16

IN THE HOTEL ROOM, Bao found himself unable to fall asleep. It was only eight-thirty. He should not have gone to bed so early, but there was nothing else for him to do. Shasha and Zhong were out of the hotel, following Chen’s example. The political study was canceled without anyone consulting Bao. No one paid much attention to him.

He tossed about on the mattress. How could a human body feel comfortable on the steel springs? In Beijing, he slept on zhongbeng, a sort of a mattress woven of twisted palm fiber-hard, airy, reliable-and he fell asleep the moment his head touched the pillow.

What kind of a bed was provided in Chen’s suite? he wondered. Nominally, Bao was the Party secretary. Only it did not work here. His Party position was not mentioned. Thanks to the first letter of his name in the Chinese phonetics, he was put directly under Chen. Other than that, he was treated exactly like other members. It was an unacceptable yet undeniable fact that Bao had to move in this young man’s shadow.

He took out from under the pillow a book of his poems from the seventies. He had intended to give it to an American writer. So far, no one seemed to have read him. Unbelievable. He got up, turned on the TV, and cursed in spite of himself. All the channels were in English. He tried to use the coffeepot for hot water, without success. Chen had shown him how, but it was a different pot, with the instructions in English. He did not want to ask again. Even the interpreter seemed to take him as an old fool.

Everything was weird here: the windows could not be opened. What’s the point? The carpet exotic, sweaty under his bare feet, almost slimy in a sultry evening. In several rooms, smoking was not allowed-in a country of so-called freedom. Absurd to suffer the restrictions in a hotel room that cost more than a hundred dollars a day. More than his monthly income, come to think about it. He ignored the rules. Lighting a cigarette, he dashed the ash into a plastic cup as he slumped into a chair close to the window, resting his foot on the windowsill. In the spiraling smoke, he watched the fragments of his life moving around to form a new, meaningful whole.

Bao’s literary career had started in the early fifties during the nationwide Red Flag Folk Song Campaign, which pushed workers and peasants to the fore as “proletarian writers.” Following Chairman Mao’s doctrines about literature and art serving politics, it was a matter of necessity that proletarian writers should play a principal role. So an old editor of Shanghai Literature came to the Beijing Number One Steel factory, where Bao, a young apprentice then, was cracking a handful of soy-sauce-fried watermelon seeds. As the editor explained the purpose of his visit, Bao burst out laughing.

“What can I say? Nothing an uneducated worker says will ever interest you,” he responded, spitting the husk into his palm. “Look, such a small seed can only grow into a tiny watermelon. There’s nothing you can do about it.”

“Hold on. That’s fantastic, Comrade Bao. That’s brilliant. Thank you so much,” the editor said, scribbling lines in his notebook. “I’ll contact you again.”

Three days later, the editor contacted him again, showing him a copy of Liberation Daily with a short poem published there:


What kind of seeds grow what kind of melons.

What kind of vines produce what kind of flowers.

What kind of people do what kind of things.

What kind of classes speak what kind of languages.”


The poet was none other than Bao, with an editorial note underneath: “In a simple yet vivid language, the emerging worker-poet Bao speaks the truth: the class struggle is everywhere. While the class enemies will not change their true color or their true nature, we, the working-class people, will always be loyal to our revolutionary nature. The first two lines are hidden metaphors, juxtaposing the image with the following statement.”

A huge hit, the poem was reprinted in the People’s Daily and other newspapers. Radio stations interviewed him. Magazines covered him. He was admitted into the Chinese Writers’ Association. Instead of working in the steel factory, he became a professional writer with more published poems. One couplet even appeared in textbooks. A shout from our Chinese steel workers, / And the earth has to tremble three times. Then Bao married a young college student who worshipped his poems. During the Cultural Revolution, because of his working-class origins, Bao became a member of the association revolution committee. One of his new poems was even made into a popular song. With the end of the Cultural Revolution in 1976, however, troubles came his way. Those who had suffered under the revolution committee criticized him. What’s more, he was no longer capable of publishing his work. People called his poems political doggerel, and his working-class status hardly helped anymore.

