The Hungry Tide

THE TIDE COUNTRY

KANAI SPOTTED HER the moment he stepped onto the crowded platform: he was deceived neither by her close-cropped black hair nor by her clothes, which were those of a teenage boy — loose cotton pants and an oversized white shirt. Winding unerringly through the snack vendors and tea sellers who were hawking their wares on the station’s platform, his eyes settled on her slim, shapely figure. Her face was long and narrow, with an elegance of line markedly at odds with the severity of her haircut. There was no bindi on her forehead and her arms were free of bangles and bracelets, but on one of her ears was a silver stud, glinting brightly against the sun-deepened darkness of her skin.

Kanai liked to think that he had the true connoisseur’s ability to both praise and appraise women, and he was intrigued by the way she held herself, by the unaccustomed delineation of her stance. It occurred to him suddenly that perhaps, despite her silver ear stud and the tint of her skin, she was not Indian, except by descent. And the moment the thought occurred to him, he was convinced of it: she was a foreigner; it was stamped in her posture, in the way she stood, balancing on her heels like a flyweight boxer, with her feet planted apart. Among a crowd of college girls on Kolkata’s Park Street she might not have looked entirely out of place, but here, against the sooty backdrop of the commuter station at Dhakuria, the neatly composed androgyny of her appearance seemed out of place, almost exotic.

Why would a foreigner, a young woman, be standing in a south Kolkata commuter station, waiting for the train to Canning? It was true, of course, that this line was the only rail connection to the Sundarbans. But so far as he knew it was never used by tourists — the few who traveled in that direction usually went by boat, hiring steamers or launches on Kolkata’s riverfront. The train was mainly used by people who did daily-passengeri, coming in from outlying villages to work in the city.

He saw her turning to ask something of a bystander and was seized by an urge to listen in. Language was both his livelihood and his addiction, and he was often preyed upon by a near-irresistible compulsion to eavesdrop on conversations in public places. Pushing his way through the crowd, he arrived within earshot just in time to hear her finish a sentence that ended with the words “train to Canning?” One of the onlookers began to explain, gesticulating with an upraised arm. But the explanation was in Bengali and it was lost on her. She stopped the man with a raised hand and said, in apology, that she knew no Bengali: “Ami Bangla jani na.” He could tell from the awkwardness of her pronunciation that this was literally true: like strangers everywhere, she had learned just enough of the language to be able to provide due warning of her incomprehension.

Kanai was the one other “outsider” on the platform and he quickly attracted his own share of attention. He was of medium height and at the age of forty-two his hair, which was still thick, had begun to show a few streaks of gray at the temples. In the tilt of his head, as in the width of his stance, there was a quiet certainty, an indication of a well-grounded belief in his ability to prevail in most circumstances. Although his face was otherwise unlined, his eyes had fine wrinkles fanning out from their edges — but these grooves, by heightening the mobility of his face, emphasized more his youth than his age. Although he was once slight of build, his waist had thickened over the years but he still carried himself lightly, and with an alertness bred of the traveler’s instinct for inhabiting the moment.

It so happened that Kanai was carrying a wheeled airline bag with a telescoping handle. To the vendors and traveling salesmen who plied their wares on the Canning line, this piece of luggage was just one of the many details of Kanai’s appearance — along with his sunglasses, corduroy trousers and suede shoes — that suggested middle-aged prosperity and metropolitan affluence. As a result he was besieged by hawkers, urchins and bands of youths who were raising funds for a varied assortment of causes: it was only when the green and yellow electric train finally pulled in that he was able to shake off this importuning entourage.

While climbing in, he noticed that the foreign girl was not without some experience in travel: she hefted her two huge backpacks herself, brushing aside the half-dozen porters who were hovering around her. There was a strength in her limbs that belied her diminutive size and wispy build; she swung the backpacks into the compartment with practiced ease and pushed her way through a crowd of milling passengers. Briefly he wondered whether he ought to tell her that there was a special compartment for women. But she was swept inside and he lost sight of her.

Then the whistle blew and Kanai breasted the crowd himself. On stepping in he glimpsed a seat and quickly lowered himself into it. He had been planning to do some reading on this trip and in trying to get his papers out of his suitcase it struck him that the seat he had found was not altogether satisfactory. There was not enough light to read by and to his right there was a woman with a wailing baby: he knew it would be hard to concentrate if he had to fend off a pair of tiny flying fists. It occurred to him, on reflection, that the seat on his left was preferable to his own, being right beside the window — the only problem was that it was occupied by a man immersed in a Bengali newspaper. Kanai took a moment to size up the newspaper reader and saw that he was an elderly and somewhat subdued-looking person, someone who might well be open to a bit of persuasion.

“Aré moshai, can I just say a word?” Kanai smiled as he bore down on his neighbor with the full force of his persuasiveness. “If it isn’t all that important to you, would you mind changing places with me? I have a lot of work to do and the light is better by the window.”

The newspaper reader goggled in astonishment and for a moment it seemed he might even protest or resist. But on taking in Kanai’s clothes and all the other details of his appearance, he underwent a change of mind: this was clearly someone with a long reach, someone who might be on familiar terms with policemen, politicians and others of importance. Why court trouble? He gave in gracefully and made way for Kanai to sit beside the window.

Kanai was pleased to have achieved his end without a fuss. Nodding his thanks to the newspaper reader, he resolved to buy him a cup of tea when a cha’ala next appeared at the window. Then he reached into the outer flap of his suitcase and pulled out a few sheets of paper covered in closely written Bengali script. He smoothed the pages over his knees and began to read.

In our legends it is said that the goddess Ganga’s descent from the heavens would have split the earth had Lord Shiva not tamed her torrent by tying it into his ash-smeared locks. To hear this story is to see the river in a certain way: as a heavenly braid, for instance, an immense rope of water, unfurling through a wide and thirsty plain. That there is a further twist to the tale becomes apparent only in the final stages of the river’s journey — and this part of the story always comes as a surprise, because it is never told and thus never imagined. It is this: there is a point at which the braid comes undone; where Lord Shiva’s matted hair is washed apart into a vast, knotted tangle. Once past that point the river throws off its bindings and separates into hundreds, maybe thousands, of tangled strands.

Until you behold it for yourself, it is almost impossible to believe that here, interposed between the sea and the plains of Bengal, lies an immense archipelago of islands. But that is what it is: an archipelago, stretching for almost two hundred miles, from the Hooghly River in West Bengal to the shores of the Meghna in Bangladesh.

The islands are the trailing threads of India’s fabric, the ragged fringe of her sari, the ãchol that follows her, half wetted by the sea. They number in the thousands, these islands. Some are immense and some no larger than sandbars; some have lasted through recorded history while others were washed into being just a year or two ago. These islands are the rivers’ restitution, the offerings through which they return to the earth what they have taken from it, but in such a form as to assert their permanent dominion over their gift. The rivers’ channels are spread across the land like a fine-mesh net, creating a terrain where the boundaries between land and water are always mutating, always unpredictable. Some of these channels are mighty waterways, so wide across that one shore is invisible from the other; others are no more than two or three miles long and only a thousand feet across. Yet each of these channels is a river in its own right, each possessed of its own strangely evocative name. When these channels meet, it is often in clusters of four, five or even six: at these confluences, the water stretches to the far edges of the landscape and the forest dwindles into a distant rumor of land, echoing back from the horizon. In the language of the place, such a confluence is spoken of as a mohona — an oddly seductive word, wrapped in many layers of beguilement.

There are no borders here to divide fresh water from salt, river from sea. The tides reach as far as two hundred miles inland and every day thousands of acres of forest disappear underwater, only to reemerge hours later. The currents are so powerful as to reshape the islands almost daily — some days the water tears away entire promontories and peninsulas; at other times it throws up new shelves and sandbanks where there were none before.

When the tides create new land, overnight mangroves begin to gestate, and if the conditions are right they can spread so fast as to cover a new island within a few short years. A mangrove forest is a universe unto itself, utterly unlike other woodlands or jungles. There are no towering, vine-looped trees, no ferns, no wildflowers, no chattering monkeys or cockatoos. Mangrove leaves are tough and leathery, the branches gnarled and the foliage often impassably dense. Visibility is short and the air still and fetid. At no moment can human beings have any doubt of the terrain’s hostility to their presence, of its cunning and resourcefulness, of its determination to destroy or expel them. Every year, dozens of people perish in the embrace of that dense foliage, killed by tigers, snakes and crocodiles.

There is no prettiness here to invite the stranger in: yet to the world at large this archipelago is known as the Sundarbans, which means “the beautiful forest.” There are some who believe the word to be derived from the name of a common species of mangrove — the sundari tree, Heriteria minor. But the word’s origin is no easier to account for than is its present prevalence, for in the record books of the Mughal emperors this region is named not in reference to a tree but to a tide — bhati. And to the inhabitants of the islands this land is known as bhatir desh — the tide country — except that bhati is not just the “tide” but one tide in particular, the ebb tide, the bhata. This is a land half submerged at high tide: it is only in falling that the water gives birth to the forest. To look upon this strange parturition, midwifed by the moon, is to know why the name “tide country” is not just right but necessary. For as with Rilke’s catkins hanging from the hazel and the spring rain upon the dark earth, when we behold the lowering tide

we, who have always thought of joy

as rising … feel the emotion

that almost amazes us

when a happy thing falls.

AN INVITATION

THE TRAIN WAS at a standstill, some twenty minutes outside Kolkata, when an unexpected stroke of luck presented Piya with an opportunity to avail herself of a seat beside a window. She had been sitting in the stuffiest part of the compartment, on the edge of a bench, with her backpacks arrayed around her: now, moving to the window, she saw that the train had stopped at a station called Champahati. A platform sloped down into a huddle of hutments before sinking into a pond filled with foaming gray sludge. She could tell from the density of the crowds on the train that this was how it would be all the way to Canning: strange to think that this was the threshold of the Sundarbans, this jungle of shacks and shanties, spanned by the tracks of a commuter train.

Looking over her shoulder, Piya spotted a tea seller patrolling the platform. Reaching through the bars, she summoned him with a wave. She had never cared for the kind of chai sold in Seattle, her hometown, but somehow, in the ten days she had spent in India she had developed an unexpected affinity for milky, overboiled tea served in earthenware cups. There were no spices in it for one thing, and this was more to her taste than the chai at home.

She paid for her tea and was trying to maneuver the cup through the bars of the window when the man in the seat opposite her own suddenly flipped over a page, jolting her hand. She turned her wrist quickly enough to make sure that most of the tea spilled out the window, but she could not prevent a small trickle from shooting over his papers.

“Oh, I’m so sorry!” Piya was mortified: of everyone in the compartment, this was the last person she would have chosen to scald with her tea. She had noticed him while waiting on the platform in Kolkata and she had been struck by the self-satisfied tilt of his head and the unabashed way in which he stared at everyone around him, taking them in, sizing them up, sorting them all into their places. She had noticed the casual self-importance with which he had evicted the man who’d been sitting next to the window. She had been put in mind of some of her relatives in Kolkata: they too seemed to share the assumption that they had been granted some kind of entitlement (was it because of their class or their education?) that allowed them to expect that life’s little obstacles and annoyances would always be swept away to suit their convenience.

“Here,” said Piya, producing a handful of tissues. “Let me help you clean up.”

“There’s nothing to be done,” he said testily. “These pages are ruined anyway.”

She flinched as he crumpled up the papers he had been reading and tossed them out the window. “I hope they weren’t important,” she said in a small voice.

“Nothing irreplaceable — just Xeroxes.”

For a moment she considered pointing out that it was he who had jogged her hand. But all she could bring herself to say was “I’m very sorry. I hope you’ll excuse me.”

“Do I really have a choice?” he said in a tone more challenging than ironic. “Does anyone have a choice when they’re dealing with Americans these days?”

Piya had no wish to get into an argument so she let this pass. Instead she opened her eyes wide, feigning admiration, and said, “But how did you guess?”

“About what?”

“About my being American? You’re very observant.”

This seemed to mollify him. His shoulders relaxed as he leaned back in his seat. “I didn’t guess,” he said. “I knew.”

“And how did you know?” she said. “Was it my accent?”

“Yes,” he said with a nod. “I’m very rarely wrong about accents. I’m a translator you see, and an interpreter as well, by profession. I like to think that my ears are tuned to the nuances of spoken language.”

“Oh really?” She smiled so that her teeth shone brightly in the dark oval of her face. “And how many languages do you know?”

“Six. Not including dialects.”

“Wow!” Her admiration was unfeigned now. “I’m afraid English is my only language. And I wouldn’t claim to be much good at it either.”

A frown of puzzlement appeared on his forehead. “And you’re on your way to Canning you said?”

“Yes.”

“But tell me this,” he said. “If you don’t know any Bengali or Hindi, how are you planning to find your way around over there?”

“I’ll do what I usually do,” she said with a laugh. “I’ll try to wing it. Anyway, in my line of work there’s not much talk needed.”

“And what is your line of work, if I may ask?”

“I’m a cetologist,” she said. “That means —” She was beginning, almost apologetically, to expand on this when he interrupted her.

“I know what it means,” he said sharply. “You don’t need to explain. It means you study marine mammals. Right?”

“Yes,” she said, nodding. “You’re very well informed. Marine mammals are what I study — dolphins, whales, dugongs and so on. My work takes me out on the water for days sometimes, with no one to talk to — no one who speaks English, anyway.”

“So is it your work that takes you to Canning?”

“That’s right. I’m hoping to wangle a permit to do a survey of the marine mammals of the Sundarbans.”

For once he was silenced, although only briefly. “I’m amazed,” he said presently. “I didn’t even know there were any such.”

“Oh yes, there are,” she said. “Or there used to be, anyway. Very large numbers of them.”

“Really? All we ever hear about is the tigers and the crocodiles.”

“I know,” she said. “The cetacean population has kind of disappeared from view. No one knows whether it’s because they’re gone or because they haven’t been studied. There hasn’t ever been a comprehensive survey.”

“And why’s that?”

“Maybe because it’s impossible to get permission?” she said. “There was a team here last year. They prepared for months, sent in their papers and everything. But they didn’t even make it out on the water. Their permits were withdrawn at the last minute.”

“And why do you think you’ll fare any better?”

“It’s easier to slip through the net if you’re on your own,” she said. There was a brief pause and then, with a tight-lipped smile, she added, “Besides, I have an uncle in Kolkata who’s a big wheel in the government. He’s spoken to someone in the Forest Department’s office in Canning. I’m keeping my fingers crossed.”

“I see.” He seemed to be impressed as much by her candor as her canniness. “So you have relatives in Calcutta then?”

“Yes. In fact I was born there myself, although my parents left when I was just a year old.” She turned a sharp glance on him, raising an eyebrow. “I see you still say ‘Calcutta.’ My father does that too.”

Kanai acknowledged the correction with a nod. “You’re right — I should be more careful, but the renaming was so recent that I do get confused sometimes. I try to reserve ‘Calcutta’ for the past and ‘Kolkata’ for the present, but occasionally I slip. Especially when I’m speaking English.” He smiled and put out a hand. “I should introduce myself; I’m Kanai Dutt.”

“And I’m Piyali Roy — but everyone calls me Piya.”

She could tell he was surprised by the unmistakably Bengali sound of her name: evidently her ignorance of the language had given him the impression that her family’s origins lay in some other part of India.

“You have a Bengali name,” he said, raising an eyebrow. “And yet you know no Bangla?”

“It’s not my fault really,” she said quickly, her voice growing defensive. “I grew up in Seattle. I was so little when I left India that I never had a chance to learn.”

“By that token, having grown up in Calcutta, I should speak no English.”

“Except that I just happen to be terrible at languages … ”She let the sentence trail away unfinished, and then changed the subject. “And what brings you to Canning, Mr. Dutt?”

“Kanai — call me Kanai.”

“Kan-ay.”

He was quick to correct her when she stumbled over the pronunciation: “Say it to rhyme with Hawaii.”

“Kanaii?”

“Yes, that’s right. And to answer your question — I’m on my way to visit an aunt of mine.”

“She lives in Canning?”

“No,” he said. “She lives in a place called Lusibari. It’s quite a long way from Canning.”

“Where exactly?” Piya unzipped a pocket in one of her backpacks and pulled out a map. “Show me. On this.”

Kanai spread the map out and used a fingertip to trace a winding line through the tidal channels and waterways. “Canning is the railhead for the Sundarbans,” he said, “and Lusibari is the farthest of the inhabited islands. It’s a long way upriver — you have to go past Annpur, Jamespur and Emilybari. And there it is: Lusibari.”

Piya knitted her eyebrows as she looked at the map. “Strange names.”

“You’d be surprised how many places in the Sundarbans have names that come from English,” Kanai said. “Lusibari just means ‘Lucy’s House.’”

“Lucy’s House?” Piya looked up in surprise. “As in the name Lucy?”

“Yes.” A gleam came into his eyes and he said, “You should come and visit the place. I’ll tell you the story of how it got its name.”

“Is that an invitation?” Piya said, smiling.

“Absolutely,” Kanai responded. “Come. I’m inviting you. Your company will lighten the burden of my exile.”

Piya laughed. She had thought at first that Kanai was much too full of himself, but now she was inclined to be slightly more generous in her assessment: she had caught sight of a glimmer of irony somewhere that made his self-centeredness appear a little more interesting than she had first imagined.

“But how would I find you?” she said. “Where would I look?”

“Just make your way to the hospital in Lusibari,” said Kanai, “and ask for Mashima. They’ll take you to my aunt and she’ll know where I am.”

“Mashima?” said Piya. “But I have a Mashima too — doesn’t it just mean ‘aunt’? There must be more than one aunt there: yours can’t be the only one?”

“If you go to the hospital and ask for Mashima,” said Kanai, “everyone will know who you mean. My aunt founded it, you see, and she heads the organization that runs it, the Badabon Trust. She’s a real personage on the island — everyone calls her Mashima, even though her real name is Nilima Bose. They were quite a pair, she and her husband. People always called him Saar, just as they call her Mashima.”

“Saar? And what does that mean?”

Kanai laughed. “It’s just a Bangla way of saying Sir. He was the headmaster of the local school, you see, so all his pupils called him Sir. In time people forgot he had a real name — Nirmal Bose.”

“I notice you’re speaking of him in the past tense.”

“Yes. He’s been dead a long time.” No sooner had he spoken than Kanai pulled a face, as if to disclaim what he had just said. “But to tell you the truth, right now it doesn’t feel like he’s been gone a long time.”

“How come?”

“Because he’s risen from his ashes to summon me,” Kanai said with a smile. “You see, he’d left some papers for me at the time of his death. They’d been lost all these years, but now they’ve turned up again. That’s why I’m on my way there: my aunt wanted me to come and look at them.”

Hearing a note of muted complaint in his voice, Piya said, “It sounds like you weren’t too eager to go.”

“No, I wasn’t, to be honest,” he said. “I have a lot to attend to and this was a particularly busy time. It wasn’t easy to take a week off.”

“Is this the first time you’ve come, then?” said Piya.

“No, it’s not,” said Kanai. “I was sent down here once, years ago.”

“Sent down? Why?”

“It’s a story that involves the word ‘rusticate,’” said Kanai with a smile. “Are you familiar with it?”

“No. Can’t say I am.”

“It was a punishment, dealt out to schoolboys who misbehaved,” said Kanai. “They were sent off to suffer the company of rustics. As a boy I was of the opinion that I knew more about most things than my teachers did. There was an occasion once when I publicly humiliated a teacher who had the unfortunate habit of pronouncing the word ‘lion’ as if it overlapped, in meaning as in rhyme, with the word ‘groin.’ I was about ten at the time. One thing led to another and my tutors persuaded my parents I had to be rusticated. I was sent off to stay with my aunt and uncle in Lusibari.” He laughed at the memory. “That was a long time ago, in 1970.”

The train had begun to slow down now and Kanai was interrupted by a sudden blast from the engine’s horn. Glancing through the window, he spotted a yellow signboard that said CANNING.

“We’re here,” he said. He seemed suddenly regretful that their conversation had come to an end. Tearing off a piece of paper, he wrote a few words on it and pressed it into her hands. “Here — this’ll help you remember where to find me.”

The train had ground to a halt now and people were surging toward the doors of the compartment. Rising to her feet, Piya slung her backpacks over her shoulders. “Maybe we’ll meet again.”

“I hope so.” He raised a hand to wave. “Be careful with the maneaters.”

“Take care yourself. Goodbye.”

CANNING

KANAI WATCHED Piya’s back with interest as she disappeared into the crowd on the platform. Although unmarried, he was, as he liked to say, rarely single: over the past many years, several women had drifted in and out of his life. More often than not, these relationships ended — or persisted — in a spirit of affectionate cordiality. The most recent however, which was with a well-known young Odissi dancer, had not ended well. Two weeks earlier she had stormed out of his house and forbidden him ever to call her again. He hadn’t taken this seriously until he tried to call her cell phone, only to find that she had given it to her driver. This had come as a considerable blow to his pride, and in the aftermath he had tried to plunge himself into a short affair of the kind that might serve to suture the wound suffered by his vanity: that is to say, he had sought, without success, a liaison where it would fall to him to decide both the beginning and the end. In coming to Lusibari, he had resigned himself to the idea of briefly interrupting this quest — but if life had taught him any lesson, it was that opportunities often arose unexpectedly. Piya appeared to be a case in point. It was not often such a perfectly crafted situation presented itself: with his departure foreordained in nine days, his escape was assured. If Piya decided to avail herself of his invitation, then there was no reason not to savor whatever pleasures might be on offer.

Kanai waited till the crowd had thinned before stepping down to the platform. Then, with his suitcase resting between his feet, he paused to cast an unhurried glance around the station.

It was late November and the weather was crisp and cool, with a gentle breeze and honeyed sunlight. Yet the station had a look of bleak, downtrodden fatigue, like one of those grassless city parks where the soil has been worn thin by the pressure of hurrying feet: the tracks glistened under slicks of shit, urine and refuse, and the platform looked as if it had been pounded into the earth by the sheer weight of the traffic that passed over it.

More than thirty years had gone by since he first set foot in this station, but he still remembered vividly the astonishment with which he had said to his uncle and aunt, “But there are so many people here!”

Nirmal had smiled in surprise. “What did you expect? A jungle?”

“Yes.”

“It’s only in films, you know, that jungles are empty of people. Here there are places that are as crowded as any Kolkata bazaar. And on some of the rivers you’ll find more boats than there are trucks on the Grand Trunk Road.”

Of all his faculties, Kanai most prided himself on his memory. When people praised him for his linguistic abilities, his response was usually to say that a good ear and a good memory were all it took to learn a language, and he was fortunate to possess both. It gave him a pleasurable feeling of satisfaction now to think that he could still recall the precise tone and timbre of Nirmal’s voice, despite the decades that had passed since he had last heard it.

Kanai smiled to recall his last encounter with Nirmal, which dated back to the late 1970s when Kanai was a college student in Calcutta. He had been hurrying to get to a lecture, and while running past the displays of old books on the university’s footpaths he’d barreled into someone who was browsing at one of the stalls. A book had gone flying into the air and landed in a puddle. Kanai was about to swear at the man he had bumped into — Bokachoda! Why didn’t you get out of my way? — when he recognized his uncle’s wide, wondering eyes blinking behind a pair of thick-rimmed eyeglasses.

“Kanai? Is that you?”

“Aré tumi!” In bending down to touch his uncle’s feet, Kanai had also picked up the book Nirmal had dropped. His eyes had fallen on the now damaged spine, and he had noticed it was a translation of François Bernier’s Travels in the Mughal Empire.

The bookseller, meanwhile, had begun to yell: “You have to pay — it’s expensive, that book, and it’s ruined now.” A glance at his uncle’s stricken face told Kanai that he didn’t have the money to buy the book. It so happened that Kanai had just been paid for an article he had sent to a newspaper. Reaching for his wallet, Kanai had paid the bookseller and thrust the book into Nirmal’s hands, all in one flowing motion. Then, to forestall an awkward expression of gratitude on his uncle’s part, he had mumbled, “I’m late, have to run,” and fled, leaping over a puddle.

In the years since he had always imagined that when he next ran into Nirmal it would be in a similar fashion — Nirmal would be in a bookshop fondling some volume he could not afford and he, Kanai, would reach discreetly into his own pocket to buy him the book. But it hadn’t happened that way: two years after that accidental encounter, Nirmal had died in Lusibari after a long illness. Nilima had told Kanai then that his uncle had remembered him on his deathbed: he had said something about some writings that he wanted to send to him. But Nirmal had been incoherent for many months and Nilima had not known what to make of this declaration. After his death, she had looked everywhere, just in case there was something to it. Nothing had turned up, so she had assumed Nirmal’s mind had been wandering, as it often did.

Then suddenly one morning, two months before, Nilima had called Kanai at his flat in New Delhi’s Chittaranjan Park; she was in Gosaba, a town near Lusibari, calling from a telephone booth. Kanai was sitting at his dining table, waiting for his cook to bring him his breakfast, when the telephone rang.

“Kanai-ré?”

They were exchanging the usual greetings and polite inquiries when he detected a note of constraint in her voice. He said, “Is something the matter? Are you calling for some special reason?”

“Actually, yes,” she said, a little awkwardly.

“What is it? Tell me.”

“I was thinking it would be good if you could come to Lusibari soon, Kanai,” she said. “Do you think you could?”

Kanai was taken aback. It so happened that Nilima was childless and he was her closest relative, yet he could not remember any occasion when she had made such a demand. She had always been very much her own person and it was out of character for her to ask a favor. “Why do you want me to come to Lusibari?” Kanai said in surprise.

The phone went quiet for a moment and then she said, “Do you remember, Kanai, I told you years ago that Nirmal had left some writings for you?”

“Yes,” said Kanai. “Of course I remember. But they were never found, were they?”

“That’s the thing,” said Nilima. “I think I’ve found them: a packet addressed to you has turned up.”

“Where?” said Kanai.

“In Nirmal’s study. It’s on the roof of the place where I live, on top of the Trust’s Guest House. All these years, after he died, it’s been locked just as it was. But now it’s going to be torn down, because we need to build another floor. I was clearing it out the other day and that was when I found it.”

“And what was inside?”

“It must be all the essays and poems he wrote over the years. But the truth is, I don’t know. I didn’t open it because I knew he’d have wanted you to look at them first. He never trusted my literary judgment — and it’s true I’m not much good at that kind of thing. That’s why I was hoping you could come. Perhaps you could even arrange to have them published. You know some publishers, don’t you?”

“Yes, I do,” he said, flustered. “But going to Lusibari? It’s so far after all — from New Delhi it’ll take two days to get there. I mean, of course, I’d like to but —”

“I’d be very grateful if you could, Kanai.”

This was said in the quiet but firm tone of voice Nilima used when she was determined to get her way. Kanai knew now that she was in earnest and would not be put off easily. In their family, Nilima was legendary for her persistence — her doggedness and tenacity had built the Badabon Trust into what it was, an organization widely cited as a model for NGOs working in rural India.

Kanai made one last attempt to give her the slip. “Couldn’t you just send this packet by post?”

“I wouldn’t trust a thing like this to the post,” she said in a shocked voice. “Who knows what might happen to it?”

“It’s just that this is a very busy time,” said Kanai. “I have so much to do.”

“But Kanai,” she said, “with you it’s always a busy time.”

“That’s true enough.” Kanai was the founder and chief executive of a small but thriving business. He ran an agency of translators and interpreters that specialized in serving the expatriate communities of New Delhi: foreign diplomats, aid workers, charitable organizations, multinationals and the like. Being the only such company in the city, its services were hugely in demand. This meant its employees were all overworked — none more so than Kanai himself.

“So will you come, then?” she said. “Every year you say you’ll visit but you never come. And I’m not getting any younger.”

He caught the pleading note in her voice and decided to check his impulse to fob her off. He had always been fond of Nilima and his affection had deepened after the death of his mother, whom she closely resembled, in appearance if not in temperament. His admiration for her was genuine too: in founding his own business he had gained a fresh appreciation of what it took to build and maintain an organization like hers — especially considering that, unlike his own agency, the Trust was not run for profit. He remembered from his first visit the dire poverty of the tide country, and he thought it both inexplicable and remarkable that she had chosen to dedicate her life to working for the betterment of the people who lived there. Not that her work had gone unrecognized — the year before, the president had actually decorated her with one of the nation’s highest honors. But still, it amazed him that someone from a background like hers had lasted in Lusibari as long as she had — he knew from his mother’s accounts that they belonged to a family that was notable for its attachment to creature comforts. And in Lusibari, as he knew from experience, there was little to be had by way of comforts and amenities.

Kanai had always extolled Nilima to his friends as someone who had made great sacrifices in the public interest, as a figure who was a throwback to an earlier era when people of means and education were less narrow, less selfish than now. All this made it somehow impossible to turn down Nilima’s simple request.

“If you want me to come,” he said reluctantly, “then there’s nothing more to it. I’ll try to come for maybe ten days. Do you want me to leave immediately?”

“No, no,” Nilima said quickly. “You don’t have to come right away.”

“That makes it a lot easier for me,” said Kanai, in relief. His stormy but absorbing involvement with the Odissi dancer was then still heading in an interesting direction. To interrupt the natural trajectory of that relationship would have been a considerable sacrifice and he was glad he was not going to be put to that test. “I’ll be there in a month or two. I’ll let you know as soon as I’ve made the arrangements.”

“I’ll be waiting.”

And now there she was, Nilima, sitting on a bench in the shaded section of the platform, sipping tea while a couple of dozen people milled around her, some vying for attention and some being held at bay by her entourage. Kanai made his way quietly to the outer edge of the circle and stood listening. A few among the crowd were supplicants who wanted jobs and some were would-be politicians hoping to enlist her support. But for the most part the people there were just well-wishers who wanted nothing more than to look at Nilima and to be warmed by her gaze.

At the age of seventy-six, Nilima Bose was almost circular in shape and her face had the dimpled roundness of a waxing moon. Her voice was soft and had the splintered quality of a note sounded on a length of cracked bamboo. She was small in height and her wispy hair, which she wore in a knot at the back of her head, was still more dark than gray. It was her practice to dress in saris woven and crafted in the workshops of the Badabon Trust, garments almost always of cotton with spidery borders executed in batik. It was in one such, a plain white widow’s sari, thinly bordered in black, that she had come to the station to receive Kanai.

Nilima’s customary manner was one of abstracted indulgence. Yet when the occasion demanded she was also capable of commanding prompt and unquestioning obedience — few would willingly cross her, for it was well known that Mashima, like many another figure of maternal nurture, could be just as inventive in visiting retribution as she was in dispensing her benedictions. Now, on catching sight of Kanai, it took her no more than a snap of her fingers to silence the people around her. The crowd parted almost instantly to let Kanai through.

“Kanai!” Nilima cried. “Where were you?” She ran a hand over his head as he bent down to touch her feet. “I was beginning to think you’d missed the train.”

“I’m here now.” She looked much more frail than Kanai remembered, and he slipped an arm around her to help her to her feet. While members of her entourage took charge of his luggage, Kanai grasped her elbow and led her toward the station’s exit.

“You shouldn’t have taken the trouble to come to the station,” said Kanai. “I could have found my way to Lusibari.” This was a polite lie for Kanai would have been at a loss to know how to proceed to Lusibari on his own. What was more, he would have been extremely annoyed if he had been left to fend for himself in Canning.

But Nilima took his words at face value. “I wanted to come,” she said. “It’s nice to get away from Lusibari sometimes. But tell me, how was your ride on the train? I hope you weren’t bored.”

“No,” said Kanai, “I wasn’t. Actually I met an interesting young woman. An American.”

“Oh?” said Nilima. “What was she doing here?”

“She’s doing research on dolphins and suchlike,” Kanai said. “I asked her to visit us in Lusibari.”

“Good. I hope she comes.”

“Yes,” said Kanai. “I hope so too.”

Suddenly Nilima came to a halt and snatched at Kanai’s elbow. “I sent you some pages that Nirmal had written,” she said anxiously. “Did you get them?”

“Yes,” he said, nodding. “In fact, I was reading them on the train. Were they from the packet he left for me?”

“No, no,” said Nilima. “That was just something he wrote long ago. There was a time, you know, when he was so depressed I thought he needed something to keep him going. I asked him to write a little thing about the Sundarbans. I was hoping to be able to use it in one of our brochures, but it wasn’t really appropriate. Still, I thought it might interest you.”

“O,” said Kanai. “I somehow assumed it was a part of whatever he’d left for me.”

“No,” said Nilima. “I don’t know what’s in the packet: it’s sealed and I haven’t opened it. I know Nirmal wanted you to see it first. He told me that, just before his death.”

Kanai frowned. “Weren’t you curious, though?”

Nilima shook her head. “When you get to my age, Kanai,” she said, “you’ll see it’s not easy to deal with reminders of loved ones who’ve moved on and left you behind. That’s why I wanted you to come.”

They stepped out of the station into a dusty street where paan shops and snack stands jostled for space with rows of tiny shops.

“Kanai, I’m very glad you’re here at last,” said Nilima. “But there’s one thing I don’t understand.”

“What?”

“Why did you insist on coming through Canning? It would have been so much easier if you had come through Basonti. No one comes this way nowadays.”

“Really? Why not?”

“Because of the river,” she said. “It’s changed.”

“How?”

She glanced up at him. “Wait. You’ll see soon enough.”

“ON THE BANKS of every great river you’ll find a monument to excess.”

