For the staff of the Pitt Rivers Museum,
Oxford, with my gratitude to them for
their patient help.
The author and publishers wish to thank the following who have kindly given permission for use of copyright materials:
Extract from A Cornishman at Oxford© A. L. Rowse;
Extract from The Lesson by Roger McGough, reprinted by permission of Peters Fraser & Dunlop Group Ltd;
Extracts by Cyril Connolly reproduced by kind permission of the Estate of Cyril Connolly c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN, © 1944 Cyril Connolly;
Extract from The Observer© by Oliver Sacks, 9 January 1994;
Faber & Faber Ltd for the extract from New Year Letter by W. H. Auden;
Extract from Oxford by Jan Morris, published by permission of Oxford University Press;
Extract from Back to Methuselah granted by The Society of Authors on behalf of the Bernard Shaw Estate;
Extract from The Pitt Rivers Museum, A Souvenir Guide to the Collections © Pitt Rivers Museum 1993;
Extract from The Pitt Rivers Museum taken from The Memory of War and Children in Exile: Poems 1968–1983, James Fenton, published by Penguin © 1982;
Kate Champkin for the extracts from The Sleeping Life of Aspern Williams by Peter Champkin;
N. F. Simpson for the extract from One-Way Pendulum;
Extract from Berlioz, Romantic and Classic by Ernest Newman published by Dover Publications;
Extract from The Times by Matthew Parris, published 7 March 1994;
Extract from Marriage and Morals by Bertrand Russell, published by permission of Routledge (Unwin Hyman);
Extracts from The New Shorter Oxford English Dictionary, published by permission of Oxford University Press;
Faber & Faber Ltd for the extract from ‘La Figlia Che Piange’ in Collected Poems 1909–1962 by T. S. Eliot.
Every effort has been made to trace all copyright holders but if any has been inadvertently overlooked, the author and publishers will be pleased to make the necessary arrangement at the first opportunity.