A Son of the Circus

Mrs. Dogar Reminds Farrokh of Someone Else

For 15 years, Dr. Daruwalla would indulge himself with his memory of Deepa in the safety net. Of course this is an exaggeration, of that kind which caused the doctor to often reflect on his surprise at Vinod becoming a veritable limousine legend in Bombay; in the heyday of the dwarf’s success at car driving, Vinod could never be credited with chauffeuring a limo, much less owning a limousine company. At best, Vinod owned a half-dozen cars; none of them was a Mercedes—including the two that the dwarf drove, with hand controls.

What Vinod would briefly manage to achieve was a modest profit in the private-taxi business, or “luxury taxis” as they’re called in Bombay. Vinod’s cars were never luxurious—nor could the dwarf have managed private ownership of these thoroughly secondhand vehicles without accepting a loan from Dr. Daruwalla. If the dwarf was even fleetingly a legend, neither the number nor the quality of Vinod’s automobiles was the reason—they were not limousines. The dwarf’s legendary status owed its existence to Vinod’s famous client, the aforementioned actor with the improbable name of Inspector Dhar. At most, Dhar lived part-time in Bombay.

And poor Vinod could never completely sever his ties to the circus. Shivaji, the dwarf’s dwarf son, was now a teenager; as such, he suffered from strong and contrary opinions. Had Vinod continued to be an active clown in the Great Blue Nile, Shivaji would doubtless have rejected the circus; the contentious boy would probably have chosen to drive a taxi in Bombay—purely out of hatred for the very idea of being a comic dwarf. But since his father had made such an effort to establish a taxi business, and since Vinod had struggled to free himself from the dangerous daily grind of the Great Blue Nile, Shivaji was determined to become a clown. Therefore, Deepa often traveled with her son; and while the Blue Nile was performing throughout Gujarat and Maharashtra, Vinod devoted himself to the car-driving business in Bombay.

For 15 years, the dwarf had been unable to teach his wife how to drive. Since her fall, Deepa had given up the trapeze, but the Blue Nile paid her to train the child contortionists; while Shivaji developed his skills as a clown, his mother put the plastic ladies through their boneless items. When the dwarf succumbed to missing his wife and son, he’d go back to the Blue Nile. There Vinod eschewed the riskier acts in the dwarf-clown repertoire, contenting himself with instructing the younger dwarfs, his own son among them. But whether clowns are shot off seesaws by elephants, or chased by chimps, or butted by bears, there’s only so much for them to learn. Beyond the demanding drills, which require practice—how to dismount the collapsing unicycle, and so forth—only makeup, timing and falling can be taught. At the Great Blue Nile, it seemed to Vinod that there was mainly falling.

In his absence from Bombay, Vinod’s taxi enterprise would suffer and the dwarf would feel compelled to return to the city. Since Dr. Daruwalla was only periodically in India, the doctor couldn’t always keep track of where Vinod was; as if trapped in a ceaseless clown item, the dwarf was constantly moving.

What was also constant was Farrokh’s habit of letting his mind wander to that long-ago night when he had bashed his nose on Deepa’s pubic bone. Not that this was the only circus image that the doctor’s mind would wander to; those scratchy sequins on Deepa’s tight singlet, not to mention the conflicting scents of Deepa’s earthy aroma—these were understandably the most vivid circus images in Farrokh’s memory. And at no time did Dr. Daruwalla daydream so vividly about the circus as he did when anything unpleasant was pending.

Currently, Farrokh found himself reflecting that, for 15 years, Vinod had steadfastly refused to give the doctor a single Vacutainer of blood. Dr. Daruwalla had drawn the blood from almost every active dwarf clown, in almost every active circus in Gujarat and Maharashtra, but the doctor hadn’t drawn a drop from Vinod. As angry as this fact made him, Farrokh preferred to reflect on it rather than to concern himself with the more pressing problem, which was suddenly at hand.

Dr. Daruwalla was a coward. That Mr. Lal had fallen on the golf course, without a net, was no reason not to tell Inspector Dhar the upsetting news. Quite simply, the doctor didn’t dare tell Dhar.

It was characteristic of Dr. Daruwalla to tell belabored jokes, especially when he’d made a disquieting self-discovery. Inspector Dhar was characteristically silent—“characteristically,” depending on which rumors you believed. Dhar knew that Farrokh had been fond of Mr. Lal, and that the doctor’s strident sense of humor was most often engaged when he sought to distract himself from any unhappiness. At the Duckworth Club, Dhar spent most of lunch listening to Dr. Daruwalla go on and on about this new offense to the Parsis: how the recent Parsi dead had been overlooked by the vultures attending to Mr. Lal on the golf course. Farrokh found a forced humor in imagining the more fervent Zoroastrians who’d be up in arms about the interference caused to the vulture community by the dead golfer. Dr. Daruwalla thought they should ask Mr. Sethna if he was offended; throughout lunch the old steward had managed to look most offended, although the source of the particular offense appeared to be the second Mrs. Dogar. It was clear that Mr. Sethna disapproved of her, whatever her intentions.