Kanai recalled the list of examples Nirmal had provided to prove this: the opera house of Manaus, the temple of Karnak, the ten thousand pagodas of Pagan. In the years since, he had visited many of those places, and it made him laugh to think his uncle had insisted that Canning too had a place on that list: “The mighty Matla’s monument is Port Canning.”

The bazaars of Canning were much as he remembered, a jumble of narrow lanes, cramped shops and mildewed houses. There were a great many stalls selling patent medicines for neuralgia and dyspepsia — concoctions with names like Hajmozyne and Dardocytin. The only buildings of any note were the movie theaters; immense in their ungainly solidity, they sat upon the town like sandbags, as though to prevent it from being washed away.

The bazaars ended in a causeway that led away from the town toward the Matla River. Although the causeway was a long one, it fell well short of the river: on reaching its end Kanai saw what Nilima had meant when she said the river had changed. He remembered the Matla as a vast waterway, one of the most formidable rivers he had ever seen. But it was low tide now and the river in the distance was no wider than a narrow ditch, flowing along the center of a halfmile-wide bed. The freshly laid silt that bordered the water glistened in the sun like dunes of melted chocolate. From time to time, bubbles of air rose from the depths and burst through to the top, leaving rings on the burnished surface. The sounds they made seemed almost to form articulate patterns, as if to suggest they were giving voice to the depths of the earth itself.

“Look over there,” said Nilima, pointing downstream to a boat that had come sputtering along the remains of the river. Although the vessel could not have been more than thirty feet in length, it was carrying at least a hundred passengers: it was so heavily loaded that the water was within half a foot of its gunwales. It came to a halt and the crew proceeded to extrude a long gangplank that led directly into the mudbank.

Kanai froze in disbelief. What would happen now? How would the boat’s passengers make their way across that vast expanse of billowing mud?

On the boat, preparations for the crossing were already in train. The women had hitched up their saris and the men were rolling up their lungis and trousers. On stepping off the plank, there was a long, drawn-out moment when each passenger sank slowly into the mud, like a spoon disappearing into a bowl of very thick dal; only when they were in up to their hips did their descent end and their forward movement begin. With their legs hidden from sight, all that was visible of their struggles was the twisting of their upper bodies.

Nilima frowned as she watched the men and women who were floundering through the mud. “Even to look at that hurts my knees,” she said. “I could do it once, but I can’t anymore — it’s too much for my legs. That’s the problem, you see: there isn’t as much water in the river nowadays and at low tide it gets very shallow. We brought the Trust’s launch to take you to Lusibari, but it’ll be at least two hours before it can make its way here to pick us up.” She directed an accusatory glance at Kanai. “It really would have been so much easier if you had come through Basonti.”

“I didn’t know,” said Kanai ruefully. “I wish you’d told me. The only reason I wanted to come through Canning was that this was the route we took when you brought me to Lusibari in 1970.”

As he looked around, taking in the sights, Kanai had a vivid recollection of Nirmal’s silhouette, outlined against the sky. Nirmal had put him in mind of a long-legged waterbird — maybe a heron or a stork. The impression was heightened by his clothes and umbrella: his loose white drapes had flapped in the wind like a mantle of feathers, while the shape of his chhata was not unlike that of a long, pointed bill.

“I still remember him standing here while we were waiting for a boat.”

“Nirmal?”

“Yes. He was dressed in his usual white dhuti-panjabi and he had his umbrella in his hands.”

Suddenly Nilima seized his elbow. “Stop, Kanai. Don’t talk about it. I can’t bear it.”

Kanai cut himself short. “Is it still upsetting for you? After all these years?”

Nilima shivered. “It’s just this place — this is where he was found, you know. Right here on the embankment in Canning. He only lived another couple of months after that. He must have been out in the rain, because he caught pneumonia.”

“I didn’t know about that,” Kanai said. “What brought him to Canning?”

“I still don’t know for sure,” Nilima said. “His behavior had become very erratic, as it tended to when he was under stress. He had retired as headmaster some months before and was never the same again. He would disappear without leaving any word. It was around the time of the Morichjhãpi incident, so I was beside myself with worry.”

“Oh?” said Kanai. “What was that? I don’t recall it exactly.”

“Some refugees had occupied one of the islands in the forest,” Nilima said. “There was a confrontation with the authorities that resulted in a lot of violence. The government wanted to force the refugees to return to their resettlement camp in central India. They were being put into trucks and buses and taken away. In the meanwhile the whole district was filled with rumors. I was terrified of what might happen to Nirmal if he was found wandering around on his own: for all I knew he’d just been forced onto a bus and sent off.”

“Is that what happened?”

“That’s my suspicion,” said Nilima. “But someone must have recognized him and let him off somewhere. He managed to make his way back to Canning — and this was where he was found, right here on this embankment.”

“Didn’t you ask him where he’d been?” Kanai said.

“Of course I did, Kanai,” Nilima said. “But by that time he was incapable of answering rationally; it was impossible to get any sense out of him. His only moment of clarity after that was when he mentioned this packet of writings he’d left for you. At the time I thought his mind was wandering again, but it turns out it wasn’t.”

Kanai put an arm around her shoulders. “It must have been very hard for you.”

Nilima raised a hand to wipe her eyes. “I still remember coming here to get him,” she said. “He was standing here shouting, ‘The Matla will rise! The Matla will rise!’ His clothes were all soiled and there was mud on his face. I’ll never get that image out of my head.”

A long-buried memory stirred in Kanai’s mind. “‘The Matla will rise.’ Is that what he was saying? He must have been thinking of that story he used to tell.”

“What story?” Nilima said sharply.

“Don’t you remember? About the viceroy who built this port, and Mr. Piddington, the man who invented the word ‘cyclone,’ and how he predicted that the Matla would rise to drown Canning?”

“Stop!” Nilima clapped her hands over her ears. “Please don’t talk about it, Kanai. I can’t bear to remember all that. That’s why I wanted you to deal with this packet of his. I just don’t have the strength to revisit all of that.”

“Of course,” said Kanai remorsefully. “I know it’s hard for you. I won’t mention it.”

Then too, Kanai remembered, there had been a long wait on the embankment. Not because of the tides or the mud, but because of a simple lack of boats heading in the right direction. He had sat with Nilima in a tea stall while Nirmal was sent to stand atop the embankment to watch for boats.

Nirmal, Kanai remembered, had not been very effective at keeping watch. On his most recent visit to a bookshop, in Calcutta, he had bought a copy of a Bangla translation of Rainer Maria Rilke’s Duino Elegies — the translator, Buddhadeva Basu, was a poet he had once known. All the while he was meant to be watching for a boat, Nirmal’s attention had kept returning to his recent acquisition. For fear of Nilima he hadn’t dared to open the book. Instead, he had held it aslant across his chest, and stolen glances whenever he could.

Fortunately for them, they had not had to depend on Nirmal to find a boat. Someone had come to their rescue of his own accord. “Aré Mashima! You here?” Before they could look around, a young man had come running up the embankment to touch Nilima’s feet.

“Is it Horen?” Nilima had said, squinting closely at his face. “Horen Naskor? Is it you?”

“Yes, Mashima, it’s me.” He was squat of build and heavily muscled, his face broad and flat, with eyes permanently narrowed against the sun. He was dressed in a threadbare lungi and a mud-stained vest.

“And what are you doing in Canning, Horen?” Nilima said.

“Jongol korté geslam, I went to ‘do jungle’ yesterday, Mashima,” Horen replied, “and Bon Bibi granted me enough honey to fill two bottles. I came here to sell them.”

At this point Kanai had whispered into Nilima’s ear, “Who is Bon Bibi?”

“The goddess of the forest,” Nilima had whispered back. “In these parts, people believe she rules over all the animals of the jungle.”

“O?” Kanai had been astonished to think that a grown-up, a big strong man at that, could entertain such an idea. He had been unable to suppress the snort of laughter that rose to his lips.

“Kanai!” Nilima had been quick to scold. “Don’t act like you know everything. You’re not in Calcutta now.”

Kanai’s laugh had caught Horen’s attention too, and he had stooped to bring their faces level. “And who is this, Mashima?”

“My nephew — my sister’s son,” Nilima had explained. “He got into trouble in school so his parents sent him here to teach him a lesson.”

“You should send him over to me, Mashima,” Horen had said with a smile. “I have three children of my own, and my oldest is not much smaller than him. I know what has to be done to teach a boy a lesson.”

“Do you hear that, Kanai?” Mashima had said. “That’s what I’ll do if there’s any nonsense from you — I’ll send you to live with Horen.”

This prospect had instantly sobered Kanai, removing the smile from his face. He was greatly relieved when Horen turned away from him to reach for Nilima’s luggage.

“So, Mashima, are you waiting for a boat?”

“Yes, Horen. We’ve been sitting here a long time.”

“No more sitting, Mashima!” Horen had said, hefting one of her bags onto his shoulders. “My own boat is here — I’ll take all of you home.”

Nilima had made a few unconvincing protests. “But it’s out of your way, Horen, isn’t it?”

“Not far,” Horen had said. “And you’ve done so much for Kusum. Why can’t I do this? You just wait here — I’ll bring the boat around.”

With that he had gone hurrying away along the embankment. After he was out of earshot, Kanai had said to Nilima, “Who is that man? And what was he talking about? Who is Kusum?”

Horen was a fisherman, Nilima had explained, and he lived on an island called Satjelia, not far from Lusibari. He was younger than he looked, probably not yet twenty, but like many other tide country boys, he had been married off early — at the age of fourteen in his case. This was why he was already a father of three while still in his teens.

As for Kusum, she was a girl from his village, a fifteen-year-old, whom he had put into the care of the Women’s Union in Lusibari. Her father had died while foraging for firewood and her mother, without other means of support, had been forced to look for a job in the city. “It wasn’t safe for her on her own,” Nilima had said. “All kinds of people tried to take advantage of her. Someone was even trying to sell her off. If Horen hadn’t rescued her who knows what might have happened?”

This had piqued Kanai’s interest. “Why?” he had said. “What might have happened?”

Nilima’s eyes had grown sad, as they tended to do when she was reminded of those of the world’s ills she was powerless to remedy. “She might have been forced to lose her self-respect and honor; it happens often enough to poor girls who’re caught in that kind of situation.”

“Oh?” For all his precocity Kanai was unable to unravel the precise implications of Nilima’s euphemisms — yet he had understood enough of their meaning for his breath to quicken.

“And where is this girl now?” he had said. “In Lusibari,” Nilima had replied. “You’ll meet her. Our Women’s Union is still looking after her.”

The conversation had ended, Kanai remembered, with his sprinting up the embankment to stand beside Nirmal. Kanai had scanned the river with eager eyes, looking for Horen’s boat. Till then the prospect of going to Lusibari had inspired nothing other than bored resentment, but the prospect of meeting this Kusum was something to look forward to.

THE LAUNCH

DEEP IN THE INTERIOR of Canning’s bazaar Piya had come to a halt at the gates of the Forest Department’s offices. Because of the circumstances of her work she had, over the years, developed a reluctant familiarity with the officialdom of forests and fisheries. She had been expecting a grimy bureaucratic honeycomb and was taken aback to find herself looking at a small, brightly painted bungalow. Still, before stepping up to the entrance she steeled herself for what promised to be a very long day.

As it turned out, her experience was not quite as grim as she had anticipated. It did indeed take a full hour of waiting before she could even make her way past the first doorkeeper, but once she was inside her progress was unexpectedly swift. Thanks to her uncle’s influence, she was led almost immediately into the presence of a harried but obliging senior ranger. After a polite exchange she was handed over to a subordinate, who led her down a number of corridors, through cubicles of diminishing size. In between were long intervals of drinking tea, waiting, and staring at walls blotched with red paan stains. But, apace or not, the paperwork did proceed and within a mere four hours of her entry into the building she was in possession of all the necessary documents.

It was only then, just as she was about to march out of the office, giddy with joy at her triumph, that she learned that the procedures weren’t quite over yet — the last remaining requirement for her survey was that she be accompanied by a forest guard. Her face fell in dismay for she knew from previous experience that official escorts were always a hindrance and sometimes needed more attention than the survey itself; she would have far preferred to travel on her own, with only a boatman or pilot for company. But it was quickly made clear that this was not an option. In fact, a guard had already been assigned to her, a man who knew the route and would help with the hiring of a boat and all the other arrangements. She dropped the matter without further demur. It was good enough that she had got her papers so quickly — better not try her luck too far.

The guard, dressed in a starched khaki uniform, proved to be a small ferret-faced man. He greeted her with a deferential smile and his appearance provided no cause for misgiving — not until he produced a leather bandolier and a rifle. The sight of the weapon induced her to make her way back down the corridors to ask if the gun was really necessary. The answer was yes, it was; regulations required it because her route would take her through the tiger reserve. There was always the possibility of an attack.

There was nothing more to be said. Shouldering her backpacks, she followed the guard out of the bungalow.

They had not gone far before the guard’s demeanor began to change. Where he had been almost obsequious before, he now became quite officious, herding her ahead without any explanation of where they were going or why. In a short while she found herself at a teashop on the embankment, meeting with a man of vaguely thuggish appearance. The man’s name, so far as she could tell, was Mejda: he was squat of build and there were many shiny chains and amulets hanging beneath his large, fleshy face. Neither he nor the guard spoke English but it was explained to her through intermediaries that Mej-da owned a launch that was available for hire: he was a seasoned guide who knew the area better than anyone else.

She asked to see the launch and was told that that would not be possible — it was anchored some distance away and they would have to take a boat to get to it. On inquiring about the price she was quoted a clearly excessive figure. She knew now that this was a setup and she was being cheated. She made a desultory effort to find other boat owners, but the sight of Mej-da and the guard scared them off. No one would approach her.

At this point she knew she was faced with a choice. She could either go back to lodge a complaint at the Forest Department’s office or she could agree to the proposed arrangement and get started on her survey. After having spent most of the day in that office, she could not bear to think of returning. She gave in and agreed to hire Mej-da’s launch.

On the way to the launch, remorse set in. Perhaps she was judging these men too harshly? Perhaps they really did possess great funds of local knowledge? In any event, there was no harm in seeing if they could be of help. In one of her backpacks she had a display card she had chosen especially for this survey. It pictured the two species of river dolphin known to inhabit these waters — the Gangetic dolphin and the Irrawaddy dolphin. The drawings were copied from a monograph that dated back to 1878. They were not the best or most lifelike pictures she had ever come across (she knew of innumerable more accurate or more realistic photographs and diagrams), but for some reason she’d always had good luck with these drawings: they seemed to make the animals more recognizable than other, more realistic representations.

In the past, on other rivers, display cards like these had sometimes been of great help in gathering information. When communication was possible, she would show them to fishermen and boatmen and ask questions about sightings, abundance, behavior, seasonal distribution and so on. When there was no one to translate she would hold up the cards and wait for a response. This often worked; they would recognize the animal and point her to places where they were commonly seen. But as a rule only the most observant and experienced fishermen were able to make the connection between the pictures and the animals they represented. Relatively few had ever seen the whole, living creature, and their view of it was generally restricted to a momentary glimpse of a blowhole or a dorsal fin. This being so, it was not unusual for the cards to elicit unexpected reactions — but never before had this illustration provoked a response as strange as the one she got from Mej-da. First he turned the card around and looked at the picture upside down. Then, pointing to the illustration of the Gangetic dolphin he asked if it was a bird. She understood him because he used the English word: “Bird? Bird?”

Piya was so startled that she looked at the picture again, with fresh eyes, wondering what he might be thinking of. The mystery was resolved when he stabbed a finger at the animal’s long snout with its twin rows of needle-like teeth. Like an optical illusion, the picture seemed to change shape as she looked at it; she had the feeling that she was looking at it through his eyes. She understood how the mistake might be possible, given the animal’s plump, dove-like body and its spoon-shaped bill, not unlike a heron’s. And of course the Gangetic dolphin had no dorsal fin to speak of. But then the ludicrousness of the notion had hit her — the Gangetic dolphin a bird? She took the card back and put it away quickly, turning her face aside to hide her smile.

The smile lingered for the rest of the ride, vanishing only when her eyes alighted on Mej-da’s launch — it was a decrepit diesel steamer that had been adapted for the tourist trade, with rows of plastic chairs lined up behind the wheelhouse, under a soot-blackened awning. She would have liked a skiff or a light fiberglass shell, outfitted with an outboard motor. Experience had taught her that this was the kind of boat of greatest use in river surveys. She began to regret the impulse that had led her to agree to this arrangement, but now it was too late to turn back.

As she walked up the gangplank, the stench of diesel fuel struck her like a slap in the face. There were some half-dozen or so young helpers tinkering with the engine. When they started it up, the volume was deafening, even up on deck. Then, to her surprise, Mej-da ordered all the helpers to leave the launch. Evidently the crew was to consist of no one other than himself and the guard. Why just these two and no one else? There was something about this that was not quite right. She watched in concern as the boys filed off the launch and her misgivings only deepened when Mej-da proceeded to enact a curious little pantomime, as if to welcome her onto his vessel. It so happened that he was dressed exactly as she was, in blue pants and a white shirt. She hadn’t remarked on this herself, but the coincidence had evidently seized his interest. He made a series of gestures, pointing to himself and at her, providing a wordless inventory of the points of similarity in their appearance — their clothes, their skin color, the dark tint of their eyes and the cut of their short, curly hair. But the performance ended with a gesture both puzzling and peculiarly obscene. Bursting into laughter, he gesticulated in the direction of his tongue and his crotch. She looked away quickly, frowning, puzzled as to the meaning of this bizarre coda. It was not till later that she realized that this pairing of the organs of language and sex was intended as a commentary on the twin mysteries of their difference.

The laughter that followed this performance sharpened her doubts about this pair. It was not that she was unused to the company of watchers and minders. The year before, while surveying on the Irrawaddy she had been forced — “advised” was the government’s euphemism — to take on three extra men. They were identically dressed, the three men, in knit golf shirts and checkered sarongs, and they had all sported steel-rimmed aviator sunglasses. She had heard later that they were from military intelligence, government spies, but she had never felt any unease around them, nor any sense of personal threat. Besides, she had always felt herself to be protected by the sheer matter-of-factness of what she did: the long hours of standing in unsteady boats, under blazing skies, scanning the water’s surface with her binoculars, taking breaks only to fill in half-hourly data sheets. She had not realized then that on the Irrawaddy, as on the Mekong and the Mahakam, she had also been protected by her unmistakable foreignness. It was written all over her face, her black, close-cropped hair, the sun-darkened tint of her skin. It was ironic that here — in a place where she felt even more a stranger than elsewhere — her appearance had robbed her of that protection. Would these men have adopted the same attitude if she had been, say, a white European, or Japanese? She doubted it. Nor for that matter would they have dared to behave similarly with her Kolkata cousins, who wielded the insignia of their upper-middleclass upbringing like laser-guided weaponry. They would have known how to deploy those armaments against men like these and they would have called it “putting them in their place.” But as for herself, she had no more idea of what her own place was in the great scheme of things than she did of theirs — and it was exactly this, she knew, that had occasioned their behavior.

LUSIBARI

THE TIDE WAS RUNNING low when the Trust’s launch brought Kanai and Nilima to Lusibari and this seemed to augment the height of the tall embankment that ringed the island: from the water nothing could be seen of what lay on the far side. But on climbing the earthworks Kanai found himself looking down on Lusibari village and suddenly it was as if his memory had rolled out a map so that the whole island lay spread out before his eyes.

Lusibari was about a mile and a quarter long from end to end, and was shaped somewhat like a conch shell. It was the most southerly of the inhabited islands of the tide country — in the thirty miles of mangrove that separated it from the open sea, there was no other settlement to be found. Although there were many other islands nearby, Lusibari was cut off from these by four encircling rivers. Of these rivers two were of medium size, while the third was so modest as almost to melt into the mud at low tide. But the pointed end of the island — the narrowest spiral of the conch — jutted into a river that was one of the mightiest in the tide country, the Raimangal.

Seen from Lusibari at high tide, the Raimangal did not look like a river at all: it looked more like a limb of the sea, a bay perhaps, or a very wide estuary. Five other channels flowed into the river here, forming an immense mohona. At low tide, the mouths of the other rivers were clearly visible in the distance — gigantic portals piercing the ring of green galleries that encircled the mohona. But Kanai knew that once the tide turned everything would disappear: the rising waters of the mohona would swallow up the jungle as well as the rivers and their openings. If it were not for the tips of a few kewra trees you would think you were gazing at a body of water that reached beyond the horizon. Depending on the level of the tide, he remembered, the view was either exhilarating or terrifying. At low tide, when the embankment, or bãdh, was riding high on the water, Lusibari looked like some gigantic earthen ark, floating serenely above its surroundings. Only at high tide was it evident that the interior of the island lay well below the level of the water. At such times the unsinkable ship of a few hours before took on the appearance of a flimsy saucer that could tip over at any moment and go circling down into the depths.

From the narrow end of the island a mudbank extended a long way into the water. This spit was like a terrestrial windsock, changing direction with the prevailing currents. But just as a windsock can generally be counted on to remain attached to its mast, the mudbank too was doggedly tenacious in keeping a hold on the island. It formed a natural pier and that was where ferries and boats usually unloaded their passengers. There were no docks or jetties on Lusibari, for the currents and tides that flowed around it were too powerful to permit the construction of permanent structures.

The island’s main village — also known as Lusibari — was situated close to the base of the mudspit, in the lee of the embankment. A newcomer, looking down at Lusibari from the crest of the bãdh, would see a village that seemed at first glance no different from thousands of others in Bengal: a tightly packed settlement of palmthatched huts and bamboo-walled stalls and shacks. But a closer examination would reveal a different and far from commonplace design.

At the center of the village was a maidan, an open space not quite geometrical enough to be termed a square. At one end of this ragged-edged maidan was a marketplace, a jumble of stalls that lay unused through most of the week, coming alive only on Saturday, which was the market day. At the other end of the maidan, dominating the village, stood a school. This was the building that was chiefly responsible for endowing the village with an element of visual surprise. Although not large, it loomed like a cathedral over the shacks, huts and shanties that surrounded it. Outlined in brick over the keystone of the main entrance were the school’s name and the date of its completion: SIR DANIEL HAMILTON HIGH SCHOOL 1938. The façade consisted of a long shaded veranda, equipped with fluted columns, neoclassical pediments, vaguely Saracenic arches and other such elements of the schoolhouse architecture of its time. The rooms were large and airy, with tall shuttered windows.

Not far from the school lay a compound cut off from public view by a screen of trees. The house that occupied the center of this compound was much smaller and less visible than the school. Yet its appearance was, if anything, even more arresting. Built entirely of wood, it stood on a six-foot trestle of stilts, as if to suggest it belonged more in the Himalayas than in the tide country. The roof was a steeply pitched wooden pyramid, sitting on a grid of symmetrical lines: stilts and columns, windows and balustrades. Rows of French windows were set into the walls and their floor-to-ceiling shutters opened onto a shaded veranda that ran all the way around the house. In front there was a lily-covered pond, skirted by a pathway of mossy bricks.

In 1970, Kanai recalled, this compound had seemed lonely and secluded. Although it was situated in the center of the settlement there were few other dwellings nearby. It was as though some lingering attitude of deference or respect had prompted the islanders to keep their distance from that wooden house. But that had changed now. It was clear at a glance that the area was among the most heavily trafficked on the whole island. Clusters of huts, houses, stalls, sweetshops and the like had grown up around the compound. The lanes that snaked around its perimeter echoed to the sound of filmi music and the air was heavy with the smell of freshly fried jilipis.

Kanai glanced over his shoulder and saw that Nilima was busy discussing Trust business with a couple of officeholders of the Women’s Union. Slipping away, he pushed open the compound’s gate and went hurrying up the mossy pathway that led to the house. To his surprise, none of the noise and bustle of the village seemed to filter into the compound and for a moment he felt as though he were stepping through a warp in time. The house seemed at once very old and very new. The wood, discolored by the sun and rain, had acquired a silvery patina, like certain kinds of bark; it reflected the light in such a way as to appear almost translucent, like a skin of mirrored metal. It seemed now to be almost blue in color, reflecting the tint of the sky.

On reaching the stilts, Kanai stopped to peer at the dappled underside of the house — the geometric pattern of shadows was exactly as he remembered. He went up the steps and was starting toward the front door when he heard his uncle’s voice, echoing back from the past.

“You can’t go in that way,” Nirmal was saying. “Don’t you remember? The key to the front door was lost years ago. We’ll have to go all the way around.”

Retracing the steps of that earlier visit, Kanai went down the veranda, around the corner of the balcony and along the next wing until he came to a small door at the rear of the house. The door opened at a touch and, on stepping in, the first object to meet his eyes was an old-fashioned porcelain toilet with a wooden seat. Next to it was an enormous cast-iron bathtub with clawed feet and a curling rim. A showerhead bowed over it, like a flower drooping on a wilted stem.

The fittings seemed somewhat more rusty since he had first seen them, but they were otherwise unchanged. Kanai remembered how eagerly, as a boy, he’d taken them in. Since coming to Lusibari he’d had to bathe in a pond, just as Nirmal and Nilima did — he’d longed to step under that shower.

“This is a shahebi choubachcha, a white man’s tank,” Nirmal had said, pointing to the bathtub. “Shahebs use them to bathe in.”

Kanai remembered that he had been struck by the aptness of the description while also being offended at being spoken to as if he were a yokel who’d never seen such things. “I know what that is,” he had said. “It’s a bathtub.”

A door led out from the bathroom into the interior of the house. Pushing it open, Kanai found himself in a cavernous, wood-paneled room. Clouds of dust hung, as if frozen, in the angled shafts of light admitted by the louvered shutters. A huge iron bedstead stood marooned in the middle of the floor, like the remains of a drowned atoll. On the walls there were fading portraits in heavy frames; the pictures were of memsahibs in long dresses and men in knee-length breeches.

Kanai came to a stop in front of a portrait of a young woman in a lacy dress, sitting on a grassy moor dotted with yellow wildflowers. In the background were steep slopes covered with purple gorse and mountains flecked with snow. A grimy copper plate beneath the picture said, LUCY MCKAY HAMILTON, ISLE OF ARRAN.

“Who was she?” Kanai could hear his voice echoing back from the past. “Who was this Lucy Hamilton?”

“She’s the woman from whom this island takes its name.”

“Did she live here? In this house?”

“No. She was on her way here from the far end of Europe when her ship capsized. She never got to see the house but because it had been built for her, people used to call it Lusi’r-bari. Then this was shortened to Lusibari and that was how the island took this name. But even though this house was the original Lusibari, people stopped calling it that. Now everyone speaks of it as the Hamilton House.”

“Why?”

“Because it was built by Sir Daniel MacKinnon Hamilton, Lucy’s uncle. Haven’t you seen his name on the school?”

“And who was he?”

“You really want to know?”

“Yes.”

“All right, then. Listen.” The knob-knuckled finger rose to point to the heavens. “Now that you’ve asked you’ll have to listen. And pay attention, for all of this is true.”

THE FALL

THE DAY WAS coming to an end when a distant fishing boat drew a scratch across Piya’s line of vision, interrupting the rhythm of her vigil. At first it was no more than a pinpoint on the lens of her binoculars, a stationary speck, anchored on the far side of a confluence of many rivers. After a while, when the dot had grown a little, Piya saw that it represented a small canoe-like craft with a hooped covering at the rear. There seemed to be only one fisherman on board. He was going through the motions of casting a net, standing upright to make his throw and stooping to pull his catch in.

Piya had now spent three hours in her “on effort” position, in the bow of the launch. With her binoculars fitted to her eyes, she had scanned the water, waiting for a flash of black or gray to break through the dun surface. But so far her vigil had gone unrewarded: she had had no sightings all afternoon, not one. There had been one hopeful moment but it had ended with a glimpse of a gliding stingray, shooting into the air with its tail trailing behind it like the string of a kite. Soon afterward there was another false alarm. Mej-da had come running up in great excitement, pointing and gesticulating, giving her the impression that he had seen a dolphin. But it turned out that his attention had been caught by a group of crocodiles that were sunning themselves on a mudbank. Mej-da’s motives for bringing them to her notice were made evident when he rubbed his fingers together to let her know that he deserved a tip. This had annoyed her and she had brushed him off with a peremptory gesture.

She had spotted the crocodiles long before him of course — she had seen them when they were a mile or so away. There were four of them, and they were huge: from tip to tail, the largest of them was probably about the same length as the launch. She had wondered what it would be like to encounter one of these monsters up close, and the thought had prompted an involuntary shudder.

But this was all. She had seen nothing else of note. Even though she hadn’t known what to expect, she had not foreseen as complete a blank as this. That these waters had once contained large numbers of dolphins was known beyond a doubt. Several nineteenth-century zoologists had testified to it. The “discoverer” of the Gangetic dolphin, William Roxburgh, had said explicitly that the fresh-water dolphins of the Ganges delighted in the “labyrinth of rivers and creeks to the South and South-East of Calcutta.” This was exactly where she was and yet, after hours of careful surveillance she had still to spot her first dolphin. Nor had she seen many fishermen: Piya had been hoping that the trip would yield a few encounters with knowledgeable boat people but such opportunities had been scarce today. She had seen many overcrowded ferries and steamers but very few fishing boats — so few as to suggest that the area was off-limits for fishing. The canoe-like craft in the distance was the first boat she had seen in a long time and it was clear the launch would pass within a couple of hundred yards of it. She began to wonder if it was worth a detour.

Reaching for her belt, Piya unhooked her rangefinder. The instrument had the look of a pair of truncated binoculars, with two eyepieces at one end but only a single Cyclopean lens at the other. She focused this lens on the fishing boat and pressed a button to get a reading of the distance between them. A moment later, to the accompaniment of an exclamatory beep, the instrument posted the answer: 1.1 kilometers.

Piya could not see the fisherman clearly but it seemed to her that he had the grizzled look of an experienced hand: around his chin and mouth was a dusting of white that suggested stubble or a beard. There was some kind of turban wrapped around his head but his body was bare except for a single twist of cloth, wound between his legs and around his waist. His frame was skeletal, almost wasted, in the way of a man who’d grown old on the water, slowly yielding his flesh to the wind and the sun. She had come across many such fishermen on other rivers and they had often been sources of good tips and useful information. She decided it would be well worth her while to take a few minutes to show him her flashcards.

Twice before she had asked for detours, but Mej-da, who was steering, had grown increasingly hostile after the incident with the crocodiles; he had ignored her on both occasions. But this time she was determined to have her way.

Mej-da and the guard were in the boat’s glass-fronted wheelhouse, sitting shoulder to shoulder. Stepping away from the bow, she turned to face the two men. Mej-da was at the wheel and he dropped his eyes on her approach — the furtiveness of his manner indicated all too plainly that he had been talking about her.

Pulling out a flashcard, she went to the wheelhouse and positioned herself directly in front of Mej-da. “Stop!” she said, pressing an open palm on the glass. Mej-da’s eyes followed her finger to the boat, now clearly visible ahead. “Head over there,” she said. “Toward that boat. I want to see if he recognizes this.” She held up the card in explanation.

The wheelhouse door swung open and the guard stepped out, hitching up his khaki trousers. He made his way across the deck and leaned on the gunwale, shading his eyes. A frown appeared on his face as he squinted at the boat. Spitting into the water, he muttered something to the pilot. There was a quick exchange of words and then Mej-da nodded and spun the wheel. The bow of the launch began to turn in the direction of the boat.

“Good,” said Piya, but the guard ignored her; his attention was now wholly focused on the boat. The intensity of his expression puzzled her; there was a predatory look in his eye that made it hard to believe he was doing this solely out of deference to her wishes.

In the distance the fisherman was standing up to make another cast: the boat had stayed where it was, growing a little larger each time it crossed her line of vision. It was now about half a mile away, and she kept her binoculars trained on it as the launch turned. The fisherman had so far seemed unaware of their presence, but when it became apparent that the launch was changing course he checked himself in the act of casting his net and turned to look in their direction. Suddenly his eyes flared in alarm. She could see them through her glasses, outlined against the darkness of his skin. He turned to one side and his lips seemed to move as though he were speaking to someone. Shifting focus, Piya saw that the fisherman was not alone in the boat, as she had thought: there was a child with him — a nephew or grandson? The boy was sitting crouched in the prow. She guessed it was he who had alerted the fisherman to the launch’s approach. He was pointing in their direction and cowering, as though in terror.

Within moments it became clear that both man and boy had taken fright. The man pulled out a pair of oars and began to row furiously while the boy scurried down the length of the boat and hid under the hooped covering at its rear. The boat had been positioned some fifty yards from the mouth of a narrow creek — a distance that could be covered with a few dozen oar strokes. It was toward this opening that they were heading. The forests that lined the creek’s banks had been half submerged by the tide, and the boat was small enough to give the launch the slip by heading directly into the mangroves. The water was still at a height where it would carry them deep into the forest in perfect concealment. They would be well hidden and would be able to make an escape.

There was something about the situation that puzzled Piya. On the Irrawaddy and the Mekong too, fishermen had sometimes taken fright at the prospect of being interrogated by strangers, especially when there was a whiff of an official connection. Yet she had never known a fishing boat actually to attempt an escape.

