Carioca Fletch

Twenty-nine

Toninho clapped Fletch on the shoulder. “You look Brazilian with that red sash. Probably just the way you did fifty years ago.”

“Laura brought it to me from Bahia.”

The four young men walked along the area between the boxes and the parade route.

Fletch said, “I was in a favela this morning. I don’t see how the people in a favela can afford to put on such a presentation, all these drums and costumes and floats.”

“It takes every cruzeiro, and then some,” Toninho said. “By the way, I have lots of your money, your poker winnings, at my apartment. It’s safe there. And dry.”

“Thousands of beautiful costumes,” Fletch mused. “Each must be individually made.”

Tito said, “Everyone in a favela pays dues to the samba school every week. Also, the samba school gets some subsidy from the government for Carnival Parade. It’s good for tourism.”

“The jogo do bicho,” Orlando said. “The jogo do bicho pays a lot.”

“The illegal numbers game,” Toninho said. “The people who run the illegal numbers games give a lot of money to the samba schools for Carnival Parade. It’s their way of giving some of the money back, paying taxes—”

“Because they’ve been stealing from the people all year,” Tito said. “Stealing their false hopes.”

“It’s good public relations for jogo do bicho,” Tito said. “A business expense.”

They had passed two or three of the judges’ viewing towers.

Tito turned around and walked backwards. “Here comes Escola Santos Lima, Janio. Some of your descendants are parading.”

“Escola Santos Lima has the best capoeiristas in all Rio de Janeiro,” Orlando said. “Maybe all Brazil. A huge what-would-you-say squadron of them.”

Toninho held Fletch’s elbow. “Listen. Norival has not appeared.”

“You miscalculated, Toninho. Miscalculated the currents. His body must have been carried out to sea.”

“Not possible. Remember last night when I was swimming ashore? I swam into Norival. That proves that already he was floating toward the beach.”

Against the noise of Carnival Parade the four young men held their heads close together as they walked.

“It would be terrible if Norival were eaten by a shark,” Tito said.

“You don’t see Norival as fish food?” Fletch asked.

“If it looks like he has just disappeared,” Orlando asked practically, “how do we tell his family he is dead?”

“His poor mother,” said Tito.

“His father will be awfully angry,” said Toninho. “And Admiral Passarinho…”

“They will never forgive us for burying Norival at sea without them,” Tito said.

“How would they ever believe us?” asked Toninho.

“You have a problem,” Fletch admitted.

“The tide has been in and out and soon comes in again.” Toninho looked sick. He looked as if the tide, with all its wiggly life, were passing through his own stomach and head.

“What do we do?” Orlando asked.

Fletch said, “Got me.”

“What does that mean?”

“I haven’t any idea.”

“You are our friend, Fletch.” Toninho still walked with Fletch’s elbow in hand. “You helped us with Norival.”

“Now you must help us think,” said Tito.

“I don’t think I can,” said Fletch. “Someone I know who is alive has disappeared. Other people tell me I died forty-seven years ago and must name my murderer. I haven’t slept. I am drunk with the sound of the drums. Norival has died and disappeared. Everything is becoming less real. How can I answer if I don’t understand?”

They had walked half the length of the parade route.

Fletch stopped. “I must go back.”

“Yes,” said Tito. “He must see Santos Lima parade.”

“You will tell us if you think of anything?” Toninho asked.

“Sure.”

“Now we cannot fish the whole ocean hoping to catch the corpse of Norival,” Orlando said.

“We’ll telephone you,” Toninho said. “Tomorrow, after the parade is over.”

If it were not for his wounds, Fletch would have been willing to believe that finally he fell asleep and dreamed the most horrible dream.

As it was, later he was unsure of when he had been conscious and when he had been unconscious.

Dizzy with sleeplessness, having somewhat the sensation of intoxication from the constant sound of Carnival drums, perhaps staggering a little, alone he began to walk back along the parade route to Teodomiro da Costa’s box. His eyelids were heavy, his vision diminished in that glaring light. The Abra-Alas of Escola Santos Lima passed by, the first alegoria reminding the spectators to expect a literary theme. The walk back to da Costa’s box seemed as big a chore as crossing all Brazil on foot. He was aware of the passing of the Commisão de Frente. He stopped, swaying, trying to focus in the glare on the dancing of the Porta Bandeira and the Mestre Sala. Their dance steps were too quick, too intricate for him to follow with his eyes. At the first ala, he staggered forward again, only dimly aware of the passing of the thousands of dancing, singing people, the swirling costumes and flesh to his right.

Once back in Teo’s box he would curl into a corner and sleep. For only an hour. People might be amazed or insulted at his sleeping during Carnival Parade, but he could not help it. He would arrange with Laura to wake him after an hour so people would not be too insulted. Even in that noise, he could, he had to sleep.

Just as he was comforting himself with this decision, using it to strengthen him to make it all the way back to Teo’s box, strong hands pushed suddenly and hard against his left shoulder.

