III

There are times when life is good…

Sometimes the pleasure even comes from odd sources. I've had only a few conversations with Prime. He isn't on the Rox much; when he is, he tends to avoid me. It's because he knows that I can see through his iceman facade. It's because he knows that I see all the deepening cracks behind the smooth cold exterior. He knows that I see the obsession that torments him and titillates him all at the same time.

All the pressure, pent up for years and years and years behind his emotionless wall (not as good a wall as mine), and David-poor David-cracked it with just his presence. David's death was a jackhammer blow. Walls: I have mine; Prime has his; and his is crumbling as the Berlin Wall crumbled last month.

Or… I've thought of it another way, too, sometimes. Prime, if you watch him, is like a dormant volcano all covered with snow, but steaming through fumaroles that hint at the turmoil underneath.

That's a better image, overall. And I wonder when he's going to explode. I worry, too, because Prime holds Blaise in check. Without Prime…

I was about to witness the unveiling when Kafka came rattling into the lobby, all excited. He hardly glanced at the huge draped package set before me. All out of breath, he just asked where it came from.

"It's a present from Nelson Dixon." Latham-Prime-stood next to the drapes. He sniffed, still playing iceman. Blaise wasn't there, though Molly Bolt and K.C. were. The laughter of my jokers drifted down from the balcony and around the lobby. Peanut beat his one arm against my side, guffawing. I beamed down at the dimwitted joker in affection. Shroud, Marigold, Vomitus, Video, Elmomaybe a half a hundred all told in the lobby area, and all their thoughts crowded into my mind.

No wonder I'm so big. I have to hold so many people. Kafka looked as bewildered as a roach can look. He repeated what I'd just said, obviously confused.

"Well, Dixon signed the check," I told him. "Nice of him, wasn't it?"

Kafka blinked several times. "Well, I don't know where he got it, and I certainly don't have the foggiest notion of why it works, but it's humming right along. I hooked it up."

Sometimes even mind readers are confused. Belatedly, I looked at the images in Kafka's head and realized we weren't talking about the same thing at all. He was talking about a generator. I told him that I was glad he'd finally managed to get his hands on one to bring over to the Rox.

Kafka just shook his head (well, his whole body, actually). "You didn't buy it, Governor?" More confusion radiated from the joker. He looked at me, at Prime, at Peanut and the rest of the jokers gathered around. "It was sitting there in the subbasement, and it wasn't there two days ago. It doesn't look like any generator I've ever seen."

The picture in his mind looked exactly like a generator to me, but Kafka sighed. "I have no idea what's fueling it or why it's running, either," he continued. "I checked out the readings, and it's pumping out the amps, nice and steady. I ran the west wing's circuits to it. We have lights, heat, and power…"

About then, he stopped, noticing Prime's present to me for the first time.

Prime waved his hand toward the drapes. "A little gift to the governor from us," Prime told him. "The first royalty statement. Bloat's suggestion to myself and the other jumpers has worked out well." He yanked at the covering, and dirty canvas rippled to the floor. All the jokers gasped.

It was beautiful. More stunning than any of the plates I'd seen in the high school art history texts or in the poster I used to have taped to my bedroom wall. The painting-the triptych-stood five feet high, maybe four wide, in an ornate wooden case. On the front were scenes of the Taking of Christ and the Carrying of the Cross, but what I really wanted to see was on the interior panels. I gestured to Peanut and Elmo, telling them to hurry up and open it.

They opened the outer panels, revealing the brilliant fantastic landscape inside. Around the room I felt waves of admiration and surprise rippling out.

"The Temptation of St. Anthony. Hieronymous Bosch," I said for the benefit of those who didn't know the work. "Previously at the Museu Nacional de Arte Antiga in Lisbon and now appearing exclusively in the Rox."

I chuckled, loud and long. It was indeed glorious. Bosch didn't know it, but he was painting the post-wild card world before it ever existed. I've often wondered if it wasn't a flash of prescience-no one else in his time was doing anything like this. I can imagine it as my Rox. It would be a wondrous place, a glorious vision.

