FIFTY

There’s a bed in here.

A single bed. Surrounded by machines and IVs and bottles and brand-new bedpans. There are stacks of bedsheets and stacks of blankets and the most beautiful bookcases and embroidered pillows and adorable stuffed animals piled everywhere. There are fresh flowers in five different vases and four brightly painted walls and there’s a little desk in the corner with a little matching chair and there’s a potted plant and a set of old paintbrushes and there are picture frames, everywhere. On the walls, on the desk, sitting on the table beside the bed.

A blond woman. A little blond boy. Together.

They never age, I notice. The pictures never move past a certain year. They never show the evolution of this child’s life. The boy in these photos is always young, and always startled, and always holding fast to the hand of the lady standing beside him.

But that lady is not here. And her nurse is gone, too.

The machines are off.

The lights are out.

The bed is empty.

Warner has collapsed in the corner.

He’s curled into himself, knees pulled up to his chest, arms wrapped around his legs, his head buried in his arms. And he’s shaking.

Tremors are rocking his entire body.

I’ve never, ever seen him look like a child before. Never, not once, not in all the time I’ve known him. But right now, he looks just like a little boy. Scared. Vulnerable. All alone.

It doesn’t take much to understand why.

I fall to my knees in front of him. I know he must be able to sense my presence, but I don’t know if he wants to see me right now. I don’t know how he’s going to react if I reach out.

But I have to try.

I touch his arms, so gently. I run my hand down his back, his shoulders. And then I dare to wrap myself around him until he slowly breaks apart, unfolding in front of me.

He lifts his head.

His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain.

I almost can’t breathe.

An earthquake hits my heart then, cracks it right down the middle. And I think here, in him, there is more feeling than any one person should ever have to contain.

I try to hold him closer but he wraps his arms around my hips instead, his head falling into my lap. I bend over him instinctively, shielding his body with my own.

I press my cheek to his forehead. Press a kiss to his temple.

And then he breaks.

Shaking violently, shattering in my arms, a million gasping, choking pieces I’m trying so hard to hold together. And I promise myself then, in that moment, that I will hold him forever, just like this, until all the pain and torture and suffering is gone, until he’s given a chance to live the kind of life where no one can wound him this deeply ever again.

And we are quotation marks, inverted and upside down, clinging to one another at the end of this life sentence. Trapped by lives we did not choose.

It’s time, I think, to break free.

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