The Toys of Peace and Other Stories

"I've got a most interesting woman coming," said Mrs. Norbury, who had been mutely struggling for some chance to turn the conversation into a safe channel; "an old acquaintance of mine, Ada Bleek--"

"What an ugly name," said Mrs. Hatch-Mallard.

"She's descended from the de la Bliques, an old Huguenot family of Touraine, you know."

"There weren't any Huguenots in Touraine," said Mrs. Hatch-Mallard, who thought she might safely dispute any fact that was three hundred years old.

"Well, anyhow, she's coming to stay with me," continued Mrs. Norbury, bringing her story quickly down to the present day, "she arrives this evening, and she's highly clairvoyante, a seventh daughter of a seventh daughter, you now, and all that sort of thing."

"How very interesting," said the chinchilla voice; "Exwood is just the right place for her to come to, isn't it? There are supposed to be several ghosts there."

"That is why she was so anxious to come," said Mrs. Norbury; "she put off another engagement in order to accept my invitation. She's had visions and dreams, and all those sort of things, that have come true in a most marvellous manner, but she's never actually seen a ghost, and she's longing to have that experience. She belongs to that Research Society, you know."

"I expect she'll see the unhappy Lady Cullumpton, the most famous of all the Exwood ghosts," said Mrs. Dole; "my ancestor, you know, Sir Gervase Cullumpton, murdered his young bride in a fit of jealousy while they were on a visit to Exwood. He strangled her in the stables with a stirrup leather, just after they had come in from riding, and she is seen sometimes at dusk going about the lawns and the stable yard, in a long green habit, moaning and trying to get the thong from round her throat. I shall be most interested to hear if your friend sees--"

"I don't know why she should be expected to see a trashy, traditional apparition like the so-called Cullumpton ghost, that is only vouched for by housemaids and tipsy stable-boys, when my uncle, who was the owner of Exwood, committed suicide there under the most tragical circumstances, and most certainly haunts the place."

"Mrs. Hatch-Mallard has evidently never read Popple's County History," said Mrs. Dole icily, "or she would know that the Cullumpton ghost has a wealth of evidence behind it--"

"Oh, Popple!" exclaimed Mrs. Hatch-Mallard scornfully; "any rubbishy old story is good enough for him. Popple, indeed! Now my uncle's ghost was seen by a Rural Dean, who was also a Justice of the Peace. I should think that would be good enough testimony for any one. Mrs. Norbury, I shall take it as a deliberate personal affront if your clairvoyante friend sees any other ghost except that of my uncle."

"I daresay she won't see anything at all; she never has yet, you know," said Mrs. Norbury hopefully.

"It was a most unfortunate topic for me to have broached," she lamented afterwards to the owner of the chinchilla voice; "Exwood belongs to Mrs. Hatch-Mallard, and we've only got it on a short lease. A nephew of hers has been wanting to live there for some time, and if we offend her in any way she'll refuse to renew the lease. I sometimes think these garden-parties are a mistake."

The Norburys played bridge for the next three nights till nearly one o'clock; they did not care for the game, but it reduced the time at their guest's disposal for undesirable ghostly visitations.

"Miss Bleek is not likely to be in a frame of mind to see ghosts," said Hugo Norbury, "if she goes to bed with her brain awhirl with royal spades and no trumps and grand slams."

"I've talked to her for hours about Mrs. Hatch-Mallard's uncle," said his wife, "and pointed out the exact spot where he killed himself, and invented all sorts of impressive details, and I've found an old portrait of Lord John Russell and put it in her room, and told her that it's supposed to be a picture of the uncle in middle age. If Ada does see a ghost at all it certainly ought to be old Hatch-Mallard's. At any rate, we've done our best."

The precautions were in vain. On the third morning of her stay Ada Bleek came down late to breakfast, her eyes looking very tired, but ablaze with excitement, her hair done anyhow, and a large brown volume hugged under her arm.

"At last I've seen something supernatural!" she exclaimed, and gave Mrs. Norbury a fervent kiss, as though in gratitude for the opportunity afforded her.

"A ghost!" cried Mrs. Norbury, "not really!"

"Really and unmistakably!"

"Was it an oldish man in the dress of about fifty years ago?" asked Mrs. Norbury hopefully.

"Nothing of the sort," said Ada; "it was a white hedgehog."

"A white hedgehog!" exclaimed both the Norburys, in tones of disconcerted astonishment.

"A huge white hedgehog with baleful yellow eyes," said Ada; "I was lying half asleep in bed when suddenly I felt a sensation as of something sinister and unaccountable passing through the room. I sat up and looked round, and there, under the window, I saw an evil, creeping thing, a sort of monstrous hedgehog, of a dirty white colour, with black, loathsome claws that clicked and scraped along the floor, and narrow, yellow eyes of indescribable evil. It slithered along for a yard or two, always looking at me with its cruel, hideous eyes, then, when it reached the second window, which was open it clambered up the sill and vanished. I got up at once and went to the window; there wasn't a sign of it anywhere. Of course, I knew it must be something from another world, but it was not till I turned up Popple's chapter on local traditions that I realised what I had seen."

She turned eagerly to the large brown volume and read: "'Nicholas Herison, an old miser, was hung at Batchford in 1763 for the murder of a farm lad who had accidentally discovered his secret hoard. His ghost is supposed to traverse the countryside, appearing sometimes as a white owl, sometimes as a huge white hedgehog."

"I expect you read the Popple story overnight, and that made you THINK you saw a hedgehog when you were only half awake," said Mrs. Norbury, hazarding a conjecture that probably came very near the truth.

Ada scouted the possibility of such a solution of her apparition.

"This must be hushed up," said Mrs. Norbury quickly; "the servants-- "

"Hushed up!" exclaimed Ada, indignantly; "I'm writing a long report on it for the Research Society."

It was then that Hugo Norbury, who is not naturally a man of brilliant resource, had one of the really useful inspirations of his life.

"It was very wicked of us, Miss Bleek," he said, "but it would be a shame to let it go further. That white hedgehog is an old joke of ours; stuffed albino hedgehog, you know, that my father brought home from Jamaica, where they grow to enormous size. We hide it in the room with a string on it, run one end of the string through the window; then we pull if from below and it comes scraping along the floor, just as you've described, and finally jerks out of the window. Taken in heaps of people; they all read up Popple and think it's old Harry Nicholson's ghost; we always stop them from writing to the papers about it, though. That would be carrying matters too far."

Mrs. Hatch-Mallard renewed the lease in due course, but Ada Bleek has never renewed her friendship.

The Mappined Life

"These Mappin Terraces at the Zoological Gardens are a great improvement on the old style of wild-beast cage," said Mrs. James Gurtleberry, putting down an illustrated paper;

"they give one the illusion of seeing the animals in their natural surroundings. I wonder how much of the illusion is passed on to the animals?"

"That would depend on the animal," said her niece; "a jungle-fowl, for instance, would no doubt think its lawful jungle surroundings were faithfully reproduced if you gave it a sufficiency of wives, a goodly variety of seed food and ants' eggs, a commodious bank of loose earth to dust itself in, a convenient roosting tree, and a rival or two to make matters interesting. Of course there ought to be jungle-cats and birds of prey and other agencies of sudden death to add to the illusion of liberty, but the bird's own imagination is capable of inventing those--look how a domestic fowl will squawk an alarm note if a rook or wood pigeon passes over its run when it has chickens."

"You think, then, they really do have a sort of illusion, if you give them space enough--"

"In a few cases only. Nothing will make me believe that an acre or so of concrete enclosure will make up to a wolf or a tiger-cat for the range of night prowling that would belong to it in a wild state. Think of the dictionary of sound and scent and recollection that unfolds before a real wild beat as it comes out from its lair every evening, with the knowledge that in a few minutes it will be hieing along to some distant hunting ground where all the joy and fury of the chase awaits it; think of the crowded sensations of the brain when every rustle, every cry, every bent twig, and every whiff across the nostrils means something, something to do with life and death and dinner. Imagine the satisfaction of stealing down to your own particular drinking spot, choosing your own particular tree to scrape your claws on, finding your own particular bed of dried grass to roll on. Then, in the place of all that, put a concrete promenade, which will be of exactly the same dimensions whether you race or crawl across it, coated with stale, unvarying scents and surrounded with cries and noises that have ceased to have the least meaning or interest. As a substitute for a narrow cage the new enclosures are excellent, but I should think they are a poor imitation of a life of liberty."

"It's rather depressing to think that," said Mrs. Gurtleberry; "they look so spacious and so natural, but I suppose a good deal of what seems natural to us would be meaningless to a wild animal."

"That is where our superior powers of self-deception come in," said the niece; "we are able to live our unreal, stupid little lives on our particular Mappin terrace, and persuade ourselves that we really are untrammelled men and women leading a reasonable existence in a reasonable sphere."

"But good gracious," exclaimed the aunt, bouncing into an attitude of scandalised defence, "we are leading reasonable existences! What on earth do you mean by trammels? We are merely trammelled by the ordinary decent conventions of civilised society."

"We are trammelled," said the niece, calmly and pitilessly, "by restrictions of income and opportunity, and above all by lack of initiative. To some people a restricted income doesn't matter a bit, in fact it often seems to help as a means for getting a lot of reality out of life; I am sure there are men and women who do their shopping in little back streets of Paris, buying four carrots and a shred of beef for their daily sustenance, who lead a perfectly real and eventful existence. Lack of initiative is the thing that really cripples one, and that is where you and I and Uncle James are so hopelessly shut in. We are just so many animals stuck down on a Mappin terrace, with this difference in our disfavour, that the animals are there to be looked at, while nobody wants to look at us. As a matter of fact there would be nothing to look at. We get colds in winter and hay fever in summer, and if a wasp happens to sting one of us, well, that is the wasp's initiative, not ours; all we do is to wait for the swelling to go down. Whenever we do climb into local fame and notice, it is by indirect methods; if it happens to be a good flowering year for magnolias the neighbourhood observes: 'Have you seen the Gurtleberry's magnolia? It is a perfect mass of flowers,' and we go about telling people that there are fifty-seven blossoms as against thirty-nine the previous year."