Piya looked to her right. The guard was standing in the bow of the launch now and his rifle was slung over his shoulder. He had fetched it while her attention was fixed on the boat. Suddenly the fisherman’s response made sense. Turning on the guard, she stabbed a finger at his gun. “What’s that for?” she said. “Why do you need that?” The guard ignored her and she raised her voice: “Put that gun away. It’s not necessary.” He waved her away with a brusque gesture and turned to shout something to Mej-da. At once, the pitch of the engine rose and the launch lurched forward, closing in on the boat.

She understood now that the situation, although of her own making, was wholly outside her control and even her comprehension. The one explanation she could think of was that the fisherman had been working in an off-limits area, which might account for this pursuit. Whatever the reason, it was up to her to put a stop to this chase — her work would be in jeopardy if word got out that she was interfering with local people.

Turning to the wheelhouse, she signaled urgently to Mej-da, “Stop! We’re not going any further; this is it.” She was about to walk over to him when the guard began to bellow at the boat. The rifle was at his shoulder now, upraised, and he was evidently threatening to open fire.

She was appalled. “What the hell do you think you’re doing?” She rushed at him and lunged at his arm, trying to push away the barrel of the gun. He saw her coming and thrust out his elbow. It caught her in the collarbone and sent her reeling back. The display card went flying from her grip as she steadied herself, clutching her shoulder.

The fisherman had stopped rowing now and Mej-da cut the engine as the launch pulled up to the boat. Shouting an order, the guard threw over a rope and the fisherman tethered it to his boat. The child, Piya noticed, was watching everything from his hiding place under the boat’s hooped covering.

The guard barked a question that elicited a muttered response from the fisherman. The answer was clearly much to the guard’s liking, for he turned to Mej-da and smiled, as if in satisfaction. The two men had a quick exchange of words and then the guard turned to Piya and spat out the word “poacher” in a tone of accusation.

“What?” said Piya. Even if she had been disposed to believe him, this charge would not have been credible. She shook her head dismissively. “He was just fishing — that’s all he was doing.”

“Poacher,” the guard said again, pointing his rifle at the fisherman. “Poacher.”

It was all clear to her now: just as she had thought, the fisherman had been casting his net in an off-limits area. He had chosen that spot so he would be able to get away if an official boat came along. He had assumed the launch to be just another tourist boat and hadn’t realized until too late that there was an armed forest guard on board. Now he was going to have to pay either a bribe or a fine.

The fisherman was standing wearily upright in the boat, leaning on his oar. The sight of him startled Piya, for it was evident at close quarters that he was not at all the elderly graybeard she had taken him to be — he was about her own age, in his late twenties. His frame was not wasted but very lean and his long, stringy limbs were almost fleshless in their muscularity. Nor was it because of a beard that his chin sported a dusting of white: the flakes were salt crystals, left behind by a long day’s deposits of brackish water. His face was narrow and angular and its gauntness seemed to exaggerate the size of his eyes. The cloth tied around his middle was no more than a faded rag and it gave his skeletal frame a look of utter destitution. Yet there was a defiance in his stance, at odds with the seeming defenselessness of his unclothed chest and his protruding bones. He was watching the guard with wary eyes, as though he were trying to reckon exactly how much money he was going to lose. At least a week’s earnings, Piya guessed, if not a whole month’s.

As if to remind her of her part in the situation, the guard stooped to pick her display card off the deck. He seemed to be in no hurry, now that he had caught up with his prey. Handing her the card, he made a gesture in the direction of the boat, urging her to show it to the fisherman.

Piya could scarcely believe that he was asking her to carry on as if nothing had happened. She drew her hands back, shaking her head. He thrust the card at her again and this time his rifle seemed to move with his arm, as if to prod her in the direction of the fisherman. She shrugged. “All right.” Undoing her equipment belt, she stowed it in her backpack along with her binoculars. Then she picked up the display card and stepped up to the gunwale. The boat was directly below, tethered close to the launch, and the fisherman’s face was now on a level with her knee.

On catching sight of her, the fisherman started. His attention had been focused on the guard and he hadn’t realized there was a woman on the launch. Her presence seemed to make him suddenly self-conscious. He reached for the cloth tied around his head and yanked it down. It sprang apart and fell open around him, unrolling over his body like a curtain. When he had fastened it at the waist, she saw that the twist of cloth that she had taken to be a turban was, in fact, a rolled-up sarong. There was a consideration in this gesture, an acknowledgment of her presence, that touched her: it seemed like the first normal human contact she had had since stepping on the launch. Despite the strangeness of the circumstances, she was eager to see his response to the pictures.

She lowered herself to one knee and when their heads were level she held out the card. She tried to give him a smile of reassurance but he would not meet her eye. He glanced from the card to her face and raised a hand to point upriver. The gesture was so quick and matter-of-fact that for a moment she thought he had misunderstood. Then she looked into his eyes and he nodded, as if to say, yes, that’s where I saw them. But which ones? She thrust the card at him again, expecting that he would point to the picture of the Gangetic dolphin, the more common of the two species. To her astonishment, his finger dropped to the illustration of the Irrawaddy dolphin, Orcaella brevirostris. He said something in Bengali and held up six fingers.

“Six?” she said. She was very excited now. “You’re sure?”

She was interrupted by a child’s cry. Looking up, she saw that the guard had taken advantage of her conversation with the fisherman to board the boat. Now he was rifling through the possessions that lay bundled under the hooped covering. The child was cowering against the side of the boat, clutching his hands to his chest. With a sudden lunge, the guard caught hold of the child and pried his hands open: evidently the boy had been trying to conceal a thin wad of banknotes. The guard tore the money from his grip and slipped it into his own pocket. Then he gave the boy a parting slap and climbed back into the launch.

Piya, looking on from above, recalled her own wad of money, stashed in the money belt she was wearing around her waist. She undid the zipper surreptitiously, slipped her hand in and pulled out a handful of notes. Rolling them tight in her palm, she waited until the launch had started up again. When the guard had turned his back, she leaned over the side and stretched her arm toward the fisherman. “Here! Here!” She kept her voice low and it was drowned out by the hammering of the engine. Now a wedge of water had opened up between the boat and the launch, but she felt sure she would be able to throw the money over if only she could climb a little higher. There was a plastic chair nearby and she pushed it to the side of the deck. Then she climbed up, balancing her weight against the gunwale. “Here!” She threw over the money, and accompanied it with a loud hissing sound. This time she succeeded in catching the fisherman’s attention and he jumped to his feet in surprise. But the guard had heard her too, and he came barreling across the deck. One of his feet crashed into the chair, throwing her forward, tipping her weight over the gunwale. Suddenly she was falling and the muddy brown water was rushing up to meet her face.

S’DANIEL

ONE OF THE MANY WAYS,” said Nirmal, “in which the tide country resembles a desert is that it can trick the eye with mirages. This is what it did to Sir Daniel Hamilton. When this Scotsman looked upon the crab-covered shores of the tide country, he saw not mud but something that shone brighter than gold. ‘Look how much this mud is worth,’ he said. ‘A single acre of Bengal’s mud yields fifteen maunds of rice. What does a square mile of gold yield? Nothing.’”

Nirmal raised a hand to point to one of the portraits on the wall. “Look,” he said. “That’s him, Daniel Hamilton, on the day when he became a knight. After that, his name was forever S’Daniel.”

The picture was of a man in stockings and knee breeches, wearing buckled shoes and a jacket with brass buttons. On his upper lip was a bushy white mustache and at his waist hung something that looked like the hilt of a sword. His eyes stared directly into the viewer’s, at once stern and kindly, austere and somewhat eccentric. There was something about his gaze that discomfited Kanai. As if by instinct, he slipped behind his uncle to elude those penetrating eyes.

“S’Daniel’s schooling,” Nirmal said, “was in Scotland, which was a harsh and rocky place, cold and unforgiving. In school his teachers taught him that life’s most important lesson is ‘labor conquers everything,’ even rocks and stones if need be — even mud. As with many of his countrymen, a time came when Daniel Hamilton had to leave his native land to seek his fortune, and what better place to do that than India? He came to Calcutta and joined MacKinnon and McKenzie, a company with which he had a family connection. This company sold tickets for the P and O shipping line, which was then one of the largest in the world. Young Daniel worked hard and sold many, many tickets: first class, second class, third class, steerage. For every ship that sailed from Calcutta there were hundreds of tickets to be sold and only one ticket agent. Soon S’Daniel was the head of the company and master of an immense fortune, one of the richest men in India. He was, in other words, what we call a monopolikapitalist. Another man might have taken his money and left — or spent it all on palaces and luxury. But not S’Daniel.”

“Why not?”

“I’m getting to it. Wait. Look at the picture on the wall and close your eyes. Think of that man, S’Daniel, standing on the prow of a P and O liner as it sails away from Calcutta and makes its way toward the Bay of Bengal. The other shahebs and mems are laughing and drinking, shouting and dancing, but not S’Daniel. He stands on deck, his eyes drinking in these vast rivers, these mudflats, these mangrovecovered islands, and it occurs to him to ask, ‘Why does no one live here? Why are these islands empty of people? Why is this valuable soil allowed to lie fallow?’ A crewman sees him peering into the forest and points out the ruins of an old temple and a mosque. See, he says, people lived here once, but they were driven away by tempests and tides, tigers and crocodiles. ‘Tai naki?’ says S’Daniel. Is that so? ‘But if people lived here once, why shouldn’t they again?’ This is, after all, no remote and lonely frontier — this is India’s doormat, the threshold of a teeming subcontinent. Everyone who has ever taken the eastern route into the Gangetic heartland has had to pass through it — the Arakanese, the Khmer, the Javanese, the Dutch, the Malays, the Chinese, the Portuguese, the English. It is common knowledge that almost every island in the tide country has been inhabited at some time or another. But to look at them you would never know: the speciality of mangroves is that they do not merely recolonize land; they erase time. Every generation creates its own population of ghosts.

“On his return to Calcutta S’Daniel sought out knowledgeable people. He learned that of all the hazards of the Sundarbans none is more dangerous than the Forest Department, which treats the area as its own kingdom. But S’Daniel cared nothing for the Forest Department. In 1903 he bought ten thousand acres of the tide country from the British sarkar.”

“Ten thousand acres! How much land is that?”

“Many islands’ worth, Kanai. Many islands. The British sarkar was happy to let him have them. Gosaba, Rangabelia, Satjelia — these were all his. And to these he later added this island you’re standing on: Lusibari. S’Daniel wanted his newly bought lands to be called Andrewpur, after Saint Andrew of Scotland — a poor man who, having neither silver nor gold, found the money to create it. But that name never took; people grew used to speaking of these islands as Hamilton-abad. And as the population grew, villages sprouted and S’Daniel gave them names. One village became Shobnomoskar, ‘Welcome to All,’ and another became Rajat Jubilee, to mark the silver jubilee of some king or other. And to some he gave the names of his relatives — that’s why we have here a Jamespur, an Annpur and an Emilybari. Lusibari was another such.”

“And who lived in those places?”

“No one — in the beginning. Remember, at that time there was nothing but forest here. There were no people, no embankments, no fields. Just kādā ār bādā, mud and mangrove. At high tide most of the land vanished underwater. And everywhere you looked there were predators — tigers, crocodiles, sharks, leopards.”

“So why did people come, then?”

“For the land, Kanai. What else? This was at a time when people were so desperate for land that they were willing to sell themselves in exchange for a bigha or two. And this land here was in their own country, not far from Calcutta: they didn’t need to take a boat to Burma or Malaya or Fiji or Trinidad. And what was more, it was free.”

“So they came?”

“By the thousand. Everyone who was willing to work was welcome, S’Daniel said, but on one condition. They could not bring all their petty little divisions and differences. Here there would be no Brahmins or Untouchables, no Bengalis and no Oriyas. Everyone would have to live and work together. When the news of this spread, people came pouring in, from northern Orissa, from eastern Bengal, from the Santhal Parganas. They came in boats and dinghies and whatever else they could lay their hands on. When the waters fell the settlers hacked at the forest with their dás, and when the tides rose they waited out the flood on stilt-mounted platforms. At night they slept in hammocks that were hung so as to keep them safe from the high tide.

“Think of what it was like: think of the tigers, crocodiles and snakes that lived in the creeks and nalas that covered the islands. This was a feast for them. They killed hundreds of people. So many were killed that S’Daniel began to give out rewards to anyone who killed a tiger or crocodile.”

“But what did they kill them with?”

“With their hands. With knives. With bamboo spears. Whatever they could find at hand. Do you remember Horen, the boatman who brought us here from Canning?”

“Yes.” Kanai nodded.

“His uncle Bolai killed a tiger once while he was out fishing. S’Daniel gave him two bighas of land right here in Lusibari. For years afterward, Bolai was the hero of the island.”

“But what was the purpose of all this?” said Kanai. “Was it money?”

“No,” said Nirmal. “Money S’Daniel already had. What he wanted was to build a new society, a new kind of country. It would be a country run by cooperatives, he said. Here people wouldn’t exploit each other and everyone would have a share in the land. S’Daniel spoke with Mahatma Gandhi, Rabindranath Thakur and many other bujuwa nationalists. The bourgeoisie all agreed with S’Daniel that this place could be a model for all of India; it could be a new kind of country.”

“But how could this be a country?” said Kanai in disbelief. “There’s nothing here — no electricity, no roads, nothing.”

Nirmal smiled. “All that was to come,” he said. “Look.” He pointed to a discolored wire that ran along the wall. “See. S’Daniel had made arrangements for electricity. In the beginning there was a huge generator, right next to the school. But after his death it broke down and no one ever replaced it.”

Kneeling beside a table, Nirmal pointed to another set of wires. “Look. There were even telephone lines here. Long before phones had come to Calcutta, S’Daniel had put in phones in Gosaba. Everything was provided for; nothing was left to chance. There was a Central Bank of Gosaba and there was even a Gosaba currency.”

Nirmal reached into one of the bookshelves that lined the wall and took out a torn and dusty piece of paper. “Look, here is one of his banknotes. See what it says: ‘The Note is based on the living man, not on the dead coin. It costs practically nothing, and yields a dividend of One Hundred Per Cent in land reclaimed, tanks excavated, houses built, &c. and in a more healthy and abundant LIFE.’”

Nirmal held the paper out to Kanai. “See!” he said. “The words could have been written by Marx himself: it is just the labor theory of value. But look at the signature. What does it say? Sir Daniel MacKinnon Hamilton.”

Kanai turned the piece of paper over in his hands. “But what was it all for? If it wasn’t to make money, then why did he go to all the trouble? I don’t understand.”

“It was a dream, Kanai,” said Nirmal. “What he wanted was no different from what dreamers have always wanted. He wanted to build a place where no one would exploit anyone and people would live together without petty social distinctions and differences. He dreamed of a place where men and women could be farmers in the morning, poets in the afternoon and carpenters in the evening.”

Kanai burst into laughter. “And look what he ended up with,” he said. “These rat-eaten islands.”

That a child could be so self-assuredly cynical came as a shock to Nirmal. After opening and shutting his mouth several times, he said weakly, “Don’t laugh, Kanai — it was just that the tide country wasn’t ready yet. Someday, who knows? It may yet come to be.”

SNELL’S WINDOW

IN THE CLEAR WATERS of the open sea the light of the sun wells downward from the surface in an inverted cone that ends in the beholder’s eye. The base of this cone is a transparent disk that hangs above the observer’s head like a floating halo. It is through this prism, known as Snell’s window, that the oceanic dolphin perceives the world beyond the water; in submersion, this circular portal follows it everywhere, creating a single clear opening in the unbroken expanse of shimmering silver that forms the water’s surface as seen from below.

Rivers like the Ganga and the Brahmaputra shroud this window with a curtain of silt: in their occluded waters light loses its directionality within a few inches of the surface. Beneath this lies a flowing stream of suspended matter in which visibility does not extend beyond an arm’s length. With no lighted portal to point the way, top and bottom and up and down become very quickly confused. As if to address this, the Gangetic dolphin habitually swims on its side, parallel to the surface, with one of its lateral fins trailing the bottom, as though to anchor itself in its darkened world by keeping a hold on its floor.

In the open sea Piya would have had no difficulty dealing with a fall such as the one she had just sustained. She was a competent swimmer and would have been able to hold her own against the current. It was the disorientation caused by the peculiar conditions of light in the silted water that made her panic. With her breath running out, she felt herself to be enveloped inside a cocoon of eerily glowing murk and could not tell whether she was looking up or down. In her head there was a smell, or rather a metallic savor, she knew to be not blood but inhaled mud. It had entered her mouth, her nose, her throat, her eyes — it had become a shroud closing in on her, folding her in its cloudy wrappings. She threw her hands at it, scratching, lunging and pummeling, but its edges seemed always to recede, like the slippery walls of a placental sac. Then she felt something brush against her back and at that moment there was no touch that would not have made her respond as if to the probing of a reptilian snout. Her body began to twitch convulsively, and she tried to look over her shoulder, but could see nothing except that impenetrable sepia glow. Although her limbs were growing rigid and her strength was ebbing, she tried to defend herself by hitting out and flailing her arms. But then something came shooting through the water and struck her in the face: she felt herself being propelled forward and was unable to resist. Suddenly her head broke free and there was a lightness on her skin that she knew to be the touch of air. But still she could not breathe: her nose and her mouth were swamped with mud and water.

Thrashing her arms, she tried to lift herself from the water, only to be struck on the face again by another powerful blow. Then, to her amazement, a pair of arms appeared around her chest. A hand caught hold of her neck, jerking back her head, and another set of teeth were clamped against her own. There was a sucking sensation in her mouth and something seemed to shoot out of her gullet. A moment later she felt a whiff of air in her throat and began to gasp for more. A clasped arm was holding her upright in the water and on her left shoulder was a sharp, prickling sensation. Even as she was struggling to swallow mouthfuls of air, it filtered through to her consciousness that it was the fisherman who was holding her and that his stubble was abrading her skin. The stinging seemed to clear her mind and she forced herself to loosen her panicked muscles, calming her body to the point where he could begin to swim.

The current had carried them a long way from the boat, and she knew that he would not be able to tow her unless she lay still. Rolling over in the water, she arched her back to stay afloat and hooked her arm through his, making herself almost weightless. Even then the push of the current was like a gravitational force, and she could feel him straining for each inch, as though he were dragging her up a steep slope.

At last, when her hands were on the gunwale, he corkscrewed his body under her, pushing her out of the water and into the boat. She landed on her belly and instantly a jet of swallowed water rose to choke her gorge. Suddenly it was as if she were drowning all over again. With water streaming from her mouth and nose, she clutched at her throat, clawing at the base of her neck with her fingers as though she were trying to loosen a garrotte. Then again, his hands gripped her shoulders, flipping her over. Throwing a leg across her hips, he weighed her down with his body and fastened his mouth on hers, sucking the water from her throat and pumping air into her lungs.

When her windpipe was clear again, he broke away. She heard him spitting into the water and knew he was cleaning the taste of her vomit from his mouth.

As the rhythm of her breathing returned, she caught the sound of voices and opened her eyes. It was the forest guard and his friend, the pilot: they were leering at her from the launch, lounging against the rails and exchanging whispers as they watched her fighting for breath. When the guard saw she had opened her eyes, he began to point to his watch and to the sun, which was now slipping below the horizon in a blaze of crimson. At first she could make no sense of these gesticulations but when he started to make beckoning motions, she understood: darkness was fast approaching and he wanted her to hurry up and get back to the launch so they could proceed to wherever it was they were going.

The abruptness of this summons made Piya’s hackles rise. The man had evidently assumed she had no choice but to follow his orders, that she would put up with whatever demands he chose to make. From the start she had sensed a threat from the guard and his friend: she knew that to return to the launch in these circumstances would be an acknowledgment of helplessness. If she placed herself in their power now, she would be marked as an acquiescent victim. She could not board that launch again — and yet, what else could she do?

A word flashed through her mind, taking her by surprise. She sat up and tried to enunciate it before it could escape. The fisherman was squatting in the bow, bare-bodied except for his loincloth. He had torn off his lungi before plunging into the water, and the little boy was using it now to mop the water from his head. When Piya sat up, the boy whispered something and the fisherman turned to look at her. Quickly, before the word could slip away, she said, “Lusibari?” He frowned as if to say that he hadn’t heard her right, so she said the word again, “Lusibari?” and added, “Mashima?” At this, he gave her a nod that seemed to indicate he knew those names.

Piya’s eyes widened: could it really be that he knew this woman? To confirm, she said again, “Mashima?” He nodded once more and gave her a smile, as if to say, yes, he knew exactly whom she was referring to. But she still could not tell whether he had understood the full import of what she was asking of him. So, just to be sure, she made a sign, pointing first to herself and then at the horizon, to tell him she wanted him to take her there in his boat. He nodded again, and added, as if in confirmation, “Lusibari.”

“Yes.” Shutting her eyes in relief, she unclenched her stomach and let her breath flow out.

STANDING ON THE LAUNCH, the guard snapped his fingers at Piya as if to wake her from a long sleep. She pulled herself to her feet, leaning against the boat’s bamboo awning for support, and signaled to him to pass over her backpacks. He handed over the first without demur, and it was only when she asked for the second that he understood she was not coming back to the launch. His smirk changed into a scowl, and he began to shout, not at her but at the fisherman, whose response was nothing more than a quiet shrug and a murmur. This seemed to make the guard angrier still, and he began to threaten the fisherman with gestures of his fist.

Piya tried to intervene with a shout of her own. “It’s not his fault. Why’re you yelling at him?” Now, unexpectedly, the pilot added his voice to hers. He too began to remonstrate with the guard, pointing to the horizon to remind him of the fast-approaching sunset. This jolted the guard’s attention back to Piya. He held up her second backpack and rubbed his finger and thumb together, to indicate that it would not be given without a payment.

Her money, she remembered, was inside her waterproof money belt. She reached for the zipper and was relieved to find the belt intact, its contents undamaged. She counted out the equivalent of a day’s hire for the boat and a day’s wages for the guard. Then, as she was handing the money over, just to ensure herself of a quick riddance, she added a few extra notes. Without another word, the guard grabbed the money and tossed over her backpack.

She could scarcely believe she had succeeded in ridding herself of them. She had expected more scenes and more yelling, fresh demands for money. On cue, as if to show her that she had not gotten off lightly, the guard held up her Walkman — he had managed to extricate it from her belongings before handing them over. Then, to celebrate his theft, he began to make lurid gestures, pumping his pelvis and milking his finger with his fist.

Piya was as oblivious to these obscenities as to the loss of her music: she would be grateful just to see the guard and his friend depart. She shut her eyes and waited till the sound of the launch had faded away.

THE TRUST

DESPITE ITS SMALL SIZE, the island of Lusibari supported a population of several thousand. Some of its people were descended from the first settlers, who had arrived in the 1920s. Others had come in successive waves, some after the partition of the subcontinent in 1947 and some after the Bangladesh war of 1971. Many had come even more recently, when other nearby islands were forcibly depopulated in order to make room for wildlife conservation projects. As a result, the pressure of population in Lusibari was such that no patch of land was allowed to lie fallow. The green fields that quilted the island were dotted with clusters of mud huts and crossed by many well-trodden pathways. The broadest of these paths were even paved with bricks and shaded with rows of casuarina trees. But these elements of an ordinary rural existence did not entirely conceal the fact that life in Lusibari was lived at the sufferance of a single feature of its topography. This was its bãdh, the tall embankment that encircled its perimeter, holding back the twice-daily flood.

The compound of the Badabon Trust was at the rounded end of the conch-shaped island, half a mile from Lusibari village. Nilima lived there in a small building that doubled as a guest house for the Trust’s visitors.

It took a while for Kanai and Nilima to make their way to this end of the island. They had disembarked on the mudspit, near Lusibari village, and by the time they departed for the Trust’s compound, it was near sunset. The vehicle that had been arranged for their transport was new to Kanai — there had been none on the island at the time of his last visit. It was a cycle-van, a bicycle-trolley with a square platform mounted behind the driver’s saddle. The platform served to carry luggage and livestock as well as passengers, who sat on it either with their legs folded or with their feet dangling over the edge. Since the platform was flat, with no handholds, passengers had to cling on as best they could. When the vehicle hit a bump or a pothole, they locked arms to hold each other in place.

“Are you sure we’ll all fit on that?” said Kanai dubiously, eyeing the vehicle.

“Yes, of course,” said Nilima. “Just get on and we’ll hold you down.”

They set off with Kanai’s suitcase lodged among baskets of vegetables and squawking clutches of fowl. The van turned onto a path paved with uncemented bricks, many of which had come loose, leaving gaps in the track’s surface. When the wheels hit these holes, the platform flew up as if to catapult its passengers from the vehicle. Kanai would have gone rocketing off if the others hadn’t kept him in place by holding on to his shirt.

“I hope you’ll be comfortable in our Guest House,” said Nilima anxiously. “Our setup is very simple, so don’t expect any luxuries. A room’s been prepared for you and your dinner should be waiting in a tiffin carrier. I’ve told one of our trainee nurses to make arrangements for your food. If you need anything, just let her know. Her name is Moyna — she should be there now, waiting for us.”

At the mention of the name, the van’s driver corkscrewed around in his seat. “Mashima, are you talking about Moyna Mandol?”

“Yes.”

“But you won’t find her at the Guest House, Mashima,” the driver said. “Haven’t you heard yet?”

“What?”

“Moyna’s husband, that fellow Fokir, has gone missing again. And he’s taken the boy too — their son. Moyna’s running all over the place asking after them.”

“No! Is that true?”

“Yes.” A couple of other passengers confirmed this with vigorous nods.

Mashima clicked her tongue. “Poor Moyna. That fellow gives her so much trouble.”

Kanai had been listening to this exchange and, on seeing the look of consternation on Mashima’s face, said, “Will this upset all the arrangements?”

“No,” said Mashima. “We’ll manage one way or the other. I’m just worried about Moyna. That husband of hers is going to drive her mad one day.”

“Who is he? Her husband, I mean.”

“You won’t know him —” Breaking off in midsentence, Nilima clutched at Kanai’s arm. “Wait! Actually you do know him — not him, I mean, but his mother.”

“His mother?”

“Yes. Do you remember a girl called Kusum?”

“Of course,” said Kanai. “Of course I remember her. She was the only friend I had in this place.”

Nilima gave a slow nod. “Yes,” she said. “I remember now: you two used to play together. Anyway, this man we’re talking about — Fokir? He’s Kusum’s son. He’s married to Moyna.”

“Is he the one who’s missing?”

“Yes, that’s him.”

“And what about Kusum? What became of her?”

Nilima let out a deep sigh. “She ran off, Kanai; it must have been some months after you visited us. For years we didn’t have any news of her, but then she showed up again. It was very unfortunate.”

“Why? What happened?”

Nilima closed her eyes as if to shut out the memory. “She was killed.”

“How?”

“I’ll tell you later,” said Nilima in an undertone. “Not now.”

“And her son?” Kanai persisted. “How old was he when Kusum died?”

“He was just a child,” Nilima said. “Maybe five years old or so. He was brought up by Horen, who was a relative.”

A large building suddenly came into view, capturing Kanai’s attention. “What’s that, over there?”

“That’s the hospital,” said Nilima. “Is this the first time you’re seeing it?”

“Yes,” said Kanai. “I haven’t been to Lusibari since it was built.”

The lights that flanked the hospital’s entrance each seemed to be enclosed within a moving, buzzing halo of its own. When the cyclevan rolled past, Kanai saw that this effect was created by clouds of insects. Also clustered beneath the bulbs were groups of schoolchildren, sitting on the ground with books open on their laps.

“Aren’t those electric lights?” Kanai said in surprise.

“Yes, they are.”

“But I thought Lusibari hadn’t got electricity yet?”

“We have electricity within this compound,” said Nilima. “But just for a few hours each day, from sunset till about nine.”

One of the Trust’s benefactors, Nilima explained, had donated a generator, and the machine was turned on for a few hours in the evening so that the hospital’s staff could have a period of heightened activity in which to prepare for the stillness of the night. As for the children, they too were drawn to the hospital by its lights. It was easier to study there than at home, and cheaper too, since it saved oil and candles.

“And that’s where we’re going,” said Nilima, pointing ahead to a two-story house separated from the hospital by a pond and a stand of coconut trees. Small and brightly painted, the house had the cheerful look of a whitewashed elementary school. The guest rooms were upstairs, Nilima explained, while the flat on the ground floor was the home in which she and her late husband had lived since the mid-1970s. Nirmal’s study, where all his papers were stored, was on the roof.

After Nilima had dismounted from the cycle-van, she handed Kanai a key: “This opens the door to your uncle’s study. You should go upstairs and have a look — you’ll find the packet on his desk. I wanted to take you there myself but I’m too tired.”

“I’ll manage on my own,” said Kanai. “Don’t worry about me. I’ll see you in the morning.”

Kanai was heading for the stairs with his suitcase when Nilima called out, as an afterthought, “The generator will be switched off at nine, so be prepared. Don’t be caught off-guard when the lights go out.”

FOKIR

ONLY AFTER THE LAUNCH had disappeared from view was Piya able to breathe freely again. But now, as her muscles loosened, the delayed shock she had been half expecting set in as well. Her limbs began to quiver and all of a sudden her chin was knocking a drumbeat on her kneecaps; in a moment she was shivering hard enough to shake the boat, sending ripples across the water.

There was a touch on her shoulder, and she turned sideways to see the child standing beside her. He put his arm around her and clung to her back, hugging her, trying to warm her body with his own. She closed her eyes and did not open them again until the chattering of her teeth had stopped.

Now it was the fisherman who was in front of her, squatting on his haunches and looking into her face with an inquiring frown. Slowly, as her shivering passed, his face relaxed into a smile. With a finger on his chest, pointing at himself, he said, “Fokir.” She understood that this was his name and responded with her own: “Piya.” With a nod of acknowledgment, he turned to the boy and said, “Tutul.” Then his forefinger moved, from himself to the boy and back again, and she knew he was telling her the boy was his son.

“Tutul.”

Looking closely at the child she saw he was even younger than she had thought, perhaps no more than five years old. He was wearing a threadbare sweater against the November chill. Below this hung a pair of huge, discolored shorts that looked as though they had once belonged to a school uniform. He had something in his hands, and when he held it up she saw it was her laminated flashcard. She had no idea where he had found it but was pleased to see it again. He brought it to her, holding it in front of him like a tray, and gave her fingers a squeeze, as though to assure her of his protection.

The gesture had the paradoxical effect of making her aware of her own vulnerability. This was not a feeling she was accustomed to — she was used to being on her own in out-of-the-way places, with only strangers for company. But her experience with the guard had bruised her confidence and she felt as though she were recovering from an assault. This made her all the more grateful for the child’s presence: she knew that if it weren’t for him it would have been much harder for her to put her trust in a complete stranger as she had done. It was true, then, that in a way the boy was her protector. The recognition of this made her do something that did not come easily. She was not given to displays of affection but now, in a brief gesture of gratitude, she opened her arms and gave the boy a hug.

As she released the child, she noticed he was looking intently at her hands — her wallet was still wedged between her fingers. With a guilty start, she remembered that she had made no mention of money to the fisherman. Opening the wallet, she took out a wad of Indian currency and separated a thin sheaf of notes from the rest. She was counting out the money when she became aware of their attention and looked up. They appeared to be transfixed and their eyes were following her fingers as though she were performing some intricate feat of jugglery. There was a wonderment in their faces that told her that their absorption was not a function of greed; it was just that they had never before been in the proximity of so large a sum of money and so many crisp currency notes. Yet despite the closeness of this scrutiny, Fokir seemed not to have understood that it was for him that she was counting the money: when she offered the notes to him, he recoiled guiltily, as though she’d offered him some kind of contraband.

The sum she had counted out was small, no more than she might elsewhere have paid for a few sandwiches and a couple of coffees. Her research grant was too tight to allow her to be lavish, but this small token, at least, she felt she did owe him, and if he had had a shirt, she would have tucked the money right into his pocket. As it happened, apart from his wet loincloth he was wearing nothing but a small cylindrical medallion tied to his arm with a string, just above the biceps. Unable to think of any other expedient, she twisted the notes into a roll and thrust them under the medallion. His skin, she noticed, was bristling with goosebumps and she could not tell whether this was a reaction to her touch or to the chilly evening wind.

A loud exclamation followed as Fokir retrieved the money. When the notes were in his hands, he examined them as if in disbelief, holding them at a distance from his face. Presently, with a gesture in the direction of the recently departed launch, he peeled a single note from the bundle and held it aloft. She understood that he was telling her that he would accept that one note as compensation for the money that had been taken from him. He handed this to the boy, who darted off to hide it somewhere in the thatch of the boat’s hood.

The other notes he gave back to her, and when she attempted to protest, he pointed toward the horizon and repeated the word she herself had uttered earlier: “Lusibari.” She recognized he was deferring the matter of payment until they arrived at Lusibari, and there she was content to let the matter rest.

THE LETTER

THE GUEST HOUSE occupied the whole of the second floor and was accessed by a narrow staircase. There were four rooms, all identically furnished with two narrow beds, a desk and a chair. They opened onto a space that was part corridor, part dining room, part kitchen. At the far end of the corridor lay the building’s one claim to luxury, a bathroom with a shower, a toilet and running water. Kanai had been dreading the thought of bathing in a pond and heaved a sigh of relief on catching sight of these unexpected amenities.

On the dining table stood a stainless-steel tiffin carrier and Kanai guessed it contained his dinner. Evidently, despite her cares, Moyna had not neglected to provide his evening meal. Exploring further, he deposited his suitcase in the room that appeared to have been readied for him and headed for the stairs.