Still, he had to consider himself lucky with his position intact as an administrator in the Writers’ Association, and the occasional appearance of his name in the newspapers. The Party authorities tried to keep a working-class poet on the literary scene in a symbolic way. Now in semi-retirement, Bao was given the chance to visit the United States. Bao could have said no to this trip, but he was going to retire soon, and then he would lose all his privileges, including the opportunity of a government-paid trip. It would be a terrible loss of face for a writer of his status to step down without having visited the States. The opportunity was like a chicken rib: not meaty, but too chewable to throw away.

It was then that the phone rang. He wasn’t really in the mood to talk to anybody, but to his surprise, it was Hong Guangxuan, someone he had known in the mid-sixties, in the Beijing Workers’ Culture Palace, in his poetry workshop. Sitting in the audience, Hong listened to his talks and turned in the homework to the “master.” So they became acquainted. After Hong immigrated to the United States in the early eighties, they had lost contact.

Bao moved down to the lobby in strides, carrying that poetry collection. Hong had a Chinese restaurant here, Bao had heard.

“I’m so glad to see you, Master,” Hong said, rising respectfully as in the old days.

“You have not forgotten me, Hong.” Master was a word Bao had long missed. Now thousands of miles away, someone still remembered him as such. He was touched.

“How can I! Those days in the Worker’s Culture Palace,” Hong said. “I heard about the delegation two days ago and I thought about you. In the local newspapers, I read the name of the delegation head-never heard of him before-Chen Cao, but only this morning did I learn from someone else that you were here.”

“Oh, I’m the Party secretary of the delegation,” Bao said. “The Party position won’t be mentioned in the newspapers here.”

“Yes, that’s right,” Hong said. “It’s about ten years since we last met. Things have really changed, as from azure oceans to mulberry fields. How about a long talk over a night meal? There are excellent Chinese restaurants in L.A. As genuine as you can find in Beijing.”

Bao was not hungry. But the prospect of a genuine Beijing night meal was tempting-the more so with someone who shared the memories of the Beijing Workers’ Culture Palace. As he was going out, he thought about giving Chen a call, but he decided not to. It would be a loss of face to seek Chen’s approval in the company of Hong.

Hong moved to a black BMW convertible parked in the driveway, from which he took out a cell phone, pressed a few buttons, and spoke in English.

“You don’t have to drive me around, Hong. No point in going to fancy places. Let’s just go to a quiet place where we can sit and talk.”

“Well, come to my place then. Not a fancy restaurant, but we’ll have our privacy, and my chef will do his best.”

“That sounds like a plan.’’

Hong’s restaurant turned out to be a small one located close to the old Chinatown area. In spite of the red paper lanterns and golden plastic lions at the entrance, the restaurant did not have something like a private room. Instead, Hong treated his “distinguished guest” in a low-ceilinged office above the landing of the narrow staircase. The chef was none other than Hong’s brother-in-law, who served on the desk four cold dishes, cucumber in sesame sauce, sliced pig ears, smoked carp head, and pickled napo cabbage with plenty of red pepper. Hong also took out a bottle of Beijing Erguotou.

“My wife brought it over years ago. The old wine of our Beijing. I have saved it for an occasion like tonight. To your health, Master!”

“Thank you, Hong. It’s just like the old days,” Bao said, raising the cup.

“Just homely dishes, far from enough to show my respect to you. The restaurant is not prepared for your honorable presence tonight,” Hong went on with a touch of bookishness, “which brightens the whole humble place.”

“You don’t have to say that. These dishes are great. In Beijing, I have not had pickled cabbage for a long time. Why? It’s too cheap for restaurants to make profit.”

“They should serve the working-class people.”

“Chinese newspapers don’t talk about the working-class people anymore. The best customers are big bucks. Banquets of fifty or sixty courses. We don’t have to imitate those bourgeois apes.”

“You are right. I have read about the so-called middle or bourgeois class in China. The world is turned upside down! Let’s talk about something else. To the success of your visit.”