"In Coronation year there were as many as sixty," put in the aunt, "your uncle has kept a record for the last eight years."

"Doesn't it ever strike you," continued the niece relentlessly, "that if we moved away from here or were blotted out of existence our local claim to fame would pass on automatically to whoever happened to take the house and garden? People would say to one another, 'Have you seen the Smith-Jenkins' magnolia? It is a perfect mass of flowers,'

or else 'Smith-Jenkins tells me there won't be a single blossom on their magnolia this year; the east winds have turned all the buds black.' Now if, when we had gone, people still associated our names with the magnolia tree, no matter who temporarily possessed it, if they said, 'Ah, that's the tree on which the Gurtleberrys hung their cook because she sent up the wrong kind of sauce with the asparagus,' that would be something really due to our own initiative, apart from anything east winds or magnolia vitality might have to say in the matter."

"We should never do such a thing," said the aunt.

The niece gave a reluctant sigh.

"I can't imagine it," she admitted. "Of course," she continued, "there are heaps of ways of leading a real existence without committing sensational deeds of violence. It's the dreadful little everyday acts of pretended importance that give the Mappin stamp to our life. It would be entertaining, if it wasn't so pathetically tragic, to hear Uncle James fuss in here in the morning and announce, 'I must just go down into the town and find out what the men there are saying about Mexico. Matters are beginning to look serious there.'

Then he patters away into the town, and talks in a highly serious voice to the tobacconist, incidentally buying an ounce of tobacco; perhaps he meets one or two others of the world's thinkers and talks to them in a highly serious voice, then he patters back here and announces with increased importance, 'I've just been talking to some men in the town about the condition of affairs in Mexico. They agree with the view that I have formed, that things there will have to get worse before they get better.' Of course nobody in the town cared in the least little bit what his views about Mexico were or whether he had any.

The tobacconist wasn't even fluttered at his buying the ounce of tobacco; he knows that he purchases the same quantity of the same sort of tobacco every week. Uncle James might just as well have lain on his back in the garden and chattered to the lilac tree about the habits of caterpillars."

"I really will not listen to such things about your uncle," protested Mrs. James Gurtleberry angrily.

"My own case is just as bad and just as tragic," said the niece, dispassionately; "nearly everything about me is conventional make- believe. I'm not a good dancer, and no one could honestly call me good-looking, but when I go to one of our dull little local dances I'm conventionally supposed to 'have a heavenly time,' to attract the ardent homage of the local cavaliers, and to go home with my head awhirl with pleasurable recollections. As a matter of fact, I've merely put in some hours of indifferent dancing, drunk some badly-made claret cup, and listened to an enormous amount of laborious light conversation. A moonlight hen-stealing raid with the merry-eyed curate would be infinitely more exciting; imagine the pleasure of carrying off all those white minorcas that the Chibfords are always bragging about. When we had disposed of them we could give the proceeds to a charity, so there would be nothing really wrong about it. But nothing of that sort lies within the Mappined limits of my life. One of these days somebody dull and decorous and undistinguished will 'make himself agreeable' to me at a tennis party, as the saying is, and all the dull old gossips of the neighbourhood will begin to ask when we are to be engaged, and at last we shall be engaged, and people will give us butter-dishes and blotting-cases and framed pictures of young women feeding swans. Hullo, Uncle, are you going out?"

"I'm just going down to the town," announced Mr. James Gurtleberry, with an air of some importance: "I want to hear what people are saying about Albania. Affairs there are beginning to take on a very serious look. It's my opinion that we haven't seen the worst of things yet."

In this he was probably right, but there was nothing in the immediate or prospective condition of Albania to warrant Mrs. Gurtleberry in bursting into tears.

Fate

Rex Dillot was nearly twenty-four, almost good-looking and quite penniless. His mother was supposed to make him some sort of an allowance out of what her creditors allowed her, and Rex occasionally strayed into the ranks of those who earn fitful salaries as secretaries or companions to people who are unable to cope unaided with their correspondence or their leisure. For a few months he had been assistant editor and business manager of a paper devoted to fancy mice, but the devotion had been all on one side, and the paper disappeared with a certain abruptness from club reading-rooms and other haunts where it had made a gratuitous appearance. Still, Rex lived with some air of comfort and well- being, as one can live if one is born with a genius for that sort of thing, and a kindly Providence usually arranged that his week-end invitations coincided with the dates on which his one white dinner- waistcoat was in a laundry-returned condition of dazzling cleanness. He played most games badly, and was shrewd enough to recognise the fact, but he had developed a marvellously accurate judgement in estimating the play and chances of other people, whether in a golf match, billiard handicap, or croquet tournament. By dint of parading his opinion of such and such a player's superiority with a sufficient degree of youthful assertiveness he usually succeeded in provoking a wager at liberal odds, and he looked to his week-end winnings to carry him through the financial embarrassments of his mid-week existence. The trouble was, as he confided to Clovis Sangrail, that he never had enough available or even prospective cash at his command to enable him to fix the wager at a figure really worth winning.

"Some day," he said, "I shall come across a really safe thing, a bet that simply can't go astray, and then I shall put it up for all I'm worth, or rather for a good deal more than I'm worth if you sold me up to the last button."

"It would be awkward if it didn't happen to come off," said Clovis.

"It would be more than awkward," said Rex; "it would be a tragedy. All the same, it would be extremely amusing to bring it off. Fancy awaking in the morning with about three hundred pounds standing to one's credit. I should go and clear out my hostess's pigeon-loft before breakfast out of sheer good-temper."

"Your hostess of the moment mightn't have a pigeon-loft," said Clovis.

"I always choose hostesses that have," said Rex; "a pigeon-loft is indicative of a careless, extravagant, genial disposition, such as I like to see around me. People who strew corn broadcast for a lot of feathered inanities that just sit about cooing and giving each other the glad eye in a Louis Quatorze manner are pretty certain to do you well."

"Young Strinnit is coming down this afternoon," said Clovis reflectively; "I dare say you won't find it difficult to get him to back himself at billiards. He plays a pretty useful game, but he's not quite as good as he fancies he is."

"I know one member of the party who can walk round him," said Rex softly, an alert look coming into his eyes; "that cadaverous-looking Major who arrived last night. I've seen him play at St. Moritz. If I could get Strinnit to lay odds on himself against the Major the money would be safe in my pocket. This looks like the good thing I've been watching and praying for."

"Don't be rash," counselled Clovis, "Strinnit may play up to his self-imagined form once in a blue moon."

"I intend to be rash," said Rex quietly, and the look on his face corroborated his words.

"Are you all going to flock to the billiard-room?" asked Teresa Thundleford, after dinner, with an air of some disapproval and a good deal of annoyance. "I can't see what particular amusement you find in watching two men prodding little ivory balls about on a table."

"Oh, well," said her hostess, "it's a way of passing the time, you know."

"A very poor way, to my mind," said Mrs. Thundleford; "now I was going to have shown all of you the photographs I took in Venice last summer."

"You showed them to us last night," said Mrs. Cuvering hastily.

"Those were the ones I took in Florence. These are quite a different lot."

"Oh, well, some time to-morrow we can look at them. You can leave them down in the drawing-room, and then every one can have a look."

"I should prefer to show them when you are all gathered together, as I have quite a lot of explanatory remarks to make, about Venetian art and architecture, on the same lines as my remarks last night on the Florentine galleries. Also, there are some verses of mine that I should like to read you, on the rebuilding of the Campanile. But, of course, if you all prefer to watch Major Latton and Mr. Strinnit knocking balls about on a table--"

"They are both supposed to be first-rate players," said the hostess.

"I have yet to learn that my verses and my art causerie are of second-rate quality," said Mrs. Thundleford with acerbity. "However, as you all seem bent on watching a silly game, there's no more to be said. I shall go upstairs and finish some writing. Later on, perhaps, I will come down and join you."

To one, at least, of the onlookers the game was anything but silly. It was absorbing, exciting, exasperating, nerve-stretching, and finally it grew to be tragic. The Major with the St. Moritz reputation was playing a long way below his form, young Strinnit was playing slightly above his, and had all the luck of the game as well. From the very start the balls seemed possessed by a demon of contrariness; they trundled about complacently for one player, they would go nowhere for the other.

"A hundred and seventy, seventy-four," sang out the youth who was marking. In a game of two hundred and fifty up it was an enormous lead to hold. Clovis watched the flush of excitement die away from Dillot's face, and a hard white look take its place.

"How much have you go on?" whispered Clovis. The other whispered the sum through dry, shaking lips. It was more than he or any one connected with him could pay; he had done what he had said he would do. He had been rash.

"Two hundred and six, ninety-eight."

Rex heard a clock strike ten somewhere in the hall, then another somewhere else, and another, and another; the house seemed full of striking clocks. Then in the distance the stable clock chimed in. In another hour they would all be striking eleven, and he would be listening to them as a disgraced outcast, unable to pay, even in part, the wager he had challenged.

"Two hundred and eighteen, a hundred and three." The game was as good as over. Rex was as good as done for. He longed desperately for the ceiling to fall in, for the house to catch fire, for anything to happen that would put an end to that horrible rolling to and fro of red and white ivory that was jostling him nearer and nearer to his doom.

"Two hundred and twenty-eight, a hundred and seven."

