The Voyage Out

The Voyage Out

by

Virginia Woolf

Web-Books.Com

The Voyage Out

Chapter I............................................................................................................. 4

Chapter II.......................................................................................................... 16

Chapter III......................................................................................................... 26

Chapter IV ........................................................................................................ 39

Chapter V ......................................................................................................... 54

Chapter VI ........................................................................................................ 61

Chapter VII ....................................................................................................... 69

Chapter VIII ...................................................................................................... 74

Chapter IX ........................................................................................................ 80

Chapter X ......................................................................................................... 97

Chapter XI ...................................................................................................... 107

Chapter XII ..................................................................................................... 118

Chapter XIII .................................................................................................... 134

Chapter XIV .................................................................................................... 139

Chapter XV ..................................................................................................... 152

Chapter XVI .................................................................................................... 164

Chapter XVII ................................................................................................... 175

Chapter XVIII .................................................................................................. 189

Chapter XIX .................................................................................................... 192

Chapter XX ..................................................................................................... 207

Chapter XXI .................................................................................................... 217

Chapter XXII ................................................................................................... 227

Chapter XXIII .................................................................................................. 238

Chapter XXIV.................................................................................................. 245

Chapter XXV................................................................................................... 254

Chapter XXVI.................................................................................................. 275

Chapter XXVII................................................................................................. 285

Chapter I

As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers' clerks will have to make flying leaps into the mud; young lady typists will have to fidget behind you. In the streets of London where beauty goes unregarded, eccentricity must pay the penalty, and it is better not to be very tall, to wear a long blue cloak, or to beat the air with your left hand. One afternoon in the beginning of October when the traffic was becoming brisk a tall man strode along the edge of the pavement with a lady on his arm. Angry glances struck upon their backs. The small, agitated figures--for in comparison with this couple most people looked small--decorated with fountain pens, and burdened with despatch-boxes, had appointments to keep, and drew a weekly salary, so that there was some reason for the unfriendly stare which was bestowed upon Mr. Ambrose's height and upon Mrs. Ambrose's cloak. But some enchantment had put both man and woman beyond the reach of malice and unpopularity. In his guess one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow. It was only by scorning all she met that she kept herself from tears, and the friction of people brushing past her was evidently painful. After watching the traffic on the Embankment for a minute or two with a stoical gaze she twitched her husband's sleeve, and they crossed between the swift discharge of motor cars. When they were safe on the further side, she gently withdrew her arm from his, allowing her mouth at the same time to relax, to tremble; then tears rolled down, and leaning her elbows on the balustrade, she shielded her face from the curious. Mr. Ambrose attempted consolation; he patted her shoulder; but she showed no signs of admitting him, and feeling it awkward to stand beside a grief that was greater than his, he crossed his arms behind him, and took a turn along the pavement.

The embankment juts out in angles here and there, like pulpits; instead of preachers, however, small boys occupy them, dangling string, dropping pebbles, or launching wads of paper for a cruise. With their sharp eye for eccentricity, they were inclined to think Mr. Ambrose awful; but the quickest witted cried "Bluebeard!" as he passed. In case they should proceed to tease his wife, Mr. Ambrose flourished his stick at them, upon which they decided that he was grotesque merely, and four instead of one cried "Bluebeard!" in chorus.

Although Mrs. Ambrose stood quite still, much longer than is natural, the little boys let her be. Some one is always looking into the river near Waterloo Bridge; a couple will stand there talking for half an hour on a fine afternoon; most people, walking for pleasure, contemplate for three minutes; when, having compared the occasion with other occasions, or made some sentence, they pass on. Sometimes the flats and churches and hotels of Westminster are like the outlines of Constantinople in a mist; sometimes the river is an opulent purple, sometimes mud-coloured, sometimes sparkling blue like the sea. It is always worth while to look down and see what is happening. But this lady looked neither up nor down; the only thing she had seen, since she stood there, was a circular iridescent patch slowly floating past with a straw in the middle of it. The straw and the patch swam again and again behind the tremulous medium of a great welling tear, and the tear rose and fell and dropped into the river. Then there struck close upon her ears--Lars Porsena of Clusium

By the nine Gods he swore--and then more faintly, as if the speaker had passed her on his walk--That the Great House of Tarquin Should suffer wrong no more.

Yes, she knew she must go back to all that, but at present she must weep. Screening her face she sobbed more steadily than she had yet done, her shoulders rising and falling with great regularity. It was this figure that her husband saw when, having reached the polished Sphinx, having entangled himself with a man selling picture postcards, he turned; the stanza instantly stopped. He came up to her, laid his hand on her shoulder, and said, "Dearest." His voice was supplicating. But she shut her face away from him, as much as to say, "You can't possibly understand."

As he did not leave her, however, she had to wipe her eyes, and to raise them to the level of the factory chimneys on the other bank. She saw also the arches of Waterloo Bridge and the carts moving across them, like the line of animals in a shooting gallery. They were seen blankly, but to see anything was of course to end her weeping and begin to walk.

"I would rather walk," she said, her husband having hailed a cab already occupied by two city men.

The fixity of her mood was broken by the action of walking. The shooting motor cars, more like spiders in the moon than terrestrial objects, the thundering drays, the jingling hansoms, and little black broughams, made her think of the world she lived in. Somewhere up there above the pinnacles where the smoke rose in a pointed hill, her children were now asking for her, and getting a soothing reply. As for the mass of streets, squares, and public buildings which parted them, she only felt at this moment how little London had done to make her love it, although thirty of her forty years had been spent in a street. She knew how to read the people who were passing her; there were the rich who were running to and from each others' houses at this hour; there were the bigoted workers driving in a straight line to their offices; there were the poor who were unhappy and rightly malignant. Already, though there was sunlight in the haze, tattered old men and women were nodding off to sleep upon the seats. When one gave up seeing the beauty that clothed things, this was the skeleton beneath.

A fine rain now made her still more dismal; vans with the odd names of those engaged in odd industries--Sprules, Manufacturer of Saw-dust; Grabb, to whom no piece of waste paper comes amiss--fell flat as a bad joke; bold lovers, sheltered behind one cloak, seemed to her sordid, past their passion; the flower women, a contented company, whose talk is always worth hearing, were sodden hags; the red, yellow, and blue flowers, whose heads were pressed together, would not blaze. Moreover, her husband walking with a quick rhythmic stride, jerking his free hand occasionally, was either a Viking or a stricken Nelson; the sea-gulls had changed his note.

"Ridley, shall we drive? Shall we drive, Ridley?"

Mrs. Ambrose had to speak sharply; by this time he was far away.

The cab, by trotting steadily along the same road, soon withdrew them from the West End, and plunged them into London. It appeared that this was a great manufacturing place, where the people were engaged in making things, as though the West End, with its electric lamps, its vast plate-glass windows all shining yellow, its carefully-finished houses, and tiny live figures trotting on the pavement, or bowled along on wheels in the road, was the finished work. It appeared to her a very small bit of work for such an enormous factory to have made. For some reason it appeared to her as a small golden tassel on the edge of a vast black cloak.

Observing that they passed no other hansom cab, but only vans and waggons, and that not one of the thousand men and women she saw was either a gentleman or a lady, Mrs. Ambrose understood that after all it is the ordinary thing to be poor, and that London is the city of innumerable poor people. Startled by this discovery and seeing herself pacing a circle all the days of her life round Picadilly Circus she was greatly relieved to pass a building put up by the London County Council for Night Schools.

"Lord, how gloomy it is!" her husband groaned. "Poor creatures!" What with the misery for her children, the poor, and the rain, her mind was like a wound exposed to dry in the air.

At this point the cab stopped, for it was in danger of being crushed like an egg-shell. The wide Embankment which had had room for cannonballs and squadrons, had now shrunk to a cobbled lane steaming with smells of malt and oil and blocked by waggons. While her husband read the placards pasted on the brick announcing the hours at which certain ships would sail for Scotland, Mrs. Ambrose did her best to find information. From a world exclusively occupied in feeding waggons with sacks, half obliterated too in a fine yellow fog, they got neither help nor attention. It seemed a miracle when an old man approached, guessed their condition, and proposed to row them out to their ship in the little boat which he kept moored at the bottom of a flight of steps. With some hesitation they trusted themselves to him, took their places, and were soon waving up and down upon the water, London having shrunk to two lines of buildings on either side of them, square buildings and oblong buildings placed in rows like a child's avenue of bricks. The river, which had a certain amount of troubled yellow light in it, ran with great force; bulky barges floated down swiftly escorted by tugs; police boats shot past everything; the wind went with the current. The open rowing-boat in which they sat bobbed and curtseyed across the line of traffic. In mid-stream the old man stayed his hands upon the oars, and as the water rushed past them, remarked that once he had taken many passengers across, where now he took scarcely any. He seemed to recall an age when his boat, moored among rushes, carried delicate feet across to lawns at Rotherhithe.

"They want bridges now," he said, indicating the monstrous outline of the Tower Bridge. Mournfully Helen regarded him, who was putting water between her and her children. Mournfully she gazed at the ship they were approaching; anchored in the middle of the stream they could dimly read her name--_Euphrosyne_.

Very dimly in the falling dusk they could see the lines of the rigging, the masts and the dark flag which the breeze blew out squarely behind.

As the little boat sidled up to the steamer, and the old man shipped his oars, he remarked once more pointing above, that ships all the world over flew that flag the day they sailed. In the minds of both the passengers the blue flag appeared a sinister token, and this the moment for presentiments, but nevertheless they rose, gathered their things together, and climbed on deck.

Down in the saloon of her father's ship, Miss Rachel Vinrace, aged twenty-four, stood waiting her uncle and aunt nervously. To begin with, though nearly related, she scarcely remembered them; to go on with, they were elderly people, and finally, as her father's daughter she must be in some sort prepared to entertain them. She looked forward to seeing them as civilised people generally look forward to the first sight of civilised people, as though they were of the nature of an approaching physical discomfort--a tight shoe or a draughty window. She was already unnaturally braced to receive them. As she occupied herself in laying forks severely straight by the side of knives, she heard a man's voice saying gloomily:

"On a dark night one would fall down these stairs head foremost," to which a woman's voice added, "And be killed."

As she spoke the last words the woman stood in the doorway. Tall, large-eyed, draped in purple shawls, Mrs. Ambrose was romantic and beautiful; not perhaps sympathetic, for her eyes looked straight and considered what they saw. Her face was much warmer than a Greek face; on the other hand it was much bolder than the face of the usual pretty Englishwoman.

"Oh, Rachel, how d'you do," she said, shaking hands.

"How are you, dear," said Mr. Ambrose, inclining his forehead to be kissed. His niece instinctively liked his thin angular body, and the big head with its sweeping features, and the acute, innocent eyes.

"Tell Mr. Pepper," Rachel bade the servant. Husband and wife then sat down on one side of the table, with their niece opposite to them.

"My father told me to begin," she explained. "He is very busy with the men. . . . You know Mr. Pepper?"

A little man who was bent as some trees are by a gale on one side of them had slipped in. Nodding to Mr. Ambrose, he shook hands with Helen.

"Draughts," he said, erecting the collar of his coat.

"You are still rheumatic?" asked Helen. Her voice was low and seductive, though she spoke absently enough, the sight of town and river being still present to her mind.

"Once rheumatic, always rheumatic, I fear," he replied. "To some extent it depends on the weather, though not so much as people are apt to think."

"One does not die of it, at any rate," said Helen.

"As a general rule--no," said Mr. Pepper.

"Soup, Uncle Ridley?" asked Rachel.

"Thank you, dear," he said, and, as he held his plate out, sighed audibly, "Ah! she's not like her mother." Helen was just too late in thumping her tumbler on the table to prevent Rachel from hearing, and from blushing scarlet with embarrassment.

"The way servants treat flowers!" she said hastily. She drew a green vase with a crinkled lip towards her, and began pulling out the tight little chrysanthemums, which she laid on the table-cloth, arranging them fastidiously side by side.

There was a pause.

"You knew Jenkinson, didn't you, Ambrose?" asked Mr. Pepper across the table.

"Jenkinson of Peterhouse?"

"He's dead," said Mr. Pepper.

"Ah, dear!--I knew him--ages ago," said Ridley. "He was the hero of the punt accident, you remember? A queer card. Married a young woman out of a tobacconist's, and lived in the Fens--never heard what became of him."

"Drink--drugs," said Mr. Pepper with sinister conciseness. "He left a commentary. Hopeless muddle, I'm told."

"The man had really great abilities," said Ridley.

"His introduction to Jellaby holds its own still," went on Mr. Pepper, "which is surprising, seeing how text-books change."

"There was a theory about the planets, wasn't there?" asked Ridley.

"A screw loose somewhere, no doubt of it," said Mr. Pepper, shaking his head. Now a tremor ran through the table, and a light outside swerved. At the same time an electric bell rang sharply again and again.

"We're off," said Ridley.

A slight but perceptible wave seemed to roll beneath the floor; then it sank; then another came, more perceptible. Lights slid right across the uncurtained window. The ship gave a loud melancholy moan.

"We're off!" said Mr. Pepper. Other ships, as sad as she, answered her outside on the river. The chuckling and hissing of water could be plainly heard, and the ship heaved so that the steward bringing plates had to balance himself as he drew the curtain. There was a pause.

"Jenkinson of Cats--d'you still keep up with him?" asked Ambrose.

"As much as one ever does," said Mr. Pepper. "We meet annually. This year he has had the misfortune to lose his wife, which made it painful, of course."

"Very painful," Ridley agreed.

"There's an unmarried daughter who keeps house for him, I believe, but it's never the same, not at his age."

Both gentlemen nodded sagely as they carved their apples.

"There was a book, wasn't there?" Ridley enquired.

"There _was_ a book, but there never _will_ be a book," said Mr. Pepper with such fierceness that both ladies looked up at him.

"There never will be a book, because some one else has written it for him," said Mr. Pepper with considerable acidity. "That's what comes of putting things off, and collecting fossils, and sticking Norman arches on one's pigsties."

"I confess I sympathise," said Ridley with a melancholy sigh. "I have a weakness for people who can't begin."

". . . The accumulations of a lifetime wasted," continued Mr. pepper. "He had accumulations enough to fill a barn."

"It's a vice that some of us escape," said Ridley. "Our friend Miles has another work out to-day."

Mr. Pepper gave an acid little laugh. "According to my calculations," he said, "he has produced two volumes and a half annually, which, allowing for time spent in the cradle and so forth, shows a commendable industry."

"Yes, the old Master's saying of him has been pretty well realised," said Ridley.

"A way they had," said Mr. Pepper. "You know the Bruce collection?--not for publication, of course."

"I should suppose not," said Ridley significantly. "For a Divine he was--remarkably free."

"The Pump in Neville's Row, for example?" enquired Mr. Pepper.

"Precisely," said Ambrose.

Each of the ladies, being after the fashion of their sex, highly trained in promoting men's talk without listening to it, could think--about the education of children, about the use of fog sirens in an opera--without betraying herself. Only it struck Helen that Rachel was perhaps too still for a hostess, and that she might have done something with her hands.

"Perhaps--?" she said at length, upon which they rose and left, vaguely to the surprise of the gentlemen, who had either thought them attentive or had forgotten their presence.

