The Sparrow

24 VILLAGE OF KASHAN AND CITY OF GAYJUR: THIRD-FIFTH NA'ALPA

Within an hour, it became obvious that D. W. Yarbrough was very sick. Emilio, hoping that Manuzhai might be of some help, went looking for her and found her in one of the biggest rooms, surrounded by people deep in a discussion of "pik" somethings. Everyone's ears cocked toward him expectantly as he entered the room, so he tried to explain what seemed to be wrong with D.W. and asked if anyone recognized this illness, knew what caused it or what might help.

"It is like all sickness," Manuzhai told him. "His heart desires something he cannot have."

"There is no animal whose bite does this?" Emilio persisted. "His belly—his gut gives pain: so." He made a gripping motion with his hands. "Is there a food sometimes that does this?"

That set off an interminable discussion of what for all the world sounded like the arcane rules for keeping kosher, with everyone offering stories of how so-and-so got sick once from mixing long foods with round foods, which triggered skeptical commentary along the lines of whether or not that was true or just an excuse someone had used to get out of doing work, and then several people said they mixed round and long all the time and never got sick. Finally, he began to sway from side to side, to indicate to them that he was getting anxious. This was getting him nowhere.

Manuzhai seemed to understand his need to return to the apartment, so she stood up and took her leave of the rest to escort him home, afraid he'd fall from the narrow walkways connecting the apartments and terraces; no matter what they told her, she remained convinced that the foreigners couldn't see in the dim red light of Rakhat's smallest sun. Askama came with them, clinging to her mother for a change, but she looked up at Emilio and asked with a child's bluntness, "Sipaj, Meelo, will Dee be gone in the morning?"

Emilio was speechless. It was his unvarying policy to tell the truth and in truth, after Alan Pace's death, it seemed all too possible that Yarbrough would not live through the night, but he couldn't find the words to speak the thought aloud.

"Perhaps," Manuzhai answered for him, raising her tail and letting it drop in what he had come to believe was the equivalent of a shrug. "Unless he gets what his heart wants."

Finding his voice, Emilio said, "Someone thinks it was something Dee ate or drank that makes him sick."

"Sometimes food makes you sick but many have eaten the same food as Dee and only Dee is sick," Manuzhai said, with unassailable logic. "You should find out what he wants and give it to him."

There was no real privacy in Runa life. The apartments had, at most, alcoves or irregularities that could serve to separate some habitual divisions of use. No one seemed to own any apartment, other than by occupying it. Families sometimes left to visit other villages and rooms might be left empty for a little while, but if another family liked the apartment, they moved in; when the travelers returned, they simply chose someplace else in the village to stay. Anne and George Edwards found the lack of a bedroom door embarrassing and they'd appropriated the most recessed region of Manuzhai and Chaypas's apartment, going so far as to set up a tent inside the dwelling. The rest had put up their camp beds in a different place every night or, if the apartment was filled with guests, simply dossed down on Runa cushions wherever there was space.

D.W.'s bed was toward the back of the apartment ordinarily, but Anne had it moved to the entrance so he could get out fast. He'd already had several bouts of intestinal distress and was now lying still, curled around a heated rock wrapped in cloth, eyes closed, face rigid. Sitting on the floor next to him, Anne put a hand on his head, pulling the damp hair off his forehead, and said, "Call if you need me, okay?" He made no sign that he'd heard, but she rose anyway and went to Emilio, who'd just returned with Manuzhai and Askama. "Did you find anything out?" she asked, motioning him away from D.W.'s bed and out to the terrace, where they could talk.

"Nothing useful medically." But he told her what Manuzhai had said.

"Thwarted desires, eh? How Freudian," Anne said softly. It was a Runa notion she had come up against before and she thought it might be a fundamental paradigm of Runa social life. It bore thinking about later, when she had the wits to consider it as an anthropologist.

