Telegrams of the Soul

Uncle Emmerich

My uncle Emmerich had no heart. He speculated on copies of old paintings billed as originals, which, in some cases, later actually turned out to be originals. But finally he went bankrupt. We boys were present at the dinner table on the eve of the “Economic Capitulation in the House of Emmerich,” at which my uncle argued, based on irrefutable evidence in Silberer’s Sports News, his bible, that “Quick Four” was bound to win at the big race on Sunday. Aside from which, he got private tips to that effect from the stable. All of a sudden he looked up and noticed that his wife and daughter were quietly weeping. “Will somebody please tell me why in heaven’s name these dames have started bawling?” he said. Of course they started bawling because of the lost money. What else do women bawl seriously about? Quick Four didn’t win either, neither Quick nor Four, nor in any combination, and my uncle drove home deep in thought on the upper level of the elegant English double-decker sports omnibus (at ten Crowns a seat), armed with the very same binoculars likewise employed by Count Niki Esterhazy. “There goes the dowry of our poor daughters!” my aunt kept weeping. “Teach your child not to need a dowry!” said my uncle. When he auctioned off his collection of paintings, for which he had been derided all his life by the family, it turned out that it had been worth more than all the money he’d squandered otherwise. Henceforth, the family, which had previously called him a dimwit, called him a remarkable man. And my aunt said: “Emmerich, in your heart of hearts you’re a good man after all!”