inner was quiet. Everyone was tired and ready to retire early. There were no more problems to solve; all that was left was for the script, much amended, to be learned by heart so there were no mistakes, no hesitations. In fact, several of them would write out a new copy of the script, clean, without the scratchings-out and scribbled margin notes. Many actors found writing out the script was an excellent way to commit the words to memory.

Caroline wrote out the script as well, not every word, but the key phrases that cued the light changes. The prompting script would be with Alice, though Caroline had often taken on that task. Alice’s parts onstage were only a few words here and there: a servant or a messenger. It would not be difficult to fill all the roles and still act as prompter. The lights were crucial, and Caroline wanted to focus entirely on them.

Joshua was sitting at the small desk in the bedroom and Caroline was on the bed, reading her cues over again, when she remembered a note she had written hastily about the lighting of Lucy’s death scene. She had left it on the stage.

“I’ll just go and get it,” she said, slipping her feet off the bed and standing up. “I won’t be long.”

“Shall I get it for you?” Joshua offered.

“No, thank you.” She walked over to him and touched his cheek lightly. “You’re busy.” She looked down at his half-written page. “There’s another hour’s work you have to do still. I’m not afraid of vampires in the dark. I’ll be back in ten minutes or so.”

Joshua smiled and turned back to the desk. She was right; it would take at least another hour or so to complete.

Caroline went out onto the landing and down the stairs to the main hall. The lights were always left burning low—but quite sufficient for her to move swiftly toward the passage to the theater. The hall seemed even more magnificent in the shadows: the ceilings higher, the checkered marble floor bigger, the stairs sweeping up on either side disappearing dramatically into the dark corners where they turned and curled back to the gallery above.

The long passage to the theater was even darker, leaving the distance between the niched candles heavily shadowed, the outlines of pictures barely visible. She walked briskly. Luckily there were no chairs or jutting tables to bump into. Not even the vase of bamboo was there now, she remembered, with a small smile.

She turned the first corner, then the second, her eyes on the wall ahead, searching for the next candle along the corridor. Then she tripped over something and pitched forward, landing hard on the floor on her hands and knees. She got up slowly, shaken and bruised. How could she have been so clumsy? She turned to see what she had fallen over, and at first did not understand what it was. She was in the shadow between the lights, and the object looked like a pile of curtains dropped on the ground.

Then as she stood dazed, her heart pounding, her eyes became more accustomed to the darkness, and the form came into focus. It was a man lying crumpled on his side, his legs half-folded under him. Was it a drunken footman? What on earth was the stupid man doing here?

She bent to shake him, and only then did she see the long handle of the broom slanting upward. Except it was only half of the handle. The brush was missing, and the shaft ended abruptly in the man’s back. She felt the shadows blur and swim as if she were going to faint. She closed her eyes for a moment, then opened them again. It was not a footman, it was Ballin. His eyes were open and his mouth was open, as if he had screamed when the makeshift spear had struck him. She had no doubt whatsoever that he was dead.

Should she yell for help? It seemed ridiculous to scream now, deliberately. Added to that, her mouth was as dry as if she had been eating cotton. She should stand up, control herself, make her legs walk back up the stairs to Joshua. Please heaven no one come along this corridor in the meantime.

Her legs were wobbling. It was all she could do not to fall again. What had happened? Was there any imaginable way it could have been an accident?

Don’t be absurd, she told herself, crossing the hall as silently as she had the first time, a world and an age ago. Nobody takes the head off a broom and spears themselves with the handle by accident. In fact, it must have been sharpened into a purposeful weapon, or it wouldn’t have even penetrated the skin anyway.

She reached the stairs and clung to the newel post, climbing up hand over hand, pulling and balancing. She had seen murder before. One of her sons-in-law was a policeman.

She was at the top of the stairs. She reached her own bedroom door and opened it. She saw the light on Joshua’s brown hair, the fair streaks in it shining.