Instead of looking at who had pushed him, Fletch tried to save himself from falling. The edge of the parade route’s pavement shot out from under him.

Someone pushed him again.

He fell to his right, into the parade.

A foot came up from the pavement and kicked him in the face.

Staggering from the blow, arms raised to protect his head, he looked around him. He was just inside the edge of perhaps a hundred young men doing their murderous, practiced kick-dancing. A foot landed flat against his stomach. Immediately, the air was gone from Fletch’s lungs. Gasping, he tried to duck sideways, back to the edge of the parade.

Again he was pushed, hard.

Spinning, he fell more deeply into the group of capoeiristas. He was surrounded by fast-moving, swinging legs striking at crotch height, stomach height, shoulder height, head height. A blow landed against the back of his right knee. He fell against someone. All around him flashed intense eyes. Aw, shit, was in Fletch’s head, I’m messing up their presentation. A damned North American, a tourist. He was being kicked from all sides. The eyes of the capoeiristas were seeing him, popping in amazement at his being there, but usually only after they had pirouretted, when it was too late for them to stop their momentum, avoid kicking him.

I don’t belong here.

Someone had pushed him into the capoeira troupe, not just once but three times. Whoever pushed him doubtlessly was still between him and the edge of the parade. Arms over his head, Fletch ducked. Keeping as low as possible, he began to scurry across the parade route to the far side, toward the stands.

A hard kick in the stomach lifted him off his feet. He came down hard on his left foot. He kept moving forward, through the muscular bare backs shining with sweat, the wildly flailing legs, balancing arms. Without air or the ability to breathe, he felt he was drowning in an ocean of churning arms and legs. The sound of the drums, the sound of the men singing in short, practiced phrases, rushed in his ears. He was being kicked and kicked. Even the gray pavement of the parade route was heaving beneath his feet.

He didn’t see the foot that came up from the pavement and kicked him in his face. A cracking noise blasted his ears as his head snapped up and back.

A firm hand against his waist ejected him from the parade.

There was hard-packed earth beneath his feet. The capoeiristas were now a meter behind him.

Blood was on his hands. From his nose and ears and mouth blood was pouring down inside and outside his white shirt. It disappeared into his red sash.

He turned, half-conscious, to see if he could spot whoever had pushed him into the capoeira troupe.

The Ala das Baianas was passing by. A few of the tall black women in long white robes saw him, grimaced at his bloody appearance as they sambaed to the edge of the pavement and turned back.

His eyes wanted to close. He knew he had to go to ground somewhere.

Clutching his ribs, he turned toward the stands. A few people were pointing to him. Most were moving their heads, their shoulders to look beyond him, at the parade.

He staggered, fell toward the stands.

People he approached on the bottom tiers of seats stood up in horror at his appearance, to get away from him. Maybe one or two women were screaming. A few men were shouting at him, angrily, pointing at him. He could not hear the women screaming or the men shouting. He could only see their mouths move.

He knelt down and put his head and shoulders between the second and third tiers of seats. Whoever had pushed him into the capoeiristas had intended murder. Perhaps he had succeeded. Chances were good he would follow his quarry until he was sure he had killed him. His head under the seats, Fletch reached out, grabbed a couple of metal uprights and pulled himself through.

Fletch crawled beneath the stands.

He lay on his back on the dirt, the bottoms of the seats, the bottoms of the spectators just above him. He had been kicked in the stomach so many times he could not breathe.

Vomiting turned him over, got him up on his knees, got him gagging, breathing again. Blood from his nose and lips joined the more forceful stream of vomit.

On his knees, he backed away from his mess.

Stomach muscles quivering from the blows, arms and legs shaking, he remained on hands and knees coughing, trying to clear his throat of vomit and blood.

A meter ahead of him, the people who had risen from their seats, allowing him to crawl under the stands, were sitting in their seats again, pounding their feet like pistons again in rhythm to the drums, cheering on the biggest and most amazing human spectacle in the world except war. Fletch knew they could not hear him retching and choking. He could not hear himself. He was sure his appearance to them was as unreal as the rest of the spectacle they were watching.

After a while he crawled backward farther to give himself more headroom, more air.

Sitting cross-legged then, he put his head back to try to stop the bleeding from his nose. He remembered the crack he had heard when he got that final kick in the face. He did not think his neck was broken, nor his back, nor his head.

Above him rose, as far as he could see, the undersides of the stands. Pieces of skirts, the undersides of thighs, a few dangling feet. A sandwich wrapper floated down and landed near him in the dirt.

The light under the stands was weird. It was midnight. There was no illumination under the stands. The powerful light from the parade route filtered under the stands through the densely packed bodies above. Nodes of light, apparently sourceless, quivered in midair.

Streams of light wavered at odd angles to each other.

His crotch hurt, his stomach hurt, his ribs. His head had been hit from every direction.

Fighting the temptation, his body’s demand to stretch out, to go to sleep, become unconscious, he lifted himself to his feet. It took him three tries to become upright.

