The Ficuses in the Open

Introduction

Although the number of personae dramatis is pretty limited—they are just a family and their closest relatives and neighbors as well as a pinch of colleagues from the demised establishment, and though the action mostly consist of monotonous household chores, this here artifact is an attempt at honestly depicting the besieged Stepanakert town in winter 1992 when physical survival was the foremost objective common to all.

All that was so abysmally long ago that

no conceivable reason remains to suss output

if all that was exactly that way

or differently,

or at all…

it makes no difference now