Rex opened his cigarette-case; it was empty. That at least gave him a pretext to slip away from the room for the purpose of refilling it; he would spare himself the drawn-out torture of watching that hopeless game played out to the bitter end. He backed away from the circle of absorbed watchers and made his way up a short stairway to a long, silent corridor of bedrooms, each with a guests' name written in a little square on the door. In the hush that reigned in this part of the house he could still hear the hateful click-click of the balls; if he waited for a few minutes longer he would hear the little outbreak of clapping and buzz of congratulation that would hail Strinnit's victory. On the alert tension of his nerves there broke another sound, the aggressive, wrath-inducing breathing of one who sleeps in heavy after-dinner slumber. The sound came from a room just at his elbow; the card on the door bore the announcement "Mrs. Thundleford." The door was just slightly ajar; Rex pushed it open an inch or two more and looked in. The august Teresa had fallen asleep over an illustrated guide to Florentine art-galleries; at her side, somewhat dangerously near the edge of the table, was a reading-lamp. If Fate had been decently kind to him, thought Rex, bitterly, that lamp would have been knocked over by the sleeper and would have given them something to think of besides billiard matches.

There are occasions when one must take one's Fate in one's hands. Rex took the lamp in his.

"Two hundred and thirty-seven, one hundred and fifteen." Strinnit was at the table, and the balls lay in good position for him; he had a choice of two fairly easy shots, a choice which he was never to decide. A sudden hurricane of shrieks and a rush of stumbling feet sent every one flocking to the door. The Dillot boy crashed into the room, carrying in his arms the vociferous and somewhat dishevelled Teresa Thundleford; her clothing was certainly not a mass of flames, as the more excitable members of the party afterwards declared, but the edge of her skirt and part of the table-cover in which she had been hastily wrapped were alight in a flickering, half-hearted manner. Rex flung his struggling burden on the billiard table, and for one breathless minute the work of beating out the sparks with rugs and cushions and playing on them with soda-water syphons engrossed the energies of the entire company.

"It was lucky I was passing when it happened," panted Rex; "some one had better see to the room, I think the carpet is alight."

As a matter of fact the promptitude and energy of the rescuer had prevented any great damage being done, either to the victim or her surroundings. The billiard table had suffered most, and had to be laid up for repairs; perhaps it was not the best place to have chosen for the scene of salvage operations; but then, as Clovis remarked, when one is rushing about with a blazing woman in one's arms one can't stop to think out exactly where one is going to put her.

The Bull

Tom Yorkfield had always regarded his half-brother, Laurence, with a lazy instinct of dislike, toned down, as years went on, to a tolerant feeling of indifference. There was nothing very tangible to dislike him for; he was just a blood-relation, with whom Tom had no single taste or interest in common, and with whom, at the same time, he had had no occasion for quarrel. Laurence had left the farm early in life, and had lived for a few years on a small sum of money left him by his mother; he had taken up painting as a profession, and was reported to be doing fairly well at it, well enough, at any rate, to keep body and soul together. He specialised in painting animals, and he was successful in finding a certain number of people to buy his pictures. Tom felt a comforting sense of assured superiority in contrasting his position with that of his half-brother; Laurence was an artist-chap, just that and nothing more, though you might make it sound more important by calling an animal painter; Tom was a farmer, not in a very big way, it was true, but the Helsery farm had been in the family for some generations, and it had a good reputation for the stock raised on it. Tom had done his best, with the little capital at his command, to maintain and improve the standard of his small herd of cattle, and in Clover Fairy he had bred a bull which was something rather better than any that his immediate neighbours could show. It would not have made a sensation in the judging-ring at an important cattle show, but it was as vigorous, shapely, and healthy a young animal as any small practical farmer could wish to possess. At the King's Head on market days Clover Fairy was very highly spoken of, and Yorkfield used to declare that he would not part with him for a hundred pounds; a hundred pounds is a lot of money in the small farming line, and probably anything over eighty would have tempted him.

It was with some especial pleasure that Tom took advantage of one of Laurence's rare visits to the farm to lead him down to the enclosure where Clover Fairy kept solitary state--the grass widower of a grazing harem. Tom felt some of his old dislike for his half-brother reviving; the artist was becoming more languid in his manner, more unsuitably turned-out in attire, and he seemed inclined to impart a slightly patronising tone to his conversation. He took no heed of a flourishing potato crop, but waxed enthusiastic over a clump of yellow-flowering weed that stood in a corner by a gateway, which was rather galling to the owner of a really very well weeded farm; again, when he might have been duly complimentary about a group of fat, black-faced lambs, that simply cried aloud for admiration, he became eloquent over the foliage tints of an oak copse on the hill opposite.

But now he was being taken to inspect the crowning pride and glory of Helsery; however grudging he might be in his praises, however backward and niggardly with his congratulations, he would have to see and acknowledge the many excellences of that redoubtable animal. Some weeks ago, while on a business journey to Taunton, Tom had been invited by his half- brother to visit a studio in that town, where Laurence was exhibiting one of his pictures, a large canvas representing a bull standing knee-deep in some marshy ground; it had been good of its kind, no doubt, and Laurence had seemed inordinately pleased with it; "the best thing I've done yet," he had said over and over again, and Tom had generously agreed that it was fairly life-like. Now, the man of pigments was going to be shown a real picture, a living model of strength and comeliness, a thing to feast the eyes on, a picture that exhibited new pose and action with every shifting minute, instead of standing glued into one unvarying attitude between the four walls of a frame. Tom unfastened a stout wooden door and led the way into a straw-bedded yard.

"Is he quiet?" asked the artist, as a young bull with a curly red coat came inquiringly towards them.

"He's playful at times," said Tom, leaving his half-brother to wonder whether the bull's ideas of play were of the catch-as-catch- can order. Laurence made one or two perfunctory comments on the animal's appearance and asked a question or so as to his age and such-like details; then he coolly turned the talk into another channel.

"Do you remember the picture I showed you at Taunton?" he asked.

"Yes," grunted Tom; "a white-faced bull standing in some slush. Don't admire those Herefords much myself; bulky-looking brutes, don't seem to have much life in them.

Daresay they're easier to paint that way; now, this young beggar is on the move all the time, aren't you, Fairy?"

"I've sold that picture," said Laurence, with considerable complacency in his voice.

"Have you?" said Tom; "glad to hear it, I'm sure. Hope you're pleased with what you've got for it."

"I got three hundred pounds for it," said Laurence.

Tom turned towards him with a slowly rising flush of anger in his face. Three hundred pounds! Under the most favourable market conditions that he could imagine his prized Clover Fairy would hardly fetch a hundred, yet here was a piece of varnished canvas, painted by his half-brother, selling for three times that sum. It was a cruel insult that went home with all the more force because it emphasised the triumph of the patronising, self-satisfied Laurence. The young farmer had meant to put his relative just a little out of conceit with himself by displaying the jewel of his possessions, and now the tables were turned, and his valued beast was made to look cheap and insignificant beside the price paid for a mere picture. It was so monstrously unjust; the painting would never be anything more than a dexterous piece of counterfeit life, while Clover Fairy was the real thing, a monarch in his little world, a personality in the countryside. After he was dead, even, he would still be something of a personality; his descendants would graze in those valley meadows and hillside pastures, they would fill stall and byre and milking-shed, their good red coats would speckle the landscape and crowd the market-place; men would note a promising heifer or a well-proportioned steer, and say: "Ah, that one comes of good old Clover Fairy's stock." All that time the picture would be hanging, lifeless and unchanging, beneath its dust and varnish, a chattel that ceased to mean anything if you chose to turn it with its back to the wall. These thoughts chased themselves angrily through Tom Yorkfield's mind, but he could not put them into words. When he gave tongue to his feelings he put matters bluntly and harshly.

"Some soft-witted fools may like to throw away three hundred pounds on a bit of paintwork; can't say as I envy them their taste. I'd rather have the real thing than a picture of it."

He nodded towards the young bull, that was alternately staring at them with nose held high and lowering its horns with a half-playful, half-impatient shake of the head.

Laurence laughed a laugh of irritating, indulgent amusement.

"I don't think the purchaser of my bit of paintwork, as you call it, need worry about having thrown his money away. As I get to be better known and recognised my pictures will go up in value. That particular one will probably fetch four hundred in a sale-room five or six years hence; pictures aren't a bad investment if you know enough to pick out the work of the right men. Now you can't say your precious bull is going to get more valuable the longer you keep him; he'll have his little day, and then, if you go on keeping him, he'll come down at last to a few shillingsworth of hoofs and hide, just at a time, perhaps, when my bull is being bought for a big sum for some important picture gallery."

It was too much. The united force of truth and slander and insult put over heavy a strain on Tom Yorkfield's powers of restraint. In his right hand he held a useful oak cudgel, with his left he made a grab at the loose collar of Laurence's canary-coloured silk shirt.

Laurence was not a fighting man; the fear of physical violence threw him off his balance as completely as overmastering indignation had thrown Tom off his, and thus it came to pass that Clover Fairy was regaled with the unprecedented sight of a human being scudding and squawking across the enclosure, like the hen that would persist in trying to establish a nesting-place in the manger. In another crowded happy moment the bull was trying to jerk Laurence over his left shoulder, to prod him in the ribs while still in the air, and to kneel on him when he reached the ground. It was only the vigorous intervention of Tom that induced him to relinquish the last item of his programme.

Tom devotedly and ungrudgingly nursed his half brother to a complete recovery from his injuries, which consisted of nothing more serious than a dislocated shoulder, a broken rib or two, and a little nervous prostration. After all, there was no further occasion for rancour in the young farmer's mind; Laurence's bull might sell for three hundred, or for six hundred, and be admired by thousands in some big picture gallery, but it would never toss a man over one shoulder and catch him a jab in the ribs before he had fallen on the other side. That was Clover Fairy's noteworthy achievement, which could never be taken away from him.

Laurence continues to be popular as an animal artist, but his subjects are always kittens or fawns or lambkins--never bulls.

