Puppet on a Chain

CHAPTER FOURTEEN

Darkness had almost fallen on the streets of Amsterdam. The drizzle was only light, but penetratingly cold as it was driven along by the high gusting wind. In the gaps between the wind-torn clouds the first stars winked palely: the moon was not yet up.

I sat waiting behind the driving wheel of the Opel, parked close to a telephone-box. By and by the box door opened and de Graaf, dabbing with his handkerchief at the blood still oozing from the gash on his forehead, came out and entered the car. I glanced up at him interrogatively.

The area will be completely cordoned within ten minutes. And when I say cordoned, I mean escape-proof. Guaranteed.' He mopped some more blood. 'But how can you be so sure — '

'Hell be there.' I started the engine and drove off. 'In the first place, van Gelder will figure it's the last place in Amsterdam we'd ever think of looking for him. In the second place Goodbody, only this morning, removed the latest supply of heroin from Huyler. In one of those big puppets, for a certainty. The puppet wasn't in his car out at the castle, so it must have been left in the church. He'd no time to take it anywhere else. Besides, there's probably another fortune of the stuff lying about the church. Van Gelder's not like Goodbody and Trudi. He's not in the game for the kicks. He's in it for the money — and he's not going to pass up all that lovely lolly.'

'Lolly?'

'Sorry. Money. Maybe millions of dollars' worth of the stuff.'

'Van Gelder.' De Graaf shook his head very slowly. 'I can't believe it. A man like that! With a magnificent police record.'

'Save your sympathy for his victims,' I said harshly. I hadn't meant to speak like that to a sick man but I was still a sick man myself: I doubted whether the condition of my head was even fractionally better than that of de Graaf. 'Van Gelder's worse than any of them. You can at least say for Goodbody and Trudi that their minds were so sick and warped and diseased that they were no longer responsible for their actions. But van Gelder isn't sick that way. He does it all cold-bloodedly for money. He knows the score. He knew what was going on, how his psychopathic pal Goodbody was behaving. And he tolerated it. If he could have kept the racket going on for ever, he'd have tolerated Goodbody's lethal aberrations for ever. I looked at de Graaf speculatively. 'You know that his brother and wife were killed in a car smash in Curacao?'

De Graaf paused before replying. 'It was not a tragic accident?'

'It was not a tragic accident. Well never prove it, but I'd wager my pension that it was caused by a combination of his brother, who was a trained security officer, finding out too much about him and van Gelder's desire to be rid of a wife who was coming between him and Trudi — in the days before Trudi's more lovable qualities came to the surface. My point is that the man's an ice-cold calculator, quite ruthless and totally devoid of what we'd regard as normal human feelings.'

'You'll never live to collect your pension,' de Graaf said somberly.

'Maybe not. But I was right about one thing.' We'd turned into the canal street of Goodbody's church and there, directly ahead, was the plain blue police van. We didn't stop, but drove past it, parked at the door of the church and got out. A uniformed sergeant came down the steps to greet us and any reactions he had caused by the sight of the two crocks in front of him he hid very well.

'Empty, sir,' he said. 'We've even been up the belfry.' De Graaf turned away and looked at the blue van.

'If Sergeant Gropius says there's no one there, then there's no one there.' He paused, then said slowly: 'Van Gelder's a brilliant man. We know that now. He's not in the church. He's not in Goodbody's house. My men have both sides of the canal and the street sealed off. So, he's not here. He's elsewhere.'

'He's elsewhere, but he's here,' I said. 'If we don't find him, how long will you keep the cordon in position?'

'Till we've searched and then double-checked every house in the street. Two hours, maybe three.'

'And then he could walk away?'

'He could. If he was here.'

'He's here,' I said with certainty. 'It's Saturday evening. Do the building workers turn out on Sundays?'

'No.'

'So that gives him thirty-six hours. Tonight, even tomorrow night, he comes down and walks away.'

'My head.' Again de Graaf dabbed at his wound. 'Van Gelder's gun butt was very hard. I'm afraid — '

'He's not down here,' I said patiently. 'Searching the house is a waste of time. And I'm damned certain he's not at the bottom of the canal holding his breath all the time. So where can he be?'

