River of Death

CHAPTER TWO

The drawing-room of Joshua Smith's villa — the Villa Haydn in Brasilia — demonstrated beyond all question the vast gulf that lay between a bulti-millionaire and the merely rich. The furnishings, mainly Louis XIV and not the shadow of an imitation in sight, the drapes, from Belgium and Malta, the carpets, ancient Persian to the last one, and the pictures, ranging all the way from Dutch Old Masters to the Impressionists, all spoke not only of immense wealth but also a hedonistic determination to use it to its maximum. But for all that vast opulence there was nonetheless displayed an exquisite good taste in that everything matched and blended in something very, very close to, perfection. Clearly, no modern interior decorator had been allowed within a mile of the place.

The owner matched up magnificently to all this, magnificence. He was a large, well-built and dinner-suited man of late middle age who looked; absolutely at home in one of the huge arm-;' chairs that he occupied close to a sparkling pine. log fire.

Joshua Smith, still dark in both hair and, moustache, the one brushed straight back, the other neatly trimmed, was a smooth and urbane man, but not too smooth, not too urbane, much given to smiling and invariably kind and courteous to his inferiors which, in his case, meant just about everybody in sight. With the passage of time, the carefully and painstakingly acquired geniality and urbanity had become second nature to him (although some of the original ruthlessness had had to remain to account for his untold millions). Only a specialist could have detected the extensive plastic surgery that had transformed Smith's face from what it once had been.

There was another man in his drawing-room, and a young woman. Jack Tracy was a young-middle-aged man, blond, with a pock-marked face and a general air of capable toughness about him. The toughness and capability were undoubtedly there — they had to be for any man to be the general manager of Smith's vast chain of newspapers and magazines.

Maria Schneider, with her slightly dusky skin and brown eyes, could have been South American, Southern Mediterranean or Middle Eastern. Her hair was the colour of a raven. Whatever her nationality she was indisputably beautiful with a rather inscrutable face but invariably watchful penetrating eyes. She didn't look kind or sensitive but was both. She looked intelligent and had to be: when not doubling — as rumour had it — as Smith's mistress she was his private and confidential secretary and it was no rumour that she was remarkably skilled in her official capacity.

The phone rang. Maria answered, told the caller to hold and brought the phone on its extension cord across to Smith's armchair. He took the phone and listened briefly.

'Ah, Hiller!' Smith, unusually for him, leant forward in his armchair. There was anticipation in both his voice and posture. 'You have, I trust, some encouraging news for me. You have? Good, good, good. Proceed.'

Smith listened in silence to what Hiller had to say, the expression on his face gradually changing from pleasure to the near beatific. It was a measure of the man's self-control that, although apparently in a near transport of excitement, he refrained from either exclamations, questions or interruptions and heard Hiller through in silence to the end.

'Excellent!' Smith was positively jubilant. 'Truly excellent. Frederik, you have just made me the happiest man in Brazil.' Although Hiller claimed to be called Edward, his true given name would have appeared to be otherwise. 'Nor, I assure you, will you have cause to regret this day. My car will await you and your friends at the airport at eleven a.m.' He replaced the receiver. 'I said I could wait forever. Forever is today.'

Moments passed while he gized sightlessly into the flames. Tracy and Maria looked at each other without expression. Smith sighed, gradually bestirred himself, leaned back into his armchair, reached into his pocket, brought out a gold coin, and examined it intently.

'My talisman,' he said. He still didn't appear to be quite with them. 'Thirty long years I've had it and I've looked at it every day in those thirty years. Hiller has seen this very coin. He says the ones this man Hamilton has are identical in every way. Hiller is not a man to make mistakes so this can mean only one thing. Hamilton has found what can only be the foot of the rainbow.'

Tracy said: 'And at the far end of the rainbow lies a pot of gold?'

Smith looked at him without really seeing him. 'Who cares about the gold?'

There was a long and, for Tracy and Maria, rather uncomfortable silence. Smith sighed again and replaced the coin in his pocket.

'Another thing,' Smith went on. 'Hamilton appears to have stumbled across some sort of an El Dorado.'