"Ah, one could tell strange stories of the old days," they heard Ridley say, as he sank into his chair again. Glancing back, at the doorway, they saw Mr. Pepper as though he had suddenly loosened his clothes, and had become a vivacious and malicious old ape. Winding veils round their heads, the women walked on deck. They were now moving steadily down the river, passing the dark shapes of ships at anchor, and London was a swarm of lights with a pale yellow canopy drooping above it. There were the lights of the great theatres, the lights of the long streets, lights that indicated huge squares of domestic comfort, lights that hung high in air. No darkness would ever settle upon those lamps, as no darkness had settled upon them for hundreds of years. It seemed dreadful that the town should blaze for ever in the same spot; dreadful at least to people going away to adventure upon the sea, and beholding it as a circumscribed mound, eternally burnt, eternally scarred. From the deck of the ship the great city appeared a crouched and cowardly figure, a sedentary miser.

Leaning over the rail, side by side, Helen said, "Won't you be cold?" Rachel replied, "No.

. . . How beautiful!" she added a moment later. Very little was visible--a few masts, a shadow of land here, a line of brilliant windows there. They tried to make head against the wind.

"It blows--it blows!" gasped Rachel, the words rammed down her throat. Struggling by her side, Helen was suddenly overcome by the spirit of movement, and pushed along with her skirts wrapping themselves round her knees, and both arms to her hair. But slowly the intoxication of movement died down, and the wind became rough and chilly. They looked through a chink in the blind and saw that long cigars were being smoked in the dining-room; they saw Mr. Ambrose throw himself violently against the back of his chair, while Mr. Pepper crinkled his cheeks as though they had been cut in wood. The ghost of a roar of laughter came out to them, and was drowned at once in the wind. In the dry yellow-lighted room Mr. Pepper and Mr. Ambrose were oblivious of all tumult; they were in Cambridge, and it was probably about the year 1875.

"They're old friends," said Helen, smiling at the sight. "Now, is there a room for us to sit in?"

Rachel opened a door.

"It's more like a landing than a room," she said. Indeed it had nothing of the shut stationary character of a room on shore. A table was rooted in the middle, and seats were stuck to the sides. Happily the tropical suns had bleached the tapestries to a faded bluegreen colour, and the mirror with its frame of shells, the work of the steward's love, when the time hung heavy in the southern seas, was quaint rather than ugly. Twisted shells with red lips like unicorn's horns ornamented the mantelpiece, which was draped by a pall of purple plush from which depended a certain number of balls. Two windows opened on to the deck, and the light beating through them when the ship was roasted on the Amazons had turned the prints on the opposite wall to a faint yellow colour, so that "The Coliseum" was scarcely to be distinguished from Queen Alexandra playing with her Spaniels. A pair of wicker arm-chairs by the fireside invited one to warm one's hands at a grate full of gilt shavings; a great lamp swung above the table--the kind of lamp which makes the light of civilisation across dark fields to one walking in the country.

"It's odd that every one should be an old friend of Mr. Pepper's," Rachel started nervously, for the situation was difficult, the room cold, and Helen curiously silent.

"I suppose you take him for granted?" said her aunt.

"He's like this," said Rachel, lighting on a fossilised fish in a basin, and displaying it.

"I expect you're too severe," Helen remarked.

Rachel immediately tried to qualify what she had said against her belief.

"I don't really know him," she said, and took refuge in facts, believing that elderly people really like them better than feelings. She produced what she knew of William Pepper. She told Helen that he always called on Sundays when they were at home; he knew about a great many things--about mathematics, history, Greek, zoology, economics, and the Icelandic Sagas. He had turned Persian poetry into English prose, and English prose into Greek iambics; he was an authority upon coins; and--one other thing--oh yes, she thought it was vehicular traffic.

He was here either to get things out of the sea, or to write upon the probable course of Odysseus, for Greek after all was his hobby.

"I've got all his pamphlets," she said. "Little pamphlets. Little yellow books." It did not appear that she had read them.

"Has he ever been in love?" asked Helen, who had chosen a seat. This was unexpectedly to the point.

"His heart's a piece of old shoe leather," Rachel declared, dropping the fish. But when questioned she had to own that she had never asked him.

"I shall ask him," said Helen.

"The last time I saw you, you were buying a piano," she continued. "Do you remember-the piano, the room in the attic, and the great plants with the prickles?"

"Yes, and my aunts said the piano would come through the floor, but at their age one wouldn't mind being killed in the night?" she enquired.

"I heard from Aunt Bessie not long ago," Helen stated. "She is afraid that you will spoil your arms if you insist upon so much practising."

"The muscles of the forearm--and then one won't marry?"

"She didn't put it quite like that," replied Mrs. Ambrose.

"Oh, no--of course she wouldn't," said Rachel with a sigh. Helen looked at her. Her face was weak rather than decided, saved from insipidity by the large enquiring eyes; denied beauty, now that she was sheltered indoors, by the lack of colour and definite outline. Moreover, a hesitation in speaking, or rather a tendency to use the wrong words, made her seem more than normally incompetent for her years. Mrs. Ambrose, who had been speaking much at random, now reflected that she certainly did not look forward to the intimacy of three or four weeks on board ship which was threatened. Women of her own age usually boring her, she supposed that girls would be worse. She glanced at Rachel again. Yes! how clear it was that she would be vacillating, emotional, and when you said something to her it would make no more lasting impression than the stroke of a stick upon water. There was nothing to take hold of in girls--nothing hard, permanent, satisfactory. Did Willoughby say three weeks, or did he say four? She tried to remember.

At this point, however, the door opened and a tall burly man entered the room, came forward and shook Helen's hand with an emotional kind of heartiness, Willoughby himself, Rachel's father, Helen's brother-in-law. As a great deal of flesh would have been needed to make a fat man of him, his frame being so large, he was not fat; his face was a large framework too, looking, by the smallness of the features and the glow in the hollow of the cheek, more fitted to withstand assaults of the weather than to express sentiments and emotions, or to respond to them in others.

"It is a great pleasure that you have come," he said, "for both of us." Rachel murmured in obedience to her father's glance.

"We'll do our best to make you comfortable. And Ridley. We think it an honour to have charge of him. Pepper'll have some one to contradict him--which I daren't do. You find this child grown, don't you? A young woman, eh?"

Still holding Helen's hand he drew his arm round Rachel's shoulder, thus making them come uncomfortably close, but Helen forbore to look.

"You think she does us credit?" he asked.

"Oh yes," said Helen.

"Because we expect great things of her," he continued, squeezing his daughter's arm and releasing her. "But about you now." They sat down side by side on the little sofa. "Did you leave the children well? They'll be ready for school, I suppose. Do they take after you or Ambrose? They've got good heads on their shoulders, I'll be bound?" At this Helen immediately brightened more than she had yet done, and explained that her son was six and her daughter ten. Everybody said that her boy was like her and her girl like Ridley. As for brains, they were quick brats, she thought, and modestly she ventured on a little story about her son,--how left alone for a minute he had taken the pat of butter in his fingers, run across the room with it, and put it on the fire--merely for the fun of the thing, a feeling which she could understand.

"And you had to show the young rascal that these tricks wouldn't do, eh?"

"A child of six? I don't think they matter."

"I'm an old-fashioned father."

"Nonsense, Willoughby; Rachel knows better."

Much as Willoughby would doubtless have liked his daughter to praise him she did not; her eyes were unreflecting as water, her fingers still toying with the fossilised fish, her mind absent. The elder people went on to speak of arrangements that could be made for Ridley's comfort--a table placed where he couldn't help looking at the sea, far from boilers, at the same time sheltered from the view of people passing. Unless he made this a holiday, when his books were all packed, he would have no holiday whatever; for out at Santa Marina Helen knew, by experience, that he would work all day; his boxes, she said, were packed with books.

"Leave it to me--leave it to me!" said Willoughby, obviously intending to do much more than she asked of him. But Ridley and Mr. Pepper were heard fumbling at the door.

"How are you, Vinrace?" said Ridley, extending a limp hand as he came in, as though the meeting were melancholy to both, but on the whole more so to him.

Willoughby preserved his heartiness, tempered by respect. For the moment nothing was said.

"We looked in and saw you laughing," Helen remarked. "Mr. Pepper had just told a very good story."

"Pish. None of the stories were good," said her husband peevishly.

"Still a severe judge, Ridley?" enquired Mr. Vinrace.

"We bored you so that you left," said Ridley, speaking directly to his wife. As this was quite true Helen did not attempt to deny it, and her next remark, "But didn't they improve after we'd gone?" was unfortunate, for her husband answered with a droop of his shoulders, "If possible they got worse."

The situation was now one of considerable discomfort for every one concerned, as was proved by a long interval of constraint and silence. Mr. Pepper, indeed, created a diversion of a kind by leaping on to his seat, both feet tucked under him, with the action of a spinster who detects a mouse, as the draught struck at his ankles. Drawn up there, sucking at his cigar, with his arms encircling his knees, he looked like the image of Buddha, and from this elevation began a discourse, addressed to nobody, for nobody had called for it, upon the unplumbed depths of ocean. He professed himself surprised to learn that although Mr. Vinrace possessed ten ships, regularly plying between London and Buenos Aires, not one of them was bidden to investigate the great white monsters of the lower waters.

"No, no," laughed Willoughby, "the monsters of the earth are too many for me!" Rachel was heard to sigh, "Poor little goats!"

"If it weren't for the goats there'd be no music, my dear; music depends upon goats," said her father rather sharply, and Mr. Pepper went on to describe the white, hairless, blind monsters lying curled on the ridges of sand at the bottom of the sea, which would explode if you brought them to the surface, their sides bursting asunder and scattering entrails to the winds when released from pressure, with considerable detail and with such show of knowledge, that Ridley was disgusted, and begged him to stop.

From all this Helen drew her own conclusions, which were gloomy enough. Pepper was a bore; Rachel was an unlicked girl, no doubt prolific of confidences, the very first of which would be: "You see, I don't get on with my father." Willoughby, as usual, loved his business and built his Empire, and between them all she would be considerably bored. Being a woman of action, however, she rose, and said that for her part she was going to bed. At the door she glanced back instinctively at Rachel, expecting that as two of the same sex they would leave the room together. Rachel rose, looked vaguely into Helen's face, and remarked with her slight stammer, "I'm going out to t-t-triumph in the wind." Mrs. Ambrose's worst suspicions were confirmed; she went down the passage lurching from side to side, and fending off the wall now with her right arm, now with her left; at each lurch she exclaimed emphatically, "Damn!"

Chapter II

Uncomfortable as the night, with its rocking movement, and salt smells, may have been, and in one case undoubtedly was, for Mr. Pepper had insufficient clothes upon his bed, the breakfast next morning wore a kind of beauty. The voyage had begun, and had begun happily with a soft blue sky, and a calm sea. The sense of untapped resources, things to say as yet unsaid, made the hour significant, so that in future years the entire journey perhaps would be represented by this one scene, with the sound of sirens hooting in the river the night before, somehow mixing in.

The table was cheerful with apples and bread and eggs. Helen handed Willoughby the butter, and as she did so cast her eye on him and reflected, "And she married you, and she was happy, I suppose."

She went off on a familiar train of thought, leading on to all kinds of well-known reflections, from the old wonder, why Theresa had married Willoughby?

"Of course, one sees all that," she thought, meaning that one sees that he is big and burly, and has a great booming voice, and a fist and a will of his own; "but--" here she slipped into a fine analysis of him which is best represented by one word, "sentimental," by which she meant that he was never simple and honest about his feelings. For example, he seldom spoke of the dead, but kept anniversaries with singular pomp. She suspected him of nameless atrocities with regard to his daughter, as indeed she had always suspected him of bullying his wife. Naturally she fell to comparing her own fortunes with the fortunes of her friend, for Willoughby's wife had been perhaps the one woman Helen called friend, and this comparison often made the staple of their talk. Ridley was a scholar, and Willoughby was a man of business. Ridley was bringing out the third volume of Pindar when Willoughby was launching his first ship. They built a new factory the very year the commentary on Aristotle--was it?--appeared at the University Press.

"And Rachel," she looked at her, meaning, no doubt, to decide the argument, which was otherwise too evenly balanced, by declaring that Rachel was not comparable to her own children. "She really might be six years old," was all she said, however, this judgment referring to the smooth unmarked outline of the girl's face, and not condemning her otherwise, for if Rachel were ever to think, feel, laugh, or express herself, instead of dropping milk from a height as though to see what kind of drops it made, she might be interesting though never exactly pretty. She was like her mother, as the image in a pool on a still summer's day is like the vivid flushed face that hangs over it. Meanwhile Helen herself was under examination, though not from either of her victims. Mr. Pepper considered her; and his meditations, carried on while he cut his toast into bars and neatly buttered them, took him through a considerable stretch of autobiography. One of his penetrating glances assured him that he was right last night in judging that Helen was beautiful. Blandly he passed her the jam. She was talking nonsense, but not worse nonsense than people usually do talk at breakfast, the cerebral circulation, as he knew to his cost, being apt to give trouble at that hour. He went on saying "No" to her, on principle, for he never yielded to a woman on account of her sex. And here, dropping his eyes to his plate, he became autobiographical. He had not married himself for the sufficient reason that he had never met a woman who commanded his respect. Condemned to pass the susceptible years of youth in a railway station in Bombay, he had seen only coloured women, military women, official women; and his ideal was a woman who could read Greek, if not Persian, was irreproachably fair in the face, and able to understand the small things he let fall while undressing. As it was he had contracted habits of which he was not in the least ashamed. Certain odd minutes every day went to learning things by heart; he never took a ticket without noting the number; he devoted January to Petronius, February to Catullus, March to the Etruscan vases perhaps; anyhow he had done good work in India, and there was nothing to regret in his life except the fundamental defects which no wise man regrets, when the present is still his. So concluding he looked up suddenly and smiled. Rachel caught his eye.

"And now you've chewed something thirty-seven times, I suppose?" she thought, but said politely aloud, "Are your legs troubling you to-day, Mr. Pepper?"

"My shoulder blades?" he asked, shifting them painfully. "Beauty has no effect upon uric acid that I'm aware of," he sighed, contemplating the round pane opposite, through which the sky and sea showed blue. At the same time he took a little parchment volume from his pocket and laid it on the table. As it was clear that he invited comment, Helen asked him the name of it. She got the name; but she got also a disquisition upon the proper method of making roads. Beginning with the Greeks, who had, he said, many difficulties to contend with, he continued with the Romans, passed to England and the right method, which speedily became the wrong method, and wound up with such a fury of denunciation directed against the road-makers of the present day in general, and the roadmakers of Richmond Park in particular, where Mr. Pepper had the habit of cycling every morning before breakfast, that the spoons fairly jingled against the coffee cups, and the insides of at least four rolls mounted in a heap beside Mr. Pepper's plate.

"Pebbles!" he concluded, viciously dropping another bread pellet upon the heap. "The roads of England are mended with pebbles! 'With the first heavy rainfall,' I've told 'em,

'your road will be a swamp.' Again and again my words have proved true. But d'you suppose they listen to me when I tell 'em so, when I point out the consequences, the consequences to the public purse, when I recommend 'em to read Coryphaeus? No, Mrs. Ambrose, you will form no just opinion of the stupidity of mankind until you have sat upon a Borough Council!" The little man fixed her with a glance of ferocious energy.

