City of Endless Night

12

Anton Ozmian took his breakfast at 6 AM in his office — a pot of organic pu-erh tea, the scrambled egg whites from two free-range Indian Runner ducks, and a one-ounce piece of bitter 100 percent cacao chocolate. This breakfast had not varied in ten years. Ozmian had to make many difficult business decisions in the course of a day, and to compensate he organized the rest of his life to be as decision-free as possible — starting with breakfast.

He ate alone, in his large office overlooking the watery expanse of the Hudson River, rolling along in the reddish predawn light like a sheet of liquid steel. A soft knock came at the door, and an assistant carried in a stack of the morning’s newspapers, which he laid down on the granite desk, and then soundlessly vanished. Ozmian sorted through them, glancing over the headlines in the usual order: the Wall Street Journal, the Financial Times, the New York Times, and the New York Post.

The Post was the last on his list, and he read it not for its news value but as a matter of anthropological interest. As his eye fell on the cover page and its usual seventy-two-point headline, he froze.

Ozmian’s hands began to shake as he read the story, first word to last. Soon the shaking was so violent he had to lay the paper down on the desk and let go of it to finish. When he was done, he rose and, with a scream of inchoate rage, picked up the glass mug of tea and hurled it across the room, directly at a Jasper Johns painting of an American flag. The glass shattered, cutting through the canvas and leaving a brown splash across it.

An urgent knock came at the door. “Stay the fuck out!” he screamed, while at the same time casting about, snatching up a two-pound nickel-iron meteorite, and heaving it at the Johns, where it ripped through the image, splitting it in half and knocking the painting from the wall. Finally, he seized a small bronze Brancusi sculpture and gave the broken picture, now lying on the floor, a few shredding blows, thus completing its destruction.

He stopped, chest heaving, and let the Brancusi drop to the carpet. The obliteration of the painting he had bought for twenty-one million dollars at Christie’s had the effect of helping him master his anger. He stood motionless, controlling his breathing, letting the fight-or-flight hormones subside, waiting for his heart rate to come back down. When he felt he had returned to a physiologically stable state, he went back over to the granite desk and examined the Post article again. There was an essential detail he had overlooked on the first reading: the byline.

And there it was: Bryce Harriman. Bryce Harriman.

He punched the intercom button. “Joyce, I want Isabel in my office immediately.”

He went over to the Johns and looked down at it. A total loss. Twenty-one million dollars, and of course there was no way he could collect the insurance, having destroyed it himself. But he found a strange satisfaction in having done so. Twenty-one million dollars didn’t even begin to plumb the ocean of his anger. This Bryce Harriman was going to understand, very soon, just how deep that ocean was — because, if necessary, he would drown the bastard in it.