'It seems less and less likely that Hamilton is the kind of man to stumble across anything,' Maria said. 'He's a hunter, a seeker — but never a stumbler. He has sources of information denied other so-called civilised people, especially among the tribes not yet classified as pacified. He starts off with some sort of clue that points him in the right direction then starts quartering the ground, narrowing the area of search until he finally pinpoints what he's after. The element of chance doesn't enter into that man's calculations.'

'You might be right, my dear,' Smith said. 'In fact you're almost certainly right. Anyway, what matters is that Hiller says that Hamilton seems to have located some diamond hoard.'

Maria said: 'Part of the war loot?'

'Overseas investments, my dear, overseas investments. Never war loot. In this case, however, no. They are uncut — rough-cut, rather — Brazilian diamonds. And Hiller is an expert on diamonds — God knows he's stolen enough in his lifetime. Anyway, it appears that Hamilton has fallen for Hiller's story, hook, line and sinker — in Hiller's rather uninspired phrase. Two birds with one stone — he's found both the European gold and the Brazilian diamonds. Looks as if this is going to be even easier than we thought.'

Tracy looked vaguely troubled. 'He hasn't the reputation for being an easy man.'

'Among the tribes of the Mato Grosso, agreed,' Smith said. He smiled as if anticipating some future pleasure. 'But he's going to find himself in a different kind of jungle here.'

'Maybe you overlook one thing,' Maria said soberly. 'Maybe you're overlooking the fact that you've got to go back into that jungle with him.'

Hiller, in his room in the Hotel Negresco, was studying a gold coin which he held in his hand when he was disturbed by an erratic knock on the door. He pulled out a gun, held it behind his back, crossed to the door and opened it.

Hiller put his gun away: the precaution had been unnecessary. Serrano, both hands clutching the back of his neck, swayed dizzily and practically fell into the room.

'Brandy!' Serrano's voice was a strangled croak.

'What the hell's happened to you?'

'Brandy!'

'Brandy coming up,' Hiller said resignedly. He gave a generous double to Serrano who downed it in a single gulp. He had just finished his third brandy and was pouring out his tale of woe when another sharp rat-tat-tat came on the door, this knocking far from erratic. Again Hiller took his precautionary measures and again they proved unnecessary. The Hamilton who stood in the doorway was scarcely recognisable as the Hamilton of two hours previously. Two hours in the Hotel de Paris's grandiloquently named Presidential suite — no president had ever or would ever stay there, but it had the only bath in the hotel not corroded with rust — had transformed him. He had bathed and was clean-shaven! He wore a fresh set of khaki drills, a fresh khaki shirt without a rent in sight and even a pair of gleaming new shoes.

Hiller glanced at his watch. 'Two hours precisely. You are very punctual.'

The politeness of princes.' Hamilton entered the room and caught sight of Serrano who was busy pouring himself another large brandy. By this time it was difficult to judge whether he was suffering the more from the effects of the blow or the brandy. Holding the glass in one rather unsteady hand and massaging the back of his neck with the other, he continued the restorative process without seeming to notice Hamilton.

Hamilton said: 'Who's this character?'

'Serrano,' Hiller said. 'An old friend.' It would have been impossible to guess from Hiller's casual off-handedness that he'd met Serrano for the first time only that evening. 'Don't worry. He can be trusted.'

'Delighted to hear it,' Hamilton said. He couldn't remember the month or the year when he last trusted anybody. 'Makes a welcome change in this day and age.' He peered at Serrano with the air of a concerned and kindly healer. 'Looks to me as if he's coming down with something.'

'He's been down,' Hiller said. 'Mugged.' He was observing Hamilton closely but could well have spared himself the trouble.

'Mugged?' Hamilton looked mildly astonished. 'He was walking the streets this time of night?'

'Yes.'

'And alone?'

'Yes,' Hiller said and added in what he probably regarded as a rather pointed fashion: 'You walk alone at night.'

'I know Romono,' Hamilton said. 'Much more importantly, Romono knows me.' He looked pityingly at Serrano. 'I'll bet you weren't even walking in the middle of the road — and I'll bet you're that much lighter by the weight of your wallet.'