"I have had servants," said Mrs. Ambrose, concentrating her gaze. "At this moment I have a nurse. She's a good woman as they go, but she's determined to make my children pray. So far, owing to great care on my part, they think of God as a kind of walrus; but now that my back's turned--Ridley," she demanded, swinging round upon her husband,

"what shall we do if we find them saying the Lord's Prayer when we get home again?" Ridley made the sound which is represented by "Tush." But Willoughby, whose discomfort as he listened was manifested by a slight movement rocking of his body, said awkwardly, "Oh, surely, Helen, a little religion hurts nobody."

"I would rather my children told lies," she replied, and while Willoughby was reflecting that his sister-in-law was even more eccentric than he remembered, pushed her chair back and swept upstairs. In a second they heard her calling back, "Oh, look! We're out at sea!" They followed her on to the deck. All the smoke and the houses had disappeared, and the ship was out in a wide space of sea very fresh and clear though pale in the early light. They had left London sitting on its mud. A very thin line of shadow tapered on the horizon, scarcely thick enough to stand the burden of Paris, which nevertheless rested upon it. They were free of roads, free of mankind, and the same exhilaration at their freedom ran through them all. The ship was making her way steadily through small waves which slapped her and then fizzled like effervescing water, leaving a little border of bubbles and foam on either side. The colourless October sky above was thinly clouded as if by the trail of wood-fire smoke, and the air was wonderfully salt and brisk. Indeed it was too cold to stand still. Mrs. Ambrose drew her arm within her husband's, and as they moved off it could be seen from the way in which her sloping cheek turned up to his that she had something private to communicate. They went a few paces and Rachel saw them kiss.

Down she looked into the depth of the sea. While it was slightly disturbed on the surface by the passage of the _Euphrosyne_, beneath it was green and dim, and it grew dimmer and dimmer until the sand at the bottom was only a pale blur. One could scarcely see the black ribs of wrecked ships, or the spiral towers made by the burrowings of great eels, or the smooth green-sided monsters who came by flickering this way and that.

--"And, Rachel, if any one wants me, I'm busy till one," said her father, enforcing his words as he often did, when he spoke to his daughter, by a smart blow upon the shoulder.

"Until one," he repeated. "And you'll find yourself some employment, eh? Scales, French, a little German, eh? There's Mr. Pepper who knows more about separable verbs than any man in Europe, eh?" and he went off laughing. Rachel laughed, too, as indeed she had laughed ever since she could remember, without thinking it funny, but because she admired her father.

But just as she was turning with a view perhaps to finding some employment, she was intercepted by a woman who was so broad and so thick that to be intercepted by her was inevitable. The discreet tentative way in which she moved, together with her sober black dress, showed that she belonged to the lower orders; nevertheless she took up a rock-like position, looking about her to see that no gentry were near before she delivered her message, which had reference to the state of the sheets, and was of the utmost gravity.

"How ever we're to get through this voyage, Miss Rachel, I really can't tell," she began with a shake of her head. "There's only just sheets enough to go round, and the master's has a rotten place you could put your fingers through. And the counterpanes. Did you notice the counterpanes? I thought to myself a poor person would have been ashamed of them. The one I gave Mr. Pepper was hardly fit to cover a dog. . . . No, Miss Rachel, they could _not_ be mended; they're only fit for dust sheets. Why, if one sewed one's finger to the bone, one would have one's work undone the next time they went to the laundry." Her voice in its indignation wavered as if tears were near.

There was nothing for it but to descend and inspect a large pile of linen heaped upon a table. Mrs. Chailey handled the sheets as if she knew each by name, character, and constitution. Some had yellow stains, others had places where the threads made long ladders; but to the ordinary eye they looked much as sheets usually do look, very chill, white, cold, and irreproachably clean.

Suddenly Mrs. Chailey, turning from the subject of sheets, dismissing them entirely, clenched her fists on the top of them, and proclaimed, "And you couldn't ask a living creature to sit where I sit!"

Mrs. Chailey was expected to sit in a cabin which was large enough, but too near the boilers, so that after five minutes she could hear her heart "go," she complained, putting her hand above it, which was a state of things that Mrs. Vinrace, Rachel's mother, would never have dreamt of inflicting--Mrs. Vinrace, who knew every sheet in her house, and expected of every one the best they could do, but no more.

It was the easiest thing in the world to grant another room, and the problem of sheets simultaneously and miraculously solved itself, the spots and ladders not being past cure after all, but--"Lies! Lies! Lies!" exclaimed the mistress indignantly, as she ran up on to the deck.

"What's the use of telling me lies?"

In her anger that a woman of fifty should behave like a child and come cringing to a girl because she wanted to sit where she had not leave to sit, she did not think of the particular case, and, unpacking her music, soon forgot all about the old woman and her sheets.

Mrs. Chailey folded her sheets, but her expression testified to flatness within. The world no longer cared about her, and a ship was not a home. When the lamps were lit yesterday, and the sailors went tumbling above her head, she had cried; she would cry this evening; she would cry to-morrow. It was not home. Meanwhile she arranged her ornaments in the room which she had won too easily. They were strange ornaments to bring on a sea voyage--china pugs, tea-sets in miniature, cups stamped floridly with the arms of the city of Bristol, hair-pin boxes crusted with shamrock, antelopes' heads in coloured plaster, together with a multitude of tiny photographs, representing downright workmen in their Sunday best, and women holding white babies. But there was one portrait in a gilt frame, for which a nail was needed, and before she sought it Mrs. Chailey put on her spectacles and read what was written on a slip of paper at the back:

"This picture of her mistress is given to Emma Chailey by Willoughby Vinrace in gratitude for thirty years of devoted service."

Tears obliterated the words and the head of the nail.

"So long as I can do something for your family," she was saying, as she hammered at it, when a voice called melodiously in the passage:

"Mrs. Chailey! Mrs. Chailey!"

Chailey instantly tidied her dress, composed her face, and opened the door.

"I'm in a fix," said Mrs. Ambrose, who was flushed and out of breath. "You know what gentlemen are. The chairs too high--the tables too low--there's six inches between the floor and the door. What I want's a hammer, an old quilt, and have you such a thing as a kitchen table? Anyhow, between us"--she now flung open the door of her husband's sitting room, and revealed Ridley pacing up and down, his forehead all wrinkled, and the collar of his coat turned up.

"It's as though they'd taken pains to torment me!" he cried, stopping dead. "Did I come on this voyage in order to catch rheumatism and pneumonia? Really one might have credited Vinrace with more sense. My dear," Helen was on her knees under a table, "you are only making yourself untidy, and we had much better recognise the fact that we are condemned to six weeks of unspeakable misery. To come at all was the height of folly, but now that we are here I suppose that I can face it like a man. My diseases of course will be increased--I feel already worse than I did yesterday, but we've only ourselves to thank, and the children happily--"

"Move! Move! Move!" cried Helen, chasing him from corner to corner with a chair as though he were an errant hen. "Out of the way, Ridley, and in half an hour you'll find it ready."

She turned him out of the room, and they could hear him groaning and swearing as he went along the passage.

"I daresay he isn't very strong," said Mrs. Chailey, looking at Mrs. Ambrose compassionately, as she helped to shift and carry.

"It's books," sighed Helen, lifting an armful of sad volumes from the floor to the shelf.

"Greek from morning to night. If ever Miss Rachel marries, Chailey, pray that she may marry a man who doesn't know his ABC."

The preliminary discomforts and harshnesses, which generally make the first days of a sea voyage so cheerless and trying to the temper, being somehow lived through, the succeeding days passed pleasantly enough. October was well advanced, but steadily burning with a warmth that made the early months of the summer appear very young and capricious. Great tracts of the earth lay now beneath the autumn sun, and the whole of England, from the bald moors to the Cornish rocks, was lit up from dawn to sunset, and showed in stretches of yellow, green, and purple. Under that illumination even the roofs of the great towns glittered. In thousands of small gardens, millions of dark-red flowers were blooming, until the old ladies who had tended them so carefully came down the paths with their scissors, snipped through their juicy stalks, and laid them upon cold stone ledges in the village church. Innumerable parties of picnickers coming home at sunset cried, "Was there ever such a day as this?" "It's you," the young men whispered; "Oh, it's you," the young women replied. All old people and many sick people were drawn, were it only for a foot or two, into the open air, and prognosticated pleasant things about the course of the world. As for the confidences and expressions of love that were heard not only in cornfields but in lamplit rooms, where the windows opened on the garden, and men with cigars kissed women with grey hairs, they were not to be counted. Some said that the sky was an emblem of the life to come. Long-tailed birds clattered and screamed, and crossed from wood to wood, with golden eyes in their plumage.

But while all this went on by land, very few people thought about the sea. They took it for granted that the sea was calm; and there was no need, as there is in many houses when the creeper taps on the bedroom windows, for the couples to murmur before they kiss,

"Think of the ships to-night," or "Thank Heaven, I'm not the man in the lighthouse!" For all they imagined, the ships when they vanished on the sky-line dissolved, like snow in water. The grown-up view, indeed, was not much clearer than the view of the little creatures in bathing drawers who were trotting in to the foam all along the coasts of England, and scooping up buckets full of water. They saw white sails or tufts of smoke pass across the horizon, and if you had said that these were waterspouts, or the petals of white sea flowers, they would have agreed.

The people in ships, however, took an equally singular view of England. Not only did it appear to them to be an island, and a very small island, but it was a shrinking island in which people were imprisoned. One figured them first swarming about like aimless ants, and almost pressing each other over the edge; and then, as the ship withdrew, one figured them making a vain clamour, which, being unheard, either ceased, or rose into a brawl. Finally, when the ship was out of sight of land, it became plain that the people of England were completely mute. The disease attacked other parts of the earth; Europe shrank, Asia shrank, Africa and America shrank, until it seemed doubtful whether the ship would ever run against any of those wrinkled little rocks again. But, on the other hand, an immense dignity had descended upon her; she was an inhabitant of the great world, which has so few inhabitants, travelling all day across an empty universe, with veils drawn before her and behind. She was more lonely than the caravan crossing the desert; she was infinitely more mysterious, moving by her own power and sustained by her own resources. The sea might give her death or some unexampled joy, and none would know of it. She was a bride going forth to her husband, a virgin unknown of men; in her vigor and purity she might be likened to all beautiful things, for as a ship she had a life of her own. Indeed if they had not been blessed in their weather, one blue day being bowled up after another, smooth, round, and flawless. Mrs. Ambrose would have found it very dull. As it was, she had her embroidery frame set up on deck, with a little table by her side on which lay open a black volume of philosophy. She chose a thread from the vari-coloured tangle that lay in her lap, and sewed red into the bark of a tree, or yellow into the river torrent. She was working at a great design of a tropical river running through a tropical forest, where spotted deer would eventually browse upon masses of fruit, bananas, oranges, and giant pomegranates, while a troop of naked natives whirled darts into the air. Between the stitches she looked to one side and read a sentence about the Reality of Matter, or the Nature of Good. Round her men in blue jerseys knelt and scrubbed the boards, or leant over the rails and whistled, and not far off Mr. Pepper sat cutting up roots with a penknife. The rest were occupied in other parts of the ship: Ridley at his Greek--he had never found quarters more to his liking; Willoughby at his documents, for he used a voyage to work of arrears of business; and Rachel--Helen, between her sentences of philosophy, wondered sometimes what Rachel _did_ do with herself? She meant vaguely to go and see. They had scarcely spoken two words to each other since that first evening; they were polite when they met, but there had been no confidence of any kind. Rachel seemed to get on very well with her father--much better, Helen thought, than she ought to--and was as ready to let Helen alone as Helen was to let her alone. At that moment Rachel was sitting in her room doing absolutely nothing. When the ship was full this apartment bore some magnificent title and was the resort of elderly sea-sick ladies who left the deck to their youngsters. By virtue of the piano, and a mess of books on the floor, Rachel considered it her room, and there she would sit for hours playing very difficult music, reading a little German, or a little English when the mood took her, and doing--as at this moment--absolutely nothing.

The way she had been educated, joined to a fine natural indolence, was of course partly the reason of it, for she had been educated as the majority of well-to-do girls in the last part of the nineteenth century were educated. Kindly doctors and gentle old professors had taught her the rudiments of about ten different branches of knowledge, but they would as soon have forced her to go through one piece of drudgery thoroughly as they would have told her that her hands were dirty. The one hour or the two hours weekly passed very pleasantly, partly owing to the other pupils, partly to the fact that the window looked upon the back of a shop, where figures appeared against the red windows in winter, partly to the accidents that are bound to happen when more than two people are in the same room together. But there was no subject in the world which she knew accurately. Her mind was in the state of an intelligent man's in the beginning of the reign of Queen Elizabeth; she would believe practically anything she was told, invent reasons for anything she said. The shape of the earth, the history of the world, how trains worked, or money was invested, what laws were in force, which people wanted what, and why they wanted it, the most elementary idea of a system in modern life--none of this had been imparted to her by any of her professors or mistresses. But this system of education had one great advantage. It did not teach anything, but it put no obstacle in the way of any real talent that the pupil might chance to have. Rachel, being musical, was allowed to learn nothing but music; she became a fanatic about music. All the energies that might have gone into languages, science, or literature, that might have made her friends, or shown her the world, poured straight into music. Finding her teachers inadequate, she had practically taught herself. At the age of twenty-four she knew as much about music as most people do when they are thirty; and could play as well as nature allowed her to, which, as became daily more obvious, was a really generous allowance. If this one definite gift was surrounded by dreams and ideas of the most extravagant and foolish description, no one was any the wiser.

Her education being thus ordinary, her circumstances were no more out of the common. She was an only child and had never been bullied and laughed at by brothers and sisters. Her mother having died when she was eleven, two aunts, the sisters of her father, brought her up, and they lived for the sake of the air in a comfortable house in Richmond. She was of course brought up with excessive care, which as a child was for her health; as a girl and a young woman was for what it seems almost crude to call her morals. Until quite lately she had been completely ignorant that for women such things existed. She groped for knowledge in old books, and found it in repulsive chunks, but she did not naturally care for books and thus never troubled her head about the censorship which was exercised first by her aunts, later by her father. Friends might have told her things, but she had few of her own age,--Richmond being an awkward place to reach,--and, as it happened, the only girl she knew well was a religious zealot, who in the fervour of intimacy talked about God, and the best ways of taking up one's cross, a topic only fitfully interesting to one whose mind reached other stages at other times. But lying in her chair, with one hand behind her head, the other grasping the knob on the arm, she was clearly following her thoughts intently. Her education left her abundant time for thinking. Her eyes were fixed so steadily upon a ball on the rail of the ship that she would have been startled and annoyed if anything had chanced to obscure it for a second. She had begun her meditations with a shout of laughter, caused by the following translation from _Tristan_:

In shrinking trepidation

His shame he seems to hide

While to the king his relation

He brings the corpse-like Bride.

Seems it so senseless what I say?

