The Queen's Bastard

JAVIER, PRINCE OF GALLIN

13 January 1588 Lutetia, the docks

He has gone to some measure to disguise himself, his ginger hair darkened not with dye but with soot and ashes: it is a more temporary guise than he might like, but grey and black catch the light more naturally than pure black dye, and it only needs to work for a few hours. He has no especial skill at changing his weight with clever clothes, but he has packed both coin and food into a roll at his belt, thickening his slender hips. There is padding in the shoulders of his cloak, making him bulkier, and he can, at the least, take the street vowels he learned so well from Eliza and apply them to his voice. He remembers streaks of dirt on Beatrice’s face as he drew her from the oubliette, and has mimicked them on his own, shadows changing the line of his jaw. It is not a perfect disguise, but it is enough to let him walk the docks late at night without notice.

There’s a ship already on the horizon, black shape against the stars as it sails against the wind. That wind carries the scent of the sea, the heavy unpleasantness of rotten fish and saltwater, and Javier is certain that there is no hint of perfume, carried from the horizon, on that breeze. He is certain, and yet. And yet.

The tide has long since turned, and Beatrice has not come to him. Beatrice, he thinks; no: Belinda. It’s an irrational conclusion, that Beatrice would have come to him but Belinda Primrose would not, and it is the only one he can bear.

Morning comes, and Beatrice does not. Head lowered, heart empty, Javier, prince of Gallin, climbs aboard a ship bound for Isidro in Essandia, there to seek his uncle’s counsel, and sails with the dawn.