CHAPTER VIII. SOME FAMILIAR GUESTS

Nesta read her mother’s face when Mrs. Victor entered the drawing-room to receive the guests. She saw a smooth fair surface, of the kind as much required by her father’s eyes as innocuous air by his nostrils: and it was honest skin, not the deceptive feminine veiling, to make a dear man happy over his volcano. Mrs. Victor was to meet the friends with whom her feelings were at home, among whom her musical gifts gave her station: they liked her for herself; they helped her to feel at home with herself and be herself: a rarer condition with us all than is generally supposed. So she could determine to be cheerful in the anticipation of an evening that would at least be restful to the outworn sentinel nerve of her heart, which was perpetually alert and signalling to the great organ; often colouring the shows and seems of adverse things for an apeing of reality with too cruel a resemblance. One of the scraps of practical wisdom gained by hardened sufferers is, to keep from spying at horizons when they drop into a pleasant dingle. Such is the comfort of it, that we can dream, and lull our fears, and half think what we wish: and it is a heavenly truce with the fretful mind divided from our wishes.

Nesta wondered at her mother’s complacent questions concerning this Lakelands: the house, the county, the kind of people about, the features of the country. Physically unable herself to be regretful under a burden three parts enrapturing her, the girl expected her mother to display a shadowy vexation, with a proud word or two, that would summon her thrilling sympathy in regard to the fourth part: namely, the aristocratic iciness of country magnates, who took them up and cast them off; as they had done, she thought, at Craye Farm and at Creckholt: she remembered it, of the latter place, wincingly, insurgently, having loved the dear home she had been expelled from by her pride of the frosty surrounding people—or no, not all, but some of them. And what had roused their pride?

Striking for a reason, her inexperience of our modern England, supplemented by readings in the England of a preceding generation, had hit on her father’s profession of merchant. It accounted to her for the behaviour of the haughty territorial and titled families. But certain of the minor titles headed City Firms, she had heard; certain of the families were avowedly commercial. ‘They follow suit,’ her father said at Creckholt, after he had found her mother weeping, and decided instantly to quit and fly once more. But if they followed suit in such a way, then Mr. Durance must be right when he called the social English the most sheepy of sheep:—and Nesta could not consent to the cruel verdict, she adored her compatriots. Incongruities were pacified for her by the suggestion of her quick wits, that her father, besides being a merchant, was a successful speculator; and perhaps the speculator is not liked by merchants; or they were jealous of him; or they did not like his being both.

She pardoned them with some tenderness, on a suspicion that a quaint old high-frilled bleached and puckered Puritanical rectitude (her thoughts rose in pictures) possibly condemned the speculator as a description of gambler. An erratic severity in ethics is easily overlooked by the enthusiast for things old English. She was consciously ahead of them in the knowledge that her father had been, without the taint of gambling, a beneficent speculator. The Montgomery colony in South Africa, and his dealings with the natives in India, and his Railways in South America, his establishment of Insurance Offices, which were Savings Banks, and the Stores for the dispensing of sound goods to the poor, attested it. O and he was hospitable, the kindest, helpfullest of friends, the dearest, the very brightest of parents: he was his girl’s playmate. She could be critic of him, for an induction to the loving of him more justly: yet if he had an excessive desire to win the esteem of people, as these keen young optics perceived in him, he strove to deserve it; and no one could accuse him of laying stress on the benefits he conferred. Designedly, frigidly to wound a man so benevolent, appeared to her as an incomprehensible baseness. The dropping of acquaintanceship with him, after the taste of its privileges, she ascribed, in the void of any better elucidation, to a mania of aristocratic conceit. It drove her, despite her youthful contempt of politics, into a Radicalism that could find food in the epigrams of Mr. Colney Durance, even when they passed her understanding; or when he was not too distinctly seen by her to be shooting at all the parties of her beloved England, beneath the wicked semblance of shielding each by turns.

