He gave a sudden quick shiver.

"Damned odd, these things. No accounting for them. What's the real reason of having the room boarded up inside?"

"Well, an idea got about that the room was - unlucky. The Eveshams were in it just before the divorce. Then Stanley and his wife were staying here, and had that room when he ran off with his chorus girl"

Porter raised his eyebrows.

"I see. Danger, not to life, but to morals."

"And now," thought Mr Satterthwaite to himself, "the Scotts have it...

I wonder..."

They retraced their steps in silence to the house. Walking almost noiselessly on the soft turf, each absorbed in his own thoughts, they became unwittingly eavesdroppers.

They were rounding the corner of the holly hedge when they heard Iris Staverton's voice raised fierce and clear from the depths of the Privy Garden.

"You shall be sorry - sorry - for this!"

Scott's voice answered low and uncertain, so that the words could not be distinguished, and then the woman's voice rose again, speaking words that they were to remember later.

"Jealousy - it drives one to the Devil - it is the Devil! It can drive one to black murder. Be careful, Richard, for God's sake, be careful!"

And then on that she had come out of the Privy Garden ahead of them, and on round the corner of the house without seeing them, walking swiftly, almost running, like a woman hag-ridden and pursued.

Mr Satterthwaite thought again of Lady Cynthia's words. A dangerous woman. For the first time, he had a premonition of tragedy, coming swift and inexorable, not to be gainsaid.

Yet that evening he felt ashamed of his fears. Everything seemed normal and pleasant. Mrs Staverton, with her easy insouciance, showed no sign of strain. Moira Scott was her charming, unaffected self. The two women appeared to be getting on very well. Richard Scott himself seemed to be in boisterous spirits.

The most worried looking person was stout Mrs Unkerton. She confided at length in Mr Satterthwaite.

"Think it silly or not, as you like, there's something giving me the creeps. And I'll tell you frankly, I've sent for the glazier unbeknown to Ned."

"The glazier?"

"To put a new pane of glass in that window. It's all very well. Ned's proud of it - says it gives the house a tone I don't like it. I tell you flat.

We'll have a nice plain modern pane of glass, with no nasty stories attached to it."

"You forget," said Mr Satterthwaite, "or perhaps you don't know. The stain comes back."

"That's as it may be," said Mrs Unkerton. "All I can say is if it does, it's against nature!"

Mr Satterthwaite raised his eyebrows, but did not reply.

"And what if it does?" pursued Mrs Unkerton defiantly. "We're not so bankrupt, Ned and I, that we can't afford a new pane of glass every month - or every week if need be for the matter of that."

Mr Satterthwaite did not meet the challenge. He had seen too many things crumple and fall before the power of money to believe that even a Cavalier ghost could put up a successful fight. Nevertheless, he was interested by Mrs Unkerton's manifest uneasiness. Even she was not exempt from the tension in the atmosphere - only she attributed it to an attenuated ghost story, not to the clash of personalities amongst her guests.

Mr Satterthwaite was fated to hear yet another scrap of conversation which threw light upon the situation. He was going up the wide staircase to bed, John Porter and Mrs Staverton were sitting together in an alcove of the big hall. She was speaking with a faint irritation in her golden voice.

"I hadn't the least idea the Scotts were going to be here. I daresay, if I had known, I shouldn't have come, but I can assure you, my dear John, that now I am here, I'm not going to run away -"

Mr Satterthwaite passed on up the staircase out of earshot. He thought to himself - "I wonder now - How much of that is true? Did she know? I wonder - what's going to come of it?"

He shook his head.

In the clear light of the morning he felt that he had perhaps been a little melodramatic in his imaginings of the evening before. A moment of strain - yes, certainly - inevitable under the circumstances - but nothing more. People adjusted themselves. His fancy that some great catastrophe was pending was nerves - pure nerves - or possibly liver.

Yes, that was it, liver. He was due at Carlsbad in another fortnight.

On his own account he proposed a little stroll that evening just as it was growing dusk. He suggested to Major Porter that they should go up to the clearing and see if Mrs Unkerton had been as good as her word, and had a new pane of glass put in. To himself, he said -

"Exercise, that's what I need. Exercise."

The two men walked slowly through the woods. Porter, as usual, was taciturn.

"I can't help feeling," said Mr Satterthwaite loquaciously, "that we were a little foolish in our imaginings yesterday. Expecting - er trouble, you know. After all, people have to behave themselves swallow their feelings and that sort of thing."

"Perhaps," said Porter. After a minute or two he added, "Civilised people."

"You mean -?"

"People who've lived outside civilisation a good deal sometimes go back. Revert. Whatever you call it."

They emerged on to the grassy knoll. Mr Satterthwaite was breathing rather fast. He never enjoyed going up hill.

He looked towards the window. The face was still there, more lifelike than ever.

"Our hostess has repented, I see." Porter threw it only a cursory glance.

"Unkerton cut up rough, I expect," he said indifferently. "He's the sort of man who is willing to be proud of another family's ghost, and who isn't going to run the risk of having it driven away when he's paid spot cash for it."

He was silent a minute or two, staring, not at the house, but at the thick undergrowth by which they were surrounded.

"Has it ever struck you," he said, "that civilisation's damned dangerous?"

"Dangerous?" Such a revolutionary remark shocked Mr Satterthwaite to the core.

"Yes. There are no safety valves, you see."

He turned abruptly, and they descended the path by which they had come.

"I really am quite at a loss to understand you," said Mr Satterthwaite, pattering along with nimble steps to keep up with the other's strides.

"Reasonable people -"

Porter laughed. A short disconcerting laugh. Then he looked at the correct little gentleman by his side.

"You think it's all bunkum on my part, Mr Satterthwaite? But there are people, you know, who can tell you when a storm's coming. They feel it beforehand in the air. And other people can foretell trouble.

There's trouble coming now, Mr Satterthwaite, big trouble. It may come any minute. It may -"

He stopped dead, clutching Mr Satterthwaite's arm. And in that tense minute of silence it came - the sound of two shots and following them a cry - a cry in a woman's voice.

"My God!" cried Porter, "it's come."

He raced down the path, Mr Satterthwaite panting behind him. In a minute they came out on to the lawn, close by the hedge of the Privy Garden. At the same time, Richard Scott and Mr Unkerton came round the opposite corner of the house. They halted, facing each other, to left and right of the entrance to the Privy Garden.

"It - it came from in there," said Unkerton, pointing with a flabby hand.

"We must see," said Porter. He led the way into the enclosure. As he rounded the last bend of the holly hedge, he stopped dead. Mr Satterthwaite peered over his shoulder. A loud cry burst from Richard Scott.

There were three people in the Privy Garden. Two of them lay on the grass near the stone seat, a man and a woman. The third was Mrs Staverton. She was standing quite close to them by the holly hedge, gazing with horror-stricken eyes, and holding something in her right hand.

"Iris," cried Porter. "Iris. For God's sake! What's that you've got in your hand?"

She looked down at it then - with a kind of wonder, an unbelievable indifference.

"It's a pistol," she said wonderingly. And then - after what seemed an interminable time, but was in reality only a few seconds, "I - picked it up."

Mr Satterthwaite had gone forward to where Unkerton and Scott were kneeling on the turf.

"A doctor," the latter was murmuring. "We must have a doctor."

But it was too late for any doctor. Jimmy Allenson who had complained that the hand diviners hedged about the future, and Moira Scott to whom the gypsy had returned a shilling, lay there in the last great stillness.

It was Richard Scott who completed a brief examination. The iron nerve of the man showed in this crisis. After the first cry of agony, he was himself again.

He laid his wife gently down again.

"Shot from behind," he said briefly. "The bullet has passed right through her."

Then he handled Jimmy Allenson. The wound here was in the breast and the bullet was lodged in the body.

John Porter came towards them.

"Nothing should be touched," he said sternly. "The police must see it all exactly as it is now."

"The police," said Richard Scott. His eyes lit up with a sudden flame as he looked at the woman standing by the holly hedge. He made a step in that direction, but at the same time John Porter also moved, so as to bar his way. For a moment it seemed as though there was a duel of eyes between the two friends.

Porter very quietly shook his head "No, Richard," he said. "It looks like it - but you're wrong."

Richard Scott spoke with difficulty, moistening his dry lips.

"Then why - has she got that in her hand?"

And again Iris Staverton said in the same lifeless tone - "I - picked it up."

"The police," said Unkerton rising. "We must send for the police - at once. You will telephone perhaps, Scott? Someone should stay here yes, I am sure someone should stay here."

In his quiet gentlemanly manner, Mr Satterthwaite offered to do so.

His host accepted the offer with manifest relief.

"The ladies," he explained. "I must break the news to the ladies, Lady Cynthia and my dear wife."

Mr Satterthwaite stayed in the Privy Garden looking down on the body of that which had once been Moira Scott.

"Poor child," he said to himself. "Poor child..."

He quoted to himself the tag about the evil men do living after them.

For was not Richard Scott in a way responsible for his innocent wife's death? They would hang Iris Staverton, he supposed, not that he liked to think of it, but was not it at least a part of the blame he laid at the man's door? The evil that men do -

And the girl, the innocent girl, had paid.

He looked down at her with a very deep pity. Her small face, so white and wistful, a half smile on the lips still. The ruffled golden hair, the delicate ear. There was a spot of blood on the lobe of it. With an inner feeling of being something of a detective, Mr Satterthwaite deduced an earring, torn away in her fall. He craned his neck forward. Yes, he was right, there was a small pearl drop hanging from the other ear.

Poor child, poor child "And now, sir," said Inspector Winkfield They were in the library. The Inspector, a shrewd-looking forceful man of forty odd, was concluding his investigations. He had questioned most of the guests, and had by now pretty well made up his mind on the case. He was listening to what Major Porter and Mr Satterthwaite had to say. Mr Unkerton sat heavily in a chair, staring with protruding eyes at the opposite wall.

"As I understand it, gentlemen," said the Inspector, "you'd been for a walk. You were returning to the house by a path that winds round the left side of what they call the Privy Garden. Is that correct?"

"Quite correct, Inspector."

"You heard two shots, and a woman's scream?"

"Yes."

"You then ran as fast as you could, emerged from the woods and made your way to the entrance of the Privy Garden. If anybody had left that garden, they could only do so by one entrance. The holly bushes are impassable. If anyone had run out of the garden and turned to the right, he would have been met by Mr Unkerton and Mr Scott. If he had turned to the left, he could not have done so without being seen by you. Is that right?"

"That is so," said Major Porter. His face was very white.

"That seems to settle it," said the Inspector. "Mr and Mrs Unkerton and Lady Cynthia Drage were sitting on the lawn, Mr Scott was in the Billiard Room which opens on to that lawn. At ten minutes past six, Mrs Staverton came out of the house, spoke a word or two to those sitting there, and went round the corner of the house towards the Privy Garden. Two minutes later the shots were heard. Mr Scott rushed out of the house and together with Mr Unkerton ran to the Privy Garden. At the same time you and Mr - er - Satterthwaite arrived from the opposite direction. Mrs Staverton was in the Privy Garden with a pistol in her hand from which two shots had been fired. As I see it, she shot the lady first from behind as she was sitting on the bench. Then Captain Allenson sprang up and went for her, and she shot him in the chest as he came towards her. I understand that there had been a - er - previous attachment between her and Mr Richard Scott -"

"That's a damned lie," said Porter.

His voice rang out hoarse and defiant. The Inspector said nothing, merely shook his head.

"What is her own story?" asked Mr Satterthwaite.

"She says that she went into the Privy Garden to be quiet for a little.

Just before she rounded the last hedge, she heard the shots. She came round the corner, saw the pistol lying at her feet, and picked it up. No one passed her, and she saw no one in the garden but the two victims." The Inspector gave an eloquent pause. "That's what she says - and although I cautioned her, she insisted on making a statement."

"If she said that," said Major Porter, and his face was still deadly white, "she was speaking the truth. I know Iris Staverton."

"Well, sir," said the Inspector, "there'll be plenty of time to go into all that later. In the meantime, I've got my duty to do."

With an abrupt movement, Porter turned to Mr Satterthwaite.

"You! Can't you help? Can't you do something?"

Mr Satterthwaite could not help feeling immensely flattered. He had been appealed to, he, most insignificant of men, and by a man like John Porter.

He was just about to flutter out a regretful reply, when the butler, Thompson, entered, with a card upon a salver which he took to his master with an apologetic cough. Mr Unkerton was still sitting huddled up in a chair, taking no part in the proceedings.

"I told the gentleman you would probably not be able to see him, sir," said Thompson. "But he insisted that he had an appointment and that it was most urgent."

Unkerton took the card.

"Mr Harley Quin," he read. "I remember, he was to see me about a picture. I did make an appointment, but as things are -"

But Mr Satterthwaite had started forward.

"Mr Harley Quin, did you say?" he cried. "How extraordinary, how very extraordinary. Major Porter, you asked me if I could help you. I think I can. This Mr Quin is a friend - or I should say, an acquaintance of mine. He is a most remarkable man."

"One of these amateur solvers of crime, I suppose," remarked the Inspector disparagingly.

"No," said Mr Satterthwaite. "He is not that kind of man at all. But he has a power - an almost uncanny power - of showing you what you have seen with your own eyes, of making clear to you what you have heard with your own ears. Let us, at any rate, give him an outline of the case, and hear what he has to say."

Mr Unkerton glanced at the Inspector, who merely snorted and looked at the ceiling. Then the former gave a short nod to Thompson, who left the room and returned ushering in a tall, slim stranger.

"Mr Unkerton?" The stranger shook him by the hand. "I am sorry to intrude upon you at such a time. We must leave our little picture chat until another time. Ah! My friend Mr Satterthwaite. Still as fond of the drama as ever?"

A faint smile played for a minute round the stranger's lips as he said these last words.

"Mr Quin," said Mr Satterthwaite impressively, "we have a drama here, we are in the midst of one. I should like, and my friend, Major Porter, would like, to have your opinion of it."

Mr Quin sat down. The red-shaded lamp threw a broad band of coloured light over the checked pattern of his overcoat, and left his face in shadow almost as though he wore a mask.

Succinctly, Mr Satterthwaite recited the main points of the tragedy.

Then he paused, breathlessly awaiting the words of the oracle.

But Mr Quin merely shook his head.

"A sad story," he said. "A very sad and shocking tragedy. The lack of motive makes it very intriguing."

Unkerton stared at him.

"You don't understand," he said. "Mrs Staverton was heard to threaten Richard Scott. She was bitterly jealous of his wife. Jealousy -"

"I agree," said Mr Quin. "Jealousy or Demoniac Possession. It's all the same. But you misunderstand me. I was not referring to the murder of Mrs Scott, but to that of Captain Allenson."

"You're right," cried Porter, springing forward. "There's a flaw there.

If Iris had ever contemplated shooting Mrs Scott, she'd have got her alone somewhere. No, we're on the wrong tack. And I think I see another solution. Only those three people went into the Privy Garden. That is indisputable and I don't intend to dispute it. But I reconstruct the tragedy differently. Supposing Jimmy Allenson shoots first Mrs Scott and then himself. That's possible, isn't it? He flings the pistol from him as he falls - Mrs Staverton finds it lying on the ground and picks it up just as she said. How's that?"

The Inspector shook his head.

"Won't wash, Major Porter. If Captain Allenson had fired that shot close to his body, the cloth would have been singed."

"He might have held the pistol at arm's length."

"Why should he? No sense in it. Besides, there's no motive."

"Might have gone off his head suddenly," muttered Porter, but without any great conviction. He fell to silence again, suddenly rousing himself to say defiantly - "Well, Mr Quin?"

The latter shook his head.

"I'm not a magician. I'm not even a criminologist. But I will tell you one thing - I believe in the value of impressions. In any time of crisis, there is always one moment that stands out from all the others, one picture that remains when all else has faded. Mr Satterthwaite is, I think, likely to have been the most unprejudiced observer of those present. Will you cast your mind back, Mr Satterthwaite, and tell us the moment that made the strongest impression on you? Was it when you heard the shots? Was it when you first saw the dead bodies?

Was it when you first observed the pistol in Mrs Staverton's hand?

Clear your mind of any preconceived standard of values, and tell us."

Mr Satterthwaite fixed his eyes on Mr Quin's face, rather as a schoolboy might repeat a lesson of which he was not sure.

"No," he said slowly. "It was not any of those. The moment that I shall always remember was when I stood alone by the bodies - afterwards - looking down on Mrs Scott. She was lying on her side. Her hair was ruffled. There was a spot of blood on her little ear."

And instantly, as he said it, he felt that he had said a terrific, a significant thing.

"Blood on her ear? Yes, I remember," said Unkerton slowly.

"Her earring must have been torn out when she fell," explained Mr Satterthwaite.

But it sounded a little improbable as he said it.

"She was lying on her left side," said Porter. "I suppose it was that ear?"

"No," said Mr Satterthwaite quickly. "It was her right ear."

The Inspector coughed.

"I found this in the grass," he vouchsafed. He held up a loop of gold wire.

"But, my God, man," cried Porter. "The thing can't have been wrenched to pieces by a mere fall. It's more as though it had been shot away by a bullet."

"So it was," cried Mr Satterthwaite. "It was a bullet. It must have been."

"There were only two shots," said the Inspector. "A shot can't have grazed her ear and shot her in the back as well. And if one shot carried away the earring, and the second shot killed her, it can't have killed Captain Allenson as well - not unless he was standing close in front of her - very close - facing her as it might be. Oh - I - no, not even then, unless, that is -"

"Unless she was in his arms, you were going to say," said Mr Quin, with a queer little smile. "Well, why not?"

Everyone stared at each other. The idea was so vitally strange to them - Allenson and Mrs Scott - Mr Unkerton voiced the same feeling.

"But they hardly knew each other," he said.

"I don't know," said Mr Satterthwaite thoughtfully. "They might have known each other better than we thought. Lady Cynthia said he saved her from being bored in Egypt last winter, and you -" he turned to Porter - "you told me that Richard Scott met his wife in Cairo last winter. They might have known each other very well indeed out there..."

"They didn't seem to be together much," said Unkerton.

"No - they rather avoided each other. It was almost unnatural, now I come to think of it."

They all looked at Mr Quin, as if a little startled at the conclusions at which they had arrived so unexpectedly.

Mr Quin rose to his feet.

"You see," he said, "what Mr Satterthwaite's impression has done for us." he turned to Unkerton, "It is your turn now."

"Eh? I don't understand you."

"You were very thoughtful when I came into this room. I should like to know exactly what thought it was that obsessed you. Never mind if it has nothing to do with the tragedy. Never mind if it seems to you superstitious -"

Mr Unkerton started, ever so slightly. "Tell us."

"I don't mind telling you," said Unkerton. "Though it's nothing to do with the business, and you'll probably laugh at me into the bargain. I was wishing that my Missus had left well alone and not replaced that pane of glass in the haunted window. I feel as though doing that has maybe brought a curse upon us."

He was unable to understand why the two men opposite him stared so.

"But she hasn't replaced it yet," said Mr Satterthwaite at last.

"Yes, she has. Man came first thing this morning."

"My God!" said Porter, "I begin to understand. That room, it's panelled, I supposed, not papered?"

"Yes, but what does that -?"

But Porter had swung out of the room. The other followed him. He went straight upstairs to the Scotts' bedroom. It was a charming room, panelled in cream with two windows facing south. Porter felt with his hands along the panels on the western wall.

"There's a spring somewhere - must be. Ah!" There was a click, and a section of the panelling rolled back. It disclosed the grimy panes of the haunted window. One pane of glass was clean and new. Porter stooped quickly and picked up something. He held it out on the palm of his hand. It was a fragment of ostrich feather. Then he looked at Mr Quin. Mr Quin nodded.

He went across to the hat cupboard in the bedroom. There were several hats in it - the dead woman's hats. He took out one with a large brim and curling feathers - an elaborate Ascot hat.

Mr Quin began speaking in a gentle, reflective voice. "Let us suppose," said Mr Quin, "a man who is by nature intensely jealous. A man who has stayed here in bygone years and knows the secret of the spring in the panelling. To amuse himself he opens it one day, and looks out over the Privy Garden. There, secure as they think from being overlooked, he sees his wife and another man. There can be no possible doubt in his mind as to the relations between them.

He is mad with rage. What shall he do? An idea comes to him. He goes to the cupboard and puts on the hat with the brim and feathers.

It is growing dusk, and he remembers the story of the stain on the glass. Anyone looking up at the window will see as they think the Watching Cavalier. Thus secure he watches them, and at the moment they are clasped in each other's arms, he shoots. He is a good shot - a wonderful shot. As they fall, he fires once more - that shot carries away the earring. He flings the pistol out of the window into the Privy Garden, rushes downstairs and out through the billiard room." Porter took a step towards him.

"But he let her be accused!" he cried. "He stood by and let her be accused. Why? Why?"

"I think I know why," said Mr Quin. "I should guess - it's only guesswork on my part, mind - that Richard Scott was once madly in love with Iris Staverton - so madly that even meeting her years afterwards stirred up the embers of jealousy again. I should say that Iris Staverton once fancied that she might love him, that she went on a hunting trip with him and another - and that she came back in love with the better man."

"The better man," muttered Porter, dazed. "You mean -?"

"Yes," said Mr Quin, with a faint smile. "I mean you." He paused a minute, and then said: "If I were you - I should go to her now."

"I will," said Porter.

He turned and left the room.

Chapter 3 AT THE "BELLS AND MOTLEY"

Mr Satterthwaite was annoyed. Altogether it had been an unfortunate day. They had started late, there had been two punctures already, finally, they had taken the wrong turning and lost themselves amidst the wilds of Salisbury Plain. Now it was close on eight o'clock, they were still a matter of forty miles from Marswick

Manor whither they were bound, and a third puncture had supervened to render matters still more trying.

Mr Satterthwaite, looking like some small bird whose plumage had been ruffled, walked up and down in front of the village garage whilst his chauffeur conversed in hoarse undertones with the local expert.

"Half an hour at least" said that worthy pronouncing judgment.

"And lucky at that," supplemented Masters, the chauffeur. "More like three quarters if you ask me."

"What is this place, anyway?" demanded Mr Satterthwaite fretfully.

Being a little gentleman considerate of the feelings of others, he substituted the word "place" for "God-forsaken hole" which had first risen to his lips.

"Kirtlington Mallet."

Mr Satterthwaite was not much wiser, and yet a faint familiarity seemed to linger round the name. He looked round him disparagingly. Kirtlington Mallet seemed to consist of one straggling street, the garage and the post office on one side of it balanced by three indeterminate shops on the other side. Farther down the road, however, Mr Satterthwaite perceived something that creaked and swung in the wind, and his spirits rose ever so slightly. "There's an Inn here, I see," he remarked.

"'Bells and Motley,'" said the garage man. "That's it - yonder."

"If I might make a suggestion, sir," said Masters, "why not try it?

They would be able to give you some sort of a meal, no doubt - not, of course, what you are accustomed to." He paused apologetically, for Mr Satterthwaite was accustomed to the best cooking of continental chefs, and had in his own service a cordon bleu to whom he paid a fabulous salary.

"We shan't be able to take the road again for another three quarters of an hour, sir. I'm sure of that. And it's already past eight o'clock.

You could ring up Sir George Foster, sir, from the Inn, and acquaint him with the cause of our delay."

"You seem to think you can arrange everything, Masters," said Mr Satterthwaite snappily.

Masters, who did think so, maintained a respectful silence Mr Satterthwaite, in spite of his earnest wish to discountenance any suggestion that might possibly be made to him - he was in that mood - nevertheless looked down the road towards the creaking Inn sign with faint inward approval. He was a man of birdlike appetite, an epicure, but even such men can be hungry.

"'The Bells and Motley,'" he said thoughtfully. "That's an odd name for an Inn. I don't know that I ever heard it before."

"There's odd folks come to it by all account," said the local man.

He was bending over the wheel, and his voice came muffled and indistinct "Odd folks?" queried Mr Satterthwaite. "Now what do you mean by that?"

The other hardly seemed to know what he meant.

"Folks that come and go. That kind," he said vaguely.

Mr Satterthwaite reflected that people who come to an Inn are almost of necessity those who "come and go." The definition seemed to him to lack precision. But nevertheless his curiosity was stimulated. Somehow or other he had got to put in three quarters of an hour. The "Bells and Motley" would be as good as anywhere else.

With his usual small mincing steps he walked away down the road.

From afar there came a rumble of thunder. The mechanic looked up and spoke to Masters.

"There's a storm coming over. Thought I could feel it in the air."

"Crikey," said Masters. "And forty miles to go."

"Ah!" said the other. "There's no need to be hurrying over this job.

You'll not be wanting to take the road till the storm's passed over.

That little boss of yours doesn't look as though he'd relish being out in thunder and lightning."

"Hope they'll do him well at that place," muttered the chauffeur. "I'll be pushing along there for a bite myself presently."

"Billy Jones is all right," said the garage man. "Keeps a good table."

Mr William Jones, a big burly man of fifty and landlord of the "Bells and Motley," was at this minute beaming ingratiatingly down on little Mr Satterthwaite.

"Can do you a nice steak, sir - and fried potatoes, and as good a cheese as any gentleman could wish for. This way, sir, in the coffeeroom. We're not very full at present, the last of the fishing gentlemen just gone. A little late r we'll be full again for the hunting. Only one gentleman here at present, name of Quin -"

Mr Satterthwaite stopped dead.

"Quin?" he said excitedly. "Did you say Quin?"

"That's the name, sir. Friend of yours perhaps?"

"Yes, indeed. Oh! Yes, most certainly." Twittering with excitement, Mr Satterthwaite hardly realised that the world might contain more than one man of that name. He had no doubts at all. In an odd way, the information fitted in with what the man at the garage had said.

"Folks that come and go..." a very apt description of Mr Quin. And the name of the Inn, too, seemed a peculiarly fitting and appropriate one.

"Dear me, dear me," said Mr Satterthwaite. "What a very odd thing.

That we should meet like this! Mr Harley Quin, is it not?"

"That's right, sir. This is the coffee-room, sir. Ah! Here is the gentleman."

Tall, dark, smiling, the familiar figure of Mr Quin rose from the table at which he was sitting, and the well-remembered voice spoke.

"Ah! Mr Satterthwaite, we meet again. An unexpected meeting!"

Mr Satterthwaite was shaking him warmly by the hand. "Delighted.

Delighted, I'm sure. A lucky breakdown for me. My car, you know.

And you are staying here? For long?"

"One night only."

"Then I am indeed fortunate."

Mr Satterthwaite sat down opposite his friend with a little sigh of satisfaction, and regarded the dark, smiling face opposite him with a pleasurable expectancy. The other man shook his head gently. "I assure you," he said, "that I have not a bowl of goldfish or a rabbit to produce from my sleeve."

"Too bad," cried Mr Satterthwaite, a little taken aback. "Yes, I must confess - I do rather adopt that attitude towards you. A man of magic. Ha, ha. That is how I regard you. A man of magic."

"And yet," said Mr Quin, "it is you who do the conjuring tricks, not I."

"Ah!" said Mr Satterthwaite eagerly. "But I cannot do them without you. I lack - shall we say - inspiration?" Mr Quin smilingly shook his head.

"That is too big a word. I speak the cue, that is all."

The landlord came in at that minute with bread and a slab of yellow butter. As he set the things on the table there was a vivid flash of lightning, and a clap of thunder almost overhead.

"A wild night, gentlemen."

"On such a night -" began Mr Satterthwaite, and stopped.

"Funny now," said the landlord, unconscious of the question, "if those weren't just the words I was going to use myself. It was just such a night as this when Captain Harwell brought his bride home, the very day before he disappeared for ever."

"Ah!" cried Mr Satterthwaite suddenly. "Of course!"

