9

"Tell me what you’re not telling me,” Clementine demands as I reright the chair and finish my crude cleanup. Darting for the door, I’ve got the old dictionary in one hand and my coffee-stained coat in the other.

“Orlando, I have to-”

“Go. I need to rearm the alarm,” he calls back, fiddling with the electronic keypad. “Just remember: zipped lips, right? Be Mark Felt. Not Lewinsky.”

“That’s fine, but if we look into this and it’s actually bad…”

“… I’ll be the first in line to hand them the stained dress,” he says, patting the videotape in his waistband.

As he rearms the door, we’re already running. Orlando’s a big boy. He’s fine by himself. Clementine’s another story. She knows that last phone call was about her dad.

“They found him, didn’t they?” she asks as we leave the SCIF behind and race up the hallway. In the distance, I hear the soft cry of police sirens wailing. Wallace’s motorcade is close, and if this old dictionary really was put there for the President-if someone is somehow helping him grab it, or worse, steal it, or if there’s something valuable hidden in it-the last thing we need is to be seen this close to the SCIF with-

Ding!” the elevator rings as we turn the corner.

I pick up speed. No way anyone’s fast enough to spot us.

“Beecher Benjamin White, you think I’m blind!? Step away from that girl right now…!”

Clementine freezes.

“… unless of course you plan on introducing me to her!” a young man with combed-back brown hair and a scruffy starter beard calls out, already laughing at his own lame joke. At twenty-nine years old, Dallas is a year younger than me and should be my junior. He’s not.

“Dallas Gentry,” he adds as if Clementine should recognize the name.

When it comes to archivists, everyone has their own specialty. Some are good with war records. Others are good with finding the obscure. But what Dallas is good at is getting his name in the newspaper. It peaked a few months back when he opened a dusty 1806 personnel folder from the War Department and found a handwritten, never-before-seen letter by Thomas Jefferson. Sure, it was dumb luck-but it was Dallas’s luck, and the next day it was his name in the Washington Post, and Drudge, and on the lecture circuit at every university that now thinks he’s the Indiana Jones of paper. To celebrate his rise, Dallas went full-on intellectual and started growing a beard (as if we need more intense bearded guys around here). The saddest part is, based on his recent promotion, it’s actually working for him, which makes me wonder if he’s the one staffing President Wallace today. But as I frantically fumble, trying to hide the dictionary under my coffee-soaked lab coat, this isn’t the time to find out.

“Listen, we’re kinda in a rush,” I say, still not facing him.

Clementine shoots me a look that physically burns. At first I don’t get it. She motions around the corner, back to the SCIF. Oh crap. Orlando’s still in there. If Dallas waltzes in on him and then connects him to what’s missing…

“I mean… no, we have plenty of time,” I tell Dallas. “Boy, your beard looks cool.”

Your beard looks cool? My God, when did I turn into Charlie Brown?

“Is that buttered rum?” Clementine jumps in, sniffing the air.

“You’re close. Cherry rum,” Dallas replies, clearly impressed as he turns toward her, staring at the piercing in her nose. It’s not every day he sees someone who looks like her in D.C. “Where’d you learn your pipe smoke?”

“My boss at the radio station. He’s been a pipe smoker for years,” she explains.

“Wait, you starting smoking a pipe?” I ask.

“Just for the irony,” Dallas teases, keeping his grin on Clementine. He honestly isn’t a jerk. He just comes off as one.

“Beecher, what happened to your coat?” a soft female voice interrupts as Dallas reaches out to shake hands with Clementine.

Just behind Dallas, I spot archivist Rina Alban, a young straight-haired brunette with bright green reading glasses perched on her head, and triple knots on her shoes. In the world of mousy librarians, Rina is Mickey. She’s ultra-quiet, ultra-smart, and ultra-introverted, except when you ask about her true love, the Baltimore Orioles. In addition, she looks oddly like the Mona Lisa (her eyes follow you also), and on most days she’s just as talkative. But not today-not the way she’s studying my bunched-up lab coat, like she can see the book that’s underneath.

“Beecher, what is that?” Rina asks again.

“Coffee. I spilled my coffee,” Clementine jumps in, restoring calm.

“Wait, you’re the one he knows from high school, right?” Dallas asks, though I swear to God I never mentioned Clementine to Dallas. That’s the problem with this place. Everyone’s doing research.

“You really shouldn’t have coffee up here,” Rina points out, less quiet than usual. I know why.