Sofia joined Anne and Emilio outside. "Okay," Anne said unemotionally, "he went down fast, the diarrhea is very bad, and I am concerned. It's almost like Bengali cholera. If there's vomiting too and he gets seriously dehydrated, it could be big trouble."

"Anne, everyone's had diarrhea and gut pain off and on," said Emilio. "Perhaps he'll just have a bad night and be fine in the morning."

"But." Anne looked at him, her eyes serious.

"Yes," Emilio agreed finally. "But."

"So. What do we do now?" Sofia asked.

"Boil some water and whistle in the dark," said Anne. She stepped to the edge of the terrace and looked out across the gorge. It was a rare night on Rakhat, cloudless and starry, with a single, nearly full moon. The river splashed and foamed around the rocks below her, and she could hear the metallic squeal of a rusted iron gate blowing in the wind—the bizarre call of a redlight moranor. "At home, I'd put him on an IV drip and pump him full of drugs. I can approximate a rehydration fluid but the stuff he really needs is in the lander." Shit, Anne thought, and turned around to look at Sofia. "If George put the Ultra-Light together, could you—"

"No one goes back to the lander!" D.W. called out. He was in misery but he was neither comatose nor deaf, and he had heard at least some of what they'd said. "We ain't been back for weeks and the runway is prolly all overgrown. I don't want anybody killed just 'cause I got a damn bellyache."

Sofia went back inside and knelt by his bed. "I can land in the rough. We have to go back sometime. The longer we wait, the worse the runway will get. If you need saline and antibiotics, I'm going tonight."

It was public now, and everyone had an opinion. D.W. struggled to sit up and prove to Sofia he wasn't that sick. Jimmy and George got involved in the argument, with Marc wading in as well. They should have thought of this before, but the time had gone by quickly and besides, they had hesitated to introduce the notion of manned flight to the Runa. They were making things up as they went along; there were no guidelines except the negative example of their predecessors' disastrous interactions with technologically simple cultures on Earth. They had no wish to be taken for gods or to begin a cargo cult here. Even so, they had to go back for supplies eventually and they needed to reestablish the runway soon, so why not tonight?

Manuzhai, distressed by the dispute and swaying, took Askama by the hand and left the apartment to sit on the terrace. Emilio quietly apologized to her as she passed him, and then he went inside.

"Enough," he said softly, and silence fell. "D.W., lie down and be quiet. The rest of you, stop arguing. You are offending our hosts and the discussion is pointless. The Ultra-Light won't fly in darkness anyway, will it?" There was a burst of chagrined laughter. In the press of crisis, no one else had thought of that. Emilio ran his hands through his hair. "All right. Tomorrow is soon enough for a reconnaissance flight, which we will undertake even if D.W. is fine. I can explain the plane somehow. Anne, I'll take the night shift. The rest of you, get some sleep."

Nobody moved at first. Direct orders, issued from the mouth of Emilio Sandoz, Sofia Mendes was thinking, astonished. Evidently, the same observation had occurred to D. W. Yarbrough, who fell back laughing weakly and said, "And I thought you weren't management material." Emilio said something rude in Spanish, and the small knot of anxious people arrayed around Yarbrough's bed dispersed, leaving Emilio and D.W. alone finally, with Anne's repeated instructions—to force liquids and call her if there was any vomiting in addition to the diarrhea—ringing in their ears.

That night, they all were awakened over and over by the unavoidable disturbance caused when D.W. was forced to get up suddenly, and he became sicker by the hour. Then just before dawn, they woke again, this time to an unmistakable smell and D.W.'s groan of "Oh, my God," and lay awake, pretending to be unaware, listening to Emilio's soft Spanish reassurances and Yarbrough's humiliated weeping.

