Acknowledgments

This book owes so much to four people: first, to my literary agent and friend, Suzanne Gluck, brilliant and inspirational at every step; and to Gina Centrello of Random House and my editors, Jon Karp and Jennifer Hershey, for their vision, their passion, and their faith.

Superb publishing professionals at my literary agency and publishing houses contributed to all facets of the process. At William Morris Agency, Jon Baker, Georgia Cool, Raffaella De Angelis, Alice Ellerby, Michelle Feehan, Tracy Fisher, Candace Finn, Eugenie Furniss, Alicia Gordon, Yael Katz, Shana Kelly, Rowan Lawton, Erin Malone, Andy McNicol, Emily Nurkin, and Bari Zibrack. At Random House, Avideh Bashirrad, Kate Blum, Sanyu Dillon, Benjamin Dreyer, Richard Elman, Megan Fishmann, Laura Ford, Jonathan Jao, Jennifer Jones, Vincent La Scala, Libby McGuire, Gene Mydlowski, Grant Neumann, Jack Perry, Tom Perry, Jillian Quint, Carol Schneider, Judy Sternlight (at Modern Library), Beck Stvan, Simon Sullivan, Bonnie Thompson, and Jane von Mehren. I have also received support and insight from Chris Lynch at Simon amp; Schuster Audio, Stuart Williams and Jason Arthur at Harvill Secker UK, Elena Ramirez at Seix Barral, and Francesca Cristoffanini at Rizzoli.

Thanks to those who have helped this book progress through reading and reinforcing. This includes, as always, my family; my parents, Susan and Warren Pearl, and my brother, Ian Pearl; as well as Benjamin Cavell, Joseph Gangemi, Julia Green, Anna Guillemin, Gene Koo, Julie Park, Cynthia Posillico, Gustavo Turner, and Scott Weinger; and Tobey Wiggins, who lent amazing encouragement and supportiveness.

Additional thanks: the archivists and librarians at Boston Public Library, Harvard University, Iowa University, Duke University, Maryland Historical Society, Enoch Pratt Public Library of Baltimore, Johns Hopkins University, New York Public Library, the Library of Virginia and the University of Virginia. Also, for generous input related to Poe and specific areas of nineteenth-century life and culture: Ralph Clayton, Dr. John Emsley, Allan Holtzman, Jeffrey Meyers, Scott Peeples, Edward Papenfuse, Jeff Savoye, Kenneth Silverman, and Dr. Katherine Watson.

Further appreciation to the generations of scholars who have assembled our current knowledge about Poe's life, including the exceptional Burton Pollin (who first noticed the appearance, mentioned in this novel, of the initials "E. S. T. G." in the Broadway Journal). A note of praise for the Edgar Allan Poe Society of Baltimore website (eapoe.org), created by Jeff Savoye, which should set the standard for all online literary resources. Finally, thanks to the staffs and supporters of the Poe homes and museums in Baltimore, Fordham, Philadelphia, and Richmond, as well as the Westminster burial yard in Baltimore, for sustaining the story of Poe as a living experience and allowing all of us a chance to visit.

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