She’d deliberately positioned herself at her table so that she could stare at Inspector Dhar, who never once returned her gaze. Dr. Daruwalla assumed it was just another case of an immodest woman seeking Dhar’s attention—in vain, the doctor knew. He wished he could prepare the second Mrs. Dogar for how rejected she would soon feel from the actor’s obliviousness to her. For a while, she’d even pushed her chair away from the table so that her fetching navel was beautifully framed by the bold colors of her sari; her navel was pointed at Dhar like a single and very determined eye. Although Mrs. Dogar’s advances appeared to go unnoticed by Inspector Dhar, Dr. Daruwalla found it most difficult not to look at her.

In the doctor’s view, her behavior was shameless for a married, middle-aged lady—Dr. Daruwalla calculated that she was in her early fifties. Yet Farrokh found the second Mrs. Dogar attractive, in a threatening kind of way. He couldn’t locate exactly what it was that attracted him to the woman, whose arms were long and unflatteringly muscular, and whose lean, hard face was handsome and challenging in an almost masculine way. To be sure, her bosom was shapely (if not full) and her bottom was high and firm—especially for a woman her age—and there was no question that her long waist and aforementioned navel were enhancing contributions to the pleasurable impression she made in a sari. But she was too tall, her shoulders were too pronounced and her hands appeared absurdly large and restless; she picked up her silverware and toyed with it as if she were a bored child.

Furthermore, Farrokh had caught a glimpse of Mrs. Dogar’s feet—actually, just one of her feet, which was bare. She must have kicked her shoes off under her table, but all that Dr. Daruwalla saw was a flash of her gnarled foot; a thin gold chain hung loosely around her surprisingly thick ankle and a wide gold ring gripped one of her clawlike toes.

Perhaps what attracted the doctor to Mrs. Dogar was how she reminded him of someone else, but he couldn’t think of who it might be. A long-ago movie star, he suspected. Then, as a doctor whose patients were children, he realized that he might have known the new Mrs. Dogar as a child; why this would make the woman attractive to him was yet another, exasperating unknown. Moreover, the second Mrs. Dogar seemed not more than six or seven years younger than Dr. Daruwalla; virtually, they’d been children together.

Dhar caught the doctor by surprise when he said, “If you could see yourself looking at that woman, Farrokh, I think you’d be embarrassed.” When he was embarrassed, the doctor had an annoying habit of abruptly changing the subject.

“And you! You should have seen yourself!” Dr. Daruwalla said to Inspector Dhar. “You looked like a bloody police inspector—I mean, you looked like the real bloody thing!”

It irritated Dhar when Dr. Daruwalla spoke such absurdly unnatural English; it wasn’t even the English with a singsong Hindi lilt, which was also unnatural for Dr. Daruwalla. This was worse; it was something wholly fake—the affected British flavor of that particularly Indian English, the inflections of which were common among young college graduates working as food-and-beverage consultants at the Taj, or as production managers for Britannia Biscuits. Dhar knew that this unsuitable accent was Farrokh’s self-consciousness talking—he was so out of it in Bombay.

Quietly, but in accentless English, Inspector Dhar spoke to his excited companion. “Which rumor about me are we encouraging today? Should I shout at you in Hindi? Or is this a good day for English as a second language?”

Dhar’s sardonic tone and expression hurt Dr. Daruwalla, notwithstanding that these mannerisms were trademarks of the fictional character Dr. Daruwalla had created and that all of Bombay had come to loathe. Although the secret screenwriter had grown morally uncertain of his creation, this doubt was not discernible in the unreserved fondness that the doctor felt for the younger man; in public or in private, it was Dr. Daruwalla’s love for Dhar that showed.

The taunting quality of Dhar’s remarks, not to mention the sting of Dhar’s delivery, wounded Dr. Daruwalla; even so, he regarded the slightly spoiled handsomeness of the actor with great tenderness. Dhar allowed his sneer to soften into a smile. With an affection that alarmed the nearest and ever-observant waiter—the same poor fellow whose daily course had coincided with the shitting crow and with the troublesome tureen and ladle—the doctor reached out and clasped the younger man’s hand.

In plain English, Dr. Daruwalla whispered, “I’m really just so sorry—I mean, I feel so sorry for you, my dear boy,” he said.

“Don’t,” Inspector Dhar whispered back. His smile faded and his sneer returned; he freed his hand from the elder man’s grip.

Tell him now! Dr. Daruwalla told himself, but he didn’t dare—he didn’t know where to begin.