Askama slept on but Manuzhai abruptly rose and left the apartment. Anne lay rigid next to George, listening carefully and weighing the choices as Emilio cleaned up the mess, efficient as a night nurse and as unflappable. D.W. was already mortified. A thirty-year taboo against touch had already been broken. A woman's involvement would only make it worse, she decided. Anne heard Emilio insist that Yarbrough drink some more water, boiled and spiked with sugar and salt. The stuff tasted awful and D.W. gagged on it, but Emilio reminded him that dehydration could kill, and so with a practiced ease born of internship, Anne went back to sleep, trusting Emilio's judgment, if not God's will.

Moments later, Manuzhai returned with a stack of simple woven mats used for infants' beds. Emilio helped D.W. raise his hips and slipped one under him, before covering him again. Manuzhai, who had risen repeatedly to escort the two foreigners down the dark rocky pathway to the river and who had seen the tenderness of care one gave the other, now patted Yarbrough's arm in a gesture of reassurance that was startlingly human and left to spend the balance of the night elsewhere.

Long ago, Marc Robichaux had observed that a natural tendency to awaken early in the morning is a necessary though insufficient condition if a man is to survive formation and pass onward to ordination. He had known several men who might have become priests if waking at dawn had not done such violence to their normal sleep patterns.

Among the Jesuit party on Rakhat, Marc Robichaux was ordinarily the alpha to Jimmy Quinn's omega, so the apartment was silent as usual when Marc sat up and looked around. In the brief morning witlessness that afflicts even early risers, the night's events were forgotten; then Marc saw Sandoz in a sleeping bag next to the Father Superior's bed and it all came back to him. His eyes went to Yarbrough, who, Marc saw with relief, was also sleeping.

Marc pulled on khaki shorts and, barefoot, padded noiselessly out to the terrace, where Anne sat with Askama, who was trying to teach her the incredibly complicated version of cat's cradle the Runa played. He looked at Anne inquiringly and she smiled and rolled her eyes heavenward, shaking her head at her own fears.

"And sometimes they just get better," Marc said quietly.

"Deus vult," she replied ironically.

He smiled in return, and made his way down to the river.

The precariousness of their existence on this planet was once again in the forefront of their minds and D.W.'s probable recovery did not remove the sense of dancing on a high wire. By the time Emilio came out to the terrace, rubbing his face muzzily in the midmorning light, George and Sofia were trying to decide if they could rig some kind of rope ladder so somebody could jump off the Ultra-Light as she flew over the clearing at the slowest possible air speed, and then could clear the brush before she attempted to land. Anne was providing graphic descriptions of the sort of really interesting compound fractures that were likely to result from this plan while Marc argued that he might be able to tell from the air whether the growth that had undoubtedly begun to fill in the runway was woody or soft. Emilio, stupefied, stared at them for a few moments before turning away and going back to bed after an interlude at the river.

He slept another couple of hours and when he came back out to the terrace, even D.W. was up, pale and rumpled but feeling a little better and making jokes about Runa's Revenge. Jimmy was back from wherever he'd been, and it appeared that at least one problem was about to resolve itself. That morning, Jimmy had learned that the villagers were about to leave for some kind of harvest.

"Pik root," Emilio said, yawning. "I heard about that last night."

"They want to know if we're coming," Jimmy told them.

"Do they want us to?" George asked.

"I don't think so. One of them said it was a long walk and asked me if I was going to carry all of you," Jimmy said. "It was obviously a big joke. Lots of tail twitching and huffing. I don't think they'd mind if we stay home." In fact, it was his impression that the Runa would be just as happy to find out that the foreigners weren't coming. The troop moved at the pace of the slowest member, which had often been Anne or Sofia. No one complained, but it was obvious when they got where they were going that some of the flowers had passed their peak.

"If they all leave, we won't have to explain about the plane," Emilio said, sitting down. The sky was hazy and it felt like it was going to be very hot. Sofia handed him a cup of coffee. Askama spotted him from two terraces away and scampered over, full of questions about D.W., whom she was too shy to address directly, and why had Meelo slept so late and was everyone coming to dig pik root?

