The Morning Gift

Chapter 2

Ruth had always loved the statue of the Empress Maria Theresia on her marble plinth. Flanked by her generals, a number of horses and some box hedges, she gazed at the strolling Viennese with the self-satisfied look of a good hausfrau who has left her larder full and her cupboards tidy. Every school child knew that it was she who had made Austria great, that the six-year-old Mozart had sat on her knee, that her daughter, Marie Antoinette, had married the King of France and lost her head.

But for Ruth the plump and homely Empress was something more: she was the guardian of the two great museums which flanked the square that bore her name. To the south was the Museum of Art — a gigantic, mock Renaissance palace which housed the famous Titians, the Rembrandts, the finest Brueghels in the world. To the north — its replica down to the last carved pillar and ornamented dome — was the Museum of Natural History. As a child she had loved both museums. The Art Museum belonged to her mother and it was filled with uplift and suffering and love — rather a lot of love. The Madonnas loved their babies, Jesus loved the poor sinners, and St Francis loved the birds.

In the Natural History Museum there wasn’t any love, only sex — but there were stories and imagined journeys — and there was work. This was her father’s world and Ruth, when she went there, was a child set apart. For when she had had her fill of the cassowary on his nest and the elephant seal with his enormous, rearing chest, and the glinting ribbons of the snakes, each in its jar of coloured fluid, she could go through a magic door and enter, like Alice, a secret, labyrinthine world.

For here, behind the gilded, silent galleries with their grey-uniformed attendants, was a warren of preparation rooms and laboratories, of workshops and sculleries and offices. It was here that the real work of the museum was done: here was the nerve centre of scholarship and expertise which reached out to every country in the world. Since she was tiny, Ruth had been allowed to watch and help. Sometimes there was a dinosaur being assembled on a stand; sometimes she was allowed to sprinkle preservative on a stretched-out skin or polish glass slides for a histologist drawing the mauve and scarlet tissues of a cell, and her father’s room was as familiar to her as his study in the Felsengasse.

In earlier times, Ruth might have sought sanctuary in a temple or a church. Now, homeless and desolate, she came to this place.

It was Tuesday, the day the museum was closed to the public. Silently, she opened the side door and made her way up the stairs.

Her father’s room was exactly as he had left it. His lab coat was behind the door; his notes, beside a pile of reprints, were on the desk. On a work bench by the window was the tray of fossil bones he had been sorting before he left. No one yet had unscrewed his name from the door, nor confiscated the two sets of keys, one of which she had left with the concierge.

She put her suitcase down by the filing cabinet and wandered through into the cloakroom with its gas ring and kettle. Leading out of it was a preparation room with shelves of bottles and a camp bed on which scientists or technicians working long hours sometimes slept for a while.

‘Oh God, let him come,’ prayed Ruth.

But why should he come, this Englishman who owed her nothing? Why should he even have got the keys she had left with the concierge? Hardly aware of what she was doing, she pulled a stool towards the tray of jumbled bones and began, with practised fingers, to separate out the vertebrae, brushing them free of earth and fragments of rock. As she bent forward, her hair fell on the tray and she gathered it together and twisted it into a coil, jamming a long-handled paintbrush through its mass. Heini liked her hair long and she’d learnt that trick from a Japanese girl at the university.

The silence was palpable. It was early evening now; everyone had gone home. Not even the water pipes, not even the lift, made their usual sounds. Painstakingly, pointlessly, Ruth went on sorting the ancient cave bear bones and waited without hope for the arrival of the Englishman.

Yet when she heard the key turn in the door, she did not dare to turn her head. Then came footsteps which, surprisingly, were already familiar, and an arm stretched over her shoulder so that for a moment she felt the cloth of his jacket against her cheek.

‘No, not that one,’ said a quiet voice. ‘I think you’ll find that doesn’t match the type. Look at the size of the neural canal.’

She leant back in her chair, feeling suddenly safe, remembering the hands of her piano teacher coming down over her own to help her with an errant chord.

Quin, meanwhile, was registering a number of features revealed by Ruth’s skewered hair: ears… the curve of her jaw… and those vulnerable hollows at the back of the neck which prevent the parents of young children from murdering them.

‘How quick you are,’ she said, watching his long fingers move among the fragmented bones. And then: ‘You had no luck at the Consulate?’

‘No, I had no luck. But we’ll get you out of Vienna. What happened back at the flat? Did you save anything?’

She pointed to her suitcase. ‘Frau Hautermanns warned me that they were coming.’

‘The concierge?’

‘Yes. I packed some things and went down the fire escape. They weren’t after me. Not this time.’

He was silent, still automatically sorting the specimens. Then he pushed away the tray.

‘Have you eaten anything today?’

She shook her head.

‘Good. I’ve brought a picnic. Rather a special one. Where shall we have it?’