She cried that it did, and threw down the book. Next she had picked up _Cowper's_

_Letters_, the classic prescribed by her father which had bored her, so that one sentence chancing to say something about the smell of broom in his garden, she had thereupon seen the little hall at Richmond laden with flowers on the day of her mother's funeral, smelling so strong that now any flower-scent brought back the sickly horrible sensation; and so from one scene she passed, half-hearing, half-seeing, to another. She saw her Aunt Lucy arranging flowers in the drawing-room.

"Aunt Lucy," she volunteered, "I don't like the smell of broom; it reminds me of funerals."

"Nonsense, Rachel," Aunt Lucy replied; "don't say such foolish things, dear. I always think it a particularly cheerful plant."

Lying in the hot sun her mind was fixed upon the characters of her aunts, their views, and the way they lived. Indeed this was a subject that lasted her hundreds of morning walks round Richmond Park, and blotted out the trees and the people and the deer. Why did they do the things they did, and what did they feel, and what was it all about? Again she heard Aunt Lucy talking to Aunt Eleanor. She had been that morning to take up the character of a servant, "And, of course, at half-past ten in the morning one expects to find the housemaid brushing the stairs." How odd! How unspeakably odd! But she could not explain to herself why suddenly as her aunt spoke the whole system in which they lived had appeared before her eyes as something quite unfamiliar and inexplicable, and themselves as chairs or umbrellas dropped about here and there without any reason. She could only say with her slight stammer, "Are you f-f-fond of Aunt Eleanor, Aunt Lucy?" to which her aunt replied, with her nervous hen-like twitter of a laugh, "My dear child, what questions you do ask!"

"How fond? Very fond!" Rachel pursued.

"I can't say I've ever thought 'how,'" said Miss Vinrace. "If one cares one doesn't think

'how,' Rachel," which was aimed at the niece who had never yet "come" to her aunts as cordially as they wished.

"But you know I care for you, don't you, dear, because you're your mother's daughter, if for no other reason, and there _are_ plenty of other reasons"--and she leant over and kissed her with some emotion, and the argument was spilt irretrievably about the place like a bucket of milk.

By these means Rachel reached that stage in thinking, if thinking it can be called, when the eyes are intent upon a ball or a knob and the lips cease to move. Her efforts to come to an understanding had only hurt her aunt's feelings, and the conclusion must be that it is better not to try. To feel anything strongly was to create an abyss between oneself and others who feel strongly perhaps but differently. It was far better to play the piano and forget all the rest. The conclusion was very welcome. Let these odd men and women--her aunts, the Hunts, Ridley, Helen, Mr. Pepper, and the rest--be symbols,--featureless but dignified, symbols of age, of youth, of motherhood, of learning, and beautiful often as people upon the stage are beautiful. It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange. Absorbed by her music she accepted her lot very complacently, blazing into indignation perhaps once a fortnight, and subsiding as she subsided now. Inextricably mixed in dreamy confusion, her mind seemed to enter into communion, to be delightfully expanded and combined with the spirit of the whitish boards on deck, with the spirit of the sea, with the spirit of Beethoven Op. 112, even with the spirit of poor William Cowper there at Olney. Like a ball of thistledown it kissed the sea, rose, kissed it again, and thus rising and kissing passed finally out of sight. The rising and falling of the ball of thistledown was represented by the sudden droop forward of her own head, and when it passed out of sight she was asleep.

Ten minutes later Mrs. Ambrose opened the door and looked at her. It did not surprise her to find that this was the way in which Rachel passed her mornings. She glanced round the room at the piano, at the books, at the general mess. In the first place she considered Rachel aesthetically; lying unprotected she looked somehow like a victim dropped from the claws of a bird of prey, but considered as a woman, a young woman of twenty-four, the sight gave rise to reflections. Mrs. Ambrose stood thinking for at least two minutes. She then smiled, turned noiselessly away and went, lest the sleeper should waken, and there should be the awkwardness of speech between them.

Chapter III

Early next morning there was a sound as of chains being drawn roughly overhead; the steady heart of the _Euphrosyne_ slowly ceased to beat; and Helen, poking her nose above deck, saw a stationary castle upon a stationary hill. They had dropped anchor in the mouth of the Tagus, and instead of cleaving new waves perpetually, the same waves kept returning and washing against the sides of the ship.

As soon as breakfast was done, Willoughby disappeared over the vessel's side, carrying a brown leather case, shouting over his shoulder that every one was to mind and behave themselves, for he would be kept in Lisbon doing business until five o'clock that afternoon.

At about that hour he reappeared, carrying his case, professing himself tired, bothered, hungry, thirsty, cold, and in immediate need of his tea. Rubbing his hands, he told them the adventures of the day: how he had come upon poor old Jackson combing his moustache before the glass in the office, little expecting his descent, had put him through such a morning's work as seldom came his way; then treated him to a lunch of champagne and ortolans; paid a call upon Mrs. Jackson, who was fatter than ever, poor woman, but asked kindly after Rachel--and O Lord, little Jackson had confessed to a confounded piece of weakness--well, well, no harm was done, he supposed, but what was the use of his giving orders if they were promptly disobeyed? He had said distinctly that he would take no passengers on this trip. Here he began searching in his pockets and eventually discovered a card, which he planked down on the table before Rachel. On it she read, "Mr. and Mrs. Richard Dalloway, 23 Browne Street, Mayfair."

"Mr. Richard Dalloway," continued Vinrace, "seems to be a gentleman who thinks that because he was once a member of Parliament, and his wife's the daughter of a peer, they can have what they like for the asking. They got round poor little Jackson anyhow. Said they must have passages--produced a letter from Lord Glenaway, asking me as a personal favour--overruled any objections Jackson made (I don't believe they came to much), and so there's nothing for it but to submit, I suppose."

But it was evident that for some reason or other Willoughby was quite pleased to submit, although he made a show of growling.

The truth was that Mr. and Mrs. Dalloway had found themselves stranded in Lisbon. They had been travelling on the Continent for some weeks, chiefly with a view to broadening Mr. Dalloway's mind. Unable for a season, by one of the accidents of political life, to serve his country in Parliament, Mr. Dalloway was doing the best he could to serve it out of Parliament. For that purpose the Latin countries did very well, although the East, of course, would have done better.

"Expect to hear of me next in Petersburg or Teheran," he had said, turning to wave farewell from the steps of the Travellers'. But a disease had broken out in the East, there was cholera in Russia, and he was heard of, not so romantically, in Lisbon. They had been through France; he had stopped at manufacturing centres where, producing letters of introduction, he had been shown over works, and noted facts in a pocket-book. In Spain he and Mrs. Dalloway had mounted mules, for they wished to understand how the peasants live. Are they ripe for rebellion, for example? Mrs. Dalloway had then insisted upon a day or two at Madrid with the pictures. Finally they arrived in Lisbon and spent six days which, in a journal privately issued afterwards, they described as of "unique interest." Richard had audiences with ministers, and foretold a crisis at no distant date,

"the foundations of government being incurably corrupt. Yet how blame, etc."; while Clarissa inspected the royal stables, and took several snapshots showing men now exiled and windows now broken. Among other things she photographed Fielding's grave, and let loose a small bird which some ruffian had trapped, "because one hates to think of anything in a cage where English people lie buried," the diary stated. Their tour was thoroughly unconventional, and followed no meditated plan. The foreign correspondents of the _Times_ decided their route as much as anything else. Mr. Dalloway wished to look at certain guns, and was of opinion that the African coast is far more unsettled than people at home were inclined to believe. For these reasons they wanted a slow inquisitive kind of ship, comfortable, for they were bad sailors, but not extravagant, which would stop for a day or two at this port and at that, taking in coal while the Dalloways saw things for themselves. Meanwhile they found themselves stranded in Lisbon, unable for the moment to lay hands upon the precise vessel they wanted. They heard of the _Euphrosyne_, but heard also that she was primarily a cargo boat, and only took passengers by special arrangement, her business being to carry dry goods to the Amazons, and rubber home again. "By special arrangement," however, were words of high encouragement to them, for they came of a class where almost everything was specially arranged, or could be if necessary. On this occasion all that Richard did was to write a note to Lord Glenaway, the head of the line which bears his title; to call on poor old Jackson; to represent to him how Mrs. Dalloway was so-and-so, and he had been something or other else, and what they wanted was such and such a thing. It was done. They parted with compliments and pleasure on both sides, and here, a week later, came the boat rowing up to the ship in the dusk with the Dalloways on board of it; in three minutes they were standing together on the deck of the _Euphrosyne_. Their arrival, of course, created some stir, and it was seen by several pairs of eyes that Mrs. Dalloway was a tall slight woman, her body wrapped in furs, her head in veils, while Mr. Dalloway appeared to be a middle-sized man of sturdy build, dressed like a sportsman on an autumnal moor. Many solid leather bags of a rich brown hue soon surrounded them, in addition to which Mr. Dalloway carried a despatch box, and his wife a dressing-case suggestive of a diamond necklace and bottles with silver tops.

"It's so like Whistler!" she exclaimed, with a wave towards the shore, as she shook Rachel by the hand, and Rachel had only time to look at the grey hills on one side of her before Willoughby introduced Mrs. Chailey, who took the lady to her cabin. Momentary though it seemed, nevertheless the interruption was upsetting; every one was more or less put out by it, from Mr. Grice, the steward, to Ridley himself. A few minutes later Rachel passed the smoking-room, and found Helen moving arm-chairs. She was absorbed in her arrangements, and on seeing Rachel remarked confidentially:

"If one can give men a room to themselves where they will sit, it's all to the good. Armchairs are _the_ important things--" She began wheeling them about. "Now, does it still look like a bar at a railway station?"

She whipped a plush cover off a table. The appearance of the place was marvellously improved.

Again, the arrival of the strangers made it obvious to Rachel, as the hour of dinner approached, that she must change her dress; and the ringing of the great bell found her sitting on the edge of her berth in such a position that the little glass above the washstand reflected her head and shoulders. In the glass she wore an expression of tense melancholy, for she had come to the depressing conclusion, since the arrival of the Dalloways, that her face was not the face she wanted, and in all probability never would be.

However, punctuality had been impressed on her, and whatever face she had, she must go in to dinner.

These few minutes had been used by Willoughby in sketching to the Dalloways the people they were to meet, and checking them upon his fingers.

"There's my brother-in-law, Ambrose, the scholar (I daresay you've heard his name), his wife, my old friend Pepper, a very quiet fellow, but knows everything, I'm told. And that's all. We're a very small party. I'm dropping them on the coast." Mrs. Dalloway, with her head a little on one side, did her best to recollect Ambrose--was it a surname?--but failed. She was made slightly uneasy by what she had heard. She knew that scholars married any one--girls they met in farms on reading parties; or little suburban women who said disagreeably, "Of course I know it's my husband you want; not _me_."

But Helen came in at that point, and Mrs. Dalloway saw with relief that though slightly eccentric in appearance, she was not untidy, held herself well, and her voice had restraint in it, which she held to be the sign of a lady. Mr. Pepper had not troubled to change his neat ugly suit.

"But after all," Clarissa thought to herself as she followed Vinrace in to dinner, "_every_

_one's_ interesting really."

When seated at the table she had some need of that assurance, chiefly because of Ridley, who came in late, looked decidedly unkempt, and took to his soup in profound gloom. An imperceptible signal passed between husband and wife, meaning that they grasped the situation and would stand by each other loyally. With scarcely a pause Mrs. Dalloway turned to Willoughby and began:

"What I find so tiresome about the sea is that there are no flowers in it. Imagine fields of hollyhocks and violets in mid-ocean! How divine!"

"But somewhat dangerous to navigation," boomed Richard, in the bass, like the bassoon to the flourish of his wife's violin. "Why, weeds can be bad enough, can't they, Vinrace? I remember crossing in the _Mauretania_ once, and saying to the Captain--Richards--did you know him?--'Now tell me what perils you really dread most for your ship, Captain Richards?' expecting him to say icebergs, or derelicts, or fog, or something of that sort. Not a bit of it. I've always remembered his answer. '_Sedgius_ _aquatici_,' he said, which I take to be a kind of duck-weed."

Mr. Pepper looked up sharply, and was about to put a question when Willoughby continued:

"They've an awful time of it--those captains! Three thousand souls on board!"

"Yes, indeed," said Clarissa. She turned to Helen with an air of profundity. "I'm convinced people are wrong when they say it's work that wears one; it's responsibility. That's why one pays one's cook more than one's housemaid, I suppose."

"According to that, one ought to pay one's nurse double; but one doesn't," said Helen.

"No; but think what a joy to have to do with babies, instead of saucepans!" said Mrs. Dalloway, looking with more interest at Helen, a probable mother.

"I'd much rather be a cook than a nurse," said Helen. "Nothing would induce me to take charge of children."

"Mothers always exaggerate," said Ridley. "A well-bred child is no responsibility. I've travelled all over Europe with mine. You just wrap 'em up warm and put 'em in the rack." Helen laughed at that. Mrs. Dalloway exclaimed, looking at Ridley:

"How like a father! My husband's just the same. And then one talks of the equality of the sexes!"

"Does one?" said Mr. Pepper.

"Oh, some do!" cried Clarissa. "My husband had to pass an irate lady every afternoon last session who said nothing else, I imagine."

"She sat outside the house; it was very awkward," said Dalloway. "At last I plucked up courage and said to her, 'My good creature, you're only in the way where you are. You're hindering me, and you're doing no good to yourself.'"

"And then she caught him by the coat, and would have scratched his eyes out--" Mrs. Dalloway put in.

"Pooh--that's been exaggerated," said Richard. "No, I pity them, I confess. The discomfort of sitting on those steps must be awful."

"Serve them right," said Willoughby curtly.

"Oh, I'm entirely with you there," said Dalloway. "Nobody can condemn the utter folly and futility of such behaviour more than I do; and as for the whole agitation, well! may I be in my grave before a woman has the right to vote in England! That's all I say." The solemnity of her husband's assertion made Clarissa grave.

"It's unthinkable," she said. "Don't tell me you're a suffragist?" she turned to Ridley.

"I don't care a fig one way or t'other," said Ambrose. "If any creature is so deluded as to think that a vote does him or her any good, let him have it. He'll soon learn better."

"You're not a politician, I see," she smiled.

"Goodness, no," said Ridley.

"I'm afraid your husband won't approve of me," said Dalloway aside, to Mrs. Ambrose. She suddenly recollected that he had been in Parliament.

"Don't you ever find it rather dull?" she asked, not knowing exactly what to say. Richard spread his hands before him, as if inscriptions were to be read in the palms of them.

"If you ask me whether I ever find it rather dull," he said, "I am bound to say yes; on the other hand, if you ask me what career do you consider on the whole, taking the good with the bad, the most enjoyable and enviable, not to speak of its more serious side, of all careers, for a man, I am bound to say, 'The Politician's.'"

"The Bar or politics, I agree," said Willoughby. "You get more run for your money."

"All one's faculties have their play," said Richard. "I may be treading on dangerous ground; but what I feel about poets and artists in general is this: on your own lines, you can't be beaten--granted; but off your own lines--puff--one has to make allowances. Now, I shouldn't like to think that any one had to make allowances for me."

"I don't quite agree, Richard," said Mrs. Dalloway. "Think of Shelley. I feel that there's almost everything one wants in 'Adonais.'"

"Read 'Adonais' by all means," Richard conceded. "But whenever I hear of Shelley I repeat to myself the words of Matthew Arnold, 'What a set! What a set!'" This roused Ridley's attention. "Matthew Arnold? A detestable prig!" he snapped.