“Joshua …”

He turned around slowly, smiling, the pen still in his hand. Then he saw her face.

“What is it?” he asked huskily, starting up from the desk. “Caroline!”

“Someone has killed Mr. Ballin.” She gulped, struggling now not to sob, not to let her knees buckle. He was beside her, arms holding her.

“I tripped over his body in a dark stretch of the corridor to the theater,” she went on. “Before you ask, yes, I am sure he was killed … murdered. He has been stabbed through the chest with the broken-off handle of a broom. You could say …” She gulped again and the room swam and blurred in the corners. “You could say down through the heart with a stake.” She wanted to laugh but it ended in a sob.

He was guiding her to the bed, still holding her.

“Have you told anyone else?” he asked, his voice unsteady.

“No. I … I thought of screaming, but it seemed so stupid. We must tell Mr. Netheridge. Do you know which is their bedroom?”

“No. I shall call one of the servants to wake him.” He glanced at the window, then back at Caroline. She was sitting on the bed now, and he still held both her hands. “We will have to deal with it ourselves … without the police.”

“Joshua, it’s murder!” she protested. “We can’t just … just deal with it, as if it were some kind of domestic accident!”

“Caroline. Who’s going to walk through that snow to fetch the police?” he asked very gently.

“Oh … oh.” She took a deep breath. “Yes … I see. How stupid of me. We’ll have to … Oh, heaven!” Now she leaned against him as her body began to shake. “That means one of us must have done it.”

He touched her hair gently, pushing the long strands away from her face.

“I’m afraid it does. There won’t be any more strangers out in the night coming here, or anywhere else.” He let out a long, shaky breath. “I’ll go and get one of the servants. Butler, I suppose. He’ll call Mr. Netheridge. At least we must provide a little decency for the body, for the time being.” He took a step.

“Joshua!”

He turned. “You stay here,” he told her. “Perhaps you had better not let anyone else in.”

“Put a blanket over the body, if you like,” she told him. “But you’d better not move it until someone has looked at it. We have to find out who killed him.” She smiled bleakly and it felt like a grimace. “I’ve been around rather a lot of crime scenes, one way and another. Thomas is a policeman, if you remember.”

“We can’t leave it there until the thaw,” he protested. “We’ll have to find a better place for it, somewhere cold. But yes, perhaps we should take a very careful look at it first. I don’t know who, Netheridge himself, I suppose. It’s his house. You know, I have the odd feeling that Ballin would have been the best person to take charge in a situation like this.”

He looked very pale. For a ridiculous moment she thought, what a disappointment it was that they would hardly be able to put on the play now. It really had become very good.

“Yes,” she agreed. “He was very able. I’m … sorry he’s gone.” It sounded so inadequate, and yet it was all she could think to say.

“Stay here,” he repeated, then he went out the door.

t was nearly half an hour later when Joshua returned. Caroline insisted on going down with him to the withdrawing room, where the rest of the company was gathered. All had dressed again, but hastily, and none of the women had bothered to pin up their hair. Everyone was clearly shocked and frightened. James and Mercy sat together on the couch, holding hands. Douglas stood behind the big armchair in which Alice was hunched up. Her face was white, and she was clearly distressed. Lydia sat alone, as did Vincent.

Eliza sat close to where her husband stood with his back to the fire, which had been stoked up again. The huge stained-glass window made the room look like a church.

Joshua and Caroline took places on the other sofa.

Netheridge cleared his throat. “It seems we have a very ugly tragedy in the house,” he said with deep unhappiness. “No doubt you all know by now that the stranger, Mr. Ballin, has met with a very sudden death.” He glared at Vincent, who had seemed about to interrupt him. “We don’t yet know what happened, whether it was some sort of accident, or worse. If anybody has anything they can tell us about it, now would be the time to do so. Obviously we can’t call a doctor, or the police. We have no way of getting out to do it, and they have no way of coming to us until the weather improves. No doubt they will clear the roads as soon as they can.” He looked around the group.