They were sitting quietly with their tea and some sweets when the real policeman approached their table. They’d already been interrogated by the duty officer from the Tardeo Police Station, an Inspector Somebody—not very impressive. The inspector had arrived with a team of subinspectors and constables in two Jeeps—hardly necessary for a golfing death, Dr. Daruwalla had felt. The Tardeo inspector had been unctuous but condescending to Inspector Dhar and servile to Farrokh.

“I am hoping you are excusing me, Doctor,” the duty officer had begun; his English was a strain. “I am being most sorry I am taking your time, saar,” the inspector added to Inspector Dhar. Dhar responded in Hindi.

“You are not examining the body, Doctor?” the policeman asked; he persisted with his English.

“Certainly not,” Dr. Daruwalla replied.

“You are never touching the body, saar?” the duty officer asked the famous actor.

“I are never touching it,” Dhar answered in English—in a flawless imitation of the policeman’s Hindi accent.

Upon departing, the duty officer’s heavy brogues had scraped a little too loudly on the stone floor of the Duckworth Club’s dining room; thus had the policeman’s exit drawn Mr. Sethna’s predictable disapproval. Doubtless the old steward had also disapproved of the condition of the duty officer’s uniform; his khaki shirt was soiled by the thali the inspector must have encountered for lunch—a generous portion of dhal was slopped on his breast pocket, and a brightly colored stain (the obvious orange-yellow of turmeric) lit up the messy policeman’s drab collar.

But the second policeman, who now approached their table in the Ladies’ Garden, was no mere inspector; this man was of a higher rank—and of a noticeably elevated neatness. At the very least, he looked like a deputy commissioner. From Farrokh’s research—for the Inspector Dhar screenplays were scrupulously researched, if not aesthetically pleasing—the screenwriter was certain that they were about to be confronted by a deputy commissioner from Crime Branch Headquarters at Crawford Market.

“All this for golf?” whispered Inspector Dhar, but not so loudly that the approaching detective could hear him.

Not a Wise Choice of People to Offend

As the most recent Inspector Dhar movie had pointed out, the official salary of a Bombay police inspector is only 2,500 to 3,000 rupees a month—roughly 100 dollars. In order to secure a more lucrative posting, in an area of heavy crime, an inspector would need to bribe an administrative officer. For a payment in the vicinity of 75,000 to 200,000 rupees (but generally for less than 7,000 dollars), an inspector might secure a posting that would earn him from 300,000 to 400,000 rupees a year (usually not more than 15,000 dollars). One issue posed by the new Inspector Dhar movie concerned just how an inspector making only 3,000 rupees a month could get his hands on the 100,000 rupees that were necessary for the bribe. In the movie, an especially hypocritical and corrupt police inspector accomplishes this by doubling as a pimp and a landlord for a eunuch-transvestite brothel on Falkland Road.

In the pinched smile of the second policeman who approached Dr. Daruwalla and Inspector Dhar at their table, there could be discerned the unanimous outrage of the Bombay police force. The prostitute community was no less offended; the prostitutes had greater cause for anger. The most recent movie, Inspector Dhar and the Cage-Girl Killer, seemed to be responsible for putting the lowliest of Bombay’s prostitutes—the so-called cage girls—in particular peril. Because of the movie, about a serial killer who murders cage girls and draws an inappropriately mirthful elephant on their naked bellies, a real murderer appeared to have stolen the idea. Now real prostitutes were being killed and decorated in this cartoonish fashion; the actual murders were unsolved. In the red-light district, on Falkland Road and Grant Road—and throughout the multitude of brothels in the many lanes of Kamathipura—the hardworking whores had expressed a real desire to kill Inspector Dhar.

The feeling for vengeance toward Dhar was especially strong among the eunuch-transvestite prostitutes. In the movie, a eunuch-transvestite prostitute turns out to be the serial cartoonist and killer. This was offensive to eunuch-transvestites, for by no means were all of them prostitutes—nor were they ever known to be serial killers. They are an accepted third gender in India; they are called “hijras”—an Urdu word of masculine gender meaning “hermaphrodite.” But hijras are not born hermaphrodites; they are emasculated—hence “eunuch” is the truer word for them. They are also a cult; devotees of the Mother Goddess Bahuchara Mata, they achieve their powers—either to bless or to curse—by being neither male nor female. Traditionally, hijras earn their living by begging; they also perform songs and dances at weddings and festivals—most of all, they give their blessings at births (of male infants, especially). And hijras dress as women—hence the term “eunuch-transvestite” comes closest to what they are.

