Joan Didion
Salvador

This book is for

Robert Silvers

and for

Christopher Dickey

“All Europe contributed to the making of Kurtz; and by-and-by I learned that, most appropriately, the International Society for the Suppression of Savage Customs had intrusted him with the making of a report, for its future guidance. And he had written it, too. I’ve seen it. I’ve read it. It was eloquent, vibrating with eloquence.… ‘By the simple exercise of our will we can exert a power for good practically unbounded,’ etc. etc. From that point he soared and took me with him. The peroration was magnificent, although difficult to remember, you know. It gave me the notion of an exotic Immensity ruled by an august Benevolence. It made me tingle with enthusiasm. This was the unbounded power of eloquence — of words — of burning noble words. There were no practical hints to interrupt the magic current of phrases, unless a kind of note at the foot of the last page, scrawled evidently much later, in an unsteady hand, may be regarded as the exposition of a method. It was very simple, and at the end of that moving appeal to every altruistic sentiment it blazed at you, luminous and terrifying, like a flash of lightning in a serene sky: ‘Exterminate all the brutes!’ ”

— Joseph Conrad, Heart of Darkness

Acknowledgments

I am indebted for general background particularly to Thomas P. Anderson’s Matanza: El Salvador’s Communist Revolt of 1932 (University of Nebraska Press: Lincoln, 1971) and The War of the Dispossessed: Honduras and El Salvador, 1969 (University of Nebraska Press: Lincoln, 1981); to David Browning’s El Salvador: Landscape and Society (Clarendon Press: Oxford, 1971); and to the officers and staff of the United States embassy in San Salvador. I am indebted most of all to my husband, John Gregory Dunne, who was with me in El Salvador and whose notes on, memories about, and interpretations of events there enlarged and informed my own perception of the place.

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