I looked speculatively up into the dark and wind-torn sky. De Graaf followed my line of sight. The shadowy outline of the towering crane seemed to reach up almost to the clouds, the tip of its massive horizontal boom lost in the surrounding darkness. The great crane had always struck me as having a weirdly menacing atmosphere about it: tonight — probably because of what I had in mind — it looked awesome and forbidding and sinister to a degree.

'Of course,' de Graaf whispered. 'Of course.'

I said: 'Well, then, I'd better be going.'

'Madness! Madness! Look at you, look at your face. You're not well.'

'I'm well enough.'

'Then I'm coming with you,' de Graaf said determinedly.

'No.'

'I have young, fit police officers — '

'You haven't the moral right to ask any of your men, young and fit or not, to do this. Don't argue. I refuse. Besides, this is no case for a frontal assault. Secrecy, stealth — or nothing.'

'He's bound to see you.' Unwillingly or not, de Graaf was coming round to my point of view.

'Not bound to. From his point of view everything below must be in darkness.'

'We can wait,' he urged. 'He's bound to come down. Some time before Monday morning he's bound to come down.'

'Van Gelder takes no delight in death. That we know. But he's totally indifferent to death. That we know also. Lives — other people's lives — mean nothing to him.' 'So?'

'Van Gelder is not down here. But neither is Belinda. So she's up there with him — and when he does come down he'll bring his living shield with him. I won't be long.'

He made no further effort to restrain me. I left him by the church door, crossed into the building lot, reached the body of the crane and began to climb the endless series of diagonally placed ladders located within the lattice framework of the crane. It was a long climb and one that, in my present physical condition, I could well have done without, but there was nothing particularly exhausting or dangerous about it. Just a long and very tiring climb: the dangerous bit still lay ahead. About three quarters of the way up I paused to catch my breath and looked down.

There was no particular impression of height for the darkness was too complete, the faint street lamps along the canal were only pinpoints of light and the canal itself but a dully gleaming ribbon. It all seemed so remote, so unreal. I couldn't make out the shape of any of the individual houses: all I could discern was the weathercock on the tip of the church steeple and even that was a hundred feet beneath me.

I looked up. The control cabin of the crane was still fifty feet above me, a vaguely seen rectangular darkness against a sky almost as dark. I started to climb again.

Ten feet only separated me from the trapdoor inset in the floor of the cabin when a gap appeared in the clouds and a low moon shone through, a half-moon only, but the contrasting brightness bathed the yellow-painted crane and its massive boom in an oddly garish flood of light that highlit every girder and cross-member of the structures. It also highlit me and had the peculiar effect of making me feel as aircraft pilots feel when caught up in a search-light, of being pinned to a wall. I looked up again and could see every rivet-head in the trapdoor and the thought occurred to me that if I could see so well upwards anyone inside could see just as well downwards, and as the more time spent in that exposed position increased the chances of discovery I took my gun from its holster and crept silently up the last few steps of the ladder. I was less than four feet away when the trapdoor lifted a little and a long and very ugly-looking gun barrel protruded through the crack. I should, I know, have felt the chagrin and sickness which comes with the despair of the knowledge of ultimate defeat, but I'd been through too much that day, I'd used up all my emotions, and I accepted the inevitable with a fatalism that surprised even myself. It wasn't any question of willing submission, give me half a chance and I'd have shot it out with him. But I had no chance at all and I just accepted that.

'This is a twenty-four-shot riot gun,' van Gelder said. His voice had a metallically cavernous ring to it with sepulchral overtones that didn't seem at all out of place. 'You know what that means?' 'I know what that means.' 'Let me have your gun, butt first.'

I handed over my gun with the good grace and expertise that came from long experience of handing over guns. 'Now that little gun in your sock.'