He fell foward, and caught himself. A chope can fell from the stands and landed near his foot. He put one foot forward and fell on it. Maintaining upright balance seemed important to him. One hand rubbed an ear; the other tightly held his ribs. He gasped.

Later, he supposed he had moments of unconsciousness as he stood there.

He saw a man walking along under the stands. About to wave to him, make some gesture he needed help, Fletch noticed how oddly the man walked. Fletch looked more closely. The man’s steps were short, high, fast. He landed first on his toes and then his feet rolled forward to his heels.

The man’s feet were backward. His toes were behind his legs.

The hand pressing against his ribs Fletch lowered to press against his stomach.

He blinked blood from his eyes.

A headless mule cantered out of the dark under the stands, slowly turned, and cantered away.

Fletch fell forward on his feet several steps. Now truly he was the walking North American, falling forward. Each step, his feet barely prevented his falling on his face.

Out of the dark at Fletch’s left appeared another man, walking, bouncing slowly. He was to cross in front of Fletch.

As he passed Fletch, the man’s head, backward on his shoulders, turned and smiled. His eyes and teeth shone even in that light.

In an impossible angle from his head, one of his arms raised. He pointed to Fletch’s right.

Standing very close to Fletch was an old man in an oversized coat. The man’s hair was thin and gray. His eyes were sad.

He raised his arms toward Fletch.

Fletch backed away.

Only hair came out of the old man’s sleeves, not hands or wrists.

Again, Fletch’s head snapped.

Someone kicked him hard, on the muscle of the upper left side of his back.

Brushing away the old man with hair for hands, Fletch spun slowly on the hard-packed earth.

He saw the second blow coming at his chest. He did not know how to avoid such a blow from the foot. He could not duck it. Moving sideways, slowly, stupidly, he still caught the full force of the blow.

His feet caught him as he fell backward.

A man, a wiry old man, was kick-dancing in front of him. Groggy, Fletch admired the perfectly executed pirouette.

And as the man’s face turned to him, a beam of light through the stands shone fully on the face of a goat. Through the mask’s eye-holes gleamed steady brown eyes.

The man’s instep hit Fletch hard on the side of the head.

Fletch’s head felt it was traveling through space by itself.

Reeling, Fletch saw the small boy standing not too far away on his wooden leg.

“Janio!” Fletch yelled. Blood bubbled from his throat to his lips.

In all that noise, he could not even hear his own voice.

His shoulders pumping unnaturally, the small boy ran away.

The capoeirista was real. He was in front of Fletch, behind him, all around him. The blows from his feet were real.

The man behind the goat mask was kicking Fletch to death.

Fletch tried to keep his legs together, yet not fall over. He tried to keep his back to the man, which was impossible. Hunkered down, he tried to keep his hands over his head, his elbows protecting his ribs. Falling this way, that, he tried to get away. The capoeirista was on all sides of him at once. Each blow from his feet opened Fletch’s body for another blow.

Fletch received a hard kick in his throat, perhaps a killing kick.

Then one more kick in the back of his head.

He was face down in the dirt.

Consciousness was coming and going like an old song on a high wind. Blood was pouring from his face, particularly his nose again, but he could not get a hand to it.

His legs would not get him up. They would not obey orders, they were well beyond the necessary impulse to get up and run.

The man in the goat’s mask grabbed Fletch’s hair and twisted his head sideways and up. Fletch’s whole body rolled sideways. He was lying on one hip.

A knee either side of him, the man knelt over Fletch.

For a second the man’s hand was flattened on the ground in front of Fletch’s nose. In one of the odd flashes of light, Fletch glimpsed a ring on the man’s finger. A ring with a black center. Intertwined snakes rose from that center.

Farther along the ground, Fletch saw a piece of wood sticking into the ground again and again as it came closer. Paired with the stick of wood was a boy’s leg.

Pulling Fletch’s hair, the man in the goat mask twisted Fletch’s head forward and back.

With his other hand, the man was doing something under Fletch’s chin.

Fletch felt a nice warmth on the side of his neck.

The nice warmth of blood.

The man was slitting Fletch’s throat.

Then, as if hit by a great wind, the man was blown sideways. He sprawled into the dirt beside Fletch.

Above them were many legs, strong men’s legs.

In one incredibly smooth, lithe movement the man was up, on his feet, on one foot. The other foot on a straight leg was whirling through the air. From the ground, Fletch saw all the other legs, the legs of his rescuers, back away.

The toes of the man in the goat mask then dug into the ground with the grip of a sprinter. They were gone in a blur.

Heavily, the other feet went after him.

The wooden leg still stuck in the ground nearby, next to the boy’s bare leg.

“Janio, I need help.” On the ground, Fletch managed to get a hand to his throat. He stuck his finger in the knife hole. “Janio! Socorro!”

Fletch knew he was not being heard. He could not even hear himself.

It was not sleep then, into which Fletch fell.