The young gentleman introduced to the Radnor Concert-parties by Lady Grace Halley as the Hon. Dudley Sowerby, had to bear the sins of his class. Though he was tall, straight-featured, correct in costume, appearance, deportment, second son of a religious earl and no scandal to the parentage, he was less noticed by Nesta than the elderly and the commoners. Her father accused her of snubbing him. She reproduced her famous copy of the sugared acid of Mr. Dudley Sowerby’s closed mouth: a sort of sneer in meekness, as of humility under legitimate compulsion; deploring Christianly a pride of race that stamped it for this cowled exhibition: the wonderful mimicry was a flash thrown out by a born mistress of the art, and her mother was constrained to laugh, and so was her father; but he wilfully denied the likeness. He charged her with encouraging Colney Durance to drag forth the sprig of nobility, in the nakedness of evicted shell-fish, on themes of the peril to England, possibly ruin, through the loss of that ruling initiative formerly possessed, in the days of our glory, by the titular nobles of the land. Colney spoke it effectively, and the Hon. Dudley’s expressive lineaments showed print of the heaving word Alas, as when a target is penetrated, centrally. And he was not a particularly dull fellow ‘for his class and country,’ Colney admitted; adding: ‘I hit his thought and out he came.’ One has, reluctantly with Victor Radnor, to grant, that when a man’s topmost unspoken thought is hit, he must be sharp on his guard to keep from coming out:—we have won a right to him.

‘Only, it’s too bad; it ‘s a breach of hospitality,’ Victor said, both to Nesta and to Nataly, alluding to several instances of Colney’s ironic handling of their guests, especially of this one, whom Nesta would attack, and Nataly would not defend.

They were alive at a signal to protect the others. Miss Priscilla Graves, an eater of meat, was ridiculous in her ant’alcoholic exclusiveness and scorn: Mr. Pempton, a drinker of wine, would laud extravagantly the more transparent purity of vegetarianism. Dr. Peter Yatt jeered at globules: Dr. John Cormyn mourned over human creatures treated as cattle by big doses. The Rev. Septimus Barmby satisfactorily smoked: Mr. Peridon traced mortal evil to that act. Dr. Schlesien had his German views, Colney Durance his ironic, Fenellan his fanciful and free-lance. And here was an optimist, there a pessimist; and the rank Radical, the rigid Conservative, were not wanting. All of them were pointedly opposed, extraordinarily for so small an assembly: absurdly, it might be thought: but these provoked a kind warm smile, with the exclamation: ‘They are dears!’ They were the dearer for their fads and foibles.

Music harmonized them. Music, strangely, put the spell on Colney Durance, the sayer of bitter things, manufacturer of prickly balls, in the form of Discord’s apples of whom Fenellan remarked, that he took to his music like an angry little boy to his barley-sugar, with a growl and a grunt. All these diverse friends could meet and mix in Victor’s Concert-room with an easy homely recognition of one another’s musical qualities, at times enthusiastic; and their natural divergencies and occasional clashes added a salient tastiness to the group of whom Nesta could say: ‘Mama, was there ever such a collection of dear good souls with such contrary minds?’ Her mother had the deepest of reasons for loving them, so as not to wish to see the slightest change in their minds, that the accustomed features making her nest of homeliness and real peace might be retained, with the humour of their funny silly antagonisms and the subsequent march in concord; excepting solely as regarded the perverseness of Priscilla Graves in her open contempt of Mr. Pempton’s innocent two or three wine-glasses. The vegetarian gentleman’s politeness forbore to direct attention to the gobbets of meat Priscilla consumed, though he could express disapproval in general terms; but he entertained sentiments as warlike to the lady’s habit of ‘drinking the blood of animals.’ The mockery of it was, that Priscilla liked Mr. Pempton and admired his violoncello-playing, and he was unreserved in eulogy of her person and her pure soprano tones. Nataly was a poetic match-maker. Mr. Peridon was intended for Mademoiselle de Seilles, Nesta’s young French governess; a lady of a courtly bearing, with placid speculation in the eyes she cast on a foreign people, and a voluble muteness shadowing at intervals along the line of her closed lips.

