Taran Wanderer

THIS FOURTH CHRONICLE of Prydain begins as a gallant, high-hearted quest, which soon becomes more intense and perhaps more essentially heroic than the preceding adventures. For here, Taran comes to grips with a merciless opponent: the truth about himself. No longer as Taran Assistant Pig-Keeper but as Taran Wanderer, he learns to reshape his life out of his own inner resources; for there must not only be an end to childhood but also a beginning of manhood. This is meant to be a serious tale― in the way that all humor is serious and all fantasy true― and if there is no conventionally happy ending in fairy-tale terms, there is still a most hopeful ending in human terms.

This does not imply any less humor or variety in the story. There is possibly more, as Taran's journey takes him from one end of Prydain to the other, from the Marshes of Morva to the Free Commots. However, instead of a clash of battle hosts, the underlying conflict between good and evil is stated in individual encounters: King Smoit, boisterous with being alive; Morda, deathlike, scornful of all humanity; Dorath the amoral; Annlaw Clay-Shaper the creator; Craddoc, in whose desolate valley Taran suffers the anguish of shame. The Princess Eilonwy, alas, is present only in memory, though it is hoped readers will miss her as much as Taran does― and the author himself, for that matter.

While certain inhabitants of Prydain were born of Welsh legend, in Taran Wanderer they have acquired characteristics more universal than specific. Morda's life secret, for example, is familiar in many mythologies. Orddu, Orwen, and Orgoch have appeared in other guises (as might well be expected of them): the Three Norns, the Moirae, the Triple Goddess, and very likely some other transformations they decline to admit. Prydain, of course, is part-memory and part-dream, the balance favoring the latter.

The Companions have gained many more friends than I had ever hoped, who are willing to follow these tales both as self-contained chronicles and as part of a larger pattern; and to them I promise in time all questions will be answered and all secrets revealed. To some friends of the Companions (especially Gypsy Reeves) I address a plea for clemency; to others, my sincere thanks for their hard but invaluable labor, insight, and encouragement when the straits seemed even more dire to an author than to an Assistant Pig-Keeper; and to all, my warmest affection.

-L.A.