"Sipaj, Askama," Emilio said. "Dee was very sick. Someone thinks we will stay here with him while he rests." The child looked crestfallen, ears at half-mast and tail drooping, but undaunted, she devoted the next half hour to cajolery, trying to talk them into coming. When it became plain that this wouldn't work, she declared herself "porai" and threatened to get sick like Dee because her heart was sad. Anne saw an opportunity to start working out what all this "heart sickness" and "porai" stuff was about and took Askama off to another terrace.

"Okay. Listen up," D.W. said when Askama and Anne were out of earshot. He was still pretty shaky, but it was important to reestablish command. "Plan A: As soon as the coast is clear, George puts the Ultra-Light back together and Mendes here takes Robichaux in for a look-see. We rely on Marc's fear of untimely death to balance Mendes's overconfidence as a pilot. If he thinks they can land okay, she gives it a shot. Their reward for not crashin' is they get to clean up the runway. If Marc decides it's crazy to land, you turn back, Mendes. No arguments."

"And then what?" Sofia asked.

"Then we'll try Plan B."

"Which is?"

"I ain't thought that one up yet. Shee-it," said Dalton Wesley Yarbrough, Father Superior of the Jesuit mission to the village of Kashan on Rakhat, amid cries of derision. "Get off my back! Hell, I'm a sick man."

Runa discussions tended to drag on for days but once a decision was made, the village mobilized with impressive efficiency. George and Sofia hardly waited until the last tail had disappeared before setting out in the opposite direction for the Ultra-Light cache. The little plane was reassembled within the hour, and Sofia took it up for a quick test run. Jimmy, linked to systems aboard the Stella Maris, established that the weather was okay on both sides of the mountain range. There was about seven hours of useful light left.

With unsettling dispatch, Marc and Sofia climbed aboard, strapped in and made ready to leave, the others watching as Yarbrough leaned into the little cockpit, hands moving through the air, miming emergency maneuvers. When Sofia started the motor, D.W. stepped back and hollered with specious sternness, "Don't crash, y'hear? That's an order. We only got one damn Ultra-Light. Come back safe!"

Sofia laughed and shouted, "Be here safe when we get back!" And then they were gone, the little plane rising quickly into the sky, wings tipping twice in farewell.

"I hate this," Anne said, when they couldn't hear the motor any longer.

"You are a worrywart," George said, but he put his arms around Anne from behind and kissed the top of her head.

Jimmy said nothing but he wished now that he'd had George take a look at the weather front coming in from the southwest before he okayed the flight.

"I think they will be fine," Emilio said. And D.W. added, "She's a damn good pilot."

"All the same," Anne said stubbornly. "I hate it all the same."

Seven days' journey north of them, in his wharf side compound overlooking the high seawall that bordered his property, Supaari VaGayjur began that day with a similar sense of the precariousness of his existence. He was about to risk not life and limb but status and dignity. If he failed, it would put an end to dreams he hardly dared acknowledge. The stakes were very high, in that sense.

He broke his fast with a handsome meal, gorging carefully: enough so that he would not need to consider meat again that day but not so much as to slow his thoughts. He spent the morning attending to business with the single-minded intensity of a first-born military man and the plodding thoroughness of a second-born bureaucrat. The only time his concentration broke was when he passed through the courtyard on his way to a storage building. He could not keep himself from glancing upward toward Galatna Palace, set apart like its inhabitant: splendid and useless.

Around him, the city rang and vibrated and rumbled with the noise of manufacture and trade, the treble clang and shriek of metalworking momentarily dimmed by the bass of wooden wheels thundering over cobbles just outside his warehouse; the clamor of craft and commerce merging with the noise of the docks, where six hundred vessels, laden with cargo from all over the southern coast of Rakhat's largest continent, shouldered in toward the wharves of Gayjur, their largest market.