"A prig--granted," said Richard; "but, I think a man of the world. That's where my point comes in. We politicians doubtless seem to you" (he grasped somehow that Helen was the representative of the arts) "a gross commonplace set of people; but we see both sides; we may be clumsy, but we do our best to get a grasp of things. Now your artists _find_

things in a mess, shrug their shoulders, turn aside to their visions--which I grant may be very beautiful--and _leave_ things in a mess. Now that seems to me evading one's responsibilities. Besides, we aren't all born with the artistic faculty."

"It's dreadful," said Mrs. Dalloway, who, while her husband spoke, had been thinking.

"When I'm with artists I feel so intensely the delights of shutting oneself up in a little world of one's own, with pictures and music and everything beautiful, and then I go out into the streets and the first child I meet with its poor, hungry, dirty little face makes me turn round and say, 'No, I _can't_ shut myself up--I _won't_ live in a world of my own. I should like to stop all the painting and writing and music until this kind of thing exists no longer.' Don't you feel," she wound up, addressing Helen, "that life's a perpetual conflict?" Helen considered for a moment. "No," she said. "I don't think I do." There was a pause, which was decidedly uncomfortable. Mrs. Dalloway then gave a little shiver, and asked whether she might have her fur cloak brought to her. As she adjusted the soft brown fur about her neck a fresh topic struck her.

"I own," she said, "that I shall never forget the _Antigone_. I saw it at Cambridge years ago, and it's haunted me ever since. Don't you think it's quite the most modern thing you ever saw?" she asked Ridley. "It seemed to me I'd known twenty Clytemnestras. Old Lady Ditchling for one. I don't know a word of Greek, but I could listen to it for ever--" Here Mr. Pepper struck up:

{Some editions of the work contain a brief passage

from Antigone, in Greek, at this spot. ed.}

Mrs. Dalloway looked at him with compressed lips.

"I'd give ten years of my life to know Greek," she said, when he had done.

"I could teach you the alphabet in half an hour," said Ridley, "and you'd read Homer in a month. I should think it an honour to instruct you."

Helen, engaged with Mr. Dalloway and the habit, now fallen into decline, of quoting Greek in the House of Commons, noted, in the great commonplace book that lies open beside us as we talk, the fact that all men, even men like Ridley, really prefer women to be fashionable.

Clarissa exclaimed that she could think of nothing more delightful. For an instant she saw herself in her drawing-room in Browne Street with a Plato open on her knees--Plato in the original Greek. She could not help believing that a real scholar, if specially interested, could slip Greek into her head with scarcely any trouble.

Ridley engaged her to come to-morrow.

"If only your ship is going to treat us kindly!" she exclaimed, drawing Willoughby into play. For the sake of guests, and these were distinguished, Willoughby was ready with a bow of his head to vouch for the good behaviour even of the waves.

"I'm dreadfully bad; and my husband's not very good," sighed Clarissa.

"I am never sick," Richard explained. "At least, I have only been actually sick once," he corrected himself. "That was crossing the Channel. But a choppy sea, I confess, or still worse, a swell, makes me distinctly uncomfortable. The great thing is never to miss a meal. You look at the food, and you say, 'I can't'; you take a mouthful, and Lord knows how you're going to swallow it; but persevere, and you often settle the attack for good. My wife's a coward."

They were pushing back their chairs. The ladies were hesitating at the doorway.

"I'd better show the way," said Helen, advancing.

Rachel followed. She had taken no part in the talk; no one had spoken to her; but she had listened to every word that was said. She had looked from Mrs. Dalloway to Mr. Dalloway, and from Mr. Dalloway back again. Clarissa, indeed, was a fascinating spectacle. She wore a white dress and a long glittering necklace. What with her clothes, and her arch delicate face, which showed exquisitely pink beneath hair turning grey, she was astonishingly like an eighteenth-century masterpiece--a Reynolds or a Romney. She made Helen and the others look coarse and slovenly beside her. Sitting lightly upright she seemed to be dealing with the world as she chose; the enormous solid globe spun round this way and that beneath her fingers. And her husband! Mr. Dalloway rolling that rich deliberate voice was even more impressive. He seemed to come from the humming oily centre of the machine where the polished rods are sliding, and the pistons thumping; he grasped things so firmly but so loosely; he made the others appear like old maids cheapening remnants. Rachel followed in the wake of the matrons, as if in a trance; a curious scent of violets came back from Mrs. Dalloway, mingling with the soft rustling of her skirts, and the tinkling of her chains. As she followed, Rachel thought with supreme self-abasement, taking in the whole course of her life and the lives of all her friends, "She said we lived in a world of our own. It's true. We're perfectly absurd."

"We sit in here," said Helen, opening the door of the saloon.

"You play?" said Mrs. Dalloway to Mrs. Ambrose, taking up the score of _Tristan_

which lay on the table.

"My niece does," said Helen, laying her hand on Rachel's shoulder.

"Oh, how I envy you!" Clarissa addressed Rachel for the first time. "D'you remember this? Isn't it divine?" She played a bar or two with ringed fingers upon the page.

"And then Tristan goes like this, and Isolde--oh!--it's all too thrilling! Have you been to Bayreuth?"

"No, I haven't," said Rachel. `"Then that's still to come. I shall never forget my first _Parsifal_--a grilling August day, and those fat old German women, come in their stuffy high frocks, and then the dark theatre, and the music beginning, and one couldn't help sobbing. A kind man went and fetched me water, I remember; and I could only cry on his shoulder! It caught me here" (she touched her throat). "It's like nothing else in the world!

But where's your piano?" "It's in another room," Rachel explained.

"But you will play to us?" Clarissa entreated. "I can't imagine anything nicer than to sit out in the moonlight and listen to music--only that sounds too like a schoolgirl! You know," she said, turning to Helen, "I don't think music's altogether good for people--I'm afraid not."

"Too great a strain?" asked Helen.

"Too emotional, somehow," said Clarissa. "One notices it at once when a boy or girl takes up music as a profession. Sir William Broadley told me just the same thing. Don't you hate the kind of attitudes people go into over Wagner--like this--" She cast her eyes to the ceiling, clasped her hands, and assumed a look of intensity. "It really doesn't mean that they appreciate him; in fact, I always think it's the other way round. The people who really care about an art are always the least affected. D'you know Henry Philips, the painter?" she asked.

"I have seen him," said Helen.

"To look at, one might think he was a successful stockbroker, and not one of the greatest painters of the age. That's what I like."

"There are a great many successful stockbrokers, if you like looking at them," said Helen. Rachel wished vehemently that her aunt would not be so perverse.

"When you see a musician with long hair, don't you know instinctively that he's bad?" Clarissa asked, turning to Rachel. "Watts and Joachim--they looked just like you and me."

"And how much nicer they'd have looked with curls!" said Helen. "The question is, are you going to aim at beauty or are you not?"

"Cleanliness!" said Clarissa, "I do want a man to look clean!"

"By cleanliness you really mean well-cut clothes," said Helen.

"There's something one knows a gentleman by," said Clarissa, "but one can't say what it is."

"Take my husband now, does he look like a gentleman?"

The question seemed to Clarissa in extraordinarily bad taste. "One of the things that can't be said," she would have put it. She could find no answer, but a laugh.

"Well, anyhow," she said, turning to Rachel, "I shall insist upon your playing to me tomorrow." There was that in her manner that made Rachel love her.

Mrs. Dalloway hid a tiny yawn, a mere dilation of the nostrils.

"D'you know," she said, "I'm extraordinarily sleepy. It's the sea air. I think I shall escape." A man's voice, which she took to be that of Mr. Pepper, strident in discussion, and advancing upon the saloon, gave her the alarm.

"Good-night--good-night!" she said. "Oh, I know my way--do pray for calm! Goodnight!" Her yawn must have been the image of a yawn. Instead of letting her mouth droop, dropping all her clothes in a bunch as though they depended on one string, and stretching her limbs to the utmost end of her berth, she merely changed her dress for a dressinggown, with innumerable frills, and wrapping her feet in a rug, sat down with a writingpad on her knee. Already this cramped little cabin was the dressing room of a lady of quality. There were bottles containing liquids; there were trays, boxes, brushes, pins. Evidently not an inch of her person lacked its proper instrument. The scent which had intoxicated Rachel pervaded the air. Thus established, Mrs. Dalloway began to write. A pen in her hands became a thing one caressed paper with, and she might have been stroking and tickling a kitten as she wrote:

Picture us, my dear, afloat in the very oddest ship you can imagine. It's not the ship, so much as the people. One does come across queer sorts as one travels. I must say I find it hugely amusing. There's the manager of the line--called Vinrace--a nice big Englishman, doesn't say much--you know the sort. As for the rest--they might have come trailing out of an old number of _Punch_. They're like people playing croquet in the 'sixties. How long they've all been shut up in this ship I don't know--years and years I should say--but one feels as though one had boarded a little separate world, and they'd never been on shore, or done ordinary things in their lives. It's what I've always said about literary people--they're far the hardest of any to get on with. The worst of it is, these people--a man and his wife and a niece--might have been, one feels, just like everybody else, if they hadn't got swallowed up by Oxford or Cambridge or some such place, and been made cranks of. The man's really delightful (if he'd cut his nails), and the woman has quite a fine face, only she dresses, of course, in a potato sack, and wears her hair like a Liberty shopgirl's. They talk about art, and think us such poops for dressing in the evening. However, I can't help that; I'd rather die than come in to dinner without changing--wouldn't you? It matters ever so much more than the soup. (It's odd how things like that _do_ matter so much more than what's generally supposed to matter. I'd rather have my head cut off than wear flannel next the skin.) Then there's a nice shy girl--poor thing--I wish one could rake her out before it's too late. She has quite nice eyes and hair, only, of course, she'll get funny too. We ought to start a society for broadening the minds of the young--much more useful than missionaries, Hester! Oh, I'd forgotten there's a dreadful little thing called Pepper. He's just like his name. He's indescribably insignificant, and rather queer in his temper, poor dear. It's like sitting down to dinner with an ill-conditioned fox-terrier, only one can't comb him out, and sprinkle him with powder, as one would one's dog. It's a pity, sometimes, one can't treat people like dogs!

The great comfort is that we're away from newspapers, so that Richard will have a real holiday this time. Spain wasn't a holiday. . . .

"You coward!" said Richard, almost filling the room with his sturdy figure.

"I did my duty at dinner!" cried Clarissa.

"You've let yourself in for the Greek alphabet, anyhow."

"Oh, my dear! Who _is_ Ambrose?"

"I gather that he was a Cambridge don; lives in London now, and edits classics."

"Did you ever see such a set of cranks? The woman asked me if I thought her husband looked like a gentleman!"

"It was hard to keep the ball rolling at dinner, certainly," said Richard. "Why is it that the women, in that class, are so much queerer than the men?"

"They're not half bad-looking, really--only--they're so odd!" They both laughed, thinking of the same things, so that there was no need to compare their impressions.

"I see I shall have quite a lot to say to Vinrace," said Richard. "He knows Sutton and all that set. He can tell me a good deal about the conditions of ship-building in the North."

"Oh, I'm glad. The men always _are_ so much better than the women."

"One always has something to say to a man certainly," said Richard. "But I've no doubt you'll chatter away fast enough about the babies, Clarice."

"Has she got children? She doesn't look like it somehow."

"Two. A boy and girl."

A pang of envy shot through Mrs. Dalloway's heart.

"We _must_ have a son, Dick," she said.

"Good Lord, what opportunities there are now for young men!" said Dalloway, for his talk had set him thinking. "I don't suppose there's been so good an opening since the days of Pitt."

"And it's yours!" said Clarissa.

"To be a leader of men," Richard soliloquised. "It's a fine career. My God--what a career!"

The chest slowly curved beneath his waistcoat.

"D'you know, Dick, I can't help thinking of England," said his wife meditatively, leaning her head against his chest. "Being on this ship seems to make it so much more vivid-what it really means to be English. One thinks of all we've done, and our navies, and the people in India and Africa, and how we've gone on century after century, sending out boys from little country villages--and of men like you, Dick, and it makes one feel as if one couldn't bear _not_ to be English! Think of the light burning over the House, Dick!

When I stood on deck just now I seemed to see it. It's what one means by London."

"It's the continuity," said Richard sententiously. A vision of English history, King following King, Prime Minister Prime Minister, and Law Law had come over him while his wife spoke. He ran his mind along the line of conservative policy, which went steadily from Lord Salisbury to Alfred, and gradually enclosed, as though it were a lasso that opened and caught things, enormous chunks of the habitable globe.

"It's taken a long time, but we've pretty nearly done it," he said; "it remains to consolidate."

"And these people don't see it!" Clarissa exclaimed.

"It takes all sorts to make a world," said her husband. "There would never be a government if there weren't an opposition."

"Dick, you're better than I am," said Clarissa. "You see round, where I only see _there_." She pressed a point on the back of his hand.

"That's my business, as I tried to explain at dinner."

"What I like about you, Dick," she continued, "is that you're always the same, and I'm a creature of moods."

"You're a pretty creature, anyhow," he said, gazing at her with deeper eyes.

"You think so, do you? Then kiss me."

He kissed her passionately, so that her half-written letter slid to the ground. Picking it up, he read it without asking leave.

"Where's your pen?" he said; and added in his little masculine hand: R.D. _loquitur_: Clarice has omitted to tell you that she looked exceedingly pretty at dinner, and made a conquest by which she has bound herself to learn the Greek alphabet. I will take this occasion of adding that we are both enjoying ourselves in these outlandish parts, and only wish for the presence of our friends (yourself and John, to wit) to make the trip perfectly enjoyable as it promises to be instructive. . . . Voices were heard at the end of the corridor. Mrs. Ambrose was speaking low; William Pepper was remarking in his definite and rather acid voice, "That is the type of lady with whom I find myself distinctly out of sympathy. She--"

But neither Richard nor Clarissa profited by the verdict, for directly it seemed likely that they would overhear, Richard crackled a sheet of paper.

"I often wonder," Clarissa mused in bed, over the little white volume of Pascal which went with her everywhere, "whether it is really good for a woman to live with a man who is morally her superior, as Richard is mine. It makes one so dependent. I suppose I feel for him what my mother and women of her generation felt for Christ. It just shows that one can't do without _something_." She then fell into a sleep, which was as usual extremely sound and refreshing, but visited by fantastic dreams of great Greek letters stalking round the room, when she woke up and laughed to herself, remembering where she was and that the Greek letters were real people, lying asleep not many yards away. Then, thinking of the black sea outside tossing beneath the moon, she shuddered, and thought of her husband and the others as companions on the voyage. The dreams were not confined to her indeed, but went from one brain to another. They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each other's faces, and hear whatever they chanced to say.

Chapter IV

Next morning Clarissa was up before anyone else. She dressed, and was out on deck, breathing the fresh air of a calm morning, and, making the circuit of the ship for the second time, she ran straight into the lean person of Mr. Grice, the steward. She apologised, and at the same time asked him to enlighten her: what were those shiny brass stands for, half glass on the top? She had been wondering, and could not guess. When he had done explaining, she cried enthusiastically:

"I do think that to be a sailor must be the finest thing in the world!"