Morlvera

The Olympic Toy Emporium occupied a conspicuous frontage in an important West End street. It was happily named Toy Emporium, because one would never have dreamed of according it the familiar and yet pulse-quickening name of toyshop. There was an air of cold splendour and elaborate failure about the wares that were set out in its ample windows; they were the sort of toys that a tired shop- assistant displays and explains at Christmas time to exclamatory parents and bored, silent children. The animal toys looked more like natural history models than the comfortable, sympathetic companions that one would wish, at a certain age, to take to bed with one, and to smuggle into the bath-room.

The mechanical toys incessantly did things that no one could want a toy to do more than a half a dozen times in its life-time; it was a merciful reflection that in any right-minded nursery the lifetime would certainly be short.

Prominent among the elegantly-dressed dolls that filled an entire section of the window frontage was a large hobble-skirted lady in a confection of peach-coloured velvet, elaborately set off with leopard skin accessories, if one may use such a conveniently comprehensive word in describing an intricate feminine toilette. She lacked nothing that is to be found in a carefully detailed fashion-plate--in fact, she might be said to have something more than the average fashion-plate female possesses; in place of a vacant, expressionless stare she had character in her face. It must be admitted that it was bad character, cold, hostile, inquisitorial, with a sinister lowering of one eyebrow and a merciless hardness about the corners of the mouth. One might have imagined histories about her by the hour, histories in which unworthy ambition, the desire for money, and an entire absence of all decent feeling would play a conspicuous part.

As a matter of fact, she was not without her judges and biographers, even in this shop-window stage of her career. Emmeline, aged ten, and Bert, aged seven, had halted on the way from their obscure back street to the minnow-stocked water of St. James's Park, and were critically examining the hobble-skirted doll, and dissecting her character in no very tolerant spirit. There is probably a latent enmity between the necessarily under-clad and the unnecessarily over-dressed, but a little kindness and good fellowship on the part of the latter will often change the sentiment to admiring devotion; if the lady in peach-coloured velvet and leopard skin had worn a pleasant expression in addition to her other elaborate furnishings, Emmeline at least might have respected and even loved her. As it was, she gave her a horrible reputation, based chiefly on a secondhand knowledge of gilded depravity derived from the conversation of those who were skilled in the art of novelette reading; Bert filled in a few damaging details from his own limited imagination.

"She's a bad lot, that one is," declared Emmeline, after a long unfriendly stare; "'er

'usbind 'ates 'er."

"'E knocks 'er abart," said Bert, with enthusiasm.

"No, 'e don't, cos 'e's dead; she poisoned 'im slow and gradual, so that nobody didn't know. Now she wants to marry a lord, with 'eaps and 'eaps of money. 'E's got a wife already, but she's going to poison 'er, too."

"She's a bad lot," said Bert with growing hostility.

"'Er mother 'ates her, and she's afraid of 'er, too, cos she's got a serkestic tongue; always talking serkesms, she is. She's greedy, too; if there's fish going, she eats 'er own share and

'er little girl's as well, though the little girl is dellikit."

"She 'ad a little boy once," said Bert, "but she pushed 'im into the water when nobody wasn't looking."

"No she didn't," said Emmeline, "she sent 'im away to be kep' by poor people, so 'er

'usbind wouldn't know where 'e was. They ill- treat 'im somethink cruel."

"Wot's 'er nime?" asked Bert, thinking that it was time that so interesting a personality should be labelled.

"'Er nime?" said Emmeline, thinking hard, "'er nime's Morlvera." It was as near as she could get to the name of an adventuress who figured prominently in a cinema drama.

There was silence for a moment while the possibilities of the name were turned over in the children's minds.

"Those clothes she's got on ain't paid for, and never won't be," said Emmeline; "she thinks she'll get the rich lord to pay for 'em, but 'e won't. 'E's given 'er jools, 'underds of pounds' worth."

"'E won't pay for the clothes," said Bert, with conviction. Evidently there was some limit to the weak good nature of wealthy lords.

At that moment a motor carriage with liveried servants drew up at the emporium entrance; a large lady, with a penetrating and rather hurried manner of talking, stepped out, followed slowly and sulkily by a small boy, who had a very black scowl on his face and a very white sailor suit over the rest of him. The lady was continuing an argument which had probably commenced in Portman Square.

"Now, Victor, you are to come in and buy a nice doll for your cousin Bertha. She gave you a beautiful box of soldiers on your birthday, and you must give her a present on hers."

"Bertha is a fat little fool," said Victor, in a voice that was as loud as his mother's and had more assurance in it.

"Victor, you are not to say such things. Bertha is not a fool, and she is not in the least fat.

You are to come in and choose a doll for her."

The couple passed into the shop, out of view and hearing of the two back-street children.

"My, he is in a wicked temper," exclaimed Emmeline, but both she and Bert were inclined to side with him against the absent Bertha, who was doubtless as fat and foolish as he had described her to be.

"I want to see some dolls," said the mother of Victor to the nearest assistant; "it's for a little girl of eleven."

"A fat little girl of eleven," added Victor by way of supplementary information.

"Victor, if you say such rude things about your cousin, you shall go to bed the moment we get home, without having any tea."

"This is one of the newest things we have in dolls," said the assistant, removing a hobble-skirted figure in peach-coloured velvet from the window; "leopard skin toque and stole, the latest fashion. You won't get anything newer than that anywhere. It's an exclusive design."

"Look!" whispered Emmeline outside; "they've bin and took Morlvera."

There was a mingling of excitement and a certain sense of bereavement in her mind; she would have liked to gaze at that embodiment of overdressed depravity for just a little longer.

"I 'spect she's going away in a kerridge to marry the rich lord," hazarded Bert.

"She's up to no good," said Emmeline vaguely.

Inside the shop the purchase of the doll had been decided on.

"It's a beautiful doll, and Bertha will be delighted with it," asserted the mother of Victor loudly.

"Oh, very well," said Victor sulkily; "you needn't have it stuck into a box and wait an hour while it's being done up into a parcel. I'll take it as it is, and we can go round to Manchester Square and give it to Bertha, and get the thing done with. That will save me the trouble of writing: 'For dear Bertha, with Victor's love,' on a bit of paper."

"Very well," said his mother, "we can go to Manchester Square on our way home. You must wish her many happy returns of to-morrow, and give her the doll."

"I won't let the little beast kiss me," stipulated Victor.

His mother said nothing; Victor had not been half as troublesome as she had anticipated.

When he chose he could really be dreadfully naughty.

Emmeline and Bert were just moving away from the window when Morlvera made her exit from the shop, very carefully in Victor's arms. A look of sinister triumph seemed to glow in her hard, inquisitorial face. As for Victor, a certain scornful serenity had replaced the earlier scowls; he had evidently accepted defeat with a contemptuous good grace.

The tall lady gave a direction to the footman and settled herself in the carriage. The little figure in the white sailor suit clambered in beside her, still carefully holding the elegantly garbed doll.

The car had to be backed a few yards in the process of turning. Very stealthily, very gently, very mercilessly Victor sent Morlvera flying over his shoulder, so that she fell into the road just behind the retrogressing wheel. With a soft, pleasant-sounding scrunch the car went over the prostrate form, then it moved forward again with another scrunch.

The carriage moved off and left Bert and Emmeline gazing in scared delight at a sorry mess of petrol-smeared velvet, sawdust, and leopard skin, which was all that remained of the hateful Morlvera. They gave a shrill cheer, and then raced away shuddering from the scene of so much rapidly enacted tragedy.

Later that afternoon, when they were engaged in the pursuit of minnows by the waterside in St. James's Park, Emmeline said in a solemn undertone to Bert -

"I've bin finking. Do you know oo 'e was? 'E was 'er little boy wot she'd sent away to live wiv poor folks. 'E come back and done that."

Shock Tatics

On a late spring afternoon Ella McCarthy sat on a green-painted chair in Kensington Gardens, staring listlessly at an uninteresting stretch of park landscape, that blossomed suddenly into tropical radiance as an expected figure appeared in the middle distance.

"Hullo, Bertie!" she exclaimed sedately, when the figure arrived at the painted chair that was the nearest neighbour to her own, and dropped into it eagerly, yet with a certain due regard for the set of its trousers; "hasn't it been a perfect spring afternoon?"

The statement was a distinct untruth as far as Ella's own feelings were concerned; until the arrival of Bertie the afternoon had been anything but perfect.

Bertie made a suitable reply, in which a questioning note seemed to hover.

"Thank you ever so much for those lovely handkerchiefs," said Ella, answering the unspoken question; "they were just what I've been wanting. There's only one thing spoilt my pleasure in your gift," she added, with a pout.

"What was that?" asked Bertie anxiously, fearful that perhaps he had chosen a size of handkerchief that was not within the correct feminine limit.

"I should have liked to have written and thanked you for them as soon as I got them,"

said Ella, and Bertie's sky clouded at once.

"You know what mother is," he protested; "she opens all my letters, and if she found I'd been giving presents to any one there'd have been something to talk about for the next fortnight."

"Surely, at the age of twenty--" began Ella.

"I'm not twenty till September," interrupted Bertie.

"At the age of nineteen years and eight months," persisted Ella, "you might be allowed to keep your correspondence private to yourself."

"I ought to be, but things aren't always what they ought to be. Mother opens every letter that comes into the house, whoever it's for. My sisters and I have made rows about it time and again, but she goes on doing it."

"I'd find some way to stop her if I were in your place," said Ella valiantly, and Bertie felt that the glamour of his anxiously deliberated present had faded away in the disagreeable restriction that hedged round its acknowledgment.

"Is anything the matter?" asked Bertie's friend Clovis when they met that evening at the swimming-bath.

"Why do you ask?" said Bertie.

"When you wear a look of tragic gloom in a swimming-bath," said Clovis, "it's especially noticeable from the fact that you're wearing very little else. Didn't she like the handkerchiefs?"

Bertie explained the situation.