He had got the clue. He knew now why the name Kirtlington Mallet was familiar. Three months before he had read every detail of the astonishing disappearance of Captain Richard Harwell. Like other newspaper readers all over Great Britain he had puzzled over the details of the disappearance, and, also like every other Briton, had evolved his own theories.

"Of course," he repeated. "It was at Kirtlington Mallet it happened."

"It was at this house he stayed for the hunting last winter," said the landlord. "Oh! I knew him well. A handsome young gentleman and not one that you'd think had a care on his mind. He was done away with - that's my belief. Many's the time I've seen them come riding home together - he and Miss Le Couteau, and all the village saying there'd be a match come of it - and sure enough, so it did. A very beautiful young lady, and well thought of, for all she was a Canadian and a stranger. Ah! There's some dark mystery there. We'll never know the rights of it. It broke her heart, it did, sure enough. You've heard as she's sold the place up and gone abroad, couldn't bear to go on here with everyone staring and pointing after her - through no fault of her own, poor young dear! A black mystery, that's what it is."

He shook his head, then suddenly recollecting his duties, hurried from the room.

"A black mystery," said Mr Quin softly.

His voice was provocative in Mr Satterthwaite's ears.

"Are you pretending that we can solve the mystery where Scotland Yard failed?" he asked sharply.

The other made a characteristic gesture.

"Why not? Time has passed. Three months. That makes a difference."

"That is a curious idea of yours," said Mr Satterthwaite slowly. "That one sees things better afterwards than at the time."

"The longer the time that has elapsed, the more things fall into proportion. One sees them in their true relationship to one another."

There was a silence which lasted for some minutes.

"I am not sure," said Mr Satterthwaite, in a hesitating voice, "that I remember the facts clearly by now."

"I think you do," said Mr Quin quietly.

It was all the encouragement Mr Satterthwaite needed. His general ræle in life was that of listener and looker-on. Only in the company of Mr Quin was the position reversed. There Mr Quin was the appreciative listener, and Mr Satterthwaite took the centre of the stage.

"It was just over a year ago," he said, "that Ashley Grange passed into the possession of Miss Eleanor Le Couteau. It is a beautiful old house, but it had been neglected and allowed to remain empty for many years. It could not have found a better chßtelaine. Miss Le Couteau was a French Canadian, her forebears were emigrûs from the French Revolution, and had handed down to her a collection of almost priceless French relics and antiques. She was a buyer and a collector also, with a very fine and discriminating taste. So much so, that when she decided to sell Ashley Grange and everything it contained after the tragedy, Mr Cyrus G. Bradburn, the American millionaire, made no bones about paying the fancy price of sixty thousand pounds for the Grange as it stood."

Mr Satterthwaite paused.

"I mention these things," he said apologetically, "not because they are relevant to the story - strictly speaking, they are not - but to convey an atmosphere, the atmosphere of young Mrs Harwell."

Mr Quin nodded.

"Atmosphere is always valuable," he said gravely.

"So we get a picture of this girl," continued the other. "Just twentythree, dark, beautiful, accomplished, nothing crude and unfinished about her. And rich - we must not forget that. She was an orphan. A

Mrs St Clair, a lady of unimpeachable breeding and social standing, lived with her as duenna. But Eleanor Le Couteau had complete control of her own fortune. And fortune-hunters are never hard to seek. At least a dozen impecunious young men were to be found dangling round her on all occasions, in the hunting field, in the ballroom, wherever she went. Young Lord Leccan, the most eligible parti in the country, is reported to have asked her to marry him, but she remained heart free. That is, until the coming of Captain Richard Harwell.

"Captain Harwell had put up at the local Inn for the hunting. He was a dashing rider to hounds. A handsome, laughing daredevil of a fellow.

You remember the old saying, Mr Quin? 'Happy the wooing that's not long doing.' The adage was carried out at least in part. At the end of two months, Richard Harwell and Eleanor Le Couteau were engaged."

"The marriage followed three months afterwards. The happy pair went abroad for a two weeks' honeymoon, and then returned to take up their residence at Ashley Grange. The landlord has just told us that it was on a night of storm such as this that they returned to their home. An omen, I wonder? Who can tell? Be that as it may, the following morning very early - about half-past seven, Captain Harwell was seen walking in the garden by one of the gardeners, John Mathias. He was bareheaded, and was whistling. We have a picture there, a picture of light-heartedness, of careless happiness. And yet from that minute, as far as we know, no one ever set eyes on Captain Richard Harwell again."

Mr Satterthwaite paused, pleasantly conscious of a dramatic moment. The admiring glance of Mr Quin gave him the tribute he needed, and he went on.

"The disappearance was remarkable - unaccountable. It was not till the following day that the distracted wife called in the police. As you know, they have not succeeded in solving the mystery."

"There have, I suppose, been theories?" asked Mr Quin.

"Oh! Theories, I grant you. Theory No. 1, that Captain Harwell had been murdered, done away with. But if so, where was the body? It could hardly have been spirited away. And besides, what motive was there? As far as was known, Captain Harwell had not an enemy in the world."

He paused abruptly, as though uncertain. Mr Quin leaned forward.

"You are thinking," he said softly, "of young Stephen Grant."

"I am," admitted Mr Satterthwaite. "Stephen Grant, if I remember rightly, had been in charge of Captain Harwell's horses, and had been discharged by his master for some trifling offence. On the morning after the homecoming, very early, Stephen Grant was seen in the vicinity of Ashley Grange, and could give no good account of his presence there. He was detained by the police as being concerned in the disappearance of Captain Harwell, but nothing could be proved against him, and he was eventually discharged. It is true that he might be supposed to bear a grudge against Captain Harwell for his summary dismissal, but the motive was undeniably of the flimsiest. I suppose the police felt they must do something. You see, as I said just now, Captain Harwell had not an enemy in the world."

"As far as was known," said Mr Quin reflectively.

Mr Satterthwaite nodded appreciatively.

"We are coming to that. What, after all, was known of Captain Harwell? When the police came to look into his antecedents they were confronted with a singular paucity of material. Who was Richard Harwell? Where did he come from? He had appeared, literally out of the blue as it seemed. He was a magnificent rider, and apparently well off. Nobody in Kirtlington Mallet had bothered to inquire further. Miss Le Couteau had had no parents or guardians to make inquiries into the prospects and standing of her fiancû. She was her own mistress. The police theory at this point was clear enough. A rich girl and an impudent impostor. The old story!

"But it was not quite that. True, Miss Le Couteau had no parents or guardians, but she had an excellent firm of solicitors in London who acted for her. Their evidence made the mystery deeper. Eleanor Le Couteau had wished to settle a sum outright upon her prospective husband, but he had refused. He himself was well off, he declared. It was proved conclusively that Harwell never had a penny of his wife's money. Her fortune was absolutely intact.

"He was, therefore, no common swindler, but was his object a refinement of the art? Did he propose blackmail at some future date if Eleanor Harwell should wish to marry some other man? I will admit that something of that kind seemed to me the most likely solution. It has always seemed so to me - until tonight."

Mr Quin leaned forward, prompting him.

"Tonight?"

"Tonight. I am not satisfied with that. How did he manage to disappear so suddenly and completely - at that hour in the morning, with every labourer bestirring himself and tramping to work?

Bareheaded, too."

"There is no doubt about the latter point - since the gardener saw him?"

"Yes - the gardener - John Mathias. Was there anything there, I wonder?"

"The police would not overlook him," said Mr Quin.

"They questioned him closely. He never wavered in his statement.

His wife bore him out. He left his cottage at seven to attend to the greenhouses, he returned at twenty minutes to eight. The servants in the house heard the front door slam at about a quarter after seven.

That fixes the time when Captain Harwell left the house. Ah! Yes, I know what you are thinking."

"Do you, I wonder?" said Mr Quin.

"I fancy so. Time enough for Mathias to have made away with his master. But why, man, why? And if so, where did he hide the body?"

The landlord came in bearing a tray.

"Sorry to have kept you so long, gentlemen."

He set upon the table a mammoth steak and beside it a dish filled to overflowing with crisp brown potatoes. The odour from the dishes was pleasant to Mr Satterthwaite's nostrils. He felt gracious.

"This looks excellent," he said. "Most excellent. We have been discussing the disappearance of Captain Harwell. What became of the gardener, Mathias?"

"Took a place in Essay, I believe. Didn't care to stay hereabouts.

There were some as looked askance at him, you understand. Not that I ever believe he had anything to do with it."

Mr Satterthwaite helped himself to steak. Mr Quin followed suit. The landlord seemed disposed to linger and chat. Mr Satterthwaite had no objection, on the contrary.

"This Mathias now," he said. "What kind of a man was he?"

"Middle-aged chap, must have been a powerful fellow once but bent and crippled with rheumatism. He had that mortal bad, was laid up many a time with it, unable to do any work. For my part, I think it was sheer kindness on Miss Eleanor's part to keep him on. He'd outgrown his usefulness as a gardener, though his wife managed to make herself useful up at the house. Been a cook she had, and always willing to lend a hand."

"What sort of a woman was she?" asked Mr Satterthwaite, quickly.

The landlord's answer disappointed him.

"A plain body. Middle-aged, and dour like in manner. Deaf, too. Not that I ever knew much of them. They'd only been here a month, you understand, when the thing happened. They say he'd been a rare good gardener in his time, though. Wonderful testimonials Miss Eleanor had with him."

"Was she interested in gardening?" asked Mr Quin, softly.

"No, sir, I couldn't say that she was, not like some of the ladies round here who pay good money to gardeners and spend the whole of their time grubbing about on their knees as well. Foolishness I call it. You see, Miss Le Couteau wasn't here very much except in the winter for hunting. The rest of the time she was up in London and away in those foreign seaside places where they say the French ladies don't so much as put a toe into the water for fear of spoiling their costumes, or so I've heard." Mr Satterthwaite smiled.

"There was no - er - woman of any kind mixed up with Captain Harwell?" he asked.

Though his first theory was disposed of, he nevertheless clung to his idea.

Mr William Jones shook his head. "Nothing of that sort. Never a whisper of it. No, it's a dark mystery, that's what it is."

"And your theory? What do you yourself think?" persisted Mr Satterthwaite.

"What do I think?"

"Yes."

"Don't know what to think. It's my belief as how he was done in, but who by I can't say. I'll fetch you gentlemen the cheese."

He stumped from the room bearing empty dishes. The Storm, which had been quietening down, suddenly broke out with redoubled vigour. A flash of forked lightning and a great clap of thunder close upon each other made little Mr Satterthwaite jump, and before the last echoes of the thunder had died away, a girl came into the room carrying the advertised cheese.

She was tall and dark, and handsome in a sullen fashion of her own.

Her likeness to the landlord of the "Bells and Motley" was apparent enough to proclaim her his daughter.

"Good evening, Mary," said Mr Quin, "A stormy night"

She nodded.

"I hate these stormy nights," she muttered.

"You are afraid of thunder, perhaps?" said Mr Satterthwaite kindly.

"Afraid of thunder? Not me! There's little that I'm afraid of. No, but the storm sets them off. Talking, talking, the same thing over and over again, like a lot of parrots. Father begins it. 'It reminds me, this does, of the night poor Captain Harwell...' And so on, and so on." She turned on Mr Quin. "You've heard how he goes on. What's the sense of it? Can't anyone let past things be?"

"A thing is only past when it is done with," said Mr Quin.

"Isn't this done with? Suppose he wanted to disappear? These fine gentlemen do sometimes."

"You think he disappeared of his own free will?"

"Why not? It would make better sense than to suppose a kindhearted creature like Stephen Grant murdered him. What should he murder him for, I should like to know? Stephen had had a drop too much one day and spoke to him saucy like, and got the sack for it.

But what of it? He got another place just as good. Is that a reason to murder a man in cold blood?"

"But surely," said Mr Satterthwaite, "the police were quite satisfied of his innocence?"

"The police! What do the police matter? When Stephen comes into the bar of an evening, every man looks at him queer like. They don't really believe he murdered Harwell, but they're not sure, and so they look at him sideways and edge away. Nice life for a man, to see people shrink away from you, as though you were something different from the rest of folks. Why won't Father hear of our getting married, Stephen and I? 'You can take your pigs to a better market, my girl. I've nothing against Stephen, but - well, we don't know, do we?'"

She stopped, her breast heaving with the violence of her resentment.

"It's cruel, cruel, that's what it is," she burst out. "Stephen, that wouldn't hurt a fly! And all through life there'll be people who'll think he did. It's turning him queer and bitter like. I don't wonder, I'm sure.

And the more he's like that, the more people think there must have been something in it."

Again she stopped. Her eyes were fixed on Mr Quin's face, as though something in it was drawing this outburst from her.

"Can nothing be done?" said Mr Satterthwaite.

He was genuinely distressed. The thing was, he saw, inevitable. The very vagueness and unsatisfactoriness of the evidence against Stephen Grant made it the more difficult for him to disprove the accusation.

The girl whirled round on him.

"Nothing but the truth can help him," she cried. "If Captain Harwell were to be found, if he was to come back. If the true rights of it were only known -"

She broke off with something very like a sob, and hurried quickly from the room.

"A fine-looking girl," said Mr Satterthwaite. "A sad case altogether. I wish - I very much wish that something could be done about it."

His kind heart was troubled.

"We are doing what we can," said Mr Quin. "There is still nearly half an hour before your car can be ready."

Mr Satterthwaite stared at him.

"You think we can come at the truth just by - talking it over like this?"

"You have seen much of life," said Mr Quin gravely. "More than most people."

"Life has passed me by," said Mr Satterthwaite bitterly.

"But in so doing has sharpened your vision. Where others are blind you can see."

"It is true," said Mr Satterthwaite. "I am a great observer."

He plumed himself complacently. The moment of bitterness was passed.

"I look at it like this," he said after a minute or two. "To get at the cause for a thing, we must study the effect."

"Very good," said Mr Quin approvingly.

"The effect in this case is that Miss Le Couteau - Mrs Harwell, I mean, is a wife and yet not a wife. She is not free - she cannot marry again.

And look at it as we will, we see Richard Harwell as a sinister figure, a man from nowhere with a mysterious past."

"I agree," said Mr Quin. "You see what all are bound to see, what cannot be missed, Captain Harwell in the limelight, a suspicious figure."

Mr Satterthwaite looked at him doubtfully. The words seemed somehow to suggest a faintly different picture to his mind.

"We have studied the effect," he said. "Or call it the result. We can now pass -"

Mr Quin interrupted him.

"You have not touched on the result on the strictly material side."

"You are right," said Mr Satterthwaite, after a moment or two for consideration. "One should do the thing thoroughly. Let us say then that the result of the tragedy is that Mrs Harwell is a wife and not a wife, unable to marry again, that Mr Cyrus Bradburn has been able to buy Ashley Grange and its contents for - sixty thousand pounds, was it? - and that somebody in Essex has been able to secure John Mathias as a gardener! For all that we do not suspect 'somebody in Essex' or Mr Cyrus Bradburn of having engineered the disappearance of Captain Harwell."

"You are sarcastic," said Mr Quin.

Mr Satterthwaite looked sharply at him.

"But surely you agree -?"

"Oh! I agree," said Mr Quin. "The idea is absurd. What next?"

"Let us imagine ourselves back on the fatal day. The disappearance has taken place, let us say, this very morning."

"No, no," said Mr Quin, smiling. "Since, in our imagination, at least, we have power over time, let us turn it the other way. Let us say the disappearance of Captain Harwell took place a hundred years ago.

That we, in the year two thousand and twenty-five are looking back."

"You are a strange man," said Mr Satterthwaite slowly. "You believe in the past, not the present. Why?"

"You used, not long ago, the word atmosphere. There is no atmosphere in the present."

"That is true, perhaps," said Mr Satterthwaite thoughtfully. "Yes, it is true. The present is apt to be - parochial"

"A good word," said Mr Quin.

Mr Satterthwaite gave a funny little bow.

"You are too kind," he said.

"Let us take - not this present year, that would be too difficult, but say - last year," continued the other. "Sum it up for me, you who have the gift of the neat phrase."

Mr Satterthwaite thought for a minute. He was jealous of his reputation.

"A hundred years ago we have the age of powder and patches," he said. "Shall we say that 1924 was the age of Crossword Puzzles and Cat Burglars?"

"Very good," approved Mr Quin. "You mean that nationally, not internationally, I presume?"

"As to Crossword Puzzles, I must confess that I do not know," said Mr Satterthwaite. "But the Cat Burglar had a great innings on the Continent. You remember that series of famous thefts from French chßteaux? It is surmised that one man alone could not have done it.

The most miraculous feats were performed to gain admission. There was a theory that a troupe of acrobats were concerned - the Clondinis. I once saw their performance - truly masterly. A mother, son and daughter. They vanished from the stage in a rather mysterious fashion. But we are wandering from our subject."

"Not very far," said Mr Quin. "Only across the Channel."

"Where the French ladies will not wet their toes, according to our worthy host," said Mr Satterthwaite, laughing.

There was a pause. It seemed somehow significant.

"Why did he disappear?" cried Mr Satterthwaite. "Why? Why? It is incredible, a kind of conjuring trick."

"Yes," said Mr Quin. "A conjuring trick. That describes it exactly.

Atmosphere again, you see. And wherein does the essence of a conjuring trick lie?"

"The quickness of the hand deceives the eye," quoted Mr Satterthwaite glibly.

"That is everything, is it not? To deceive the eye? Sometimes by the quickness of the hand, sometimes - by other means. There are many devices, the pistol shot, the waving of a red handkerchief, something that seems important, but in reality is not. The eye is diverted from the real business, it is caught by the spectacular action that means nothing - nothing at all."

Mr Satterthwaite leant forward, his eyes shining.

"There is something in that. It is an idea."

He went on softly. "The pistol shot. What was the pistol shot in the conjuring trick we were discussing? What is the spectacular moment that holds the imagination?"

He drew in his breath sharply.

"The disappearance," breathed Mr Satterthwaite. "Take that away, and it leaves nothing."

"Nothing? Suppose things took the same course without that dramatic gesture?"

"You mean - supposing Miss Le Couteau were still to sell Ashley Grange and leave - for no reason?"

"Well."

"Well, why not? It would have aroused talk, I suppose, there would have been a lot of interest displayed in the value of the contents in -

Ah! Wait!"

He was silent a minute, then burst out.

"You are right, there is too much limelight, the limelight on Captain Harwell. And because of that, she has been in shadow. Miss Le Couteau! Everyone asking "Who was Captain Harwell? Where did he come from?" But because she is the injured party, no one makes inquiries about her. Was she really a French Canadian? Were those wonderful heirlooms really handed down to her? You were right when you said just now that we had not wandered far from our subject - only across the Channel. Those so-called heirlooms were stolen from the French chßteaux, most of them valuable objets d'art, and in consequence difficult to dispose of. She buys the house - for a mere song, probably. Settles down there and pays a good sum to an irreproachable English woman to chaperone her. Then he comes.

The plot is laid beforehand. The marriage, the disappearance and the nine days' wonder! What more natural than that a brokenhearted woman should want to sell everything that reminds her of her past happiness. The American is a connoisseur, the things are genuine and beautiful, some of them beyond price. He makes an offer, she accepts it. She leaves the neighbourhood, a sad and tragic figure.

The great coup has come off. The eye of the public has been deceived by the quickness of the hand and the spectacular nature of the trick."

Mr Satterthwaite paused, flushed with triumph.

"But for you, I should never have seen it," he said with sudden humility. "You have a most curious effect upon me. One says things so often without even seeing what they really mean. You have the knack of showing one. But it is still not quite clear to me. It must have been most difficult for Harwell to disappear as he did. After all, the police all over England were looking for him."

"They were probably looking," said Mr Quin, "all over England."

"It would have been simplest to remain hidden at the Grange," mused Mr Satterthwaite. "If it could be managed."

"He was, I think, very near the Grange," said Mr Quin.

His look of significance was not lost on Mr Satterthwaite.

"Mathias' cottage?" he exclaimed. "But the police must have searched it?"

"Repeatedly, I should imagine," said Mr Quin.

"Mathias," said Mr Satterthwaite, frowning.

"And Mrs Mathias," said Mr Quin.

Mr Satterthwaite stared hard at him.

"If that gang was really the Clondinis," he said dreamily, "there were three of them in it. The two young ones were Harwell and Eleanor Le Couteau. The mother now, was she Mrs Mathias? But in that case..."

"Mathias suffered from rheumatism, did he not?" said Mr Quin innocently.

"Oh!" cried Mr Satterthwaite. "I have it. But could it be done? I believe it could. Listen. Mathias was there a month. During that time, Harwell and Eleanor were away for a fortnight on a honeymoon. For the fortnight before the wedding, they were supposedly in town. A clever man could have doubled the parts of Harwell and Mathias.

When Harwell was at Kirtlington Mallet, Mathias was conveniently laid up with rheumatism, with Mrs Mathias to sustain the fiction. Her part was very necessary. Without her, someone might have suspected the truth. As you say, Harwell was hidden in Mathias' cottage. He was Mathias. When at last the plans matured, and Ashley Grange was sold, he and his wife gave out that they were taking a place in Essex. Exit John Mathias and his wife - for ever."

There was a knock at the coffee-room door, and Masters entered.

"The car is at the door, sir," he said.

Mr Satterthwaite rose. So did Mr Quin, who went across to the window, pulling the curtains. A beam of moonlight streamed into the room.

"The storm is over," he said.

Mr Satterthwaite was pulling on his gloves.

"The Commissioner is dining with me next week," he said importantly. "I shall put my theory - ah! - before him."

"It will be easily proved or disproved," said Mr Quin." A comparison of the objects at Ashley Grange with a list supplied by the French police -!"

"Just so," said Mr Satterthwaite. "Rather hard luck on Mr Bradburn, but, well -"

"He can, I believe, stand the loss," said Mr Quin, Mr Satterthwaite held out his hand.

"Good-bye," he said. "I cannot tell you how much I have appreciated this unexpected meeting. You are leaving here tomorrow, I think you said?"

"Possibly tonight. My business here is done... I come and go, you know."

Mr Satterthwaite remembered hearing those same words earlier in the evening. Rather curious.

He went out to the car and the waiting masters. From the open door into the bar the landlord's voice floated out, rich and complacent.

"A dark mystery," he was saying. "A dark mystery, that's what it is."

But he did not use the word "dark." The word he used suggested quite a different colour. Mr William Jones was a man of discrimination who suited his adjectives to his company. The company in the bar liked their adjectives full flavoured.

Mr Satterthwaite reclined luxuriously in the comfortable limousine.

His breast was swelled with triumph. He saw the girl Mary come out on the steps and stand under the creaking Inn sign.

"She little knows," said Mr Satterthwaite to himself. "She little knows what I am going to do!"

The sign of the "Bells and Motley" swayed gently in the wind.

Chapter 4 THE SIGN IN THE SKY

The Judge was finishing his charge to the jury.

"Now, gentlemen, I have almost finished what I want to say to you.

There is evidence for you to consider as to whether this case is plainly made out against this man so that you may say he is guilty of the murder of Vivien Barnaby. You have had the evidence of the servants as to the time the shot was fired. They have one and all agreed upon it. You have had the evidence of the letter written to the defendant by Vivien Barnaby on the morning of that same day, Friday, September 13th - a letter which the defence has not attempted to deny. You have had evidence that the prisoner first denied having been at Deering Hill, and later, after evidence had been given by the police, admitted he had. You will draw your own conclusions from that denial. This is not a case of direct evidence.

You will have to come to your own conclusions on the subject of motive - of means, of opportunity. The contention of the defence is that some person unknown entered the music room after the defendant had left it, and shot Vivien Barnaby with the gun which, by strange forgetfulness, the defendant had left behind him. You have heard the defendant's story of the reason it took him half an hour to get home. If you disbelieve the defendant's story and are satisfied, beyond any reasonable doubt, that the defendant did, upon Friday, September 13th, discharge his gun at close quarters to Vivien Barnaby's head with intent to kill her, then, gentlemen, your verdict must be Guilty. If, on the other hand, you have any reasonable doubt, it is your duty to acquit the prisoner. I will now ask you to retire to your room and consider and let me know when you have arrived at a conclusion."

The jury were absent a little under half an hour. They returned the verdict that to everyone had seemed a foregone conclusion, the verdict of "Guilty."

Mr Satterthwaite left the court after hearing the verdict, with a thoughtful frown on his face.

A mere murder trial as such did not attract him. He was of too fastidious a temperament to find interest in the sordid details of the average crime. But the Wylde case had been different. Young Martin Wylde was what is termed a gentleman - and the victim, Sir George Barnaby's young wife, had been personally known to the elderly gentleman.

He was thinking of all this as he walked up Holborn, and then plunged into a tangle of mean streets leading in the direction of Soho. In one of these streets there was a small restaurant, known only to the few, of whom Mr Satterthwaite was one. It was not cheap it was, on the contrary, exceedingly expensive, since it catered exclusively for the palate of the jaded gourmet. It was quiet - no strains of jazz were allowed to disturb the hushed atmosphere - it was rather dark, waiters appeared soft-footed out of the twilight, bearing silver dishes with the air of participating in some holy rite.

The name of the restaurant was Arlecchino.

Still thoughtful, Mr Satterthwaite turned into the Arlecchino and made for his favourite table in a recess in the far corner. Owing to the twilight before mentioned, it was not until he was quite close to it that he saw it was already occupied by a tall dark man who sat with his face in shadow, and with a play of colour from a stained window turning his sober garb into a kind of riotous motley.

Mr Satterthwaite would have turned back, but just at that moment the stranger moved slightly and the other recognised him.

"God bless my soul," said Mr Satterthwaite, who was given to oldfashioned expressions. "Why, it's Mr Quin!"

Three times before he had met Mr Quin, and each time the meeting had resulted in something a little out of the ordinary. A strange person, this Mr Quin, with a knack of showing you the things you had known all along in a totally different light.

At once Mr Satterthwaite felt excited - pleasurably excited. His ræle was that of the looker-on, and he knew it, but sometimes when in the company of Mr Quin he had the illusion of being an actor - and the principal actor at that.

"This is very pleasant," he said, beaming all over his dried-up little face. "Very pleasant indeed. You've no objection to my joining you, I hope?"

"I shall be delighted," said Mr Quin. "As you see, I have not yet begun my meal."

A deferential head waiter hovered up out of the shadows. Mr Satterthwaite, as befitted a man with a seasoned palate, gave his whole mind to the task of selection. In a few minutes, the head waiter, a slight smile of approbation on his lips, retired, and a young satellite began his ministrations. Mr Satterthwaite turned to Mr Quin.

"I have just come from the Old Bailey," he began. "A sad business, I thought."

"He was found guilty?" said Mr Quin.

"Yes, the jury were out only half an hour."

Mr Quin bowed his head.

"An inevitable result - on the evidence," he said.

"And yet," began Mr Satterthwaite - and stopped.

Mr Quin finished the sentence for him.

"And yet your sympathies were with the accused? Is that what you were going to say?"

"I suppose it was. Martin Wylde is a nice-looking young fellow - one can hardly believe it of him. All the same, there have been a good many nice-looking young fellows lately who have turned out to be murderers of a particularly cold-blooded and repellent type."

"Too many," said Mr Quin quietly.

"I beg your pardon?" said Mr Satterthwaite, slightly startled.

"Too many for Martin Wylde. There has been a tendency from the beginning to regard this as just one more of a series of the same type of crime - a man seeking to free himself from one woman in order to marry another."

"Well," said Mr Satterthwaite doubtfully. "On the evidence -"

"Ah!" said Mr Quin quickly. "I am afraid I have not followed all the evidence."

Mr Satterthwaite's self-confidence came back to him with a rush. He felt a sudden sense of power. He was tempted to be consciously dramatic.