Driven early from his natal compound, Supaari had been drawn to Gayjur as a two-moon tide is drawn to shore. He took passage downriver on a Runa freighter bringing huge baskets of carmine and violet datinsa to market. Pride was an expense he could not afford: he helped the Runa cook prepare the sailors' meals to work off his fare. He expected humiliation and rejection; it was all he'd known. But in the four days he spent on that boat moving past the sea-carved filigree of the Masna'a Tafa'i coast, Supaari experienced more kindness and friendship than in all his childhood. The Runa were despised but so was he; by the time he tasted the harsh metallic vapors and oily scents of Gayjur as they hove into Radina Bay, the cook had called him brother and Supaari felt less a youth condemned to exile than a man about to find a treasure, if only he has the wit to recognize it.

Within a season, exhilarated by the challenges and risks of trade in the world's largest commercial city, Supaari knew he had found his place and had formally taken his landname, VaGayjur. He began as a runner, working for another third who had come to Gayjur only five years earlier and who was already prospering beyond Supaari's youthful ability to imagine wealth. He learned the universal laws of trade: buy low and sell high; cut losses and let profits run; smell the emotion of the market but don't give way to it. And he discovered his own niche: a willingness, an eagerness to learn from the Runa, to speak their language and respect their ways and deal with them directly.

His fortune was founded on a chance remark by a Runao from the midlands, visiting Gayjur to find a better market for her village's weaving. There had been unusual rain in the high plateau of Sintaron, she said and commented, "Rakari should be good this year." Later that day, Supaari checked with several shippers who worked the Pon riverway. They were making the trip in under five days. The river was high, they told him, with a good, fast current. Using everything he'd saved and pledging two years of his labor against default, Supaari contracted to deliver rakari for three bhali per bale at the end of the season. He quit as a runner, traveled inland to the rakar fields, where the bumper crop was being harvested, and arranged to buy every bale at half a bhal. The pickers were pleased to get so much, the rakar processors were forced to pay the contract price, and Supaari VaGayjur bought his first yard on the profit.

He developed a reputation for knowing what was happening among the Runa, and while his knowledge was profitable and his wealth envied, its source was disdained and he remained an outsider among the respectable Jana'ata of Gayjur. His world consisted of other thirds, who were his competitors, and the Runa, who were, for all that he enjoyed their company, his prey.

His exclusion from society galled him, but there was a more fundamental source of discontent—something which sucked the savor from Supaari's life, which made him wonder what the point of all his effort was. His brothers, whose inheritance tied them to the small and backward town of their birth, seemed less enviable to him now as he looked around his large and well-managed compound, with its servants and warehouse workers, its runners and office staff, its bustling purposefulness. And yet his brothers had what every third was barred from: descendants, heirs, posterity.

There were ways out of this trap. The death without issue of an older sibling would open the way for a third child, providing it could be proved that the heir had not assassinated the first- or second-born. Sterility, if the older was willing to declare the condition's permanence publicly and yield status to the younger, could also make a family possible. And, in exceedingly rare cases, a third could be rendered Founder and establish a new lineage.

On this last possibility—and on seven small brown kernels of extraordinary scent and the exquisite boredom of Hlavin Kitheri—Supaari VaGayjur now pinned his hopes.

By midday, his ordinary business concluded, Supaari was ready to hire a skimmer to pole across the bay to Fatzna Island, the glassmakers' quarter. As the shallow-drafted boat slid onto fine white sand, the thought occurred to him belatedly that he might have done well to bring Chaypas with him, to advise him on the selection of a vacuum flask. Too late, he thought as he paid off the poler and asked the woman to return for him after first sundown. Then he began a systematic hunt through the shops. In the end, he bought not one but three small presentation flasks, each the finest of its type in his judgment, ranging from the classically ornate to a pure crystal simplicity.

When the poler returned, he asked to be let off near Ezao. Noting with satisfaction the large number of people already wearing the waterfall of ribbons, Supaari tracked Chaypas to one of the cook shops and, explaining briefly, asked her opinion of the flasks.