On making his way up to the roof, Kanai was rewarded with a fine view of a tide country sunset: with the rivers running low, the surrounding islands were riding high on the reddening water. With his first circumambulation of the roof, Kanai found he could count no fewer than six islands and eight “rivers” in the immediate vicinity of Lusibari. He saw also that Lusibari was the most southerly of the inhabited islands; on the islands beyond were no fields or houses, nothing other than dense forests of mangrove.

On one side of the roof was a long, tin-roofed room with a locked door. This, Kanai realized, was Nirmal’s study. He unlocked the door with the key Nilima had given him and pushed the door open. Stepping inside, he found himself facing a wall stacked with books and papers. There was only one window, and on opening it Kanai saw it looked westward, in the direction of the Raimangal’s mohona. The desk beneath this window was laid out as if for Nirmal’s use, with an inkwell, a stack of fountain pens and an old-fashioned, crescent-shaped blotter. Under the blotter was a large sealed packet that had Kanai’s name written on it. The packet was wrapped in layers of plastic that had been pasted together with some kind of crude industrial glue. On top was a piece of paper that looked as if it had been torn from a notebook, and written on it, in his uncle’s hand, were Kanai’s name and his address of twenty years before. Kanai squeezed the packet between his fingers but could not make out exactly what lay inside. Nor could he see how he was to open it; the layers of plastic seemed almost to be fused together. Looking around him, he saw half a razor blade lying on the windowsill. He picked up the sharpedged sliver of metal and applied it to the plastic sheets, pinching it carefully between his fingertips. After cutting through a few layers, he saw, lying inside, like an egg in a nest, a small cardboard-covered notebook, a khata, of the kind generally used by schoolchildren. This surprised him for he had been expecting loose sheets — poems, essays — anything but a single notebook. He flipped it open and saw that it was covered in Bengali lettering, in Nirmal’s hand. The writing was cramped, as if in order to save space, and the penmanship was so unruly as to suggest that the lines had been written in great haste. In places there was much crossing out and filling in, and the words often spilled into the thin margin. Despite the many layers of plastic, the paper was covered with damp spots. In some places the ink had begun to fade.

Kanai had to raise the notebook to within a couple of inches of his eyes before he could decipher the first few letters. There was a date in the top left-hand corner, written in English: May 15, 1979, 5:30 A.M. Immediately below this was Kanai’s name. Although there were none of the customary salutations of a letter, it was clear these pages had been addressed directly to him, Kanai, in the form of some kind of extended letter.

This was confirmed when Kanai read the first few lines: “I am writing these words in a place that you will probably never have heard of: an island on the southern edge of the tide country, a place called Morichjhãpi. .”

Kanai looked up from the page and turned the name over in his mind: Morichjhãpi. As if by habit, he found himself translating the word: Pepper Island.

He lowered his eyes once more to the notebook:

The hours are slow in passing as they always are when you are waiting in fear for you know not what: I am reminded of the moments before the coming of a cyclone, when you have barricaded yourself into your dwelling and have nothing else to do but wait. The moments will not pass; the air hangs still and heavy; it is as though time itself has been slowed by the friction of fear.

In other circumstances perhaps I would have tried to read. But I have nothing with me here except this notebook, one ballpoint pen, one pencil, and my copies of Rilke’s Duino Elegies, in Bangla and English translation. Nor, in the hours preceding this, would it have been possible to read, for it is daybreak and I am in a thatch-roofed hut with no candles available. From a chink in the bamboo wall, I can see the Gãral, one of the rivers that flow past this island. The sun has shown itself in the east and, as if to meet it, the tide too is quickly rising. The nearby islands are sliding gradually beneath the water and soon, like icebergs in a polar sea, they will be mostly hidden; only the tops of their tallest trees will remain in sight. Already their mudbanks and the webbed roots that hold them together have become ghostly discolorations, shimmering under the surface like shoals of wave-stirred seaweed. In the distance a flock of herons can be seen heading across the water in preparation for the coming inundation: driven from a drowning island, they have taken wing in search of a more secure perch. It is, in other words, a dawn that is beautiful in the way only a tide country dawn can be.

This hut is not mine; I am a guest. It belongs to someone you once knew: Kusum. She has lived in it with her son for almost a year.

As I look on the scene before me I cannot help wondering what it has meant to them — to Fokir, to Kusum — to wake to this sight, through the better part of a year. Has it provided any recompense for everything they have had to live through? Who could presume to know the answer? At this moment, lying in wait, I can think only of the Poet’s words:

beauty’s nothing

but the start of terror we can hardly bear, and we adore it because of the serene scorn it could kill us with. .

All night long I have been asking myself, what is it I am afraid of? Now, with the rising of the sun, I have understood what it is: I am afraid because I know that after the storm passes, the events that have preceded its coming will be forgotten. No one knows better than I how skillful the tide country is in silting over its past.

There is nothing I can do to stop what lies ahead. But I was once a writer; perhaps I can make sure at least that what happened here leaves some trace, some hold upon the memory of the world. The thought of this, along with the fear that preceded it, has made it possible for me to do what I have not been able to for the last thirty years — to put my pen to paper again.

I do not know how much time I have; maybe not much more than the course of this day. In this time, I will try to write what I can in the hope that somehow these words will find their way to you. You will be asking, why me? All I need say for the time being is that this is not my story. It concerns, rather, the only friend you made when you were here in Lusibari: Kusum. If not for my sake, then for hers, read on.

THE BOAT

FOKIR’S SIXTEEN-FOOT BOAT was just about broad enough in the middle to allow two people to squat side by side. Once Piya had taken stock of her immediate surroundings she realized the boat was the nautical equivalent of a shanty, put together out of bits of bamboo thatch, splintered wood and torn plastic sheets. The planks of the outer shell were unplaned and had been caulked with what appeared to be tar. The deck was fashioned out of plywood strips that had been ripped from discarded tea crates: some still bore remnants of their old markings. These improvised deck slats were not nailed in: they rested on a ledge and could be moved at will. There were storage spaces in the bilges below, and in the hold at the fore end of the boat, crabs could be seen crawling about in a jumble of mangrove branches and decaying sea grass. This was where the day’s catch was stored — the vegetation provided moisture for the crabs and kept them from tearing each other apart.

The hooped awning at the rear of the boat was made of thatch and bent spokes of bamboo. This hood was just large enough to shelter a couple of people from the rain and the sun. As waterproofing, a sheet of speckled gray plastic had been tucked between the hoops and the thatch. Piya recognized the markings on this sheet: they were from a mailbag, of a kind that she herself had often used in sending surface mail from the United States. At the stern end of the boat, between the shelter and the curved sternpost, was a small, flat platform, covered with a plank of wood pocked with burn marks.

The deck beneath the shelter concealed yet another hold, and when Fokir moved the slats, Piya saw that this was the boat’s equivalent of a storage cupboard. It was separated from the fore hold by an internal bulwark, and was crudely but effectively waterproofed with a sheet of blue tarpaulin. It held a small, neatly packed cargo of dry clothes, cooking utensils, food and drinking water. Reaching into this space now, Fokir pulled out a length of folded fabric. When he shook it out Piya saw it was a cheap printed sari.

The maneuvers that followed caused Piya some initial puzzlement. After sending Tutul to the bow, Fokir reached for her backpacks and stowed them under the shelter. Then he slipped out himself and motioned to her to go in. Once she had squirmed inside, he draped the sari over the mouth of the shelter, hiding her from view.

It took her a while to understand that he had created an enclosure to give her the privacy to change out of her wet clothes. In absorbing this, she was at first a little embarrassed to think that it was he rather than she herself who had been the first to pay heed to the matter of her modesty. But the very thought of this — even the word itself, “modesty,” with its evocation of fluttering veils and old comic strips — made her want to smile: after years of sharing showers in coed dorms and living with men in cramped seaboard quarters, the idea seemed quaint, but also somehow touching. It was not just that he had thought to create a space for her; it was as if he had chosen to include her in some simple, practiced family ritual, found a way to let her know that despite the inescapable muteness of their exchanges, she was a person to him and not, as it were, a representative of a species, a faceless, tongueless foreigner. But where had this recognition come from? He had probably never met anyone like her before, any more than she had ever met anyone like him.

After she had finished changing, she reached out to touch the sari. Running the cloth between her fingers, she could tell that it had gone through many rigorous washings. She remembered the feel of the cloth. This was exactly the texture of the saris her mother had worn at home in Seattle — soft, crumpled, worn thin. They had been a great grievance for her once, those faded graying saris: it was impossible to bring friends to a home where the mother was dressed in something that looked like an old bedsheet.

Whom did the sari belong to? His wife? The boy’s mother? Were the two the same? Although she would have liked to know, it caused her no great regret that she lacked the means of finding out. In a way it was a relief to be spared the responsibilities that came with a knowledge of the details of another life.

Crawling out of the boat’s shelter, Piya saw that Fokir had already drawn in the anchor and was lowering his oars. He too had changed, she noticed, and had even taken the time to comb his hair. It lay flat on his head, parted down the middle. With the salt gone from his face, he looked unexpectedly youthful, almost impish. He was dressed in a faded, buff-colored T-shirt and a fresh lungi. The old one — the one he had been wearing when she first spotted him with her binoculars — had been laid out to dry on the boat’s hood.

Meanwhile, the sun had begun to set, and a comet of color had come shooting over the horizon and plunged, flaming, into the heart of the mohona. With darkness fast approaching, Piya knew they would soon have to find a place to wait out the night. Only in the light of day could a boat of this size hope to find its way through this watery labyrinth. She guessed that Fokir had probably already decided on an anchorage and was trying to get them there as quickly as possible.

When the boat started to move, Piya stood up and began to scan the water ahead. Her binoculars’ gaze seemed to fall on the landscape like a shower of rain, mellowing its edges, diminishing her sense of disorientation and unpreparedness. The boat’s rolling did nothing to interrupt the metronomic precision of her movements; her binoculars held to their course, turning from right to left and back again, as steady as the beam of a lighthouse. Over years of practice, her musculature had become attuned to the water and she had learned to keep her balance almost without effort, flexing her knees instinctively to counteract the rolling.

This was what Piya loved best about her work: being out on the water, alert and on watch, with the wind in her face and her equipment at her fingertips. Buckled to her waist was a rock climber’s belt, which she had adapted so that the hooks served to attach a clipboard as well as a few instruments. The first and most important of these was the hand-held monitor that kept track of her location, through the Global Positioning System. When she was “on effort,” actively searching for dolphins, this instrument recorded her movements down to every foot and every second. With its help, she could, if necessary, find her way across the open ocean, back to the very spot where, at a certain moment on a certain day, she had caught a momentary glimpse of a dolphin’s flukes before they disappeared under the waves.

Along with the GPS monitor was a rangefinder and a depth sounder, which could provide an exact reading of the water’s depth when its sensor was dipped beneath the surface. Although these instruments were all essential to her work, none was as valuable as the binoculars strapped around her neck. Piya had had to reach deep into her pocket to pay for them but the money had not been ill spent. The glasses’ outer casing had been bleached by the sun and dulled by the gnawing of sand and salt, yet the waterproofing had done its job in protecting the instrument’s essential functions. After six years of constant use the lens still delivered an image of undiminished sharpness. The left eyepiece had a built-in compass that displayed its readings through an aperture. This allowed Piya to calibrate her movements so that the sweep of her gaze covered a precise 180 degrees.

Piya had acquired her binoculars long before she had any real need of them, when she was barely a year into her graduate program at the Scripps Institution of Oceanography in California. Early though it was then, she had had no doubts about the purchase; by that time she was already sure of her mind and knew exactly what she was going to be doing in the years ahead. She had wanted to be absolutely sure about getting the best and had gone through dozens of mail-order catalogues before sending her check.

When the package arrived she was surprised by its weight. At the time she was living in a room that looked down on one of the busier walkways in the university. She had stood by the window and turned the glasses on the throngs of students below, focusing on their faces and even their books and newspapers, marveling at the clarity of the resolution and the brilliance of the image. She had tried turning the instrument from side to side and was surprised by the effort it took: it came as a discovery that you could not do a 180-degree turn just by swiveling your head — the movement had to torque through the whole of your body, beginning at the ankles and extending through the hips and shoulders, reaching almost as far as your temples. Within a few minutes she had grown tired and her arms had begun to ache. Would she ever be able to heft an instrument of this weight over the course of a twelve-hour day? It didn’t seem possible. How did they do it, the others?

She was used to being dwarfed by her contemporaries. Through her childhood and adolescence she had always been among the smallest in her age group. But she had never in her life felt as tiny as she did that day in La Jolla when she walked into her first cetology lecture — “a minnow among the whale watchers,” one of her professors had said. The others were natural athletes, rawboned and finely muscled. The women especially seemed all to have come of age on the warm, surf-spangled beaches of southern California or Hawaii or New Zealand; they had grown up diving, snorkeling, kayaking, canoeing, playing volleyball in the sand. Against their golden tans the fine hair on their forearms shone like powdered silica. Piya had never cared for sports and this had added to her sense of apartness. She had become a kind of departmental mascot — “the little East Indian girl.”

It was not until her first survey cruise, off the coast of Costa Rica, that her doubts about her strength were put to rest. For the first few days they had seen nothing and she had labored under the weight of the binoculars — to the point where her coworkers had taken pity on her, giving her extra turns on the “Big Eye,” the deck-mounted binoculars. On the fourth day, they had caught up with what they had thought was a small herd of maybe twenty spinners. But the number had kept growing, from twenty to a hundred to probably as many as seven thousand — there were so many that the numbers were beyond accurate estimation; they filled the sea from horizon to horizon, so that even the whitecaps of the waves seemed to be outnumbered by the glint of pointed beaks and shining dorsal fins. That was when she learned how it happened — how at a certain moment the binoculars’ weight ceased to matter. It was not just that your arms developed huge ropy muscles (which they did); it was also that the glasses fetched you the water with such vividness and particularity that you could not think of anything else.

NIRMAL AND NILIMA

NIRMAL AND NILIMA BOSE first came to Lusibari in search of a safe haven. This was in 1950 and they had been married less than a year.

Nirmal was originally from Dhaka but had come to Calcutta as a student. The events of Partition had cut him off from his family and he had elected to stay on in Calcutta, where he had made a name for himself as a leftist intellectual and a writer of promise. He was teaching English literature at Ashutosh College when his path crossed Nilima’s: she happened to be a student in one of his classes.

Nilima’s circumstances were utterly unlike Nirmal’s. She was from a family well known for its tradition of public service. Her grandfather was one of the founding members of the Congress Party and her father (Kanai’s grandfather) was an eminent barrister at the Calcutta High Court. As an adolescent Nilima had developed severe asthma and when it came time to send her to college her family had decided to spare her the rigors of a long daily commute. They had enrolled her in Ashutosh College, which was just a short drive from their home in Ballygunge Place. The family car, a Packard, made the trip twice a day, dropping her off in the morning and picking her up in the afternoon.

One day she sent the driver away on a pretext and followed her English teacher onto a bus: it was as if the light of idealism in his eye were a flame and she a moth. Many other girls in her class had been mesmerized by Nirmal’s fiery lectures and impassioned recitations; although many of them claimed to be in love with him, none of them had Nilima’s resolve and resourcefulness. That day on the bus, she managed to find a seat next to Nirmal and within the space of a few months was able to announce to her outraged family that she knew whom she wanted to marry. Her family’s opposition served only to strengthen her resolve and in 1949 the young couple were married in a civil ceremony. The wedding was presided over by one of Nirmal’s comrades and was solemnized by readings of Blake, Mayakovsky and Jibanananda Das.

They had not been married a month when the police came knocking at the door of their tiny flat in Mudiali. It so happened that the year before Nirmal had participated in a conference convened by the Socialist International, in Calcutta. (In telling this story Nirmal would pause here to note parenthetically that this conference was one of the pivotal events of the postwar world: within a decade or two, Western intelligence agencies and their clients were to trace every major Asian uprising — the Vietnamese insurrection, the Malayan insurgency, the Red Flag rebellion in Burma and much else — to the policy of “armed struggle” adopted in Calcutta in 1948. There was no reason, he would add, why anyone should know or remember this; yet in the tide country, where life was lived on the margins of greater events, it was useful also to be reminded that no place was so remote as to escape the flood of history.)

Nirmal had played only a small part in the conference, serving merely as a guide and general dogsbody for the Burmese delegation. But now, with a Communist insurgency raging in Burma, the authorities were keen to know whether he had picked up anything of interest from his Burmese contacts.

Although he was detained for only a day or two, the experience had a profoundly unsettling effect on Nirmal, following as it did his rejection by Nilima’s family and his separation from his own. He could not bring himself to go to the college, and there were days when he would not even get out of bed. Recognizing that something had snapped, Nilima threw herself on her family’s mercies and went to see her mother. Although her marriage was never quite forgiven, Nilima’s family rallied to her side and promised to help in whatever way they could. At her father’s bidding, a couple of doctors went to see Nirmal and their advice was that he would do well to spend some time outside the city. This view was endorsed by Nirmal’s comrades, who had come to recognize that he was of too frail a temperament to be of much use to their cause. For her part, Nilima welcomed the idea of putting distance between herself and the city — as much for her own asthma as for Nirmal’s sake. The problem was, where were they to go? It so happened that Nilima’s father handled some of the affairs of the Hamilton Estate and he learned that the estate’s managers were looking for a teacher to run the Lusibari school.

Sir Daniel Hamilton had died in 1939 and the estate had since passed into the possession of his nephew, James Hamilton. The new owner lived on the isle of Arran in Scotland and had never been to India before coming into his inheritance. After Sir Daniel’s death he had paid a brief visit to Gosaba, but for all practical purposes the estate was now entirely in the hands of its management: if Nilima’s father put in a word, Nirmal was sure to get the job.

Nirmal was at first horrified at the thought of being associated with an enterprise founded by a leading capitalist, but after much pleading from Nilima he eventually agreed to go to Gosaba for an exploratory visit. They traveled down to the estate together and their stay happened to coincide with the annual celebration of the founder’s birthday. They discovered, to their astonishment, that this occasion was observed with many of the ceremonial trappings of a puja. Statues of Sir Daniel, of which there were many scattered around the estate, were garlanded, smeared with vermilion and accorded many other marks of reverence. It was clear that in the eyes of the local people the visionary Scotsman was, if not quite a deity, then certainly a venerated ancestral spirit. In listening to the settlers’ remembrances of the estate’s idealistic founder, Nirmal and Nilima were forced to revise their initial skepticism. It shamed them to think that this man — a foreigner, a burra sahib, a rich capitalist — had taken it upon himself to address the issue of rural poverty when they themselves, despite all their radical talk, had scarcely any knowledge of life outside the city.

It took them just a couple of days to make up their minds: without so much as setting foot in Lusibari they decided that they would spend a couple of years on the island. They went back to Calcutta, packed their few belongings and left immediately after the monsoons.

For their first few months on the island they were in a state akin to shock. Nothing was familiar; everything was new. What little they knew of rural life was derived from the villages of the plains: the realities of the tide country were of a strangeness beyond reckoning. How was it possible that these islands were a mere sixty miles from home and yet so little was known about them? How was it possible that people spoke so much about the immemorial traditions of village India and yet no one knew about this other world, where it was impossible to tell who was who, and what the inhabitants’ castes and religions and beliefs were? And where was the shared wealth of the Republic of Cooperative Credit? What had become of its currency and banks? Where was the gold that was to have been distilled from the tide country’s mud?

The destitution of the tide country was such as to remind them of the terrible famine that had devastated Bengal in 1942 — except that in Lusibari hunger and catastrophe were a way of life. They learned that after decades of settlement, the land had still not been wholly leached of its salt. The soil bore poor crops and could not be farmed all year round. Most families subsisted on a single daily meal. Despite all the labor that had been invested in the embankments, there were still periodic breaches because of floods and storms: each such inundation rendered the land infertile for several years at a time. The settlers were mainly of farming stock who had been drawn to Lusibari by the promise of free farmland. Hunger drove them to hunting and fishing, and the results were often disastrous. Many died of drowning, and many more were picked off by crocodiles and estuarine sharks. Nor did the mangroves offer much of immediate value to human beings — yet thousands risked death in order to collect meager quantities of honey, wax, firewood and the sour fruit of the kewra tree. No day seemed to pass without news of someone being killed by a tiger, a snake or a crocodile.

As for the school, it had little to offer other than its roof and walls. The estate was almost bankrupt. Although funds were said to have been earmarked for clinics, education and public works, very little evidence was ever seen of these. The rumor was that this money went to the estate’s managers, and the overseers’ henchmen savagely beat settlers who protested or attempted to resist. The methods were those of a penal colony and the atmosphere that of a prison camp.

They had not expected a utopia, but neither had they expected such destitution. Faced with this situation they saw what it really meant to ask a question such as “What is to be done?”

Nirmal, overwhelmed, read and reread Lenin’s pamphlet without being able to find any definite answers. Nilima, ever practical, began to talk to the women who gathered at the wells and the ponds.

Within a few weeks of her arrival in Lusibari, Nilima noticed that a startlingly large proportion of the island’s women were dressed as widows. These women were easily identified because of their borderless white saris and their lack of adornment: no bangles or vermilion. At the wells and by the ghats there often seemed to be no one who was not a widow. Making inquiries, she learned that in the tide country girls were brought up on the assumption that if they married, they would be widowed in their twenties — their thirties if they were lucky. This assumption was woven, like a skein of dark wool, into the fabric of their lives: when the menfolk went fishing it was the custom for their wives to change into the garments of widowhood. They would put away their marital reds and dress in white saris; they would take off their bangles and wash the vermilion from their heads. It was as though they were trying to hold misfortune at bay by living through it over and over again. Or was it merely a way of preparing themselves for that which they knew to be inevitable?

There was an enormity in these acts that appalled Nilima. She knew that for her mother, her sisters, her friends, the deliberate shedding of these symbols of marriage would have been unthinkable, equivalent to wishing death upon their husbands. Even she, who believed herself to be a revolutionary, could no more have broken her marital bangles than she could have driven a stake through her husband’s heart. But for these women the imagining of early widowhood was not a wasted effort: the hazards of life in the tide country were so great; so many people perished in their youth, men especially, that almost without exception the fate they had prepared themselves for did indeed befall them. It was true that here, on the margins of the Hindu world, widows were not condemned to lifelong bereavement: they were free to remarry if they could. But in a place where men of marriageable age were few, this meant little. Here, Nilima learned, even more than on the mainland, widowhood often meant a lifetime of dependence and years of abuse and exploitation.

What to make of these women and their plight? Searching for a collective noun for them, Nilima was tempted to settle on sreni, class. But Nirmal would not hear of it. Workers were a class, he said, but to speak of workers’ widows as a class was to introduce a false and unsustainable division.

But if they were not a class, what were they?

It was thus, when reality ran afoul of her vocabulary, that Nilima had her epiphany. It did not matter what they were; what mattered was that they should not remain what they were. She knew a widow who lived near the school, a young woman of twenty-five. One day she asked her if she would be willing to go to Gosaba to buy soap, matches and provisions. The prices charged by Lusibari’s shopkeepers were exorbitant; even after the fare for the ferry, the woman would save a considerable amount. Half of this she could keep for herself. This tiny seedling of an idea was to lead to the foundation of the island’s Mohila Sangothon — the Women’s Union — and ultimately to the Badabon Trust.

Within a few years of Nirmal and Nilima’s arrival in Lusibari, zamindaris were abolished and large landholdings were broken up by law. What remained of the Hamilton Estate was soon crippled by lawsuits. The Union Nilima had founded, on the other hand, continued to grow, drawing in more and more members and offering an ever-increasing number of services — medical, paralegal, agricultural. At a certain point the movement grew so large that it had to be reorganized, and that was when the Badabon Development Trust was formed.

Nirmal was by no means wholly supportive of Nilima’s efforts — for him they bore the ineradicable stigma of “social service,” shomaj sheba — but it was he who gave the Trust its name, which came from the Bengali word for “mangrove.”

Badabon was a word Nirmal loved. He liked to point out that like the English “Bedouin,” badabon derived from the Arabic badiya, which means “desert.” “But ‘Bedouin’ is merely an anglicizing of Arabic,” he said to Nilima, “while our Bangla word joins Arabic to Sanskrit — bada to bon, or ‘forest.’ It is as though the word itself were an island, born of the meeting of two great rivers of language — just as the tide country is begotten of the Ganga’s union with the Brahmaputra. What better name could there be for your Trust?” And so was the Trust’s name decided upon.

One of the Badabon Trust’s first acts was to acquire a tract of land in the interior of the island. There, in the late 1970s, its hospital, workshops, offices and Guest House were to be built. But in 1970, the year of Kanai’s first visit, these developments were still a decade in the offing. At that time, the meetings of the Women’s Union were still held in the courtyard of Nirmal’s bungalow. It was there that Kanai met Kusum.

AT ANCHOR

IN THE FAILING LIGHT the boat approached a bend that led into a wide channel. The far shore, a few miles away, had already been obscured, but in midstream something lay anchored that seemed to suggest a floating stockade. Fetching her binoculars, Piya saw that this object was actually a cluster of six fishing boats, similar in size and design to the one she was in. The boats were tied tightly together side by side, and they were tethered against the current by a battery of ropes. Although they were more than half a mile away, her binoculars provided a clear view of the crewmen as they went about their business. Some were sitting alone, smoking bidis; others were drinking tea or playing cards; a few were washing clothes and utensils, drawing water from the river in steel buckets. A boat in the center of the cluster was sending up puffs of smoke and she guessed that this was where the communal dinner was being cooked. The sight was both familiar and puzzling. She was reminded of riverside hamlets on the Mekong and the Irrawaddy: there too, at the approach of nightfall, time had seemed to both accelerate and stand still, with lazy spirals of smoke rising into the twilight while bathers came hurrying down the banks to wash off the day’s dust. But the difference here was that this village had taken leave of the shore and tethered itself in midstream. Why?

Catching sight of the boats, Tutul gave a shout and launched into an animated conversation with his father. She could tell that they had recognized the boats in the little flotilla. Perhaps they belonged to friends or relatives? She had spent enough time on rivers to know that the people who lived on their shores were rarely strangers to each other. It was almost a certainty that Fokir and his son knew the people in that floating hamlet and that they would be welcome there. It was easy to imagine how, for them, this might well be the best possible conclusion to the day — an opportunity to mull over the day’s events and to show off the stranger who had landed in their midst. Maybe this had been the plan all along — to anchor here with their friends?

As the boat rounded the bend, she became convinced of this and found herself thinking of the hours that lay ahead. She had long experience of such encounters, having been on many river surveys where the days ended in unforeseen meetings of this kind. She knew what would follow, the surprise that would be occasioned by her presence, the questions, the explanations, the words of welcome she didn’t understand but would have to respond to with forced good humor. The prospect dismayed her, not because of any concern for her own safety — she knew she had nothing to fear from these fishermen — but because for the moment all she wanted was to be in this boat, in this small island of silence, afloat on the muteness of the river. It was all she could do to restrain herself from appealing to Fokir to keep on going, to hug the shore and keep their boat well hidden.

Of course, none of this could have been said, not even if she had had the words, and it was precisely because nothing was said that she was taken by surprise when she saw the boat’s bow turning in the direction she had hoped for. Fokir was steering them away from the floating hamlet, slipping by along the shadows of the shore. She did not betray her relief by any outward alteration of her stance and nor did her practiced hands fail to keep her binoculars fixed to her eyes — but inside, it was as though there were a child leaping up to celebrate an unexpected treat.

Shortly after the last flicker of daylight had faded Fokir pulled the boat over and dropped anchor in a channel that the ebb tide had turned into a sheltered creek. It was clear that they could not have gone much farther that night, and yet there was something about his manner that told Piya that he was disappointed — that he had decided on another spot in which to anchor and was annoyed with himself for not having reached it.

But now that they were at anchor, with the surprises of the day behind them, a sense of unhurried lassitude descended on the boat. Fokir put a match to an oil-blackened lamp and lit a biri from the flame. After he had smoked it down to a stub, he went aft and showed Piya, by indication and gesture, how the square platform at the stern end of the boat could be screened off for use as a lavatory and bathroom. By way of example, he drew a bucket of water and proceeded to bathe Tutul, using the brackish water of the river to soap him, and dipping sparsely into a fresh-water canister to wash off the suds.

With the setting of the sun, the night had turned chilly and the boy’s teeth chattered as he stood dripping on deck. Producing a checkered cloth, Fokir rubbed him down before bundling him into his clothes. This towel was made of reddish cotton and was one of several similar pieces Piya had seen around the boat; they had stirred a faint sense of recognition but she could not recall where from.

Once Tutul was done with dressing, it was his turn to bathe his father. After Fokir had stripped down to his breechcloth, Tutul upended streams of cold water over his head, to the accompaniment of much laughter and many loud yells. Piya could see the bones of Fokir’s chest pushing against his skin, like the ribs of a tin can that had been stripped of its label. The water made patterns around him, sluicing off the contours of his body as though it were tumbling down the tiers of a fountain.

When both father and son were finished it was Piya’s turn. A bucket of water was pulled up and the shelter was screened off with the sari. In the confines of the boat it was no easy matter to change places; it was impossible for all three of them to be on their feet at the same time, so they had to lie prone and squirm through the hooped hood, in a jumble of elbows, hips and bellies, with Fokir holding down his lungi to prevent it from riding up. As they were wriggling past each other Piya caught his eye and they both laughed.

Piya emerged at the far end to find the river glowing like quicksilver. All but the brightest of the stars had been obscured by the moon, and apart from their one lamp, no other light was to be seen, either on land or on the water. Nor was there any sound other than the lapping of the water, for the shore was so distant that even the insects of the forest were inaudible. Except at sea, she had never known the human trace to be so faint, so close to undetectable. Yet on looking around her tiny bathroom, she discovered, by the yellow light of the lamp, that amenities far beyond her expectations had been provided. There was a half canister of fresh water and next to it a bucket filled with the brackish water of the river; there was a cake of soap on a ledge, and beside it a tiny but astonishing object — a plastic sachet of shampoo. She had seen strings of these dangling in the teashops in Canning and yet, when she picked it up to examine it, its presence seemed oddly intrusive. She would have liked to throw it away, except she knew that here, on the island that was this boat, the sachet was a treasure of a kind (bought at the expense of how many crabs?) and that it had been put there in her honor. To throw it away would be to abuse this offering; so even though she had never felt less inclined to use shampoo, she put a little bit of it in her hair and washed it into the water, hoping they would see, from the bubbles flowing past the bow, that she had accepted the gift and put it to use.

Only when it was too late and she was shivering against the chill, squatting on the wet boards and hugging her knees, did she remember that she had no towel or anything else with which to dry herself. But a further search revealed that even this had been provided for: one of those rectangles of checkered cloth had been left draped on the bamboo awning for her use. It was already dry, which suggested it had been there for some time. When she touched it, to pick it up, she had an intuition that this was what Fokir had been wearing when he had dived in after her. These lengths of cloth served many purposes, she knew, and when she put it to her nose she had the impression that she could smell, along with the tartness of the sun and the metallic muddiness of the river, the salty scent of his sweat.

Now she recalled where it was that she had seen a towel like this before: it was tied to the doorknob of her father’s wardrobe, in the eleventh-floor apartment of her childhood. Through the years of her adolescence, the fabric had grown old and tattered and she would have thrown it away but for her father’s protests. He was, in general, the least sentimental of men, especially when it concerned “home.” Where others sought to preserve their memories of the old country, he had always tried to expunge them. His feet were in the present, he had liked to say, by which he meant they were planted firmly on the rungs of his company’s career ladder. But when she had asked whether she could throw away that rotting bit of old cloth, he had responded almost with shock. It had been with him for many years, he said; it was almost a part of his body, like his hair or his nail clippings; his luck was woven into it; he could not think of parting with it, of throwing away this — what was it he had called it? She had known the word once, but time had erased it from her memory.

KUSUM

FROM THE FAR SIDE of the Guest House roof Kanai could see all the way across the island to Hamilton High School and even beyond, to the spot where Nirmal’s house had once stood. It was gone now but the image of it that flickered in his memory was no less real to him than the newly constructed student hostel that had taken its place. Although the house had always been referred to as a bungalow, its size, design and proportions were those of a cabin. Its walls and floors were made of wood, and nowhere was a brick or a single smudge of cement to be seen. The structure, held up by a set of stumpy little stilts, stood a foot or so off the ground. As a result, the floors were uneven and their tilt tended to vary with the seasons, dipping during the rains when the ground turned soggy and firming up in the dry winter months.

The bungalow had only two proper rooms, of which one was a bedroom while the other was a kind of study, used by both Nirmal and Nilima. A cot was rigged up in the study for Kanai, and like the big bed it was enclosed in a permanent canopy of heavy netting. Mosquitoes were the least of the creatures this net was intended to exclude; its absence, at any time, night or day, would have been an invitation for snakes and scorpions to make their way between the sheets. In a hut by the pond a woman was even said to have found a large dead fish in her bed. This was a koimachh, or tree perch, a species known to be able to manipulate its spiny fins in such a way as to drag itself overland for short distances. It had found its way into the bed only to suffocate on the mattress.