"Let me try and show it to you. I have met the Barnabys, you understand. I know the peculiar circumstances. With me, you will come behind the scenes - you will see the thing from inside."

Mr Quin leant forward with his quick encouraging smile.

"If anyone can show me that, it will be Mr Satterthwaite," he murmured.

Mr Satterthwaite gripped the table with both hands. He was uplifted, carried out of himself. For the moment, he was an artist pure and simple - an artist whose medium was words.

Swiftly, with a dozen broad strokes, he etched in the picture of life at Deering Hill. Sir George Barnaby, elderly, obese, purse-proud. A man perpetually fussing over the little things of life. A man who wound up his clocks every Friday afternoon, and who paid his own house-keeping books every Tuesday morning, and who always saw to the locking of his own front door every night. A careful man.

And from Sir George he went on to Lady Barnaby. Here his touch was gentler, but none the less sure. He had seen her but once, but his impression of her was definite and lasting. A vivid defiant creature - pitifully young. A trapped child, that was how he described her.

"She hated him, you understand? She had married him before she knew what she was doing. And now -"

She was desperate - that was how he put it. Turning this way and that. She had no money of her own, she was entirely dependent on this elderly husband. But all the same she was a creature at bay - still unsure of her own powers, with a beauty that was as yet more promise than actuality. And she was greedy. Mr Satterthwaite affirmed that definitely. Side by side with defiance there ran a greedy streak - a clasping and a clutching at life.

"I never met Martin Wylde," continued Mr Satterthwaite. "But I heard of him. He lived less than a mile away. Farming, that was his line. And she took an interest in farming - or pretended to. If you ask me, it was pretending. I think that she saw in him her only way of escape - and she grabbed at him, greedily, like a child might have done. Well, there could only be one end to that. We know what that end was, because the letters were read out in court. He kept her letters - she didn't keep his, but from the text of hers one can see that he was cooling off. He admits as much. There was the other girl. She also lived in the village of Deering Vale. Her father was the doctor there.

You saw her in court, perhaps? No, I remember, you were not there, you said. I shall have to describe her to you. A fair girl - very fair.

Gentle. Perhaps - yes, perhaps a tiny bit stupid. But very restful, you know. And loyal. Above all, loyal."

He looked at Mr Quin for encouragement, and Mr Quin gave it him by a slow appreciative smile. Mr Satterthwaite went on.

"You heard that last letter read - you must have seen it, in the papers, I mean. The one written on the morning of Friday, September 13th. It was full of desperate reproaches and vague threats, and it ended by begging Martin Wylde to come to Deering Hill that same evening at six o'clock. 'I will leave the side door open for you, so that no one need know you have been here. I shall be in the music room.'

It was sent by hand."

Mr Satterthwaite paused for a minute or two.

"When he was first arrested, you remember, Martin Wylde denied that he had been to the house at all that evening. His statement was that he had taken his gun and gone out shooting in the woods. But when the police brought forward their evidence, that statement broke down. They had found his finger-prints, you remember, both on the wood of the side door and on one of the two cocktail glasses on the table in the music room. He admitted then that he had come to see Lady Barnaby, that they had had a stormy interview, but that it had ended in his having managed to soothe her down. He swore that he left his gun outside leaning against the wall near the door, and that he left Lady Barnaby alive and well, the time being then a minute or two after a quarter past six. He went straight home, he says. But evidence was called to show that he did not reach his farm until a quarter to seven, and as I have just mentioned, it is barely a mile away. It would not take half an hour to get there. He forgot all about his gun, he declares. Not a very likely statement - and yet -"

"And yet?" queried Mr Quin.

"Well," said Mr Satterthwaite slowly, "it's a possible one, isn't it?

Counsel ridiculed the supposition, of course, but I think he was wrong. You see, I've known a good many young men, and these emotional scenes upset them very much - especially the dark, nervous type like Martin Wylde. Women now, can go through a scene like that and feel positively better for it afterwards, with all their wits about them. It acts like a safety valve for them, steadies their nerves down and all that. But I can see Martin Wylde going away with his head in a whirl, sick and miserable, and without a thought of the gun he had left leaning up against the wall - He was silent for some minutes before he went on.

"Not that it matters. For the next part is only too clear, unfortunately.

It was exactly twenty minutes past six when the shot was heard. All the servants heard it, the cook, the kitchen-maid, the butler, the housemaid and Lady Barnaby's own maid. They came rushing to the music room. She was lying huddled over the arm of her chair. The gun had been discharged close to the back of her head, so that the shot hadn't a chance to scatter. At least two of them penetrated the brain."

He paused again and Mr Quin asked casually.

"The servants gave evidence, I suppose?"

Mr Satterthwaite nodded.

"Yes. The butler got there a second or two before the others, but their evidence was practically a repetition of each other's."

"So they all gave evidence," said Mr Quin musingly. "There were no exceptions?"

"Now I remember it," said Mr Satterthwaite, "the housemaid was only called at the inquest. She's gone to Canada since, I believe."

"I see," said Mr Quin.

There was a silence, and somehow the air of the little restaurant seemed to be charged with an uneasy feeling. Mr Satterthwaite felt suddenly as though he were on the defensive.

"Why shouldn't she?" he said abruptly.

"Why should she?" said Mr Quin with a very slight shrug of the shoulders.

Somehow, the question annoyed Mr Satterthwaite. He wanted to shy away from it - to get back on familiar ground.

"There couldn't be much doubt who fired the shot. As a matter of fact the servants seemed to have lost their heads a bit. There was no one in the house to take charge. It was some minutes before anyone thought of ringing up the police, and when they did so they found that the telephone was out of order."

"Oh!" said Mr Quin. "The telephone was out of order."

"It was," said Mr Satterthwaite - and was struck suddenly by the feeling that he had said something tremendously important. "It might, of course, have been done on purpose," he said slowly. "But there seems no point in that. Death was practically instantaneous."

Mr Quin said nothing, and Mr Satterthwaite felt that his explanation was unsatisfactory.

"There was absolutely no one to suspect but young Wylde," he went on. "By his own account, even, he was only out of the house three minutes before the shot was fired. And who else could have fired it?

Sir George was at a bridge party a few houses away. He left there at half-past six and was met just outside the gate by a servant bringing him the news. The last rubber finished at half-past six exactly - no doubt about that. Then there was Sir George's secretary, Henry Thompson. He was in London that day, and actually at a business meeting at the moment the shot was fired. Finally, there is Sylvia Dale who, after all, had a perfectly good motive, impossible as it seems that she should have had anything to do with such a crime.

She was at the station of Deering Vale seeing a friend off by the 6.28 train. That lets her out. Then the servants. What earthly motive could any one of them have? Besides they all arrived on the spot practically simultaneously. No, it must have been Martin Wylde."

But he said it in a dissatisfied kind of voice.

They went on with their lunch. Mr Quin was not in a talkative mood, and Mr Satterthwaite had said all he had to say. But the silence was not a barren one. It was filled with the growing dissatisfaction of Mr Satterthwaite, heightened and fostered in some strange way by the mere acquiescence of the other man.

Mr Satterthwaite suddenly put down his knife and fork with a clatter.

"Supposing that that young man is really innocent," he said. "he's going to be hanged."

He looked very startled and upset about it. And still Mr Quin said nothing.

"It's not as though -" began Mr Satterthwaite, and stopped. "Why shouldn't the woman go to Canada?" he ended inconsequently.

Mr Quin shook his head.

"I don't even know what part of Canada she went to," continued Mr Satterthwaite peevishly.

"Could you find out?" suggested the other.

"I suppose I could. The butler, now. He'd know. Or possibly Thompson, the secretary."

He paused again. When he resumed speech, his voice sounded almost pleading.

"It's not as though it were anything to do with me?"

"That a young man is going to be hanged in a little over three weeks?"

"Well, yes - if you put it that way, I suppose. Yes, I see what you mean. Life and death. And that poor girl, too. It's not that I'm hardheaded - but, after all - what good will it do? Isn't the whole thing rather fantastic? Even if I found out where the woman's gone in Canada - why, it would probably mean that I should have to go out there myself." Mr Satterthwaite looked seriously upset. "And I was thinking of going to the Riviera next week," he said pathetically.

And his glance towards Mr Quin said as plainly as it could be said, "Do let me off, won't you?"

"You have never been to Canada?"

"Never."

"A very interesting country."

Mr Satterthwaite looked at him undecidedly. "You think I ought to go?"

Mr Quin leaned back in his chair and lighted a cigarette. Between puffs of smoke, he spoke deliberately.

"You are, I believe, a rich man, Mr Satterthwaite. Not a millionaire, but a man able to indulge a hobby without counting the expense. You have looked on at the dramas of other people. Have you never contemplated stepping in and playing a part? Have you never seen yourself for a minute as the arbiter of other peoples' destinies standing in the centre of the stage with life and death in your hands?"

Mr Satterthwaite leant forward. The old eagerness surged over him.

"You mean - if I go on this wild-goose chase to Canada -?"

Mr Quin smiled.

"Oh! It was your suggestion, going to Canada, not mine," he said lightly.

"You can't put me off like that," said Mr Satterthwaite earnestly.

"Whenever I have come across you -" he stopped. "Well?"

"There is something about you I do not understand. Perhaps I never shall. The last time I met you -"

"On Midsummer's Eve."

Mr Satterthwaite was startled, as though the words held a clue that he did not quite understand.

"Was it Midsummer's Eve?" he asked confusedly.

"Yes. But let us not dwell on that. It is unimportant, is it not?"

"Since you say so," said Mr Satterthwaite courteously. He felt that elusive clue slipping through his fingers. "When I come back from Canada -" he paused a little awkwardly - "I - I - should much like to see you again."

"I am afraid I have no fixed address for the moment," said Mr Quin regretfully. "But I often come to this place. If you also frequent it, we shall no doubt meet before very long."

They parted pleasantly.

Mr Satterthwaite was very excited. He hurried round to Cook's and inquired about boat sailings. Then he rang up Deering Hill. The voice of a butler, suave and deferential, answered him.

"My name is Satterthwaite. I am speaking for a - er - firm of solicitors.

I wished to make a few inquiries about a young woman who was recently housemaid in your establishment."

"Would that be Louisa, sir? Louisa Bullard?"

"That is the name," said Mr Satterthwaite, very pleased to be told it.

"I regret she is not in this country, sir. She went to Canada six months ago."

"Can you give me her present address?"

The butler was afraid he couldn't. It was a place in the mountains she had gone to - a Scotch name - ah! Banff, that was it. Some of the other young women in the house had been expecting to hear from her, but she had never written or given them any address.

Mr Satterthwaite thanked him and rang off. He was still undaunted.

The adventurous spirit was strong in his breast.

He would go to Banff. If this Louisa Bullard was there, he would track her down somehow or other.

To his own surprise, he enjoyed the trip greatly. It was many years since he had taken a long sea voyage. The Riviera, Le Touquet and Deauville, and Scotland had been his usual round. The feeling that he was setting off on an impossible mission added a secret zest to his journey. What an utter fool these fellow travellers of his would think him did they but know the object of his quest! But then - they were not acquainted with Mr Quin.

In Banff he found his objective easily attained. Louisa Bullard was employed in the large Hotel there. Twelve hours after his arrival he was standing face to face with her.

She was a woman of about thirty-five, anaemic looking, but with a strong frame. She had pale brown hair inclined to curl, and a pair of honest brown eyes. She was, he thought, slightly stupid, but very trustworthy.

She accepted quite readily his statement that he had been asked to collect a few further facts from her about the tragedy at Deering Hill.

"I saw in the paper that Mr Martin Wylde had been convicted, sir.

Very sad, it is, too."

She seemed, however, to have no doubt as to his guilt. "A nice young gentleman gone wrong. But though I wouldn't speak ill of the dead, it was her ladyship what led him on. Wouldn't leave him alone, she wouldn't. Well, they've both got their punishment. There's a text used to hang on my wall when I was a child, 'God is not mocked,' and it's very true. I knew something was going to happen that very evening and sure enough it did."

"How was that?" said Mr Satterthwaite.

"I was in my room, sir, changing my dress, and I happened to glance out of the window. There was a train going along, and the white smoke of it rose up in the air, and if you'll believe me it formed itself into the sign of a gigantic hand. A great white hand against the crimson of the sky. The fingers were crooked like, as though they were reaching out for something. It fair gave me a turn. 'Did you ever now?' I said to myself. 'That's a sign of something coming -' and sure enough at that very minute I heard the shot. "It's come," I said to myself, and I rushed downstairs and joined Carrie and the others who were in the hall, and we went into the music room and there she was, shot through the head - and the blood and everything. Horrible!

I spoke up, I did, and told Sir George how I'd seen the sign beforehand, but he didn't seem to think much of it. An unlucky day, that was, I'd felt it in my bones from early in the morning. Friday, and the 13th - what could you expect?"

She rambled on. Mr Satterthwaite was patient. Again and again he took her back to the crime, questioning her closely. In the end he was forced to confess defeat. Louisa Bullard had told all she knew, and her story was perfectly simple and straightforward.

Yet he did discover one fact of importance. The post in question had been suggested to her by Mr Thompson, Sir George's secretary. The wages attached were so large that she was tempted, and accepted the job, although it involved her leaving England very hurriedly. A Mr Denman had made all the arrangements this end and had also warned her not to write to her fellow-servants in England, as this might get her into trouble with the immigration authorities, which statement she had accepted in blind faith.

The amount of wages, casually mentioned by her, was indeed so large that Mr Satterthwaite was startled. After some hesitation he made up his mind to approach this Mr Denman.

He found very little difficulty in inducing Mr Denman to tell all he knew. The latter had come across Thompson in London and Thompson had done him a good turn. The secretary had written to him in September saying that for personal reasons Sir George was anxious to get this girl out of England. Could he find her a job? A sum of money had been sent to raise the wages to a high figure.

"Usual trouble, I guess," said Mr Denman, leaning back nonchalantly in his chair. "Seems a nice quiet girl, too."

Mr Satterthwaite did not agree that this was the usual trouble. Louisa Bullard, he was sure, was not a cast-off fancy of Sir George Barnaby's. For some reason it had been vital to get her out of England. But why? And who was at the bottom of it? Sir George himself, working through Thompson? Or the latter working on his own initiative, and dragging in his employer's name?

Still pondering over these questions, Mr Satterthwaite made the return journey. He was cast down and despondent. His journey had done no good.

Suffering under a sense of failure, he made his way to the Arlecchino the day after his return. He hardly expected to be successful the first time, but to his satisfaction the familiar figure was sitting at the table in the recess, and the dark face of Mr Harley Quin smiled a welcome.

"Well," said Mr Satterthwaite as he helped himself to a pat of butter, "you sent me on a nice wild-goose chase."

Mr Quin raised his eyebrows.

"I sent you?" he objected. "It was your own idea entirely."

"Whosever idea it was, it's not succeeded. Louisa Bullard has nothing to tell."

Thereupon Mr Satterthwaite related the details of his conversation with the housemaid and then went on to his interview with Mr Denman. Mr Quin listened in silence.

"In one sense, I was justified," continued Mr Satterthwaite. "She was deliberately got out of the way. But why? I can't see it."

"No?" said Mr Quin, and his voice was, as ever, provocative.

Mr Satterthwaite flushed.

"I daresay you think I might have questioned her more adroitly. I can assure you that I took her over the story again and again. It was not my fault that I did not get what we want."

"Are you sure," said Mr Quin, "that you did not get what you want?"

Mr Satterthwaite looked up at him in astonishment, and met that sad, mocking gaze he knew so well. The little man shook his head, slightly bewildered. There was a silence, and then Mr Quin said, with a total change of manner -

"You gave me a wonderful picture the other day of the people in this business. In a few words you made them stand out as clearly as though they were etched. I wish you would do something of that kind for the place - you left that in shadow."

Mr Satterthwaite was flattered.

"The place? Deering Hill? Well, it's a very ordinary sort of house nowadays. Red brick, you know, and bay windows. Quite hideous outside, but very comfortable inside. Not a very large house. About two acres of ground. They're all much the same, those houses round the links. Built for rich men to live in. The inside of the house is reminiscent of a hotel - the bedrooms are like hotel suites. Baths and hot and cold basins in all the bedrooms and a good many gilded electric-light fittings. All wonderfully comfortable, but not very country-like. You can tell that Deering Vale is only nineteen miles from London."

Mr Quin listened attentively.

"The train service is bad, I have heard," he remarked.

"Oh! I don't know about that," said Mr Satterthwaite, warming to his subject. "I was down there for a bit last summer. I found it quite convenient for town. Of course the trains only go every hour. 48 minutes past the hour from Waterloo - up to 10.48."

"And how long does it take to Deering Vale?"

"Just about three quarters of an hour. 28 minutes past the hour at Deering Vale."

"Of course," said Mr Quin with a gesture of vexation. "I should have remembered. Miss Dale saw someone off by the 6.28 that evening, didn't she?"

Mr Satterthwaite did not reply for a minute or two. His mind had gone back with a rush to his unsolved problem. Presently he said, "I wish you would tell me what you meant just now when you asked me if I was sure I had not got what I wanted?"

It sounded rather complicated, put that way, but Mr Quin made no pretence of not understanding.

"I just wondered if you weren't being a little too exacting. After all, you found out that Louisa Bullard was deliberately got out of the country. That being so, there must be a reason. And the reason must lie in what she said to you."

"Well," said Mr Satterthwaite argumentatively.

"What did she say? If she'd given evidence at the trial, what could she have said?"

"She might have told what she saw," said Mr Quin.

"What did she see?"

"A sign in the sky."

Mr Satterthwaite stared at him.

"Are you thinking of that nonsense? That superstitious notion of its being the hand of God?"

"Perhaps," said Mr Quin, "for all you and I know it may have been the hand of God, you know."

The other was clearly puzzled at the gravity of his manner.

"Nonsense," he said. "She said herself it was the smoke of the train."

"An up train or a down train, I wonder?" murmured Mr Quin.

"Hardly an up train. They go at ten minutes to the hour. It must have been a down train - the 6.28 - no, that won't do. She said the shot came immediately afterwards, and we know the shot was fired at twenty minutes past six. The train couldn't have been ten minutes early."

"Hardly, on that line," agreed Mr Quin.

Mr Satterthwaite was staring ahead of him.

"Perhaps a goods train," he murmured. "But surely, if -"

"There would have been no need to get her out of England. I agree," said Mr Quin.

Mr Satterthwaite gazed at him, fascinated.

"The 6.28," he said slowly. "But if so, if the shot was fired then, why did everyone say it was earlier?"

"Obvious," said Mr Quin. "The clocks must have been wrong."

"All of them?" said Mr Satterthwaite doubtfully. "That's a pretty tall coincidence, you know."

"I wasn't thinking of it as a coincidence," said the other. "I was thinking it was Friday."

"Friday?" said Mr Satterthwaite.

"You did tell me, you know, that Sir George always wound the clocks on a Friday afternoon," said Mr Quin apologetically.

"He put them back ten minutes," said Mr Satterthwaite, almost in a whisper, so awed was he by the discoveries he was making. "Then he went out to bridge. I think he must have opened the note from his wife to Martin Wylde that morning - yes, decidedly he opened it. He left his bridge party at 6.30, found Martin's gun standing by the side door, and went in and shot her from behind. Then he went out again, threw the gun into the bushes where it was found later, and was apparently just coming out of the neighbour's gate when someone came running to fetch him. But the telephone - what about the telephone? Ah! yes, I see. He disconnected it so that a summons could not be sent to the police that way - they might have noted the time it was received. And Wylde's story works out now. The real time he left was five and twenty minutes past six. Walking slowly, he would reach home about a quarter to seven. Yes, I see it all. Louisa was the only danger with her endless talk about her superstitious fancies. Someone might realise the significance of the train and then - good-bye to that excellent alibi."

"Wonderful," commented Mr Quin.

Mr Satterthwaite turned to him, flushed with success.

"The only thing is - how to proceed now?"

"I should suggest Sylvia Dale," said Mr Quin.

Mr Satterthwaite looked doubtful.

"I mentioned to you," he said, "she seemed to me a little - er stupid."

"She has a father and brothers who will take the necessary steps."

"That is true," said Mr Satterthwaite, relieved.

A very short time afterwards he was sitting with the girl telling her the story. She listened attentively. She put no questions to him but when he had done she rose.

"I must have a taxi - at once."

"My dear child, what are you going to do?"

"I am going to Sir George Barnaby."

"Impossible. Absolutely the wrong procedure. Allow me -"

He twittered on by her side. But he produced no impression. Sylvia Dale was intent on her own plans. She allowed him to go with her in the taxi, but to all his remonstrances she addressed a deaf ear. She left him in the taxi while she went into Sir George's city office.

It was half an hour later when she came out. She looked exhausted, her fair beauty drooping like a waterless flower. Mr Satterthwaite received her with concern.

"I've won," she murmured, as she leant back with half-closed eyes.

"What?" he was startled, "What did you do? What did you say?"

She sat up a little.

"I told him that Louisa Bullard had been to the police with her story. I told him that the police had made inquiries and that he had been seen going into his own grounds and out again a few minutes after half-past six. I told him that the game was up. He - he went to pieces.

I told him that there was still time for him to get away, that the police weren't coming for another hour to arrest him. I told him that if he'd sign a confession that he'd killed Vivien I'd do nothing, but that if he didn't I'd scream and tell the whole building the truth. He was so panicky that he didn't know what he was doing. He signed the paper without realising what he was doing."

She thrust it into his hands.

"Take it - take it. You know what to do with it so that they'll set Martin free."

"He actually signed it," cried Mr Satterthwaite, amazed.

"He is a little stupid, you know," said Sylvia Dale.

"So am I," she added as an afterthought. "That's why I know how stupid people behave. We get rattled, you know, and then we do the wrong thing and are sorry afterwards."

She shivered and Mr Satterthwaite patted her hand.

"You need something to pull you together," he said. "Come, we are close to a very favourite resort of mine - the Arlecchino. Have you ever been there?"

She shook her head.

Mr Satterthwaite stopped the taxi and took the girl into the little restaurant. He made his way to the table in the recess, his heart beating hopefully. But the table was empty.

Sylvia Dale saw the disappointment in his face.

"What is it?" she asked.

"Nothing," said Mr Satterthwaite. "That is, I half expected to see a friend of mine here. It doesn't matter. Some day, I expect, I shall see him again..."

Chapter 5 THE SOUL OF THE CROUPIER

Mr Satterthwaite was enjoying the sunshine on the terrace at Monte

Carlo.

Every year regularly on the second Sunday in January, Mr Satterthwaite left England for the Riviera. He was far more punctual than any swallow. In the month of April he returned to England, May and June he spent in London, and had never been known to Miss Ascot. He left town after the Eton and Harrow match, paying a few country house visits before repairing to Deauville or Le Touquet.

Shooting parties occupied most of September and October, and he usually spent a couple of months in town to wind up the year. He knew everybody and it may safely be said that everybody knew him.

This morning he was frowning. The blue of the sea was admirable, the gardens were, as always, a delight, but the people disappointed him - he thought them an ill-dressed, shoddy crowd. Some, of course, were gamblers, doomed souls who could not keep away.

Those Mr Satterthwaite tolerated. They were a necessary background. But he missed the usual leaven of the elite - his own people.

"It's the exchange," said Mr Satterthwaite gloomily. "All sort of people come here now who could never have afforded it before. And then, of course, I'm getting old... All the young people - the people coming on - they go to these Swiss places."

But there were others that he missed, the well-dressed Barons and Counts of foreign diplomacy, the Grand Dukes and the Royal Princes. The only Royal Prince he had seen so far was working a lift in one of the less well-known hotels. He missed, too, the beautiful and expensive ladies. There was still a few of them, but not nearly as many as there used to be.

Mr Satterthwaite was an earnest student of the drama called Life, but he liked his material to be highly coloured. He felt discouragement sweep over him. Values were changing - and he was too old to change.

It was at that moment that he observed the Countess Czarnova coming towards him.

Mr Satterthwaite had seen the Countess at Monte Carlo for many seasons now. The first time he had seen her she had been in the company of a Grand Duke. On the next occasion she was with an Austrian Baron. On successive years her friends had been of Hebraic extraction, sallow men with hooked noses, wearing rather flamboyant jewellery. For the last year or two she was much seen with very young men, almost boys.

She was walking with a very young man now. Mr Satterthwaite happened to know him, and he was sorry. Franklin Rudge was a young American, a typical product of one of the Middle West States, eager to register impression, crude, but loveable, a curious mixture of native shrewdness and idealism. He was in Monte Carlo with a party of other young Americans of both sexes, all much of the same type. It was their first glimpse of the Old World and they were outspoken in criticism and in appreciation.

On the whole they disliked the English people in the hotel, and the English people disliked them. Mr Satterthwaite, who prided himself on being a cosmopolitan, rather liked them. Their directness and vigour appealed to him, though their occasional solecisms made him shudder.

It occurred to him that the Countess Czarnova was a most unsuitable friend for young Franklin Rudge.

He took off his hat politely as they came abreast of him, and the Countess gave him a charming bow and smile.

She was a very tall woman, superbly made. Her hair was black, so were her eyes, and her eyelashes and eyebrows were more superbly black than any Nature had ever fashioned.

Mr Satterthwaite, who knew far more of feminine secrets than it is good for any man to know, rendered immediate homage to the art with which she was made up. Her complexion appeared to be flawless, of a uniform creamy white.

The very faint shadows under her eyes were most effective. Her mouth was neither crimson nor scarlet, but a subdued wine colour.

She was dressed in a very daring creation of black and white and carried a parasol of the shade of pinky red which is most helpful to the complexion.

Franklin Rudge was looking happy and important.

"There goes a young fool," said Mr Satterthwaite to himself. "But I suppose it's no business of mine and anyway he wouldn't listen to me. Well, well, I've bought experience myself in my time."

But he still felt rather worried, because there was a very attractive little American girl in the party, and he was sure that she would not like Franklin Rudge's friendship with the Countess at all.

He was just about to retrace his steps in the opposite direction when he caught sight of the girl in question coming up one of the paths towards him. She wore a well-cut tailor-made suit with a white muslin shirt waist, she had on good, sensible walking shoes, and carried a guide-book. There are some Americans who pass through Paris and emerge clothed as the Queen of Sheba, but Elizabeth Martin was not one of them. She was "doing Europe" in a stern, conscientious spirit.

She had high ideas of culture and art and she was anxious to get as much as possible for her limited store of money.

It is doubtful if Mr Satterthwaite thought of her as either cultured or artistic. To him she merely appeared very young.

"Good morning, Mr Satterthwaite," said Elizabeth. "Have you seen Franklin - Mr Rudge - anywhere about?"

"I saw him just a few minutes ago."

"With his friend the Countess, I suppose," said the girl sharply.

"Er - with the Countess, yes," admitted Mr Satterthwaite.

"That Countess of his doesn't cut any ice with me -" said the girl in a rather high, shrill voice. "Franklin's just crazy about her. Why I can't think."

"She's got a very charming manner, I believe," said Mr Satterthwaite cautiously.

"Do you know her?"

"Slightly."

"I'm right down worried about Franklin," said Miss Martin. "That boy's got a lot of sense as a rule. You'd never think he'd fall for this sort of siren stuff. And he won't hear a thing, he gets madder than a hornet if anyone tries to say a word to him. Tell me, anyway - is she a real Countess?"

"I shouldn't like to say," said Mr Satterthwaite. "She may be."

"That's the real Ha Ha English manner," said Elizabeth with signs of displeasure. "All I can say is that in Sargon Springs - that's our home town, Mr Satterthwaite - that Countess would look a mighty queer bird."

Mr Satterthwaite thought it possible. He forebore to point out that they were not in Sargon Springs but in the principality of Monaco, where the Countess happened to synchronise with her environment a great deal better than Miss Martin did.