You know Bosch, don't you? In his head grotesqueries abounded; his brush gave forth a torrent of human forms misshapen, altered, and tormented; his imagination overflowed with all the demons of hell and the icons of a superstitious age-at least that's what my teachers said.

In the midst of a twisted medieval landscape, the characters of Bosch were playing. Jokers. They cavorted everywhere you looked. The triptych is a celebration of jokerhood: fox-headed demons, a merman riding a flying fish, another fish crawling down a road with a castle on its back, a skating penguin, a stag-headed man in a red cloak, another with grass growing on his back, a half-naked woman with a lizard's tail, a toad-man, a monkey-man-hundreds of them, roiling in a dark, stormy world.

Like my Rox. Very much like the Rox I see in my dreams.

The Rox I might build if they'd let me.

Kafka was staring at the Bosch like all the others, captivated. The joker we call Headlamp had turned bright, bright eyes on the triptych, so that it stood bathed in crystalline illumination. Jokers cavorted in egg tempura brilliance.

I laughed gaily. "We've found the way to make the Combine pay us back." The jumpers laughed at that, hearing K.C.'s phrase for the nat authorities. "They'll pay quite well to be allowed to stay in their own little bodies. Quite well." For that instant, looking at the Temptation, I forgot the tragedies in New York. I forgot the scorn of Prime and Blaise toward the jokers and my dreams. I forgot the nagging torture of all the jokers within my wall.

I forgot it all.

"The Rox has benefactors now. People in high places. People with money. Lots of money. No one will ever be hungry here again."

I laughed again. The voices of the jokers laughed with me. The jokers in Bosch's painting danced in sympathy.

There are times when life is shit…

The day after Prime delivered the Bosch, Blaise did something I still can't believe even he would do.

In one horrible stroke, he has taken Kelly away and wounded the one man who has always helped the jokers. It isn't fair what Blaise has done to Kelly. It isn't fair to her or to Tachyon. I listened as Blaise brought Tachyon to the Rox. I listened, and I couldn't do anything, for most of the jokers here no longer trust Tachyon, not since he betrayed Hartmann. Still…

It makes my stomach-all of it turn to listen to Tachy's pain. Worse, I can't shut it off like I can someone else's voice. I felt it as soon as they pierced the wall. Maybe it's because of my infatuation with Kelly, maybe its some remnant of Tachyon s telepathy, but we are linked.

He's so loud in my head. He hurts so much… Burning Sky, please help me…

She hurts so much. She makes me hurt.

I was outraged, even though several of the jokers laughed when they heard about it. I sent Peanut to Blaise with a message that I wanted Tachyon returned to his own body. I told him that I understood Blaise had his own reasons for wanting to hurt Tachyon but that the doctor had done more to help the jokers than anyone else. For that, I said, I wanted Tachyon released now. Blaise had had his vengeance; he'd proved how strong he was. Now let Tachyon go.

I'm the governor, right?

Blaise sent Peanut back with Polaroids: Kelly's-Tachyon's- body, naked and spread-eagled, her eyes wide, haunted and hopelessly defiant. Tachyon exposed helplessly, the picture snapped between her spread legs. Tachyon covered by Blaise's body. Tachyon afterward, weeping.

I… well, I didn't do anything.

I mean, what could I do, really? Was I going to send a squad of armed jokers to the jumper side of the Rox? I could've done that, but Blaise'd just mind-control them, or his followers would jump them. It'd start a civil war here. There are things I have to consider, after all. It's not just a simple thing.

The jumpers bring in money, they bring in the rapture and other drugs that half the jokers here are addicted to. The fear of them is at least part of what keeps the authorities away. I need the jumpers as much as they need me.

There are things I can't do. Really. I just… I just wish I didn't feel so bad about it. So dirty. I keep hearing myself, and I sound like fucking George Bush making excuses about how all his promises about `no new exotic laws' have had to be forgotten.

Do you understand?

… please help rne… I still hear her, and she's calling for me.

It hurts. It really does.

I had Peanut burn the pictures, but I kept seeing them. Kelly, poor Kelly. My Kelly. This isn't the way a romance is supposed to go.

Lovers

Загрузка...