10

AS A MATTER OF FACT, Anthime had adapted. What’s more, even if he hadn’t, if he’d obviously been having trouble dealing with things and tried to tell anyone, postal censorship wasn’t a big help to anyone trying to carp. Yes, Anthime got used fairly quickly to the daily chores of cleaning, digging and earthwork maintenance, the loading and transportation of materials, as well as the periods in the trenches, the shifts of guard duty at night, the days off. These last existed in name only, moreover, consisting of drilling, instruction, maneuvers, typhoid vaccinations, showers when all was going well, march pasts, parades under arms, ceremonies such as the awarding of the Croix de Guerre, invented six months earlier, or, for example, the recent presentation to a sergeant major in the platoon of a citation for devotion to duty at the front in spite of his rheumatism. Anthime had also grown used to the relocations, the changes in the uniforms, and above all, the others.

The others were mostly but not simply peasants, agricultural laborers, craftsmen, and homeworkers, a basically proletarian population in which those who knew how to read, write, and count, like Anthime Sèze, were both in the minority and in a position to help their comrades compose letters or read those they received. The news in this mail was then passed on to anyone interested, although Anthime had kept mum upon learning of Charles’s death, sharing this only with Bossis, Arcenel, and Padioleau. Somehow, the four of them always managed in spite of all the troop movements to wind up not too far from one another.

As for changes in the uniforms, it was in the spring that new greatcoats were issued in a light blue that proved quite becoming in the newly returned sunshine. The overly garish red pants had almost disappeared, either covered by blue overalls or replaced by velvet trousers. In the defensive accessories department, the men first received cervelières, close-fitting steel skullcaps, to be worn under the kepi, while a few weeks later, in May, appeared the first sign of a not-so-jolly technological innovation: gags and goggles with mica lenses were distributed to every soldier for protection against combat gases.

Uncomfortable, always sliding off, the migraineprovoking cervelière was not a huge success; more and more of the men stopped wearing them and soon used them only for culinary ends, for cooking up an egg or as an extra soup bowl. It was in the early days of September, after the Ardennes and the Somme,[9] when Anthime’s company had moved back toward the northeastern province of Champagne, that this skullcap was replaced by a helmet meant to provide more serious protection, yet initially painted bright blue. Putting them on, the men found it funny not to recognize one another, for the helmets obscured much of their faces. When everyone stopped laughing and realized that sunlight reflecting off this fetching blue made them all attractive targets, they slathered the helmets with mud the way they’d done with the mess tins the year before. Anyway, whatever their color, the men were not half pleased to have them during the fall offensive. Especially on one difficult day at the end of October, when wearing a helmet was no laughing matter.

That day, brutal shelling had begun in the early morning: at first the enemy had sent over only large-caliber shells, well-aimed 170s and 245s that pummeled the earth deep into the lines, shaking loose landslides that buried the wounded and able-bodied alike, quickly stifling them in avalanches of dirt. Anthime almost didn’t make it out of a hole that suddenly fell in on him after a bomb landed. Escaping hundreds of bullets whizzing by barely a few feet from him and dozens of shells within a fifty-yard radius, jumping this way and that in the hail of debris, he thought at one point he was done for when a percussion-fuse shell fell quite close to him, landing in a breach of his trench they’d plugged with bags of earth, one of which, sliced open and hurled through the air by the shell’s impact, almost knocked him senseless but—luckily—shielded him from the shrapnel. Taking advantage of the general fear and chaos thus sown throughout the network, the enemy infantry chose that moment to attack en masse, terrifying the entire troop into fleeing panic-stricken toward the rear lines screaming that the Huns were coming.

Dragging themselves on their bellies to the nearest hiding place, Anthime and Bossis managed to hide inside a sap—a narrow tunnel leading out from the main trench—running a few yards below the ground, and that’s when the bullets and shells were joined by gases, all sorts of them: blinding, asphyxiating, blistering, sneezing, and tear gases liberally diffused by the enemy with special shells or gas bottles in successive waves and in the direction of the wind. The instant he smelled chlorine, Anthime put on his protective mask and then signaled Bossis to leave the sap and get into the open air where, although they were exposed to projectiles, they could at least escape those even more insidious killers, the particularly heavy vapors that gathered to linger in the bottom of holes, trenches, and tunnels long after their clouds had passed on.

As if all that were not enough, hardly had they clambered from their hiding place when a Nieuport biplane fighter, one of their own, picked that moment to crash and explode near the shelter,[10] hurling wreckage all over the trench and intensifying a cataclysm of dust and smoke—through which Anthime and Bossis could see the incineration of two airmen killed on impact and still strapped in, transformed into sizzling skeletons hanging by their seat straps. Meanwhile, although unnoticed amid this turmoil, daylight was failing, and when the sun actually went down a relative calm seemed to return for a moment. But it seemed as well that the desired conclusion to the day would be a last display, a final burst of fireworks, for a gigantic bombardment began again, leaving Anthime and Bossis once more covered in dirt from a fresh explosion when a shell landed on the tunnel they’d only just left, which caved in as they watched.

The shelling died down that night, which might almost have allowed them to rest, if they hadn’t had to go all the way to Perthes in the dark through three miles of communication trenches to look for provisions, their supply deliveries having been disrupted by the offensive. Upon his return, Anthime had just enough time before going to sleep to find a letter from Blanche waiting for him with news of Juliette—a second tooth—and to learn from a quartermaster sergeant that the 120th had taken two trenches on the right. On the left, toward the butte at Souain, those across the way had also taken two that had supposedly been immediately clawed back again: in short, no end in sight.

And from the next morning on it went on and on some more, in that perpetual polyphonic thunder beneath the vast entrenched cold. Big guns pounding out their basso continuo, time shells and percussion-fuse shells of all calibers, bullets that whistle, bang, sigh, or whine depending on their trajectory, machine guns, grenades, flamethrowers: danger is everywhere, overhead from the planes and incoming shells, facing you from the enemy artillery, and even from below when, thinking to take advantage of a quiet moment down in the trench, you try to sleep but hear the enemy digging secretly away beneath that very trench, underneath you, carving out tunnels in which to place mines to blow the trench to bits, and you with it.

You cling to your rifle, to your knife with its blade rusted, tarnished, darkened by poison gases, barely shining at all in the chilly brightness of the flares, in the air reeking of rotting horses, the putrefaction of fallen men and, from those still more or less on their feet in the mud, the stench of their sweat and piss and shit, of their filth and vomit, not to mention that pervasive stink of dank, rancid mustiness, when in theory you’re out in the open air at the front. But no: you even smell of mold yourself, outside and in, inside yourself, you, dug in behind those networks of barbed wire littered with putrefying and disintegrating cadavers to which sappers sometimes attach telephone cables, because sappers don’t have it easy. They sweat from fatigue and fear, take off their greatcoats to work more freely, and might hang them on an arm sticking out of the tumbled soil, using it as a coat tree.

All this has been described a thousand times, so perhaps it’s not worthwhile to linger any longer over that sordid, stinking opera. And perhaps there’s not much point either in comparing the war to an opera, especially since no one cares a lot about opera, even if war is operatically grandiose, exaggerated, excessive, full of longueurs, makes a great deal of noise and is often, in the end, rather boring.

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