He made no answer and Elizabeth went on towards the Casino. Mr Satterthwaite sat on a seat in the sun, and was presently joined by Franklin Rudge.

Rudge was full of enthusiasm.

"I'm enjoying myself," he announced with nañve enthusiasm. "Yes, sir! This is what I call seeing life - rather a different kind of life from what we have in the States."

The elder man turned a thoughtful face to him.

"Life is lived very much the same everywhere," he said rather wearily. "It wears different clothes - that's all."

Franklin Rudge stared.

"I don't get you."

"No," said Mr Satterthwaite. "That's because you've got a long way to travel yet. But I apologise. No elderly man should permit himself to get into the habit of preaching."

"Oh! That's all right," Rudge laughed, displaying the beautiful teeth of all his countrymen. "I don't say, mind you, that I'm not disappointed in the Casino. I thought the gambling would be different - something much more feverish. It seems just rather dull and sordid to me."

"Gambling is life and death to the gambler, but it has no great spectacular value," said Mr Satterthwaite. "It is more exciting to read about than to see."

The young man nodded his agreement.

"You're by way of being rather a big bug socially, aren't you?" he asked with a diffident candour that made it impossible to take offence. "I mean, you know all the Duchesses and Earls and Countesses and things."

"A good many of them," said Mr Satterthwaite. "And also the Jews and the Portuguese and the Greeks and the Argentines."

"Eh?" said Mr Rudge.

"I was just explaining," said Mr Satterthwaite, "that I move in English society."

Franklin Rudge meditated for a moment or two.

"You know the Countess Czarnova, don't you?" he said at length.

"Slightly," said Mr Satterthwaite, making the same answer he had made to Elizabeth.

"Now there's a woman whom it's been very interesting to meet.

One's inclined to think that the aristocracy of Europe is played out and effkte. That may be true of the men, but the women are different.

Isn't it a pleasure to meet an exquisite creature like the Countess?

Witty, charming, intelligent, generations of civilisation behind her, an aristocrat to her finger-tips!"

"Is she?" asked Mr Satterthwaite.

"Well, isn't she? You know what her family are?"

"No," said Mr Satterthwaite. "I'm afraid I know very little about her."

"She was a Radzynski," he explained Franklin Rudge. "One of the oldest families in Hungary. She's had the most extraordinary life. You know that great rope of pearls she wears?"

Mr Satterthwaite nodded.

"That was given her by the King of Bosnia. She smuggled some secret papers out of the kingdom for him."

"I heard," said Mr Satterthwaite, "that the pearls had been given her by the King of Bosnia."

The fact was indeed a matter of common gossip, it being reported that the lady had been a cher amie of His Majesty's in days gone by.

"Now I'll tell you something more."

Mr Satterthwaite listened, and the more he listened the more he admired the fertile imagination of the Countess Czarnova. No vulgar "siren stuff" (as Elizabeth Martin had put it) for her. The young man was shrewd enough in that way, clean living and idealistic. No, the Countess moved austerely through a labyrinth of diplomatic intrigues. She had enemies, detractors - naturally! It was a glimpse, so the young American was made to feel, into the life of the old regime with the Countess as the central figure, aloof, aristocratic, the friend of counsellors and princes, a figure to inspire romantic devotion.

"And she's had any amount to contend against," ended the young man warmly. "It's an extraordinary thing but she's never found a woman who would be a real friend to her. Women have been against her all her life."

"Probably," said Mr Satterthwaite.

"Don't you call it a scandalous thing?" demanded Rudge hotly.

"N-no," said Mr Satterthwaite thoughtfully. "I don't know that I do.

Women have got their own standards, you know. It's no good our mixing ourselves up in their affairs. They must run their own show."

"I don't agree with you," said Rudge earnestly. "It's one of the worst things in the world today, the unkindness of woman to woman. You know Elizabeth Martin? Now she agrees with me in theory absolutely. We've often discussed it together. She's only a kid, but her ideas are all right. But the moment it comes to a practical test why, she's as bad as any of them. Got a real down on the Countess without knowing a darned thing about her, and won't listen when I try to tell her things. It's all wrong, Mr Satterthwaite. I believe in democracy - and - what's that but brotherhood between men and sisterhood between women?"

He paused earnestly. Mr Satterthwaite tried to think of any circumstances in which a sisterly feeling might arise between the Countess and Elizabeth Martin and failed.

"Now the Countess, on the other hand," went on Rudge, "admires Elizabeth immensely, and thinks her charming in every way. Now what does that show?"

"It shows," said Mr Satterthwaite dryly, "that the Countess has lived a considerable time longer than Miss Martin has."

Franklin Rudge went off unexpectedly at a tangent.

"Do you know how old she is? She told me. Rather sporting of her. I should have guessed her to be twenty-nine, but she told me of her own accord that she was thirty-five. She doesn't look it, does she?"

Mr Satterthwaite, whose private estimate of the lady's age was between forty-five and forty-nine, merely raised his eyebrows.

"I should caution you against believing all you are told at Monte Carlo," he murmured.

He had enough experience to know the futility of arguing with the lad. Franklin Rudge was at a pitch of white hot chivalry when he would have disbelieved any statement that was not backed with authoritative proof.

"Here is the Countess," said the boy, rising.

She came up to them with the languid grace that so became her.

Presently they all three sat down together. She was very charming to Mr Satterthwaite, but in rather an aloof manner. She deferred to him prettily, asking his opinion, and treating him as an authority on the Riviera.

The whole thing was cleverly managed. Very few minutes had elapsed before Franklin Rudge found himself gracefully but unmistakably dismissed, and the Countess and Mr Satterthwaite were left tkte-a-tkte.

She put down her parasol and began drawing patterns with it in the dust.

"You are interested in that nice American boy, Mr Satterthwaite, are you not?"

Her voice was low with a caressing note in it.

"He's a nice young fellow," said Mr Satterthwaite, non-committally.

"I find him sympathetic, yes," said the Countess reflectively. "I have told him much of my life."

"Indeed," said Mr Satterthwaite.

"Details such as I have told to few others," she continued dreamily. "I have had an extraordinary life, Mr Satterthwaite. Few would credit the amazing things that have happened to me."

Mr Satterthwaite was shrewd enough to penetrate her meaning.

After all, the stories that she had told to Franklin Rudge might be the truth. It was extremely unlikely, and in the last degree improbable, but it was possible... No one could definitely say, "That is not so -"

He did not reply, and the Countess continued to look out dreamily across the bay.

And suddenly Mr Satterthwaite had a strange and new impression of her. He saw her no longer as a harpy, but as a desperate creature at bay, fighting tooth and nail. He stole a sideways glance at her. The parasol was down, he could see the little haggard lines at the corners of her eyes. In one temple a pulse was beating.

It flowed through him again and again - that increasing certitude.

She was a creature desperate and driven. She would be merciless to him or to anyone who stood between her and Franklin Rudge. But he still felt he hadn't got the hang of the situation. Clearly she had plenty of money. She was always beautifully dressed, and her jewels were marvellous. There could be no real urgency of that kind. Was it love?

Women of her age did, he well knew, fall in love with boys. It might be that. There was, he felt sure, something out of the common about the situation.

Her tkte-a-tkte with him was, he recognised, a throwing down of the gauntlet. She had singled him out as her chief enemy. He felt sure that she hoped to goad him into speaking slightingly of her to Franklin Rudge. Mr Satterthwaite smiled to himself. He was too old a bird for that. He knew when it was wise to hold one's tongue.

He watched her that night in the Cercle Privû, as she tried her fortunes at roulette.

Again and again she staked, only to see her stake swept away. She bore her losses well, with the stoical sang froid of the old habituû.

She staked en plein once or twice, put the maximum on red, won a little on the middle dozen and then lost it again, finally she backed manquû six times and lost every time. Then with a little graceful shrug of the shoulders she turned away.

She was looking unusually striking in a dress of gold tissue with an underlying note of green. The famous Bosnian pearls were looped round her neck and long pearl earrings hung from her ears.

Mr Satterthwaite heard two men near him appraise her.

"The Czarnova," said one, "she wears well, does she not? The Crown jewels of Bosnia look fine on her."

The other, a small Jewish-looking man, stared curiously after her.

"So those are the pearls of Bosnia, are they?" he asked. "En veritû.

That is odd."

He chuckled softly to himself.

Mr Satterthwaite missed hearing more, for at the moment he turned his head and was overjoyed to recognise an old friend.

"My dear Mr Quin." He shook him warmly by the hand. "The last place I should ever have dreamed of seeing you."

Mr Quin smiled, his dark attractive face lighting up.

"It should not surprise you," he said. "It is Carnival time. I am often here in Carnival time."

"Really? Well, this is a great pleasure. Are you anxious to remain in the rooms? I find them rather warm."

"It will be pleasanter outside," agreed the other. "We will walk in the gardens."

The air outside was sharp, but not chill. Both men drew deep breaths.

"That is better," said Mr Satterthwaite.

"Much better," agreed Mr Quin. "And we can talk freely. I am sure that there is much that you want to tell me."

"There is indeed."

Speaking eagerly, Mr Satterthwaite unfolded his perplexities. As usual he took pride in his power of conveying atmosphere. The Countess, young Franklin, uncompromising Elizabeth - he sketched them all in with a deft touch.

"You have changed since I first knew you," said Mi. Quin, smiling, when the recital was over.

"In what way?"

"You were content then to look on at the drama that life offered. Now - you want to take part - to act."

"It is true," confessed Mr Satterthwaite. "But in this case I do not know what to do. It is all very perplexing. Perhaps -" he hesitated.

"Perhaps you will help me?"

"With pleasure," said Mr Quin. "We will see what we can do."

Mr Satterthwaite had an odd sense of comfort and reliance.

The following day he introduced Franklin Rudge and Elizabeth Martin to his friend Mr Harley Quin. He was pleased to see that they got on together. The Countess was not mentioned, but at lunch time he heard news that aroused his attention.

"Mirabelle is arriving in Monte this evening," he confided excitedly to Mr Quin.

"The Parisian stage favourite?"

"Yes. I daresay you know - it's common property - she is the King of Bosnia's latest craze. He has showered jewels on her, I believe. They say she is the most exacting and extravagant woman in Paris."

"It should be interesting to see her and the Countess Czarnova meet tonight."

"Exactly what I thought."

Mirabelle was a tall, thin creature with a wonderful head of dyed fair hair. Her complexion was a pale mauve with orange lips. She was amazingly chic. She was dressed in something that looked like a glorified bird of paradise, and she wore chains of jewels hanging down her bare back. A heavy bracelet set with immense diamonds clasped her left ankle.

She created a sensation when she appeared in the Casino.

"Your friend the Countess will have a difficulty in outdoing this," murmured Mr Quin in Mr Satterthwaite's ear.

The latter nodded. He was curious to see how the Countess comported herself.

She came late, and a low murmur ran round as she walked unconcernedly to one of the centre roulette tables.

She was dressed in white - a mere straight slip of marocain such as a debutante might have worn and her gleaming white neck and arms were unadorned. She wore not a single jewel.

"It is clever, that," said Mr Satterthwaite with instant approval. "She disdains rivalry and turns the tables on her adversary."

He himself walked over and stood by the table. From time to time he amused himself by "placing a stake." Sometimes he won, more often he lost.

There was a terrific run on the last dozen. The numbers 31 and 34 turned up again and again. Stakes flocked to the bottom of the cloth.

With a smile Mr Satterthwaite made his last stake for the evening, and placed the maximum on Number 5.

The Countess in her turn leant forward and placed the maximum on Number 6.

"Faites vos jeux," called the croupier hoarsely. "Rien n'est va plus.

Plus rien."

The ball span, humming merrily. Mr Satterthwaite thought to himself -

"This means something different to each of us. Agonies of hope and despair, boredom, idle amusement, life and death."

Click!

The croupier bent forward to see.

"Numero cinque, rouge, impair et manque!"

Mr Satterthwaite had won!

The croupier, having raked in the other stakes, pushed forward Mr Satterthwaite's winnings. He put out his hand to take them. The Countess did the same. The croupier looked from one to the other of them.

"A Madame," he said brusquely.

The Countess picked up the money. Mr Satterthwaite drew back. He remained a gentleman. The Countess looked him full in the face and he returned her glance. One or two of the people round pointed out to the croupier that he had made a mistake, but the man shook his head impatiently. He had decided. That was the end. He raised his raucous cry, "Paites vos jeux, Messieurs et Mesdames."

Mr Satterthwaite rejoined Mr Quin. Beneath his impeccable demeanour, he was feeling extremely indignant. Mr Quin listened sympathetically.

"Too bad," he said, "but these things happen."

"We are to meet your friend Franklin Rudge later. I am giving a little supper party."

The three met at midnight, and Mr Quin explained his plan.

"It is what is called a "Hedges and Highways" party," he explained.

"We choose our meeting place, then each one goes out and is bound in honour to invite the first person he meets."

Franklin Rudge was amused by the idea, "Say, what happens if they won't accept?"

"You must use your utmost powers of persuasion."

"Good. And where's the meeting place?"

"A somewhat Bohemian cafû - where one can take strange guests. It is called Le Caveau."

He explained its whereabouts, and the three parted. Mr Satterthwaite was so fortunate as to run straight into Elizabeth Martin and he claimed her joyfully. They reached Le Caveau and descended into a kind of cellar where they found a table spread for supper and lit by old-fashioned candles in candlesticks.

"We are the first," said Mr Satterthwaite. "Ah! here comes Franklin -"

He stopped abruptly. With Franklin was the Countess. It was an awkward moment. Elizabeth displayed less graciousness than she might have done. The Countess, as a woman of the world, retained the honours.

Last of all came Mr Quin. With him was a small, dark man, neatly dressed, whose face seemed familiar to Mr Satterthwaite. A moment later he recognised him. It was the croupier who earlier in the evening had made such a lamentable mistake.

"Let me introduce you to the company, M. Pierre Vaucher," said Mr Quin.

The little man seemed confused. Mr Quin performed the necessary introductions easily and lightly. Supper was brought - an excellent supper. Wine came - very excellent wine. Some of the frigidity went out of the atmosphere.

The Countess was very silent, so was Elizabeth. Franklin Rudge became talkative. He told various stories - not humorous stories, but serious ones. And quietly and assiduously Mr Quin passed round the wine.

"I'll tell you - and this is a true story - about a man who made good," said Franklin Rudge impressively.

For one coming from a Prohibition country he had shown no lack of appreciation of champagne.

He told his story - perhaps at somewhat unnecessary length. It was, like many true stories, greatly inferior to fiction.

As he uttered the last word, Pierre Vaucher, opposite him, seemed to wake up. He also had done justice to the champagne. He leaned forward across the table.

"I, too, will tell you a story," he said thickly. "But mine is the story of a man who did not make good. It is the story of a man who went, not up, but down the hill. And, like yours, it is a true story."

"Pray tell it to us, monsieur," said Mr Satterthwaite courteously.

Pierre Vaucher leant back in his chair and looked at the ceiling.

"It is in Paris that the story begins. There was a man there, a working jeweller. He was young and light-hearted and industrious in his profession. They said there was a future before him. A good marriage was already arranged for him, the bride not too badlooking, the dowry most satisfactory. And then, what do you think?

One morning he sees a girl. Such a miserable little wisp of a girl, messieurs. Beautiful? Yes, perhaps, if she were not half starved. But anyway, for this young man, she has a magic that he cannot resist.

She has been struggling to find work, she is virtuous - or at least that is what she tells him. I do not know if it is true."

The Countess's voice came suddenly out of the semi-darkness.

"Why should it not be true? There are many like that."

"Well, as I say, the young man believed her. And he married her - an act of folly! His family would have no more to say to him. He had outraged their feelings. He married - I will call her Jeanne - it was a good action. He told her so. He felt that she should be very grateful to him. He had sacrificed much for her sake."

"A charming beginning for the poor girl," observed the Countess sarcastically.

"He loved her, yes, but from the beginning she maddened him. She had moods - tantrums - she would be cold to him one day, passionate the next. At last he saw the truth. She had never loved him. She had married him so as to keep body and soul together. That truth hurt him, it hurt him horribly, but he tried his utmost to let nothing appear on the surface. And he still felt he deserved gratitude and obedience to his wishes. They quarrelled. She reproached him - Mon Dieu, what did she not reproach him with?"

"You can see the next step, can you not? The thing that was bound to come. She left him. For two years he was alone, working in his little shop with no news of her. He had one friend - absinthe. The business did not prosper so well.

"And then one day he came into the shop to find her sitting there.

She was beautifully dressed. She had rings on her hands. He stood considering her. His heart was beating - but beating! He was at a loss what to do. He would have liked to have beaten her, to have clasped her in his arms, to have thrown her down on the floor and trampled on her, to have thrown himself at her feet. He did none of those things. He took up his pincers and went on with his work.

"'Madame desires?' he asked formally.

"That upset her. She did not look for that, you see.

"'Pierre,' she said. 'I have come back.'

"He laid aside his pincers and looked at her.

"'You wish to be forgiven?' he said. 'You want me to take you back?

You are sincerely repentant?'

"'Do you want me back?' she murmured. Oh! Very softly she said it.

"He knew she was laying a trap for him. He longed to seize her in his arms, but he was too clever for that. He pretended indifference.

"'I am a Christian man,' he said. 'I try to do what the Church directs.'

"'Ah!' he thought, 'I will humble her, humble her to her knees.'

"But Jeanne, that is what I will call her, flung back her head and laughed. Evil laughter it was. 'I mock myself at you, little Pierre,' she said. 'Look at these rich clothes, these rings and bracelets. I came to show myself to you. I thought I would make you take me in your arms and when you did so, then - then I would spit in your face and tell you how I hated you!'

"And on that she went out of the shop. Can you believe, messieurs, that a woman could be as evil as all that - to come back only to torment me?"

"No," said the Countess. "I would not believe it, and any man who was not a fool would not believe it either. But all men are blind fools."

Pierre Vaucher took no notice of her. He went on.

"And so that young man of whom I tell you sank lower and lower. He drank more absinthe. The little shop was sold over his head. He became of the dregs, of the gutter. Then came the war. Ah! It was good, the war. It took that man out of the gutter and taught him to be a brute beast no longer. It drilled him - and sobered him. He endured cold and pain and the fear of death - but he did not die and when the war ended, he was a man again.

"It was then, messieurs, that he came South. His lungs had been affected by the gas, they said he must find work in the South. I will not weary you with all the things he did. Suffice it to say that he ended up as a croupier, and there - there in the Casino one evening, he saw her again - the woman who had ruined his life. She did not recognise him, but he recognised her. She appeared to be rich and to lack for nothing - but, messieurs, the eyes of a croupier are sharp.

There came an evening when she placed her last stake in the world on the table. Ask me not how I know - I do know - one feels these things. Others might not believe. She still had rich clothes - why not pawn them, one would say? But to do that - pah! your credit is gone at once. Her jewels? Ah no! Was I not a jeweller in my time? Long ago the real jewels have gone. The pearls of a King are sold one by one, are replaced with false. And meantime one must eat and pay one's hotel bill. Yes, and the rich men - well, they have seen one about for many years. Bah! they say - she is over fifty. A younger chicken for my money."

A long shuddering sigh came out of the windows where the Countess leant back "Yes. It was a great moment, that. Two nights I have watched her.

Lose, lose, and lose again. And now the end. She put all on one number. Beside her, an English milord stakes the maximum also - on the next number. The ball rolls... The moment has come, she has lost...

"Her eyes meet mine. What do I do? I jeopardise my place in the Casino. I rob the English milord. 'A Madame' I say, and pay over the money."

"Ah!" There was a crash, as the Countess sprang to her feet and leant across the table, sweeping her glass on to the floor.

"Why?" she cried. "That's what I want to know, why did you do it?"

There was a long pause, a pause that seemed interminable, and still those two facing each other across the table looked and looked... It was like a duel.

A mean little smile crept across Pierre Vaucher's face. He raised his hands.

"Madame," he said, "there is such a thing as pity..."

"Ah!"

She sank down again.

"I see."

She was calm, smiling, herself again.

"An interesting story, M. Vaucher, is it not? Permit me to give you a light for your cigarette."

She deftly rolled up a spill, and lighted it at the candle and held it towards him. He leaned forward till the flame caught the tip of the cigarette he held between his lips. Then she rose unexpectedly to her feet. "And now I must leave you all. Please - I need no one to escort me."

Before one could realise it she was gone. Mr Satterthwaite would have hurried out after her, but he was arrested by a startled oath from the Frenchman.

"A thousand thunders?"

He was staring at the half-burned spill which the Countess had dropped on the table. He unrolled it.

"Mon Dieu!" he muttered. "A fifty thousand franc bank note. You understand? Her winnings tonight. All that she had in the world. And she lighted my cigarette with it! Because she was too proud to accept - pity. Ah! proud, she was always proud as the Devil. She is unique - wonderful."

He sprang up from his seat and darted out. Mr Satterthwaite and Mr Quin had also risen. The waiter approached Franklin Rudge.

"La note, monsieur," he observed unemotionally.

Mr Quin rescued it from him quickly.

"I feel kind of lonesome, Elizabeth," remarked Franklin Rudge.

"These foreigners - they beat the band! I don't understand them.

What's it all mean, anyhow?"

He looked across at her.

"Gee, it's good to look at anything so hundred per cent American as you." His voice took on the plaintive note of a small child. "These foreigners are so odd."

They thanked Mr Quin and went out into the night together. Mr Quin picked up his change and smiled across at Mr Satterthwaite, who was preening himself like a contented bird.

"Well," said the latter. "That's all gone off splendidly. Our pair of love birds will be all right now."

"Which ones?" asked Mr Quin.

"Oh!" said Mr Satterthwaite, taken aback.

"Oh! Yes, I suppose you are right, allowing for the Latin point of view and all that -"

He looked dubious.

Mr Quin smiled, and a stained glass panel behind him invested him for just a moment in a motley garment of coloured light.

Chapter 6 THE MAN FROM THE SEA

Mr Satterthwaite was feeling old. That might not have been surprising since in the estimation of many people he was old.

Careless youths said to their partners - "Old Satterthwaite? Oh! he must be a hundred - or at any rate about eighty." And even the kindest of girls said indulgently, "Oh! Satterthwaite. Yes, he's quite old. He must be sixty." Which was almost worse, since he was sixtynine.

In his own view, however, he was not old. Sixty-nine was an interesting age - an age of infinite possibilities - an age when at last the experience of a lifetime was beginning to tell. But to feel old - that was different, a tired discouraged state of mind when one was inclined to ask oneself depressing questions. What was he after all?

A little dried-up elderly man, with neither chick nor child, with no human belongings, only a valuable Art collection which seemed at the moment strangely unsatisfying. No one to care whether he lived or died...

At this point in his meditations Mr Satterthwaite pulled himself up short. What he was thinking was morbid and unprofitable. He knew well enough, who better, that the chances were that a wife would have hated him or alternatively that he would have hated her, that children would have been a constant source of worry and anxiety, and that demands upon his time and affection would have worried him considerably.

"To be safe and comfortable," said Mr Satterthwaite firmly - that was the thing.

The last thought reminded him of a letter he had received that morning. He drew it from his pocket and re-read it, savouring its contents pleasurably. To begin with, it was from a Duchess, and Mr Satterthwaite liked hearing from Duchesses. It is true that the letter began by demanding a large subscription for charity and but for that would probably never have been written, but the terms in which it was couched were so agreeable that Mr Satterthwaite was able to gloss over the first fact.

So you've deserted the Riviera, wrote the Duchess. What is this island of yours like? Cheap? Cannotti put up his prices shamefully this year, and I shan't go to the Riviera again. I might try your island next year if you report favourably, though I should hate five days on a boat. Still anywhere you recommend is sure to be pretty comfortable - too much so. You'll get to be one of those people who do nothing but coddle themselves and think of their comfort. There's only one thing that will save you. Satterthwaite, and that is your inordinate interest in other people's affairs...

As Mr Satterthwaite folded the letter, a vision came up vividly before him of the Duchess. Her meanness, her unexpected and alarming kindness, her caustic tongue, her indomitable spirit.

Spirit! Everyone needed spirit. He drew out another letter with a German stamp upon it - written by a young singer in whom he had interested himself. It was a grateful affectionate letter.

'How can I thank you, dear Mr Satterthwaite? It seems too wonderful to think that in a few days I shall be singing Isolde...'

A pity that she had to make her debut as Isolde. A charming, hardworking child, Olga, with a beautiful voice but no temperament. He hummed to himself. "Nay order him! Pray understand it! I command it. I, Isolde." No, the child hadn't got it in her - the spirit - the indomitable will - all expressed in that final "Ich Isolde!"

Well, at any rate he had done something for somebody. This island depressed him - why, oh! why had he deserted the Riviera which he knew so well and where he was so well known? Nobody here took any interest in him. Nobody seemed to realise that here was the Mr Satterthwaite - the friend of Duchesses and Countesses and singers and writers. No one in the island was of any social importance or of any artistic importance either. Most people had been there seven, fourteen, or twenty-one years running and valued themselves and were valued accordingly.

With a deep sigh Mr Satterthwaite proceeded down from the Hotel to the small straggling harbour below. His way lay between an avenue of bougainvillaea - a vivid mass of flaunting scarlet, that made him feel older and greyer than ever.

"I'm getting old," he murmured. "I'm getting old and tired."

He was glad when he had passed the bougainvillaea and was walking down the white street with the blue sea at the end of it. A disreputable dog was standing in the middle of the road, yawning and stretching himself in the sun. Having prolonged his stretch to the utmost limits of ecstasy, he sat down and treated himself to a really good scratch. He then rose, shook himself, and looked round for any other good thing that life might have to offer.

There was a dump of rubbish by the side of the road and to this he went sniffing in pleasurable anticipation. True enough, his nose had not deceived him! A smell of such rich putrescence that surpassed even his anticipations! He sniffed with growing appreciation, then suddenly abandoning himself, he lay on his back and rolled frenziedly on the delicious dump. Clearly the world this morning was a dog paradise!

Tiring at last, he regained his feet and strolled out once more into the middle of the road. And then, without the least warning, a ramshackle car careered wildly round the corner, caught him full square and passed on unheeding.

The dog rose to his feet, stood a minute regarding Mr Satterthwaite, a vague dumb reproach in his eyes, then fell over. Mr Satterthwaite went up to him and bent down. The dog was dead. He went on his way, wondering at the sadness and cruelty of life. What a queer dumb look of reproach had been in the dog's eyes. "Oh! world," they seemed to say. "Oh! wonderful world in which I have trusted. Why have you done this to me?"

Mr Satterthwaite went on, past the palm trees and the straggling white houses, past the black lava beach where the surf thundered and where once, long ago, a well-known English swimmer had been carried out to sea and drowned, past the rock pools where children and elderly ladies bobbed up and down and called it bathing, along the steep road that winds upwards to the top of the cliff. For there on the edge of the cliff was a house, appropriately named La Paz. A white house with faded green shutters tightly closed, a tangled beautiful garden, and a walk between cypress trees that led to a platkau on the edge of the cliff where you looked down - down - down - to the deep blue sea below.

It was to this spot that Mr Satterthwaite was bound. He had developed a great love for the garden of La Paz. He had never entered the villa. It seemed always to be empty. Manuel, the Spanish gardener, wished one good-morning with a flourish and gallantly presented ladies with a bouquet and gentlemen with a single flower as a button-hole, his dark face wreathed in smiles.

Sometimes Mr Satterthwaite made up stories in his own mind about the owner of the villa. His favourite was a Spanish dancer, once world-famed for her beauty, who hid herself here so that the world should never know that she was no longer beautiful.