Chaypas stood. Leaving her meal and Supaari behind, she walked outside and then a short way uphill to a vantage point that gave her a view of Galatna Palace, with its twisted marble columns, its finely wrought and silvered gates, its silken awnings, its glazed tile walls gilded and sparkling in the reflections from the paired three-sided fountains sending droplets of precious scented oils like fire sparks into the sunlight.

"In flood, the heart longs for drought," Chaypas said when she returned, and set the simplest of the flasks before him. Then she held out both her hands to him and said, with a warmth that touched him to his soul, "Sipaj, Supaari. May you have children!"

Hlavin Kitheri was a poet, and it had always seemed especially outrageous to him that his title, Reshtar, had such a grand significant sound to it.

Reshtar. When spoken, it emerged in two pieces, slowly, with dignity. It could not be said quickly or dismissively. It had a kind of majesty that the position itself had never matched. It meant, simply, spare or extra. For like the merchant Supaari VaGayjur, Hlavin Kitheri was a third-born son.

The two men had other things in common. They had been born in the same season, some thirty years earlier. As thirds, they existed in a state of statutory sterility—neither was allowed to marry or have children, legally. Both of them had made more of their lives than anyone could have expected, given their birth positions. And yet, since their honor derived not from inheritance but from accomplishment, they both existed largely outside the bounds of their society.

There the similarities ended. In contrast to Supaari's decidedly middling ancestry, Hlavin Kitheri was the scion of Rakhat's oldest and most noble lineage, and he had once been third in line to succeed as the paramount of Inbrokar. In a reshtar's case, being a third was not a family scandal but the unfortunate consequence of a poorly timed aristocratic birth. Traditionally, noblewomen were bred frequently because their sons died in high numbers. Supaari's parents had no such justification for their lapse. And while men like Supaari often wondered why they'd been born at all, a reshtar's purpose was explicit: it was to exist, as a spare, ready to step into an elder brother's place if he were killed or incapacitated before an heir was born. Reshtari were trained therefore to versatility, prepared equally for war or for governance; either or neither could be their fate.

In the old days, the probability of succession by a reshtar was high. Now, in the enduring peace of the Triple Alliance, most aristocratic thirds simply lived out their lives in pointlessness: softened by servants, dulled by ease, blunted by sterile pleasure.

There was, however, another path open to reshtari, called, appropriately, the Third Way: the way of scholarship. History and literature, chemistry and physics and genetics, both pure and applied, formal architecture and design, poetry and music, all these were the products of aristocratic thirds. Barred—or liberated—from dynasty, the reshtari of Rakhat were freed—or driven—to make sense of their lives in other ways. If a reshtar was careful not to attract a dangerous faction while in exile and did not arouse a routinely paranoid brother's suspicions, he could sometimes produce a sort of intellectual posterity by making some lasting and significant contribution to science or the arts.

Thus, the princely thirds of Rakhat were the volatile elements, the free radicals of Jana'ata high culture, just as bourgeois thirds like Supaari VaGayjur formed the striving, bustling commercial element of Jana'ata society. The crushing restriction of their lives was like the pressure that turns coal to diamond. Most were lost to it, ground to powder; some emerged, brilliant and of great value.

The Reshtar of Galatna Palace, Hlavin Kitheri, was among those for whom constraint had been transforming. He had redeemed his life and given meaning to it in an unprecedented way. Lacking a future, he became a connoisseur of the ephemeral. A singularity, he devoted himself to an appreciation of the unique. He made himself alive to the moment, embracing its transience and, paradoxically, immortalizing it in song. His days were a form of artistry, arising from an aesthetic of evanescence. He brought beauty to vapidity, weight to hollowness, eloquence to emptiness. Hlavin Kitheri's life was a triumph of art over fate.

