III

CHARLES REYER WAS ALSO JUST LEAVING HIS OFFICE. HE WAS FED up with working for the blind, checking the printing and perforations of all those wretched books in Braille, the billions of tiny holes that communicated their meaning to the skin of his fingertips. Above all, he was fed up with the desperate attempts he made to be original, on the pretext that he ought to become exceptional in some way, to distract people from his loss of sight. That was how he had behaved towards that woman the other day, now he thought of it, the warm-hearted one who had accosted him in the Café Saint-Jacques. An intelligent woman she had been, a bit eccentric perhaps, though he didn’t really think so, but a kind-hearted and lively person, obviously. And what had he done? As usual, he’d begun showing off, trying to be original. To impress her by his conversation, to say out-of-the-way things, just so that a stranger would think, hey, this man may be blind, but he’s certainly not ordinary.

And she’d gone along with it, the woman. She’d tried to play the game, to respond as quickly as she could to his mixture of false confidences and stupid remarks. But she had been sincere. She’d told him about the shark, just like that, she’d been generous, sensitive, helpful, willing to look at his eyes and tell him what they really looked like. But he had been entirely taken up with the sensational effect he wanted to produce; he regularly stopped any heartfelt conversation by pretending to be a lucid and cynical thinker. No, Charles, he thought, you’re going the wrong way about things. All this palaver ends up with your being unable to say whether your brain’s still working or not.

And then there’s your habit of walking alongside people in the street just to frighten them, to exert some kind of silly power over them, or going up to someone at a traffic light with your white stick, and saying ‘Can I help you cross the road?’ What’s all that about? Just to embarrass other people, of course, and then to take full advantage of your untouchable status. Poor souls, they don’t dare say any thing, they just stand on the pavement, feeling bad. What you’re doing is you’re taking revenge on the rest of the world. You may be over six feet tall, but you’re just a mean little bastard really. And that woman, Queen Mathilde, she’s there, she’s real, and she even told me I was good-looking. And that made me feel pretty good, but of course I couldn’t bring myself to show it, or even say thank you for her kind word.

Feeling his way, Charles stopped at the edge of the pavement. Anyone standing alongside him would have been able to see those rolls of sacking that they put in the Paris gutters to channel the water, without realising how lucky they were to witness this sublime sight. Damn that bloody lioness. He felt like unfolding his white stick and asking ‘Shall I help you across the road?’ with a mean smile. Then he remembered Mathilde saying to him without any malice at all: ‘You’re very trying’, and he turned his back on whoever might be there.

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