Serrano nodded, scowled, said nothing and got back to his self-medication.

'Life's a great teacher,' Hamilton said absently. 'But it beats me how a citizen of Romono could be so damned stupid. Okay, Hiller, when do we leave?'

Hiller had already turned towards a glass-fronted wall cupboard. 'Scotch?' he said. 'No firewater. Guaranteed.' He showed Hamilton a famous proprietary brand of Scotch with the seal, unbroken.

'Thanks.'

Hiller's gesture had not been motivated by an undiluted spirit of hospitality. He had turned his back on Hamilton to conceal what he knew must have been a momentary flash of triumph in his face; moreover, this was definitely a moment for celebration. Back in the bar of the Hotel de Paris he had been sure that he had his fish hooked: now he had it gaffed and landed.

'Cheers,' he said. 'We leave at first light tomorrow.'

'How do we go?'

'Bush plane to Cuiaba.' He paused then added apologetically: 'Rickety old bus of cardboard and wire but it's never come down yet. After that, Smith's private jet. That's something else again. It will be waiting for us at Cuiaba.'

'How do you know?'

Hiller nodded towards the phone. 'Carrier pigeon,'

'Pretty sure of yourself, weren't you?'

'Not really. We like to arrange things in advance. I just go on probabilities.' Hiller shrugged. 'One call to fix things, then another call to cancel. Then from Cuiaba to Smith's private airfield in Brasilia.' He nodded towards Serrano. 'He's coming with us.'

'Why?'

'Why ever not?' Hiller even managed to look puzzled. 'My friend. Smith's employee. Good jungle man.'

'Always wanted to meet one of those.' Hamilton looked consideringly at Serrano. 'One can only hope that he's a little bit more alert in the depths of the Mato Grosso than he is in the alleys of Romono.'

Serrano had nothing to say to this but he was, clearly, thinking: prudently he refrained from voicing his thoughts.

Smith, it would seem, was both a considerate man and one who thought of everything. Not only had he stocked his Lear with a splendid variety of liquor, liqueurs, wines and beers, he'd even provided an exceptionally attractive stewardess to serve them up. All three men — Hamilton, Hiller and Serrano — had long, cold drinks in their hands. Hamilton gazed happily at the green immensity of the Amazonian rain forest passing by beneath them.

'This fairly beats hacking your way through that lot down there,' he said. He looked round the cabin of the luxuriously appointed jet. 'But this is for the carriage trade. What transport is Smith thinking of using when we make our trip into the Mato Grosso?'

'No idea,' Hiller said. 'Matters like that, Smith doesn't consult me. He's got his own advisers for that. You'll be seeing him in a couple of hours. I suppose he'll tell you then.'

'I don't think you quite understand,' Hamilton said in an almost gently explanatory tone. 'I only asked what transport he was thinking of using. Any decisions he and his experts have made are not really very relevant.'

Hiller looked at him in slow disbelief. ' You are going to tell him what we're to use?'

Hamilton beckoned the stewardess, smiled and handed over his glass for a refill. 'Nothing like savouring the good life — while it lasts.' He turned to Hiller. 'Yes, that's the idea.'

'I can see,' Hiller said heavily, 'that you and Smith are going to get along just fine.'

'Oh, I hope so, I hope so. You said we'd be seeing him In two hours. Could you make it three?' He looked disparagingly at his wrinkled khaki drills. 'These look well enough in Romono, but I have to see a tailor before I go calling on multimillionaires. You say we're being met when we arrive. You think you can drop me off at the Grand?'

'Jesus!' Hiller was clearly taken aback. 'The Grand — and a tailor. That's expensive. How come? Last night in the bar you said you had no money.'

'I came into some later on.'

Hiller and Serrano exchanged very peculiar looks. Hamilton continued to gaze placidly out of the window.

As promised a car met them at the private airport in Brasilia. 'Car' was really too mundane a word to describe it. It was an enormous maroon Rolls-Royce, big enough, one would have thought, to accommodate a football team. In the back it had television, a bar and even an ice-maker. Up front — very far up front — were two uniformed men in dark green livery. One drove the car: the other's main function in life appeared to be opening doors when the back seat — seats — passengers entered or left. The engine, predictably, was soundless. If it were part of Smith's pattern to awe visitors he most certainly succeeded in the case of Serrano.