No one said anything.

“Come now. Who was Ballin?” he demanded. “He appeared out of the night and asked for shelter. We gave it to him, as we would. Who knew where he came from? Did he talk to any of you? Did he say who he was going to visit here in Whitby? Why? What does he do? Where does he live? We don’t know anything about him!” His glance embraced Eliza, Alice, and Douglas.

“For heaven’s sake, we don’t know him, either,” James said heatedly. “We don’t even know anyone else in Whitby.”

“Well, why would anybody kill him, then?” Netheridge asked.

“He was an objectionable, interfering, and arrogant man.” Douglas pulled his mouth into a thin, hard line. “He was not difficult to dislike.”

Caroline lost her temper, which happened very rarely indeed, largely because she had been brought up to believe that ladies never did such a thing.

“Mr. Paterson, this man has been run through the chest with a broom handle. The fact that you did not care for him is irrelevant. Unless you are saying that your dislike was sufficiently intense for you to have murdered him? And I do not think that is what you mean. Somebody here obviously had a far deeper hatred or fear of him, beyond simple dislike. One does not take another human being’s life violently, in the middle of the night, without a passion that has slipped out of all control. Your resentment of his generosity in working with Alice, and his assistance in helping her believe in her ability, is surely not of that order, is it?”

There was a stunned silence.

Douglas was white to the lips. “Of course it isn’t!” he said savagely. “How dare you say such a thing? The man was arrogant, and probably a charlatan, but I didn’t do anything to him at all. Look at your fellow players. It has to be one of you.”

It was Vincent who answered, his eyes wide in disbelief. “One of us? Why, for God’s sake? It was this house he came to. It is entirely conceivable that he had actually heard that Mr. Netheridge was entertaining his friends with a group of professional actors in his daughter’s drama, even though he claimed he had no idea. Maybe that was why he showed up. Even if it were not, how would Ballin know specifically who we were? One has to assume it was someone here he came for, someone he expected to find.”

Netheridge’s face flushed dark. “I’ve never seen the man before, or heard of him!” he protested. “Neither has anyone in my family, and that includes Douglas.” He was clearly horrified, but also afraid. His big hands clenched at his sides and he started to take a step forward, before changing his mind.

“There is no point in trying to lay blame on one another,” Caroline said as levelly as she could. “We would all rather it be a crime committed by someone who broke in from outside, a random act that had nothing to do with any of us, but that would be childish and naïve. No one has come or left. Either it was a sudden quarrel so violent that it ended in death, or else he already knew someone here—who either lives here or is visiting—and an old quarrel was renewed. It doesn’t matter. I doubt anyone is going to admit to either.”

“Maybe he attacked someone, and they had to defend themselves?” Eliza said shakily. “That would mean it wasn’t their fault, wouldn’t it?”

Caroline slowly looked around at them all. For a moment her heart was pounding and her mouth dry with the hope that that could be true. Then the dead man, beyond all further hurt, would be to blame. Even as she thought that, she knew it was likely a false hope, but one she could not give up on easily.

“No one looks to be hurt,” she said at last. “No one is dirty or torn, as if they had been in a fight for their lives. And surely if that were the case, the party would now admit it?”

“One of the servants?” Mercy said immediately.

Caroline gave a little shrug. “Why would Mr. Ballin be in the corridor to the theater in the middle of the night, attacking one of the servants with a broken-off and sharpened broom handle?”

“How do you know it was sharpened?” Douglas challenged her.

“Because it wouldn’t have speared him if it were blunt,” she said with weary patience. “This is not a play, this is real. It has to make sense; we have to look at facts to figure out what’s true.”

“We must wait for the police,” Netheridge said, taking command again. “Until then there’s nothing we can do. Please, everyone, go back to bed, and get whatever rest you can. Douglas and I will go and move the poor man so that none of the servants find him. They’re a sensible lot, but this will distress them, naturally. I think it would be a good idea if we merely say that Mr. Ballin was taken violently ill and died. We can amend that when the police come.”