He pictured her coming out of the house at dusk and walking through the garden. Sometimes he was tempted to ask Manuel for the truth, but he resisted the temptation. He preferred his fancies.

After exchanging a few words with Manuel and graciously accepting an orange rosebud, Mr Satterthwaite passed on down the cypress walk to the sea. It was rather wonderful sitting there - on the edge of nothing - with that sheer drop below one. It made him think of Tristan and Isolde, of the beginning of the third act with Tristan and Kurwenal - that lonely waiting and of Isolde rushing up from the sea and Tristan dying in her arms. (No, little Olga would never make an Isolde. Isolde of Cornwall, that Royal hater and Royal lover...) He shivered. He felt old, chilly, alone... What had he had out of life?

Nothing - nothing. Not as much as that dog in the street...

It was an unexpected sound that roused him from his revkrie.

Footsteps coming along the cypress walk were inaudible, the first he knew of somebody's presence was the English monosyllable "Damn."

He looked round to find a young man staring at him in obvious surprise and disappointment. Mr Satterthwaite recognised him at once as an arrival of the day before who had more or less intrigued him. Mr Satterthwaite called him a young man because in comparison to most of the die-hards in the Hotel he was a young man, but he would certainly never see forty again and was probably drawing appreciably near to his half century. Yet in spite of that, the term young man fitted him - Mr Satterthwaite was usually right about such things - there was an impression of immaturity about him. As there is a touch of puppyhood about many a full grown dog so it was with the stranger.

Mr Satterthwaite thought, "This chap has really never grown up - not properly, that is."

And yet there was nothing Peter Pannish about him. He was sleek almost plump, he had the air of one who has always done himself exceedingly well in the material sense and denied himself no pleasure or satisfaction. He had brown eyes - rather round - fair hair turning grey - a little moustache and rather florid face.

The thing that puzzled Mr Satterthwaite was what had brought him to the island. He could imagine him shooting things, hunting things, playing polo or golf or tennis, making love to pretty women. But on the island there was nothing to hunt or shoot, no games except Golf -

Croquet, and the nearest approach to a pretty woman was represented by elderly Miss Baba Kindersley. There were, of course, artists, to whom the beauty of the scenery made appeal, but Mr Satterthwaite was quite certain that the young man was not an artist.

He was clearly marked with the stamp of the Philistine.

While he was resolving these things in his mind, the other spoke, realising somewhat belatedly that his single ejaculation so far might be open to criticism.

"I beg your pardon," he said with some embarrassment. "As a matter of fact, I was - well, startled. I didn't expect anyone to be here."

He smiled disarmingly. He had a charming smile - friendly appealing.

"It is rather a lonely spot," agreed Mr Satterthwaite, as he moved politely a little further up the bench. The other accepted the mute invitation and sat down.

"I don't know about lonely," he said. "There always seems to be someone here."

There was a tinge of latent resentment in his voice. Mr Satterthwaite wondered why. He read the other as a friendly soul. Why this insistence on solitude? - A rendezvous, perhaps? No - not that. He looked again with carefully veiled scrutiny at his companion. Where had he seen that particular expression before quite lately? That look of dumb bewildered resentment.

"You've been up here before then?" said Mr Satterthwaite, more for the sake of saying something than for anything else.

"I was up here last night - after dinner."

"Really? I thought the gates were always locked."

There was a moment's pause and then, almost sullenly, the young man said -

"I climbed over the wall."

Mr Satterthwaite looked at him with real attention now.

He had a sleuth-like habit of mind and he was aware that his companion had only arrived on the preceding afternoon. He had had little time to discover the beauty of the villa by daylight and he had so far spoken to nobody. Yet after dark he had made straight for La Paz.

Why? Almost involuntarily Mr Satterthwaite turned his head to look at the green-shuttered villa, but it was as ever serenely lifeless, close shuttered. No, the solution of the mystery was not there.

"And you actually found someone here then?"

The other nodded.

"Yes. Must have been from the other Hotel. He had on fancy dress."

"Fancy dress?"

"Yes. A kind of Harlequin rig."

"What?"

The query fairly burst from Mr Satterthwaite's lips. His companion turned to stare at him in surprise.

"They often do have fancy dress shows at the Hotels, I suppose?"

"Oh! Quite," said Mr Satterthwaite. "Quite, quite, quite."

He paused breathlessly, then added, "You must excuse my excitement. Do you happen to know anything about catalysis?"

The young man stared at him.

"Never heard of it. What is it?"

Mr Satterthwaite quoted gravely, "A chemical reaction depending for its success on the presence of a certain substance which itself remains unchanged."

"Oh," said the young man uncertainly.

"I have a certain friend - his name is Mr Quin, and he can best be described in the terms of catalysis. His presence is a sign that things are going to happen, because he is there strange revelations come to light, discoveries are made. And yet - he himself takes no part in the proceedings. I have a feeling that it was my friend you met here last night."

"He's a very sudden sort of chap then. He gave me quite a shock.

One minute he wasn't there and the next minute he was! Almost as though he came up out of the sea."

Mr Satterthwaite looked along the little platkau and down the sheer drop below.

"That's nonsense, of course," said the other. "But it's the feeling he gave me. Of course, really, there isn't the foothold for a fly." He looked over the edge. "A straight clear drop. If you went over - well, that would be the end right enough."

"An ideal spot for a murder, in fact," said Mr Satterthwaite pleasantly.

The other stared at him, almost as though for the moment he did not follow. Then he said vaguely - "Oh! Yes - of course..."

He sat there, making little dabs at the ground with his stick and frowning. Suddenly Mr Satterthwaite got the resemblance he had been seeking. That dumb bewildered questioning. So had the dog looked who was run over. His eyes and this young man's eyes asked the same pathetic question with the same reproach. "Oh! World that I have trusted - what have you done to me?"

He saw other points of resemblance between the two, the same pleasure-loving easy-going existence, the same joyous abandon to the delights of life, the same absence of intellectual questioning.

Enough for both to live in the moment - the world was a good place, a place of carnal delights - sun, sea, sky - a discreet garbage heap.

And then - what? A car had hit the dog. What had hit the man?

The subject of these cogitations broke in at this point, speaking, however, more to himself than to Mr Satterthwaite.

"One wonders," he said, "what it's all for?

Familiar words - words that usually brought a smile to Mr Satterthwaite's lips, with their unconscious betrayal of the innate egoism of humanity which insists on regarding every manifestation of life as directly designed for its delight or its torment. He did not answer and presently the stranger said with a slight, rather apologetic laugh -

"I've heard it said that every man should build a house, plant a tree and have a son." He paused and then added, "I believe I planted an acorn once..."

Mr Satterthwaite stirred slightly. His curiosity was aroused - that ever-present interest in the affairs of other people of which the Duchess had accused him was roused. It was not difficult. Mr Satterthwaite had a very feminine side to his nature, he was as good a listener as any woman, and he knew the right moment to put in a prompting word. Presently he was hearing the whole story.

Anthony Cosden, that was the stranger's name, and his life had been much as Mr Satterthwaite had imagined it. He was a bad hand at telling a story but his listener supplied the gaps easily enough. A very ordinary life - an average income, a little soldiering, a good deal of sport whenever sport offered, plenty of friends, plenty of pleasant things to do, a sufficiency of women. The kind of life that practically inhabits thought of any description and substitutes sensation. To speak frankly, an animal's life. "But there are worse things than that," thought Mr Satterthwaite from the depths of his experience.

"Oh! many worse things than that..." This world had seemed a very good place to Anthony Cosden. He had grumbled because everyone always grumbled but it had never been a serious grumble. And then this.

He came to it at last - rather vaguely and incoherently. Hadn't felt quite the thing - nothing much. Saw his doctor, and the doctor had persuaded him to go to a Harley Street man. And then - the incredible truth. They'd tried to hedge about it - spoke of great care a quiet life, but they hadn't been able to disguise that that was all eyewash - letting him down lightly. It boiled down to this - six months.

That's what they gave him. Six months.

He turned those bewildered brown eyes on Mr Satterthwaite. It was, of course, rather a shock to a fellow. One didn't - one didn't somehow, know what to do.

Mr Satterthwaite nodded gravely and understandingly.

It was a bit difficult to take in all at once, Anthony Cosden went on.

How to put in the time. Rather a rotten business waiting about to get pipped He didn't feel really ill - not yet. Though that might come later, so the specialist had said - in fact, it was bound to. It seemed such nonsense to be going to die when one didn't in the least want to. The best thing, he had thought, would be to carry on as usual. But somehow that hadn't worked.

Here Mr Satterthwaite interrupted him. Wasn't there, he hinted delicately, any woman?

But apparently there wasn't. There were women, of course, but not that kind. His crowd was a very cheery crowd. They didn't, so he implied, like corpses. He didn't wish to make a kind of walking funeral of himself. It would have been embarrassing for everybody.

So he had come abroad.

"You came to see these islands? But why?" Mr Satterthwaite was hunting for something, something intangible but delicate that eluded him and yet which he was sure was there. "You've been here before, perhaps?"

"Yes." he admitted it almost unwillingly. "Years ago when I was a youngster."

And suddenly, almost unconsciously so it seemed, he shot a quick glance backward over his shoulder in the direction of the villa.

"I remembered this place," he said, nodding at the sea.

"One step to eternity!"

"And that is why you came up here last night," finished Mr Satterthwaite calmly.

Anthony Cosden shot him a dismayed glance.

"Oh! I say - really -" he protested.

"Last night you found someone here. This afternoon you have found me. Your life has been saved - twice."

"You may put it that way if you like - but damn it all, it's my life. I've a right to do what I like with it."

"That is a clichû," said Mr Satterthwaite wearily.

"Of course I see your point," said Anthony Cosden generously.

"Naturally you've got to say what you can. I'd try to dissuade a fellow myself, even though I knew deep down that he was right. And you know that I'm right. A clean quick end is better than a lingering one causing trouble and expense and bother to all. In any case it's not as though I had anyone in the world belonging to me..."

"If you had -?" said Mr Satterthwaite sharply.

Cosden drew a deep breath.

"I don't know. Even then, I think, this way would be best But anyway -

I haven't..."

He stopped abruptly. Mr Satterthwaite eyed him curiously. Incurably romantic, he suggested again that there was, somewhere, some woman. But Cosden negatived it. He oughtn't, he said, to complain.

He had had, on the whole, a very good life. It was a pity it was going to be over so soon, that was all. But at any rate he had had, he supposed, everything worth having. Except a son. He would have liked a son. He would like to know now that he had a son living after him. Still, he reiterated the fact, he had had a very good life -

It was at this point that Mr Satterthwaite lost patience. Nobody, he pointed out, who was still in the larval stage, could claim to know anything of life at all. Since the words larval stage clearly meant nothing at all to Cosden, he proceeded to make his meaning clearer.

"You have not begun to live yet. You are still at the beginning of life."

Cosden laughed.

"Why, my hair's grey. I'm forty -"

Mr Satterthwaite interrupted him.

"That has nothing to do with it. Life is a compound of physical and mental experiences. I, for instance, am sixty-nine, and I am really sixty-nine. I have known, either at first or second hand, nearly all the experiences life has to offer. You are like a man who talks of a full year and has seen nothing but snow and ice! The flowers of Spring, the languorous days of Summer, the falling leaves of Autumn - he knows nothing of them - not even that there are such things. And you are going to turn your back on even this opportunity of knowing them."

"You seem to forget," said Anthony Cosden dryly, "that, in any case, I have only six months."

"Time, like everything else, is relative," said Mr Satterthwaite. "That six months might be the longest and most varied experience of your whole life."

Cosden looked unconvinced.

"In my place," he said, "you would do the same."

Mr Satterthwaite shook his head.

"No," he said simply. "In the first place, I doubt if I should have the courage. It needs courage and I am not at all a brave individual And in the second place -"

"Well?"

"I always want to know what is going to happen tomorrow."

Cosden rose suddenly with a laugh.

"Well, sir, you've been very good in letting me talk to you. I hardly know why - anyway, there it is. I've said a lot too much. Forget it."

"And tomorrow, when an accident is reported, I am to leave it at that? To make no suggestion of suicide?"

"That's as you like. I'm glad you realise one thing - that you can't prevent me."

"My dear young man," said Mr Satterthwaite placidly, "I can hardly attach myself to you like the proverbial limpet. Sooner or later you would give me the slip and accomplish your purpose. But you are frustrated at any rate for this afternoon. You would hardly like to go to your death leaving me under the possible imputation of having pushed you over."

"That is true," said Cosden. "If you insist on remaining here -"

"I do," said Mr Satterthwaite firmly.

Cosden laughed good-humouredly.

"Then the plan must be deferred for the moment. In which case I will go back to the hotel See you later perhaps."

Mr Satterthwaite was left looking at the sea.

"And now," he said to himself softly, "what next? There must be a next. I wonder..."

He got up. For a while he stood at the edge of the platkau looking down on the dancing water beneath. But he found no inspiration there, and turning slowly he walked back along the path between the cypresses and into the quiet garden. He looked at the shuttered, peaceful house and he wondered, as he had often wondered before, who had lived there and what had taken place within those placid walk. On a sudden impulse he walked up some crumbling stone steps and laid a hand on one of the faded green shutters.

To his surprise it swung back at his touch. He hesitated a moment, then pushed it boldly open. The next minute he stepped back with a little exclamation of dismay. A woman stood in the window facing him. She wore black and had a black lace mantilla draped over her head.

Mr Satterthwaite floundered wildly in Italian interspersed with German - the nearest he could get in the hurry of the moment to Spanish - He was desolated and ashamed, he explained haltingly.

The Signora must forgive. He thereupon retreated hastily, the woman not having spoken one word.

He was halfway across the courtyard when she spoke - two sharp words like a pistol crack.

"Come back!"

It was a barked-out command such as might have been addressed to a dog, yet so absolute was the authority it conveyed, that Mr Satterthwaite had swung round hurriedly and trotted back to the window almost automatically before it occurred to him to feel any resentment. He obeyed like a dog. The woman was still standing motionless at the window. She looked him up and down appraising him with perfect calmness.

"You are English," she said. "I thought so."

Mr Satterthwaite started off on a second apology.

"If I had known you were English," he said, "I could have expressed myself better just now. I offer my most sincere apologies for my rudeness in trying the shutter. I am afraid I can plead no excuse save curiosity. I had a great wish to see what the inside of this charming house was like."

She laughed suddenly, a deep, rich laugh.

"If you really want to see it," she said, "you had better come in."

She stood aside, and Mr Satterthwaite, feeling pleasurably excited, stepped into the room. It was dark, since the shutters of the other windows were closed, but he could see that it was scantily and rather shabbily furnished and that the dust lay thick everywhere.

"Not here," she said. "I do not use this room."

She led the way and he followed her, out of the room across a passage and into a room the other side. Here the windows gave on the sea and the sun streamed in. The furniture, like that of the other room, was poor in quality, but there were some worn rugs that had been good in their time, a large screen of Spanish leather and bowls of fresh flowers.

"You will have tea with me," said Mr Satterthwaite's hostess. She added reassuringly. "It is perfectly good tea and will be made with boiling water."

She went out of the door and called out something in Spanish, then she returned and sat down on a sofa opposite her guest. For the first time, Mr Satterthwaite was able to study her appearance.

The first effect she had upon him was to make him feel even more grey and shrivelled and elderly than usual by contrast with her own forceful personality. She was a ta ll woman, very sunburnt, dark and handsome though no longer young. When she was in the room the sun seemed to be shining twice as brightly as when she was out of it, and presently a curious feeling of warmth and aliveness began to steal over Mr Satterthwaite. It was as though he stretched out thin, shrivelled hands to a reassuring flame. He thought, "She's so much vitality herself that she's got a lot left over for other people."

He recalled the command in her voice when she had stopped him, and wished that his protegûe, Olga, could be imbued with a little of that force. He thought - "What an Isolde she'd make! And yet she probably hasn't got the ghost of a singing voice. Life is badly arranged." he was, all the same, a little afraid of her. He did not like domineering women.

She had clearly been considering him as she sat with her chin in her hands, making no pretence about it. At last she nodded as though she had made up her mind.

"I am glad you came," she said at last. "I needed someone very badly to talk to this afternoon. And you are used to that, aren't you?"

"I don't quite understand"

"I meant people tell you things. You knew what I meant! Why pretend?"

"Well - perhaps -"

She swept on, regardless of anything he had been going to say.

"One could say anything to you. That is because you are half a woman. You know what we feel - what we think - the queer, queer things we do."

Her voice died away. Tea was brought by a large, smiling Spanish girl. It was good tea - China - Mr Satterthwaite sipped it appreciatively.

"You live here?" he inquired conversationally.

"Yes"

"But not altogether. The house is usually shut up, is it not? At least so I have been told."

"I am here a good deal, more than anyone knows. I only use these rooms."

"You have had the house long?"

"It has belonged to me for twenty-two years - and I lived here for a year before that."

Mr Satterthwaite said rather inanely (or so he felt), "That is a very long time."

"The year? Or the twenty-two years?"

His interest stirred, Mr Satterthwaite said gravely - "That depends."

She nodded.

"Yes, it depends. They are two separate periods. They have nothing to do with each other. Which is long? Which is short? Even now I cannot say."

She was silent for a minute, brooding. Then she said with a little smile, "It is such a long time since I have talked with anyone - such a long time! I do not apologise. You came to my shutter. You wished to look through my window. And that is what you are always doing, is it not? Pushing aside the shutter and looking through the window into the truth of people's lives. If they will let you. And often if they will not let you! It would be difficult to hide anything from you. You would guess - and guess right."

Mr Satterthwaite had an odd impulse to be perfectly sincere.

"I am sixty-nine," he said. "Everything I know of life I know at second hand. Sometimes that is very bitter to me. And yet, because of it, I know a good deal."

She nodded thoughtfully.

"I know. Life is very strange. I cannot imagine what it must be like to be that - always a looker-on."

Her tone was wondering. Mr Satterthwaite smiled.

"No, you would not know. Your place is in the centre of the stage.

You will always be the Prima Donna."

"What a curious thing to say."

"But I am right. Things have happened to you - will always happen to you. Sometimes, I think, there have been tragic things. Is that so?"

Her eyes narrowed. She looked across at him.

"If you are here long, somebody will tell you of the English swimmer who was drowned at the foot of this cliff. They will tell you how young and strong he was, how handsome, and they will tell you that his young wife looked down from the top of the cliff and saw him drowning."

"Yes, I have already heard that story."

"That man was my husband. This was his villa. He brought me out here with him when I was eighteen, and a year later he died - driven by the surf on the black rocks, cut and bruised and mutilated, battered to death."

Mr Satterthwaite gave a shocked exclamation. She leant forward, her burning eyes focused on his face.

"You spoke of a tragedy. Can you imagine a greater tragedy than that? For a young wife, only a year married, to stand helpless while the man she loved fought for his life - and lost it - horribly."

"Terrible," said Mr Satterthwaite. He spoke with real emotion.

"Terrible. I agree with you. Nothing in life could be so dreadful."

Suddenly she laughed. Her head went back.

"You are wrong," she said. "There is something more terrible. And that is for a young wife to stand there and hope and long for her husband to drown..."

"But good God," cried Mr Satterthwaite, "you don't mean -?"

"Yes, I do. That's what it was really. I knelt there - knelt down on the cliff and prayed. The Spanish servants thought I was praying for his life to be saved. I wasn't. I was praying that I might wish him to be spared. I was saying one thing over and over again, "God, help me not to wish him dead. God, help me not to wish him dead." But it wasn't any good. All the time I hoped - hoped - and my hope came true."

She was silent for a minute or two and then she said very gently in quite a different voice, "That is a terrible thing, isn't it? It's the sort of thing one can't forget. I was terribly happy when I knew he was really dead and couldn't come back to torture me any more."

"My child," said Mr Satterthwaite, shocked.

"I know. I was too young to have that happen to me. Those things should happen to one when one is older - when one is more prepared for - for beastliness. Nobody knew , you know, what he was really like. I thought he was wonderful when I first met him and was so happy and proud when he asked me to marry him. But things went wrong almost at once. He was angry with me - nothing I could do pleased him - and yet I tried so hard. And then he began to like hurting me. And above all to terrify me. That's what he enjoyed most.

He thought out all sorts of things... dreadful things. I won't tell you. I suppose, really, he must have been a little mad. I was alone here, in his power, and cruelty began to be his hobby."

Her eyes widened and darkened.

"The worst was my baby. I was going to have a baby. Because of some of the things he did to me - it was born dead. My little baby. I nearly died, too - but I didn't I wish I had."

Mr Satterthwaite made an inarticulate sound.

"And then I was delivered - in the way I've told you. Some girls who were staying at the hotel dared him. That's how it happened. All the Spaniards told him it was madness to risk the sea just there. But he was very vain - he wanted to show off. And I - I saw him drown - and was glad. God oughtn't to let such things happen."

Mr Satterthwaite stretched out his little dry hand and took hers. She squeezed it hard as a child might have done. The maturity had fallen away from her face. He saw her without difficulty as she had been at nineteen.

"At first it seemed too good to be true. The house was mine and I could live in it. And no one could hurt me any more! I was an orphan, you know, I had no near relations, no one to care what became of me. That simplified things. I lived on here - in this villa - and it seemed like Heaven. Yes, like Heaven. I've never been so happy since, and never shall again. Just to wake up and know that everything was all right - no pain, no terror, no wondering what he was going to do to me next. Yes, it was Heaven."

She paused a long time, and Mr Satterthwaite said at last, "And then?"

"I suppose human beings aren't ever satisfied. At first, just being free was enough. But after a while I began to get - well, lonely, I suppose. I began to think about my baby that died. If only I had had my baby! I wanted it as a baby, and also as a plaything. I wanted dreadfully something or someone to play with. It sounds silly and childish, but there it was."

"I understand," said Mr Satterthwaite gravely.

"It's difficult to explain the next bit. It just - well, happened, you see.

There was a young Englishman staying at the hotel. He strayed in the garden by mistake. I was wearing Spanish dress and he took me for a Spanish girl. I thought it would be rather fun to pretend I was one, so I played up. His Spanish was very bad but he could just manage a little. I told him the villa belonged to an English lady who was away. I said she had taught me a little English and I pretended to speak broken English. It was such fun - such fun - even now I can remember what fun it was. He began to make love to me. We agreed to pretend that the villa was our home, that we were just married and coming to live there. I suggested that we should try one of the shutters - the one you tried this evening. It was open and inside the room was dusty and uncared for. We crept in. It was exciting and wonderful. We pretended it was our own house."

She broke off suddenly, looked appealingly at Mr Satterthwaite.

"It all seemed lovely - like a fairy tale. And the lovely thing about it, to me, was that it wasn't true. It wasn't real"

Mr Satterthwaite nodded. He saw her, perhaps more clearly than she saw herself - that frightened, lonely child entranced with her make believe that was so safe because it wasn't real.

"He was, I suppose, a very ordinary young man. Out for adventure, but quite sweet about it. We went on pretending."

She stopped, looked at Mr Satterthwaite and said again.

"You understand? We went on pretending..."

She went on again in a minute.

"He came up again the next morning to the villa. I saw him from my bedroom through the shutter. Of course he didn't dream I was inside.

He still thought I was a little Spanish peasant girl. He stood there looking about him. He'd asked me to meet him. I'd said I would but I never meant to.

"He just stood there looking worried. I think he was worried about me. It was nice of him to be worried about me. He was nice..."

She paused again.

"The next day he left. I've never seen him again.

"My baby was born nine months later. I was wonderfully happy all the time. To be able to have a baby so peacefully, with no one to hurt you or make you miserable. I wished I'd remembered to ask my English boy his Christian name. I would have called the baby after him. It seemed unkind not to. It seemed rather unfair. He'd given me the thing I wanted most in the world, and he would never even know about it! But of course I told myself that he wouldn't look at it that way - that to know would probably only worry and annoy him. I had been just a passing amusement for him, that was all."

"And the baby?" asked Mr Satterthwaite.

"He was splendid. I called him John. Splendid. I wish you could see him now. He's twenty. He's going to be a mining engineer. He's been the best and dearest son in the world to me. I told him his father had died before he was born."

Mr Satterthwaite stared at her. A curious story. And somehow, a story that was not completely told. There was, he felt sure, something else.

"Twenty years is a long time," he said thoughtfully. "You've never contemplated marrying again?"

She shook her head. A slow, burning blush spread over her tanned cheeks.

"The child was enough for you - always?"

She looked at him. Her eyes were softer than he had yet seen them.

"Such queer things happen!" she murmured. "Such queer things...

You wouldn't believe them - no, I'm wrong, you might, perhaps. I didn't love John's father, not at the time. I don't think I even knew what love was. I assumed, as a matter of course, that the child would be like me. But he wasn't. He mightn't have been my child at all. He was like his father - he was like no one but his father. I learnt to know that man - through his child. Through the child, I learnt to love him. I love him now. I always shall love him. You may say that it's imagination, that I've built up an ideal, but it isn't so. I love the man, the real, human man. I'd know him if I saw him tomorrow - even though it's over twenty years since we met. Loving him has made me into a woman. I love him as a woman loves a man. For twenty years I've lived loving him. I shall die loving him."

She stopped abruptly - then challenged her listener.

"Do you think I'm mad - to say these strange things?"

"Oh! my dear," said Mr Satterthwaite. He took her hand again.

"You do understand?"

"I think I do. But there's something more, isn't there? Something that you haven't yet told me?"

Her brow clouded over.

"Yes, there's something. It was clever of you to guess. I knew at once you weren't the sort one can hide things from. But I don't want to tell you - and the reason I don't want to tell you is because it's best for you not to know."

He looked at her. Her eyes met his bravely and defiantly.

He said to himself, "This is the test. All the dues are in my hand. I ought to be able to know. If I reason rightly I shall know."

There was a pause, then he said slowly, "Something's gone wrong."

He saw her eyelids give the faintest quiver and knew himself to be on the right track.

"Something's gone wrong - suddenly - after all these years." He felt himself groping - groping - in the dark recesses of her mind where she was trying to hide her secret from him.

"The boy - it's got to do with him. You wouldn't mind about anything else."

He heard the very faint gasp she gave and knew he had probed correctly. A cruel business but necessary. It was her will against his.

She had got a dominant, ruthless will, but he too had a will hidden beneath his meek manners. And he had behind him the Heaven-sent assurance of a man who is doing his proper job. He felt a passing contemptuous pity for men whose business it was to track down such crudities as crime. This detective business of the mind, this assembling of clues, this delving for the truth, this wild joy as one drew nearer to the goal... Her very passion to keep the truth from him helped her. He felt her stiffen defiantly as he drew nearer and nearer.

"It is better for me not to know, you say. Better for me? But you are not a very considerate woman. You would not shrink from putting a stranger to a little temporary inconvenience. It is more than that, then? If you tell me you make me an accomplice before the fact. That sounds like crime. Fantastic! I could not associate crime with you. Or only one sort of crime. A crime against yourself."

Her lids drooped in spite of herself, veiled her eyes. He leaned forward and caught her wrist.

"It is that, then! You are thinking of taking your life."

She gave a low cry.

"How did you know? How did you know?"

"But why? You are not tired of life. I never saw a woman less tired of it - more radiantly alive."

She got up, went to the window, pushing back a strand of her dark hair as she did so.

"Since you have guessed so much I might as well tell you the truth. I should not have let you in this evening. I might have known that you would see too much. You are that kind of man. You were right about the cause. It's the boy. He knows nothing. But last time he was home, he spoke tragically of a friend of his, and I discovered something. If he finds out that he is illegitimate it will break his heart. He is proud horribly proud! There is a girl. Oh! I won't go into details. But he is coming very soon - and he wants to know all about his father - he wants details. The girl's parents, naturally, want to know. When he discovers the truth, he will break with her, exile himself, ruin his life.