His earliest poetry was stunning in its originality. In a culture wreathed by perfumes and incense since ancient times, Hlavin Kitheri turned his attention in the beginning to the most reviled of odors. Faced with the ugly, reeking, clamorous city of his exile, he composed songs that captured and exalted the metallic vapors of the marble quarries, the stinking alkaline bite of the red swamps, the smoky sulfurs and strange fermentations and mephitic phantasms emanating from the mines and factories, the seething mixtures of oily and saline compounds transpiring from the dockyards of Gayjur. Scent: capricious and enduring, vanguard of taste, instrument of vigilance, essence of intimacy and recollection—scent was the spirit of the world, Hlavin Kitheri sang. His finest work was a haunting poetry of storms, songs that spoke of the slackening and rarefication and elasticity of such scents, transformed by lightning and rain as the wind danced. These songs were so compelling that his concerts began to be broadcast, the first nonmilitary use of radio in his culture's history.

The acclaim did not dilute the cogence of his poetry. He accepted it as validation and, strengthened, turned his mind and his art to a fearless examination of a reshtar's living death. He survived his own unblinking scrutiny. The poetry that resulted, written when Kitheri was only twenty-six, had what many thought would be his greatest influence on his culture.

Robbed of any possibility of reproduction, empty of any future, sex for a reshtar was reduced to its most irremediable physicality, no more satisfying to the soul than a sneeze or the voiding of a bladder. In youth, Hlavin Kitheri had fallen into the trap that snared so many others of his kind, compensating for utter vacuity with numerically staggering indulgence, hoping to make up in sheer repetition of experience what was missing in depth and meaning. In maturity, he came to despise the harem of sterile courtesans and cross-species partners his brothers provided; Hlavin saw it for what it was: a sop thrown to him to dissipate envy of his elders' fecundity.

And so he turned his aesthetic sensibilities to the experience of orgasm and found the courage to sing of that evanescent moment which, for the fertile, brings the weight of the past to bear on the future, which holds all moments in its embrace, which links ancestry and posterity in the chain of being from which he was barred and exiled. With his poetry, he severed that moment from the stream of genetic history, carried it beyond the body's drive to reproduce and the lineal need for continuity and, focusing the mind and soul on it, discovered in climax a reservoir of piercing erotic beauty no one else in the history of his kind had suspected.

In a culture walled in by tradition and heavy with stability, Hlavin Kitheri had created a new subtlety, a delicacy, a new appreciation of raw experience. What had once been merely obnoxious or ignored was now theater and song: scent's veiled and hidden opera. What had once been dynastic duty or meaningless carnality was resolved and purified, raised to an aesthetic voluptuousness that had never before existed on Rakhat. And, scandalously, the Reshtar of Galatna lured even those who could have bred productively to artistic lives of momentary and sterile but ravishing brilliance, for he had changed the world of those who heard his songs for all time. There arose a generation of poets, the children of his soul, and their songs—sometimes choral, sometimes singular, often the call-and-response of the oldest chants—propagated through space on unseen waves and reached a world they could not imagine, and changed lives there as well.

It was to this man, Hlavin Kitheri, the Reshtar of Galatna Palace, that Supaari VaGayjur now sent, in a strikingly simple crystal flask, seven small kernels of extraordinary fragrance.

Opening the flask, breaking its vacuum, Kitheri was met by a plume of sweetly camphoric enzyme by-products giving off notes of basil and tarragon, by chocolate aromatics, sugar carbonyl and pyrazine compounds carrying the suggestion of vanilla, by hints of nutmeg and celery seed and cumin in the products of dry distillation created during roasting. And, overlaying all, the tenuous odor of volatile short-chain carbons, the saline memorial of an alien ocean: sweat from the fingers of Emilio Sandoz.

A poet with no words to describe organic beauties whose origin he could not possibly suspect, Hlavin Kitheri knew only that he must know more. And, because of this, lives were changed again.