"It is rather galling, you know," he added, "when a girl has a lot of things she wants to write to you and can't send a letter except by some roundabout, underhand way."

"One never realises one's blessings while one enjoys them," said Clovis; "now I have to spend a considerable amount of ingenuity inventing excuses for not having written to people."

"It's not a joking matter," said Bertie resentfully: "you wouldn't find it funny if your mother opened all your letters."

"The funny thing to me is that you should let her do it."

"I can't stop it. I've argued about it--"

"You haven't used the right kind of argument, I expect. Now, if every time one of your letters was opened you lay on your back on the dining-table during dinner and had a fit, or roused the entire family in the middle of the night to hear you recite one of Blake's

'Poems of Innocence,' you would get a far more respectful hearing for future protests.

People yield more consideration to a mutilated mealtime or a broken night's rest, than ever they would to a broken heart."

"Oh, dry up," said Bertie crossly, inconsistently splashing Clovis from head to foot as he plunged into the water.

It was a day or two after the conversation in the swimming-bath that a letter addressed to Bertie Heasant slid into the letter-box at his home, and thence into the hands of his mother. Mrs. Heasant was one of those empty-minded individuals to whom other people's affairs are perpetually interesting. The more private they are intended to be the more acute is the interest they arouse. She would have opened this particular letter in any case; the fact that it was marked "private," and diffused a delicate but penetrating aroma merely caused her to open it with headlong haste rather than matter-of- course deliberation. The harvest of sensation that rewarded her was beyond all expectations.

"Bertie, carissimo," it began, "I wonder if you will have the nerve to do it: it will take some nerve, too. Don't forget the jewels. They are a detail, but details interest me.

"Yours as ever, Clotilde."

"Your mother must not know of my existence. If questioned swear you never heard of me."

For years Mrs. Heasant had searched Bertie's correspondence diligently for traces of possible dissipation or youthful entanglements, and at last the suspicions that had stimulated her inquisitorial zeal were justified by this one splendid haul. That any one wearing the exotic name "Clotilde" should write to Bertie under the incriminating announcement "as ever" was sufficiently electrifying, without the astounding allusion to the jewels. Mrs. Heasant could recall novels and dramas wherein jewels played an exciting and commanding role, and here, under her own roof, before her very eyes as it were, her own son was carrying on an intrigue in which jewels were merely an interesting detail. Bertie was not due home for another hour, but his sisters were available for the immediate unburdening of a scandal-laden mind.

"Bertie is in the toils of an adventuress," she screamed; "her name is Clotilde," she added, as if she thought they had better know the worst at once. There are occasions when more harm than good is done by shielding young girls from a knowledge of the more deplorable realities of life.

By the time Bertie arrived his mother had discussed every possible and improbable conjecture as to his guilty secret; the girls limited themselves to the opinion that their brother had been weak rather than wicked.

"Who is Clotilde?" was the question that confronted Bertie almost before he had got into the hall. His denial of any knowledge of such a person was met with an outburst of bitter laughter.

"How well you have learned your lesson!" exclaimed Mrs. Heasant. But satire gave way to furious indignation when she realised that Bertie did not intend to throw any further light on her discovery.

"You shan't have any dinner till you've confessed everything," she stormed.

Bertie's reply took the form of hastily collecting material for an impromptu banquet from the larder and locking himself into his bedroom. His mother made frequent visits to the locked door and shouted a succession of interrogations with the persistence of one who thinks that if you ask a question often enough an answer will eventually result. Bertie did nothing to encourage the supposition. An hour had passed in fruitless one-sided palaver when another letter addressed to Bertie and marked "private" made its appearance in the letter-box. Mrs. Heasant pounced on it with the enthusiasm of a cat that has missed its mouse and to whom a second has been unexpectedly vouchsafed. If she hoped for further disclosures assuredly she was not disappointed.

"So you have really done it!" the letter abruptly commenced; "Poor Dagmar. Now she is done for I almost pity her. You did it very well, you wicked boy, the servants all think it was suicide, and there will be no fuss. Better not touch the jewels till after the inquest.

"Clotilde."

Anything that Mrs. Heasant had previously done in the way of outcry was easily surpassed as she raced upstairs and beat frantically at her son's door.

"Miserable boy, what have you done to Dagmar?"

"It's Dagmar now, is it?" he snapped; "it will be Geraldine next."

"That it should come to this, after all my efforts to keep you at home of an evening,"

sobbed Mrs. Heasant; "it's no use you trying to hide things from me; Clotilde's letter betrays everything."

"Does it betray who she is?" asked Bertie; "I've heard so much about her, I should like to know something about her home-life. Seriously, if you go on like this I shall fetch a doctor; I've often enough been preached at about nothing, but I've never had an imaginary harem dragged into the discussion."

"Are these letters imaginary?" screamed Mrs. Heasant; "what about the jewels, and Dagmar, and the theory of suicide?"

No solution of these problems was forthcoming through the bedroom door, but the last post of the evening produced another letter for Bertie, and its contents brought Mrs.

Heasant that enlightenment which had already dawned on her son.

"Dear Bertie," it ran; "I hope I haven't distracted your brain with the spoof letters I've been sending in the name of a fictitious Clotilde. You told me the other day that the servants, or somebody at your home, tampered with your letters, so I thought I would give any one that opened them something exciting to read. The shock might do them good.

"Yours,

"Clovis Sangrail."

Mrs. Heasant knew Clovis slightly, and was rather afraid of him. It was not difficult to read between the lines of his successful hoax. In a chastened mood she rapped once more at Bertie's door.

"A letter from Mr. Sangrail. It's all been a stupid hoax. He wrote those other letters. Why, where are you going?"

Bertie had opened the door; he had on his hat and overcoat.

"I'm going for a doctor to come and see if anything's the matter with you. Of course it was all a hoax, but no person in his right mind could have believed all that rubbish about murder and suicide and jewels. You've been making enough noise to bring the house down for the last hour or two."

"But what was I to think of those letters?" whimpered Mrs. Heasant.

"I should have known what to think of them," said Bertie; "if you choose to excite yourself over other people's correspondence it's your own fault. Anyhow, I'm going for a doctor."

It was Bertie's great opportunity, and he knew it. His mother was conscious of the fact that she would look rather ridiculous if the story got about. She was willing to pay hush-money.

"I'll never open your letters again," she promised. And Clovis has no more devoted slave than Bertie Heasant.

The Seven Cream Jugs

"I suppose we shall never see Wilfred Pigeoncote here now that he has become heir to the baronetcy and to a lot of money," observed Mrs. Peter Pigeoncote regretfully to her husband.

"Well, we can hardly expect to," he replied, "seeing that we always choked him off from coming to see us when he was a prospective nobody. I don't think I've set eyes on him since he was a boy of twelve."

"There was a reason for not wanting to encourage his acquaintanceship," said Mrs. Peter.

"With that notorious failing of his he was not the sort of person one wanted in one's house."

"Well, the failing still exists, doesn't it?" said her husband; "or do you suppose a reform of character is entailed along with the estate?"

"Oh, of course, there is still that drawback," admitted the wife, "but one would like to make the acquaintance of the future head of the family, if only out of mere curiosity.

Besides, cynicism apart, his being rich will make a difference in the way people will look at his failing. When a man is absolutely wealthy, not merely well-to- do, all suspicion of sordid motive naturally disappears; the thing becomes merely a tiresome malady."

Wilfrid Pigeoncote had suddenly become heir to his uncle, Sir Wilfrid Pigeoncote, on the death of his cousin, Major Wilfrid Pigeoncote, who had succumbed to the after-effects of a polo accident. (A Wilfrid Pigeoncote had covered himself with honours in the course of Marlborough's campaigns, and the name Wilfrid had been a baptismal weakness in the family ever since.) The new heir to the family dignity and estates was a young man of about five-and-twenty, who was known more by reputation than by person to a wide circle of cousins and kinsfolk. And the reputation was an unpleasant one. The numerous other Wilfrids in the family were distinguished one from another chiefly by the names of their residences or professions, as Wilfrid of Hubbledown, and young Wilfrid the Gunner, but this particular scion was known by the ignominious and expressive label of Wilfrid the Snatcher. From his late schooldays onward he had been possessed by an acute and obstinate form of kleptomania; he had the acquisitive instinct of the collector without any of the collector's discrimination. Anything that was smaller and more portable than a sideboard, and above the value of ninepence, had an irresistible attraction for him, provided that it fulfilled the necessary condition of belonging to some one else. On the rare occasions when he was included in a country-house party, it was usual and almost necessary for his host, or some member of the family, to make a friendly inquisition through his baggage on the eve of his departure, to see if he had packed up "by mistake"

any one else's property. The search usually produced a large and varied yield.

"This is funny," said Peter Pigeoncote to his wife, some half-hour after their conversation; "here's a telegram from Wilfrid, saying he's passing through here in his motor, and would like to stop and pay us his respects. Can stay for the night if it doesn't inconvenience us. Signed 'Wilfrid Pigeoncote.' Must be the Snatcher; none of the others have a motor. I suppose he's bringing us a present for the silver wedding."

"Good gracious!" said Mrs. Peter, as a thought struck her; "this is rather an awkward time to have a person with his failing in the house. All those silver presents set out in the drawing-room, and others coming by every post; I hardly know what we've got and what are still to come. We can't lock them all up; he's sure to want to see them."

"We must keep a sharp look-out, that's all," said Peter reassuringly.

"But these practised kleptomaniacs are so clever," said his wife, apprehensively, "and it will be so awkward if he suspects that we are watching him."

Awkwardness was indeed the prevailing note that evening when the passing traveller was being entertained. The talk flitted nervously and hurriedly from one impersonal topic to another. The guest had none of the furtive, half-apologetic air that his cousins had rather expected to find; he was polite, well-assured, and, perhaps, just a little inclined to "put on side". His hosts, on the other hand, wore an uneasy manner that might have been the hallmark of conscious depravity. In the drawing-room, after dinner, their nervousness and awkwardness increased.