“Thank you. To your success too.”

“By the way, who is Chen Cao? Never heard of him. What does he write?”

“A modernist poet.”

“Oh, one of the Misty poets no one can understand?”

“Well, his poems are said to be not that misty,” Bao said, taking a sip at the wine, “but to be honest, I can hardly understand one single short poem out of his whole book.”

“He looks quite young in his picture.”

“In his mid-thirties.”

“How can he serve as the head of the delegation?”

“Yang fell sick, so Chen replaced him at the last minute. A decision made by some people high up there. Chen has published only one poetry collection.”

“He must have connections at the top.”

“That I don’t know,” Bao said gingerly. “He’s from Shanghai. I don’t think too many are familiar with his work.”

“As Chairman Mao said, literature and art should serve the broad masses of workers, peasants, and soldiers. Only a handful of intellectuals would enjoy those obscure poems,” Hong went on, draining his wine in one gulp. “I came to know your work, ‘The Working-Class Are Strong-Backboned,’ I still remember, through a song in the radio. We the working-class are strong-backboned. / Following Chairman, we march forward, / With the country and the world in our heart, / We do not stop on the road of the revolution. / Holding the red flags high, we move on courageously. / We’re the locomotive of the new era.‘ So clear, and so powerful. I memorized it, indeed-”

“Let’s talk no more about it,” Bao said. “You know an old Chinese saying: An aged hero does not want to talk about his glorious past.”

“Think about it. Chen must have studied your famous poems as a middle-school student.”

“Well, because of the new cadre policy, people of his age with a higher education have been rocketing up.”

“Does he work in the Writers’ Association?”

“No, he’s a cop in Shanghai, but he’s a member of the association.”

“Now that’s something. A cop. He could have some secret mission for this trip.”

“Not that I know of,” Bao said vaguely, “but anything is possible with him.”

The chef served on the table an earthen pot of fish soup. The soup was steaming hot, red with dried peppers and indescribable herb. Bao helped himself to a spoonful, which was so spicy that he felt as if there were thousands of ants crawling on his tongue. He had to take a gulp of cold water.

“This is a world changed beyond our comprehension.” Hong smacked his lips, launching into another topic. “Don’t think life is easy for me here. In the restaurant business, so many Chinese are struggling for one small bowl of rice in cutthroat competition. People work like dogs, seven days a week. Visitors from China marvel at my house, at my restaurant, and at my cars, but they don’t know everything here is on the loan. I am breaking under the burden.”

“I know,” Bao said, wondering at Hong’s sudden change of subject. “Visitors from China ” might have touched Hong for money, but Bao had never thought about doing that. “You earn every penny the hard way.”

“Those good old days of the Workers’ Culture Palace. We were the backbone of the socialist China. Our songs were loud and clear. If I can manage to go back next year, I’ll revisit the palace.”

“Don’t mention it again. It has been turned into an entertainment center. Karaoke, belly dance, massage, whatnot! I fought hard against it, but to no avail.”

Their talk was once again interrupted by the chef, who put in a platter of steaming pork-and-cabbage dumplings with white garlic and red pepper sauce.

“The socialist China is going to dogs,” Hong said with a sigh. “I still remember an old Beijing couplet: The most delicious is having dumplings- with garlic, and the most comfortable is lying on a bed-with a book. At least we are enjoying dumplings with garlic tonight, and then I’ll read your book on my bed.”

The Erguotou was smooth, yet strong. Bao felt the liquid shooting all the way down like an arrow. It was not common for him to have such a devoted audience, and it seemed only to add to his frustration. Then the discussion came back around to the delegation again.

“Has Chen done anything in secret-a cop in a writer’s clothing?” Hong resumed, twirling the cup in his fingers.

“No, I don’t think he spies on the others. To be fair, he knows how to show off. He speaks a little English and tossed in a handful of new terms. I guess that’s why he was chosen. A new image.”

“A new image? I don’t buy it. As you have said, we, the working-class people alone, are the revolutionary models for the socialist society.”