The mannerisms of hijras are ultra-feminine but coarse; they flirt outrageously, and they display themselves with sexually overt gestures—inappropriate for women in India. Beyond their castration and their female dress, they do little to otherwise feminize themselves; most hijras eschew the use of estrogens, and some of them pluck their facial hair so indifferently, it’s not uncommon to see them with several days’ growth of beard. Should hijras find themselves abused or harassed, or should they encounter those Indians who’ve been seduced by Western values and who therefore don’t believe in the hijras’ “sacred” powers to bless and curse, hijras will be so bold as to lift their dresses and rudely expose their mutilated genitals.

Dr. Daruwalla, in creating his screenplay for Inspector Dhar and the Cage-Girl Killer, never intended to offend the hijras—there are more than 5,000 in Bombay alone. But, as a surgeon, Farrokh found their method of emasculation truly barbarous. Both castration and sex-change operations are illegal in India, but a hijra’s “operation”—they use the English word—is performed by other hijras. The patient stares at a portrait of the Mother Goddess Bahuchara Mata; he is advised to bite his own hair, for there’s no anesthetic, although the patient is sedated with alcohol or opium. The surgeon (who is not a surgeon) ties a string around the penis and the testicles in order to get a clean cut—for it is with one cut that both the testicles and the penis are removed. The patient is allowed to bleed freely; it’s believed that maleness is a kind of poison, purged by bleeding. No stitches are made; the large, raw area is cauterized with hot oil. As the wound begins to heal, the urethra is kept open by repeated probing. The resultant puckered scar resembles a vagina.

Hijras are no mere cross-dressers; their contempt for simple transvestites (whose male parts are intact) is profound. These fake hijras are called “zenanas.” Every world has its hierarchy. Within the prostitute community, hijras command a higher price than real women, but it was unclear to Dr. Daruwalla why this was so. There was considerable debate as to whether hijra prostitutes were homosexuals, although it was certain that many of their male customers used them in that way; and among hijra teenagers, even before their emasculation, studies indicated frequent homosexual activity. But Farrokh suspected that many Indian men favored the hijra prostitutes because the hijras were more like women than women; they were certainly bolder than any Indian woman—and with their almost-a-vagina, who knew what they could imitate?

If hijras themselves were homosexually oriented, why would they emasculate themselves? It seemed probable to the doctor that, although there were many customers in the hijra brothels who were homosexuals, not every customer went there for anal intercourse. Whatever one thought or said about hijras, they were a third gender—they were simply (or not so simply) another sex. What was also true was that, in Bombay, fewer and fewer hijras were able to support themselves by conferring blessings or by begging; more and more of them were becoming prostitutes.

But why had Farrokh chosen a hijra to be the serial killer and cartoonist in the most recent Inspector Dhar movie? Now that a real killer was imitating the behavior of the fictional character—the police would say only that the real killer’s drawing was “an obvious variation on the movie theme”—Dr. Daruwalla had really gotten Inspector Dhar in trouble. This particular film had inspired something worse than hatred, for the hijra prostitutes not only approved of killing Dhar—they wanted to maim him first.

“They want to cut off your cock and balls, dear boy,” Farrokh had warned his favorite young man. “You must be careful how you get around town!”

With a sarcasm that was consistent with his famous role, Dhar had replied in his most deadpan manner: “You’re telling me.” (It was something he said at least once in all his movies.)

In contrast to the lurid agitation caused by the most recent Inspector Dhar movie, the appearance of a real policeman among the proper Duckworthians seemed dull. Surely the hijra prostitutes hadn’t murdered Mr. Lal! There’d been no indication that the body had been sexually mutilated, nor was there a possibility that even a demented hijra could have mistaken the old man for Inspector Dhar. Dhar never played golf.

A Real Detective at Work

Detective Patel, as Dr. Daruwalla had guessed, was a deputy commissioner of police—D.C.P. Patel, officially. The detective was from Crime Branch Headquarters at Crawford Market—not from the nearby Tardeo Police Station, as Farrokh had also correctly surmised—because certain evidence, discovered during the examination of Mr. Lal’s body, had elevated the old golfer’s death to a category of interest that was special to the deputy commissioner.

What such a category of interest could be wasn’t immediately clear to Dr. Daruwalla or to Inspector Dhar, nor was Deputy Commissioner Patel inclined to clarify the matter promptly.

“You must forgive me, Doctor—please do excuse me, Mr. Dhar,” the detective said; he was in his forties, a pleasant-looking man whose formerly delicate, sharp-boned face had slightly given way to his jowls. His alert eyes and the deliberate cadence of the deputy commissioner’s speech indicated that he was a careful man. “Which one of you was the very first to find the body?” the detective asked.

Dr. Daruwalla could rarely resist making a joke. “I believe the very first to find the body was a vulture,” the doctor said.

“Oh, quite so!” said the deputy commissioner, smiling tolerantly. Then Detective Patel sat down, uninvited, at their table—in the chair nearer Inspector Dhar. “After the vultures,” the policeman said to the actor, “I believe you were the next to find the body.”