Caroline rose to her feet. “You can’t do that!”

“I beg your pardon?” It was a rebuke, not a request.

“Of course he can,” Douglas said sharply. “You’ve had a shock, Mrs. Fielding. Let your husband take you upstairs and perhaps you have a headache powder you can take … or something …” He trailed off lamely.

Caroline remained where she was. “You can tell the servants whatever you think is best to keep some sort of calm in the house,” she said to Netheridge, ignoring Douglas. “But Mr. Ballin was murdered. I quite see that you have to put his body somewhere more suitable than where it is, but not tonight in the dark. If you bolt the door to that part of the house it can be done in daylight, but it would be most unwise to do it alone …”

“My dear Mrs. Fielding, it will be unpleasant, but there is absolutely no danger whatever, I assure you,” Netheridge said patiently. “He is a perfectly ordinary man of flesh and blood, and the dead do not hear us. There are no such things as vampires, or the undead—”

“Of course there aren’t!” she cut him off angrily. “But he was murdered. Anyone moving him before the police get here may be accused of altering the evidence …”

“What evidence? We can’t leave him there, woman! He’ll … smell! The natural—”

“I’m not suggesting we leave him there,” she corrected him. She was beginning to tremble. “But we need to be there, all of us, or at least several of us, when we move him. One of us did that to him. We don’t want the police to accuse any of us of tampering with evidence that would have indicated guilt …”

“Such as what, for heaven’s sake?” Netheridge pretended to be outraged, but understanding was already beginning to show in his eyes.

“Such as proof that Ballin knew his attacker on a more personal level, or that there was some quarrel that took place between them,” she answered. “Something on his clothes or his person that would indicate who was the last one to see him alive. All sorts of objects are possible to discover at a crime scene, either because they were left accidentally, or because they were left on purpose by someone wishing to implicate someone else; or, conversely, not to discover, because they have been purposely removed.”

“She’s right,” Mercy said incredulously. “But how on earth do you know these things? Who are you?”

“I am Joshua’s wife,” Caroline replied. “But I have a son-in-law who is a policeman, and he has solved dozens of murders—scores. Please … let us use sense as well as compassion. We’ll all go together, in the daylight, when we can see the body, the floor around, anything that can tell us what happened. We need to protect ourselves from unjust suspicion by the police, as well as anything else.” She stopped, swallowing hard, her mouth dry.

“You are quite right, of course,” Netheridge agreed more calmly. “Thank you. Fielding, perhaps you would come with me while I lock the door from the hall to the corridor. As Mrs. Fielding points out, we need to take the proper care to be above suspicion. I shall see the rest of you at breakfast at the usual hour. Until then, please take whatever rest you can.”

Caroline sat up in bed waiting for Joshua to return. It seemed like ages, although it was probably little more than five minutes before he came in and closed the door. He looked very shaken.

“The corridor has been locked,” he said quietly. “Are you going to be all right?” He looked at her anxiously, trying to read beyond the calm words she was saying.

“Did you look at him?” she asked.

He sat down on the edge of the bed.

“Only briefly. I suppose Netheridge wanted to make sure you hadn’t had a nightmare or something. I’m afraid it’s definitely Ballin, and as you said, someone killed him. That sort of thing couldn’t have happened by accident.” He touched her hair, then her face. “I wish I could have protected you from this. I knew there’d be difficulties, quarrels in the cast, but I never imagined it could end in violence.”

“Of course you didn’t,” she said, surprised at how calm she sounded. “It’s probably to do with Netheridge, not us, but we must be prepared to deal with whatever happens.” She smiled bleakly. “You know, I’m really very angry. We had finally made a decent play of it, and now we can hardly perform it, given the circumstances. Added to which, I very much liked Mr. Ballin, odd as he was.”

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