‘I suppose it ought to be in here. I can clear the table and there’s another chair next door.’

‘I said a picnic,’ said Quin sternly. ‘In Britain a picnic means sitting on the ground and being uncomfortable, preferably in the rain. Now where shall we go? Africa? You have a fine collection of lions, I see; a little moth-eaten perhaps, but very nicely mounted. Or there’s the Amazon — I’m partial to anacondas, aren’t you? No, wait; what about the Arctic? I’ve brought rather a special Chablis and it’s best served chilled.’

Ruth shook her head. ‘The polar bear was almost my favourite when I was small, but I don’t want to get chilblains — I might drop my sandwiches. You don’t want to go back in time? To the Dinosaur Hall?’

‘No. Too much like work. And frankly I’m not too happy about that ichthyosaurus. Whoever assembled that skeleton had a lot of imagination.’

Ruth flushed. ‘It was old Schumacher. He was very ill and he so much wanted to get it finished before he died.’ And then: ‘I know! Let’s go to Madagascar! The Ancient Continent of Lemuria! There’s an aye-aye there, a baby — such a sad-looking little thing. You’ll really like the aye-aye.’

Quin nodded. ‘Madagascar it shall be. Perhaps you can find us a towel or some newspaper; that’s all we need. I’m sure eating here’s against the regulations but we won’t let that trouble us.’

She disappeared into the cloakroom and came back with a folded towel, and with her hair released from its skewer. There could be doubts about her face thought Quin, with its contrasting motifs, but none about her impossible, unruly, unfashionable hair. Touched now by the last rays of the sinking sun, it gave off a tawny, golden warmth that lifted the heart.

It was a strange walk they took through the enormous, shadowy rooms, watched by creatures preserved for ever in their moment of time. Antelopes no bigger than cats raised one leg, ready to flee across the sandy veld. The monkeys of the New World hung, huddled and melancholy, from branches — and by a window a dodo, idiotic-looking and extinct, sat on a nest of reconstructed eggs.

Madagascar was all that Ruth had promised. Ring-tailed lemurs with piebald faces held nuts in their amazingly human hands. A pair of indris, cosy and fluffy like children’s toys, groomed each other’s fur. Tiny mouse lemurs clustered round a coconut.

And alone, close to the glass, the aye-aye… Only half-grown, hideous and melancholy, with huge despairing eyes, naked ears and one uncannily extended finger, like the finger of a witch.

‘I don’t know why I like it so much,’ said Ruth. ‘I suppose because it’s a sort of outcast — so ugly and lonely and sad.’

‘It has every reason to be sad,’ said Quin. ‘The natives are terrified of them — they run off shrieking when they see one. Though I did find one tribe who believe they have the power to carry the souls of the dead to heaven.’

She turned to him eagerly. ‘Of course, you’ve been there, haven’t you? With the French expedition? It must be so beautiful!’

Quin nodded. ‘It’s like nowhere else on earth. The trees are so tangled with vines and orchids — you can’t believe the scent. And the sunbirds, and the chameleons…’

‘You’re so lucky. I was going to travel with my father as soon as I was old enough, but now…’ She groped for her handkerchief and tried again. ‘I’m sure that tribe was right,’ she said, turning back to the aye-aye. ‘I’m sure they can carry the souls of the dead to heaven.’ She was silent for a moment, looking at the pathetic embalmed creature behind the glass. ‘You can have my soul,’ she said under her breath. ‘You can have it any time you like.’

Quin glanced at her but said nothing. Instead, he took the towel and spread it on the parquet. Then he began to unpack the hamper.

There was a jar of pâté and another of pheasant breasts. There were fresh rolls wrapped in a snowy napkin and pats of butter in a tiny covered dish. He had brought the first Morello cherries and grapes and two chocolate soufflés in fluted pots. The plates were of real china; the long-stemmed goblets of real glass.

‘I think you’ll like the wine,’ said Quin, lifting a bottle out of its wooden coffin. ‘And I haven’t forgotten the corkscrew!’

‘How did you do it all? How could you get all that? How did you have the time?’

‘I just went into a shop and told them what I wanted. It only took ten minutes. All I had to do was pay.’

She watched him lay out the picnic, amazed that he was thus willing to serve her. Was it British to be like this, or was it something about him personally? Her father — all the men she knew — would have sat back and waited for their wives.

When it was finished it was like a banquet in a fairy story, yet like playing houses when one was a child. But when she began to eat, there were no more thoughts; she was famished; it was all she could do to remember her manners.

‘Oh, it’s so good! And the wine is absolutely lovely. It’s not strong, is it?’

‘Well…’ He was about to advise caution but decided against it. Tonight she was entitled to repose however it was brought about.

‘Where have your parents gone to?’ he said presently, as they sat side by side, leaning their backs against a radiator. ‘I mean, what part of London?’