I handed over the little gun in my sock. The trapdoor opened and I could see van Gelder quite clearly in the moonlight shining through the cabin windows. 'Come in,' he said. 'There's plenty of room.' I clambered up into the cabin. As van Gelder had said, there was plenty of room, the cabin could have accommodated a dozen people at a pinch. Van Gelder, his usual calm and unruffled self, carried a shoulder-slung and very unpleasant-looking automatic gun. Belinda sat on the floor in a corner, pale-faced and exhausted, with a large Huyler puppet lying beside her. Belinda tried to smile at me but her heart wasn't in it: she had that defenceless and forlorn air about her that near as a toucher had me at van Gelder's throat, gun or no gun, but sanity and a swift estimate of the distance involved made me settle for lowering the trapdoor gently and straightening up in an equally circumspect manner. I looked at the gun.

'I suppose you got that from the police car?' I said.

'You suppose right.'

'I should have checked on that.'

'You should.' Van Gelder sighed. 'I knew you would come, but you've come a long way for nothing. Turn round.'

I turned round. The blow that struck the back of my head was delivered with nothing like the vigour and the pride in his handiwork that Marcel had displayed, but it was still enough to stun me for a moment and bring me to my knees. I was vaguely conscious of something cold and metallic encircling my left wrist and when I began to take an active interest in what was going on around me again I found that I was sitting almost shoulder to shoulder with Belinda, handcuffed to her right wrist and with the chain passing through the metal hand grip above the trapdoor. I rubbed the back of my head tenderly: what with the combined efforts of Marcel and Goodbody and now van Gelder, it had had a rough passage that day and ached abominably just about wherever a head could ache.

'Sorry about the head,' van Gelder said. 'But I'd as soon have put handcuffs on a conscious tiger. Well, the moon's almost obscured. One minute and I'll be gone. Three minutes and I'll be on terra firma.'

I stared at him in disbelief. 'You're going down?'

'What else? But not quite in the way you imagine. I've seen the police cordon getting in position — but no one seems to have caught on to the fact that the tip of the crane extends over the canal and at least sixty feet beyond the cordon. I have already lowered the hook to ground level.'

My head hurt too much for me to come up with a suitable comment: in the circumstances, there probably was none. Van Gelder slung his gun crosswise over one shoulder and secured the puppet with cord over his other shoulder. Then he said softly: 'Ah, the moon is gone.'

It was. Van Gelder was only a vaguely seen shadow as he crossed to the door let into the front of the cabin near the control panel, opened it and stepped outside.

'Goodbye, van Gelder,' I said. He said nothing. The door closed and we were alone. She caught my handcuffed hand.

'I knew you would come,' she whispered, then, with a flash of the old Belinda: 'But you did take your time about it didn't you?'

'It's like I told you — the managerial classes always have things to attend to.'

'And did you — did you have to say goodbye to a man like that?'

'I thought I'd better — I'll never see him again. Not alive.' I fumbled in my right-hand pocket. 'Who would have thought it? Van Gelder, his own executioner.'

'Please?'

'It was his idea to lend me a police taxi — so that I would be instantly recognizable and easily tailed wherever I went. I had handcuffs — I used them to secure Goodbody. And keys for the handcuffs. These.'

I unlocked the handcuffs, rose and crossed to the front of the cabin. The moon was behind a cloud, true enough, but van Gelder had overestimated the density of the cloud: admittedly, there was no more than a pale wash of light in the sky but enough to let me see van Gelder, about forty feet out now, the tails of his jacket and the gown of the puppet being tugged by the high wind, as he scuttled like a giant crab across the lattice framework of the boom.

My pencil flash was one of the few things that hadn't been taken from me that day. I used it to locate an overhead breaker and pulled the lever down. Lights glowed in the control panel and I studied it briefly. I was aware that Belinda was now standing by my side.

'What are you going to do?' She was back at her whispering again.

'Do I have to explain?'

'No! No! You can't!' I don't think she knew exactly what I intended to do, but from what must have been some element of irrevocable finality in my voice she clearly guessed that the results of whatever action I took would be of a very permanent nature. I looked again at van Gelder, who was by now three quarters of the way out towards the tip of the boom, then turned to Belinda and put my hands on her shoulders.