Hamilton appeared quite unimpressed, possibly because he was too busy inspecting the bar; Smith had somehow overlooked providing a stewardess for the rear of the Rolls.

They drove through the wide avenues of that futuristic city and pulled up outside the Grand Hotel. Hamilton dismounted — the door having magically been opened for him, of course — and passed swiftly through the revolving door. Once inside, he looked out through the glassed-in porch. The Rolls, already more than a hundred yards away, was turning a corner to the left. Hamilton waited until it had disappeared from sight, left by the revolving door by which he had entered and started to walk briskly back in the direction from which they had come. He gave the impression of one who knew the city, and he did: he knew Brasilia very well indeed.

Five minutes after dropping Hamilton the Rolls, pulled up outside a photographer's shop. Hiller went inside, approached a smiling and affable assistant and handed over the film that had been taken from Hamilton.

'Have this developed and sent to Mr Joshua Smith, Haydn Villa.' There was no need for Hiller to add the word 'immediately'. Smith's name guaranteed immediacy. Hiller went on: 'No copy is to be made of this film and neither the person who develops it nor any other member of your staff is ever to discuss it. I hope that is clearly understood.' 'Yes, sir. Of course, sir.' The smile and the affability had vanished to be replaced by total obsequiousness. 'Speed and secrecy. Those are guaranteed, sir.'

'And a perfect print?'

'If the negative is perfect so will the print be.' Hiller couldn't think of how else he could threaten the now thoroughly apprehensive assistant so he nodded and left.

Another ten minutes later and Hiller and Serrano were in the drawing-room of the Villa Haydn. Serrano was seated, as were Tracy, Maria and a fourth and as yet unidentified man. Smith talked somewhat apart with Hiller — 'somewhat apart' in that huge drawing-room meant a considerable distance — glancing occasionally in Serrano's direction.

Hiller said: 'Of course, I can't vouch for him. But he knows an awful lot that we don't and I can always see to it that he'll make no trouble. Come to that, so would Hamilton. Hamilton has a rough way of dealing with people who step out of line.' Hiller went on to tell the sad tale of Serrano's mugging.

'Well, if you say so, Hiller.' Smith sounded doubtful and if there was one thing Smith didn't like it was being doubtful about anything. 'You certainly haven't let me down so far.' He paused. 'But your friend Serrano seems to have no history, no past.'

'Neither have most men in the Mato Grosso. Usually for the 'simple reason that they have too much of a past. But he knows his jungle — and he knows more Indian dialects than any man except maybe Hamilton. Certainly more than any man in the Indian Protection Service.'

'All right.' Smith had made up his mind and seemed relieved for that. 'And he's been close to the Lost City. Could be a useful back-up man.'

Hiller nodded towards the unidentified person, a tall, very heavily built, darkly handsome man in his mid-thirties.

'Who's that, Mr Smith?'

'Heffner. My chief staff photographer.'

Hiller said: 'Mr Smith!'

'Hamilton would think it extremely strange if I didn't take a staff photographer along on this historic trip,' Smith said reasonably. He smiled slightly. 'I will confess, though, that he can use one or two instruments other than his cameras.'

' I’il bet he can.' Hiller looked at Heffner with even closer interest. 'Another with or without a past?'

Smith smiled again but made no answer. A phone rang. Tracy, who was nearest to it, picked it up, listened briefly and replaced the receiver.

'Well, well. Surprise, surprise. The Grand Hotel has no one registered there under the name of Hamilton. Not only that, no member of the staff can recall ever seeing a man answering to the description.'

Hamilton, at that moment, was in a lavishly furnished suite in the Hotel Imperial.

Ramon and Navarro, seated on a couch, were admiring Hamilton, who was admiring himself in front of a full-length mirror.

'Always did fancy myself in a fawn seersucker,' Hamilton said complacently. 'Don't you agree? This should knock Smith for six.'