"Oh, we haven't shown you the silver-wedding presents," said Mrs. Peter, suddenly, as though struck by a brilliant idea for entertaining the guest; "here they all are. Such nice, useful gifts. A few duplicates, of course."

"Seven cream jugs," put in Peter.

"Yes, isn't it annoying," went on Mrs. Peter; "seven of them. We feel that we must live on cream for the rest of our lives. Of course, some of them can be changed."

Wilfrid occupied himself chiefly with such of the gifts as were of antique interest, carrying one or two of them over to the lamp to examine their marks. The anxiety of his hosts at these moments resembled the solicitude of a cat whose newly born kittens are being handed round for inspection.

"Let me see; did you give me back the mustard-pot? This is its place here," piped Mrs.

Peter.

"Sorry. I put it down by the claret-jug," said Wilfrid, busy with another object.

"Oh, just let me have the sugar-sifter again," asked Mrs. Peter, dogged determination showing through her nervousness; "I must label it who it comes from before I forget."

Vigilance was not completely crowned with a sense of victory. After they had said

"Good-night" to their visitor, Mrs. Peter expressed her conviction that he had taken something.

"I fancy, by his manner, that there was something up," corroborated her husband; "do you miss anything?"

Mrs. Peters hastily counted the array of gifts.

"I can only make it thirty-four, and I think it should be thirty- five," she announced; "I can't remember if thirty-five includes the Archdeacon's cruet-stand that hasn't arrived yet."

"How on earth are we to know?" said Peter. "The mean pig hasn't brought us a present, and I'm hanged if he shall carry one off."

"To-morrow, when's he having his bath," said Mrs. Peter excitedly, "he's sure to leave his keys somewhere, and we can go through his portmanteau. It's the only thing to do."

On the morrow an alert watch was kept by the conspirators behind half-closed doors, and when Wilfrid, clad in a gorgeous bath-robe, had made his way to the bath-room, there was a swift and furtive rush by two excited individuals towards the principal guest-chamber. Mrs. Peter kept guard outside, while her husband first made a hurried and successful search for the keys, and then plunged at the portmanteau with the air of a disagreeably conscientious Customs official. The quest was a brief one; a silver cream jug lay embedded in the folds of some zephyr shirts.

"The cunning brute," said Mrs. Peters; "he took a cream jug because there were so many; he thought one wouldn't be missed. Quick, fly down with it and put it back among the others."

Wilfrid was late in coming down to breakfast, and his manner showed plainly that something was amiss.

"It's an unpleasant thing to have to say," he blurted out presently, "but I'm afraid you must have a thief among your servants. Something's been taken out of my portmanteau. It was a little present from my mother and myself for your silver wedding. I should have given it to you last night after dinner, only it happened to be a cream jug, and you seemed annoyed at having so many duplicates, so I felt rather awkward about giving you another.

I thought I'd get it changed for something else, and now it's gone."

"Did you say it was from your MOTHER and yourself?" asked Mr. and Mrs. Peter almost in unison. The Snatcher had been an orphan these many years.

"Yes, my mother's at Cairo just now, and she wrote to me at Dresden to try and get you something quaint and pretty in the old silver line, and I pitched on this cream jug."

Both the Pigeoncotes had turned deadly pale. The mention of Dresden had thrown a sudden light on the situation. It was Wilfrid the Attache, a very superior young man, who rarely came within their social horizon, whom they had been entertaining unawares in the supposed character of Wilfrid the Snatcher. Lady Ernestine Pigeoncote, his mother, moved in circles which were entirely beyond their compass or ambitions, and the son would probably one day be an Ambassador. And they had rifled and despoiled his portmanteau! Husband and wife looked blankly and desperately at one another. It was Mrs. Peter who arrived first at an inspiration.

"How dreadful to think there are thieves in the house! We keep the drawing-room locked up at night, of course, but anything might be carried off while we are at breakfast."

She rose and went out hurriedly, as though to assure herself that the drawing-room was not being stripped of its silverware, and returned a moment later, bearing a cream jug in her hands.

"There are eight cream jugs now, instead of seven," she cried; "this one wasn't there before. What a curious trick of memory, Mr. Wilfrid! You must have slipped downstairs with it last night and put it there before we locked up, and forgotten all about having done it in the morning."

"One's mind often plays one little tricks like that," said Mr. Peter, with desperate heartiness. "Only the other day I went into the town to pay a bill, and went in again next day, having clean forgotten that I'd--"

"It is certainly the jug I bought for you," said Wilfrid, looking closely at it; "it was in my portmanteau when I got my bath-robe out this morning, before going to my bath, and it was not there when I unlocked the portmanteau on my return. Some one had taken it while I was away from the room."

The Pigeoncotes had turned paler than ever. Mrs. Peter had a final inspiration.

"Get me my smelling-salts, dear," she said to her husband; "I think they're in the dressing-room."

Peter dashed out of the room with glad relief; he had lived so long during the last few minutes that a golden wedding seemed within measurable distance.

Mrs. Peter turned to her guest with confidential coyness.

"A diplomat like you will know how to treat this as if it hadn't happened. Peter's little weakness; it runs in the family."

"Good Lord! Do you mean to say he's a kleptomaniac, like Cousin Snatcher?"

"Oh, not exactly," said Mrs. Peter, anxious to whitewash her husband a little greyer than she was painting him. "He would never touch anything he found lying about, but he can't resist making a raid on things that are locked up. The doctors have a special name for it.

He must have pounced on your portmanteau the moment you went to your bath, and taken the first thing he came across. Of course, he had no motive for taking a cream jug; we've already got seven, as you know--not, of course, that we don't value the kind of gift you and your mother--hush here's Peter coming."

Mrs. Peter broke off in some confusion, and tripped out to meet her husband in the hall.

"It's all right," she whispered to him; "I've explained everything. Don't say anything more about it."

"Brave little woman," said Peter, with a gasp of relief; "I could never have done it."

* * *

Diplomatic reticence does not necessarily extend to family affairs. Peter Pigeoncote was never able to understand why Mrs. Consuelo van Bullyon, who stayed with them in the spring, always carried two very obvious jewel-cases with her to the bath-room, explaining them to any one she chanced to meet in the corridor as her manicure and face-massage set.

The Occasional Garden

"Don't talk to me about town gardens," said Elinor Rapsley; "which means, of course, that I want you to listen to me for an hour or so while I talk about nothing else. 'What a nice-sized garden you've got,' people said to us when we first moved here. What I suppose they meant to say was what a nice-sized site for a garden we'd got. As a matter of fact, the size is all against it; it's too large to be ignored altogether and treated as a yard, and it's too small to keep giraffes in. You see, if we could keep giraffes or reindeer or some other species of browsing animal there we could explain the general absence of vegetation by a reference to the fauna of the garden: 'You can't have wapiti AND Darwin tulips, you know, so we didn't put down any bulbs last year.' As it is, we haven't got the wapiti, and the Darwin tulips haven't survived the fact that most of the cats of the neighbourhood hold a parliament in the centre of the tulip bed; that rather forlorn looking strip that we intended to be a border of alternating geranium and spiraea has been utilised by the cat-parliament as a division lobby. Snap divisions seem to have been rather frequent of late, far more frequent than the geranium blooms are likely to be. I shouldn't object so much to ordinary cats, but I do complain of having a congress of vegetarian cats in my garden; they must be vegetarians, my dear, because, whatever ravages they may commit among the sweet pea seedlings, they never seem to touch the sparrows; there are always just as many adult sparrows in the garden on Saturday as there were on Monday, not to mention newly-fledged additions. There seems to have been an irreconcilable difference of opinion between sparrows and Providence since the beginning of time as to whether a crocus looks best standing upright with its roots in the earth or in a recumbent posture with its stem neatly severed; the sparrows always have the last word in the matter, at least in our garden they do. I fancy that Providence must have originally intended to bring in an amending Act, or whatever it's called, providing either for a less destructive sparrow or a more indestructible crocus. The one consoling point about our garden is that it's not visible from the drawing-room or the smoking-room, so unless people are dinning or lunching with us they can't spy out the nakedness of the land. That is why I am so furious with Gwenda Pottingdon, who has practically forced herself on me for lunch on Wednesday next; she heard me offer the Paulcote girl lunch if she was up shopping on that day, and, of course, she asked if she might come too. She is only coming to gloat over my bedraggled and flowerless borders and to sing the praises of her own detestably over-cultivated garden. I'm sick of being told that it's the envy of the neighbourhood; it's like everything else that belongs to her--her car, her dinner-parties, even her headaches, they are all superlative; no one else ever had anything like them.

When her eldest child was confirmed it was such a sensational event, according to her account of it, that one almost expected questions to be asked about it in the House of Commons, and now she's coming on purpose to stare at my few miserable pansies and the gaps in my sweet-pea border, and to give me a glowing, full- length description of the rare and sumptuous blooms in her rose- garden."

"My dear Elinor," said the Baroness, "you would save yourself all this heart-burning and a lot of gardener's bills, not to mention sparrow anxieties, simply by paying an annual subscription to the O.O.S.A."

"Never heard of it," said Elinor; "what is it?"

"The Occasional-Oasis Supply Association," said the Baroness; "it exists to meet cases exactly like yours, cases of backyards that are of no practical use for gardening purposes, but are required to blossom into decorative scenic backgrounds at stated intervals, when a luncheon or dinner-party is contemplated. Supposing, for instance, you have people coming to lunch at one-thirty; you just ring up the Association at about ten o'clock the same morning, and say 'lunch garden'. That is all the trouble you have to take. By twelve forty-five your yard is carpeted with a strip of velvety turf, with a hedge of lilac or red may, or whatever happens to be in season, as a background, one or two cherry trees in blossom, and clumps of heavily-flowered rhododendrons filling in the odd corners; in the foreground you have a blaze of carnations or Shirley poppies, or tiger lilies in full bloom.