‘Belsize Park. It’s in the north-west, do you know it?’

‘Yes.’ The dreary streets with their dilapidated Victorian terraces, the cat-infested gardens of what had once been a prosperous suburb, passed before his mind. ‘A lot of refugees live there,’ he said cheerfully. ‘And it’s very near Hampstead Heath, which is beautiful.’ (Near, but not very near… Hampstead, at the top of the hill, was a different world with its pretty cottages, its magnolia trees, and the blue plaques announcing that Keats had lived there, and Robert Louis Stevenson, and a famous Admiral of the Fleet.) ‘And Heini will go there too?’

‘Yes; very soon. He’s in Budapest getting his emigration papers and saying goodbye to his father, but there won’t be any trouble. He’s Hungarian and the Nazis don’t have anything to say there. He had to go quickly because he’s completely Jewish. After the goat-herding lady died, my grandfather married the daughter of a rabbi who already had a little girl — she was a widow — and that was Heini’s mother, so we’re not blood relations.’ She turned to him, cupping her glass. ‘He’s a marvellous pianist. A real one. He was going to have his debut with the Philharmonic… three days after Hitler marched in.’

‘That’s rough.’

‘Yes. He was absolutely frantic. I didn’t know how to comfort him; not properly.’

She retreated momentarily into her hair.

‘And you’re going to get married?’

‘Yes… Well, Heini doesn’t talk a lot about getting married because he’s a musician… an artist… and they don’t talk much about bourgeois things like marriage — but we’re going to be together. Properly, I mean. We were going to go away together after the concert, to Italy. I’d have gone earlier but my parents are very old-fashioned… also there was the thing about Chopin and the études.’

The fork which Quin had been conveying to his mouth stayed arrested in his hand. ‘I’m sorry, I’m afraid you’ve lost me. How do Chopin études come into this?’

Too late, Ruth realized where she was heading and looked with horror at her empty glass, experiencing the painful moment when it becomes clear that what has been drunk cannot be undrunk. It had been so lovely, the wine, like drinking fermented hope or happiness, and now she was babbling and being indiscreet and would end up in the gutter, a confirmed absinthe drinker destined for a pauper’s grave.

But Quin was waiting and she plunged.

‘Heini had a professor who told him that Chopin thought that every time he made love he was depriving the world of an étude. I mean that… you know… the same energy goes into composing and… the other thing. A sort of vital force. And this professor thought it was good for Heini to wait. But then Heini found out that the professor was wrong about the way to finger the Appassionata, so then he thought maybe he was wrong about Chopin too. Because there was George Sand, wasn’t there?’

‘There was indeed,’ said Quin, deeply entertained by this gibberish. It wasn’t till they had finished the meal and Ruth, moving nimbly in the gathering darkness, had cleared away and packed up the hamper, that he said: ‘I’ve been thinking what to do. I think we must get you out of Vienna to somewhere quiet and safe in the country. Then we can start again from England. I know a couple of people in the Foreign Office; I’ll be able to pull strings. I doubt if anyone will bother you away from the town and I shall make sure that you have plenty of money to see you through. With your father and all of us working away at the other end we’ll be able to get you across before too long. But you must get away from here. Is there anyone you could go to?’

‘There’s my old nurse. She lives by the Swiss border, in the Vorarlberg. She’d have me, but I don’t know if I ought to inflict myself on anyone. If I’m unclean —’

‘Don’t talk like that,’ he said harshly. ‘And don’t insult people who love you and will want to help you. Now tell me exactly where she lives and I’ll see to everything. What about tonight?’

‘I’m going to stay here. There’s a camp bed.’

He was about to protest, suggesting that she come back to Sacher’s, but the memory of the German officers crowding the bar prevented him.

‘Take care then. What about the night watchman?’

‘He won’t come into my father’s room. And if he does, he’s known me since I was a baby.’

‘You can’t trust anyone,’ he said.

‘If I can’t trust Essler, I’ll die,’ said Ruth.

At two in the morning, Quin got out of bed and wondered what had made him leave a girl hardly out of the schoolroom to spend a night alone in a deserted building full of shadows and ghosts. Dressing quickly, he made his way down the Ringstrasse, crossed the Theresienplatz, and let himself in by the side entrance.

Ruth was asleep on the camp bed in the preparation room. Her hair streamed onto the floor and she was holding something in her arms as a child holds a well-loved toy. Professor Berger’s master key unlocked also the exhibition cases. It was the huge-eyed aye-aye that Ruth held to her breast. Its long tail curved up stiffly over her hand and its muzzle lay against her shoulder.

Quin, looking down at her, could only pray that, as she slept, the creature that she cradled was carrying her soul to the rain-washed streets of Belsize Park, and the country which now sheltered all those that she loved.