'I don't know about Smith,' Ramon said, 'but in that outfit you'd terrify even the Muscias. So no trouble with getting the invitation?'

'None. When he saw me flashing those gold coins in public he must have panicked in case someone else would step in fast. Now, I'm pleased to say, he's convinced he's got me hooked.'

'You still think that gold hoard exists?' Navarro said.

'I'm convinced it Sexist. Not that it does.''

'Then why did you want those coins?'

'When this is over they will be returned and the money reimbursed — all except the two that are now in the possession of Curly, the head barman at the Hotel de Paris. But those were necessary: the shark, as we know, took the bait.'

'So, no hoard, huh?' Ramon said. 'Disappointing.'

'There is a hoard and a huge one. But not of those coins. Perhaps melted down, although that's unlikely. What is likely is that it's been split up into private collectors' hands. If you want to dispose of an art treasure, be it a stolen Tintoretto or a Penny Black, then Brazil is the place in the world. The number of Brazilian millionaires who spend hours in their air-conditioned, humidity-controlled, burglar-proof deep underground cellars gloating over stolen Old Masters boggles the imagination. Ramon, there's a wet bar right behind you, and I'm developing a sore and thirsty throat from lecturing callow youngsters on the facts of criminal life.'

Ramon grinned, rose and brought a large whisky and soda to Hamilton and a soda each for himself and his brother — the twins never drank anything stronger.

Having eased his throat, Hamilton said: 'What did you get on Smith?'

'Nothing more than you expected,' Ramon said. 'The number of companies he controls is beyond counting. He's a financial genius, charming and courteous, totally ruthless in his business dealings and must by any reckoning be the richest man in the Southern hemisphere. A sort of Howard Hughes in reverse. About Hughes's early days everything was known in detail but the latter part of his life was so wrapped in mystery that many people who should have been in a position to know could scarcely believe that he had died on that flight from Mexico to the States, having been firmly convinced that he had died many years previously. Smith? Dead opposite. His past is a closed book and he never talks about it: neither do any of his colleagues, friends or supposed intimates — no-one really knows whether he has any intimates — for the good reason that none of them was around in his early days. Today, his life is an open book. He conceals nothing and operates in a totally straightforward fashion. Any one of the shareholders in his forty-odd companies can inspect the firm's books whenever they wish. He appears to have absolutely nothing to hide and I would suppose when you are as brilliant as he unquestionably is there's just no point in being dishonest. After all, what's the point in it if you can make more money being honest? Today he knows everybody's business and lets anyone who wishes know all about his businesses.'

'He's got something to hide,' Hamilton said. 'I know he has.'

Navarro said: 'What?'

'That's what we're going to find out, isn't it?' Hamilton said.

'I wish you wouldn't play your cards so close to your chest,' Navarro said.

'What cards?'

'We look forward to watching you at work, Mr Hamilton,' Ramon said. His tone was neutral to the point of being ambiguous. 'It should be worth watching. By every account, the man is totally above suspicion. He goes everywhere, sees everyone, knows everyone. And everyone knows that he and the President are blood brothers.'

The President's blood brother was leaning forward in a chair in his splendid drawing-room, oblivious of the company around him, staring in fascination at the silver screen. The room had been so efficiently darkened by the heavy drapes that he would have had difficulty in seeing those around him: had it been broad daylight, he still wouldn't have seen them. His absorption was total.

The transparencies were of superb quality, taken with a superb camera by an expert photographer who knew precisely what he was about. The colour was true, the clarity and the resolution impeccable. And the projector the best that Smith's money could buy.

The first group showed a ruined and ancient city, impossibly clinging to the top of a narrow plateau with, at the far end, a breathtakingly well-preserved ziggurat, as imposing as the best surviving works of the Aztecs or the Maya.

A second group showed one side of the city, perched on the edge of a cliff that dropped vertically to a river and the rain forest beyond. The third group showed the other side of the city overlooking a similar gorge with a river sliding swiftly past in the distant depths. A fourth group, clearly taken from the top of the hills, showed a reverse view of the ancient city, with a brief glimpse of scrub-land beyond — once obviously terraced for cultivation — and with the two cliff-sides meeting in the middle distance. A fifth group, obviously taken 180° from the same position, showed a flat, grassy plateau, the sides curving to meet like the bows of a boat. Nearly incredible as those pictures were, the next few groups were staggering.