To preclude nighttime collapses of the mosquito netting, the bindings were checked and retied every evening. The tide country being what it was, there were twists even to this commonplace household chore. Once, soon after she first came to Lusibari, Nilima had made the mistake of trying to put up the net in near darkness. The only light was from a candle, placed on a windowsill at the other end of the room. Being short as well as very shortsighted, she could not see exactly what her fingers were doing as they knotted the net to the bed’s bamboo poles: even when she stood on tiptoe the strings were far above her head. Suddenly one of the strings had come alive; to the accompaniment of a sharp hiss, it had snapped a whip-like tail across the palm of her hand. She had snatched her arm back just in time to see a long, thin shape dropping from the pole. She had caught a glimpse of it before it wriggled under the door. It was an extremely venomous arboreal snake that inhabited the upper branches of some of the more slender mangroves: in the poles of the mosquito net it had evidently found a perch much to its liking.

At night, lying on his cot, Kanai would imagine that the roof had come alive; the thatch would rustle and shake and there would be frantic little outbursts of squeals and hisses. From time to time there would be loud plops as creatures of various kinds fell to the floor; usually they would go shooting off again and slip away under the door, but every once in a while Kanai would wake up in the morning and find a dead snake or a clutch of birds’ eggs lying on the ground, providing a feast for an army of beetles and ants. At times these creatures would fall right into the bed’s netting, weighing it down in the middle and shaking the posts. When this happened you had to take your pillow, shut your eyes and give the net a whack from below. Often the creature, whatever it was, would go shooting off into the air and that was the last you’d see of it. But sometimes it would go straight up and land right back in the net, and then you’d have to start all over again.

At the back of the bungalow was an open courtyard where the meetings of the Lusibari Women’s Union were held. At the time of Kanai’s banishment to Lusibari, in 1970, the Union was a small, improvised affair. Several times a week the Union’s members would gather in the courtyard to work on “income-generating projects” — knitting, sewing, dyeing yarn and so on. But the members also used these occasions to talk and give vent to their anger and grief.

These outbursts were strangely disquieting, and in the beginning Kanai went to great lengths to stay away from the bungalow when the Union was in session there. But that too was not without its pitfalls, for he had no friends in Lusibari and nowhere in particular to go. When he encountered children of his age they seemed simpleminded, silent or inexplicably hostile. Knowing that his suspension from school would be over in a few weeks, he felt no compulsion to unbend toward these rustics. After twice being attacked with stones, thrown by unseen hands, Kanai decided that he might be better off inside the bungalow than outside. And soon enough, from the safety of the study, he was eavesdropping avidly on the exchanges in the courtyard.

It was at one of those meetings that Kanai first saw Kusum. She had a chipped front tooth and her hair was cut short, making her something of an oddity among the girls of the island. Her head had been shaved the year before, after an attack of typhoid. She had only narrowly survived and was still treated as an invalid. It was for this reason that she was allowed to while away her time at the Union’s meetings; it was possibly for this reason also that she was still, in her mid-teens, dressed in the frilly “frock” of a child instead of a woman’s sari — or perhaps it was simply in order to wring a few more months’ wear out of a set of still usable clothes.

During that meeting in the courtyard, a woman began to recount a story in exceptionally vivid detail. One night when her husband was away on a boat, her father-in-law had come home drunk and forced his way into the room where she was sleeping with her children. In front of her children, he had held the sharpened edge of a dá to her throat and tried to pull off her sari. When she attempted to fight him off, he had gashed her arm with the machete, almost severing the thumb of her left hand. She had flung a kerosene lamp at him and his lungi had caught fire, giving him severe burns. For this she had been turned out of her marital home, although her only offense was that she had tried to protect herself and her children.

Here, as if to corroborate her story, her voice rose and she cried out, “And this is where he cut me, here and here.”

At this point Kanai, unable to restrain his curiosity, thrust his head through the doorway to steal a glance. The woman who had told the story was hidden from his view, and since everyone in the courtyard was looking in her direction, no one noticed Kanai — no one, that is, but Kusum, who had averted her eyes from the storyteller. Kanai and Kusum held each other’s gaze, and for the duration of that moment it was as though they were staring across the most primeval divide in creation, each assessing the dangers that lay on the other side; it seemed scarcely imaginable that here, in the gap that separated them, lay the potential for these extremes of emotion, this violence. But the mystery of it was that the result of this assessment was nothing so simple as fear or revulsion — what he saw in her eyes was rather an awakened curiosity he knew to be a reflection of his own.

So far as Kanai could remember, it was Kusum who spoke to him first, not on that day but some other morning. He was sitting on the floor, wearing nothing but a pair of khaki shorts. He had his back against a wall with a book on his belly, its spine propped against his knees. He looked up from the page to see her peering through the doorway, a strangely self-possessed figure despite her close-cropped hair and tattered red frock. Scowling at him, she said, in a tone of querulous accusation, “What are you doing here?”

“Reading.”

“I saw — you were listening.”

“So?” He shrugged.

“I’ll tell.”

“So go and tell.” Despite the show of bravado he was rattled by the threat. As if to keep her from carrying it out, he moved up to make room for her to sit. She sank down and sat beside him with her back to the wall and her knees drawn up to her chin. Although he didn’t dare look at her too closely, he became aware that their bodies were grazing each other at the shoulders, the elbows, the hips and the knees. Presently he saw that there was a mole on the swell of her left breast: it was very small, but he could not tear his eyes from it.

“Show me your book,” she said.

Kanai was reading an English mystery story and he dismissed her request with a shrug. “Why do you want to look at this book? It won’t make any sense to you.”

“Why not?”

“Do you know English?” Kanai demanded.

“No.”

“Then? Why are you asking?”

She watched him for a moment, unabashed, and then, sticking her fist under his nose, unfurled her fingers. “Do you know what this is?”

Kanai saw that she had a grasshopper in her hand and his lip curled in contempt. “Those are everywhere. Who’s not seen one of those?”

“Look.” Lifting her hand, Kusum put the insect in her mouth and closed her lips.

This caught Kanai’s attention and he finally deigned to lower his book. “Did you swallow it?”

Suddenly her lips sprang apart and the grasshopper jumped straight into Kanai’s face. He let out a shout and fell over backward while she watched, laughing.

“It’s just an insect,” she said. “Don’t be afraid.”

WORDS

AFTER PIYA HAD DRESSED and changed, she crawled back to the front of the boat with the checkered towel in her hands. She tried to ask Fokir the name of the fabric, but her gestures of inquiry elicited only a raised eyebrow and a puzzled frown. This was to be expected, for he had so far shown little interest in pointing to things and telling her their Bengali names. She had been somewhat in rigued by this, for in her experience people almost automatically went through a ritual of naming when they were with a stranger of another language. Fokir was an exception in that he had made no such attempts — so it was scarcely surprising that he should be puzzled by her interest in the word for this towel.

But she persisted, making signs and gestures until finally he understood. “Gamchha,” he said laconically, and of course that was it, she had known it all along: Gamchha, gamchha.

How do you lose a word? Does it vanish into your memory, like an old toy in a chest, and lie hidden in the cobwebs and dust, waiting to be cleaned out or rediscovered?

There was a time once when the Bengali language was an angry flood trying to break down her door. She would crawl into a closet and lock herself in, stuffing her ears to shut out those sounds. But a door was no defense against her parents’ voices: it was in that language that they fought, and the sounds of their quarrels would always find ways of trickling in under the door and through the cracks, the level rising until she thought she would drown in the flood. Their voices had a way of finding her, no matter how well she hid. The accumulated resentments of their life were always phrased in that language, so that for her its sound had come to represent the music of unhappiness. As she lay curled in the closet, she would dream of washing her head of those sounds; she wanted words with the heft of stainless steel, sounds that had been boiled clean, like a surgeon’s instruments, tools with nothing attached except meanings that could be looked up in a dictionary — empty of pain and memory and inwardness.

In the bedroom of Piya’s early childhood there was one window that afforded a glimpse of Puget Sound. The apartment was small — two bedrooms, a living room and a kitchen — and the sliver of a view through the one westward-facing window in the master bedroom was its only noteworthy attraction.

There was never any question that she, two-year-old Piya, would be allotted that room. Piya was the altarpiece around which their lives were arranged; the apartment was a temple to her, and her room was its shrine. Her parents took the other bedroom, so small that they had to get into bed by climbing over the foot of the bedstead. This enclosed space became the echo chamber for the airing of their mutual grievances. They would while away hours bickering over trivia, only occasionally generating enough energy to launch into full-throated quarrels.

Piya had the larger room to herself for some five years before her mother abruptly ousted her from it. She could no longer bear the circumstances of her confinement with Piya’s father and wanted nothing more than to shut out the entire family.

Shortly afterward she would be diagnosed with cervical cancer. But in between was a period when she would allow Piya to sit beside her on her bed. Piya was the only person allowed into her presence, permitted to touch and see her. Everyone else was excluded — her father most of all. Her mother’s voice would greet her as soon as she let herself into the flat, on coming home from school: “Come, Piya, come and sit.” It was strange that she could not remember the sound of those words (were they in English or Bengali?) but she could perfectly recall the meaning, the intent, the voice. She would go in and find her mother curled up in bed, dressed in an old sari: she would have spent the whole morning in the bath, trying to cleanse herself of some imaginary defilement, and her skin would be dimpled from its long immersion.

It was only then, sitting beside her, looking toward Puget Sound, that she learned that her mother had spent a part of her girlhood staring at a view of a river — the Brahmaputra, which had bordered the Assam tea estate where her father had been manager. Resting her eyes on the sound, she would tell stories of another, happier life, of playing in sunlit gardens, of cruises on the river.

Later, when Piya was in graduate school, people had sometimes asked if her interest in river dolphins had anything to do with her family history. The suggestion never failed to annoy her, not just because she resented the implication that her interests had been determined by her parentage, but also because it bore no relation to the truth. And this was that neither her father nor her mother had ever thought to tell her about any aspect of her Indian “heritage” that would have held her interest — all they ever spoke of was history, family, duty, language.

They had said much about Calcutta, for instance, yet had never thought to mention that the first known specimen of Orcaella brevirostris was found there, that strange cousin of the majestic killer whales of Puget Sound.

SOON IT BECAME clear that Fokir was making preparations for a meal. From the bilges below deck, he pulled out a couple of large and lively crabs. These he imprisoned in a soot-blackened pot before reaching into the hold again for a knife and a few utensils — including a large cylindrical object that appeared to be an earthenware vessel. But there was a hole in the side of this vessel, and when he began to stuff bits of firewood into it, she realized it was a portable stove made of clay. He took the stove to the stern, and when it was well out of the way of the shelter’s inflammable roof, he lit a match and blew the firewood into flame. Then he washed some rice, drained it into a battered tin utensil, poured in some water and put it on the stove. While the rice was coming to the boil, he dismembered the crabs, cracking their claws with his knife. When the rice was done, he took the pot off the fire and replaced it with yet another blackened aluminium pot. Next he opened a battered tin container and took out some half-dozen twists of paper, which he unrolled and laid out in a semicircle around the stove. There were spices inside and their colors — red, yellow, bronze — were bright in the light of the hissing flame. After he had splashed some oil into the pot, his hands began to fly over the slips of paper, peppering the spitting oil with pinches of turmeric and chili, coriander and cumin.

The smells were harsh on Piya’s nose. It was a long time now since she had eaten food of this kind: while in the field she rarely ate anything not from a can, a jar or a package. Three years before, when working on Malampaya Sound in the Philippines, she had been incautious in her eating and had suffered to the point where she had had to be medevaced by helicopter to Manila. On every survey since, she had equipped herself with a cache of mineral water and portable food — principally high-protein nutrition bars. On occasion, she also carried a jar or two of Ovaltine, or some other kind of powder for making malted milk. When there was milk to be had, fresh or condensed, she treated herself to a glass of Ovaltine; otherwise, she managed to get by on very little — a couple of protein bars a day was all she needed. This diet had the added advantage of limiting the use of unfamiliar, and sometimes unspeakable, toilets.

Now, as she sat watching Fokir at the stove, she knew he would offer her some of his food and she knew also she would refuse it. And yet, even as she recoiled from the smell, she could not tear her eyes from his flying fingers: it was as though she were a child again, standing on tiptoe to look at a clutch of stainless-steel containers lying arrayed on the counter beside the stove; it was her mother’s hands she was watching as they flew between those colors and the flames. They were almost lost to her, those images of the past, and nowhere had she less expected to see them than on this boat.

There was a time when those were the smells of home; she would sniff them on her mother, on the way back from school; they would fill the elevator on its journey up to their floor. When she stepped inside they had greeted her like domesticated animals, creatures with lives of their own, sustaining themselves on the close, hot air of the apartment. She had imagined the kitchen as a cage from which they never ventured out, which was why it came doubly as a shock when she discovered, from pointed jokes and chance playground comments, that the odors followed her everywhere, like unseen pets. Her response was to fight back, with a quietly ferocious tenacity, against them and against her mother, shutting them away with closed doors, sealing them into the kitchen.

But here, the ghosts of these creatures seemed to be quieted by their surroundings. The spell of Fokir’s fingers was broken only when a breeze carried the acrid odor of burning chilies directly into her face. And then suddenly the phantoms came alive again, clawing at her throat and her eyes, attacking her as though she were an enemy who had crossed over undetected. She retreated to the bow and when he followed her there, with a plateful of rice and cooked crab, she fended him off with her protein bars and her bottled water, smiling and bobbing her head in apology, to show she meant no offense.

He accepted her refusal with a readiness that surprised her; she had expected protests, exclamations, a show of being wounded or hurt. But there was none of that; instead, he gave her a nod and a long, cool look of appraisal, as though he were mentally going through a list of reasons why she might decline to accept food from his hands. It alarmed her that he might imagine that it was for some mysterious reason of caste or religion that she had refused to eat his food, so she placed a hand on her belly and acted out a little charade of her intestinal sufferings. This seemed to serve the purpose, for he laughed, throwing his head back, and gave the plate to Tutul, who devoured it greedily.

After the meal, the utensils and the stove were put back in the hold and an armload of mats and blankets was taken out. Tutul, already drowsy, unrolled one of the mats under the shelter and fell asleep quickly, with a blanket pulled over his head. Unfurling a second mat, next to the boy’s, Fokir made a sign to Piya, indicating that this was to be her place for the night. But she had a mat of her own, a thin sheet of blue foam tied to the frame of one of her backpacks. Undoing the bungee cord that held it in place, she unrolled the mat so that its head was pointing toward the bow, almost touching the boat’s rounded prow.

He started in alarm on realizing that this was where she was planning to spend the night. Shaking his head, he raised a finger of warning to point to the forested shores in the distance. The gesture was intentionally vague, and only by inference did she understand that his warning concerned an animal, a predator. And now at last she had an inkling of why the boat had been anchored in this odd position: was it perhaps to put it beyond the reach of tigers? She had never had much interest in terrestrial carnivores, but she could not imagine that even the hungriest of them would choose to stage an attack so far from shore. And if it did, what difference would it make whether you were in the stern or the bow? Presumably the whole boat would tip over under a tiger’s weight.

There was a cumulative absurdity about these propositions that made her smile. To include him in the joke, she made her hands into claws, as if to mime a tiger. But before she could complete the gesture, he clamped his hands on her wrists, vehemently shaking his head, as if to forbid her from making any reference to the subject. She decided it was best to shrug the matter off and, smoothing her mat, she lay down. This seemed the most economical way of letting him know that she was not going to spend the night huddled in the shelter for fear of an aquatic feline. To her great relief, he accepted this without protest. Removing the sari from the thatched hood, he folded it into a pillow and handed it to her, along with one of his grimy gray blankets.

Then, retreating to the center of the boat, he draped a blanket over his shoulders and lit a biri. In a while, just as she was drifting off to sleep, she heard a snatch of a tune and realized he was humming. She raised herself on her elbow and said, “Sing.” He gave her a puzzled glance and she responded by making an upward gesture with an open palm. “Louder. Sing louder.”

At this he tilted his head back and sang a few notes. The melody surprised her, for it bore no resemblance to any Indian music she had ever heard before — neither the Hindi film music her father liked nor the Bengali songs her mother had sometimes sung. His voice sounded almost hoarse and it seemed to crack and sob as it roamed the notes. There was a suggestion of grief in it that unsettled and disturbed her.

She had thought that she had seen a muscular quality of innocence in him, a likable kind of naïveté, but now, listening to this song, she began to ask herself whether it was she who was naïve. She would have liked to know what he was singing about and what the lyrics meant — but she knew too that a river of words would not be able to tell her exactly what made the song sound as it did right then, in that place.

THE GLORY OF BON BIBI

KUSUM WAS FROM the nearby island of Satjelia. Her father had died while foraging for firewood in a place that was off-limits to villagers. He had not been in possession of a permit at the time, so Kusum’s mother had received no compensation. With no means of livelihood she was reduced to a state of such destitution that she considered herself fortunate when a man from their village, a landowner by the name of Dilip Choudhury, had offered to find her a job in the city.

Knowing that he had found employment for other women, Kusum’s mother could see no reason why she should not accept Dilip’s offer. Leaving Kusum with relatives, she had gone off with him to take the train to Calcutta. Returning alone, Dilip had told Kusum that her mother was doing housework for a good family and would send for her shortly. That time came soon enough: a month or so later, Dilip came to see Kusum and told her that her mother had sent word, asking him to bring Kusum to Calcutta.

It was at this stage that Horen Naskor had gotten to know of Dilip’s plan. Horen had worked with Kusum’s father, and he also happened to be distantly related to Kusum through his wife. He had sought her out and warned her that Dilip was linked to a gang that trafficked in women. What kind of job could this procurer have found for Kusum’s mother? She was probably trapped in a brothel somewhere in Sonargachhi. As for Kusum, she was of much greater value to Dilip than her mother had been — young girls like her were known to fetch large sums of money. If Dilip had his way, she would end up either in Calcutta’s red-light district or, worse still, in some brothel in Bombay. Instead, Horen had brought Kusum to Lusibari and put her in the custody of the Women’s Union. Pending some more permanent arrangement, all the Union’s members, in turn, would look after her.

During the months she had spent in Lusibari, Kusum had come to know the island well, and she became Kanai’s guide and mentor: she told him about its people and their children and about everything happening around it — cockfights and pujas, births and deaths. Kanai, for his part, would tell her about his school, his friends and the ways of the city. Although to him these stories seemed pale in comparison with hers, she would listen with rapt attention, breaking in from time to time to ask questions.

“Do you think I can come to the city with you?” she asked once. “I’d like to see where you live.”

This silenced Kanai. It amazed him that Kusum should even ask such a question. Did she have no idea at all of how things worked? He tried to think of taking her home to Calcutta, and cringed to imagine the tone of voice in which his mother would speak to her and the questions the neighbors would ask. “Is that your new jhi? But don’t you already have that other maid coming to do the washing and sweeping? Why do you need this one?”

“You wouldn’t like Calcutta,” Kanai said at length. “You wouldn’t feel at home.”

It was from Kusum that Kanai learned that a troupe of traveling actors was soon to come to Lusibari to stage performances of The Glory of Bon Bibi. He had heard mention of this story a couple of times on the island but was unsure about its particulars. When he asked Kusum about it, she gasped as if in shock: “You mean you don’t know the story of Bon Bibi?”

“No.”

“Then whom do you call on when you’re afraid?”

Unable to untangle the implications of this, Kanai changed the subject. But the question nagged at his mind, and later in the day he asked Nirmal about the story of Bon Bibi.

Nirmal waved him airily away. “It’s just a tale they tell around here. Don’t bother yourself with it. It’s just false consciousness, that’s all it is.”

“But tell me about it.”

“Horen is the one you should ask,” said Nirmal. “If you did, he would tell you that Bon Bibi rules over the jungle, that the tigers, crocodiles and other animals do her bidding. Haven’t you noticed the little shrines outside the houses here? The statues are of Bon Bibi. You would think that in a place like this people would pay close attention to the true wonders of the reality around them. But no, they prefer the imaginary miracles of gods and saints.”

“But tell me the story,” said Kanai. “Who is it about? What happens?”

“It’s all the usual stuff.” Nirmal threw up his hands in impatience. “Gods, saints, animals, demons. It’s too long for me to tell. Better you find out for yourself. Go to the performance.”

The stage for The Glory of Bon Bibi was erected on the open expanse of Lusibari’s maidan, between the compound of Hamilton House and the school. Its design was so simple that it took less than a day to set up. The floor, a few planks of wood, was laid on a trestle and enclosed within an open scaffolding of bamboo poles. During performances, sheets of painted cloth were suspended from the poles at the rear. These served as backdrops for the audience and as screens for the actors, so they could eat, smoke and change costume out of public view. Several large, hissing gas lamps illuminated the spectacle, and music was provided by a battery-operated cassette recorder and loudspeakers.

As a rule, night came early to Lusibari. Candles and lamps were expensive and used as sparingly as possible. People ate their evening meal in the glow of twilight, and by the time darkness fell, the island had usually fallen silent except for the few animal sounds that carried across the water. For this reason, a nighttime diversion was a major occasion, the anticipation of which provided at least as much pleasure as the event itself. Great numbers of people, Kanai and Kusum among them, stayed up night after night to attend the performances.

For Kanai the greatest surprise came right at the start of the show. This was because the story of the tiger goddess did not begin either in the heavens or on the banks of the Ganga, like the mythological tales with which he was familiar. Instead, the opening scene was set in a city in Arabia and the backdrop was painted with mosques and minarets.

The setting was Medina, one of the holiest places in Islam; here lived a man called Ibrahim, a childless but pious Muslim who led the austere life of a Sufi faqir. Through the intervention of the archangel Gabriel, Ibrahim became the father of blessed twins, Bon Bibi and Shah Jongoli. When the twins came of age, the archangel brought them word that they had been chosen for a divine mission: they were to travel from Arabia to “the country of eighteen tides” — athhero bhatir desh — in order to make it fit for human habitation. Thus charged, Bon Bibi and Shah Jongoli set off for the mangrove forests of Bengal, dressed in the simple robes of Sufi mendicants.

The jungles of the country of eighteen tides were then the realm of Dokkhin Rai, a powerful demon-king who held sway over every being that lived there — every animal as well as every ghoul, ghost and malevolent spirit. Toward mankind he harbored a hatred coupled with insatiable desire: for the pleasures afforded by human flesh he had a craving that knew no limit.

One day Dokkhin Rai heard strange new voices in the jungle calling out the azán, the Muslim call to prayer; this was his notice that Bon Bibi and Shah Jongoli had come into his realm. Rousing his hordes, the incensed demon set upon the trespassers, only to be put to rout in a pitched battle. But Bon Bibi was merciful in victory, and she decided that one half of the tide country would remain a wilderness; this part of the forest she left to Dokkhin Rai and his demon hordes. The rest she claimed for herself, and under her rule this once forested domain was soon made safe for human settlement. Thus order was brought to the land of eighteen tides, with its two halves, the wild and the sown, being held in careful balance. All was well until human greed intruded to upset this order.

On the edges of the tide country lived a man called Dhona, who had put together a fleet of seven ships in the hope of making a fortune in the jungle. Dhona’s fleet was about to set sail when it was discovered that the crew was one man short of a full complement. The only person at hand was a young lad called Dukhey, “sorrowful,” a name nothing if not apt, for this boy had long been cursed with misfortune: as a child he had lost his father and now lived in abject poverty with his old and ailing mother. It was with the greatest reluctance that the old woman allowed her son to go, and at the time of leave-taking she gave him a last word of advice: were he ever to find himself in trouble, he was to call on Bon Bibi; she was the savior of the weak and a mother of mercy to the poor; she was sure to come to his aid.

The expedition set off and wound its way down the rivers of the tide country until at last it came to an island by the name of Kedokhali Char. It so happened that this island fell within Dokkhin Rai’s territory, and unknown to the sailors, the demon-king had already prepared a surprise for them. When they went into the forest strange things began to happen: they were given tantalizing glimpses of plump hives hanging from branches, but when they approached, the hives seemed to disappear, only to reappear again at a distance. They could not avail themselves of even one, and Dhona was reduced to despair. But that night Dokkhin Rai revealed himself to Dhona in a dream and proposed a pact in which they would each provide for the satisfaction of the other’s desires. The demon wanted the boy that Dhona had brought on his boat; it was an age since he had been able to sate his appetite for human beings, and he was now riven with a longing for the taste of Dukhey’s flesh. In exchange he would give Dhona wealth beyond imagining, as much as could be carried on the boats.

Overcome by greed, Dhona assented to the bargain and at once the creatures of the forest, the demons and ghosts, even the bees themselves, began to load Dhona’s boats with a great cargo of honey and wax. Soon the vessels were full and could carry no more and then it was time for Dhona to keep his part of the bargain. Summoning Dukhey, he told him to go ashore to fetch some firewood.

The boy had no recourse but to obey, and on his return found his worst misgivings confirmed: the ships were gone. As he stood alone on the bank, trapped between river and forest, his eye caught a shimmer of black and gold — he was being stalked by a tiger, hidden in the greenery on the far shore. The animal was none other than Dokkhin Rai in disguise, and the demon shook the earth with a roar as he started his charge. At the sight of that immense body and those vast jowls, flapping in the wind like sails, mortal terror seized Dukhey’s soul. Even as he was losing consciousness, he recalled his mother’s parting words and called out, “O Mother of Mercy, Bon Bibi, save me, come to my side!”

Bon Bibi was far away, but she crossed the waters in an instant. She revived the boy, taking him into her lap while her brother, Shah Jongoli, dealt a terrible chastisement to the demon. Then, transporting Dukhey to her home, she nursed him back to health. When it was time for him to return, she sent him back to his mother with a treasure trove of honey and wax. Thus did Bon Bibi show the world the law of the forest, which was that the rich and greedy would be punished while the poor and righteous were rewarded.

Kanai had expected to be bored by this rustic entertainment: in Calcutta he was accustomed to going to theaters like the Academy of Fine Arts and cinemas like the Globe. But much to his surprise he was utterly absorbed, and after the show had ended was unable to erase some of the scenes from his mind. The terror he had felt when the demon charged Dukhey was real and immediate, even though there was nothing convincing about the tiger, and it could be plainly seen that the animal was only a man dressed in a painted sheet and a mask. No less real were the tears of joy and gratitude that flowed from his eyes when Bon Bibi appeared at Dukhey’s side. Nor was he the only one: everyone in the audience wept, although the actress’s arrival was anything but instantaneous. On the contrary, the audience had actually had to hurry her along, because as Dukhey lay unconscious with the tiger poised to devour him, she had stopped to lean over the side of the stage in order to clear her mouth of a great wad of paan. But the flow of the story was such that none of this seemed to matter, and even before the performance had ended Kanai knew he wanted to see it again.

THE LAST PERFORMANCE of The Glory of Bon Bibi was something of a special event, and many people came in from other islands. The crowd was much rowdier than on other days and Kanai kept to the maidan’s fringes, watching from a distance. By this time he knew the first part of the show well enough to be bored by it. At a certain point he dozed off, and found on waking that he was sitting next to Kusum. “What’s happening?” he whispered. “Where have they got to?” There was no answer; she was so rapt by the performance that she seemed oblivious of his presence. Her absorption prompted him to glance at the stage, and he saw that he had slept longer than he had thought. The action was well advanced now: Dhona and his fleet had arrived at Kedokhali Char and would soon make his pact with the devil.

“Kusum?” whispered Kanai, and when she turned briefly to look at him he saw, in the reflected glow of the gas lamps, that she was biting her lip and her face was streaked with tears. Having seen for himself the emotions the story could evoke, he was not particularly surprised to see she was crying. But then, when she suddenly leaned over to bury her face in her knees, he knew there was more at issue here than could be accounted for by the performance alone. On an impulse, thinking to console her, he slid his hand along the ground, hoping to find her fingers. But her hand was not where he had expected it to be, and instead he found his fist entangled in the folds of her frock. His fingers grew frantic as he tried to extricate them, and instead of finding their way out they encountered a soft and unexpectedly warm part of her body. The shock sparked by this contact passed through both of them like a bolt of electricity.

Suppressing a cry, she jumped to her feet and went stumbling into the darkness. He would have run after her right then, but some furtive instinct of prudence prompted him to think of how this might look to watching eyes. He waited a minute or two and then pretended to head in the other direction. Circling back in the shadows, he caught up with her as she was nearing the compound of Hamilton House: “Kusum — wait! Stop!”

There was just enough light from the now distant gas lamps for him to see that she was stumbling ahead, turning from time to time to wipe her dripping nose on her shoulder. “Kusum,” he cried, keeping his voice low, “stop!” He had caught up with her now and he gave her elbow a tug. “It was a mistake.”

She came to a halt and he steeled himself for a flood of reproach. But she said nothing, and when he looked into her eyes he knew that his link with her perturbation was only incidental and that her grief sprang from a much deeper source than could be plumbed by a boy’s mistaken touch.

They were now very close to the gate of Hamilton House compound. On an impulse Kanai vaulted over the gate and gestured to Kusum: “Come on. Come.” After a moment’s hesitation she followed, and he took her hand and they went racing up the mossy flagstones that flanked the pond. Kanai led Kusum up a flight of stairs to the shaded veranda. They seated themselves on the floor with their backs to the old wooden walls. From this position they had a clear view of the maidan, and they could even see Dukhey lying prone on the stage, beseeching Bon Bibi to save him.

It was Kusum who spoke first. “I called her too,” she said. “But she never came.”

“Who?”

“Bon Bibi. The day my father died. I saw it all, it happened in front of me, and I called her again and again …”

It had been an ordinary day, no different from any other, and it had happened under the full light of a blazing noonday sun. There was money in the house and food as well, because her father had come back just the day before from a long and successful fishing trip: the one untoward thing he had had to report was that he had lost his gamchha. He had wanted to eat well, so her mother had made rice, dal and vegetables, but when it came time to cook some fish, the firewood had run out. On being told this, he had flown into a rage: it was many days since he had had a good meal and he was not going to be deprived of one now. He stormed out of the house, saying he would be back soon with more firewood.

Their hut was in the lee of the embankment, on the shore of a narrow creek; it took just ten or fifteen minutes of rowing to get to the forest on the far bank. Although this was a reserve, it was common for people of their village to forage for firewood there. Kusum followed him out of the house and stood on the embankment as he rowed across the river. This took longer than usual because there was a strong wind blowing in from the far shore. He was pushing the boat up the bank when she saw it — not the whole animal but enough of its flashing black and gold coat to know it was there.

“Do you mean,” Kanai interrupted, “that you saw a —?” But before he could say the word bÁgh, tiger, she had slammed a hand over his mouth: “No, you can’t use the word — to say it is to call it.”

The animal was in the trees that lined the shore, and from the direction of its advance she knew it had watched the boat as it came across the river. At Kusum’s first scream her mother and many others from the hamlet ran up to the embankment. But her father, for whom the shout of warning had been intended, didn’t hear her, for the wind was blowing in the wrong direction.

Within moments, dozens of people had joined her on the embankment and they all saw what she had seen: the animal was stalking her father. The men of the village raced to get their boats into the water, while the women shouted and banged on pots and pans, making as much noise as they could. But it made no difference, for the wind was against them — the sound did not carry to the man on the far bank. The animal too was upwind of its prey, and they could see its coat flashing as it closed in; because of the distinctiveness of its own odor, it was skilled in dealing with the wind and it knew that the people on the other bank were powerless against these gusts. So great was its confidence that in the last stretch it actually broke cover and went racing along the shore, in full view of the far shore; intent on its prey, it no longer cared about concealment. This was in itself an astonishing sight, almost without precedent, for the great cats of the tide country were like ghosts, never revealing their presence except through marks, sounds and smells. They were so rarely seen that to behold one, it was said, was to be as good as dead — and indeed the sight caused several of the women on the embankment to lose consciousness.

But as for Kusum, she sank to her knees and began to whisper, “Help, O Mother of Mercy, O Bon Bibi, save my father.” She had shut her eyes so she didn’t see the end, but she heard everything. Because of the wind’s direction, the sounds that accompanied the kill carried across the water with exceptional clarity: Kusum heard the roar that froze her father; she heard his cry for help — bachao! She heard the sound of his bones cracking as the animal swiped a paw across his neck; she heard the rustle of the mangrove as the animal dragged the corpse into the forest.

And all through this she never once stopped reciting Bon Bibi’s name.

It was Horen who lifted her from the dust. “Bon Bibi’s heard you,” he told her. “Sometimes this is the means she chooses to call those who are closest to her: men like your father, bauleys, they’re always the first to go.”

Kusum’s body had crumpled as she was telling this story, leaving her slumped against Kanai’s shoulder, and he could feel her hair on his skin. Her story had caused an upwelling of emotion in him that constricted his throat; he wanted to fold her in his arms, to ward off her grief; he wanted to wipe away her tears; he wanted his body to become a buffer between her and the world. This was the most intense physical sensation he had ever experienced, this need to protect, to defend, to make a bodily expression of his sympathy. He brushed her eyes with his lips and the softness and warmth were such that he could not stop: he put an arm around her and pulled her toward him, pressing his head against hers.

Suddenly they heard the sound of running feet, flying up the teak stairs of the Hamilton bungalow. “Kusum! Kusum!” It was Horen’s voice, calling to her in a hoarse whisper.

Kusum stood up. “Yes, I’m here.”

Horen appeared in front of them, panting. “Kusum,” he said, “we have to go. I saw Dilip — he’s here with some men, looking for you. You’re not safe here. You have to get away.”

Horen squatted beside Kanai and stuck a finger in his face. “And as for you, little babu — if you tell anyone where she’s gone, or with whom, you won’t be safe either. Do you understand?” Without waiting for any response from Kanai, he took hold of Kusum’s hand and led her off at a run.