Oh! I know the things you would say. He is young, foolish, wrongheaded to take it like that! All true, perhaps. But does it matter what people ought to be? They are what they are. It will break his heart...

But if, before he comes, there has been an accident, everything will be swallowed up in grief for me. He will look through my papers, find nothing, and be annoyed that I told him so little. But he will not suspect the truth. It is the best way. One must pay for happiness, and I have had so much - oh! so much happiness. And in reality the price will be easy, too. A little courage - to take the leap - perhaps a moment or so of anguish."

"But, my dear child -"

"Don't argue with me." She flared round on him. "I won't listen to conventional arguments. My life is my own. Up to now, it has been needed - for John. But he needs it no longer. He wants a mate - a companion - he will turn to her all the more willingly because I am no longer there. My life is useless, but my death will be of use. And I have the right to do what I like with my own life."

"Are you sure?"

The sternness of his tone surprised her. She stammered slightly.

"If it is no good to anyone - and I am the best judge of that -"

He interrupted her again.

"Not necessarily."

"What do you mean?"

"Listen. I will put a case to you. A man comes to a certain place - to commit suicide, shall we say? But by chance, he finds another man there, so he fails in his purpose and goes away - to live. The second man has saved the first man's life, not by being necessary to him or prominent in his life, but just by the mere physical fact of having been in a certain place at a certain moment. You take your life today and perhaps, some five, six, seven years hence, someone will go to death or disaster simply for lack of your presence in a given spot or place.

It may be a runaway horse coming down a street that swerved aside at sight of you and so fails to trample a child that is playing in the gutter. That child may live to grow up and be a great musician, or discover a cure for cancer. Or it may be less melodramatic than that.

He may just grow up to ordinary everyday happiness..."

She stared at him.

"You are a strange man. These things you say - I have never thought of them..."

"You say your life is your own," went on Mr Satterthwaite. "But can you dare to ignore the chance that you are taking part in a gigantic drama under the orders of a divine Producer? Your cue may not come till the end of the play - it may be totally unimportant, a mere walking-on part, but upon it may hang the issues of the play if you do not give the cue to another player. The whole edifice may crumple.

You as you, may not matter to anyone in the world, but you as a person in a particular place may matter unimaginably."

She sat down, still staring.

"What do you want me to do?" she said simply.

It was Mr Satterthwaite's moment of triumph. He issued orders.

"I want you at least to promise me one thing - to do nothing rash for twenty-four hours."

She was silent for a moment or two and then she said, "I promise."

"There is one other thing - a favour."

"Yes?"

"Leave the shutter of the room I came in by unfastened, and keep vigil there tonight."

She looked at him curiously, but nodded assent.

"And now," said Mr Satterthwaite, slightly conscious of anti-climax, "I really must be going. God bless you, my dear."

He made a rather embarrassed exit. The stalwart Spanish girl met him in the passage and opened a side door for him, staring curiously at him the while.

It was just growing dark as he reached the hotel. There was a solitary figure sitting on the terrace. Mr Satterthwaite made straight for it. He was excited and his heart was beating quite fast. He felt that tremendous issues lay in his hands. One false move -

But he tried to conceal his agitation and to speak naturally and casually to Anthony Cosden.

"A warm evening," he observed. "I quite lost count of time sitting up there on the cliff."

"Have you been up there all this time?"

Mr Satterthwaite nodded. The swing door into the hotel opened to let someone through, and a beam of light fell suddenly on the other's face, illuminating its look of du ll suffering, of uncomprehending dumb endurance.

Mr Satterthwaite thought to himself, "It's worse for him than it would be for me. Imagination, conjecture, speculation - they can do a lot for you. You can, as it were, ring the changes upon pain. The uncomprehending blind suffering of an animal - that's terrible..."

Cosden spoke suddenly in a harsh voice. "I'm going for a stroll after dinner. You - you understand? The third time's lucky. For God's sake don't interfere. I know your interference will be well-meaning and all that - but take it from me, it's useless."

Mr Satterthwaite drew himself up.

"I never interfere," he said, thereby giving the lie to the whole purpose and object of his existence.

"I know what you think -" went on Cosden, but he was interrupted.

"You must excuse me, but there I beg to differ from you," said Mr Satterthwaite. "Nobody knows what another person is thinking. They may imagine they do, but they are nearly always wrong."

"Well, perhaps that's so." Cosden was doubtful, slightly taken aback.

"Thought is yours only," said his companion. "Nobody can alter or influence the use you mean to make of it. Let us talk of a less painful subject. That old villa, for instance. It has a curious charm, withdrawn, sheltered from the world, shielding heaven knows what mystery. It tempted me to do a doubtful action. I tried one of the shutters."

"You did?" Cosden turned his head sharply. "But it was fastened, of course?"

"No," said Mr Satterthwaite. "It was open." He added gently, "The third shutter from the end."

"Why," Cosden burst out, "that was the one -"

He broke off suddenly, but Mr Satterthwaite had seen the light that had sprung up in his eyes. He rose - satisfied.

Some slight tinge of anxiety still remained with him. Using his favourite metaphor of a drama, he hoped that he had spoken his few lines correctly. For they were very important lines.

But thinking it over, his artistic judgment was satisfied. On his way up to the cliff, Cosden would try that shutter. It was not in human nature to resist. A memory of twenty odd years ago had brought him to this spot, the same memory would take him to the shutter. And afterwards?

"I shall know in the morning," said Mr Satterthwaite, and proceeded to change methodically for his evening meal.

It was somewhere round ten o'clock that Mr Satterthwaite set foot once more in the garden of La Paz. Manuel bade him a smiling "Good morning," and handed him a single rosebud which Mr Satterthwaite put carefully into his buttonhole. Then he went on to the house. He stood there for some minutes looking up at the peaceful white walls, the trailing orange creeper, and the faded green shutters. So silent, so peaceful. Had the whole thing been a dream?

But at that moment one of the windows opened and the lady who occupied Mr Satterthwaite's thoughts came out. She came straight to him with a buoyant swaying walk, like someone carried on a great wave of exultation. Her eyes were shining, her colour high. She looked like a figure of joy on a frieze. There was no hesitation about her, no doubts or tremors. Straight to Mr Satterthwaite she came, put her hands on his shoulders and kissed him - not once but many times. Large, dark, red roses, very velvety - that is how he thought of it afterwards. Sunshine, summer, birds singing - that was the atmosphere into which he felt himself caught up. Warmth, joy and tremendous vigour.

"I'm so happy," she said. "You darling! How did you know? How could you know? You're like the good magician in the fairy tales."

She paused, a sort of breathlessness of happiness upon her.

"We're going over today - to the Consul - to get married. When John comes, his father will be there. We'll tell him there was some misunderstanding in the past. Oh! He won't ask questions. Oh! I'm so happy - so happy - so happy."

Happiness did indeed surge from her like a tide. It lapped round Mr Satterthwaite in a warm exhilarating flood.

"It's so wonderful to Anthony to find he has a son. I never dreamt he'd mind or care." She looked confidently into Mr Satterthwaite's eyes. "Isn't it strange how things come right and end all beautifully?"

He had his clearest vision of her yet. A child - still a child - with her love of make believe - her fairy tales that ended beautifully with two people "living happily ever afterwards."

He said gently, "If you bring this man of yours happiness in these last months, you will indeed have done a very beautiful thing."

Her eyes opened wide - surprised.

"Oh!" she said. "You don't think I'd let him die, do you? After all these years - when he's come to me. I've known lots of people whom doctors have given up and who are alive today. Die? Of course he's not going to die!"

He looked at her - her strength, her beauty, her vitality - her indomitable courage and will. He, too, had known doctors to be mistaken... The personal factor - you never knew how much and how little it counted.

She said again, with scorn and amusement in her voice -

"You don't think I'd let him die, do you?"

"No," said Mr Satterthwaite at last very gently. "Somehow, my dear, I don't think you will..."

Then at last he walked down the cypress path to the bench overlooking the sea and found there the person he was expecting to see. Mr Quin rose and greeted him - the same as ever, dark, saturnine, smiling and sad.

"You expected me?" he asked.

And Mr Satterthwaite answered, "Yes, I expected you."

They sat together on the bench.

"I have an idea that you have been playing Providence once more, to judge by your expression," said Mr Quin presently.

Mr Satterthwaite looked at him reproachfully.

"As if you didn't know all about it."

"You always accuse me of omniscience," said Mr Quin, smiling.

"If you know nothing, why were you here the night before last waiting?" countered Mr Satterthwaite.

"Oh, that -?"

"Yes, that."

"I had a - commission to perform."

"For whom?"

"You have sometimes fancifully named me an advocate for the dead."

"The dead?" said Mr Satterthwaite, a little puzzled. "I don't understand."

Mr Quin pointed a long, lean finger down at the blue depths below.

"A man was drowned down there twenty-two years ago."

"I know - but I don't see -"

"Supposing that, after all, that man loved his young wife. Love can make devils of men as well as angels. She had a girlish adoration for him, but he could never touch the womanhood in her - and that drove him mad. He tortured her because he loved her. Such things happen.

You know that as well as I do."

"Yes," admitted Mr Satterthwaite, "I have seen such things - but rarely - very rarely..."

"And you have also seen, more commonly, that there is such a thing as remorse - the desire to make amends - at all costs to make amends."

"Yes, but death came too soon..."

"Death!" There was contempt in Mr Quin's voice. "You believe in a life after death, do you not? And who are you to say that the same wishes, the same desires, may not operate in that other life? If the desire is strong enough - a messenger may be found."

His voice tailed away.

Mr Satterthwaite got up, trembling a little.

"I must get back to the hotel," he said. "If you are going that way."

But Mr Quin shook his head.

"No," he said. "I shall go back the way I came."

When Mr Satterthwaite looked back over his shoulder, he saw his friend walking towards the edge of the cliff.

Chapter 7 THE VOICE IN THE DARK

"I am a little worried about Margery," said Lady Stranleigh.

"My girl, you know," she added.

She sighed pensively.

"It makes one feel terribly old to have a grown-up daughter."

Mr Satterthwaite, who was the recipient of these confidences, rose to the occasion gallantly.

"No one could believe it possible," he declared with a little bow.

"Flatterer," said Lady Stranleigh, but she said it vaguely and it was clear that her mind was elsewhere.

Mr Satterthwaite looked at the slender white-clad figure in some admiration. The Cannes sunshine was searching, but Lady Stranleigh came through the test very well. At a distance the youthful effect was really extraordinary. One almost wondered if she were grown-up or not. Mr Satterthwaite, who knew everything, knew that it was perfectly possible for Lady Stranleigh to have grown-up grandchildren. She represented the extreme triumph of art over nature. Her figure was marvellous, her complexion was marvellous.

She had enriched many beauty parlours and certainly the results were astounding.

Lady Stranleigh lit a cigarette, crossed her beautiful legs encased in the finest of nude silk stockings and murmured, "Yes, I really am rather worried about Margery."

"Dear me," said Mr Satterthwaite, "what is the trouble?"

Lady Stanleigh turned her beautiful blue eyes upon him.

"You have never met her, have you? She is Charles' daughter," she added helpfully.

If entries in "Who's Who" were strictly truthful, the entries concerning Lady Stranleigh might have ended as follows - hobbies getting married... She had floated through life shedding husbands as she went. She had lost three by divorce and one by death.

"If she had been Rudolph's child I could have understood it," mused Lady Stranleigh. "You remember Rudolf? He was always temperamental. Six months after we married I had to apply for those queer things - what do they call them? Conjugal what nots, you know what I mean. Thank goodness it is all much simpler nowadays. I remember I had to write him the silliest kind of letter - my lawyer practically dictated it to me. Asking him to come back, you know, and that I would do all I could, etc, etc, but you never could count on Rudolf, he was so temperamental. He came rushing home at once, which was quite the wrong thing to do, and not all what the lawyers meant."

She sighed.

"About Margery?" suggested Mr Satterthwaite, tactfully leading her back to the subject under discussion.

"Of course. I was just going to tell you, wasn't I? Margery has been seeing things, or hearing them. Ghosts, you know, and all that. I should never have thought that Margery could be so imaginative.

She is a dear good girl, always has been, but just a shade - dull."

"Impossible," murmured Mr Satterthwaite with a confused idea of being complimentary.

"In fact, very dull," said Lady Stranleigh. "Doesn't care for dancing, or cocktails or any of the things a young girl ought to care about. She much prefers staying at home to hunt instead of coming out here with me."

"Dear, dear," said Mr Satterthwaite, "she wouldn't come out with you, you say?"

"Well, I didn't exactly press her. Daughters have a depressing effect upon one, I find."

Mr Satterthwaite tried to think of Lady Stranleigh accompanied by a serious-minded daughter and failed.

"I can't help wondering if Margery is going off her head," continued Margery's mother in a cheerful voice. "hearing voices is a very bad sign, so they tell me. It is not as though Abbot's Mede were haunted.

The old building was burnt to the ground in 1836, and they put up a kind of early Victorian chßteau which simply cannot be haunted. It is much too ugly and commonplace."

Mr Satterthwaite coughed. He was wondering why he was being told all this.

"I thought perhaps," said Lady Stranleigh, smiling brilliantly upon him, "that you might be able to help me."

"I?"

"Yes. You are going back to England tomorrow, aren't you?"

"I am. Yes, that is so," admitted Mr Satterthwaite cautiously.

"And you know all these psychical research people. Of course you do, you know everybody."

Mr Satterthwaite smiled a little. It was one of his weaknesses to know everybody.

"So what can be simpler?" continued Lady Stranleigh. "I never get on with that sort of person. You know - earnest men with beards and usually spectacles. They bore me terribly and I am quite at my worst with them."

Mr Satterthwaite was rather taken aback. Lady Stranleigh continued to smile at him brilliantly.

"So that is all settled, isn't it?" she said brightly. "You will go down to Abbot's Mede and see Margery, and make all the arrangements. I shall be terribly grateful to you. Of course if Margery is really going off her head, I will come home. Ah! here is Bimbo."

Her smile from being brilliant became dazzling.

A young man in white tennis flannels was approaching them. He was about twenty-five years of age and extremely good-looking.

The young man said simply, "I have been looking for you everywhere, Babs."

"What has the tennis been like?"

"Septic."

Lady Stranleigh rose. She turned her head over her shoulder and murmured in dulcet tones to Mr Satterthwaite, "It is simply marvellous of you to help me. I shall never forget it."

Mr Satterthwaite looked after the retreating couple.

"I wonder," he mused to himself, "if Bimbo is going to be No. 5."

Chapter 8 THE FACE OF HELEN

Mr Satterthwaite was at the Opera and sat alone in his big box on the first floor. Outside the door was a printed card bearing his name. An appreciator and a connoisseur of all the arts, Mr Satterthwaite was especially fond of good music, and was a regular subscriber to

Covent Garden every year, reserving a box for Tuesdays and Fridays throughout the season.

But it was not often that he sat in it alone. He was a gregarious little gentleman, and he liked filling his box with the elite of the great world to which he belonged, and also with the aristocracy of the artistic world in which he was equally at home. He was alone tonight because a Countess had disappointed him. The Countess, besides being a beautiful and celebrated woman, was also a good mother.

Her children had been attacked by that common and distressing disease, the mumps, and the Countess remained at home in tearful confabulation with exquisitely starched nurses. Her husband, who had supplied her with the aforementioned children and a title, but who was otherwise a complete nonentity, had seized at the chance to escape. Nothing bored him more than music.

So Mr Satterthwaite sat alone. Cavalier Rusticate and Pagliacci were being given that night, and since the first had never appealed to him, he arrived just after the curtain went down, on Santuzza's death agony, in time to glance round the house with practised eyes, before everyone streamed out, bent on paying visits or fighting for coffee or lemonade. Mr Satterthwaite adjusted his opera glasses, looked round the house, marked down his prey and sallied forth with a well mapped out plan of campaign ahead of him. A plan, however, which he did not put into execution, for just outside his box he cannoned into a tall dark man, and recognised him with a pleasurable thrill of excitement.

"Mr Quin," cried Mr Satterthwaite.

He seized his friend warmly by the hand, clutching him as though he feared any minute to see him vanish into thin air.

"You must share my box," said Mr Satterthwaite determinedly. "You are not with a party?"

"No, I am sitting by myself in the stalls," responded Mr Quin with a smile.

"Then, that is settled," said Mr Satterthwaite with a sigh of relief.

His manner was almost comic, had there been anyone to observe it.

"You are very kind," said Mr Quin.

"Not at all. It is a pleasure. I didn't know you were fond of music?"

"There are reasons why I am attracted to - Pagliacci."

"Ah! Of course," said Mr Satterthwaite, nodding sapiently, though, if put to it, he would have found it hard to explain just why he had used that expression. "Of course, you would be."

They went back to the box at the first summons of the bell, and leaning over the front of it, they watched the people returning to the stalls.

"That's a beautiful head," observed Mr Satterthwaite suddenly.

He indicated with his glasses a spot immediately beneath them in the stalls circle. A girl sat there whose face they could not see - only the pure gold of her hair that fitted with the closeness of a cap till it merged into the white neck.

"A Greek head," said Mr Satterthwaite reverently. "Pure Greek." He sighed happily. "It's a remarkable thing when you come to think of it how very few people have hair that fits them. It's more noticeable now that everyone is shingled."

"You are so observant," said Mr Quin.

"I see things," admitted Mr Satterthwaite. "I do see things. For instance, I picked out that head at once. We must have a look at her face sooner or later. But it won't match, I'm sure. That would be a chance in a thousand."

Almost as the words left his lips, the lights flickered and went down, the sharp rap of the conductor's baton was heard, and the opera began. A new tenor, said to be a second Caruso, was singing that night. He had been referred to by the newspapers as a Jugoslav, a Czech, an Albanian, a Magyar, and a Bulgarian, with a beautiful impartiality. He had given an extraordinary concert at the Albert Hall, a programme of the folk songs of his native hills, with a specially tuned orchestra. They were in strange half-tones and the would-be musical had pronounced them "too marvellous." Real musicians had reserved judgment, realising that the ear had to be specially trained and attuned before any criticism was possible. It was quite a relief to some people to find this evening that Yoaschbim could sing in ordinary Italian with all the traditional sobs and quivers.

The curtain went down on the first act and applause burst out vociferously. Mr Satterthwaite turned to Mr Quin. He realised that the latter was waiting for him to pronounce judgment, and plumed himself a little. After all, he knew. As a critic he was well-nigh infallible. Very slowly he nodded his head. "It is the real thing," he said.

"You think so?"

"As fine a voice as Caruso's. People will not recognise that it is so at first, for his technique is not yet perfect. There are ragged edges, a lack of certainty in the attack. But the voice is there - magnificent."

"I went to his concert at the Albert Hall," said Mr Quin.

"Did you? I could not go."

"He made a wonderful hit with a Shepherd's Song."

"I read about it," said Mr Satterthwaite. "The refrain ends each time with a high note - a kind of cry. A note midway between A and B flat.

Very curious."

Yoaschbim had taken three calls, bowing and smiling. The lights went up and the people began to file out. Mr Satterthwaite leant over to watch the girl with the golden head. She rose, adjusted her scarf, and turned.

Mr Satterthwaite caught his breath. There were, he knew, such faces in the world - faces that made history.

The girl moved to the gangway, her companion, a young man, beside her. And Mr Satterthwaite noticed how every man in the vicinity looked - and continued to look covertly.

"Beauty!" said Mr Satterthwaite to himself. "There is such a thing.

Not charm, nor attraction, nor magnetism, nor any of the things we talk about so glibly - just sheer beauty. The shape of a face, the line of an eyebrow, the curve of a jaw. He quoted softly under his breath, "The face that launched a thousand ships." And for the first time he realised the meaning of those words.

He glanced across at Mr Quin, who was watching him in what seemed such perfect comprehension that Mr Satterthwaite felt there was no need for words.

"I've always wondered," he said simply, "what such women were really like."

"You mean?"

"The Helens, the Cleopatras, the Mary Stuarts."

Mr Quin nodded thoughtfully.

"If we go out," he suggested, "we may see."

They went out together, and their quest was successful. The pair they were in search of were seated on a lounge half-way up the staircase. For the first time, Mr Satterthwaite noted the girl's companion, a dark young man, not handsome, but with a suggestion of restless fire about him. A face full of strange angles - jutting cheek-bones, a forceful, slightly crooked jaw, deep-set eyes that were curiously light under the dark, overhanging brows.

"An interesting face," said Mr Satterthwaite to himself. "A real face.

It means something."

The young man was leaning forward talking earnestly. The girl was listening. Neither of them belonged to Mr Satterthwaite's world. He took them to be of the "Arty" class. The girl wore a rather shapeless garment of cheap green silk. Her shoes were of soiled, white satin.

The young man wore his evening clothes with an air of being uncomfortable in them.

The two men passed and re-passed several times. The fourth time they did so, the couple had been joined by a third - a fair young man with a suggestion of the clerk about him. With his coming a certain tension had set in. The newcomer was fidgetting with his tie and seemed ill at ease, the girl's beautiful face was turned gravely up towards him, and her companion was scowling furiously.

"The usual story," said Mr Quin very softly, as they passed.

"Yes," said Mr Satterthwaite with a sigh. "It's inevitable, I suppose.

The snarling of two dogs over a bone. It always has been, it always will be. And yet, one could wish for something different. Beauty -" he stopped. Beauty, to Mr Satterthwaite, meant something very wonderful. He found it difficult to speak of it. He looked at Mr Quin, who nodded his head gravely in understanding.

They went back to their seats for the second act.

At the close of the performance, Mr Satterthwaite turned eagerly to his friend.

"It is a wet night. My car is here. You must allow me to drive you - er somewhere."

The last word was Mr Satterthwaite's delicacy coming into play. "To drive you home" would, he felt, have savoured of curiosity. Mr Quin had always been singularly reticent. It was extraordinary how little Mr Satterthwaite knew about him.

"But perhaps," continued the little man, "you have your own car waiting?"

"No," said Mr Quin, "I have no car waiting."

"Then -"

But Mr Quin shook his head.

"You are most kind," he said, "but I prefer to go my own way.

Besides," he said with a rather curious smile, "if anything should happen, it will be for you to act. Goodnight, and thank you. Once again we have seen the drama together."

He had gone so quickly that Mr Satterthwaite had no time to protest, but he was left with a faint uneasiness stirring in his mind. To what drama did Mr Quin refer? Pagliacci or another?

Masters, Mr Satterthwaite's chauffeur, was in the habit of waiting in a side street. His master disliked the long delay while the cars drew up in turn before the Opera house. Now, as on previous occasions, he walked rapidly round the corner and along the street towards where he knew he should find Masters awaiting him. Just in front of him were a girl and a man, and even as he recognised them, another man joined them.

It all broke out in a minute. A man's voice, angrily uplifted. Another man's voice in injured protest. And then the scuffle. Blows, angry breathing, more blows, the form of a policeman appearing majestically from nowhere - and in another minute Mr Satterthwaite was beside the girl where she shrank back against the wall.

"Allow me," he said. "You must not stay here."

He took her by the arm and marshalled her swiftly down the street.

Once she looked back.

"Oughtn't I -?" she began uncertainly.

Mr Satterthwaite shook his head.

"It would be very unpleasant for you to be mixed up in it. You would probably be asked to go along to the police station with them. I am sure neither of your friends would wish that."

He stopped.

"This is my car. If you will allow me to do so, I shall have much pleasure in driving you home."

The girl looked at him searchingly. The staid respectability of Mr Satterthwaite impressed her favourably. She bent her head.

"Thank you," she said, and got into the car, the door of which Masters was holding open.

In reply to a question from Mr Satterthwaite, she gave an address in Chelsea, and he got in beside her.

The girl was upset and not in the mood for talking, and Mr Satterthwaite was too tactful to intrude upon her thoughts.

Presently, however, she turned to him and spoke of her own accord.

"I wish," she said pettishly, "people wouldn't be so silly."

"It is a nuisance," agreed Mr Satterthwaite.

His matter-of-fact manner put her at her ease, and she went on as though feeling the need of confiding in someone.

"It wasn't as though - I mean, well, it was like this Mr Eastney and I have been friends for a long time - ever since I came to London. He's taken no end of trouble about my voice, and got me some very good introductions, and he's been more kind to me than I can say. He's absolutely music mad. It was very good of him to take me tonight. I'm sure he can't really afford it. And then Mr Burns came up and spoke to us - quite nicely, I'm sure, and Phil (Mr Eastney) got sulky about it.

I don't know why he should. It's a free country, I'm sure. And Mr Burns is always pleasant, and good-tempered. Then just as we were walking to the Tube, he came up and joined us, and he hadn't so much as said two words before Philip flew out at him like a madman.

And - Oh! I don't like it."

"Don't you?" asked Mr Satterthwaite very softly.

She blushed, but very little. There was none of the conscious siren about her. A certain measure of pleasurable excitement in being fought for there must be - that was only nature, but Mr Satterthwaite decided that a worried perplexity lay uppermost, and he had the clue to it in another moment when she observed inconsequently, "I do hope he hasn't hurt him."

"Now which is 'him'?" thought Mr Satterthwaite, smiling to himself in the darkness. He backed his own judgment and said, "You hope Mr er - Eastney hasn't hurt Mr Burns?"

She nodded.

"Yes, that's what I said. It seems so dreadful. I wish I knew."

The car was drawing up.

"Are you on the telephone?" he asked.

"Yes."

"If you like, I will find out exactly what has happened, and then telephone to you."

The girl's face brightened.

"Oh, that would be very kind of you. Are you sure it's not too much bother?"

"Not in the least."

She thanked him again and gave him her telephone number, adding with a touch of shyness, "My name is Gillian West."

As he was driven through the night, bound on his errand, a curious smile came to Mr Satterthwaite's lips.

He thought, "So that is all it is... The shape of a face, the curve of a jaw!"

But he fulfilled his promise.

Chapter 9 THE DEAD HARLEQUIN

Mr Satterthwaite walked slowly up Bond Street enjoying the sunshine. He was, as usual, carefully and beautifully dressed, and was bound for the Harchester Galleries where there was an exhibition of the paintings of one Frank Bristow, a new and hitherto unknown artist who showed signs of suddenly becoming the rage. Mr Satterthwaite was a patron of the arts.

As Mr Satterthwaite entered the Harchester Galleries, he was greeted at once with a smile of pleased recognition.

"Good morning, Mr Satterthwaite, I thought we should see you before long. You know Bristow's work? Fine - very fine indeed. Quite unique of its kind."

Mr Satterthwaite purchased a catalogue and stepped through the open archway into the long room where the artist's works were displayed. They were water colours, executed with such extraordinary technique and finish that they resembled coloured etchings. Mr Satterthwaite walked slowly round the walls scrutinising and, on the whole, approving. He thought that this young man deserved to arrive. Here was originality, vision, and a most severe and exacting technique. There were crudities, of course. That was only to be expected - but there was also something closely allied to genius. Mr Satterthwaite paused before a little masterpiece representing Westminster Bridge with its crowd of buses, trams and hurrying pedestrians. A tiny thing and wonderfully perfect. It was called, he noted, The Ant Heap. He passed on and quite suddenly drew in his breath with a gasp, his imagination held and riveted.

The picture was called the Dead Harlequin. The forefront of it represented a floor of inlaid squares of black and white marble. In the middle of the floor lay Harlequin on his back with his arms outstretched, in his motley of black and red. Behind him was a window and outside that window, gazing in at the figure on the floor, was what appeared to be the same man silhouetted against the red glow of the setting sun.

The picture excited Mr Satterthwaite for two reasons, the first was that he recognised, or thought that he recognised, the face of the man in the picture. It bore a distinct resemblance to a certain Mr Quin, an acquaintance whom Mr Satterthwaite had encountered once or twice under somewhat mystifying circumstances.