"And what d'you know about it?" said Mr. Grice, kindling in a strange manner. "Pardon me. What does any man or woman brought up in England know about the sea? They profess to know; but they don't."

The bitterness with which he spoke was ominous of what was to come. He led her off to his own quarters, and, sitting on the edge of a brass-bound table, looking uncommonly like a sea-gull, with her white tapering body and thin alert face, Mrs. Dalloway had to listen to the tirade of a fanatical man. Did she realise, to begin with, what a very small part of the world the land was? How peaceful, how beautiful, how benignant in comparison the sea? The deep waters could sustain Europe unaided if every earthly animal died of the plague to-morrow. Mr. Grice recalled dreadful sights which he had seen in the richest city of the world--men and women standing in line hour after hour to receive a mug of greasy soup. "And I thought of the good flesh down here waiting and asking to be caught. I'm not exactly a Protestant, and I'm not a Catholic, but I could almost pray for the days of popery to come again--because of the fasts." As he talked he kept opening drawers and moving little glass jars. Here were the treasures which the great ocean had bestowed upon him--pale fish in greenish liquids, blobs of jelly with streaming tresses, fish with lights in their heads, they lived so deep.

"They have swum about among bones," Clarissa sighed.

"You're thinking of Shakespeare," said Mr. Grice, and taking down a copy from a shelf well lined with books, recited in an emphatic nasal voice:

"Full fathom five thy father lies,

"A grand fellow, Shakespeare," he said, replacing the volume. Clarissa was so glad to hear him say so.

"Which is your favourite play? I wonder if it's the same as mine?"

"_Henry the Fifth_," said Mr. Grice.

"Joy!" cried Clarissa. "It is!"

_Hamlet_ was what you might call too introspective for Mr. Grice, the sonnets too passionate; Henry the Fifth was to him the model of an English gentleman. But his favourite reading was Huxley, Herbert Spencer, and Henry George; while Emerson and Thomas Hardy he read for relaxation. He was giving Mrs. Dalloway his views upon the present state of England when the breakfast bell rung so imperiously that she had to tear herself away, promising to come back and be shown his sea-weeds.

The party, which had seemed so odd to her the night before, was already gathered round the table, still under the influence of sleep, and therefore uncommunicative, but her entrance sent a little flutter like a breath of air through them all.

"I've had the most interesting talk of my life!" she exclaimed, taking her seat beside Willoughby. "D'you realise that one of your men is a philosopher and a poet?"

"A very interesting fellow--that's what I always say," said Willoughby, distinguishing Mr. Grice. "Though Rachel finds him a bore."

"He's a bore when he talks about currents," said Rachel. Her eyes were full of sleep, but Mrs. Dalloway still seemed to her wonderful.

"I've never met a bore yet!" said Clarissa.

"And I should say the world was full of them!" exclaimed Helen. But her beauty, which was radiant in the morning light, took the contrariness from her words.

"I agree that it's the worst one can possibly say of any one," said Clarissa. "How much rather one would be a murderer than a bore!" she added, with her usual air of saying something profound. "One can fancy liking a murderer. It's the same with dogs. Some dogs are awful bores, poor dears."

It happened that Richard was sitting next to Rachel. She was curiously conscious of his presence and appearance--his well-cut clothes, his crackling shirt-front, his cuffs with blue rings round them, and the square-tipped, very clean fingers with the red stone on the little finger of the left hand.

"We had a dog who was a bore and knew it," he said, addressing her in cool, easy tones.

"He was a Skye terrier, one of those long chaps, with little feet poking out from their hair like--like caterpillars--no, like sofas I should say. Well, we had another dog at the same time, a black brisk animal--a Schipperke, I think, you call them. You can't imagine a greater contrast. The Skye so slow and deliberate, looking up at you like some old gentleman in the club, as much as to say, 'You don't really mean it, do you?' and the Schipperke as quick as a knife. I liked the Skye best, I must confess. There was something pathetic about him."

The story seemed to have no climax.

"What happened to him?" Rachel asked.

"That's a very sad story," said Richard, lowering his voice and peeling an apple. "He followed my wife in the car one day and got run over by a brute of a cyclist."

"Was he killed?" asked Rachel.

But Clarissa at her end of the table had overheard.

"Don't talk of it!" she cried. "It's a thing I can't bear to think of to this day." Surely the tears stood in her eyes?

"That's the painful thing about pets," said Mr. Dalloway; "they die. The first sorrow I can remember was for the death of a dormouse. I regret to say that I sat upon it. Still, that didn't make one any the less sorry. Here lies the duck that Samuel Johnson sat on, eh? I was big for my age."

"Then we had canaries," he continued, "a pair of ring-doves, a lemur, and at one time a martin."

"Did you live in the country?" Rachel asked him.

"We lived in the country for six months of the year. When I say 'we' I mean four sisters, a brother, and myself. There's nothing like coming of a large family. Sisters particularly are delightful."

"Dick, you were horribly spoilt!" cried Clarissa across the table.

"No, no. Appreciated," said Richard.

Rachel had other questions on the tip of her tongue; or rather one enormous question, which she did not in the least know how to put into words. The talk appeared too airy to admit of it.

"Please tell me--everything." That was what she wanted to say. He had drawn apart one little chink and showed astonishing treasures. It seemed to her incredible that a man like that should be willing to talk to her. He had sisters and pets, and once lived in the country. She stirred her tea round and round; the bubbles which swam and clustered in the cup seemed to her like the union of their minds.

The talk meanwhile raced past her, and when Richard suddenly stated in a jocular tone of voice, "I'm sure Miss Vinrace, now, has secret leanings towards Catholicism," she had no idea what to answer, and Helen could not help laughing at the start she gave. However, breakfast was over and Mrs. Dalloway was rising. "I always think religion's like collecting beetles," she said, summing up the discussion as she went up the stairs with Helen. "One person has a passion for black beetles; another hasn't; it's no good arguing about it. What's _your_ black beetle now?"

"I suppose it's my children," said Helen.

"Ah--that's different," Clarissa breathed. "Do tell me. You have a boy, haven't you? Isn't it detestable, leaving them?"

It was as though a blue shadow had fallen across a pool. Their eyes became deeper, and their voices more cordial. Instead of joining them as they began to pace the deck, Rachel was indignant with the prosperous matrons, who made her feel outside their world and motherless, and turning back, she left them abruptly. She slammed the door of her room, and pulled out her music. It was all old music--Bach and Beethoven, Mozart and Purcell-the pages yellow, the engraving rough to the finger. In three minutes she was deep in a very difficult, very classical fugue in A, and over her face came a queer remote impersonal expression of complete absorption and anxious satisfaction. Now she stumbled; now she faltered and had to play the same bar twice over; but an invisible line seemed to string the notes together, from which rose a shape, a building. She was so far absorbed in this work, for it was really difficult to find how all these sounds should stand together, and drew upon the whole of her faculties, that she never heard a knock at the door. It was burst impulsively open, and Mrs. Dalloway stood in the room leaving the door open, so that a strip of the white deck and of the blue sea appeared through the opening. The shape of the Bach fugue crashed to the ground.

"Don't let me interrupt," Clarissa implored. "I heard you playing, and I couldn't resist. I adore Bach!"

Rachel flushed and fumbled her fingers in her lap. She stood up awkwardly.

"It's too difficult," she said.

"But you were playing quite splendidly! I ought to have stayed outside."

"No," said Rachel.

She slid _Cowper's_ _Letters_ and _Wuthering_ _Heights_ out of the arm-chair, so that Clarissa was invited to sit there.

"What a dear little room!" she said, looking round. "Oh, _Cowper's Letters_! I've never read them. Are they nice?"

"Rather dull," said Rachel.

"He wrote awfully well, didn't he?" said Clarissa; "--if one likes that kind of thing-finished his sentences and all that. _Wuthering_ _Heights_! Ah--that's more in my line. I really couldn't exist without the Brontes! Don't you love them? Still, on the whole, I'd rather live without them than without Jane Austen."

Lightly and at random though she spoke, her manner conveyed an extraordinary degree of sympathy and desire to befriend.

"Jane Austen? I don't like Jane Austen," said Rachel.

"You monster!" Clarissa exclaimed. "I can only just forgive you. Tell me why?"

"She's so--so--well, so like a tight plait," Rachel floundered. "Ah--I see what you mean. But I don't agree. And you won't when you're older. At your age I only liked Shelley. I can remember sobbing over him in the garden.

He has outsoared the shadow of our night,

Envy and calumny and hate and pain--you remember?

Can touch him not and torture not again

From the contagion of the world's slow stain.

How divine!--and yet what nonsense!" She looked lightly round the room. "I always think it's _living_, not dying, that counts. I really respect some snuffy old stockbroker who's gone on adding up column after column all his days, and trotting back to his villa at Brixton with some old pug dog he worships, and a dreary little wife sitting at the end of the table, and going off to Margate for a fortnight--I assure you I know heaps like that-well, they seem to me _really_ nobler than poets whom every one worships, just because they're geniuses and die young. But I don't expect _you_ to agree with me!" She pressed Rachel's shoulder.

"Um-m-m--" she went on quoting--Unrest which men miscall delight--"When you're my age you'll see that the world is _crammed_ with delightful things. I think young people make such a mistake about that--not letting themselves be happy. I sometimes think that happiness is the only thing that counts. I don't know you well enough to say, but I should guess you might be a little inclined to--when one's young and attractive--I'm going to say it!--_every_thing's at one's feet." She glanced round as much as to say, "not only a few stuffy books and Bach."

"I long to ask questions," she continued. "You interest me so much. If I'm impertinent, you must just box my ears."

"And I--I want to ask questions," said Rachel with such earnestness that Mrs. Dalloway had to check her smile.

"D'you mind if we walk?" she said. "The air's so delicious." She snuffed it like a racehorse as they shut the door and stood on deck.

"Isn't it good to be alive?" she exclaimed, and drew Rachel's arm within hers.

"Look, look! How exquisite!"

The shores of Portugal were beginning to lose their substance; but the land was still the land, though at a great distance. They could distinguish the little towns that were sprinkled in the folds of the hills, and the smoke rising faintly. The towns appeared to be very small in comparison with the great purple mountains behind them.

"Honestly, though," said Clarissa, having looked, "I don't like views. They're too inhuman." They walked on.

"How odd it is!" she continued impulsively. "This time yesterday we'd never met. I was packing in a stuffy little room in the hotel. We know absolutely nothing about each other-and yet--I feel as if I _did_ know you!"

"You have children--your husband was in Parliament?"

"You've never been to school, and you live--?"

"With my aunts at Richmond."

"Richmond?"

"You see, my aunts like the Park. They like the quiet."

"And you don't! I understand!" Clarissa laughed.

"I like walking in the Park alone; but not--with the dogs," she finished.

"No; and some people _are_ dogs; aren't they?" said Clarissa, as if she had guessed a secret. "But not every one--oh no, not every one."

"Not every one," said Rachel, and stopped.

"I can quite imagine you walking alone," said Clarissa: "and thinking--in a little world of your own. But how you will enjoy it--some day!"

"I shall enjoy walking with a man--is that what you mean?" said Rachel, regarding Mrs. Dalloway with her large enquiring eyes.

"I wasn't thinking of a man particularly," said Clarissa. "But you will."

"No. I shall never marry," Rachel determined.

"I shouldn't be so sure of that," said Clarissa. Her sidelong glance told Rachel that she found her attractive although she was inexplicably amused.

"Why do people marry?" Rachel asked.

"That's what you're going to find out," Clarissa laughed. Rachel followed her eyes and found that they rested for a second, on the robust figure of Richard Dalloway, who was engaged in striking a match on the sole of his boot; while Willoughby expounded something, which seemed to be of great interest to them both.

"There's nothing like it," she concluded. "Do tell me about the Ambroses. Or am I asking too many questions?"

"I find you easy to talk to," said Rachel.

The short sketch of the Ambroses was, however, somewhat perfunctory, and contained little but the fact that Mr. Ambrose was her uncle.

"Your mother's brother?"

When a name has dropped out of use, the lightest touch upon it tells. Mrs. Dalloway went on:

"Are you like your mother?"

"No; she was different," said Rachel.

She was overcome by an intense desire to tell Mrs. Dalloway things she had never told any one--things she had not realised herself until this moment.

"I am lonely," she began. "I want--" She did not know what she wanted, so that she could not finish the sentence; but her lip quivered.

But it seemed that Mrs. Dalloway was able to understand without words.

"I know," she said, actually putting one arm round Rachel's shoulder. "When I was your age I wanted too. No one understood until I met Richard. He gave me all I wanted. He's man and woman as well." Her eyes rested upon Mr. Dalloway, leaning upon the rail, still talking. "Don't think I say that because I'm his wife--I see his faults more clearly than I see any one else's. What one wants in the person one lives with is that they should keep one at one's best. I often wonder what I've done to be so happy!" she exclaimed, and a tear slid down her cheek. She wiped it away, squeezed Rachel's hand, and exclaimed:

"How good life is!" At that moment, standing out in the fresh breeze, with the sun upon the waves, and Mrs. Dalloway's hand upon her arm, it seemed indeed as if life which had been unnamed before was infinitely wonderful, and too good to be true. Here Helen passed them, and seeing Rachel arm-in-arm with a comparative stranger, looking excited, was amused, but at the same time slightly irritated. But they were immediately joined by Richard, who had enjoyed a very interesting talk with Willoughby and was in a sociable mood.

"Observe my Panama," he said, touching the brim of his hat. "Are you aware, Miss Vinrace, how much can be done to induce fine weather by appropriate headdress? I have determined that it is a hot summer day; I warn you that nothing you can say will shake me. Therefore I am going to sit down. I advise you to follow my example." Three chairs in a row invited them to be seated.

Leaning back, Richard surveyed the waves.

"That's a very pretty blue," he said. "But there's a little too much of it. Variety is essential to a view. Thus, if you have hills you ought to have a river; if a river, hills. The best view in the world in my opinion is that from Boars Hill on a fine day--it must be a fine day, mark you--A rug?--Oh, thank you, my dear . . . in that case you have also the advantage of associations--the Past."

"D'you want to talk, Dick, or shall I read aloud?"

Clarissa had fetched a book with the rugs.

"_Persuasion_," announced Richard, examining the volume.

"That's for Miss Vinrace," said Clarissa. "She can't bear our beloved Jane."

"That--if I may say so--is because you have not read her," said Richard. "She is incomparably the greatest female writer we possess."

"She is the greatest," he continued, "and for this reason: she does not attempt to write like a man. Every other woman does; on that account, I don't read 'em."

"Produce your instances, Miss Vinrace," he went on, joining his finger-tips. "I'm ready to be converted."

He waited, while Rachel vainly tried to vindicate her sex from the slight he put upon it.

"I'm afraid he's right," said Clarissa. "He generally is--the wretch!"

"I brought _Persuasion_," she went on, "because I thought it was a little less threadbare than the others--though, Dick, it's no good _your_ pretending to know Jane by heart, considering that she always sends you to sleep!"

"After the labours of legislation, I deserve sleep," said Richard.