This was Kanai’s last glimpse of Kusum. The next day Nirmal announced to him that his exile was over and he was to be taken back to Kolkata.

STIRRINGS

ALTHOUGH THE MOON was only three-quarters full, it cast such a bright sheen on the river’s surface that the water seemed to be glowing from within. Although the night was cool, there was no wind and not a sound was to be heard from the shore. Turning over in drowsy discomfort, Piya adjusted the sari that was her pillow and found her head resting against the boat’s wooden prow. Her sleep was suddenly interrupted by the sound of a great bustle: a restless, scraping, scratching noise was echoing through the timber, percolating up from the boat’s bowels. It took a few minutes for Piya to work out that this was merely the sound of the boat’s live cargo of crabs, scurrying about in the hold. She could hear the rattle of their shells, the clattering of their claws and the rustling of leaves and branches: it was as though she were a giant listening to the stirrings of a subterranean city.

The boat rocked as if under the shifting of someone’s weight, and she glanced down to see that Fokir was sitting up in the center of the craft with a blanket draped tent-like around his shoulders. She had thought him to be asleep under the shelter, but there was a boulderlike immobility about him that suggested he had been sitting there for some time. He seemed to feel the touch of her gaze, for he turned to look in her direction, and when he saw she was awake gave her a smile that was both apologetic and self-mocking. It warmed her to think of him sitting there, keeping watch as she and Tutul slept. She remembered the moment when his hand had touched her in the water and how violently she had tried to fight it off until she understood it was not a predator that had touched her but a human being, someone she could trust, someone who would not hurt her. In remembering this, she was amazed to think that no more than a few hours had passed since she had tumbled out of that launch and into the water. The memory caused a tremor to shake her body, and when she shut her eyes it was as if the water had closed around her again and she was back in those swift, eerily glowing depths where the sunlight had no orientation and it was impossible to know which way was up and which down.

SHE FELT THE BOAT move under her and realized she was shivering. She was trying to calm herself, taking one deep breath after another, when she felt a firm, cool touch on her shoulder — and this too was strangely reminiscent of her fall, for she knew it was Fokir. Opening her eyes, she saw he was looking worriedly into her face and she tried to force a smile — but it turned into a grimace for her body would not stop its convulsive shaking. She could feel his anxiety deepening now, so she placed her hand on his and he took hold of it and stretched himself out beside her. His salty, sun-soaked smell was in her nostrils now, and through the blanket that separated them she could feel the sharpness of his ribs. His body seemed to warm her coverings, dissipating the clammy sensation that had seized her limbs. When her shivering stopped she sat up abruptly in embarrassment. He sprang back at the same time and she knew he was just as discomfited as she was. She wished she could think of a way to let him know it was all right — nothing had been misunderstood, no wrong had been done. But all she could do was clear her throat noisily and say thank you. Then, mercifully, as if to rescue them from the awkwardness of the moment, Tutul cried out in his sleep. Immediately Fokir slid away to comfort his son.

Piya lowered her head again to the bunched-up sari she was using as a pillow, and it seemed to her now that in the folds of the fabric she could smell the presence of the garment’s owner: it was almost as if this other woman had suddenly materialized in the boat. Piya was glad to think she could have said to her exactly what she had said to Fokir: that no wrong had been done and nothing at all had happened.

What could have happened anyway? Although she knew little else about Fokir, she did know he had a child and was married. And as for herself, no thought was farther from her mind than the idea of a personal entanglement. She was out on assignment, working in the field — it was the exclusion of intimate involvements that made a place into a field and the line between the two was marked by a taboo she could not cross except at the risk of betraying her vocation.

THE BOAT WAS ALREADY moving when Piya woke next morning. She opened her eyes to find that a dense fog had resulted from the collision between the cold night air and the water’s warmth. She could not see much beyond her own feet and her blankets were wet with dew. It was only because of a faint glow in the eastern sky that she knew that the sun had risen. It astonished her that Fokir could steer in such bad light: clearly, he knew this stretch of water well enough to feel his way along the river’s edge.

There was no pressing reason to get up, so she allowed herself to fall back into a doze. In a while the boat came to a stop, waking her again. She looked up to find that the fog was still thick around the boat and nothing could be seen of the surrounding terrain. There was a sound astern as of an anchor dropping and she wondered idly why Fokir had chosen to stop here. She decided it must have something to do with the visibility — perhaps they had reached a stretch of open water where it would be impossible to steer in the fog?

She was about to drop off again when she heard something that made her sit upright. Cupping her hands around her ears, she listened hard, and there it was again, a rippling in the water followed by a muffled snort, as if a man were blowing his nose into a thick wad of Kleenex.

“Shit!” She sprang into a kneeling position and listened carefully, tuning her ears to the fog. A few minutes of close attention was all it took to know that there were several dolphins in the vicinity of the boat. The sounds were scattered in direction and seemed to change location frequently: some were faint and far away while others were close at hand. She had spent great lengths of time listening to these muffled grunts and knew exactly what they were: only the Irrawaddy dolphin, Orcaella brevirostris, produced this particular kind of sound. Evidently a group of traveling Orcaella had decided to make a brief halt near the boat. It was typical of her luck that this had happened at a time when she could not see beyond her arm: from her experience of such encounters, she knew that the dolphins would become restless in a matter of minutes. They would probably be gone before she could unpack her equipment.

“Fokir!” She said his name in an urgent whisper, to make sure he had heard the sounds. The boat rocked and she knew from its motion that he was working his way forward. But he still startled her when he emerged from the fog: his head seemed to be floating on a cloud, with tendrils of mist swirling around his neck.

“Listen!” she cried, holding a hand to her ear, pointing in the direction of the exhalations. He nodded, but without showing any surprise; it was as though there were nothing unexpected about this encounter and he had known all along that they would be there. Could it be that this was the spot he had been aiming for the night before with the idea of showing her the dolphins?

This baffled her still more: how could he have known that they would run into a group of Orcaella right then and right in that place? It was possible, of course, that dolphins frequented this stretch of water, but even so, how could he have known that they would be there on that day, at that time? Groups of migrating Orcaella were anything but predictable in their movements. She decided to shrug off these questions for the time being. The job at hand was to record all the data that could be conjured out of this fog.

Despite the urgency of the moment, Piya’s movements were unhurried and methodical as she went about the business of unpacking her equipment. Just as she was fixing a sheaf of data sheets into her clipboard, a dolphin surfaced a few feet away: it was so close she could feel the spray from its breath. She caught sight of a dorsal fin and a bluntly rounded snout. There was no further room for doubt now: these were definitely Orcaella. Although she had been almost sure from the start, it was still good to have visual confirmation. The animal had surfaced so close to the boat that she had only to extend her arm to get a reading on the GPS monitor. She recorded the figures with a sense of triumph: even if the dolphins took flight this very minute, this little scrap of data would have made the encounter credible and worthwhile.

By this time the fog had thinned and with the tide at its lowest ebb, the shore was revealed to be no more than a few hundred feet away. Piya saw that Fokir had stopped the boat at a point where the shore curved, like the inside of an arm, creating a long patch of unperturbed water in the crook of the river’s elbow. It was evident also that the boat was anchored in the only remaining stretch of deep water. This consisted of a boomerang-shaped area about half a mile in length. It was in this stretch that the dolphins were circling, as if within the limits of an invisible pool.

Soon the dawn fog was as distant a memory as the chill of the night. With the mudbanks and the forests holding back the wind, no breeze could find its way down to the water. In the stillness, the river seemed to give birth to a second sun, so that there was almost as much heat radiating from the water’s surface as from the cloudless sky above. As the temperature peaked, subterranean currents of life rose seething to the surface of the nearby mudbanks, with legions of crabs scuttling to salvage the rich haul of leaves and other debris left behind by the retreating tide.

By midday Piya had enough data to make an informed guess about the size of the group. There were seven individuals, she estimated, but this included a pair that appeared to be swimming in tandem, usually surfacing together. One of these was smaller in size than the other animals, and she knew this to be a calf, probably a newborn, yet too young to swim independently of its mother. Time and again she observed it coming to the surface in a corkscrew pattern, with its little head protruding from the water — an indication that it had still to learn to breathe smoothly. Her heart leaped every time she caught sight of that little head: it was exhilarating to know that the population was still reproducing. Rarely, if ever, did the animals venture away from the bend in the river: they seemed instead to be content to circle within that small stretch of deep water. Nor was it the boat’s presence that kept them there: whatever interest they had had in it had long since been exhausted.

Why were they lingering? What had brought them here and what were they waiting for? It was all very confusing and yet Piya knew intuitively that something interesting was going on — something that might be important to the understanding of the Irrawaddy dolphin and its patterns of behavior. She just had to puzzle out what it was.

MORICHJHÃPI

SUNLIGHT streaming in through an uncurtained window woke Kanai shortly after dawn. A little later, having washed and changed, he went downstairs and tapped on Nilima’s door. The voice that answered was uncharacteristically tremulous: “Ké?”

“It’s me — Kanai.”

“Come in. The door’s open.”

Kanai entered to find a bleary-eyed Nilima sitting propped up in bed with a bank of pillows behind her and a large quilt piled over her legs. There was a cup of tea on the bedside table, and next to it a saucer filled with Marie biscuits. No clothes or personal effects were anywhere to be seen while books and files lay stacked everywhere — under the bed, on the floor and even in the swell of the mosquito net. The room was sparsely utilitarian in appearance, with very few furnishings other than file cabinets and bookcases. But for the presence of a large four-poster bed, it would have been easy to mistake it for an extension of the Trust’s offices.

“You’re not looking well,” said Kanai. “Has a doctor been sent for?” Nilima blew her nose into a handkerchief. “It’s just a cold,” she said. “Why do I need a doctor to tell me that?” “You shouldn’t have come to Canning yesterday,” said Kanai. “It was too much for you. You should take better care of your health.”

Nilima brushed this off with a flick of her hand. “Enough about me,” she said. “Sit down over here and tell me how you’ve been faring. Did you sleep well last night?”

“Well enough.”

“And the packet?” she cried eagerly. “Did you find it?”

“Yes. It was exactly where you said it would be.”

“So then, bal to ré, tell me,” said Nilima, “were they poems or stories?”

Kanai could tell from the expectant tone of her voice that she had already begun to believe that her husband’s literary reputation would be posthumously restored by the contents of the packet she had found. It pained him to disappoint her and he tried to let her down as gently as he could. “Actually, it’s not what I’d expected,” he said. “I thought I’d find poems, essays, stories. But what I found instead was some kind of journal or diary. It was written in an exercise book — just a common khata, like schoolchildren use.”

“Oh?” Nilima’s eyes dimmed and she breathed a sigh of dejection. “And when was it written? Does it say?”

“Yes,” said Kanai. “It was written in 1979.”

“In 1979?” Nilima was quiet for a moment as she thought this over. “But that was the year of his death. He died in July. Are you sure it was written in that year?”

“Yes,” said Kanai. “Why should that surprise you?”

“I’ll tell you why,” she said. “Because that was the one year of his life when he did no writing at all. He had retired as headmaster of the Lusibari school the year before and it was a difficult time for him. The school had been his whole life for almost three decades — ever since we came to Lusibari. His behavior became erratic at this time. As you know, he had a history of mental instability, so it was very worrying for me. He used to disappear for days, and afterward he wouldn’t be able to recall where he had been. He was all in an uproar that year. He was in no state to do any writing.”

“Maybe he had a brief period of lucidity,” Kanai said. “I have the impression the entire notebook was written over one or two days.”

“And do you know the dates?” said Nilima, watching him closely.

“Yes,” said Kanai. “He started writing it on the morning of May 15, 1979. In a place called Morichjhãpi.”

“Morichjhãpi!” There was a sudden intake of breath as Nilima said the word.

“Yes,” said Kanai. “Tell me what happened there.”

Morichjhãpi, said Nilima, was a tide country island a couple of hours from Lusibari by boat. It fell within a part of the Sundarbans reserved for tiger conservation, but unlike many such islands it was relatively easily accessible from the mainland. In 1978 a great number of people suddenly appeared on Morichjhãpi. In this place where there had been no inhabitants before there were now thousands, almost overnight. Within a matter of weeks they had cleared the mangroves, built bãdhs and put up huts. It happened so quickly that in the beginning no one even knew who these people were. But in time it came to be learned that they were refugees, originally from Bangladesh. Some had come to India after Partition, while others had trickled over later. In Bangladesh they had been among the poorest of rural people, oppressed and exploited both by Muslim communalists and by Hindus of the upper castes.

“Most of them were Dalits, as we say now,” said Nilima. “Harijans, as we used to say then.”

But it was not from Bangladesh that these refugees were fleeing when they came to Morichjhãpi; it was from a government resettlement camp in central India. In the years after Partition the authorities had removed the refugees to a place called Dandakaranya, deep in the forests of Madhya Pradesh, hundreds of miles from Bengal.

“They called it resettlement,” said Nilima, “but people say it was more like a concentration camp or a prison. The refugees were surrounded by security forces and forbidden to leave. Those who tried to get away were hunted down.”

The soil was rocky and the environment was nothing like they had ever known. They could not speak the languages of that area and the local people treated them as intruders, attacking them with bows, arrows and other weapons. For many years they put up with these conditions. Then in 1978 some of them organized themselves and broke out of the camp. By train and on foot they moved eastward in the hope of settling in the Sundarbans. Morichjhãpi was the place they decided on.

Earlier that year a Left Front ministry had taken power in West Bengal and the refugees may have assumed that they would not face much opposition from the state government. But this was a miscalculation: the authorities had declared that Morichjhãpi was a protected forest reserve and they had proved unbending in their determination to evict the settlers. Over a period of about a year there had been a series of confrontations between the settlers and government forces.

“And the final clash,” Nilima said, “if I recall correctly, was in mid-May of that year, 1979.”

“So do you think Nirmal was there at the time?” Kanai stopped to consider another possibility. “Or was it perhaps just a fantasy?”

“I don’t know, Kanai,” Nilima said, looking down at her hands. “I really don’t know. He became a stranger to me that year. He wouldn’t talk to me. He would hide things. It was as if I had become his enemy.”

Kanai could see that Nilima was close to tears and his heart went out to her. “It must have been very hard for you.”

“It was,” she said. “I could see that he had developed some kind of obsession with Morichjhãpi and I was very uneasy about it. I knew there was going to be trouble and I just wanted to keep him from harm.”

Kanai scratched his head. “I still don’t understand. Why did this cause have so much appeal for him?”

Nilima’s answer was slow in coming. “You have to remember, Kanai,” she said at length, “that as a young man Nirmal was in love with the idea of revolution. Men like that, even when they turn their backs on their party and their comrades, can never let go of the idea: it’s the secret god that rules their hearts. It is what makes them come alive; they revel in the danger, the exquisite pain. It is to them what childbirth is to a woman, or war to a mercenary.”

“But these settlers weren’t revolutionaries, were they?”

“No,” said Nilima. “Not at all. Their aims were quite straightforward. They just wanted a little land to settle on. But for that they were willing to pit themselves against the government. They were prepared to resist until the end. That was enough. This was the closest Nirmal would ever come to a revolutionary moment. He desperately wanted to be a part of it. Perhaps it was his way of delaying the recognition of his age.”

Kanai was hard put to reconcile the gentle, dhoti-clad man of his memories with this image of a revolutionary. “Did you try to reason with him?”

“Yes, of course,” Nilima said. “But he would say, ‘You’ve joined the rulers; you’ve begun to think like them. That’s what comes of doing the sort of social work you’ve been doing all these years. You’ve lost sight of the important things.’ She shut her eyes as she recalled the contempt with which her own husband had dismissed her life’s work. She turned her head to brush away tears. “We were like two ghosts living in the same house. At the end he seemed to want only to hurt me. Just think about it, Kanai — why else would he have insisted on leaving this notebook to you and not to me?”

“I don’t know what to say.” Kanai had assumed that Nirmal had wanted him to have the notebook because he, Kanai, represented a slender connection to the ears of an unheeding world. He had not for a moment considered the possibility that Nirmal had intended to wound Nilima. The idea shocked him. He had always known Nirmal to be eccentric, but he had never thought him to be capable of malice or cruelty, especially to his own wife. Like everyone who knew them, he had always assumed that Nilima and Nirmal were content in their marriage, that theirs was a happy, if unlikely, pairing. He realized now that it was only because Nirmal never left Lusibari that they had been able to sustain this illusion.

Thinking of what Nilima had been through all these years, an unfamiliar lump arose in Kanai’s throat. “Look,” he said, rising to his feet. “I’ll give you that notebook right now. You can keep it or throw it away — do whatever you like. I don’t want to have anything more to do with it.”

“No, Kanai!” cried Nilima. “Sit down.” Reaching for his hand, she pulled him back into his chair. “Kanai, listen to me: I always did my best to do my duty by Nirmal. It’s very important to me that his last wishes are not dishonored. I don’t know why he wanted you to have the book; I don’t know what’s in it — but that’s how it must be.”

Kanai went to sit beside her on the bed. He had been uneasy about broaching the subject of Kusum, but he could see no way around it. “Tell me,” he said gently, “do you think Kusum might have had something to do with it?”

She flinched at the sound of the name. “There were rumors, Kanai. Yes, I won’t deny it.”

“But how did Kusum end up at Morichjhãpi?”

“I don’t know how it happened. But somehow she did.”

“And did you ever see her while she was there?” Kanai said.

Nilima nodded. “Yes. Just once. She came to see me, in this very room.”

She was working at her desk, said Nilima, one morning in 1978, when a nurse came to tell her she had a visitor, someone who claimed to know her. Nilima asked what her name was, but the nurse didn’t know. “All right,” said Nilima. “Bring her here.” A few minutes later the door opened to admit a young woman and a child, a boy of four or five. The woman looked to be in her early twenties but she was dressed in a white sari and there were no bangles on her wrists and no vermilion in her hair: elsewhere, Nilima would have known immediately she was a widow, but in Lusibari she could not be sure.

There was something familiar about the woman — not so much her face as the look in her eye — but Nilima could not remember her name. When the visitor bowed to touch her feet, she said, “Tell me now, who are you?”

“Mashima,” came the answer, “my name is Kusum. Don’t you remember me?”

“Kusum!” Almost at once Nilima began to scold her. “Why didn’t you send news, Kusum? Where have you been? Didn’t you know we were looking for you?”

Kusum’s answer was to laugh. “Mashima, there was too much to tell. More than I could put into a letter.”

When she stood up Nilima saw that Kusum had grown into a sturdy, bright-eyed young woman. “And who is this boy, Kusum?”

“That’s my son,” she answered. “His name is Fokir — Fokirchand Mandol.”

“And his father?”

“His father died, Mashima. I’m all he has now.”

Nilima was glad to see that premature widowhood had not robbed Kusum of her ready laugh. “Tell me, Kusum. What brings you here?”

It was then that Kusum revealed that she was living in Morichjhãpi: she had come to Lusibari in the hope of persuading Nilima to send medical help for the settlers.

Nilima was immediately on her guard. She told her that she would like to help, but it was impossible. The government had made it known that it would stop at nothing to evict the settlers: anyone suspected of helping them was sure to get into trouble. Nilima had the hospital and the Women’s Union to think of: she could not afford to alienate the government. She had to consider the greater good.

After half an hour Kusum left and Nilima never saw her again.

“So what happened after that?” Kanai said. “Where did she go?”

“She didn’t go anywhere, Kanai. She was killed.”

“Killed?” said Kanai. “How? What happened?”

“She died in the massacre, Kanai,” Nilima said. “The massacre at Morichjhãpi.”

She covered her face with her hands. “I’m tired now. I think I’d better rest for a while.”

AN EPIPHANY

IN THE AFTERNOON, as the waters began to rise, Piya noticed that she was seeing less and less of the dolphins. This was confirmed by a glance at her data sheets: it seemed the animals had begun to disperse with the turning of the tide.

Through the early hours of the day the pace of Piya’s work had been dictated by the belief that this was a school of migrating dolphins that might depart at any minute. But now she began to wonder: these animals hadn’t given her the impression of being headed anywhere in particular. On the contrary, she had gotten the feeling that they had gathered here to wait out the ebb tide until the water rose again. But that made no sense either, she told herself; it just didn’t fit with what she knew about these animals.

Orcaella were of two kinds: one tribe liked the salt water of the coast while the other preferred rivers and fresh water. The difference between these communities was not anatomical — it had only to do with their choice of habitat. Of the two populations, the coastal was by far the more numerous. The waters of southern Asia and northern Australia were reliably believed to contain several thousand of them. Fresh-water Orcaella, on the other hand, were a rare and dwindling breed. Only a few hundred now remained in Asia’s rivers. Coastal Orcaella were not known to linger for hours in one place and were more likely to range freely along the shore. Their fresh-water cousins were more territorial and not nearly so gregarious. In times of heavy rainfall, when the rivers rose, they would roam far afield, chasing their prey into minor tributaries and even into flooded rice fields. But in dry periods, when the rivers began to drop, they would make their way back to certain spots. These were usually deep-water pools, created by quirks of geology in the riverbed or by the water’s patterns of flow. In Cambodia Piya had tracked populations of Orcaella in several pools along the Mekong, from Phnom Penh to the Laos border. She had found the same individuals returning to the same pools year after year. But when the seasons changed these dolphins traveled hundreds of miles downriver; in one unfortunate instance an animal had swum all the way down from the Laos border only to drown in a gill net near Phnom Penh.

Piya had come to the Sundarbans believing that any Orcaella she found there would be of the coastal variety: this seemed only logical, considering how salty the waters were in this region. But what she had seen today made her wonder if she hadn’t made a mistake. If these were coastal Orcaella what were they doing congregating in a pool? That was out of character for them — only their river-dwelling kin did that. But these could not be river dolphins either. The water was too salty. And anyway, riverine Orcaella didn’t leave their pools in the middle of the day; they spent a whole season in them. So what kind of animal was this and what did this odd behavior mean?

As she mulled over these questions a thought came into Piya’s mind. Was it possible that these Sundarbans Orcaella did twice each day what their Mekong cousins did once every year? Had they found a novel way of adapting their behavior to this tidal ecology? Could it be that they had compressed the annual seasonal rhythms of their Mekong relatives so as to fit them into the daily cycle of tides?

Piya knew that if she could establish any of this she would have a hypothesis of stunning elegance and economy — a thing of beauty rarely found in the messy domain of mammalian behavior. What was more, the idea might well have profound implications for the conservation of this endangered species: protective measures would be much more effective if they could be focused on particular pools and specific movement corridors. But the hypothesis begged as many questions as it answered. What, for instance, were the physiological mechanisms that attuned the animals to the flow of the tides? Obviously, it could not be their circadian rhythms since the timing of the tides changed from day to day. What happened in the monsoon, when the flow of fresh water increased and the balance of salinity changed? Was the daily cycle of migration inscribed on the palimpsest of a longer seasonal rhythm?

Piya remembered a study that had shown there were more species of fish in the Sundarbans than could be found in the whole continent of Europe. This proliferation of aquatic life was thought to be the result of the unusually varied composition of the water itself. The waters of river and sea did not intermingle evenly in this part of the delta; rather, they interpenetrated each other, creating hundreds of different ecological niches, with streams of fresh water running along the floors of some channels, creating variations of salinity and turbidity. These microenvironments were like balloons suspended in the water, and they had their own patterns of flow. They changed position constantly, sometimes floating into midstream and then wafting back toward the shore, at times being carried well out to sea and at others retreating deep inland. Each balloon was a floating biodome filled with endemic fauna and flora, and as they made their way through the waters, strings of predators followed, trailing in their wake. This proliferation of environments was responsible for creating and sustaining a dazzling variety of aquatic life forms — from gargantuan crocodiles to microscopic fish.

Now, as she sat in the boat thinking about these connections and interrelations, Piya had to close her eyes, so dazzling was the universe of possibilities that opened in her mind. There was so much to do, so many queries to answer, so many leads to follow: she would have to acquire a working knowledge of a whole range of subjects — hydraulics, sedimentation geology, water chemistry, climatology; she would have to do seasonal censuses of the Orcaella population; she would have to map the dolphins’ movement corridors; she would have to scrounge for grants, apply for permits and permissions; there was no horizon to the work that lay ahead. She had been sent to the Sundarbans for a fortnight to do a small survey on a shoestring budget — but to follow through on the questions now buzzing in her head would take not a week or two but years, even decades. She had perhaps fifteen to twenty years of active field research ahead of her; she sensed that this would consume all those years and more: it was the work of a lifetime.

Piya had often envied those field biologists who had found monumental subjects to work on — Jane Goodall in the mountains of Kenya, Helene Marsh in the swamps of Queensland. Being unambitious by nature, she had never imagined that something similar might come her own way one day. And yet here it was, and she had stumbled on it by chance, exactly when things seemed to be going wrong. She recalled the mythologies of discovery that had attracted her to the sciences as a child, and how the most miraculous seemed always to be those that had the most quotidian origins — Archimedes and his bathtub, Newton and his apple. Not that her work would be in any way comparable or similar — but now at least she could see what it was about, how it happened that an idea floated unexpectedly into your mind and you knew in an instant that this was an errand that would detain you for the rest of your life.

She had never had high aspirations for herself as a scientist. Although she liked cetaceans and felt an affinity for them, she knew it was not just for the animals that she did what she did. As with many of her peers, she had been drawn to field biology as much for the life it offered as for its intellectual content — because it allowed her to be on her own, to have no fixed address, to be far from the familiar while still being a part of a loyal but loose-knit community. This would not change any of that; for the most part it would be the usual grind of writing applications, trying to find funding and so on. Whatever came of it in the end, it was a certainty that it was not going to create an upheaval in science. But at the same time, who would have thought that it would be so intensely satisfying to have your future resolved, to know what you were going to be doing next year and the year after that until who knew when? And yes, it was true that whatever came of it would not revolutionize the sciences, or even a minor branch of them, but it was also true that if she was able to go through with it — even a part of it — it would be as fine a piece of descriptive science as any. It would be enough; as an alibi for a life, it would do; she would not need to apologize for how she had spent her time on this earth.

MOYNA

IT WAS WELL PAST NOON when Kanai went down to knock again on Nilima’s door. He was glad to find her dressed and on her feet.

“Aré, Kanai,” she said, smiling. “There you are. Come in.”

On her face there was no sign of the anguish Kanai had seen that morning, and he guessed that the change in her spirits was due to her being at her desk. It was in this way, he realized, that she had coped with Nirmal’s death and the years of loneliness that had followed — by immersing herself in her work.

“Moyna should be here any minute now,” Nilima said. “I’ve asked her to show you around the hospital.”

“What does Moyna do here?” said Kanai.

“She’s one of our trainees,” replied Nilima. “She joined the Trust years ago, when we started our ‘barefoot nurse’ program. It’s an outreach project for providing medical assistance to people in out-of-the-way villages. We give the nurses some basic training in hygiene, nutrition, first aid, midwifery and other things that might be useful — how to cope with drowning, for instance, since that’s a situation they often have to face. Then they go back to their villages and hold training classes of their own.”

“But I take it Moyna has risen in the ranks?”

“Yes,” said Nilima. “She’s not a barefoot nurse anymore. She’s training to be a fully fledged nurse in the hospital. She applied a couple of years ago, and since her record was very good we were happy to take her in. The strange thing was that even though she had worked for us for a long time, we had no idea who she was — in the sense that we didn’t know she was married to Kusum’s son. And when I found out, it was almost by accident.”

“What happened?”

“I was in the market one day,” Nilima said, “and I saw her with a young man and a child. Now you have to remember I hadn’t seen Fokir since he was a boy of five, so of course I didn’t recognize him. I said to her, ‘Moyna, is this chhélé-chhokra your husband, then?’ and she replied, ‘Yes, Mashima, this is him.’ ‘So what’s his name then?’ I asked, and she said, ‘Fokir Mandol.’ It’s a common enough name, but I knew at once. I said, ‘Éki ré? Who are you? Are you our Kusum’s Fokir?’ And he said yes.”

“So at least that part of it turned out well,” said Kanai. “He was here, safe in Lusibari.”

“I wish it were that simple,” said Nilima. “But the truth is, it hasn’t gone well at all.”

“Oh? Why not?”

Moyna was both ambitious and bright, Nilima said. Through her own efforts, with no encouragement from her family, she had managed to give herself an education. There was no school in her village, so she had walked every day to another village miles away. She had done well in her school final exams and had wanted to go on to college in Canning or some other nearby town. She had made all her preparations and had even gotten her Scheduled Caste certificate. But her family had balked at the prospect of her departure and to thwart her plans had insisted she get married. The man chosen to be her husband was Fokir — by all accounts a perfectly fine young fellow except that he could neither read nor write and made his living by catching crabs.

“But the remarkable thing is that Moyna hasn’t abandoned her dreams,” said Nilima. “She’s so determined to qualify as a nurse that she made Fokir move to Lusibari while she was in training.”

“And is Fokir happy about that?”

“I don’t think so,” Nilima said. “I hear they’ve been having trouble — that might be why he disappears sometimes. I don’t know the details; the girls don’t tell me everything. But I do know that Moyna’s been having a difficult time. This morning, for instance, she looked completely distraught.”

“So she came by, did she?”

“Yes,” said Nilima. “In fact, she should be here again any minute. I sent her to the hospital to get me some medicine.”

“But Fokir isn’t back yet?”

“No,” said Nilima, “and Moyna’s sick with worry. I’ve asked her to show you around the hospital because I thought it would take her mind off this thing for a bit.”

There was a tapping sound on the front door, and Nilima responded by calling out, “Moyna? Is that you?”

“Yes, Mashima.”

“Esho. Come.”

Kanai turned around to see a young woman standing at the entrance with her sari drawn over her head. A stream of sunlight flooding in from the open doorway had cast her face into shadow, so that all he could see of her was the three glinting points of her earrings and her nose stud: in the dark oval of her face they seemed to shine like stars in a constellation.

“Moyna, this is Kanai-babu,” said Nilima. “He’s my nephew.”

“Nomoshkar,” she said, stepping in.

“Nomoshkar.” The light had caught her face now, and seeing her close up, Kanai saw that the kajol had spilled over the rims of her eyes. Her complexion was dark and silky and her raven-black hair shone with oil. Her face was marked by a sharply outlined brow and a prominent jaw; he could tell at a glance that she was not one to be shy of pitting her will against the world. Yet from the redness of her eyes it was clear she had been crying.

“Listen, Kanai,” said Mashima, switching to English so as not to be understood by Moyna. “Be careful with this girl — she’s clearly very upset.”

“Of course,” said Kanai.

“Righty-o, then,” said Nilima. “I suppose you had better be going.”

Righty-o? It was not often that Kanai heard his aunt speak English, and he was struck by her distinctive and unexpected diction. Her Bengali, after years of living in the tide country, had almost converged with the local dialect, having been stripped of the inflections of her urban upbringing. But her English, possibly because she spoke it so rarely, had survived like a fern suspended in amber, untouched by time and unspoiled by the rigors of regular usage, a perfect specimen of a tongue learned in the schools of the Raj. It was like listening to a lost language, the dialect of a vanished colonial upper middle class, spoken with the crisp enunciation once taught in elocution classes and debating societies.

AS THEY WERE starting down the path to the hospital, Kanai said to Moyna, “Did Mashima tell you I knew your mother-in-law?”

“No!” cried Moyna, throwing him a look of surprise. “Mashima didn’t mention it. Did you really know her?”

“Yes,” said Kanai. “I did. It was a long time ago, of course. She must have been about fifteen. And I was younger.”

“What was she like?”

“What I remember is her tej,” Kanai said. “Even at that age she was very spirited.”

Moyna nodded. “I’ve heard people say she was like a storm, a jhor.”

“Yes,” said Kanai. “That’s a good way of putting it. Of course, you never knew her yourself, did you?”

“No,” said Moyna. “I was just a baby when she died. But I’ve heard many stories about her.”

“Does your husband talk about her?”

Moyna’s face had brightened in speaking of Kusum, but now, at the mention of Fokir, it fell again. “No,” she said. “He never speaks of her. I don’t think he remembers much of her either. After all, he was very little when she died —” She shrugged, cutting herself short, and Kanai thought it better to let the subject drop.

They were nearing the hospital now, and seeing the building close up gave Kanai a renewed appreciation of the sheer scale of Nilima’s achievement. It was not that the building was overly large or particularly striking in its design; a mere two stories high, it was built in the shape of a squat shoebox. Its outer walls were painted gray, while the windows and the railings of its long corridors were outlined in white. There was a garden in front, planted largely with marigolds. Yet, plain as it was, in this tide country setting where mud and mildew encrusted everything, the building’s crisp lines and fresh paint were enough to give it the exclamatory salience of a skyscraper. Kanai could tell that the mere sight of it gave heart to the people it served.

This was clearly the effect it had on Moyna, for there was a noticeable improvement in her demeanor as she led Kanai to the hospital. With every step her carriage seemed to become a little straighter and her movements more assured: it was as though the mere proximity of the building had caused a brisk professional to emerge from the chrysalis of a careworn wife and mother.

Leading Kanai through the hospital’s entrance, Moyna ushered him to a door. Then, speaking in a voice hushed with pride, she announced, “And this is the Maternity Ward.”