'Look. Don't you know that we can never prove anything against van Gelder? Don't you know he may' have destroyed a thousand lives? And don't you know he's carrying enough heroin with him to destroy another thousand?'

'You could turn the boom! So that he comes down inside the police cordon.'

They'll never take van Gelder alive. I know that, you know that, we all know that. And he has a riot gun with him. How many good men do you want to die, Belinda?'

She said nothing and turned away. I looked out again. Van Gelder had reached the tip of the boom and van Gelder was wasting no time, for immediately he swung out and down, wrapped his hands and legs -around the cable and started to slide, moving with an almost precipitate haste for which there was ample justification: the cloud band was thinning rapidly and the intensity of light in the sky increasing by the moment.

I looked down and for the first time could see the streets of Amsterdam, but it was no longer Amsterdam, just a toy town with tiny streets and canals and houses, very much like those scaled-down railroad models that one sees in big stores at Christmas time.

I looked behind me. Belinda was sitting on the floor again, her face in her hands: she was making doubly certain that she couldn't see what was going to happen, I looked towards the cable again, and this time I had no difficulty at all in seeing van Gelder clearly, for the moon had come from behind the cloud.

He was about half-way down now, beginning to sway from side to side as the high wind caught at him, increasing the arc of his pendulum with the passing of every moment. I reached for a wheel and turned it to the left.

The cable started to ascend, van Gelder ascending with it: astonishment must have momentarily frozen him to the cable. Then he clearly realized what was happening and he started sliding downwards at a much accelerated speed, at least three times that at which the cable was ascending.

I could see the giant hook at the end of the cable now, not forty feet below van Gelder. I centred the wheel again and again van Gelder clung motionless to the cable. I knew I had to do what I had to do but I wanted it over and done as quickly as was humanly possible. I turned the wheel to the right, the cable started to descend at full speed, then abruptly centred the wheel again. I could feel the shuddering jerk as the cable brought up to an abrupt standstill. Van Gelder's grip broke and in that moment I closed my eyes. I opened them, expecting to find an empty cable and van Gelder vanished from sight, but he was still there, no longer clinging to the cable: he was lying, face down, impaled on the giant hook, swaying to and fro in ponderous arcs, fifty feet above the houses of Amsterdam. I turned away, crossed to where Belinda sat, knelt and took her hands from her face. She looked up at me, I had expected to find revulsion in her face, but there was none, only sadness and weariness and that little-girl-lost expression on her face again.

'It's all over?' she whispered.

'It's all over.'

'And Maggie's dead.' I said nothing. 'Why should Maggie be dead and not me?'

'I don't know, Belinda.*

'Maggie was good at her job, wasn't she?*

'Maggie was good.'

'And me?' I said nothing. 'You don't have to tell me,' she said dully. 'I should have pushed van Gelder down the stairs in the warehouse, or crashed his van, or pushed him in the canal, or knocked him off the steps on the crane or — or — ' She said wonderingly: 'He didn't have his gun on me at any time.'

'He didn't have to, Belinda.'

'You knew?'

'Yes.'

'Category Grade 1, female operative,' she said bitterly. 'First job in narcotics — '

'Last job in narcotics.'

'I know.' She smiled wanly. 'I'm fired.'

'That's my girl,' I said approvingly. I pulled her to her feet. 'At least you know the regulations, or the one that concerns you anyway. She stared at me for a long moment, then the slow smile came for the first time that night. That's the one,' I said. 'Married women are not permitted to remain in the service.' She buried her face in my shoulders, which at least spared her the punishment of having to look at my sadly battered face.

I looked past the blonde head at the world beyond and below. The great hook with its grisly load was swaying wildly now and at the extremity of one of the swings both gun and puppet slipped from van Gelder's shoulders and fell away. They landed on the cobbles on the far side of the deserted canal street, the riot gun and the beautiful puppet from Huyler, over which the shadow, like the giant pendulum of a giant clock, of the cable, the hook and its burden, swung in ever-increasing arcs across the night skies of Amsterdam.