As soon as the lunch is over and your guests have departed the garden departs also, and all the cats in Christendom can sit in council in your yard without causing you a moment's anxiety. If you have a bishop or an antiquary or something of that sort coming to lunch you just mention the fact when you are ordering the garden, and you get an old-world pleasaunce, with clipped yew hedges and a sun-dial and hollyhocks, and perhaps a mulberry tree, and borders of sweet-williams and Canterbury bells, and an old-fashioned beehive or two tucked away in a corner. Those are the ordinary lines of supply that the Oasis Association undertakes, but by paying a few guineas a year extra you are entitled to its emergency E.O.N. service."

"What on earth is an E.O.N. service?"

"It's just a conventional signal to indicate special cases like the incursion of Gwenda Pottingdon. It means you've got some one coming to lunch or dinner whose garden is alleged to be 'the envy of the neighbourhood.'"

"Yes," exclaimed Elinor, with some excitement, "and what happens then?"

"Something that sounds like a miracle out of the Arabian Nights. Your backyard becomes voluptuous with pomegranate and almond trees, lemon groves, and hedges of flowering cactus, dazzling banks of azaleas, marble-basined fountains, in which chestnut-and-white pond- herons step daintily amid exotic water-lilies, while golden pheasants strut about on alabaster terraces. The whole effect rather suggests the idea that Providence and Norman Wilkinson have dropped mutual jealousies and collaborated to produce a background for an open-air Russian Ballet; in point of fact, it is merely the background to your luncheon party. If there is any kick left in Gwenda Pottingdon, or whoever your E.O.N. guest of the moment may be, just mention carelessly that your climbing putella is the only one in England, since the one at Chatsworth died last winter. There isn't such a thing as a climbing putella, but Gwenda Pottingdon and her kind don't usually know one flower from another without prompting."

"Quick," said Elinor, "the address of the Association."

Gwenda Pottingdon did not enjoy her lunch. It was a simple yet elegant meal, excellently cooked and daintily served, but the piquant sauce of her own conversation was notably lacking. She had prepared a long succession of eulogistic comments on the wonders of her town garden, with its unrivalled effects of horticultural magnificence, and, behold, her theme was shut in on every side by the luxuriant hedge of Siberian berberis that formed a glowing background to Elinor's bewildering fragment of fairyland. The pomegranate and lemon trees, the terraced fountain, where golden carp slithered and wriggled amid the roots of gorgeous-hued irises, the banked masses of exotic blooms, the pagoda-like enclosure, where Japanese sand-badgers disported themselves, all these contributed to take away Gwenda's appetite and moderate her desire to talk about gardening matters.

"I can't say I admire the climbing putella," she observed shortly, "and anyway it's not the only one of its kind in England; I happen to know of one in Hampshire. How gardening is going out of fashion; I suppose people haven't the time for it nowadays."

Altogether it was quite one of Elinor's most successful luncheon parties.

It was distinctly an unforeseen catastrophe that Gwenda should have burst in on the household four days later at lunch-time and made her way unbidden into the dining-room.

"I thought I must tell you that my Elaine has had a water-colour sketch accepted by the Latent Talent Art Guild; it's to be exhibited at their summer exhibition at the Hackney Gallery. It will be the sensation of the moment in the art world--Hullo, what on earth has happened to your garden? It's not there!"

"Suffragettes," said Elinor promptly; "didn't you hear about it? They broke in and made hay of the whole thing in about ten minutes. I was so heart-broken at the havoc that I had the whole place cleared out; I shall have it laid out again on rather more elaborate lines."

"That," she said to the Baroness afterwards "is what I call having an emergency brain."

The Sheep

The enemy had declared "no trumps." Rupert played out his ace and king of clubs and cleared the adversary of that suit; then the Sheep, whom the Fates had inflicted on him for a partner, took the third round with the queen of clubs, and, having no other club to lead back, opened another suit. The enemy won the remainder of the tricks--and the rubber.

"I had four more clubs to play; we only wanted the odd trick to win the rubber," said Rupert.

"But I hadn't another club to lead you," exclaimed the Sheep, with his ready, defensive smile.

"It didn't occur to you to throw your queen away on my king and leave me with the command of the suit," said Rupert, with polite bitterness.

"I suppose I ought to have--I wasn't certain what to do. I'm awfully sorry," said the Sheep.

Being awfully and uselessly sorry formed a large part of his occupation in life. If a similar situation had arisen in a subsequent hand he would have blundered just as certainly, and he would have been just as irritatingly apologetic.

Rupert stared gloomily across at him as he sat smiling and fumbling with his cards. Many men who have good brains for business do not possess the rudiments of a card-brain, and Rupert would not have judged and condemned his prospective brother-in-law on the evidence of his bridge play alone. The tragic part of it was that he smiled and fumbled through life just as fatuously and apologetically as he did at the card-table. And behind the defensive smile and the well- worn expressions of regret there shone a scarcely believable but quite obvious self-satisfaction. Every sheep of the pasture probably imagines that in an emergency it could become terrible as an army with banners--one has only to watch how they stamp their feet and stiffen their necks when a minor object of suspicion comes into view and behaves meekly. And probably the majority of human sheep see themselves in imagination taking great parts in the world's more impressive dramas, forming swift, unerring decisions in moments of crisis, cowing mutinies, allaying panics, brave, strong, simple, but, in spite of their natural modesty, always slightly spectacular.

"Why in the name of all that is unnecessary and perverse should Kathleen choose this man for her future husband?" was the question that Rupert asked himself ruefully. There was young Malcolm Athling, as nice-looking, decent, level-headed a fellow as any one could wish to meet, obviously her very devoted admirer, and yet she must throw herself away on this pale-eyed, weak-mouthed embodiment of self-approving ineptitude. If it had been merely Kathleen's own affair Rupert would have shrugged his shoulders and philosophically hoped that she might make the best of an undeniably bad bargain. But Rupert had no heir; his own boy lay underground somewhere on the Indian frontier, in goodly company. And the property would pass in due curse to Kathleen and Kathleen's husband. The Sheep would live there in the beloved old home, rearing up other little Sheep, fatuous and rabbit-faced and self-satisfied like himself, to dwell in the land and possess it. It was not a soothing prospect.

Towards dusk on the afternoon following the bridge experience Rupert and the Sheep made their way homeward after a day's mixed shooting. The Sheep's cartridge bag was nearly empty, but his game bag showed no signs of over-crowding. The birds he had shot at had seemed for the most part as impervious to death or damage as the hero of a melodrama. And for each failure to drop his bird he had some explanation or apology ready on his lips. Now he was striding along in front of his host, chattering happily over his shoulder, but obviously on the look-out for some belated rabbit or woodpigeon that might haply be secured as an eleventh-hour addition to his bag. As they passed the edge of a small copse a large bird rose from the ground and flew slowly towards the trees, offering an easy shot to the oncoming sportsmen. The Sheep banged forth with both barrels, and gave an exultant cry.

"Horray! I've shot a thundering big hawk!"

"To be exact, you've shot a honey-buzzard. That is the hen bird of one of the few pairs of honey-buzzards breeding in the United Kingdom. We've kept them under the strictest preservation for the last four years; every game-keeper and village gun loafer for twenty miles round has been warned and bribed and threatened to respect their sanctity, and egg-snatching agents have been carefully guarded against during the breeding season.

Hundreds of lovers of rare birds have delighted in seeing their snap-shotted portraits in Country Life, and now you've reduced the hen bird to a lump of broken feathers."

Rupert spoke quietly and evenly, but for a moment or two a gleam of positive hatred shone in his eyes.

"I say, I'm so sorry," said the Sheep, with his apologetic smile. "Of course I remember hearing about the buzzards, but somehow I didn't connect this bird with them. And it was such an east shot--"

"Yes," said Rupert; "that was the trouble."

Kathleen found him in the gun-room smoothing out the feathers of the dead bird. She had already been told of the catastrophe.

"What a horrid misfortune," she said sympathetically.

"It was my dear Robbie who first discovered them, the last time he was home on leave.

Don't you remember how excited he was about them? Let's go and have some tea."

Both bridge and shooting were given a rest for the next two or three weeks. Death, who enters into no compacts with party whips, had forced a Parliamentary vacancy on the neighbourhood at the least convenient season, and the local partisans on either side found themselves immersed in the discomforts of a mid-winter election. Rupert took his politics seriously and keenly. He belonged to that type of strangely but rather happily constituted individuals which these islands seem to produce in a fair plenty; men and women who for no personal profit or gain go forth from their comfortable firesides or club card-rooms to hunt to and fro in the mud and rain and wind for the capture or tracking of a stray vote here and there on their party's behalf--not because they think they ought to, but because they want to. And his energies were welcome enough on this occasion, for the seat was a closely disputed possession, and its loss or retention would count for much in the present position of the Parliamentary game. With Kathleen to help him, he had worked his corner of the constituency with tireless, well-directed zeal, taking his share of the dull routine work as well as of the livelier episodes. The talking part of the campaign wound up on the eve of the poll with a meeting in a centre where more undecided votes were supposed to be concentrated than anywhere else in the division. A good final meeting here would mean everything. And the speakers, local and imported, left nothing undone to improve the occasion. Rupert was down for the unimportant task of moving the complimentary vote to the chairman which should close the proceedings.

"I'm so hoarse," he protested, when the moment arrived; "I don't believe I can make my voice heard beyond the platform."

"Let me do it," said the Sheep; "I'm rather good at that sort of thing."