The one person among them a little out of tune with most, was Lady Grace Halley. Nataly’s provincial gentlewoman’s traditions of the manners indicating conduct, reproved unwonted licences assumed by Lady Grace; who, in allusion to Hymen’s weaving of a cousinship between the earldom of Southweare and that of Cantor, of which Mr. Sowerby sprang, set her mouth and fan at work to delineate total distinctions, as it were from the egg to the empyrean. Her stature was rather short, all of it conversational, at the eyebrows, the shoulders, the finger-tips, the twisting shape; a ballerina’s expressiveness; and her tongue dashed half sentences through and among these hieroglyphs, loosely and funnily candid. Anybody might hear that she had gone gambling into the City, and that she had got herself into a mess, and that by great good luck she had come across Victor Radnor, who, with two turns of the wrist, had plucked her out of the mire, the miraculous man! And she had vowed to him, never again to run doing the like without his approval.

The cause of her having done it, was related with the accompaniments; brows twitching, flitting smiles, shrugs, pouts, shifts of posture: she was married to a centaur; out of the saddle a man of wood, ‘an excellent man.’ For the not colloquial do not commit themselves. But one wants a little animation in a husband. She called on bell-motion of the head to toll forth the utter nightcap negative. He had not any: out of the saddle, he was asleep:—‘next door to the Last Trump,’ Colney Durance assisted her to describe the soundest of sleep in a husband, after wooing her to unbosom herself. She was awake to his guileful arts, and sailed along with him, hailing his phrases, if he shot a good one; prankishly exposing a flexible nature, that took its holiday thus in a grinding world, among maskers, to the horrification of the prim. So to refresh ourselves, by having publicly a hip-bath in the truth while we shock our hearers enough to be discredited for what we reveal, was a dexterous merry twist, amusing to her; but it was less a cynical malice than her nature that she indulged, ‘A woman must have some excitement.’ The most innocent appeared to her the Stock Exchange. The opinions of husbands who are not summoned to pay are hardly important; they vary.

Colney helped her now and then to step the trifle beyond her stride, but if he was humorous, she forgave; and if together they appalled the decorous, it was great gain. Her supple person, pretty lips, the style she had, gave a pass to the wondrous confidings, which were for masculine ears, whatever the sex. Nataly might share in them, but women did not lead her to expansiveness; or not the women of the contracted class: Miss Graves, Mrs. Cormyn, and others at the Radnor Concerts. She had a special consideration for Mademoiselle de Seilles, owing to her exquisite French, as she said; and she may have liked it, but it was the young Frenchwoman’s air of high breeding that won her esteem. Girls were spring frosts to her. Fronting Nesta, she put on her noted smile, or wood-cut of a smile, with its label of indulgence; except when the girl sang. Music she loved. She said it was the saving of poor Dudley. It distinguished him in the group of the noble Evangelical Cantor Family; and it gave him a subject of assured discourse in company; and oddly, it contributed to his comelier air. Flute [This would be the German Blockeflute or our Recorder. D.W.] in hand, his mouth at the blow-stop was relieved of its pained updraw by the form for puffing; he preserved a gentlemanly high figure in his exercises on the instrument, out of ken of all likeness to the urgent insistency of Victor Radnor’s punctuating trunk of the puffing frame at almost every bar—an Apollo brilliancy in energetic pursuit of the nymph of sweet sound. Too methodical one, too fiery the other.

In duets of Hauptmann’s, with Nesta at the piano, the contrast of dull smoothness and overstressed significance was very noticeable beside the fervent accuracy of her balanced fingering; and as she could also flute, she could criticize; though latterly, the flute was boxed away from lips that had devoted themselves wholly to song: song being one of the damsel’s present pressing ambitions. She found nothing to correct in Mr. Sowerby, and her father was open to all the censures; but her father could plead vitality, passion. He held his performances cheap after the vehement display; he was a happy listener, whether to the babble of his ‘dear old Corelli,’ or to the majesty of the rattling heavens and swaying forests of Beethoven.