"Surely I can't be mistaken," he murmured. "If it is so - what does it mean?"

For it had been Mr Satterthwaite's experience that every appearance of Mr Quin had some distinct significance attaching to it.

There was, as already mentioned, a second reason for Mr Satterthwaite's interest. He recognised the scene of the picture.

"The Terrace Room at Charnley," said Mr Satterthwaite. "Curious and very interesting."

He looked with more attention at the picture, wondering what exactly had been in the artist's mind. One Harlequin dead on the floor, another Harlequin looking through the window - or was it the same Harlequin? He moved slowly along the walls gazing at other pictures with unseeing eyes, with his mind always busy on the same subject.

He was excited. Life, which had seemed a little drab this morning, was drab no longer. He knew quite certainly that he was on the threshold of exciting and interesting events. He crossed to the table where sat Mr Cobb, a dignitary of the Harchester Galleries, whom he had known for many years.

"I have a fancy for buying no. 39," he said, "if it is not already sold."

Mr Cobb consulted a ledger.

"The pick of the bunch," he murmured, "quite a little gem, isn't it?

No, it is not sold." he quoted a price. "It is a good investment, Mr Satterthwaite. You will have to pay three times as much for it this time next year."

"That is always said on these occasions," said Mr Satterthwaite, smiling.

"Well, and haven't I been right?" demanded Mr Cobb. "I don't believe if you were to sell your collection, Mr Satterthwaite, that a single picture would fetch less than you gave for it."

"I will buy this picture," said Mr Satterthwaite. "I will give you a cheque now."

"You won't regret it. We believe in Bristow."

"He is a young man?"

"Twenty-seven or eight, I should say."

"I should like to meet him," said Mr Satterthwaite. "Perhaps he will come and dine with me one night?"

"I can give you his address. I am sure he would leap at the chance.

Your name stands for a good deal in the artistic world."

"You flatter me," said Mr Satterthwaite, and was going on when Mr Cobb interrupted.

"There he is now. I will introduce you to him right away." He rose from behind his table. Mr Satterthwaite accompanied him to where a big, clumsy young man was leaning against the wall surveying the world at large from behind the barricade of a ferocious scowl.

Mr Cobb made the necessary introductions and Mr Satterthwaite made a formal and gracious little speech.

"I have just had the pleasure of acquiring one of your pictures - The Dead Harlequin."

"Oh! Well, you won't lose by it," said Mr Bristow ungraciously. "It's a bit of damned good work, although I say it."

"I can see that," said Mr Satterthwaite. "Your work interests me very much, Mr Bristow. It is extraordinarily mature for so young a man. I wonder if you would give me the pleasure of dining with me one night? Are you engaged this evening?"

"As a matter of fact, I am not," said Mr Bristow, still with no overdone appearance of graciousness.

"Then shall we say eight o'clock?" said Mr Satterthwaite. "Here is my card with the address on it."

"Oh, all right," said Mr Bristow. "Thanks," he added as a somewhat obvious afterthought.

"A young man who has a poor opinion of himself and is afraid that the world should share it."

Such was Mr Satterthwaite's summing up as he stepped out into the sunshine of Bond Street, and Mr Satterthwaite's judgment of his fellow men was seldom far astray.

Frank Bristow arrived about five minutes past eight to find his host and a third guest awaiting him. The other guest was introduced as a Colonel Monckton. They went in to dinner almost immediately. There was a fourth place laid at the oval mahogany table and Mr Satterthwaite uttered a word of explanation.

"I half expected my friend, Mr Quin, might drop in," he said. "I wonder if you have ever met him. Mr Harley Quin?"

"I never meet people," growled Bristow. Colonel Monckton stared at the artist with the detached interest he might have accorded to a new species of jelly fish. Mr Satterthwaite exerted himself to keep the ball of conversation rolling amicably.

"I took a special interest in that picture of yours because I thought I recognised the scene of it as being the Terrace Room at Charnley.

Was I right?" As the artist nodded, he went on. "That is very interesting. I have stayed at Charnley several times myself in the past. Perhaps you know some of the family?"

"No, I don't!" said Bristow. "That sort of family wouldn't care to know me. I went there in a charabanc."

"Dear me," said Colonel Monckton for the sake of saying something.

"In a charabanc! Dear me."

Frank Bristow scowled at him. "Why not?" he demanded ferociously.

Poor Colonel Monckton was taken aback. He looked reproachfully at Mr Satterthwaite as though to say, "These primitive forms of life may be interesting to you as a naturalist, but why drag me in?"

"Oh, beastly things, charabancs!" he said. "They jolt you so going over the bumps."

"If you can't afford a Rolls Royce you have got to go in charabancs," said Bristow fiercely.

Colonel Monckton stared at him. Mr Satterthwaite thought, "Unless I can manage to put this young man at his ease we are going to have a very distressing evening."

"Charnley always fascinated me," he said. "I have been there only once since the tragedy. A grim house - and a ghostly one."

"That's true," said Bristow.

"There are actually two authentic ghosts," said Monckton. "They say that Charles I walks up and down the terrace with his head under his arm - I have forgotten why, I'm sure. Then there is the Weeping Lady with the Silver Ewer, who is always seen after one of the Charnleys dies."

"Tosh," said Bristow scornfully.

"They have certainly been a very ill-fated family," said Mr Satterthwaite hurriedly. "Four holders of the title have died a violent death and the late Lord Charnley committed suicide."

"A ghastly business," said Monckton gravely. "I was there when it happened."

"Let me see, that must be fourteen years ago," said Mr Satterthwaite, "the house has been shut up ever since."

"I don't wonder at that," said Monckton. "It must have been a terrible shock for a young girl. They had been married a month, just home from their honeymoon. Big fancy dress ball to celebrate their homecoming. Just as the guests were starting to arrive Charnley locked himself into the Oak Parlour and shot himself. That sort of thing isn't done. I beg your pardon?"

He turned his head sharply to the left and looked across at Mr Satterthwaite with an apologetic laugh.

"I am beginning to get the jimjams, Satterthwaite. I thought for a moment there was someone sitting in that empty chair and that he said something to me.

"Yes," he went on after a minute or two, "it was a pretty ghastly shock to Alix Charnley. She was one of the prettiest girls you could see anywhere and cram full of what people call the joy of living, and now they say she is like a ghost herself. Not that I have seen her for years. I believe she lives abroad most of the time."

"And the boy?"

"The boy is at Eton. What he will do when he comes of age I don't know. I don't think, somehow, that he will reopen the old place."

"It would make a good People's Pleasure Park," said Bristow.

Colonel Monckton looked at him with cold abhorrence.

"No, no, you don't really mean that," said Mr Satterthwaite. "You wouldn't have painted that picture if you did. Tradition and atmosphere are intangible things. They take centuries to build up and if you destroyed them you couldn't rebuild them again in twentyfour hours."

He rose. "Let us go into the smoking-room. I have some photographs there of Charnley which I should like to show you."

One of Mr Satterthwaite's hobbies was amateur photography. He was also the proud author of a book, "Homes of My Friends." The friends in question were all rather exalted and the book itself showed Mr Satterthwaite forth in rather a more snobbish light than was really fair to him.

"That is a photograph I took of the Terrace Room last year," he said.

He handed it to Bristow. "You see it is taken at almost the same angle as is shown in your picture. That is rather a wonderful rug - it is a pity that photographs can't show colouring."

"I remember it," said Bristow, "a marvellous bit of colour. It glowed like a flame. All the same it looked a bit incongruous there. The wrong size for that big room with its black and white squares. There is no rug anywhere else in the room. It spoils the whole effect - it was like a gigantic blood stain."

"Perhaps that gave you your idea for your picture?" said Mr Satterthwaite.

"Perhaps it did," said Bristow thoughtfully. "On the face, of it, one would naturally stage a tragedy in the little panelled room leading out of it."

"The Oak Parlour," said Monckton. "Yes, that is the haunted room right enough. There is a Priests hiding hole there - a movable panel by the fireplace. Tradition has it that Charles I was concealed there once. There were two deaths from duelling in that room. And it was there, as I say, that Reggie Charnley shot himself."

He took the photograph from Bristow's hand. "Why, that is the Bokhara rug," he said, "worth a couple of thousand pounds, I believe. When I was there it was in the Oak Parlour - the right place for it. It looks silly on that great expanse of marble flags."

Mr Satterthwaite was looking at the empty chair which he had drawn up beside his. Then he said thoughtfully, "I wonder when it was moved?"

"It must have been recently. Why, I remember having a conversation about it on the very day of the tragedy. Charnley was saying it really ought to be kept under glass." Mr Satterthwaite shook his head. "The house was shut up immediately after the tragedy and everything was left exactly as it was."

Bristow broke in with a question. He had laid aside his aggressive manner. "Why did Lord Charnley shoot himself?" he asked.

Colonel Monckton shifted uncomfortably in his chair. "No one ever knew," he said vaguely.

"I suppose," said Mr Satterthwaite slowly, "that it was suicide."

The Colonel looked at him in blank astonishment.

"Suicide," he said, "why, of course it was suicide. My dear fellow, I was there in the house myself."

Mr Satterthwaite looked towards the empty chair at his side and, smiling to himself as though at some hidden joke the others could not see, he said quietly, "Sometimes one sees things more clearly years afterwards than one could possibly at the time."

"Nonsense," spluttered Monckton, "arrant nonsense! How can you possibly see things better when they are vague in your memory instead of clear and sharp?"

But Mr Satterthwaite was reinforced from an unexpected quarter.

"I know what you mean," said the artist. "I should say that possibly you were right. It is a question of proportion, isn't it? And more than proportion probably. Relativity and all that sort of thing."

"If you ask me," said the Colonel, "all this Einstein business is a lot of dashed nonsense. So are spiritualists and the spook of one's grandmother!" He glared round fiercely. "Of course it was suicide," he went on. "Didn't I practically see the thing happen with my own eyes?"

"Tell us about it," said Mr Satterthwaite, "so that we shall see it with our eyes also."

With a somewhat mollified grunt the Colonel settled himself more comfortably in his chair.

"The whole thing was extraordinarily unexpected," he began.

"Charnley had been his usual normal self. There was a big party staying in the house for this ball. No one could ever have guessed he would go and shoot himself just as the guests began arriving."

"It would have been better taste if he had waited until they had gone," said Mr Satterthwaite.

"Of course it would. Damned bad taste - to do a thing like that."

"Uncharacteristic," said Mr Satterthwaite.

"Yes," admitted Monckton, "it wasn't like Charnley."

"And yet it was suicide?"

"Of course it was suicide. Why, there were three or four of us there at the top of the stairs. Myself, the Ostrander girl, Algie Darcy - oh, and one or two others. Charnley passed along the hall below and went into the Oak Parlour. The Ostrander girl said there was a ghastly look on his face and his eyes were staring - but, of course, that is nonsense - she couldn't even see his face from where we were - but he did walk in a hunched way, as if he had the weight of the world on his shoulders. One of the girls called to him - she was somebody's governess, I think, whom Lady Charnley had included in the party out of kindness. She was looking for him with a message.

She called out 'Lord Charnley, Lady Charnley wants to know -' He paid no attention and went into the Oak Parlour and slammed the door and we heard the key turn in the lock. Then, one minute after, we heard the shot.

"We rushed down to the hall. There is another door from the Oak Parlour leading into the Terrace Room. We tried that but it was locked, too. In the end we had to break the door down. Charnley was lying on the floor - dead - with a pistol close beside his right hand.

Now, what could that have been but suicide? Accident? Don't tell me.

There is only one other possibility - murder - and you can't have murder without a murderer. You admit that, I suppose."

"The murderer might have escaped," suggested Mr Satterthwaite.

"That is impossible. If you have a bit of paper and a pencil I will draw you a plan of the place. There are two doors into the Oak Parlour, one into the hall and one into the Terrace Room. Both these doors were locked in the inside and the keys were in the locks."

"The window?"

"Shut, and the shutters fastened across it."

There was a pause.

"So that is that," said Colonel Monckton triumphantly.

"It certainly seems to be," said Mr Satterthwaite sadly.

"Mind you," said the Colonel, "although I was laughing just now at the spiritualists, I don't mind admitting that there was a deuced rummy atmosphere about the place - about that room in particular.

There are several bullet holes in the panels of the walls, the results of the duels that took place in that room, and there is a queer stain on the floor, that always comes back though they have replaced the wood several times. I suppose there will be another blood stain on the floor now - poor Charnley's blood."

"Was there much blood?" asked Mr Satterthwaite.

"Very little - curiously little - so the doctor said."

"Where did he shoot himself, through the head?"

"No, through the heart."

"That is not the easy way to do it," said Bristow. "Frightfully difficult to know where one's heart is. I should never do it that way myself."

Mr Satterthwaite shook his head. He was vaguely dissatisfied. He had hoped to get at something - he hardly knew what. Colonel Monckton went on.

"It is a spooky place, Charnley. Of course, I didn't see anything."

"You didn't see the Weeping Lady with the Silver Ewer?"

"No, I did not, sir," said the Colonel emphatically. "But I expect every servant in the place swore they did."

"Superstition was the curse of the Middle Ages," said Bristow.

"There are still traces of it here and there, but thank goodness, we are getting free from it."

"Superstition," mused Mr Satterthwaite, his eyes turned again to the empty chair. "Sometimes, don't you think, it might be useful?"

Bristow stared at him.

"Useful, that's a queer word."

"Well, I hope you are convinced now, Satterthwaite," said the Colonel "Oh, quite," said Mr Satterthwaite. "On the face of it, it seems odd so purposeless for a newly-married man, young, rich, happy, celebrating his home-coming - curious - but I agree there is no getting away from the facts." He repeated softly, "The facts," and frowned.

"I suppose the interesting thing is none of us will ever know," said Monckton, "the story behind it all. Of course there were rumours - all sorts of rumours. You know the kind of things people say."

"But no one knew anything," said Mr Satterthwaite thoughtfully.

"It's not a best seller mystery, is it?" remarked Bristow. "No one gained by the man's death."

"No one except an unborn child," said Mr Satterthwaite.

Monckton gave a sharp chuckle. "Rather a blow to poor Hugo Charnley," he observed. "As soon as it was known that there was going to be a child he had the graceful task of sitting tight and waiting to see if it would be a girl or boy. Rather an anxious wait for his creditors, too. In the end a boy it was and a disappointment for the lot of them."

"Was the widow very disconsolate?" asked Bristow.

"Poor child," said Monckton, "I shall never forget her. She didn't cry or break down or anything. She was like something frozen. As I say, she shut up the house shortly afterwards and, as far as I know, it has never been reopened since."

"So we are left in the dark as to motive," said Bristow with a slight laugh. "Another man or another woman, it must have been one or the other, eh?"

"It seems like it," said Mr Satterthwaite.

"And the betting is strongly on another woman," continued Bristow, "since the fair widow has not married again. I hate women," he added dispassionately.

Mr Satterthwaite smiled a little and Frank Bristow saw the smile and pounced upon it.

"You may smile," he said, "but I do. They upset everything. They interfere. They get between you and your work. They - I only once met a woman who was - well, interesting."

"I thought there would be one," said Mr Satterthwaite.

"Not in the way you mean. I - I just met her casually. As a matter of fact - it was in a train. After all," he added defiantly, "why shouldn't one meet people in trains?"

"Certainly, certainly," said Mr Satterthwaite soothingly, "a train is as good a place as anywhere else."

"It was coming down from the North. We had the carriage to ourselves. I don't know why, but we began to talk. I don't know her name and I don't suppose I shall ever meet her again. I don't know that I want to. It might be - a pity." He paused, struggling to express himself. "She wasn't quite real, you know. Shadowy. Like one of the people who come out of the hills in Gaelic fairy tales."

Mr Satterthwaite nodded gently. His imagination pictured the scene easily enough. The very positive and realistic Bristow and a figure that was silvery and ghostly - shadowy, as Bristow had said.

"I suppose if something very terrible had happened, so terrible as to be almost unbearable, one might get like that. One might run away from reality into a half world of one's own and then, of course, after a time, one wouldn't be able to get back."

"Was that what had happened to her?" asked Mr Satterthwaite curiously.

"I don't know," said Bristow. "She didn't tell me anything, I am only guessing. One has to guess if one is going to get anywhere."

"Yes," said Mr Satterthwaite slowly, "One has to guess."

He looked up as the door opened. He looked up quickly and expectantly but the butler's words disappointed him.

"A lady, sir, has called to see you on very urgent business. Miss Aspasia Glen."

Mr Satterthwaite rose in some astonishment. He knew the name of Aspasia Glen. Who in London did not? First advertised as the Woman with the Scarf, she had given a series of matinûes single-handed that had taken London by storm. With the aid of her scarf she had impersonated rapidly various characters. In turn the scarf had been the coif of a nun, the shawl of a mill-worker, the head-dress of a peasant and a hundred other things, and in each impersonation Aspasia Glen had been totally and utterly different. As an artist, Mr Satterthwaite paid full reverence to her. As it happened, he had never made her acquaintance. A call upon him at this unusual hour intrigued him greatly. With a few words of apology to the others he left the room and crossed the hall to the drawing-room.

Miss Glen was sitting in the very centre of a large settee upholstered in gold brocade. So poised she dominated the room. Mr Satterthwaite perceived at once that she meant to dominate the situation. Curiously enough, his first feeling was one of repulsion. He had been a sincere admirer of Aspasia Glen's art. Her personality, as conveyed to him over the footlights, had been appealing and sympathetic. Her effects there had been wistful and suggestive rather than commanding. But now, face to face with the woman herself, he received a totally different impression. There was some thing hard - bold - forceful about her. She was tall and dark, possibly about thirty-five years of age. She was undoubtedly very goodlooking and she clearly relied upon the fact.

"You must forgive this unconventional call, Mr Satterthwaite," she said. Her voice was full and rich and seductive. "I won't say that I have wanted to know you for a long time, but I am glad of the excuse.

As for coming tonight -" she laughed - "well, when I want a thing, I simply can't wait. When I want a thing, I simply must have it."

"Any excuse that has brought me such a charming lady guest must be welcomed by me," said Mr Satterthwaite in an old-fashioned gallant manner.

"How nice you are to me," said Aspasia Glen.

"My dear lady," said Mr Satterthwaite, "may I thank you here and now for the pleasure you have so often given me - in my seat in the stalls."

She smiled delightfully at him.

"I am coming straight to the point. I was at the Harchester Galleries today. I saw a picture there I simply couldn't live without. I wanted to buy it and I couldn't because you had already bought it. So -" she paused - "I do want it so," she went on. "Dear Mr Satterthwaite, I simply must have it. I brought my cheque book." She looked at him hopefully. "Everyone tells me you are so frightfully kind. People are kind to me, you know. It is very bad for me - but there it is."

So these were Aspasia Glen's methods. Mr Satterthwaite was inwardly coldly critical of this ultra-femininity and of this spoilt child pose. It ought to appeal to him, he supposed, but it didn't. Aspasia Glen had made a mistake. She had judged him as an elderly dilettante, easily flattered by a pretty woman. But Mr Satterthwaite behind his gallant manner had a shrewd and critical mind. He saw people pretty well as they were, not as they wished to appear to him.

He saw before him, not a charming woman pleading for a whim, but a ruthless egoist determined to get her own way for some reason which was obscure to him. And he knew quite certainly that Aspasia Glen was not going to get her own way. He was not going to give up the picture of the Dead Harlequin to her. He sought rapidly in his mind for the best way of circumventing her without overt rudeness.

"I am sure," he said, "that everyone gives you your own way as often as they can and is only too delighted to do so."

"Then you are really going to let me have the picture?"

Mr Satterthwaite shook his head slowly and regretfully. "I am afraid that is impossible. You see -" he paused - "I bought that picture for a lady. It is a present."

"Oh! but surely -"

The telephone on the table rang sharply. With a murmured word of excuse Mr Satterthwaite took up the receiver. A voice spoke to him, a small, cold voice that sounded very far away.

"Can I speak to Mr Satterthwaite, please?"

"It is Mr Satterthwaite speaking."

"I am Lady Charnley, Alix Charnley. I daresay you don't remember me, Mr Satterthwaite, it is a great many years since we met."

"My dear Alix. Of course, I remember you."

"There is something I wanted to ask you. I was at the Harchester Galleries at an exhibition of pictures today, there was one called The Dead Harlequin, perhaps you recognised it - it was the Terrace Room at Charnley. I - I want to have that picture. It was sold to you."

She paused. "Mr Satterthwaite, for reasons of my own I want that picture. Will you resell it to me?"

Mr Satterthwaite thought to himself, "Why, this is a miracle."

As he spoke into the receiver he was thankful that Aspasia Glen could only hear one side of the conversation.

"If you will accept my gift, dear lady, it will make me very happy." He heard a sharp exclamation behind him and hurried on.

"I bought it for you. I did indeed. But listen, my dear Alix, I want to ask you to do me a great favour, if you will."

"Of course, Mr Satterthwaite, I am so very grateful."

He went on. "I want you to come round now to my house, at once."

There was a slight pause and then she answered quietly, "I will come at once."

Mr Satterthwaite put down the receiver and turned to Miss Glen.

She said quickly and angrily, "That was the picture you were talking about?"

"Yes," said Mr Satterthwaite, "the lady to whom I am presenting it is coming round to this house in a few minutes."

Suddenly Aspasia Glen's face broke once more into smiles.

"You will give me a chance of persuading her to turn the picture over to me?"

"I will give you a chance of persuading her." Inwardly he was strangely excited. He was in the midst of a drama that was shaping itself to some foredoomed end. He, the looker on, was playing a star part. He turned to Miss Glen.

"Will you come into the other room with me? I should like you to meet some friends of mine."

He held the door open for her and, crossing the hall, opened the door of the smoking-room.

"Miss Glen," he said, "let me introduce you to an old friend of mine, Colonel Monckton. Mr Bristow, the painter of the picture you admire so much." Then he started as a third figure rose from the chair which he had left empty beside his own.

"I think you expected me this evening," said Mr Quin. "During your absence I introduced myself to your friends. I am so glad I was able to drop in."

"My dear friend," said Mr Satterthwaite, "I - I have been carrying on as well as I am able, but -" he stopped before the slightly sardonic glance of Mr Quin's dark eyes.

"Let me introduce you. Mr Harley Quin, Miss Aspasia Glen."

Was it fancy - or did she shrink back slightly. A curious expression flitted over her face.

Suddenly Bristow broke in boisterously. "I have got it."

"Got what?"

"Got hold of what was puzzling me. There is a likeness, there is a distinct likeness." He was staring curiously at Mr Quin. "You see it?"

He turned to Mr Satterthwaite. "Don't you see a distinct likeness to the Harlequin of my picture - the man looking in through the window?"

It was no fancy this time. He distinctly heard Miss Glen draw in her breath sharply and even saw that she stepped back one pace.

"I told you that I was expecting someone," said Mr Satterthwaite. He spoke with an air of triumph. "I must tell you that my friend, Mr Quin, is a most extraordinary person. He can unravel mysteries. He can make you see things."

"Are you a medium, sir?" demanded Colonel Monckton, eyeing Mr Quin doubtfully.

The latter smiled and slowly shook his head.

"Mr Satterthwaite exaggerates," he said quietly. "Once or twice when I have been with him he has done some extraordinary good deductive work. Why he puts the credit down to me I can't say. His modesty, I suppose."

"No, no," said Mr Satterthwaite excitedly. "It isn't. You make me see things - things that I ought to have seen all along - that I actually have seen - but without knowing that I saw them."

"It sounds to me deuced complicated," said Colonel Monckton.

"Not really," said Mr Quin. "The trouble is that we are not content just to see things - we will tack the wrong interpretation on to the things we see."

Aspasia Glen turned to Frank Bristow.

"I want to know," she said nervously, "what put the idea of painting that picture into your head?"

Bristow shrugged his shoulders.

"I don't quite know," he confessed. "Something about the place about Charnley, I mean, took hold of my imagination. The big empty room. The terrace outside, the idea of ghosts and things, I suppose.

I have just been hearing the tale of the last Lord Charnley, who shot himself. Supposing you are dead, and your spirit lives on? It must be odd, you know. You might stand outside on the terrace looking in at the window at your own dead body, and you would see everything."

"What do you mean?" said Aspasia Glen. "See everything?"

"Well, you would see what happened. You would see -"

The door opened and the butler announced Lady Charnley.

Mr Satterthwaite went to meet her. He had not seen her for nearly thirteen years. He remembered her as she once was, an eager, glowing girl. And now he saw - a Frozen Lady. Very fair, very pale, with an air of drifting rather than walking, a snowflake driven at random by an icy breeze. Something unreal about her. So cold, so far away.

"It was very good of you to come," said Mr Satterthwaite.

He led her forward. She made a half gesture of recognition towards Miss Glen and then paused as the other made no response.

"I am so sorry," she murmured, "but surely I have met you somewhere, haven't I?"

"Over the footlights, perhaps," said Mr Satterthwaite. "This is Miss Aspasia Glen, Lady Charnley."

"I am very pleased to meet you, Lady Charnley," said Aspasia Glen.

Her voice had suddenly a slight transatlantic tinge to it. Mr Satterthwaite was reminded of one of her various stage impersonations.

"Colonel Monckton you know," continued Mr Satterthwaite, "and this is Mr Bristow."

He saw a sudden faint tinge of colour in her cheeks.

"Mr Bristow and I have met too," she said, and smiled a little.

"In a train."

"And Mr Harley Quin."

He watched her closely, but this time there was no flicker of recognition. He set a chair for her, and then, seating himself, he cleared his throat and spoke a little nervously.

"I - this is rather an unusual little gathering. It centres round this picture. I - I think that if we liked we could - clear things up."

"You are not going to hold a sûance, Satterthwaite?" asked Colonel Monckton. "You are very odd this evening."

"No," said Mr Satterthwaite, "not exactly a sûance. But my friend, Mr Quin, believes, and I agree, that one can, by looking back over the past, see things as they were and not as they appeared to be."

"The past?" said Lady Charnley.

"I am speaking of your husband's suicide, Alix. I know it hurts you -"

"No," said Alix Charnley, "it doesn't hurt me. Nothing hurts me now."

Mr Satterthwaite thought of Frank Bristow's words. "She was not quite real you know. Shadowy, like one of those people who come out of hills in Gaelic fairy tales."

"Shadowy," he had called her. That described her exactly. A shadow, a reflection of something else. Where then was the real Alix, and his mind answered quickly, "In the past. Divided from us by fourteen years of time."

"My dear," he said, "you frighten me. You are like the Weeping Lady with the Silver Ewer."

Crash! The coffee cup on the table by Aspasia's elbow fell shattered to the floor. Mr Satterthwaite waved aside her apologies. He thought, "We are getting nearer, we are getting nearer every minute - but nearer to what?"

"Let us take our minds back to that night fourteen years ago," he said." Lord Charnley killed himself. For what reason? No one knows."

Lady Charnley stirred slightly in her chair.

"Lady Charnley knows," said Frank Bristow abruptly.

"Nonsense," said Colonel Monckton, then stopped, frowning at her curiously.

She was looking across at the artist. It was as though he drew the words out of her. She spoke, nodding her head slowly, and her voice was like a snowflake, cold and soft. "Yes, you are quite right. I know.

That is why as long as I live I can never go back to Charnley. That is why when my boy Dick wants me to open the place up and live there again I tell him it can't be done."

"Will you tell us the reason, Lady Charnley?" said Mr Quin.

She looked at him. Then, as though hypnotised, she spoke as quietly and naturally as a child.

"I will tell you if you like. Nothing seems to matter very much now. I found a letter among his papers and I destroyed it."

"What letter?" said Mr Quin.