“I didn’t move it or even touch it,” Dhar said, anticipating the question; it was a question he usually asked—in his movies.

“Oh, very good, thank you,” said D.C.P. Patel, turning his attention to Dr. Daruwalla. “And you, most naturally, examined the body, Doctor?” he asked.

“I most naturally did not examine it,” Dr. Daruwalla replied. “I’m an orthopedist, not a pathologist. I merely observed that Mr. Lal was dead.”

“Oh, quite so!” Patel said. “But did you give any thought to the cause of death?”

“Golf,” said Dr. Daruwalla; he’d never played the game but he detested it at a distance. Dhar smiled. “In Mr. Lal’s case,” the doctor continued, “I suppose you might say he was killed by an excessive desire to improve. He most probably had high blood pressure, too—a man his age shouldn’t repeatedly lose his temper in the hot sun.”

“But our weather is really quite cool,” the deputy commissioner said.

As if he’d been thinking about it for an extended time, Inspector Dhar said, “The body didn’t smell. The vultures stank, but not the body.”

Detective Patel appeared to be surprised and favorably impressed by this report, but all he said was, “Precisely.”

Dr. Daruwalla spoke with impatience: “My dear Deputy Commissioner, why don’t you begin by telling us what you know?”

“Oh, that’s absolutely not our way,” the deputy commissioner cordially replied. “Is it?” he asked Inspector Dhar.

“No, it isn’t,” Dhar agreed. “Just when do you estimate the time of death?” he asked the detective.

“Oh, what a very good question!” Patel remarked. “We estimate this morning—not even two hours before you found the body!”

Dr. Daruwalla considered this. While Mr. Bannerjee had been searching the clubhouse for his opponent and old friend, Mr. Lal had strolled to the ninth green and the bougainvillea beyond, once more to practice a good escape from his nemesis of the day before. Mr. Lal had not been late for his appointed game; if anything, poor Mr. Lal had been a little too early—at least, too eager.

“But there wouldn’t have been vultures so soon,” Dr. Daruwalla said. “There would have been no scent.”

“Not unless there was quite a lot of blood, or an open wound… and in this sun,” Inspector Dhar said. He’d learned much from his movies, even though they were very bad movies; even D.C.P. Patel was beginning to appreciate that.

“Quite so,” the detective said. “There was quite a lot of blood.”

“There was a lot of blood by the time we found him!” said Dr. Daruwalla, who still didn’t understand. “Especially around his eyes and mouth—I just assumed that the vultures had begun.”

“Vultures start pecking where there’s already blood, and at the naturally wet places,” said Detective Patel. His English was unusually good for a policeman, even for a deputy commissioner, Dr. Daruwalla thought.

The doctor was sensitive about his Hindi; he was aware that Dhar spoke the language more comfortably than he did. This was a slight embarrassment for Dr. Daruwalla, who wrote all of Dhar’s movie dialogue and his voice-over in English. The translation into Hindi was done by Dhar; those phrases that particularly appealed to him—there weren’t many—the actor left in English. And here was a not-so-common policeman indulging in the one-upmanship of speaking English to the renowned Canadian; it was what Dr. Daruwalla called “the Canadian treatment”—when a Bombayite wouldn’t even try to speak Hindi or Marathi to him. Although almost everyone spoke English at the Duckworth Club, Farrokh was thinking of something witty to say to Detective Patel in Hindi, but Dhar (in his accentless English) spoke first. Only then did the doctor realize that Dhar had not once used his show-business Hindi accent with the deputy commissioner.

“There was quite a lot of blood by one ear,” the actor said, as if he’d never stopped wondering about it.

“Very good—there absolutely was!” said the encouraging detective. “Mr. Lal was struck behind one ear, and also once in the temple—probably after he fell.”

“Struck by what?” Dr. Daruwalla asked.

“By what, we know—it was his putter!” said Detective Patel. “By whom, we don’t know.”

In the 130-year history of the Duckworth Sports Club-through all the perils of Independence and those many diverting occasions that could have led to violence (for example, those wild times when the inflammatory Lady Duckworth bared her breasts)—there had never been a murder! Dr. Daruwalla thought of how he would phrase this news to the Membership Committee.

It was characteristic of Farrokh not to consider his esteemed late father as the actual first murder victim in the 130-year history of Duckworthians in Bombay. The chief reason for this oversight was that Farrokh tried very hard not to think about his father’s murder at all, but a secondary reason was surely that the doctor didn’t want his father’s violent death to cloud his otherwise sunny feelings for the Duckworth Club, which has already been described as the only place (other than the circus) where Dr. Daruwalla felt at home.