His air of listening was a thing to see; it had a look of disembodiment; the sparkle conjured up from deeps, and the life in the sparkle, as of a soul at holiday. Eyes had been given this man to spy the pleasures and reveal the joy of his pasture on them: gateways to the sunny within, issues to all the outer Edens. Few of us possess that double significance of the pure sparkle. It captivated Lady Grace. She said a word of it to Fenellan: ‘There is a man who can feel rapture!’ He had not to follow the line of her sight: she said so on a previous evening, in a similar tone; and for a woman to repeat herself, using the very emphasis, was quaint. She could feel rapture; but her features and limbs were in motion to designate it, between simply and wilfully; she had the instinct to be dimpling, and would not for a moment control it, and delighted in its effectiveness: only when observing that winged sparkle of eyes did an idea of envy, hardly a consciousness, inform her of being surpassed; and it might be in the capacity to feel besides the gift to express. Such a reflection relating to a man, will make women mortally sensible that they are the feminine of him.

‘His girl has the look,’ Fenellan said in answer.

She cast a glance at Nesta, then at Nataly.

And it was true, that the figure of a mother, not pretending to the father’s vividness, eclipsed it somewhat in their child. The mother gave richness of tones, hues and voice, and stature likewise, and the thick brown locks, which in her own were threads of gold along the brush from the temples: she gave the girl a certain degree of the composure of manner which Victor could not have bestowed; she gave nothing to clash with his genial temper; she might be supposed to have given various qualities, moral if you like. But vividness was Lady Grace’s admirable meteor of the hour: she was unable to perceive, so as to compute, the value of obscurer lights. Under the charm of Nataly’s rich contralto during a duet with Priscilla Graves, she gesticulated ecstasies, and uttered them, and genuinely; and still, when reduced to meditations, they would have had no weight, they would hardly have seemed an apology for language, beside Victor’s gaze of pleasure in the noble forthroll of the notes.

Nataly heard the invitation of the guests of the evening to Lakelands next day.

Her anxieties were at once running about to gather provisions for the baskets. She spoke of them at night. But Victor had already put the matter in the hands of Madame Callet; and all that could be done, would be done by Armandine, he knew. ‘If she can’t muster enough at home, she’ll be off to her Piccadilly shop by seven A.M. Count on plenty for twice the number.’

Nataly was reposing on the thought that they were her friends, when Victor mentioned his having in the afternoon despatched a note to his relatives, the Duvidney ladies, inviting them to join him at the station to-morrow, for a visit of inspection to the house of his building on his new estate. He startled her. The Duvidney ladies were, to his knowledge, of the order of the fragile minds which hold together by the cement of a common trepidation for the support of things established, and have it not in them to be able to recognize the unsanctioned. Good women, unworldly of the world, they were perforce harder than the world, from being narrower and more timorous.

‘But, Victor, you were sure they would refuse!’

He answered: ‘They may have gone back to Tunbridge Wells. By the way, they have a society down there I want for Fredi. Sure, do you say, my dear? Perfectly sure. But the accumulation of invitations and refusals in the end softens them, you will see. We shall and must have them for Fredi.’

She was used to the long reaches of his forecasts, his burning activity on a project; she found it idle to speak her thought, that his ingenuity would have been needless in a position dictated by plain prudence, and so much happier for them.

They talked of Mrs. Burman until she had to lift a prayer to be saved from darker thoughts, dreadfully prolific, not to be faced. Part of her prayer was on behalf of Mrs. Burman, for life to be extended to her, if the poor lady clung to life—if it was really humane to wish it for her: and heaven would know: heaven had mercy on the afflicted.

Nataly heard the snuffle of hypocrisy in her prayer. She had to cease to pray.

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