Geoff Nicholson
Footsucker

I love feet. They talk to me. As I take them in my hands I feel their strengths, their weaknesses, their vitality or their failings. A good foot, its muscles firm, its arch strong, is a delight to touch, a masterpiece of divine workmanship. A bad foot — crooked toes, ugly joints, loose ligaments moving under the skin — is an agony. As I take these feet in my hands I am consumed with anger and compassion: anger that I cannot shoe all the feet in the world, compassion for all those who walk in agony.

Salvatore Ferragamo, Shoemaker of Dreams

Just as the fetish enables the fetishist to simultaneously recognize and deny woman’s castration, irony allows the ironist to both reject and reappropriate the discourse of reference.

Naomi Schor, ‘Fetishism and Its Ironies’, in Nineteenth Century French Studies, Fall 1988

One

I held her feet in my hands. They were perfect, of course; as pale and pure and cold as vellum. I kissed them, let my lips move softly and drily over their insteps, then placed them gently on the floor by the bed. I took a final long, lingering look. I wanted always to remember them this way.

Then I took a claw hammer, previously unused, all shiny burnished steel, with a rubber sheath around the handle to give grip and absorb shock. I raised it high above my head, let it balance at the peak of its apex, and then I brought it down as hard and as precisely as I could, down on to the cold, pale, white, left foot. I did it again for the right. Then several times more, again and again, until the feet were no longer perfect, indeed no longer recognizable as feet, until they were smashed, disordered, pulverized, scattered to all points of the room.

White dust hung low in the air. White fragments littered the floor, and I gathered them together, crumbling them between my fingers. Of course there was no blood, no flesh, no splinters of bone, no smashed tissue. All I had done was destroy two plaster casts of Catherine’s feet. The real ones were still intact, still perfect, although they were no longer accessible to me.

I had hoped that destroying the casts might act as a kind of therapy, as a kind of voodoo. I had hoped that destroying the replicas might also destroy the hold that Catherine’s feet had over me. As I sat on the floor, surrounded by plaster rubble, I knew that the magic hadn’t worked. I was as deeply in thrall as ever.

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