Hospitals were not, as a rule, of much interest to Kanai, but this was an exception: he could not help being impressed by the impeccable maintenance of the wards. Every part of the hospital seemed to be spotlessly clean and even though it had only forty beds, it was, for its size, well equipped. The equipment had come from donors, Moyna explained, some Indian and others foreign. There was a diagnostic laboratory, an x-ray room and even a dialysis machine. On the top floor lived two resident doctors, one of whom had been in Lusibari for ten years. The other was a new arrival who had just completed his residency requirements at the prestigious medical college of Vellore. They were both, Moyna said, prominent and muchbeloved figures on the islands. Every patient who came to the hospital made it a point to leave an offering at their door — a coconut, a few kewra fruit, a fish wrapped in leaves, sometimes a live chicken or two.

Such was the hospital’s reputation, Moyna said, that people now came there from great distances. Many who could have traveled more conveniently to Canning or Kolkata chose to come to Lusibari instead: the hospital was known to provide, at a nominal fee, a standard of care that could not be had elsewhere even at exorbitant rates. This traffic, in turn, had led to the growth of a small service industry around the hospital’s perimeter. Over the years, a number of teashops, guest houses and stands for cycle-vans had taken root and flourished. Directly or indirectly the hospital now provided employment for the majority of Lusibari’s inhabitants.

On the upper floor Moyna pointed out Nirmal’s single contribution to the hospital: a large ward specially equipped to withstand cyclones. The windows had thick wooden shutters and the doors were reinforced with steel. Although he had rarely interfered in anything to do with the Trust, when the hospital was under construction Nirmal had taken the trouble to find out if any anti-cyclone measures had been provided for. He was horrified to learn that they hadn’t: did nobody know about the tide country’s history of catastrophic cyclones? Did they think that Lusibari was the one place where history would not repeat itself? It was at his insistence that this ward was built.

From a veranda on the second floor, Moyna pointed to the stalls and clusters of huts that ringed the compound. “Look over there, Kanai-babu,” she said. “Look at the shops and stalls that have come up around the hospital. See how many there are?”

Kanai was touched, moved even, by Moyna’s evident pride in the institution. “Have you ever brought Fokir here?” he said.

She answered this with a small shake of her head. “No.”

“Why not?”

She pulled a face. “He doesn’t like to come — he feels out of place.”

“In the hospital, you mean? Or in Lusibari?”

“Both,” she said. “He doesn’t like it here.”

“And why is that?”

“Things are different here than they were in the village.”

“In what way?” Kanai asked.

She shrugged. “Over there he was always with Tutul — our son,” she said. “Because of my work with the Trust I was out of the house a lot, so Tutul was with him on the river all day. But after we came here I had to put a stop to that.”

“Really? Why?”

“Because Tutul has to go to school, doesn’t he?” she said sharply. “I don’t want him growing up catching crabs. Where’s the future in that?”

“But that’s what Fokir does.”

“Yes, but for how long?” she said. “Mashima says that in fifteen years the fish will all be gone, what with the new nets and all.”

“What new nets?”

“These new nylon nets, which they use to catch chingrir meen — the spawn of tiger prawns. The nets are so fine that they catch the eggs of all the other fish as well. Mashima wanted to get the nets banned, but it was impossible.”

“Why?”

“Why else?” she said. “Because there’s a lot of money in prawns and the traders had paid off the politicians. What do they care — or the politicians, for that matter? It’s people like us who’re going to suffer and it’s up to us to think ahead. That’s why I have to make sure Tutul gets an education. Otherwise, what’s his future going to be?”

“I’m sure Fokir would understand if you explained,” Kanai said.

“Do you think I haven’t tried?” she said, her voice rising. “I’ve tried so many times. But what does he understand? He’s illiterate — it’s impossible to explain these things to him.”

It occurred to Kanai, as she was speaking, that for someone in her circumstances, Moyna possessed a sure grasp of the world and how to get by in it. It was astonishing to think of how much had changed in the tide country since his last visit, not just in material matters but in people’s hopes and desires. Nothing was better proof of this than the very existence of this hospital and the opportunities it provided and the aspirations it nurtured. This made it seem all the more unfortunate that someone with Moyna’s talents should be held back by a husband who could not keep up.

“Look.”

They had come to an operating room now, and Moyna broke off abruptly to look through the circular window that pierced the door. She lingered there so long that Kanai began to wonder whether there was an operation under way inside. But when at last she moved aside to let him look, he saw that the room was empty except for its equipment.

“What were you looking at?” he said.

“I just like to look at all the new equipment,” she said with a laugh. “Who knows? Maybe if I finish this course, one day I’ll be working in there myself.”

“Of course you will.”

She pursed her lips. “God knows.”

Kanai could tell from the sound of Moyna’s voice that her dream of becoming a nurse was no ordinary yearning: it was the product of a desire as richly and completely imagined as a novel or a poem. It recalled for him what it meant to be driven to better yourself, to lay claim to a wider world. It was as though, in listening to Moyna, he were looking back on an earlier incarnation of himself.

In the circular pane he saw Moyna’s face appear beside his own. She tapped on the glass and pointed into the dark interior of the operating room. “That was where my Tutul was born,” she said. “Mashima arranged for my admission. I was the first girl from my family to give birth in a hospital. There were three nurses to tend to me and they passed the baby to each other before they handed him to me. All I could think of was how fortunate they were and how much I wanted to be one of them.”

Her ambition was so plainly written on her face that Kanai was assailed by the kind of tenderness we sometimes feel when we come across childhood pictures of ourselves — photographs that reveal all too unguardedly the desires people spend a lifetime learning to dissimulate.

“Don’t worry, Moyna,” said Kanai. “You’ll be there soon.” It was only after he had spoken that he realized he had addressed her as tumi — using a familiar form, without asking the customary permission. There was an intimacy in this that he had not intended but he made no apology, for it seemed best to let it pass unremarked.

CRABS

AROUND MIDDAY, with the level of the water edging ever higher, it was clear that the dolphins had begun to disperse. Piya’s last set of sightings was of the newborn and its mother and they put on a display the like of which she had rarely seen. First there was a series of surfacings in which they exposed almost the entire length of their bodies: the calf was seen to be about three feet in length while the older animal was almost half as large again. Next she was afforded a couple of beautiful sightings in which they shot water from their mouths, creating fountains in the air. “Spitting behavior” of this kind was a characteristic of the species — she believed the dolphins used it as a strategy to confuse their prey. The sightings were so good that she put away her data sheets and picked up her camera. Minutes later she was rewarded with a rare view of a young Orcaella tossing a fish into the air and catching it in its mouth. The propensity to play with prey was a family trait — Orcaella shared it with its relative the killer whale — but Piya had witnessed it just half a dozen times in all her years of tracking Orcaella, and this was the only occasion on which she had gotten a clear shot of it.

Shortly afterward the pair vanished. Now it remained to be seen whether they would come back when the water ebbed again, in the evening.

While Piya was in the bow watching the water, Fokir and Tutul were sitting in the stern, patiently tending a set of fishing lines. The lines had worried Piya at first, for dolphins had been known to get themselves tangled in certain kinds of fishing gear. But a close look had shown that Fokir’s tackle was too flimsy to pose a threat to animals of that size and she had let the matter pass, deciding that it was all right to ignore such lightweight lines. The fish evidently had come to the same conclusion for neither father nor son had a single strike all morning. But this didn’t seem to worry them — they looked content where they were, at least for the time being.

But when would Fokir and Tutul demand to leave? The night before, she had hoped they would set off at first light. But the dolphins had changed everything: she saw now that it was imperative that she stay till the next day. This was the only way she could discover whether there was any truth to her intuition that these dolphins had adapted their behavior to suit the ebb and flow of the water — by staying here through a whole cycle of tides. It was possible, of course, that this was just a fantasy and in any event it would take years to gather supportive data. For now all she needed was a few more shreds of evidence, a few indications to suggest that she was thinking along the right lines. If only she could remain here till the next sunrise — that would be enough.

As the hours passed, Piya’s anxiety shifted focus, moving away from the dolphins and settling on Fokir and the boy. How much longer before they grew impatient and demanded to leave? What would she have to do to persuade them to remain here? She had noticed that their clay stove had not been lit all morning — they had eaten nothing but some dry chapatis. This was not a good sign; it could mean they were running low on supplies. In other circumstances she might have offered Fokir a bonus, as compensation for whatever inconvenience he might have to suffer. But this was not an option here: the child could not be expected to defer his hunger in order to earn money for his father.

Her own supply of water was running low, but she knew she could make it last. It was the two of them she was worried about, and her anxiety prompted her to do something unprecedented: digging into her carefully hoarded stock of nutrition bars, she offered them some. Fokir declined, but Tutul accepted one and ate it with evident relish. This reassured her a little. If need be, she would sacrifice a few more bars — it would be well worth it if she could only persuade them to stay on. But her nerves would not be quieted: even as she was filling in her data sheets, she kept casting glances in their direction. Their every movement made her start: Was this it? Had they decided to leave now?

Unaccountably, nothing happened. Neither of them seemed to have any interest in getting the boat under way. After a meager midday meal of chapatis and honey, they both lay down in the shade of the shelter.

Piya was now in a state of such anxiety and expectation that she knew she would not be able to sit still and wait for the hours to pass. Instead, she decided to spend the rest of the afternoon mapping the riverbed to see whether or not there was an underwater pool where the Orcaella had gathered. She had some experience of this kind of mapping and knew it to be a simple, if painstaking, task: it would require her to take depth soundings that could be linked together to create contour lines. Thanks to the Global Positioning System it was easy to ensure the exact placement of each sounding, so that the readings were taken along regular, geometric quadrants.

But how could she explain this to Fokir?

She made her way to the shelter and found Fokir and the boy fast asleep. They were lying on their sides, with Tutul’s small form nested inside the larger curve of his father’s body. The boy, she noticed, had a slight pudginess that contrasted sharply with his father’s near-skeletal leanness: Fokir was all muscle and bone, a male anatomy reduced to its essentials. Was the boy better fed than his father? There was a story here that she wished she understood: Who looked after the boy? Did someone have to deprive himself to make sure Tutul was properly fed?

Their chests were moving in unison as they slept and the rhythm of their breathing reminded her of the pair of dolphins she had been watching earlier. It calmed her to see them sleeping so peacefully — the contrast with her own state of mind could not have been more marked. She hesitated in extending her arm to wake Fokir: Would he be annoyed at being woken from his siesta? Was this when he would demand to leave for home? She noticed a bead of sweat traveling down his temple toward the corner of his eye, and without thinking she put out a finger to flick it away.

He awoke instantly and sat up, rubbing the spot where her fingertip had touched his skin. She backed away in embarrassment. “I’m sorry,” she said. “I didn’t mean —” He shrugged indifferently and dug his fists into his eyes, as though he were trying to rub away the remnants of sleep.

“Look.” She thrust her positioning monitor in front of him and pointed to the screen. “Over here.” To her surprise, his attention was caught immediately. He looked closely as she tried to show him the meaning of the dots and the lines.

The hardest part was to explain the correspondence between their own position and their place on the screen. She tried pointing, in various combinations, to the screen, to herself, to him and the boy. But the purpose was not served: she saw he had grown flustered and realized that her gestures had given him the impression that she wanted him to move closer to her. The misunderstanding disconcerted her and she fetched a sheet of paper, deciding on a change in strategy. Surely it would be easier if she reduced the problem to two dimensions, by drawing a simple diagram with stick figures, like those familiar to every child. The trouble was, she had never been much good at drawing, and now, halfway into the sketch she was brought up short by an unanticipated misgiving. In the past, she had always used a triangular skirt to distinguish her stick women from her men — but this didn’t quite make sense in a situation where the man was in a lungi and the woman in pants. She crumpled up the sheet and would have tossed it away if Fokir hadn’t taken it from her hands, to save for kindling.

With her next drawing she started with the outlines of the landscape, sketching in the curve of the shore before indicating their own position. Just as she had thought, the reduction to two dimensions made all the difference: once she had shown him how the diagram corresponded with the lines on the monitor’s screen, the rest was easy. It took only a few strokes of her pencil to convey that she needed him to row the boat in parallel lines over a quadrant shaped roughly like a triangle, with its apex almost touching the far shore.

She had expected some reluctance, and possibly even resistance.

But there was none. On the contrary, he seemed quite pleased and went so far as to rouse Tutul with a cheerful shout. It was the prospect of traversing the water in straight lines that seemed to enthuse him most — and she discovered why when he pulled a roll of line out of the hold. Evidently he wanted to use this opportunity to do some fishing.

But the line puzzled her; in all the time she had spent on Asian rivers she had never seen its like. It was made of thick, strong nylon, and all along its length, at intervals of a yard or so, were weights — small fragments of broken tile. Stranger still, there were no hooks. Instead, spaced between the weights were bits of fish bone and dried cartilage, tied to the line with cord. It was difficult to see how the tackle worked: the expectation seemed to be that a fish would just attach itself to the line and permit itself to be reeled in. But surely no fish would do that. Then what could he be fishing for? She was at a loss for an answer. It was clear in any event that the line presented no threat to the dolphins and she could see no reason to object to his laying it so long as the boat kept to the right course.

She went back to the bow and readied herself to proceed with her mapping. With her monitor in hand she directed Fokir to the position from which they were to start. Then, just as Tutul was dropping the first weight in the water, she dipped the echo sounder and pressed the button.

The initial run was about a half mile long, and by the time they reached the end the whole line had been paid out. It was after they had turned to retrace their course that Piya discovered what the line was for: it was pulled in with a live crab hanging on to every ninth or tenth morsel of bait. The creatures had snapped their claws on the cartilage and would not let go. Fokir and Tutul had only to peel them off with a net and drop them into a pot filled with leaves. The sight made Piya laugh: so this was where the word “crabby” came from, a creature so stubborn that it would rather be captured than let go?

It took only a few more runs to confirm Piya’s guess that the dolphins had congregated in a declivity. Her soundings showed that the riverbed dipped by a good fifteen to twenty feet there, more than enough to provide for the dolphins’ comfort when the water was running low.

But it was not just for dolphins that the pool was a hospitable habitat: crabs too seemed to flourish there, and Fokir’s catch grew steadily with each successive run. At the start she had thought they might end up disrupting each other’s work — that her soundings would get in the way of his fishing or the other way around. But to her surprise no such difficulties arose: the stops required for the laying of the line seemed to be ideally timed for the taking of soundings. What was more, the line acted like a guide rail, keeping the boat on a straight and unvarying tack, and at the end of each run it led them right back to the precise starting point. In other circumstances Piya would have had to use the Global Positioning System to be sure of this, but here the line served the same purpose. She needed her monitor only to make sure that each run began at a point fifteen feet farther along the quadrant. This was just as much to Fokir’s advantage as it was to hers, since it ensured that his line never fell twice in the same place.

It was surprising enough that their jobs had not proved to be utterly incompatible — especially considering that one of the tasks required the input of geostationary satellites while the other depended on bits of shark bone and broken tile. But that it had proved possible for two such different people to pursue their own ends simultaneously — people who could not exchange a word with each other and had no idea of what was going on in one another’s heads — was far more than surprising: it seemed almost miraculous. Nor was she the only one to remark on this: once, when her glance happened accidentally to cross Fokir’s, she saw something in his expression that told her that he too was amazed by the seamless intertwining of their pleasures and their purposes.

When the crab pot was full, Fokir covered its mouth with an aluminum plate and passed it to her so she could release the catch into the hold. Looking in, she saw that there were some fifteen crabs inside the pot, eyeing her balefully, snapping their claws. When she tipped the pot over they tumbled out in a chain and disappeared into the hold with an angry outburst of clicking and clattering. The unlikely eloquence of the sound drew a laugh from Piya. Her birthday was in July and she had often wondered why the ancients had included a crab in the zodiac when there were so many other, more interesting animals to choose from. But now, as she watched the creatures scuttling about in the hold, she found herself wishing that she knew more about crabs. She recalled a class in which the teacher had demonstrated how some kinds of crabs actually laundered the mud they lived in, scrubbing it grain by grain. Their feet and their sides were lined with hairs that formed microscopic brushes and spoons. They used these to scrape off the diatoms and other edible matter attached to each grain of sand. They were a sanitation department and a janitorial team rolled into one: they kept the mangroves alive by removing their leaves and litter; without them the trees would choke on their own debris. Didn’t they represent some fantastically large proportion of the system’s biomass? Didn’t they outweigh even the trees and the leaves? Hadn’t someone said that intertidal forests should be named after crabs rather than mangroves since it was they — certainly not the crocodile or the tiger or the dolphin — who were the keystone species of the entire ecosystem?

She had thought of these concepts — keystone species, biomass — as ideas that applied to things other than herself. To nature, in short — for who was it who had said that the definition of “nature” was that it included everything not formed by human intention? But it was not her own intention that had brought her here today; it was the crabs — because they were Fokir’s livelihood and without them he would not have known to lead her to this pool where the Orcaella came. Maybe the ancients had it right after all. Perhaps it was the crab that ruled the tide of her destiny.

TRAVELS

RETURNING TO THE Guest House, Kanai found that Moyna had left him his lunch in a tiffin carrier. The meal was simple: plain rice, musuri’r dal, a quick-cooked chorchori of potatoes, fish bones and a kind of green leaf he could not identify. Finally there was a watery jhol of a tiny but toothsome fish called murola. Even cold, the food was delicious. Kanai’s cook was from Lucknow, and his table at home in New Delhi tended to be set with elaborate Mughlai dishes. It was a long time since Kanai had eaten simple Bengali food and the tastes seemed to explode in his head. At the end of the meal he was giddily replete.

After he had put away the utensils, Kanai made his way up the stairs to Nirmal’s study. Shutting the door behind him, he pulled a chair up to the desk and flipped open the notebook.

You, Kanai, were among the last to see Kusum in Lusibari, in 1970. That year, on the eve of the performance of the Bon Bibi Johuranama, she vanished as if into the eye of a storm. No one knew where she went; no trace of her remained. That was the last we heard of Kusum and, to be truthful, we paid little mind to her fate. Sadly, it is all too common in these parts for young people and children to disappear into the city: there are so many such that one loses track of them.

The years went by and the time of my retirement approached. I would be lying if I did not admit that the prospect filled my heart with trepidation. I had been headmaster for close to thirty years: the school, my pupils, my teaching — these things had become my life. Without the pattern and order of a classroom routine, what would become of me? I remembered my days of disorder when the world looked so irredeemably confused that to lie abed seemed the best possible course. Would this condition beset me again? You can imagine my despondency.

The true tragedy of a routinely spent life is that its wastefulness does not become apparent till it is too late. For years I had been telling Nilima that I’d been writing, up in my study. She was glad for me; she took no pleasure in the fact that she enjoyed so much esteem in the world and I so little. She wanted me to be known for what she believed me to be — a writer, a poet. But the truth was that I had not written a single word in all my time in Lusibari; not just that, I had even abandoned my other great pleasure — reading. Regret and remorse attacked me on all these counts as the day of my superannuation neared. One day I went to Calcutta and scoured my favorite stalls and bookshops — only to realize that I could no longer afford to buy books. I returned to Lusibari with only one new volume in my possession — the copy of Bernier’s Travels that you were so kind as to buy for me.

As my final day in school drew nigh it became increasingly apparent that the other masters were keenly awaiting my departure — not, I think, out of a spirit of malice, but merely from an eagerness to see what the future might hold. Someone who has stayed in the same job for thirty years becomes like mildew on the wall — everybody longs to see it wither in the bright light of anew day.

As word of my impending retirement spread, I began to receive invitations to visit schools on other islands. In the past perhaps I would have declined, but I now recalled the Poet’s dictum — “To stay is to be nowhere” — and I was happy to accept. One such invitation was from an old acquaintance who lived in Kumirmari, which is a good distance from here: to get to it requires several changes of ferry. I decided to go.

The morning came and it so happened that Nilima was away, making one of her trips on behalf of the Trust. Left to my own devices, I spent too much time packing the jhola I had planned to take with me. I put in one book and then another — the journey was not a short one, after all, and I would need plenty to read. In the process I misjudged many things — the timing of the ferries, how long it would take to get to the jetty and so on. Suffice it to say that I missed the first connection, which meant that I would miss all the rest.

I was sitting in despair on the bãdh when suddenly I spotted a familiar figure going by in a boat. I had not seen Horen Naskor for many years, but I recognized at once his squat build and narrowed eyes. There was a teenage boy with him and I knew this must be his oldest son.

I hurried down the embankment and accosted them: “Horen! Horen! Wait!”

When I drew level with them, he said in amazement, “Saar? You here? I was bringing my son to see you — he wants to enroll in your school.”

I put a hand on the boy’s shoulder. “I’ll make sure he gets in. But in return there’s something you must do for me.”

“Yes, Saar. What is it?”

“Horen, I have to go to Kumirmari. Can you take me?”

“Why, Saar, yes. For you, anything. Get in.” He gave his son a pat on the shoulder and told him to find his own way home. Then, without a backward glance, we set off in the direction of Kumirmari.

Once we were on the water, it struck me that it was a long time since I had sat in a nouko like Horen’s. In recent years, when I felt the need to travel outside Lusibari — and this happened seldom enough — I generally took ferries and bhotbhotis. Sitting in the boat, the familiar scenery began to take on a different aspect: it was as if I were seeing it in a new way. Under the shade of my umbrella, I opened one of the books I had brought with me — my copy of Bernier’s Travels — and, as if by magic, the pages fell open to his account of his travels in the tide country.

Presently Horen said, “Saar, what is that you’re reading? Are there any stories in it? Why not tell me too, since we have such a long way to go.”

“All right, then,” I said. “Listen.”

This book was by a Christian priest, I told him, a Frenchman who’d come to India in the year 1665. At that time, Chaitanya Mahaprabhu’s memory was still fresh in our villages and Emperor Aurangzeb was sitting on the Mughal throne. The priest’s name was François Bernier and he was of the Jesuit “shomproday.” He had with him two Portuguese pilots as well as a considerable company of servants. On their first day among the mangroves, they found themselves beset with hunger. Although they had food, they were nervous about going ashore to cook it. They had heard many stories of the ferocity of the local tigers and they wanted to take every possible precaution. Late in the day a suitable sandbank was found and two chickens and a fish were prepared. After consuming this meal, the Jesuit and his party set off again and rowed until dark. When night approached, they took their boat into a “snug creek” and anchored it at a distance from the shore where they judged themselves to be safe from predators. But they took the additional precaution of maintaining a watch through the night and this proved lucky for the priest. When his turn came he was privileged to witness a truly amazing spectacle: a rainbow made by the moon.

“Oh!” cried Horen. “I know where this happened: they must have been at Gerafitola.”

“Rubbish, Horen,” I said. “How could you know such a thing? This happened over three hundred years ago.”

“But I’ve seen it too,” Horen protested, “and it’s exactly as you describe — a creek just off a big river. That’s the only place where you can see the moon’s rainbow — it happens when there’s a full moon and a fog. But never mind all that, Saar. Go on with the story.”

“On the third day Bernier and his party discovered that they were lost. They wandered through creeks and rivers and became more and more distracted, thinking that they were trapped forever in this labyrinth of waterways. And then again an amazing thing happened. They saw some people in the distance working on a sandbank, so they headed in that direction. These would be local fishermen, they assumed, who would show them the way. But on getting there they discovered that these men were Portuguese. They were making salt.”

“Ah!” said Horen with a long, drawn-out sigh. “I know that place. It’s on the way to Kedokhali. There’s a place there where people still sometimes go to make salt. My chhotokaka spent the night there once, and all night long he heard strange voices uttering strange words. It must have been those same ghosts they saw. But never mind all that, Saar — just go on.”

“The fourth day found the priest and his party still in the tide country, and in the evening they withdrew once again into the shelter of a creek. Then there followed ‘a most extraordinary night.’ First the wind died down so that not a leaf stirred in the forest. Next the air around the boat began to heat up and it soon became so hot that the priest and his party could scarcely breathe. Then all of a sudden the mangroves around the boat seemed to burst into flame as the greenery was invaded by great swarms of glowworms. These insects hovered in such a way as to give the impression that fires were dancing in the mangroves’ roots and branches. This caused panic among the sailors, who, the Jesuit says, ‘did not doubt that they were so many devils.’”

“But Saar,” said Horen with a puzzled look in my direction. “Why should they doubt it? What else could they be?”

“I don’t know, Horen. I’m just telling you what the priest says.”

“Go on Saar. Go on.”

“The night that followed was still worse — ‘altogether dreadful and perilous,’ says the priest. With no warning, a violent storm arose and pursued the priest and his party into a creek. They took their boat close to shore and, using all their ropes, tied it to a tree. But the storm raged with such ferocity that their cables could not long withstand the wind. Soon the ropes snapped and it seemed certain the boat would be blown out of its shelter, into a storm-tossed mohona where the waves were sure to rip apart the hull. All the while ‘the rain fell as if poured into the boat from buckets,’ and the ‘lightning and thunder were so vivid and loud, and so near our heads, that we despaired of surviving this horrible night.’

“At this juncture, in a ‘sudden and spontaneous movement’ the priest and his two Portuguese pilots took hold of a tree and entwined their arms into the mangroves’ twisted stilts. Their arms became living roots, like those of the tree that had given them shelter. In this way they clung on ‘for the space of two hours, while the tempest raged with unabated force.’”

“Ei ré!” cried Horen. “They must have crossed the line.”

“What line, Horen?”

“Didn’t you say they were lost, Saar?”

“Yes, I did.”

“That’s what happened, then. They crossed the line by mistake and ended up on one of Dokkhin Rai’s islands. Whenever you have a storm like that — one that appears so suddenly out of nowhere — you know it’s the doing of Dokkhin Rai and his demons.”

I grew impatient and said, “Horen! A storm is an atmospheric disturbance. It has neither intention nor motive.”

I had spoken so sharply that he would not disagree with me, although he could not bring himself to agree either. “As to that, Saar,” he said, “let us leave each other to our beliefs and see what the future holds.”

Here was a man, I thought, whom the Poet would have recognized: “filled with muscle and simplicity.”

I have gone on at too great a length — hours have passed, the ink in my ballpoint is running down. This is what happens when you have not written for years: every moment takes on a startling clarity; small things become the world in microcosm.

Kusum and Horen have left me here with Fokir. They have gone to find out if the rumors are true; if Morichjhãpi is soon to be attacked, and if so, when the assault will come.

To think of all the years when I had nothing but time and yet wrote not one word. And now, like some misplaced, misgendered Scheherezade, I am trying to stave the night off with a flying, fleeting pen. .

GARJONTOLA

THE FINAL RUN brought Fokir’s boat into shallow water within a few feet of the shore. Piya’s guess had been amply confirmed by this time: her soundings showed that there was a half-mile-long depression in the sheltered crook of the river’s elbow. The declivity formed a gentle, kidney-shaped basin with a rounded bottom and sides: although the drop exceeded twenty-five feet in some places, on average it was only some fifteen feet deeper than the rest of the riverbed. The pool, in short, was similar in most particulars to those frequented by the Orcaella of the Mekong during the dry season.

With the water running high, the band of mud on the shore had thinned to the width of a few paces, and the mangroves’ trunks were at last at eye level, neither above nor below the boat. The water was so shallow here that there was no point in taking soundings; for the first time in hours, Piya went “off effort,” dropping her binoculars and resting her eyes on the greenery of the shore. Presently her gaze was drawn to what seemed to be a fragment of brick lying in the mud. She looked more closely and her glasses confirmed her impression: this was indeed a bit of broken brick, and it was not the only one — the shore was littered with them. Examining the tangled greenery, she discovered that some of the mangroves were growing out of mud walls, while others had chunks of brick entwined in their roots.

She called out to Fokir, “Look — there.” He turned to glance at the shore and nodded. “Garjontola,” he said with a gesture in that direction. She guessed that this was the name of whatever settlement had once stood there. “Garjontola?” He nodded in confirmation. She was glad to know the name and noted it quickly: the dolphins’ tidal pool, she decided, would be named after this abandoned village — “the Garjontola pool.”

All of a sudden Tutul jumped to his feet, rocking the boat. Looking up from her notebook, she saw that he was pointing into the middle distance, to a tree that was taller than the others, more like a birch than a mangrove: it was slender-limbed with light-colored bark and foliage that seemed almost silvery against the dense, heavy green of the surrounding mangroves.

At the end of the run, Fokir surprised her by turning the boat’s bow in the direction of the shore. This was the closest she had been to the forest, and she felt as though she were facing it for the first time: before, it had been either half submerged or a distant silhouette, looking down on the water from the heights of the shore. Staring at it now, she was struck by the way the greenery worked to confound the eye. It was not just that it was a barrier, like a screen or a wall: it seemed to trick the human gaze in the manner of a cleverly drawn optical illusion. There was such a profusion of shapes, forms, hues and textures that even things that were in plain view seemed to disappear, vanishing into the tangle of lines like the hidden objects in children’s puzzles.

Fokir pulled the oars in after a last, powerful stroke and the boat’s bow nudged into the mud. Then he rose to his feet and, as if by magic, his lungi became a loincloth, transformed by a single flick of his wrist. Swinging his legs over the side, he dropped into the water and gave the boat a push that sent it plowing deep into the bank. Piya, sitting in the bow, found herself lodged halfway up the bank, with a tangled barrier of mangrove blocking off the slope ahead.

After lifting Tutul off the boat, Fokir made a beckoning motion with his arm, and she understood that he was asking her to follow him off the boat. But where was he going? She sketched an interrogatory gesture, and he responded by pointing in the direction of the island’s interior, past the first barrier of mangrove.

“In there?”

Now he was beckoning again, motioning to her to hurry. She hesitated for a moment, held back by her aversion to mud, insects and dense vegetation, all of which were present aplenty on the shore. In any other circumstances she would not even have considered heading into forest cover of that kind, but with Fokir it was different. Somehow she knew she would be safe.

“OK. I’m coming.” Rolling her pants up to her knees, she swung her bare feet over the gunwale. The mud parted under her weight, sucking her feet in with a wet slurping sound. She was taken completely by surprise for the mud hadn’t seemed deep at all when Fokir was running up the bank. The slight forward momentum of her body as she came off the boat was enough to unbalance her: the grip of the mud pulled her ankles backward, away from her center of gravity. Suddenly she was tipping over, falling face forward, extending her arm to keep herself from slamming into the mud. But at just the right moment, Fokir appeared directly in front of her, with his body positioned to block her fall. She landed heavily on his shoulder and once again found herself soaking in the salty smell of his skin. In blocking her fall, she had thrown her arms around his torso, as though he were a pillar or a tree trunk, and one of her hands had caught hold of his shoulder blade, digging into the recess between muscle and bone. Her other hand had slid down his bare skin, coming to rest on the small of his back, and for an instant she was paralyzed with embarrassment. Then she became aware of Tutul’s voice somewhere nearby — he was laughing at her discomfiture, in childish delight — and she began to pull away from Fokir, withdrawing her fingers gingerly. When he put a steadying hand under her elbow, she saw he was laughing too, but not in a way that seemed unkind — he seemed to be amused more by her surprise at the depth of the mud than by her fall.

After she was on her feet again he enacted a little pantomime to show her how to negotiate the bank: lifting up a foot, he curled his big toe like a crab’s claw and dug it into the mud. She tried it herself, and it worked for a couple of steps, but then her foot slipped again. Fortunately, he was still beside her and she held on to his arm until they had left the mud behind and pushed their way into the tangle of greenery that lined the shore.

She saw now he had a machete with him. He went ahead of her, swinging the blade and clearing a path through the dense foliage. Soon the green barrier came to an end and they broke through to a grassy clearing dotted with stunted palm trees.

Tutul ran ahead to the far side of the clearing and stopped in front of what seemed to be a small shack built on stilts. On approaching closer she saw it was not a shack at all but a leaf-thatched altar or shrine: it reminded her distantly of her mother’s puja table, except that the images inside didn’t represent any of the Hindu gods she was familiar with. There was a large-eyed female figure in a sari and beside it a slightly smaller figure of a man. Crouching between them was a tiger, recognizable because of its painted stripes.

Piya stood by and watched as Fokir and Tutul performed a little ceremony. First they fetched some leaves and flowers and placed them in front of the images. Then, standing before the shrine, Fokir began to recite some kind of chant, with his head bowed and his hands joined in an attitude of prayer. After she had listened for a few minutes, Piya recognized a refrain that was repeated again and again — it contained a word that sounded like “Allah.” She had not thought to speculate about Fokir’s religion, but it occurred to her now that he might be Muslim. But no sooner had she thought this than it struck her that a Muslim was hardly likely to pray to an image like this one. What Fokir was performing looked very much like her mother’s Hindu pujas — and yet the words seemed to suggest otherwise.

But what did it matter either way? She was glad just to be there as a witness to this strange little ritual.

A few minutes later they headed back and on breaking free of the mangrove, Piya saw that the sun had dipped in the sky and the level of the water had begun to fall. She tiptoed carefully across the mud and was about to climb into the boat when Fokir waved to catch her attention. He was some fifty feet away, kneeling with his hand pointing toward the ground. Piya went over to look and saw that he was pointing to a depression in the mud filled with scurrying crabs. She raised her eyebrows, and he held up a hand, as if to tell her that that was what it was — the mark of a hand. She frowned in incomprehension: what hand could have touched that mud other than his? Then it struck her that maybe he meant not “hand” but “foot” or “paw.” “Tiger?” she was about to say, but he raised a finger to prevent her: she understood now that this was indeed some kind of superstition — to say that word or even to make a gestural reference to it was taboo.