"You're not to think about those guns," said Clarissa, seeing that his eye, passing over the waves, still sought the land meditatively, "or about navies, or empires, or anything." So saying she opened the book and began to read:

"'Sir Walter Elliott, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the _Baronetage_'--don't you know Sir Walter?-'There he found occupation for an idle hour, and consolation in a distressed one.' She does write well, doesn't she? 'There--'" She read on in a light humorous voice. She was determined that Sir Walter should take her husband's mind off the guns of Britain, and divert him in an exquisite, quaint, sprightly, and slightly ridiculous world. After a time it appeared that the sun was sinking in that world, and the points becoming softer. Rachel looked up to see what caused the change. Richard's eyelids were closing and opening; opening and closing. A loud nasal breath announced that he no longer considered appearances, that he was sound asleep.

"Triumph!" Clarissa whispered at the end of a sentence. Suddenly she raised her hand in protest. A sailor hesitated; she gave the book to Rachel, and stepped lightly to take the message--"Mr. Grice wished to know if it was convenient," etc. She followed him. Ridley, who had prowled unheeded, started forward, stopped, and, with a gesture of disgust, strode off to his study. The sleeping politician was left in Rachel's charge. She read a sentence, and took a look at him. In sleep he looked like a coat hanging at the end of a bed; there were all the wrinkles, and the sleeves and trousers kept their shape though no longer filled out by legs and arms. You can then best judge the age and state of the coat. She looked him all over until it seemed to her that he must protest. He was a man of forty perhaps; and here there were lines round his eyes, and there curious clefts in his cheeks. Slightly battered he appeared, but dogged and in the prime of life.

"Sisters and a dormouse and some canaries," Rachel murmured, never taking her eyes off him. "I wonder, I wonder" she ceased, her chin upon her hand, still looking at him. A bell chimed behind them, and Richard raised his head. Then he opened his eyes which wore for a second the queer look of a shortsighted person's whose spectacles are lost. It took him a moment to recover from the impropriety of having snored, and possibly grunted, before a young lady. To wake and find oneself left alone with one was also slightly disconcerting.

"I suppose I've been dozing," he said. "What's happened to everyone? Clarissa?"

"Mrs. Dalloway has gone to look at Mr. Grice's fish," Rachel replied.

"I might have guessed," said Richard. "It's a common occurrence. And how have you improved the shining hour? Have you become a convert?"

"I don't think I've read a line," said Rachel.

"That's what I always find. There are too many things to look at. I find nature very stimulating myself. My best ideas have come to me out of doors."

"When you were walking?"

"Walking--riding--yachting--I suppose the most momentous conversations of my life took place while perambulating the great court at Trinity. I was at both universities. It was a fad of my father's. He thought it broadening to the mind. I think I agree with him. I can remember--what an age ago it seems!--settling the basis of a future state with the present Secretary for India. We thought ourselves very wise. I'm not sure we weren't. We were happy, Miss Vinrace, and we were young--gifts which make for wisdom."

"Have you done what you said you'd do?" she asked.

"A searching question! I answer--Yes and No. If on the one hand I have not accomplished what I set out to accomplish--which of us does!--on the other I can fairly say this: I have not lowered my ideal."

He looked resolutely at a sea-gull, as though his ideal flew on the wings of the bird.

"But," said Rachel, "what _is_ your ideal?"

"There you ask too much, Miss Vinrace," said Richard playfully. She could only say that she wanted to know, and Richard was sufficiently amused to answer.

"Well, how shall I reply? In one word--Unity. Unity of aim, of dominion, of progress. The dispersion of the best ideas over the greatest area."

"The English?"

"I grant that the English seem, on the whole, whiter than most men, their records cleaner. But, good Lord, don't run away with the idea that I don't see the drawbacks--horrors-unmentionable things done in our very midst! I'm under no illusions. Few people, I suppose, have fewer illusions than I have. Have you ever been in a factory, Miss Vinrace!--No, I suppose not--I may say I hope not."

As for Rachel, she had scarcely walked through a poor street, and always under the escort of father, maid, or aunts.

"I was going to say that if you'd ever seen the kind of thing that's going on round you, you'd understand what it is that makes me and men like me politicians. You asked me a moment ago whether I'd done what I set out to do. Well, when I consider my life, there is one fact I admit that I'm proud of; owing to me some thousands of girls in Lancashire-and many thousands to come after them--can spend an hour every day in the open air which their mothers had to spend over their looms. I'm prouder of that, I own, than I should be of writing Keats and Shelley into the bargain!"

It became painful to Rachel to be one of those who write Keats and Shelley. She liked Richard Dalloway, and warmed as he warmed. He seemed to mean what he said.

"I know nothing!" she exclaimed.

"It's far better that you should know nothing," he said paternally, "and you wrong yourself, I'm sure. You play very nicely, I'm told, and I've no doubt you've read heaps of learned books."

Elderly banter would no longer check her.

"You talk of unity," she said. "You ought to make me understand."

"I never allow my wife to talk politics," he said seriously. "For this reason. It is impossible for human beings, constituted as they are, both to fight and to have ideals. If I have preserved mine, as I am thankful to say that in great measure I have, it is due to the fact that I have been able to come home to my wife in the evening and to find that she has spent her day in calling, music, play with the children, domestic duties--what you will; her illusions have not been destroyed. She gives me courage to go on. The strain of public life is very great," he added.

This made him appear a battered martyr, parting every day with some of the finest gold, in the service of mankind.

"I can't think," Rachel exclaimed, "how any one does it!"

"Explain, Miss Vinrace," said Richard. "This is a matter I want to clear up." His kindness was genuine, and she determined to take the chance he gave her, although to talk to a man of such worth and authority made her heart beat.

"It seems to me like this," she began, doing her best first to recollect and then to expose her shivering private visions.

"There's an old widow in her room, somewhere, let us suppose in the suburbs of Leeds." Richard bent his head to show that he accepted the widow.

"In London you're spending your life, talking, writing things, getting bills through, missing what seems natural. The result of it all is that she goes to her cupboard and finds a little more tea, a few lumps of sugar, or a little less tea and a newspaper. Widows all over the country I admit do this. Still, there's the mind of the widow--the affections; those you leave untouched. But you waste you own."

"If the widow goes to her cupboard and finds it bare," Richard answered, "her spiritual outlook we may admit will be affected. If I may pick holes in your philosophy, Miss Vinrace, which has its merits, I would point out that a human being is not a set of compartments, but an organism. Imagination, Miss Vinrace; use your imagination; that's where you young Liberals fail. Conceive the world as a whole. Now for your second point; when you assert that in trying to set the house in order for the benefit of the young generation I am wasting my higher capabilities, I totally disagree with you. I can conceive no more exalted aim--to be the citizen of the Empire. Look at it in this way, Miss Vinrace; conceive the state as a complicated machine; we citizens are parts of that machine; some fulfil more important duties; others (perhaps I am one of them) serve only to connect some obscure parts of the mechanism, concealed from the public eye. Yet if the meanest screw fails in its task, the proper working of the whole is imperilled." It was impossible to combine the image of a lean black widow, gazing out of her window, and longing for some one to talk to, with the image of a vast machine, such as one sees at South Kensington, thumping, thumping, thumping. The attempt at communication had been a failure.

"We don't seem to understand each other," she said.

"Shall I say something that will make you very angry?" he replied.

"It won't," said Rachel.

"Well, then; no woman has what I may call the political instinct. You have very great virtues; I am the first, I hope, to admit that; but I have never met a woman who even saw what is meant by statesmanship. I am going to make you still more angry. I hope that I never shall meet such a woman. Now, Miss Vinrace, are we enemies for life?" Vanity, irritation, and a thrusting desire to be understood, urged her to make another attempt.

"Under the streets, in the sewers, in the wires, in the telephones, there is something alive; is that what you mean? In things like dust-carts, and men mending roads? You feel that all the time when you walk about London, and when you turn on a tap and the water comes?"

"Certainly," said Richard. "I understand you to mean that the whole of modern society is based upon cooperative effort. If only more people would realise that, Miss Vinrace, there would be fewer of your old widows in solitary lodgings!" Rachel considered.

"Are you a Liberal or are you a Conservative?" she asked.

"I call myself a Conservative for convenience sake," said Richard, smiling. "But there is more in common between the two parties than people generally allow." There was a pause, which did not come on Rachel's side from any lack of things to say; as usual she could not say them, and was further confused by the fact that the time for talking probably ran short. She was haunted by absurd jumbled ideas--how, if one went back far enough, everything perhaps was intelligible; everything was in common; for the mammoths who pastured in the fields of Richmond High Street had turned into paving stones and boxes full of ribbon, and her aunts.

"Did you say you lived in the country when you were a child?" she asked. Crude as her manners seemed to him, Richard was flattered. There could be no doubt that her interest was genuine.

"I did," he smiled.

"And what happened?" she asked. "Or do I ask too many questions?"

"I'm flattered, I assure you. But--let me see--what happened? Well, riding, lessons, sisters. There was an enchanted rubbish heap, I remember, where all kinds of queer things happened. Odd, what things impress children! I can remember the look of the place to this day. It's a fallacy to think that children are happy. They're not; they're unhappy. I've never suffered so much as I did when I was a child."

"Why?" she asked.

"I didn't get on well with my father," said Richard shortly. "He was a very able man, but hard. Well--it makes one determined not to sin in that way oneself. Children never forget injustice. They forgive heaps of things grown-up people mind; but that sin is the unpardonable sin. Mind you--I daresay I was a difficult child to manage; but when I think what I was ready to give! No, I was more sinned against than sinning. And then I went to school, where I did very fairly well; and and then, as I say, my father sent me to both universities. . . . D'you know, Miss Vinrace, you've made me think? How little, after all, one can tell anybody about one's life! Here I sit; there you sit; both, I doubt not, chockfull of the most interesting experiences, ideas, emotions; yet how communicate? I've told you what every second person you meet might tell you."

"I don't think so," she said. "It's the way of saying things, isn't it, not the things?"

"True," said Richard. "Perfectly true." He paused. "When I look back over my life--I'm forty-two--what are the great facts that stand out? What were the revelations, if I may call them so? The misery of the poor and--" (he hesitated and pitched over) "love!" Upon that word he lowered his voice; it was a word that seemed to unveil the skies for Rachel.

"It's an odd thing to say to a young lady," he continued. "But have you any idea what-what I mean by that? No, of course not. I don't use the word in a conventional sense. I use it as young men use it. Girls are kept very ignorant, aren't they? Perhaps it's wise-perhaps--You _don't_ know?" He spoke as if he had lost consciousness of what he was saying.

"No; I don't," she said, scarcely speaking above her breath.

"Warships, Dick! Over there! Look!" Clarissa, released from Mr. Grice, appreciative of all his seaweeds, skimmed towards them, gesticulating.

She had sighted two sinister grey vessels, low in the water, and bald as bone, one closely following the other with the look of eyeless beasts seeking their prey. Consciousness returned to Richard instantly.

"By George!" he exclaimed, and stood shielding his eyes.

"Ours, Dick?" said Clarissa.

"The Mediterranean Fleet," he answered.

"The _Euphrosyne_ was slowly dipping her flag. Richard raised his hat. Convulsively Clarissa squeezed Rachel's hand.

"Aren't you glad to be English!" she said.

The warships drew past, casting a curious effect of discipline and sadness upon the waters, and it was not until they were again invisible that people spoke to each other naturally. At lunch the talk was all of valour and death, and the magnificent qualities of British admirals. Clarissa quoted one poet, Willoughby quoted another. Life on board a man-of-war was splendid, so they agreed, and sailors, whenever one met them, were quite especially nice and simple.

This being so, no one liked it when Helen remarked that it seemed to her as wrong to keep sailors as to keep a Zoo, and that as for dying on a battle-field, surely it was time we ceased to praise courage--"or to write bad poetry about it," snarled Pepper. But Helen was really wondering why Rachel, sitting silent, looked so queer and flushed.

Chapter V

She was not able to follow up her observations, however, or to come to any conclusion, for by one of those accidents which are liable to happen at sea, the whole course of their lives was now put out of order.

Even at tea the floor rose beneath their feet and pitched too low again, and at dinner the ship seemed to groan and strain as though a lash were descending. She who had been a broad-backed dray-horse, upon whose hind-quarters pierrots might waltz, became a colt in a field. The plates slanted away from the knives, and Mrs. Dalloway's face blanched for a second as she helped herself and saw the potatoes roll this way and that. Willoughby, of course, extolled the virtues of his ship, and quoted what had been said of her by experts and distinguished passengers, for he loved his own possessions. Still, dinner was uneasy, and directly the ladies were alone Clarissa owned that she would be better off in bed, and went, smiling bravely.

Next morning the storm was on them, and no politeness could ignore it. Mrs. Dalloway stayed in her room. Richard faced three meals, eating valiantly at each; but at the third, certain glazed asparagus swimming in oil finally conquered him.

"That beats me," he said, and withdrew.

"Now we are alone once more," remarked William Pepper, looking round the table; but no one was ready to engage him in talk, and the meal ended in silence. On the following day they met--but as flying leaves meet in the air. Sick they were not; but the wind propelled them hastily into rooms, violently downstairs. They passed each other gasping on deck; they shouted across tables. They wore fur coats; and Helen was never seen without a bandanna on her head. For comfort they retreated to their cabins, where with tightly wedged feet they let the ship bounce and tumble. Their sensations were the sensations of potatoes in a sack on a galloping horse. The world outside was merely a violent grey tumult. For two days they had a perfect rest from their old emotions. Rachel had just enough consciousness to suppose herself a donkey on the summit of a moor in a hail-storm, with its coat blown into furrows; then she became a wizened tree, perpetually driven back by the salt Atlantic gale.

Helen, on the other hand, staggered to Mrs. Dalloway's door, knocked, could not be heard for the slamming of doors and the battering of wind, and entered.

There were basins, of course. Mrs. Dalloway lay half-raised on a pillow, and did not open her eyes. Then she murmured, "Oh, Dick, is that you?"

Helen shouted--for she was thrown against the washstand--"How are you?" Clarissa opened one eye. It gave her an incredibly dissipated appearance. "Awful!" she gasped. Her lips were white inside.

Planting her feet wide, Helen contrived to pour champagne into a tumbler with a toothbrush in it.

"Champagne," she said.

"There's a tooth-brush in it," murmured Clarissa, and smiled; it might have been the contortion of one weeping. She drank.

"Disgusting," she whispered, indicating the basins. Relics of humour still played over her face like moonshine.

"Want more?" Helen shouted. Speech was again beyond Clarissa's reach. The wind laid the ship shivering on her side. Pale agonies crossed Mrs. Dalloway in waves. When the curtains flapped, grey lights puffed across her. Between the spasms of the storm, Helen made the curtain fast, shook the pillows, stretched the bed-clothes, and smoothed the hot nostrils and forehead with cold scent.

"You _are_ good!" Clarissa gasped. "Horrid mess!" She was trying to apologise for white underclothes fallen and scattered on the floor. For one second she opened a single eye, and saw that the room was tidy.

"That's nice," she gasped.

Helen left her; far, far away she knew that she felt a kind of liking for Mrs. Dalloway. She could not help respecting her spirit and her desire, even in the throes of sickness, for a tidy bedroom. Her petticoats, however, rose above her knees.