Besides, Dr. Daruwalla’s father wasn’t murdered at the Duckworth Club. The car that he was driving exploded in Tardeo, not in Mahalaxmi, although these are neighboring districts. But it was generally admitted, even among Duckworthians, that the car bomb was probably installed while the senior Daruwalla’s car was parked in the Duckworth Club parking lot. Duckworthians were quick to point out that the only other person who was killed had no relationship to the club; the poor woman wasn’t even an employee. She was a construction worker, and she was said to be carrying a straw basket full of rocks on her head when the flying right-front fender of the senior Daruwalla’s car decapitated her.

But this was old news. The first Duckworthian to be murdered on the actual property of the Duckworth Club was Mr. Lal.

“Mr. Lal,” explained Detective Patel, “was engaged in swinging what I believe they call a ‘mashie,’ or is it a ‘wedgie’—what do they call the club you hit a chip shot with?” Neither Dr. Daruwalla nor Inspector Dhar was a golfer; a mashie or a wedgie sounded close enough to the real and stupid thing to them. “Well, it doesn’t matter,” the detective said. “Mr. Lal was holding one club when he was struck from behind with another—his own putter! We found it and his golf bag in the bougainvillea.”

Inspector Dhar had assumed a familiar film pose, or else he was merely thinking; he lifted his face as his fingers lightly stroked his chin, which enhanced his sneer. What he said was something that Dr. Daruwalla and Deputy Commissioner Patel had heard him say many times before; he said it in every movie.

“Forgive me for sounding most theoretical,” Dhar said. This favorite bit of dialogue was of that kind which Dhar preferred to deliver in English, although he’d delivered the line on more than one occasion in Hindi, too. “It seems,” Dhar said, “that the killer didn’t care especially who his victim was. Mr. Lal was not scheduled to meet anyone in the bougainvillea at the ninth green. It was an accident that he was there—the killer couldn’t have known.”

“Very good,” said D.C.P. Patel. “Please go on.”

“Since the killer didn’t seem to care who he killed,” Inspector Dhar said, “perhaps it was intended only that the victim be one of us.”

“Do you mean one of the members?” cried Dr. Daruwalla. “Do you mean a Duckworthian?”

“It’s just a theory,” said Inspector Dhar. Again, this was an echo; it was something he said in every movie.

“There is some evidence to support your theory, Mr. Dhar,” Detective Patel said almost casually. The deputy commissioner removed his sunglasses from the breast pocket of his crisp white shirt, which showed not a trace of evidence of his latest meal; he probed deeper into the pocket and extracted a folded square of plastic wrapping, large enough to cover a wedge of tomato or a slice of onion. From the plastic he unwrapped a two-rupee note that had previously been rolled into a typewriter, for typed on the serial-number side of the bill, in capital letters, was this warning: MORE MEMBERS DIE IF DHAR REMAINS A MEMBER.

“Forgive me, Mr. Dhar, if I ask you the obvious,” said Detective Patel.

“Yes, I have enemies,” Dhar said, without waiting for the question, “Yes, there are people who’d like to kill me.”

“But everyone would like to kill him!” cried Dr. Daruwalla. Then he touched the younger man’s hand. “Sorry,” he added.

Deputy Commissioner Patel returned the two-rupee note to his pocket. As he put on his sunglasses, the detective’s pencil-thin mustache suggested to Dr. Daruwalla a punctiliousness in shaving that the doctor had abandoned in his twenties. Such a mustache, etched both below the nose and above the lip, requires a younger man’s steady hand. At his age, the deputy commissioner must have had to prop his elbow fast against the mirror, for shaving of this kind could only be accomplished by removing the razor blade from the razor and holding the blade just so. A time-consuming vanity for a man in his forties, Farrokh imagined; or maybe someone else shaved the deputy commissioner—possibly a younger woman, with an untrembling hand.

“In summary,” the detective was saying to Dhar, “I don’t suppose you know who all your enemies are.” He didn’t wait for an answer. “I suppose we could start with all the prostitutes—not just the hijras—and most policemen.”

“I would start with the hijras,” Farrokh broke in; he was thinking like a screenwriter again.

“I wouldn’t,” said Detective Patel. “What do the hijras care if Dhar is or isn’t a member of this club? What they want is his penis and his testicles.”

“You’re telling me,” said Inspector Dhar.

“I very much doubt that the murderer is a member of this club,” said Dr. Daruwalla.

“Don’t rule that out,” Dhar said.

“I won’t,” said Detective Patel. He gave both Dr. Daruwalla and Inspector Dhar his card. “If you call me,” he said to Dhar, “you better call me at home—I wouldn’t leave any messages at Crime Branch Headquarters. You know all about how we policemen can’t be trusted.”

“Yes,” the actor said. “I know.”

“Excuse me, Detective Patel,” said Dr. Daruwalla. “Where did you find the two-rupee note?”