They were taken from the air and as transparency succeeded transparency, it became evident that they, like a number of the previous ones, could only have been taken from a helicopter.

The first of those helicopter shots showed the entire ruined city from above. The second, from perhaps five hundred feet higher up, showed that the city was perched on top of a vertically-sided, boat-shaped pinnacle of rock splitting a river which swept by on either side of it. Both arms of the river were rock-strewn, foaming white and clearly unnavigable. The third and fourth groups, from an even higher altitude, were a shock: taken horizontally they showed pictures of a densely crowded rain-forest, reaching out, it seemed, almost to touch the camera and extending, unbroken, to the distant horizon. The fifth set, vertically downwards, made it clear that the great outer cliff-walls of the twin gorges were at least several hundred feet higher than the top of the cliff-walls that formed the island on which the Lost City was built. The sixth group, taken at a still higher elevation, showed just a narrow gap between two great stretches of forest reaching towards each other, with the Lost City just vaguely visible in the gloomy depths below. The seventh and last group, taken anywhere between five hundred and a thousand feet higher up again, revealed nothing but the continuous majestic sweep of the Amazonian rain-forest, unbroken from pictorial horizon to pictorial horizon.

It was small wonder, then, that the planes of the Brazilian ordnance survey services, whose pilots claimed, probably rightly, to have criss-crossed every square mile of the Mato Grosso, had never discovered the site of the Lost City. It just could not be seen from the air. But the ancients had stumbled across it, discovered the most invisible, the most inaccessible, the most impregnable fortress ever created by nature or devised by man.

The viewers in the Villa Haydn drawing-room had sat throughout in silence. They knew they had seen something that no white man, with the exception of Hamilton and his helicopter pilot, had ever seen before, something, perhaps, that no-one had ever seen for generations, maybe even for centuries. They were hard people, tough people, cynical people, people who counted value only in the terms of cost, people conditioned to disbelieve, almost automatically, the evidence of their own eyes: but there is yet to be born a man or woman the atavistic depths of whose soul cannot be touched by that one questing finger that will not be denied, that primitive ancestral awe inseparable.1 from watching the veil of unsuspected history being swept aside.

The slowly comprehending silence stretched out for at least a minute. Then, almost inaudibly, Smith exhaled his breath in a long sigh.

'Son-of-a-gun,' he whispered. 'Son-of-a-gun. He found it.'

'If your intention was to impress us,' Maria said, 'you've succeeded. What on earth was that? And where is it?'. _:

'The Lost City.' Smith spoke absently. 'Brazil. In the Mato Grosso.'

'The Brazilians built pyramids?'

'Not that I know of. May have been some other race. Anyway, they're not pyramids, they're — Tracy, this is more in your field.'

'Well. Not really my field either. One of our magazines had an article on those so-called ' pyramids and I spent a couple of days with the writer and photographer on the job. Curiosity, only, and wasted curiosity — I didn't learn much. Pyramid-shaped, sure, but those stepped-sided and flat-topped structures are called ziggurats. No-one knows where they originated although it is known that the Assyrians and Babylonians had them. Oddly enough, this style bypassed the virtually neighbouring country of Egypt, which went in for the smooth-sided and conically-topped version, but turned up again in ancient Mexico where some are still to be seen. Archaeologists and such-like use this as a powerful argument of prehistoric contact between east and west but the only sure fact is that their origins are lost in the mists of those same prehistoric times. My word, Mr Smith, this is going to drive those poor archaeologists up the wall. A ziggurat in the Mato Grosso.'

'Ricardo?' Hamilton said. 'I shall be leaving our friend's place in about two hours' time. I'll be driving — moment.' He broke off and turned to Ramon lounging in the couch in the Imperial suite. 'Ramon, what shall I be driving?'

'Black Cadillac.'

'A black Cadillac,' Hamilton said into the phone. 'I do not wish to be followed. Thank you.'