“You are right. Chen does not even make a good model for the delegation. According to the regulation, no one should go out without having obtained the delegation approval. But Chen went out with his buddy this afternoon. What was he really up to? No one can tell.”

“I can,” Hong said. “Topless or bottomless shows. A lot of Chinese visitors are drawn to them like flies drawn to blood. A friend of mine has a tourist business here. An expert for delegation activities, he always arranges such a show at the top of the activity list. These visitors do not have to worry about the expense-the receipts will declare it as decent business expense without giving them away.”

“Really?” Bao said. “That’s a possibility.”

“Let me do something for you. Tell me what you know about Chen, about his activities here. I may be able to find a queue or two of his. It’s so unfair. We need to do something about it.”

In the Qing dynasty, a queue-a braid of hair worn at the back of the head-could be grasped by an opponent in a fight. In the Cultural Revolution, Deng Xiaoping had once described himself as “an Urgue girl with so many queues.” Later on, he got into trouble because of his queues being pulled by Mao.

“Don’t go out of your way for me, Hong.”

“Not just for you, Master Bao. People like Chen will be no good for our socialist literature. Believe me, my heart always remains a red, loyal Chinese heart.”

“Well…” So far Bao did not really have anything to complain about regarding Chen. But Hong had his point. With people like Chen in power, the future of Chinese literature would be predictable. If evidence of Chen’s inappropriate behavior could be obtained… “Oh, I remember one thing. He made phone calls-not in the hotel room, but at a public phone booth. A couple of times.”

“That’s very suspicious.”

“Yes, the Americans are covering the hotel phone bill, I think. He doesn’t have to save a few pennies for them. He may be making contact for those shows.”

“That’s important. I’ll check into this,” Hong said, not trying to hide his excitement as he raised the cup again. “To your greater success-with people like Chen out of the way.”

To his dismay, Hong found the cup empty. So was the bottle. He looked out with an apologetic smile. Customers still came in at this late hour. There was only one waitress bustling around with platters overlapped on her bare arms. The chef must have been too busy to come back to them. The dishes on the desk turned cold. Bao contemplated, digging into a fish head.

Hong seemed to be growing sentimental as he got further in his cups, his face flushing like a coxswain’s. “Did I have a choice when I left China? The state-run factory was losing money, unable to pay its employees. I could not make a living writing poetry. So I came out. Not easy for me to start all over. All these years, I’ve written only a couple of lines: ‘Washing possible recollection / from a greasy mop, I’m ladling / my fantasies out of the wok.’”

“That’s really not bad, Hong.”

“I remember the lines because I have come up with nothing else, because it’s a true picture of my life, day in and day out,” Hong said, draining the last drop before he produced an envelope. “Don’t look down on me, Master. Here is five hundred dollars. I am not rich, but that’s a token of my respect to you.”

“No, I cannot accept it.”

“It’s nothing. As our old saying goes, you can be poor at home, but not poor on the road. So give me an opportunity to pay respect to my respected working-class master.”

“I don’t know what to say, Hong.”

“And here is a prepaid cell phone. Call me when you want me to do anything-or when you want to tell me something about Chen.”

“That’s expensive. Chen alone has such a cell phone in the delegation.”

“You are the Party secretary. Of course you should have one too. If we workers don’t help each other, who will?” Hong said. “Oh, by the way, do you know the name of Chen’s friend?”

“No, I don’t, but he has a hi-tech company, I think, like those upstarts in China.”

“It is so unfair.”

“Yes, even in the hotel, Chen alone is given a suite.”

“I have read that he shared the suite with somebody else-two men on the same bed. Some Americans must have made a joke about it.”

“Oh, Dai, that capitalist poet. He’s not a member of our delegation. So he touched Chen for the night. But it was my idea.”

Hong really knew a lot about Chen. Was Chen reported so much here? Bao felt uncomfortable. It was time for him to stop drinking, he knew. He did not want to go back to being a drunkard. It was against a working-class poet’s image, which he had cherished for years.

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