She looked at it again and could see nothing to suggest that it was what he had said. The placement of the mark contributed to her skepticism: the animal would have had to be in full view and she would have seen it from the water. And would Fokir himself be quite so unconcerned if there really was a tiger nearby? It just didn’t add up.

Then she heard the sound of an exhalation, and all thought of the tiger was banished from her mind. Picking up her binoculars, she spotted two humps breaking the river’s surface: it was the adult Orcaella swimming in tandem with the calf. With the water ebbing, the dolphins had returned: their movements seemed to follow exactly the pattern she had inferred.

A DISTURBANCE

KANAI WAS STILL in his uncle’s study, reading, when the light above the desk flickered and went out. He lit a candle and sat still as the throbbing of the generator faded and a cloud of stillness crept slowly over the island. As he listened to its advance, it occurred to him to wonder why, in English, silence is commonly said to “fall” or “descend” as though it were a curtain or a knife. There was nothing precipitous about the hush that followed the shutting off of the generator: the quiet was more like a fog or a mist, creeping in slowly, from a distance, wrapping itself around certain sounds while revealing others: the sawing of a cicada, a snatch of music from a distant radio, the cackle of an owl. Each of these made themselves heard briefly, only to vanish again into the creeping fog. It was in just this way that yet another sound, unfamiliar to Kanai, revealed itself, very briefly, and then died away again. The echo had carried across the water from such a distance that it would have been inaudible if the generator had been on; yet it bespoke a nakedness of assertion, a power and menace, that had no relationship to its volume. Small as it was, every other sound seemed to wither for an instant, only to be followed by a loud and furious outbreak of disquiet — marked most prominently by a frenzy of barking from all over the island.

Shutting the door behind him, he stepped out onto the roof and discovered that the landscape, in its epic mutability, had undergone yet another transformation: the moonlight had turned it into a silvery negative of its daytime image. Now it was the darkened islands that looked like lakes of liquid, while the water lay spread across the earth like a vast slick of solid metal.

“Kanai-babu?”

He turned to see a woman standing silhouetted in the doorway with her sari drawn over her head.

“Moyna?”

“Yes.”

“Did you hear?” No sooner had he said the words than he heard the sound again: it was the same indistinct echo, not unlike the bellowing of a faraway train, and again it was followed by an outburst of barks as though all the island’s dogs had been waiting to hear it repeated.

“Is it a —?” Kanai began, and then, seeing her flinch, cut himself short. “I shouldn’t say the word, should I?”

“No,” she said. “It’s not to be spoken aloud.”

“Where do you think it’s coming from?”

“It could be from anywhere,” she said. “I was just sitting in my room waiting, but then I heard it and I couldn’t sit still anymore.”

“So Fokir isn’t back yet?”

“No.”

Kanai understood now that the animal’s roar had a direct connection with her anxiety. “You shouldn’t worry,” he said, trying to reassure her. “I’m sure Fokir will take all the right precautions. He knows what to do.”

“Him?” Anger seethed in her voice as she said this. “If you knew him you wouldn’t say that. Whatever other people do, he does just the opposite. The other fishermen — my father, my brothers, everyone — when they’re out there at night, they tie their boats together in midstream so they won’t be defenseless if they’re attacked. But Fokir won’t do that; he’ll be off on his own somewhere without another human being in sight.”

“Why?”

“That’s just how he is, Kanai-babu,” she said. “He can’t help himself. He’s like a child.”

The moonlight caught the three points of gold on her face, and once again Kanai was reminded of stars lined up in a constellation. Even though her ãchol was drawn carefully over her head, there was a restlessness in the tilt of her face that was at odds with the demure draping of her sari.

“Moyna, tell me,” said Kanai in a half-jocular, teasing tone, “was Fokir a stranger to you before you married him? Didn’t you know what he was like?”

“Yes,” said Moyna, “I did know him, Kanai-babu. After his mother died, he was brought up by Horen Naskor. Our village was not far from theirs.”

“You’re a bright girl, Moyna,” Kanai said. “If you knew what he was like, why did you marry him?”

She smiled, as if to herself. “You wouldn’t understand,” she said.

He was nettled by the certainty in her voice. “I wouldn’t understand?” he said sharply. “I know five languages. I’ve traveled all over the world. Why wouldn’t I understand?”

She let her ãchol drop from her head and gave him a sweet smile. “It doesn’t matter how many languages you know,” she said. “You’re not a woman and you don’t know him. You won’t understand.”

Leaving him standing, she whirled around and left.

LISTENING

THE DOLPHINS’ QUIET, regular breathing had lulled Piya into a doze from which she was woken by a sound that seemed to come booming out of a dream. By the time she opened her eyes and sat up, the forest was quiet again and the echoes had already faded. The river was lapping gently at the boat’s hull and the stars above had become faint pinpricks of light, their glow dimmed by the brightness of the moon.

Then the boat began to rock and she knew that Fokir was awake too. Raising her head, she saw that he had seated himself in the center of the boat with his blanket draped shawl-like around his shoulders. Now she roused herself and made her way like a crab along the boat, seating herself beside him. “What was it?” She mimed the question with raised eyebrows and a turn of her hand. He gave her a smile but made no direct answer, only pointing vaguely across the water. Then, resting his chin on his knees, he fixed his eyes on the island they had visited earlier, visible now as a faint silver filigree across the water.

For a while they sat listening companionably to the Orcaella as they circled around the boat. Then she heard him humming a tune, deep in his throat, so she laughed and said, “Sing. Louder. Sing.” She had to exhort him a few more times and then he did sing out loud, but keeping his voice low. The melody was very different from that of the day before, alternately lively and pensive, but it mirrored her mood and she felt a sense of perfect contentment as she sat there listening to his voice against the percussive counterpoint of the dolphins’ breathing. What greater happiness could there be than this: to be on the water with someone you trusted at this magical hour, listening to the serene sound of these animals?

They sat a while in silence and presently she sensed that despite the direction of his gaze, he was not really watching the far shore. Was he perhaps half asleep, she wondered, as people sometimes are even when they seem to be awake? Or was he just lost in thought, with his mind racing to retrieve some almost forgotten shard of recollection from his past?

What did he see when he looked back? She pictured a hut like those she had seen on the fringes of Canning, with mud walls and straw thatch and shutters of plaited bamboo. His father was a fisherman like him, with long stringy limbs and a face imprinted by the sun and wind, and his mother was a sturdy but tired woman, worn to the bone by the daily labor of carrying baskets full of fish and crabs to the market. There were many children, many playmates for little Fokir, and although they were poor their lives did not lack for warmth or companionship: it was a family like those she had heard her father talk about, in which want and deprivation made people pull together all the more tightly.

Had he seen his wife’s face before the wedding? Her own parents, she remembered, had actually been allowed to meet and talk to each other, although there had been many relatives present — but of course they were city people, middle class and educated. A meeting between the unwed would surely not be allowed in the village Fokir lived in. The couple would have first set eyes on each other when they were seated at the sacred fire and even then the girl would not have looked up: she would have kept her eyes downcast until it was night and they were lying beside each other in the mud-walled room of their hut. Only then would she allow herself to look at this boy who was her man and thank her fate for giving her a husband who was young, with fine, clean limbs and wide, deep eyes, someone who could almost have been the dark god of her prayers and dreams.

She decided to get up and go back to the bed she had made for herself in the bow of the boat. She flipped over and lay on her stomach, turning her attention back to the dolphins. They were still in the pool, even though the tide was now in full flood: evidently this meant they preferred not to hunt by night. It remained to be seen whether they would leave the pool when the tide rose again the next day.

She imagined the animals circling drowsily, listening to echoes pinging through the water, painting pictures in three dimensions — images that only they could decode. The thought of experiencing your surroundings in that way never failed to fascinate her: the idea that to “see” was also to “speak” to others of your kind, where simply to exist was to communicate.

In contrast, there was the immeasurable distance that separated her from Fokir. What was he thinking about as he stared at the moonlit river? The forest, the crabs? Whatever it was, she would never know: not just because they had no language in common but because that was how it was with human beings, who came equipped, as a species, with the means of shutting each other out. The two of them, Fokir and she, could have been boulders or trees for all they knew of each other, and wasn’t it better in a way, more honest, that they could not speak? For if you compared it to the ways in which dolphins’ echoes mirrored the world, speech was only a bag of tricks that fooled you into believing that you could see through the eyes of another being.

BLOWN ASHORE

And so to Kumirmari. That day, I heard for the first time of the events unfolding at Morichjhãpi. The islands were close by, and in the school I was visiting there were many teachers who had witnessed the progress of the exodus: they had seen tens of thousands of settlers making their way to the island in boats, dinghies and bhotbhotis. Many of their own people had gone off to join the movement, drawn by the prospect of free land. But even as they marveled at the refugees’ boldness, there were those who predicted trouble: the island belonged to the Forest Department and the government would not allow the squatters to remain.

I thought no more of it; it was no business of mine.

At midday there was a meal and shortly afterward Horen and I set off to return to Lusibari. We were on the river, heading home, when the wind suddenly started up. Within moments it was on us — it attacked with that peculiar, willful malevolence that causes people to think of these storms as something other than wholly natural. The river had been calm minutes before, but now we found ourselves picked up and shaken by huge waves. Before, Horen had been sweating to make the boat move — now we were being swept along against our will.

“Are we going to be finished off this time?” I said.

“No, Saar,” he said. “I’ve lived through much worse than this.”

“When?”

“In 1970, Saar, during the Agunmukha cyclone. If you had seen that, this would not seem like a storm at all. But that’s too long a story to tell to you now. What’s important for us at this minute is to go ashore.” He pointed to his right.

“Morichjhãpi, Saar. We can take shelter there until the storm subsides.”

There was nothing more to be said. With the wind behind us we were driven quickly to the shore. I helped Horen push his boat up the bank, and after he had secured it, he said, “Saar, we have to take shelter under a roof.”

“But where can we go, Horen?”

“Over there, Saar. I see a dwelling.”

Without another question I set off after him, running through the pounding rain. With water streaming down my glasses, it was all I could do to keep my eyes on Horen’s back.

Soon we were at the door of a small shack — of the usual kind, made with bamboo and palm-leaf thatch. At the door, Horen shouted, “Eijé — ké achhish? Anybody home?”

The door sprang open and I stepped in. I was standing there blinking, wiping the rain from my glasses, when I heard someone say, “Saar? Is that you?”

I looked down and saw a young woman kneeling in front of me, touching my feet. That I could not identify her was no more a surprise than that she should know me: if you have been in one place long enough as a schoolteacher, then this happens with almost everyone you meet. Your pupils grow up and your memory fails to grow with them. Their new faces do not match the old.

“Saar,” she said, “it’s Kusum.”

Of all the people I might have expected to meet in that place, she was surely the last. “Impossible.”

Now that my glasses were dry I noticed there was a small child hiding behind her. “And who is that?” I said.

“That’s my son, Fokir.”

I reached out to pat his head but he darted away.

“He’s very shy,” said Kusum with a laugh.

I noticed now that Horen had not entered the dwelling and I realized that this was probably as a show of respect to me. I was both pleased and annoyed. Who, after all, is so egalitarian as not to value the respect of another human being? Yet it seemed strange that he did not know of my aversion to servility.

I put my head around the door and saw him outside, waiting patiently in the pouring rain. “What’s the matter with you, Horen?” I said. “Come inside. This is no time to be standing on ceremony.”

So Horen came in and there ensued a silence of the kind that often descends when people meet after a long time. “You?” said Kusum at last, and Horen answered with one of his customary mumbles. Then she pushed the boy forward and said, “Here is Fokir, my son.” Horen ran his hand through the boy’s hair and said, “Besh! Good.”

“And what about your family?” she said. “Your children must be quite grown now.”

“My youngest is five,” said Horen, “and the oldest is fourteen.”

She smiled, as if to tease him: “Almost of an age to be married, then?”

“No,” said Horen with sudden vehemence. “I would not do to him what was done to me.”

I recount this only as an example of the way in which, even in extraordinary circumstances, people will often speak of the most inconsequential things.

“Look at you,” I said. “It’s Kusum who’s been away for all these years — and here we are talking about Horen and his children.”

There was a mat on the floor and I sat down. I asked where she had been and how she had ended up in Morichjhãpi.

“What can I tell you, Saar?” she said. “It would take too long to tell.”

The wind was howling outside and the rain was still pouring down. “There’s nothing else to do now anyway,” I said. “So I’m ready to hear whatever you have to say.”

She laughed. “All right, Saar. How can I say no to you? I’ll tell you how it happened.”

I remember that her voice changed as she was recounting her story; it assumed new rhythms and distinctive cadences. Is it merely a trick of memory? It doesn’t matter: her words have come flooding back to me in a torrent. My pen will have to race to keep up: she is the muse and I am just a scribe.

“Where was my mother? I only knew what I’d heard — from Lusibari I went as if to the dark: she had been taken, they said, to a town called Dhanbad. I asked a few questions and found out where to go; switching from this train to that, I made my way there.

“At the station it struck me: what would I do now? It was a mining town, the air was filled with smoke; the people were strangers, I’d never known their like; their words were like iron, they rang when they spoke; when their gaze turned on you, their eyes smoldered like coal. I was on my own, a girl dressed in a torn frock; I’d had no fear till then — now my courage ran dry.

“But I was fortunate, although I didn’t know, a blessed power was watching: she showed me where to go. There was a man at the station selling ghugni. I spoke to him and found he was from the tide country! His house was in Basonti, his name was Rajen; his people were poor and he had left home as a boy. He had been lamed in Calcutta by a speeding bus; he’d started selling food in stations and on trains. Chance had brought him to Dhanbad, where he’d found a shack; it was in a bosti right beside the rail track. When he heard why I was there, he said he would help, but in the meanwhile what would I do with myself? ‘Come with me,’ he said. ‘You will be fine in my shack. Like you, I’m on my own. There’ll be room for us both.’ I followed him there, along the graveled rail track. I was fearful when I entered: would I be safe? All night I lay awake and listened to the trains.

“Many days passed and he gave me no cause for shame; he was a good, kind man: how many such are there? It’s true that some said, ‘Look who’s with Rajen the lame’ — I let them say what they wanted. What did I care?

“It was Rajen who brought me word of my mother; she was working in a place where truck drivers came, to sleep on charpais and buy women for the night. I went there with Rajen and in secret we met: I fell upon Ma, but couldn’t bring myself to speak. For so long I’d been waiting, but now my heart broke: her body was wasted, her face thin and drawn. ‘Don’t look, Kusum,’ she said. ‘Don’t touch me with your eyes; think of me as I was before your father died. I blame that Dilip; he’s more demon than man. He said he’d find me work, and look where he brought me: to eat leaves at home would have been a better fate. He sold me, that danob, to others of his kind. This is no place for you, Kusum. You must go back. But stay a few days; come and see me once more.’

“We went home that night and came back a week later. Then Rajen said something that stopped our very breath: ‘Let Kusum marry me; let her be my wife. She’ll be with me forever; I’ll give her my life.’ At last I saw Ma smile: what better news could there be? ‘Fortunate Kusum, you’ve been blessed by Bon Bibi.’ ‘You’ll come too,’ said Rajen. ‘Ma, we’ll steal you away. This is no place for you; you’ll die if you stay.’ We went back together to Rajen’s little shack; in Ma’s presence we were married, Rajen and I. Who could have known then that this would be Ma’s bidai? To see me was her release; three months later she died. That was her fate — nothing could be done; if she had lived but two years, she would have seen Fokir, our son.

“Many months passed and we spoke of coming back here: that place was not home; there was nothing for us there. Walking on iron, we longed for the touch of mud; encircled by rails, we dreamed of the Raimangal in flood. We dreamed of storm-tossed islands, straining at their anchors, and of the rivers that bound them in golden fetters. We thought of high tide and the mohonas mounting, of islands submerged like underwater clouds. By night we remembered, we talked and we dreamed — by day coal and metal were the stuff of our lives.

“Four years went by and then that life came to an end: a train began to move, with Rajen still unpaid. As the engine picked up speed he ran to keep up, then his bad leg crumpled and he made a misstep: he was pulled from the platform, thrown before the wheels. What can I say? He was taken before his time. He kept his word to me: he gave me his whole life. Never had I thought he would leave me like that, but at least I had Fokir, my son was his gift. Once again I thought of making my way back home; but now, with a child, I hadn’t the courage on my own. Whom would I go to there? Whom would I ask for help? What if I couldn’t make do and it came to the worst? What if I had to fall begging at Dilip’s feet?

“Maybe Bon Bibi was keeping watch over me, for one night I heard tell of a great march to the east. They passed us next day — like ghosts, covered in dust, strung out in a line, shuffling beside the rail tracks. They had children on their shoulders, bundles on their backs. Where were they heading? From what city had they come? They were not from those parts; they were strangers to us. I saw someone stumble, a woman as old as Ma. I took her back home with the help of some others. I gave them food and water; I saw they needed rest. ‘Stay, sit, raho behtho,’ I said. ‘Get back your strength.’ Did you notice the words? See: I’d spoken in Hindi, but it was in Bangla they spoke back to me. I was amazed: the very same words, the same tongue! ‘Who are you?’ I said. ‘Tell me, where are you headed?’ ‘Listen, sister, we’ll tell you. This is the story.

“‘Once we lived in Bangladesh, in Khulna jila: we’re tide country people, from the Sundarbans’ edge. When the war broke out, our village was burned to ash; we crossed the border, there was nowhere else to go. We were met by the police and taken away; in buses they drove us to a settlement camp. We’d never seen such a place, such a dry emptiness; the earth was so red it seemed to be stained with blood. For those who lived there, that dust was as good as gold; they loved it just as we love our tide country mud. But no matter how we tried, we couldn’t settle there: rivers ran in our heads, the tides were in our blood. Our fathers had once answered Hamilton’s call: they had wrested the estate from the sway of the tides. What they’d done for another, couldn’t we do for ourselves? There are many such islands in the bhatir desh. We sent some people ahead, and they found the right place; it’s a large empty island called Morichjhãpi. For months we prepared, we sold everything we owned. But the police fell on us the moment we moved. They swarmed on the trains, they put blocks on the road — but we still would not go back; we began to walk.’

“I listened to them talk, and hope blossomed in my heart; these were my people, how could I stand apart? We shared the same tongue, we were joined in our bones; the dreams they had dreamt were no different from my own. They too had hankered for our tide country mud; they too had longed to watch the tide rise to full flood. If we stayed on in Dhanbad, what would our future be? A lifetime of toil in a city of rust? I gathered our things, put clothes on Fokir’s back; with Rajen in our hearts, we stepped away from the shack.

“And there you have it, Saar. I have told you the story. That’s how Fokir and I came to Morichjhãpi.”

And so we fell silent, each of us alone with our thoughts, Kusum and Fokir, Horen and I. In my mind’s eye I saw them walking, these thousands of people who wanted nothing more than to plunge their hands once again in our soft, yielding tide country mud. I saw them coming, young and old, quick and halt, with their lives bundled on their heads, and knew it was of them the Poet had spoken when he said:

Each slow turn of the world carries such disinherited

ones to whom neither the past nor the future belongs.

A HUNT

IN THE MORNING Fokir still showed no great eagerness to be gone, and Piya, for her part, saw no reason to hurry him: she was glad to be able to spend more time with the dolphins.

The animals remained in the pool till midmorning, when the waters began to rise. Then again, over a period of about half an hour, they vanished. It happened exactly as it had the day before, except for the difference in the timing of the tide.

What remained to be seen now was where they went when they left the pool: Fokir might know the answer to this. Through a combination of gestures she managed to convey to him that she wanted to follow the dolphins — would it be possible to track them in the boat? He nodded eagerly and quickly pulled in the anchor.

They left the pool while the tide was still coming in and the current added a little to their pace. Leaving Garjontola behind, they entered a mohona. Keeping watch in the bow, Piya saw that with the tide in flood the surrounding islands were sliding gradually beneath the water.

Looking ahead with her binoculars, she spotted a pair of fins far out in front. By the time they had crossed the mohona, the fins were nowhere in sight. But Fokir seemed sure of the way, for he turned unhesitatingly into a wide channel and then veered off into another that was narrower. Shortly afterward he downed his oars and pointed to the shore. Veering around with her binoculars, Piya spotted three crocodiles — she had missed them because her attention had been focused on the water. She guessed that Fokir had seen them before, in this very stretch of water. They were lying exposed to view but their mud-caked bodies blended so well into the surroundings that it was hard to judge their size. One had its jaws open and it seemed to Piya that the gap was wide enough to take the measure of a human being — certainly one of her own size.

The channel was a relatively narrow one, and if the tide had been low they would have passed very close to the crocodiles, but with the water running high, the reptiles were well up on the shore. They gave no indication of having noticed the boat’s passage, but a while later when Piya turned her binoculars on them again, she saw that there were only two animals left on the bank. The third had slithered into the water and the trough it had carved in the mudbank had begun to fill up again. Within minutes the depression vanished and the bank was restored to its lacquered smoothness.

Then Tutul uttered a wordless shout and pointed ahead. Piya swung her binoculars around just in time to catch a glimpse of a dolphin’s flukes. They disappeared almost at once and she was annoyed with herself for being distracted by the crocodiles. But a minute later the flukes appeared again, rising vertically out of the water, as if the animal were standing on its head. Then another pair of flukes appeared beside the first, similarly upended, and Piya recognized the mother-and-calf couple she had observed before in the pool. The flood tide had created dozens of tiny creeks that reached deep into the interior of the surrounding banks and islands. It was in one of these that the dolphins were foraging, a gully clearly too shallow even for Fokir’s boat.

Piya knew what the dolphins were doing: they had herded a school of fish into shallow water and the hunted creatures had buried themselves in the mud in a futile effort to evade their pursuers. Now, much like rabbits uprooting a harvest of carrots, the dolphins were picking the fish from the riverbed.

Piya had witnessed a variation on this very scene once, on the Irrawaddy River. In the course of a survey, she had made time to visit two fishermen who lived in a small village north of Mandalay. The visit had come about at the urging of a fellow cetologist who’d told her that these men would show her something she would find hard to believe.

The two fishermen proved to be a middle-aged man and his teenage son. At eleven in the morning they took Piya and her interpreter out on the river in their fishing boat. The boat was about the same size as Fokir’s, but it had no hood. The heat was so fierce that even the water seemed to be in a stupor, showing few discernible signs of movement. Piya was relieved to find they had not far to go. When they were some fifty feet from shore the older man produced a wooden stick and began to drum on the boat’s gunwale. A few minutes later a sharply raked dorsal fin broke the water’s surface, soon to be followed by several others. Then the younger man picked up a fishing net and began to rattle the metal weights that were attached to its fringe. The sound prompted a pair of dolphins to break off from the pod. While the others hung back, this pair made a close approach to the boat. When they were about ten feet from the bow, they began to swim in circles, almost as if they were chasing each other’s tails. Through the interpreter, the fishermen explained that the dolphins were herding a school of fish toward the boat.

For a while the fishermen observed in silence, and then the younger man rose to his feet. Giving voice to a strange, gobbling call, he swirled the net around his head and made a cast. The net landed right in the center of the perimeter the dolphins had been patrolling. Now, as the net sank, the water’s surface began to froth. Small silver fish leapt in the air while the two patrolling dolphins swam faster and faster in tightening circles. The other dolphins in the pod joined in and began to make darting charges, thrashing the surface with their flukes in order to drive the fast-scattering fish back toward the net.

The fishermen pulled in the net and a wriggling, writhing mass of silver spilled out and lay scattered around the deck: it was as though a piñata had burst, releasing a great mass of tinsel. The dolphins, meanwhile, were celebrating a catch of their own. In sinking to the bottom, the net had pushed a great number of fish into the soft floor of the river; the dolphins were now free to feast on this underwater harvest. They fell to it with gusto, upending themselves in the water, creating a small thicket of wriggling flukes.

Piya was awestruck. Did there exist any more remarkable instance of symbiosis between human beings and a population of wild animals? She could not think of one. There was truly no limit, it seemed, to the cetacean gift for springing surprises.

DREAMS

With the storm raging outside, there was no question of trying to get back to Lusibari that night.

“Saar,” Horen said at last with a sigh, “I think we’ll have to sleep here on Kusum’s floor tonight.”

“It’s for you to judge, Horen,” I said. “I’ll do what you say.”

Later, Kusum boiled some rice and cooked a few small fish, a handful of little tangra-machh that Fokir had caught. After we had eaten, Kusum laid out mats for Horen and me at one end of the room while she went with Fokir to sleep in the far corner. Late at night, when the storm had died down, I heard the door open and knew that Horen had gone to see to the safety of his boat. I fell into a fitful, feverish sleep, stirring and tossing.

“Saar.” I heard Kusum’s voice, although I couldn’t see her face in the dark. “Are you all right?”

“Yes,” I said. “I’m fine. Why do you ask?”

“Because you cried out in your sleep.”

I felt her hand stroking my forehead, and tears came to my eyes. “Just an old man’s nighttime fears,” I said at last. “But I’m fine now. Go back to your son. Go back to sleep.”

I rose in the morning to find, as so often after a storm, that there was not a cloud in the sky. The island and river were bathed in brilliant sunshine. I stepped away from Kusum’s dwelling and saw others nearby. I walked a little farther and saw still more dwellings, scattered over cleared fields. These were huts, shacks and shanties built with the usual materials of the tide country — mud, thatch and bamboo — yet a pattern was evident here: these dwellings had not been laid out at random.

What had I expected? A mere jumble perhaps, untidy heaps of people piled high upon each other? That is, after all, what the word rifugi has come to mean. But what I saw was quite different from the picture in my mind’s eye. Paths had been laid; the bãdh — that guarantor of island life — had been augmented; little plots of land had been enclosed with fences; fishing nets had been hung up to dry. There were men and women sitting outside their huts, repairing their nets and stringing their crab lines with bits of bait and bone.

Such industry! Such diligence! Yet it was only a few weeks since they had come.

Taking in these sights, I felt the onrush of a strange, heady excitement: suddenly it dawned on me that I was watching the birth of something new, something hitherto unseen. This, I thought, is what Daniel Hamilton must have felt when he stood upon the deck of his launch and watched the mangroves being shorn from the islands. But between what was happening at Morichjhãpi and what Hamilton had done there was one vital aspect of difference: this was not one man’s vision. This dream had been dreamt by the very people who were trying to make it real.

I could walk no more. I stood transfixed on the still wet pathway, leaning on my umbrella while the wind snatched at my crumpled dhoti. I felt something changing within me: how astonishing it was that I, an aging, bookish schoolmaster, should live to see this, an experiment, imagined not by those with learning and power, but by those without!

I felt all of existence swelling in my veins. Letting my umbrella drop, I flung back my head to open myself to the wind and the sun. It was as though in the course of one night I had cast away the emptiness I had so long held in my arms.

In great excitement, I went back to Kusum’s door.

“What’s the matter, Saar?” she said in alarm. “Why are your clothes muddy, your face red? Where have you left your umbrella?”

“Never mind all that,” I said impatiently. “Tell me, who is in charge? Is there a committee? Are there leaders?”

“Yes, of course. Why?”

“I want to meet with them.”

“Why, Saar?”

“Because I want to have some part in what is happening here. I want to be of help.”

“Saar, if that’s what you want, who am I to say no?”

The island, she said, had been divided into wards. People in charge of each of these wards made decisions and helped organize every essential activity.

“Take me to the head of your ward,” I said, and she led me to a door a short distance away.

The leader of the ward was a sharp, energetic man, no dreamer, and not someone to put up with trespasses on his time: in his demeanor I glimpsed the euphoric reticence of someone who knows that success is within reach. Of course he was busy, but when he heard I was a headmaster — although soon to be retired — he took the time to show me around. We walked along the newly cleared paths and he pointed out all that had been done in the weeks since they had first arrived. I was amazed, not just by what they had built but the care they had invested in creating organizations, institutions. They had set up their own government and taken a census — there were some thirty thousand people on the island already and there was space for many more. The island had been divided into five zones and each family of settlers had been given five acres of land. Yet they had also recognized, shrewdly enough, that their enterprise could not succeed if they didn’t have the support of their neighbors on the surrounding islands. With this in mind they had reserved one quarter of the island for people from other parts of the tide country. Hundreds of families had come flocking in.

At the end of the brief tour, I clasped my guide’s hand: “Destiny is on your side, comrade.”

He smiled and said, “But still, we cannot succeed without help.”

It was clear at once that he was thinking of all the ways in which I might be of use to him. This impressed me. It was a good sign, I thought, that he was applying his mind in this practical way.

“I want to be of help,” I said. “Tell me what I can do.”

“That depends,” he said. “What’s most important to us at this time is to mobilize public opinion, to bring pressure on the government, to get them to leave us alone. They’re putting it out that we’re destroying this place; they want people to think we’re gangsters who’ve occupied this place by force. We need to let people know what we’re doing and why we’re here. We have to tell the world about all we’ve done and all we’ve achieved. Can you help us with this? Do you have contacts with the press in Calcutta?”

I didn’t begrudge him his attitude; it seemed to me he was right to take this approach. “There was a time once,” I said regretfully, “when I knew people in the press. But no more.”

“Then do you know anyone with power? Policemen? Forest rangers? Politicians?”

“No,” I said. “No one.”

“Then what can you do for us?” he said, growing peevish. “Of what use could you be?”

What use indeed, was I? There are people in this world who are truly useful, who lead useful lives: Nilima for instance. But a schoolteacher such as me?

“There’s only one thing I know to do,” I said. “And that is to teach.”

“Teach?” I could see he was struggling to suppress a smile. “What could you teach here?”

“I could teach your children about this place that you’ve come to, the tide country. I have time — I am soon to retire.”

He lost interest in me. “Our children here have no time to waste,” he said. “Most of them have to help their families find food to eat.” Then, after a little more thought, he added, “However, if you can find pupils who’re willing, then why should I prevent you? It’s up to you: teach all you want.”

I went back to Kusum triumphantly and told her what had transpired. In evident alarm, she said, “But whom will you teach, Saar?”

“Why?” I said. “There’s your son, Fokir. There must be others like him. Mustn’t there?” A look of reluctance had come into her face, so I added, almost pleading, “It wouldn’t be every day. Maybe just for a little while each week. I’ll come over from Lusibari.”

“But Saar,” she said, “Fokir can’t write or read, and that’s true of many of these children. What will you teach them?”

I hadn’t given this matter any thought, but the answer came to me at once. I said, “Kusum, I’ll teach them to dream.”

PURSUED

WHILE THE DOLPHIN and its calf foraged in the creek, Fokir was fighting hard to hold his boat steady in the adjoining channel. The water was flowing fast here and he was turning the boat around in circles so that Piya could keep the dolphins in view. Even though there was no wind, the water’s surface was so densely marked with ripples and eddies that it seemed almost to be simmering as it flowed.

Having filled in six data sheets, Piya decided to measure the water’s depth. She was in the bow, as usual, while Fokir was in the midsection, turning rapidly from left to right as he dipped his oars alternately on either side of the boat. He happened to look up just as Piya was lowering her depth sounder into the water. His eyes flared and he uttered a shout that made her freeze, with her wrist still submerged beneath the surface. Pulling his oars into the boat, Fokir threw himself at Piya, diving forward, snatching wildly at her wrist. Piya fell over backward and her arm snapped out of the water, catapulting the depth sounder over the boat.

Suddenly the water boiled over and a pair of huge jaws came shooting out of the river, breaking the surface exactly where Piya’s wrist had been a moment before. From the corner of one eye, Piya saw two sets of interlocking teeth make a snatching, twisting movement as they lunged at her still extended arm: they passed so close that the hard tip of the snout grazed her elbow and the spray from the nostrils wetted her forearm. A second later the boat shook under the impact of a massive underwater blow. The shock was powerful enough to send bilge water shooting up out of the innards of the craft; there was a creaking sound and the boat tipped to such an angle that it seemed almost inevitable it would roll over. Piya’s clipboard, which was lying at her feet, slipped into the water, and many of the plywood slats that covered the deck tumbled out like falling dominoes.

Tutul, who’d been sitting in the shade of the hood, curled himself into a ball and rolled forward to correct his balance. The boat righted itself with a thump that threw up a curtain of water. A moment later there was another massive blow to its underside, somewhere near the stern. With the boat rolling wildly, Fokir rose to a kneeling position and took hold of one of his oars. Raising it above his head, he turned it so that its head became a blade and brought it crashing down into the water. The oar hammered into the head of the crocodile just as it was surfacing to make another lunge, and the force of the impact snapped shut the gaping jaws. The oar splintered and the blade broke from the handle and went cartwheeling across the water. The river bubbled again as the reptile sank out of sight: for a moment after its submersion a ghostly outline of its shape remained imprinted on the surface and Piya saw that it was almost as large as the boat.

Meanwhile, Fokir had dropped to his haunches and seized a pair of oars. The current had already carried the boat several hundred feet from the creek where the dolphins had been foraging. Now Fokir began to heave at the oars, turning the boat from one creek into another, laboring to lengthen the distance.

After some twenty minutes of furious rowing they came to an inlet that curved deep into the interior of a thickly forested island. Fokir kept the boat moving until they reached a spot where the boat was well sheltered from the currents of the main channel. Here, after dropping anchor, he tore off his drenched T-shirt and reached for a gamchha to wipe away the sweat that was pouring down his chest.

After he had caught his breath, he glanced at Piya and said, “Lusibari?”

Piya was only too glad to assent. “Yes,” she said. “Let’s head for Lusibari. It’s time.”