Postcard killers

Chapter 119

Gabriella sighed heavily into the phone.

"Of course we looked at the key," she said. "There was nothing to indicate that it actual y belonged to the Rudolphs."

Jacob realized he was grinding his teeth again. This could be the second big error by the police in Stockholm. "What do you base that on?"

"It was in the toilet cistern in the hotel room. It could have been there for weeks. Who knows for how long?"

Jacob had to stop himself from slamming the phone against the bedroom wal. You didn't have to be an expert to know that water cisterns were a favorite hiding place for lots of people, and especial y criminals in a new city.

Christ!

"The key belongs to them!" he said. "It fits a locker, a postal box, or some other form of lockable space. And I hope that's where you'l find al the evidence. Please get on it immediately."

"The Rudolphs have been ruled out of the investigation," Gabriel a said curtly, then hung up.

Dessie took her cel phone away from him before he smashed it against the head of the bed.

Jacob col apsed onto the bed, al his energy gone, his patience, too. He'd flown across the Atlantic twice within a week, and by now his body clock had practical y lost track of what century it was.

"What was the name of that art group at UCLA?" Dessie asked, pul ing the laptop over.

He had shut his eyes and was massaging his own neck. "The Society of Limitless Art," he muttered.

What could he do to persuade the police to open the investigation again?

Or even to act like real cops?

He couldn't just let the Rudolphs disappear.

"Here's something," Dessie said. "Look at this! You don't even have to move. Just open your eyes."

She turned the laptop to face him.

Welcome to the Society of Limitless Art

You are visitor no. 4824 "The address is www.sola.nu," she said. "That's a domain registered on Niue, an island in the South Pacific. They let anyone register any sort of address in just a couple of minutes."

Jacob took a look at the screen.

"They set this up when they were at UCLA," he said.

Dessie tried clicking on the first tab, Introduction. 159 "And here we have the background of conceptual art," she said. "Marcel Duchamp tried to exhibit a urinal in New York in nineteen seventeen. He was refused."

"I wonder why," Jacob said.

"Look here," Dessie said.

Jacob sighed and sat up.

The gal ery included a long sequence of strange photographs that he would hardly have associated with art: motorways, trash, an unhappy cow, and a few shaky home movies of – what a surprise! – motorways, trash, and presumably the same unhappy cow. It was hard to tel for certain.

"This is ridiculous," Jacob said. "I feel like that cow, though. Does that make me a work of art?"

"Their ridiculous art project got them thrown out of school," Dessie said.

"This sort of thing matters to them."

Jacob stood up now, looking for his jeans.

He found them out in the hal. He stopped there, trousers in one hand, and stared back into Dessie's living room.

So this was where it al ended, in an apartment halfway to the North Pole.

He'd done his best, but it wasn't enough. Kimmy's kil ers were going to walk free. Could he live with that? Who cared? What was the alternative?

"Hey!" Dessie cal ed. "Look here!"

"What?"

He went back toward the bed.

"Sections of the site are locked. It's a puzzle to be solved. We need a password."