Every month, the powers that be rank us archivists in order of how many people we’ve helped. From tourists who walk in, to the handwritten letters asking us to track down a dead relative, every response is counted and credited. Yes, it helps justify our jobs, but it also adds unnecessary competition, especially after this morning, when they told us Rina was, for the fifth month in a row, number two on the list.

“By the way, Beecher, congrats on the top spot again,” Dallas says, trying to be nice.

“Top spot in what?” Clementine asks, peering down the hall and hoping to buy a few more seconds for Orlando.

“Being helpful. Don’t you know that’s what Beecher’s best at?” Dallas asks. “He even answers the questions that get emailed though the National Archives website, which no one likes answering because when you email someone back, well, now you got a pen pal. It’s true, you’re walking with the nicest guy in the entire building-though maybe you can teach him how to help himself,” Dallas adds, thinking he’s again making nice.

Doesn’t matter. By now, Orlando should be long gone from the SCIF. Nothing to worry about. But as Clementine steps between me and Rina, Rina isn’t staring at me. Her eyes are on my coat.

“Clear the hallway,” a deep baritone calls out. I turn just as two uniformed Secret Service agents exit from the nearby staircase. On my left, the lights above the elevator tell us it’s back on the ground floor. The sirens are louder than ever. Here comes Moses.

Without a word, one of the agents motions to Dallas and Rina, who head back around the corner. Question answered. Rina and Dallas are the ones staffing Wallace in the SCIF.

I go to push the button for the elevator. The taller Secret Service agent shakes his head and points us to the staircase. Until the President’s in place, that’s the only way down.

“What happened to your coat?” the agent asks, pointing to the brown Rorschach blots.

“Coffee,” I call back, trying to look relaxed as I head for the waiting stairs.


“Beecher, just say it,” Clementine says as soon as we’re out of sight. “Tell me!”

I shake my head, speedwalking us back through the musty stacks. I’m tempted to run, but as the motion sensor lights pop on above us, I’m reminded of the very best reason to stay calm. The sensors are the Archives’ way of saving energy, but all they do is highlight us for the videocameras in the corner of each stack. And unlike the videotape Orlando swiped from the room, these beam right back to the Security Office.

“You sure this is right?” Clementine asks as we reach a section where the lights are already on. Like we’ve been here before.

“Of course it’s right,” I say, squinting at the record group locator numbers at the end of the row on our left. I pause a moment. A moment too long.

“You’re lost, aren’t you?”

“I’m not lost.”

She studies me, strong as ever. “Beecher…”

“I’m not. Yes, I’m turned around a little. But I’m not lost,” I insist.

“Listen, even if you are, it’s okay,” she says with no judgment in her voice. But as she looks away, she starts… chuckling.

“You’re laughing?”

“I–I’m sorry,” she says, shaking her head, unable to hide it. The worst part is, she’s got a great laugh-a laugh from deep in her stomach, not one of those fake mouth ones. “It’s just-All this running… and the videotape and the Secret Service… and everyone’s got guns… This is the President, Beecher! What’re we doing?” she asks, her laugh coming faster.

Before I know it, I’m chuckling with her. It starts slowly, with just a hiccup, then quickly starts to gallop. She’s absolutely right. To be lost like this… what the hell are we doing?

My belly lurches, catapulting a gasp of a laugh that only makes her laugh harder. She bends forward, holding her side and shooting me another new look I’ve never seen before. It barely lasts a second-an appreciative grin that reveals a single dimple in her left cheek-

Poomp.

Half bent over, I look down and see that the dictionary that was hidden beneath my lab coat has slipped out, slapping against the stacks’ 1950s linoleum floor.

Clementine stares down at the old book. Her laughter’s gone.

Mine too. Reality’s back. And so is her fear.

“Clemmi, listen to me-whatever we found in that room-whatever they’re doing with this book-” She looks my way, her eyes wide. I take a deep breath. “I can fix this.”

She nods, swaying just slightly. “You mean that, don’t you?”

“I’m not sure. I think I do.” I scan the empty stacks and again study the record group numbers, determined to get us back on track. “Yeah. I do.”

She studies me carefully, silence settling around us. Behind me, one of the motion sensor lights blinks off from inaction. I wait for the look she gave me before-the appreciative nod with the single dimple. It doesn’t come. Instead, she stands up straight, turning her head, like she’s studying me from a brand-new angle. She’s no longer swaying. No longer moving. She’s staring straight at me. I have no idea what she’s seeing.