Quite suddenly the storm relaxed its grasp. It happened at tea; the expected paroxysm of the blast gave out just as it reached its climax and dwindled away, and the ship instead of taking the usual plunge went steadily. The monotonous order of plunging and rising, roaring and relaxing, was interfered with, and every one at table looked up and felt something loosen within them. The strain was slackened and human feelings began to peep again, as they do when daylight shows at the end of a tunnel.

"Try a turn with me," Ridley called across to Rachel.

"Foolish!" cried Helen, but they went stumbling up the ladder. Choked by the wind their spirits rose with a rush, for on the skirts of all the grey tumult was a misty spot of gold. Instantly the world dropped into shape; they were no longer atoms flying in the void, but people riding a triumphant ship on the back of the sea. Wind and space were banished; the world floated like an apple in a tub, and the mind of man, which had been unmoored also, once more attached itself to the old beliefs.

Having scrambled twice round the ship and received many sound cuffs from the wind, they saw a sailor's face positively shine golden. They looked, and beheld a complete yellow circle of sun; next minute it was traversed by sailing stands of cloud, and then completely hidden. By breakfast the next morning, however, the sky was swept clean, the waves, although steep, were blue, and after their view of the strange under-world, inhabited by phantoms, people began to live among tea-pots and loaves of bread with greater zest than ever.

Richard and Clarissa, however, still remained on the borderland. She did not attempt to sit up; her husband stood on his feet, contemplated his waistcoat and trousers, shook his head, and then lay down again. The inside of his brain was still rising and falling like the sea on the stage. At four o'clock he woke from sleep and saw the sunlight make a vivid angle across the red plush curtains and the grey tweed trousers. The ordinary world outside slid into his mind, and by the time he was dressed he was an English gentleman again.

He stood beside his wife. She pulled him down to her by the lapel of his coat, kissed him, and held him fast for a minute.

"Go and get a breath of air, Dick," she said. "You look quite washed out. . . . How nice you smell! . . . And be polite to that woman. She was so kind to me." Thereupon Mrs. Dalloway turned to the cool side of her pillow, terribly flattened but still invincible.

Richard found Helen talking to her brother-in-law, over two dishes of yellow cake and smooth bread and butter.

"You look very ill!" she exclaimed on seeing him. "Come and have some tea." He remarked that the hands that moved about the cups were beautiful.

"I hear you've been very good to my wife," he said. "She's had an awful time of it. You came in and fed her with champagne. Were you among the saved yourself?"

"I? Oh, I haven't been sick for twenty years--sea-sick, I mean."

"There are three stages of convalescence, I always say," broke in the hearty voice of Willoughby. "The milk stage, the bread-and-butter stage, and the roast-beef stage. I should say you were at the bread-and-butter stage." He handed him the plate.

"Now, I should advise a hearty tea, then a brisk walk on deck; and by dinner-time you'll be clamouring for beef, eh?" He went off laughing, excusing himself on the score of business.

"What a splendid fellow he is!" said Richard. "Always keen on something."

"Yes," said Helen, "he's always been like that."

"This is a great undertaking of his," Richard continued. "It's a business that won't stop with ships, I should say. We shall see him in Parliament, or I'm much mistaken. He's the kind of man we want in Parliament--the man who has done things." But Helen was not much interested in her brother-in-law.

"I expect your head's aching, isn't it?" she asked, pouring a fresh cup.

"Well, it is," said Richard. "It's humiliating to find what a slave one is to one's body in this world. D'you know, I can never work without a kettle on the hob. As often as not I don't drink tea, but I must feel that I can if I want to."

"That's very bad for you," said Helen.

"It shortens one's life; but I'm afraid, Mrs. Ambrose, we politicians must make up our minds to that at the outset. We've got to burn the candle at both ends, or--"

"You've cooked your goose!" said Helen brightly.

"We can't make you take us seriously, Mrs. Ambrose," he protested. "May I ask how you've spent your time? Reading--philosophy?" (He saw the black book.) "Metaphysics and fishing!" he exclaimed. "If I had to live again I believe I should devote myself to one or the other." He began turning the pages.

"'Good, then, is indefinable,'" he read out. "How jolly to think that's going on still! 'So far as I know there is only one ethical writer, Professor Henry Sidgwick, who has clearly recognised and stated this fact.' That's just the kind of thing we used to talk about when we were boys. I can remember arguing until five in the morning with Duffy--now Secretary for India--pacing round and round those cloisters until we decided it was too late to go to bed, and we went for a ride instead. Whether we ever came to any conclusion--that's another matter. Still, it's the arguing that counts. It's things like that that stand out in life. Nothing's been quite so vivid since. It's the philosophers, it's the scholars," he continued, "they're the people who pass the torch, who keep the light burning by which we live. Being a politician doesn't necessarily blind one to that, Mrs. Ambrose."

"No. Why should it?" said Helen. "But can you remember if your wife takes sugar?" She lifted the tray and went off with it to Mrs. Dalloway.

Richard twisted a muffler twice round his throat and struggled up on deck. His body, which had grown white and tender in a dark room, tingled all over in the fresh air. He felt himself a man undoubtedly in the prime of life. Pride glowed in his eye as he let the wind buffet him and stood firm. With his head slightly lowered he sheered round corners, strode uphill, and met the blast. There was a collision. For a second he could not see what the body was he had run into. "Sorry." "Sorry." It was Rachel who apologised. They both laughed, too much blown about to speak. She drove open the door of her room and stepped into its calm. In order to speak to her, it was necessary that Richard should follow. They stood in a whirlpool of wind; papers began flying round in circles, the door crashed to, and they tumbled, laughing, into chairs. Richard sat upon Bach.

"My word! What a tempest!" he exclaimed.

"Fine, isn't it?" said Rachel. Certainly the struggle and wind had given her a decision she lacked; red was in her cheeks, and her hair was down.

"Oh, what fun!" he cried. "What am I sitting on? Is this your room? How jolly!" "There-sit there," she commanded. Cowper slid once more.

"How jolly to meet again," said Richard. "It seems an age. _Cowper's Letters_? . . . Bach? . . . _Wuthering Heights_? . . . Is this where you meditate on the world, and then come out and pose poor politicians with questions? In the intervals of sea-sickness I've thought a lot of our talk. I assure you, you made me think."

"I made you think! But why?"

"What solitary icebergs we are, Miss Vinrace! How little we can communicate! There are lots of things I should like to tell you about--to hear your opinion of. Have you ever read Burke?"

"Burke?" she repeated. "Who was Burke?"

"No? Well, then I shall make a point of sending you a copy. _The_ _Speech_ _on_ _the_

_French_ _Revolution_--_The_ _American_ _Rebellion_? Which shall it be, I wonder?" He noted something in his pocket-book. "And then you must write and tell me what you think of it. This reticence--this isolation--that's what's the matter with modern life! Now, tell me about yourself. What are your interests and occupations? I should imagine that you were a person with very strong interests. Of course you are! Good God! When I think of the age we live in, with its opportunities and possibilities, the mass of things to be done and enjoyed--why haven't we ten lives instead of one? But about yourself?"

"You see, I'm a woman," said Rachel.

"I know--I know," said Richard, throwing his head back, and drawing his fingers across his eyes.

"How strange to be a woman! A young and beautiful woman," he continued sententiously, "has the whole world at her feet. That's true, Miss Vinrace. You have an inestimable power--for good or for evil. What couldn't you do--" he broke off.

"What?" asked Rachel.

"You have beauty," he said. The ship lurched. Rachel fell slightly forward. Richard took her in his arms and kissed her. Holding her tight, he kissed her passionately, so that she felt the hardness of his body and the roughness of his cheek printed upon hers. She fell back in her chair, with tremendous beats of the heart, each of which sent black waves across her eyes. He clasped his forehead in his hands.

"You tempt me," he said. The tone of his voice was terrifying. He seemed choked in fright. They were both trembling. Rachel stood up and went. Her head was cold, her knees shaking, and the physical pain of the emotion was so great that she could only keep herself moving above the great leaps of her heart. She leant upon the rail of the ship, and gradually ceased to feel, for a chill of body and mind crept over her. Far out between the waves little black and white sea-birds were riding. Rising and falling with smooth and graceful movements in the hollows of the waves they seemed singularly detached and unconcerned.

"You're peaceful," she said. She became peaceful too, at the same time possessed with a strange exultation. Life seemed to hold infinite possibilities she had never guessed at. She leant upon the rail and looked over the troubled grey waters, where the sunlight was fitfully scattered upon the crests of the waves, until she was cold and absolutely calm again. Nevertheless something wonderful had happened.

At dinner, however, she did not feel exalted, but merely uncomfortable, as if she and Richard had seen something together which is hidden in ordinary life, so that they did not like to look at each other. Richard slid his eyes over her uneasily once, and never looked at her again. Formal platitudes were manufactured with effort, but Willoughby was kindled.

"Beef for Mr. Dalloway!" he shouted. "Come now--after that walk you're at the beef stage, Dalloway!"

Wonderful masculine stories followed about Bright and Disraeli and coalition governments, wonderful stories which made the people at the dinner-table seem featureless and small. After dinner, sitting alone with Rachel under the great swinging lamp, Helen was struck by her pallor. It once more occurred to her that there was something strange in the girl's behaviour.

"You look tired. Are you tired?" she asked.

"Not tired," said Rachel. "Oh, yes, I suppose I am tired."

Helen advised bed, and she went, not seeing Richard again. She must have been very tired for she fell asleep at once, but after an hour or two of dreamless sleep, she dreamt. She dreamt that she was walking down a long tunnel, which grew so narrow by degrees that she could touch the damp bricks on either side. At length the tunnel opened and became a vault; she found herself trapped in it, bricks meeting her wherever she turned, alone with a little deformed man who squatted on the floor gibbering, with long nails. His face was pitted and like the face of an animal. The wall behind him oozed with damp, which collected into drops and slid down. Still and cold as death she lay, not daring to move, until she broke the agony by tossing herself across the bed, and woke crying "Oh!" Light showed her the familiar things: her clothes, fallen off the chair; the water jug gleaming white; but the horror did not go at once. She felt herself pursued, so that she got up and actually locked her door. A voice moaned for her; eyes desired her. All night long barbarian men harassed the ship; they came scuffling down the passages, and stopped to snuffle at her door. She could not sleep again.

Chapter VI

"That's the tragedy of life--as I always say!" said Mrs. Dalloway. "Beginning things and having to end them. Still, I'm not going to let _this_ end, if you're willing." It was the morning, the sea was calm, and the ship once again was anchored not far from another shore.

She was dressed in her long fur cloak, with the veils wound around her head, and once more the rich boxes stood on top of each other so that the scene of a few days back seemed to be repeated.

"D'you suppose we shall ever meet in London?" said Ridley ironically. "You'll have forgotten all about me by the time you step out there."

He pointed to the shore of the little bay, where they could now see the separate trees with moving branches.

"How horrid you are!" she laughed. "Rachel's coming to see me anyhow--the instant you get back," she said, pressing Rachel's arm. "Now--you've no excuse!" With a silver pencil she wrote her name and address on the flyleaf of _Persuasion_, and gave the book to Rachel. Sailors were shouldering the luggage, and people were beginning to congregate. There were Captain Cobbold, Mr. Grice, Willoughby, Helen, and an obscure grateful man in a blue jersey.

"Oh, it's time," said Clarissa. "Well, good-bye. I _do_ like you," she murmured as she kissed Rachel. People in the way made it unnecessary for Richard to shake Rachel by the hand; he managed to look at her very stiffly for a second before he followed his wife down the ship's side.

The boat separating from the vessel made off towards the land, and for some minutes Helen, Ridley, and Rachel leant over the rail, watching. Once Mrs. Dalloway turned and waved; but the boat steadily grew smaller and smaller until it ceased to rise and fall, and nothing could be seen save two resolute backs.

"Well, that's over," said Ridley after a long silence. "We shall never see _them_ again," he added, turning to go to his books. A feeling of emptiness and melancholy came over them; they knew in their hearts that it was over, and that they had parted for ever, and the knowledge filled them with far greater depression than the length of their acquaintance seemed to justify. Even as the boat pulled away they could feel other sights and sounds beginning to take the place of the Dalloways, and the feeling was so unpleasant that they tried to resist it. For so, too, would they be forgotten.

In much the same way as Mrs. Chailey downstairs was sweeping the withered rose-leaves off the dressing-table, so Helen was anxious to make things straight again after the visitors had gone. Rachel's obvious languor and listlessness made her an easy prey, and indeed Helen had devised a kind of trap. That something had happened she now felt pretty certain; moreover, she had come to think that they had been strangers long enough; she wished to know what the girl was like, partly of course because Rachel showed no disposition to be known. So, as they turned from the rail, she said:

"Come and talk to me instead of practising," and led the way to the sheltered side where the deck-chairs were stretched in the sun. Rachel followed her indifferently. Her mind was absorbed by Richard; by the extreme strangeness of what had happened, and by a thousand feelings of which she had not been conscious before. She made scarcely any attempt to listen to what Helen was saying, as Helen indulged in commonplaces to begin with. While Mrs. Ambrose arranged her embroidery, sucked her silk, and threaded her needle, she lay back gazing at the horizon.

"Did you like those people?" Helen asked her casually.

"Yes," she replied blankly.

"You talked to him, didn't you?"

She said nothing for a minute.

"He kissed me," she said without any change of tone.

Helen started, looked at her, but could not make out what she felt.

"M-m-m'yes," she said, after a pause. "I thought he was that kind of man."

"What kind of man?" said Rachel.

"Pompous and sentimental."

"I like him," said Rachel.

"So you really didn't mind?"

For the first time since Helen had known her Rachel's eyes lit up brightly.

"I did mind," she said vehemently. "I dreamt. I couldn't sleep."

"Tell me what happened," said Helen. She had to keep her lips from twitching as she listened to Rachel's story. It was poured out abruptly with great seriousness and no sense of humour.

"We talked about politics. He told me what he had done for the poor somewhere. I asked him all sorts of questions. He told me about his own life. The day before yesterday, after the storm, he came in to see me. It happened then, quite suddenly. He kissed me. I don't know why." As she spoke she grew flushed. "I was a good deal excited," she continued.

"But I didn't mind till afterwards; when--" she paused, and saw the figure of the bloated little man again--"I became terrified."

From the look in her eyes it was evident she was again terrified. Helen was really at a loss what to say. From the little she knew of Rachel's upbringing she supposed that she had been kept entirely ignorant as to the relations of men with women. With a shyness which she felt with women and not with men she did not like to explain simply what these are. Therefore she took the other course and belittled the whole affair.

"Oh, well," she said, "He was a silly creature, and if I were you, I'd think no more about it."

"No," said Rachel, sitting bolt upright, "I shan't do that. I shall think about it all day and all night until I find out exactly what it does mean."

"Don't you ever read?" Helen asked tentatively.

"_Cowper's_ _Letters_--that kind of thing. Father gets them for me or my Aunts." Helen could hardly restrain herself from saying out loud what she thought of a man who brought up his daughter so that at the age of twenty-four she scarcely knew that men desired women and was terrified by a kiss. She had good reason to fear that Rachel had made herself incredibly ridiculous.

"You don't know many men?" she asked.

"Mr. Pepper," said Rachel ironically.

"So no one's ever wanted to marry you?"

"No," she answered ingenuously.