“It was folded in Mr. Lal’s mouth,” the detective said.

When the deputy commissioner had departed, the two friends sat listening to the late-afternoon sounds. They were so absorbed in their listening that they didn’t notice the prolonged departure of the second Mrs. Dogar. She left her table, then she stopped to look over her shoulder at the unresponsive Inspector Dhar, then she walked only a little farther before she stopped and looked again, then she looked again.

Watching her, Mr. Sethna concluded that she was insane. Mr. Sethna observed every stage of the second Mrs. Dogar’s most complicated exit from the Ladies’ Garden and the dining room, but Inspector Dhar didn’t appear to see the woman at all. It interested the old steward that Mrs. Dogar had stared so exclusively at Dhar; not once had her gaze shifted to Dr. Daruwalla, and never to the policeman—but then, Detective Patel had kept his back to her.

Mr. Sethna also watched the deputy commissioner make a phone call from the booth in the foyer. The detective was momentarily distracted by Mrs. Dogar’s agitated condition; as the woman marched to the driveway and ordered the parking-lot attendant to fetch her car, the policeman appeared to make note of her attractiveness, her haste and her expression of something like rage. Perhaps the deputy commissioner was considering whether or not this woman looked like someone who’d recently clubbed an old man to death; in truth, thought Mr. Sethna, the second Mrs. Dogar looked as if she wanted to murder someone. But Detective Patel paid only passing attention to Mrs. Dogar; he seemed more interested in his phone call.

The apparent topic of conversation was so domestic that it surpassed even the interest of Mr. Sethna, who eavesdropped only long enough to assure himself that D.C.P. Patel was not engaged in police business. Mr. Sethna was certain that the policeman was talking to his wife.

“No, sweetie,” said the detective, who then listened patiently to the receiver before he said, “No, I would have told you, sweetie.” Then he listened again. “Yes, of course I promise, sweetie,” he finally said. For a while, the deputy commissioner shut his eyes while he listened to the receiver; in observing him, Mr. Sethna felt extremely self-satisfied that he’d never married. “But I haven’t dismissed your theories!” Detective Patel suddenly said into the phone. “No, of course I’m not angry,” he added with resignation. “I’m sorry if I sounded angry, sweetie.”

Not even as veteran a snoop as Mr. Sethna could stand another word; he decided to permit the policeman to continue his conversation in privacy. It was only a mild surprise to Mr. Sethna that D.C.P. Patel spoke English to his own wife. The old steward concluded that this was why the detective’s English was above average—practice. But at what a demeaning cost! Mr. Sethna returned to that part of the dining room nearest the Ladies’ Garden, and to his lengthy observation of Dr. Daruwalla and Inspector Dhar. They were still absorbed in the late-afternoon sounds. They weren’t much fun to observe, but at least they weren’t married to each other.

The tennis balls were back in action, and someone was snoring in the reading room; the busboys, making their typical clatter, had cleared every dining table but the table where the doctor and the actor sat with their cold tea. (Detective Patel had polished off all the sweets.) The sounds of the Duckworth Club spoke distinctly for themselves: the sharp shuffling of a fresh deck of cards, the crisp contact of the snooker balls, the steady sweeping out of the dance hall—it was swept at the same time every afternoon, although there were rarely dances on weeknights. There was also a ceaseless insanity to the patter and squeak of the shoes on the polished hardwood of the badminton court; compared to the frenzy of this activity, the dull whacking of the shuttlecock sounded like someone killing flies.

Dr. Daruwalla believed that this wasn’t a good moment to give Inspector Dhar more bad news. The murder and the unusual death threat were quite enough for one afternoon. “Perhaps you should come home for supper,” Dr. Daruwalla said to his friend.

“Yes, I’d like that, Farrokh,” Dhar said. Normally, he might have said something snide about Dr. Daruwalla’s use of the word “supper.” Dhar disliked too loose a use of the word; in the actor’s fussy opinion, the word should be reserved for either a light meal in the early evening or for an after-the-theater repast. In Dhar’s opinion, North Americans tended to use the word as if it were interchangeable with dinner; Farrokh felt that supper was interchangeable with dinner.

There was something fatherly in his voice to Dhar when Dr. Daruwalla adopted a critical tone. He said to the actor, “It’s quite out of character for you to sound off in such accentless English to a total stranger.”

“Policemen aren’t exactly strangers to me,” Dhar said. “They talk to each other but they never talk to the press.”

“Oh, I forgot you knew everything about police business!” Farrokh said sarcastically. But Inspector Dhar was back in character; he was good at keeping quiet. Dr. Daruwalla regretted what he’d said. He’d wanted to say, Oh, dear boy, you may not be the hero of this story! Now he wanted to say, Dear boy, there are people who love you—I love you. You surely must know I do!