"The letter from the girl - from that poor child. She was the Merriam's nursery governess. He had - he had made love to her - yes, while he was engaged to me just before we were married. And she - she was going to have a child too. She wrote saying so, and that she was going to tell me about it. So, you see, he shot himself."

She looked round at them wearily and dreamily like a child who has repeated a lesson it knows too well.

Colonel Monckton blew his nose.

"My God," he said, "so that was it. Well, that explains things with a vengeance."

"Does it?" said Mr Satterthwaite, "it doesn't explain one thing. It doesn't explain why Mr Bristow painted that picture."

"What do you mean?"

Mr Satterthwaite looked across at Mr Quin as though for encouragement, and apparently got it, for he proceeded, "Yes, I know I sound mad to all of you, but that picture is the focus of the whole thing. We are all here tonight because, of that picture. That picture had to be painted - that is what I mean."

"You mean the uncanny influence of the Oak Parlour?" began Colonel Monckton.

"No," said Mr Satterthwaite. "Not the Oak Parlour. The Terrace Room. That is it! The spirit of the dead man standing outside the window and looking in and seeing his own dead body on the floor."

"Which he couldn't have done," said the Colonel, "because the body was in the Oak Parlour."

"Supposing it wasn't," said Mr Satterthwaite, "supposing it was exactly where Mr Bristow saw it, saw it imaginatively, I mean, on the black and white flags in front of the window."

"You are talking nonsense," said Colonel Monckton, "if it was there we shouldn't have found it in the Oak Parlour."

"Not unless someone carried it there," said Mr Satterthwaite.

"And in that case how could we have seen Charnley going in at the door of the Oak Parlour?" inquired Colonel Monckton.

"Well, you didn't see his face, did you?" asked Mr Satterthwaite.

"What I mean is, you saw a man going into the Oak Parlour in fancy dress, I suppose."

"Brocade things and a wig," said Monckton.

"Just so, and you thought it was Lord Charnley because the girl called out to him as Lord Charnley."

"And because when we broke in a few minutes later there was only Lord Charnley there dead. You can't get away from that, Satterthwaite."

"No," said Mr Satterthwaite, discouraged. "No - unless there was a hiding-place of some kind."

"Weren't you saying something about there being a Priests hole in that room?" put in Frank Bristow.

"Oh!" cried Mr Satterthwaite.

"Supposing -?"

He waved a hand for silence and sheltered his forehead with his other hand and then spoke slowly and hesitatingly.

"I have got an idea - it may be just an idea, but I think it hangs together. Supposing someone shot Lord Charnley. Shot him in the Terrace Room. Then he - and another person - dragged the body into the Oak Parlour. They laid it down there with the pistol by its right hand. Now we go on to the next step. It must seem absolutely certain Lord Charnley has committed suicide. I think that could be done very easily. The man in his brocade and wig passes along the hall by the Oak Parlour door and someone, to make sure of things, calls out to him as Lord Charnley from the top of the stairs. He goes in and locks both doors and fires a shot into the woodwork. There were bullet holes already in that room if you remember, one more wouldn't be noticed. He then hides quietly in the secret chamber. The doors are broken open and people rush in. It seems certain that Lord Charnley has committed suicide. No other hypothesis is even entertained."

"Well, I think that is balderdash," said Colonel Monckton. "You forget that Charnley had a motive right enough for suicide."

"A letter found afterwards," said Mr Satterthwaite. "A lying cruel letter written by a very clever and unscrupulous little actress who meant one day to be Lady Charnley herself."

"You mean?"

"I mean the girl in league with Hugo Charnley," said Mr Satterthwaite.

"You know, Monckton, everyone knows, that that man was a blackguard. He thought that he was certain to come into the title."

He turned sharply to Lady Charnley.

"What was the name of the girl who wrote that letter?"

"Monica Ford," said Lady Charnley.

"Was it Monica Ford Monckton, who called out to Lord Charnley from the top of the stairs?"

"Yes, now you come to speak of it, I believe it was."

"Oh, that's impossible," said Lady Charnley. "I - I went to her about it.

She told me it was all true. I only saw her once afterwards, but surely she couldn't have been acting the whole time."

Mr Satterthwaite looked across the room at Aspasia Glen.

"I think she could," he said quietly. "I think she had in her the makings of a very accomplished actress."

"There is one thing you haven't got over," said Frank Bristow, "there would be blood on the floor of the Terrace Room. Bound to be. They couldn't clear that up in a hurry."

"No," admitted Mr Satterthwaite, "but there is one thing - the Bokhara rug. Nobody ever saw the Bokhara rug in the Terrace Room before that night."

"I believe you are right," said Monckton, "but all the same those bloodstains would have to be cleared up some time?"

"Yes," said Mr Satterthwaite, "in the middle of the night. A woman with a jug and basin could go down the stairs and clear up the bloodstains quite easily."

"But supposing someone saw her?"

"It wouldn't matter," said Mr Satterthwaite. "I am speaking now of things as they are. I said a woman with a jug and basin. But if I had said a Weeping Lady with a Silver Ewer that is what they would have appeared, to be."

He got up and went across to Aspasia Glen.

"That is what you did, wasn't it?" He said.

"They call you the 'Woman with the Scarf' now, but it was that night you played your first part, the 'Weeping Lady with the Silver Ewer.'

That is why you knocked the coffee cup off that table just now. You were afraid when you saw that picture. You thought someone knew."

Lady Charnley stretched out a white accusing hand.

"Monica Ford," she breathed. "I recognise you now."

Aspasia Glen sprang to her feet with a cry. She pushed little Mr Satterthwaite aside with a shove of the hand and stood shaking in front of Mr Quin.

"So I was right. Someone did know! Oh, I haven't been deceived by this tomfoolery. This pretence of working things out."

She pointed at Mr Quin.

"You were there. You were there outside the window looking in. You saw what we did, Hugo and I. I knew there was someone looking in, I felt it all the time. And yet when I looked up, there was nobody there.

I knew someone was watching us. I thought once I caught a glimpse of a face at the window. It has frightened me all these years. And then I saw that picture with you standing at the window and I recognised your face. You have known all these years. Why did you break silence now? That is what I want to know?"

"Perhaps so that the dead may rest in peace," said Mr Quin.

Suddenly Aspasia Glen made a rush for the door and stood there flinging a few defiant wo rds over her shoulder.

"Do what you like. God knows there are witnesses enough to what I have been saying. I don't care, I don't care. I loved Hugo and I helped him with the ghastly business and he chucked me afterwards. He died last year. You can set the police on my tracks if you like, but as that little dried-up fellow there said, I am a pretty good actress. They will find it hard to find me." She crashed the door behind her, and a moment later they heard the slam of the front door also.

"Reggie," cried Lady Charnley, "Reggie." The tears were streaming down her face. "Oh, my dear, my dear, I can go back to Charnley now. I can live there with Dickie. I can tell him what his father was, the finest, the most splendid man in all the world."

"We must consult very seriously as to what must be done in the matter," said Colonel Monckton. "Alix, my dear, if you will let me take you home I shall be glad to have a few words with you on the subject."

Lady Charnley rose. She came across to Mr Satterthwaite, and laying both hands on his shoulders, she kissed him very gently.

"It is so wonderful to be alive again after being so long dead," she said. "It was like being dead, you know. Thank you, dear Mr Satterthwaite."

She went out of the room with Colonel Monckton. Mr Satterthwaite gazed after them. A grunt from Frank Bristow whom he had forgotten made him turn sharply round.

"She is a lovely creature," said Bristow moodily. "But she's not nearly so interesting as she was," he said gloomily.

"There speaks the artist," said Mr Satterthwaite.

"Well, she isn't," said Mr Bristow. "I suppose I should only get the cold shoulder if I ever went butting in at Charnley. I don't want to go where I am not wanted."

"My dear young man," said Mr Satterthwaite, "if you will think a little less of the impression you are making on other people, you will, I think, be wiser and happier. You would also do well to disabuse your mind of some very old-fashioned notions, one of which is that birth has any significance at all in our modern conditions. You are one of those large proportioned young men whom women always consider good-looking, and you have possibly, if not certainly, genius. Just say that over to yourself ten times before you go to bed every night and in three months time go and call on Lady Charnley at Charnley.

That is my advice to you, and I am an old man with considerable experience of the world."

A very charming smile suddenly spread over the artist's face.

"You have been thunderingly good to me," he said suddenly. He seized Mr Satterthwaite's hand and wrung it in a powerful grip.

"I am no end grateful. I must be off now. Thanks very much for one of the most extraordinary evenings I have ever spent."

He looked round as though to say good-bye to someone else and then started.

"I say, sir, your friend has gone. I never saw him go. He is rather a queer bird, isn't he?"

"He goes and comes very suddenly," said Mr Satterthwaite. "That is one of his characteristics. One doesn't always see him come and go."

"Like Harlequin," said Frank Bristow, "he is invisible," and laughed heartily at his own joke.

Chapter 10 THE BIRD WITH THE BROKEN WING

Mr Satterthwaite looked out of the window. It was raining steadily.

He shivered. Very few country houses, he reflected, were really properly heated. It cheered him to think that in a few hours time he would be speeding towards London. Once one had passed sixty years of age, London was really much the best place.

He was feeling a little old and pathetic. Most of the members of the house party were so young. Four of them had just gone off into the library to do table turning. They had invited him to accompany them, but he had declined. He failed to derive any amusement from the monotonous counting of the letters of the alphabet and the usual meaningless jumble of letters that resulted.

Yes, London was the best place for him. He was glad that he had declined Madge Keeley's invitation when she had rung up to invite him over to Laidell half an hour ago. An adorable young person, certainly, but London was best.

Mr Satterthwaite shivered again and remembered that the fire in the library was usually a good one. He opened the door and adventured cautiously into the darkened room.

"If I'm not in the way -"

"Was that N or M? We shall have to count again. No, of course not, Mr Satterthwaite. Do you know, the most exciting things have been happening. The spirit says her name is Ada Spiers, and John here is going to marry someone called Gladys Bun almost immediately."

Mr Satterthwaite sat down in a big easy chair in front of the fire. His eyelids drooped over his eyes and he dozed. From time to time he returned to consciousness, hearing fragments of speech.

"It can't be P-A-B-Z-L - not unless he's a Russian. John, you're shoving. I saw you. I believe it's a new spirit come."

Another interval of dozing. Then a name jerked him wide awake.

"Q-U-I-N. Is that right?"

"Yes, it's rapped once for 'Yes.'"

"Quin. Have you a message for someone here? Yes. For me? For John? For Sarah? For Evelyn? No - but there's no one else. Oh! It's for Mr Satterthwaite, perhaps? It says 'Yes.' Mr Satterthwaite, it's a message for you."

"What does it say?"

Mr Satterthwaite was broad awake now, sitting taut and erect in his chair, his eyes shining.

The table rocked and one of the girls counted.

"L A I - it can't be - that doesn't make sense. No word begins LAI."

"Go on," said Mr Satterthwaite, and the command in his voice was so sharp that he was obeyed without question.

"LAIDEL and another L - Oh! that seems to be all."

"Go on."

"Tell us some more, please."

A pause.

"There doesn't seem to be any more. The table's gone quite dead.

How silly."

"No," said Mr Satterthwaite thoughtfully. "I don't think it's silly."

He rose and left the room. He went straight to the telephone.

Presently he was through.

"Can I speak to Miss Keeley? Is that you, Madge, my dear? I want to change my mind, if I may, and accept your kind invitation. It is not so urgent as I thought that I should get back to town. Yes - yes - I will arrive in time for dinner."

He hung up the receiver, a strange flush on his withered cheeks. Mr Quin - the mysterious Mr Harley Quin. Mr Satterthwaite counted over on his fingers the times he had been brought into contact with that man of mystery. Where Mr Quin was concerned - things happened!

What had happened or was going to happen - at Laidell?

Whatever it was, there was work for him, Mr Satterthwaite, to do. In some way or other, he would have an active part to play. He was sure of that.

Laidell was a large house. Its owner, David Keeley, was one of those quiet men with indeterminate personalities who seem to count as part of the furniture. Their inconspicuousness has nothing to do with brain power - David Keeley was a most brilliant mathematician, and had written a book totally incomprehensible to ninety-nine hundreths of humanity. But like so many men of brilliant intellect, he radiated no bodily vigour or magnetism. It was a standing joke that David Keeley was a real "invisible man." Footmen passed him by with the vegetables, and guests forgot to say how do you do or good-bye.

His daughter Madge was very different. A fine upstanding young woman, bursting with energy and life. Thorough, healthy and normal, and extremely pretty.

It was she who received Mr Satterthwaite when he arrived.

"How nice of you to come - after all."

"Very delightful of you to let me change my mind. Madge, my dear, you're looking very well."

"Oh! I'm always well."

"Yes, I know. But it's more than that. You look - well, blooming is the word I have in mind. Has anything happened my dear? Anything well - special?"

She laughed - blushed a little.

"It's too bad, Mr Satterthwaite. You always guess things."

He took her hand.

"So it's that, is it? Mr Right has come along?"

It was an old-fashioned term, but Madge did not object to it. She rather liked Mr Satterthwaite's old-fashioned ways.

"I suppose so - yes. But nobody's supposed to know. It's a secret.

But I don't really mind your knowing, Mr Satterthwaite. You're always so nice and sympathetic."

Mr Satterthwaite thoroughly enjoyed romance at second hand. He was sentimental and Victorian.

"I mustn't ask who the lucky man is? Well, then all I can say is that I hope he is worthy of the honour you are conferring on him."

Rather a duck, old Mr Satterthwaite, thought Madge.

"Oh! we shall get on awfully well together, I think," she said. "You see, we like doing the same things, and that's so awfully important, isn't it? We've really got a lot in common - and we know all about each other and all that. It's really been coming on for a long time.

That gives one such a nice safe feeling, doesn't it?"

"Undoubtedly," said Mr Satterthwaite. "But in my experience one can never really know all about anyone else. That is part of the interest and charm of life."

"Oh! I'll risk it," said Madge, laughing, and they went up to dress for dinner.

Mr Satterthwaite was late. He had not brought a valet, and having his things unpacked for him by a stranger always flurried him a little. He came down to find everyone assembled, and in the modern style Madge merely said, "Oh! Here's Mr Satterthwaite. I'm starving. Let's go in."

She led the way with a tall grey-haired woman - a woman of striking personality. She had a very clear rather incisive voice, and her face was clear cut and rather beautiful.

"How d'you do, Satterthwaite," said Mr Keeley.

Mr Satterthwaite jumped.

"How do you do," he said. "I'm afraid I didn't see you."

"Nobody does," said Mr Keeley sadly.

They went in. The table was a low oval of mahogany. Mr Satterthwaite was placed between his young hostess and a short dark girl - a very hearty girl with a loud voice and a ringing determined laugh that expressed more the determination to be cheerful at all costs than any real mirth. Her name seemed to be Doris, and she was the type of young woman Mr Satterthwaite most disliked. She had, he considered, no artistic justification for existence.

On Madge's other side was a man of about thirty, whose likeness to the grey-haired woman proclaimed them mother and son.

Next to him -

Mr Satterthwaite caught his breath.

He didn't know what it was exactly. It was not beauty. It was something else - something much more elusive and intangible than beauty.

She was listening to Mr Keeley's rather ponderous dinner-table conversation, her head bent a little sideways. She was there, it seemed to Mr Satterthwaite - and yet she was not there! She was somehow a great deal less substantial than anyone else seated round the oval table. Something in the droop of her body sideways was beautiful - was more than beautiful. She looked up - her eyes met Mr Satterthwaite's for a moment across the table - and the word he wanted leapt to his mind.

Enchantment - that was it. She had the quality of enchantment. She might have been one of those creatures who are only half-human one of the Hidden People from the Hollow Hills. She made everyone else look rather too real...

But at the same time, in a queer way, she stirred his pity. It was as though semi-humanity handicapped her. He sought for a phrase and found it.

"A bird with a broken wing," said Mr Satterthwaite.

Satisfied, he turned his mind back to the subject of Girl Guides and hoped that the girl Doris had not noticed his abstraction. When she turned to the man on the other side of her - a man Mr Satterthwaite had hardly noticed, he himself turned to Madge.

"Who is the lady sitting next to your father?" he asked in a low voice.

"Mrs Graham? Oh, no! You mean Mabelle. Don't you know her?

Mabelle Annesley. She was a Clydesley - one of the ill-fated Clydesleys."

He started. The ill-fated Clydesleys. He remembered. A brother had shot himself, a sister had been drowned, another had perished in an earthquake. A queer doomed family. This girl must be the youngest of them.

His thoughts were recalled suddenly. Madge's hand touched his under the table. Everyone else was talking. She gave a faint inclination of her head to her left.

"That's him," she murmured ungrammatically.

Mr Satterthwaite nodded quickly in comprehension. So this young Graham was the man of Madge's choice. Well, she could hardly have done better as far as appearances went - and Mr Satterthwaite was a shrewd observer. A pleasant, likeable, rather matter-of-fact young fellow. They'd make a nice pair - no nonsense about either of them good healthy sociable young folk.

Laidell was run on old-fashioned lines. The ladies left the diningroom first. Mr Satterthwaite moved up to Graham and began to talk to him. His estimate of the young man was confirmed, yet there was something that struck him as being not quite true to type. Roger Graham was distrait, his mind seemed far away, his hand shook as he replaced the glass on the table.

"He's got something on his mind," thought Mr Satterthwaite acutely.

"Not nearly as important as he thinks it is, I dare say. All the same, I wonder what it is."

Mr Satterthwaite was in the habit of swallowing a couple of digestive pastilles after meals. Having neglected to bring them down with him, he went up to his room to fetch them.

On his way down to the drawing-room, he passed along the long corridor on the ground floor. About half-way along it was a room known as the terrace room. As Mr Satterthwaite looked through the open doorway in passing, he stopped short Moonlight was streaming into the room. The latticed panes gave it a queer rhythmic pattern. A figure was sitting on the low window sill, drooping a little sideways and softly twanging the string of a ukelele not in a jazz rhythm, but in a far older rhythm, the beat of fairy horses riding on fairy hills.

Mr Satterthwaite stood fascinated. She wore a dress of dull dark blue chiffon, pleated so that it looked like the feathers of a bird. She bent over the instrument, crooning to it He came into the room - slowly, step by step. He was close to her when she looked up and saw him. She didn't start, he noticed, or seem surprised.

"I hope I'm not intruding," he began.

"Please - sit down."

He sat near her on a polished oak chair. She hummed softly under her breath.

"There's a lot of magic about tonight," she said. "Don't you think so?"

"Yes, there was a lot of magic about."

"They wanted me to fetch my uke," she explained. "And as I passed here, I thought it would be so lovely to be alone here - in the dark and the moon."

"Then I -" Mr Satterthwaite half rose, but she stopped him.

"Don't go. You - you fit in, somehow. It's queer, but you do."

He sat down again.

"It's been a queer sort of evening," she said. "I was out in the woods late this afternoon, and I met a man - such a strange sort of man - tall and dark, like a lost soul. The sun was setting, and the light of it through the trees made him look like a kind of Harlequin."

"Ah!" Mr Satterthwaite leant forward - his interest quickened.

"I wanted to speak to him - he - he looked so like somebody I know.

But I lost him in the trees."

"I think I know him," said Mr Satterthwaite.

"Do you? He is - interesting, isn't he?"

"Yes, he is interesting."

There was a pause. Mr Satterthwaite was perplexed. There was something, he felt, that he ought to do - and he didn't know what it was. But surely - surely, it had to do with this girl. He said rather clumsily -

"Sometimes - when one is unhappy - one wants to get away -"

"Yes. That's true." She broke off suddenly. "Oh! I see what you mean.

But you're wrong. It's just the other way round. I wanted to be alone because I'm happy."

"Happy?"

"Terribly happy."

She spoke quite quietly, but Mr Satterthwaite had a sudden sense of shock. What this strange girl meant by being happy wasn't the same as Madge Keeley would have meant by the same words. Happiness, for Mabelle Annesley, meant some kind of intense and vivid ecstasy... something that was not only human, but more than human.

He shrank back a little.

"I - didn't know," he said clumsily.

"Of course you couldn't. And it's not - the actual thing - I'm not happy yet - but I'm going to be." She leaned forward. "Do you know what it's like to stand in a wood - a big wood with dark shadows and trees very close all round you - a wood you might never get out of - and then, suddenly - just in front of you, you see the country of your dreams shining and beautiful - you've only got to step out from the trees and the darkness and you've found it..."

"So many things look beautiful," said Mr Satterthwaite, "before we've reached them. Some of the ugliest things in the world look the most beautiful..."

There was a step on the floor. Mr Satterthwaite turned his head. A fair man with a stupid, rather wooden face, stood there. He was the man Mr Satterthwaite had hardly noticed at the dinner-table.

"They're waiting for you, Mabelle," he said.

She got up, the expression had gone out of her face, her voice was flat and calm.

"I'm coming, Gerard," she said. "I've been talking to Mr Satterthwaite."

She went out of the room, Mr Satterthwaite following. He turned his head over his shoulder as he went and caught the expression on her husband's face. A hungry despairing look.

"Enchantment," thought Mr Satterthwaite. "He feels it right enough.

Poor fellow - poor fellow."

The drawing-room was well lighted. Madge and Doris Coles were vociferous in reproaches.

"Mabelle, you little beast - you've been ages."

She sat on a low stool, tuned the ukelele and sang. They all joined in.

"Is it possible," thought Mr Satterthwaite, "that so many idiotic songs could have been written about My Baby."

But he had to admit that the syncopated wailing tunes were stirring.

Though, of course, they weren't a patch on the old-fashioned waltz.

The air got very smoky. The syncopated rhythm went on.

"No conversation," thought Mr Satterthwaite. "No good music. No peace." He wished the world had not become definitely so noisy.

Suddenly Mabelle Annesley broke off, smiled across the room at him, and began to sing a song of Grieg's.

"My swan - my fair one..."

It was a favourite of Mr Satterthwaite's. He liked the note of ingenuous surprise at the end.

"Only a swan then? A swan then?"

After that, the party broke up. Madge offered drinks whilst her father picked up the discarded ukelele and began twanging it absentmindedly. The party exchanged good-nights, drifted nearer and nearer to the door. Everyone talked at once. Gerard Annesley slipped away unostentatiously, leaving the others.

Outside the drawing-room door, Mr Satterthwaite bade Mrs Graham a ceremonious good-night. There were two staircases, one close at hand, the other at the end of a long corridor. It was by the latter that Mr Satterthwaite reached his room. Mrs Graham and her son passed up the stairs near at hand whence the quiet Gerard Annesley had already preceded them.

"You'd better get your ukelele, Mabelle," said Madge. "You'll forget it in the morning if you don't. You've got to make such an early start."

"Come on, Mr Satterthwaite," said Doris Coles, seizing him boisterously by one arm. "Early to bed - et cetera."

Madge took him by the other arm and all three ran down the corridor to peals of Doris's laughter. They paused at the end to wait for David Keeley, who was following at a much more sedate pace, turning out electric lights as he came. The four of them went upstairs together.

Mr Satterthwaite was just preparing to descend to the dining-room for breakfast on the following morning, when there was a light tap on the door and Madge Keeley entered. Her face was dead white, and she was shivering all over.

"Oh, Mr Satterthwaite."

"My dear child, what's happened?" he took her hand.

"Mabelle - Mabelle Annesley..."

"Yes?"

What had happened? What? Something terrible - he knew that.

Madge could hardly get the words out.

"She - she hanged herself last night... On the back of her door. Oh!

It's too horrible." She broke down - sobbing.

Hanged herself. Impossible. Incomprehensible!

He said a few soothing old-fashioned words to Madge, and hurried downstairs. He found David Keeley looking perplexed and incompetent.

"I've telephoned to the police, Satterthwaite. Apparently that's got to be done. So the doctor said. He's just finished examining the - the good lord, it's a beastly business. She must have been desperately unhappy - to do it that way - Queer that song last night. Swan song, eh? She looked rather like a swan - a black swan."

"Yes."

"Swan Song," repeated Keeley. "Shows it was in her mind, eh?"

"It would seem so - yes, certainly it would seem so."

He hesitated, then asked if he might see - if, that is...

His host comprehended the stammering request.

"If you want to - I'd forgotten you have a penchant for human tragedies."

He led the way up the broad staircase. Mr Satterthwaite followed him. At the head of the stairs was the room occupied by Roger Graham and opposite it, on the other side of the passage, his mother's room. The latter door was ajar and a faint wisp of smoke floated through it.

A momentary surprise invaded Mr Satterthwaite's mind. He had not judged Mrs Graham to be a woman w ho smoked so early in the day.

Indeed, he had had the idea that she did not smoke at all.

They went along the passage to the end door but one. David Keeley entered the room and Mr Satterthwaite followed him.

The room was not a very large one and showed signs of a man's occupation. A door in the wall led into a second room. A bit of cut rope still dangled from a hook high up on the door. On the bed...

Mr Satterthwaite stood for a minute looking down on the heap of huddled chiffon. He noticed that it was pleated like the plumage of a bird. At the face, after one glance, he did not look again.

He glanced from the door with its dangling rope to the communicating door through which they had come. "Was that open?"

"Yes. At least the maid says so."

"Annesley slept in there? Did he hear anything?"

"He says - nothing."

"Almost incredible," murmured Mr Satterthwaite. He looked back at the form on the bed. "Where is he?"

"Annesley? He's downstairs with the doctor."

They went downstairs to find an Inspector of police had arrived. Mr Satterthwaite was agreeably surprised to recognise in him an old acquaintance, Inspector Winkfield. The Inspector went upstairs with the doctor, and a few minutes later a request came that all members of the house party should assemble in the drawing-room.

The blinds had been drawn, and the whole room had a funereal aspect. Doris Coles looked frightened and subdued. Every now and then she dabbed her eyes with a handkerchief. Madge was resolute and alert, her feelings fully under control by now. Mrs Graham was composed, as always, her face grave and impassive. The tragedy seemed to have affected her son more keenly than anyone. He looked a positive wreck this morning. David Keeley, as usual, had subsided into the background.

The bereaved husband sat alone, a little apart from the others. There was a queer dazed look about him, as though he could hardly realise what had taken place.

Mr Satterthwaite, outwardly composed, was inwardly seething with the importance of a duty shortly to be performed.

Inspector Winkfield, followed by Dr Morris, came in and shut the door behind him. He cleared his throat and spoke.

"This is a very sad occurrence - very sad, I'm sure. It's necessary, under the circumstances, that I should ask everybody a few questions. You'll not object, I'm sure. I'll begin with Mr Annesley.

You'll forgive my asking, sir, but had your good lady ever threatened to take her life?"

Mr Satterthwaite opened his lips impulsively, then closed them again. There was plenty of time. Better not speak too soon.

"I - no, I don't think so."

His voice was so hesitating, so peculiar, that everyone shot a covert glance at him. "You're not sure, sir?"

"Yes - I'm - quite sure. She didn't."

"Ah! Were you aware that she was unhappy in any way?"

"No. I - no, I wasn't."

"She said nothing to you. About feeling depressed, for instance?"

"I - no, nothing."

Whatever the Inspector thought, he said nothing. Instead he proceeded to his next point.

"Will you describe to me briefly the events of last night?"

"We - all went up to bed. I fell asleep immediately and heard nothing.

The housemaid's scream aroused me this morning. I rushed into the adjoining room and found my wife - and found her -"

His voice broke. The Inspector nodded. "Yes, yes, that's quite enough. We needn't go into that. When did you last see your wife the night before?"

"I - downstairs."

"Downstairs?"

"Yes, we all left the drawing-room together. I went straight up leaving the others talking in the hall."

"And you didn't see your wife again? Didn't she say good-night when she came up to bed?"

"I was asleep when she came up."