But I’ll take it.

“My father’s dead, isn’t he?” she asks.

“What? No…”

“Beecher, you know who my dad is, don’t you?”

“Let’s just-”

“If you know…” Her eyes well with tears and, like that half-second when she thought I wasn’t looking before, the girl who’s always prepared… she’s not prepared for this. “… how could you not tell me?”

She’s right. Completely right. But to just blurt it here…

“Beecher…”

She doesn’t say anything else. Just my name. But in those two stupid syllables, I hear everything in between. For twenty-nine years, Clementine Kaye has lived with empty spaces. And from what I know, she’s lived with them better than me. In seventh grade, I remember being paralyzed when Mrs. Krupitsky had the class make Father’s Day cards, thinking that’s the day we always go to his grave. Next to me, young Clementine was already happily writing away, turning it into a Mother’s Day card without even a second thought. But today, in those two syllables of my name, those empty spaces are back again, and I hear them loud and clear.

“Nico Hadrian,” I blurt.

Her eyes jump back and forth, fighting to process. I wait for her to lean on the end of the metal shelves for support, but her body stays stiff. She’s trying to will herself back to calm. It’s not working. “N-Nico? Y’mean, like the guy who-”

“Him. Mm-hmm. Nico Hadrian.” I nod, hoping to soften the blow. But there’s no other way to say it. “The man who tried to shoot President-”

“But he’s alive, right?”

“Yeah, sure-I mean, I think he’s in a mental hospital…”

“But he’s alive. My dad’s alive.” She reaches for the metal shelf on her left, but never grabs it. “It’s-it’s not what I expected, but I think-I think-I think-this is better than being dead, isn’t it? — it’s better,” she insists, blinking over and over, brushing away the tears. “I was so scared he’d be dead.” Her eyes stare straight ahead, like she can’t even see I’m there. “I didn’t think he’d be this, but-There are worse things in life, right?”

“Clementine, are you-?”

“There are worse things in life. He could’ve been dead; he could’ve been-” She cuts herself off, and slowly-right in front of me-it’s like she’s finally hearing her own words. Her jawbone shifts in her cheek. Her knees buckle. Before, she was unprepared. Now she’s unraveling.

I grab her arm, tugging hard. Time to get her out of here. At the end of one of the stacks-the real end this time-I push a metal door open and the dusty old stacks on the ninth floor dump us into the polished office hallway on the third floor of the main building.

The sirens from the motorcade still scream through the hall. No doubt, the President is inside the Archives by now, probably already in the SCIF with Dallas and Rina. The sirens should be fading soon. But as we head down the final steps to the lobby, as I tuck the coat-covered book tight under my arm and tug Clementine along, the sirens keep wailing. By the time I wave my badge and hear the click that opens the heavy door, there are a half dozen armed Secret Service agents standing in the lobby. The sirens are louder than ever.

A blast of mean December air from outside nearly knocks over the lobby’s Christmas tree as it sends its shredded paper decorations flying. On my right, I spy the source of the sudden wind tunnel: The automatic doors that lead out to Pennsylvania Avenue are wide open.

Step aside! Emergency!” someone yells as a gleaming metal gurney comes blasting through the entrance, pushed by two impassive paramedics in dark blue long-sleeved shirts.

“What’s going on?” I ask the nearest uniformed Secret Service guy. “Something happen with the President?”

He glances at my badge, making sure I’m staff. “You think we’d be standing here if that were the case? We took him out of here six minutes ago. This is one of yours.”

A strand of shredded paper kisses the side of my face, hooking around my ear. I don’t feel it. I don’t feel anything. “How do you mean, one of ours?”

“One of them,” he clarifies, pointing with his nose at the Security guys who run the main check-in desk. “Apparently, some poor guy had a seizure-or heart attack-they found him on the floor of his office. I think they said his name was…”

Orlando!?” a guard shouts from the check-in desk.

Orlando!?” Clementine blurts behind me.

No. No no. He didn’t just say-

The string of shredded paper slips off my ear, blowing into a small swirl at the center of the marble lobby. Clementine is silent behind me.

There’s no way. I was just… he was just…

“Beecher,” Clementine whispers behind me.

I’m already running, dragging her with me by her hand.

This isn’t happening. Please tell me this isn’t happening.

But it is.

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