But instead, Dr. Daruwalla said, “As guest chairman of the Membership Committee, I feel I must inform the committeemen of this threat to the other members. We’ll vote on it, but I feel there will be strong opinion that the other members should know.”

“Of course they should know,” said Inspector Dhar. “And I should not remain a member,” he said.

It was unthinkable to Dr. Daruwalla that an extortionist and a murderer could so swiftly and concretely disrupt the most cherished aspect of the character of the Duckworth Club, which (in his view) was a deep, almost remote sense of privacy, as if Duckworthians were afforded the luxury of not actually living in Bombay.

“Dear boy,” said the doctor, “what will you do?”

Dhar’s answer shouldn’t have surprised Dr. Daruwalla as forcefully as it did; the doctor had heard the response many times, in every Inspector Dhar movie. After all, Farrokh had written the response. “What will I do?” Dhar asked himself aloud. “Find out who it is and get them.”

“Don’t speak to me in character!” Dr. Daruwalla said sharply. “You’re not in a movie now!”

“I’m always in a movie,” Dhar snapped. “I was born in a movie! Then I was almost immediately put into another movie, wasn’t I?”

Since Dr. Daruwalla and his wife thought they were the only people in Bombay who knew exactly where the younger man had come from and everything about who he was, it was the doctor’s turn to keep quiet. In our hearts, Dr. Daruwalla thought, there must abide some pity for those people who have always felt themselves to be separate from even their most familiar surroundings, those people who either are foreigners or who suffer a singular point of view that makes them feel as if they’re foreigners—even in their native lands. In our hearts, Farrokh knew, there also abides a certain suspicion that such people need to feel set apart from their society. But people who initiate their loneliness are no less lonely than those who are suddenly surprised by loneliness, nor are they undeserving of our pity—Dr. Daruwalla felt certain of that. However, the doctor was unsure if he’d been thinking of Dhar or of himself.

Then Farrokh realized he was alone at the table; Dhar had departed as eerily as he’d arrived. The glint of Mr. Sethna’s silver serving tray caught Dr. Daruwalla’s eye, reminding him of that shiny something which the crow had held so briefly in its beak.

The old steward reacted to Dr. Daruwalla’s recognition as if summoned. “I’ll have a Kingfisher, please,” the doctor said.

How the Doctor’s Mind Will Wander

The late-afternoon light cast longer and longer shadows in the Ladies’ Garden, and Dr. Daruwalla gloomily observed that the bright pink of the bougainvillea had turned a darker shade; it seemed to him that the flowers had a blood-red hue, although this was an exaggeration—quite characteristic of the creator of Inspector Dhar. In reality, the bougainvillea was as pink (and as white) as before.

Later, Mr. Sethna grew alarmed that the doctor hadn’t touched his favorite beer.

“Is there something wrong?” the old steward asked, his long finger indicating the Kingfisher lager.

“No, no—it’s not the beer!” Farrokh said; he took a swallow that gave him little comfort. “The beer is fine,” he said.

Old Mr. Sethna nodded as if he knew everything that was troubling Dr. Daruwalla; Mr. Sethna presumed to know such things routinely.

“I know, I know,” muttered the old Parsi. “The old days are gone—it’s not like the old days.”

Insipid truths were an area of Mr. Sethna’s expertise that Dr. Daruwalla found most irritating. The next thing you know, Farrokh thought, the tedious old fool will tell me that I’m not my esteemed late father. Truly, the steward seemed on the verge of making another observation when an unpleasant sound came from the dining room; it reached Mr. Sethna and Dr. Daruwalla in the Ladies’ Garden with the crass, attention-getting quality of a man cracking his knuckles.

Mr. Sethna went to investigate. Without moving from his chair, Farrokh already knew what was making the sound. It was the ceiling fan, the one the crow had landed on and used as a shitting platform. Perhaps the crow had bent the blade of the fan, or else the bird had knocked a screw loose; maybe the fan was operated by ball bearings running in a groove, and one of these was out of position, or if there was a ball-and-socket joint, it needed grease. The ceiling fan appeared to catch on something; it clicked as it turned. It faltered; it almost stopped but it kept turning. With each revolution, there was a snapping sound, as if the mechanism were about to grind to a halt.

Mr. Sethna stood under the fan, staring stupidly up at it. He probably doesn’t remember the shitting crow, Dr. Daruwalla thought. The doctor was readying himself to take charge of the situation when the unpleasant noise simply stopped. The ceiling fan turned freely, as before. Mr. Sethna looked all around, as if he weren’t sure how he’d arrived at this spot in the dining room. Then the steward’s gaze fixed upon the Ladies’ Garden, where Farrokh was still sitting. He’s not the man his father was, the old Parsi thought.