The chairman was popular with all parties, and the Sheep's opening words of complimentary recognition received a round of applause. The orator smiled expansively on his listeners and seized the opportunity to add a few words of political wisdom on his own account. People looked at the clock or began to grope for umbrellas and discarded neckwraps. Then, in the midst of a string of meaningless platitudes, the Sheep delivered himself of one of those blundering remarks which travel from one end of a constituency to the other in half an hour, and are seized on by the other side as being more potent on their behalf than a ton of election literature. There was a general shuffling and muttering across the length and breadth of the hall, and a few hisses made themselves heard. The Sheep tried to whittle down his remark, and the chairman unhesitatingly threw him over in his speech of thanks, but the damage was done.

"I'm afraid I lost touch with the audience rather over that remark," said the Sheep afterwards, with his apologetic smile abnormally developed.

"You lost us the election," said the chairman, and he proved a true prophet.

A month or so of winter sport seemed a desirable pick-me-up after the strenuous work and crowning discomfiture of the election. Rupert and Kathleen hied them away to a small Alpine resort that was just coming into prominence, and thither the Sheep followed them in due course, in his role of husband-elect. The wedding had been fixed for the end of March.

It was a winter of early and unseasonable thaws, and the far end of the local lake, at a spot where swift currents flowed into it, was decorated with notices, written in three languages, warning skaters not to venture over certain unsafe patches. The folly of approaching too near these danger spots seemed to have a natural fascination for the Sheep.

"I don't see what possible danger there can be," he protested, with his inevitable smile, when Rupert beckoned him away from the proscribed area; "the milk that I put out on my window-sill last night was frozen an inch deep."

"It hadn't got a strong current flowing through it," said Rupert; "in any case, there is not much sense in hovering round a doubtful piece of ice when there are acres of good ice to skate over. The secretary of the ice-committee has warned you once already."

A few minutes later Rupert heard a loud squeal of fear, and saw a dark spot blotting the smoothness of the lake's frozen surface. The Sheep was struggling helplessly in an ice-hole of his own making. Rupert gave one loud curse, and then dashed full tilt for the shore; outside a low stable building on the lake's edge he remembered having seen a ladder. If he could slide it across the ice-hole before the Sheep went under the rescue would be comparatively simple work. Other skaters were dashing up from a distance, and, with the ladder's help, they could get him out of his death-trap without having to trust themselves on the margin of rotten ice. Rupert sprang on to the surface of lumpy, frozen snow, and staggered to where the ladder lay. He had already lifted it when the rattle of a chain and a furious outburst of growls burst on his hearing, and he was dashed to the ground by a mass of white and tawny fur. A sturdy young yard-dog, frantic with the pleasure of performing his first piece of actice guardian service, was ramping and snarling over him, rendering the task of regaining his feet or securing the ladder a matter of considerable difficulty. When he had at last succeeded in both efforts he was just by a hair's-breadth too late to be of any use. The Sheep had definitely disappeared under the ice-rift.

Kathleen Athling and her husband stay the greater part of the year with Rupert, and a small Robbie stands in some danger of being idolised by a devoted uncle. But for twelve months of the year Rupert's most inseparable and valued companion is a sturdy tawny and white yard-dog.

The Oversight

"It's like a Chinese puzzle," said Lady Prowche resentfully, staring at a scribbled list of names that spread over two or three loose sheets of notepaper on her writing-table. Most of the names had a pencil mark running through them.

"What is like a Chinese puzzle?" asked Lena Luddleford briskly; she rather prided herself on being able to grapple with the minor problems of life.

"Getting people suitably sorted together. Sir Richard likes me to have a house party about this time of year, and gives me a free hand as to whom I should invite; all he asks is that it should be a peaceable party, with no friction or unpleasantness."

"That seems reasonable enough," said Lena.

"Not only reasonable, my dear, but necessary. Sir Richard has his literary work to think of; you can't expect a man to concentrate on the tribal disputes of Central Asian clansmen when he's got social feuds blazing under his own roof."

"But why should they blaze? Why should there be feuds at all within the compass of a house party?"

"Exactly; why should they blaze or why should they exist?" echoed Lady Prowche; "the point is that they always do. We have been unlucky; persistently unlucky, now that I come to look back on things. We have always got people of violently opposed views under one roof, and the result has been not merely unpleasantness but explosion."

"Do you mean people who disagree on matters of political opinion and religious views?"

asked Lena.

"No, not that. The broader lines of political or religious difference don't matter. You can have Church of England and Unitarian and Buddhist under the same roof without courting disaster; the only Buddhist I ever had down here quarrelled with everybody, but that was on account of his naturally squabblesome temperament; it had nothing to do with his religion. And I've always found that people can differ profoundly about politics and meet on perfectly good terms at breakfast. Now, Miss Larbor Jones, who was staying here last year, worships Lloyd George as a sort of wingless angel, while Mrs. Walters, who was down here at the same time, privately considers him to be--an antelope, let us say."

"An antelope?"

"Well, not an antelope exactly, but something with horns and hoofs and tail."

"Oh, I see."

"Still, that didn't prevent them from being the chummiest of mortals on the tennis court and in the billiard-room. They did quarrel finally, about a lead in a doubled hand of no-trumps, but that of course is a thing that no account of judicious guest-grouping could prevent. Mrs. Walters had got king, knave, ten, and seven of clubs- -"

"You were saying that there were other lines of demarcation that caused the bother,"

interrupted Lena.

"Exactly. It is the minor differences and side-issues that give so much trouble," said Lady Prowche; "not to my dying day shall I forget last year's upheaval over the Suffragette question. Laura Henniseed left the house in a state of speechless indignation, but before she had reached that state she had used language that would not have been tolerated in the Austrian Reichsrath. Intensive bear- gardening was Sir Richard's description of the whole affair, and I don't think he exaggerated."

"Of course the Suffragette question is a burning one, and lets loose the most dreadful ill-feeling," said Lena; "but one can generally find out beforehand what people's opinions--"

"My dear, the year before it was worse. It was Christian Science. Selina Goobie is a sort of High Priestess of the Cult, and she put down all opposition with a high hand. Then one evening, after dinner, Clovis Sangrail put a wasp down her back, to see if her theory about the non-existence of pain could be depended on in an emergency. The wasp was small, but very efficient, and it had been soured in temper by being kept in a paper cage all the afternoon. Wasps don't stand confinement well, at least this one didn't. I don't think I ever realised till that moment what the word 'invective' could be made to mean. I sometimes wake in the night and think I still hear Selina describing Clovis's conduct and general character. That was the year that Sir Richard was writing his volume on

'Domestic Life in Tartary.' The critics all blamed it for a lack of concentration."

"He's engaged on a very important work this year, isn't he?" asked Lena.

"'Land-tenure in Turkestan,'" said Lady Prowche; "he is just at work on the final chapters and they require all the concentration he can give them. That is why I am so very anxious not to have any unfortunate disturbance this year. I have taken every precaution I can think of to bring non-conflicting and harmonious elements together; the only two people I am not quite easy about are the Atkinson man and Marcus Popham. They are the two who will be down here longest together, and if they are going to fall foul of one another about any burning question, well, there will be more unpleasantness."

"Can't you find out anything about them? About their opinions, I mean."

"Anything? My dear Lena, there's scarcely anything that I haven't found out about them.

They're both of them moderate Liberal, Evangelical, mildly opposed to female suffrage, they approve of the Falconer Report, and the Stewards' decision about Craganour. Thank goodness in this country we don't fly into violent passions about Wagner and Brahms and things of that sort. There is only one thorny subject that I haven't been able to make sure about, the only stone that I have left unturned. Are they unanimously anti-vivisectionist or do they both uphold the necessity for scientific experiment? There has been a lot of correspondence on the subject in our local newspapers of late, and the vicar is certain to preach a sermon about it; vicars are dreadfully provocative at times. Now, if you could only find out for me whether these two men are divergently for or against--"

"I!" exclaimed Lena; "how am I to find out? I don't know either of them to speak to."

"Still you might discover, in some roundabout way. Write to them, under as assumed name of course, for subscriptions to one or other cause--or, better still, send a stamped type-written reply postcard, with a request for a declaration for or against vivisection; people who would hesitate to commit themselves to a subscription will cheerfully write Yes or No on a prepaid postcard. If you can't manage it that way, try and meet them at some one's house and get into argument on the subject. I think Milly occasionally has one or other of them at her at-homes; you might have the luck to meet both of them there the same evening. Only it must be done soon. My invitations ought to go out by Wednesday or Thursday at the latest, and to-day is Friday.

"Milly's at-homes are not very amusing, as a rule," said Lena, "and one never gets a chance of talking uninterruptedly to any one for a couple of minutes at a time; Milly is one of those restless hostesses who always seem to be trying to see how you look in different parts of the room, in fresh grouping effects. Even if I got to speak to Popham or Atkinson I couldn't plunge into a topic like vivisection straight away. No, I think the postcard scheme would be more hopeful and decidedly less tiresome. How would it be best to word them?"

"Oh, something like this: 'Are you in favour of experiments on living animals for the purpose of scientific research--Yes or No?' That is quite simple and unmistakable. If they don't answer it will at least be an indication that they are indifferent about the subject, and that is all I want to know."

"All right," said Lena, "I'll get my brother-in-law to let me have them addressed to his office, and he can telephone the result of the plebiscite direct to you."

"Thank you ever so much," said Lady Prowche gratefully, "and be sure to get the cards sent off as soon as possible."

On the following Tuesday the voice of an office clerk, speaking through the telephone, informed Lady Prowche that the postcard poll showed unanimous hostility to experiments on living animals.

Lady Prowche thanked the office clerk, and in a louder and more fervent voice she thanked Heaven. The two invitations, already sealed and addressed, were immediately dispatched; in due course they were both accepted. The house party of the halcyon hours, as the prospective hostess called it, was auspiciously launched.

Lena Luddleford was not included among the guests, having previously committed herself to another invitation. At the opening day of a cricket festival, however, she ran across Lady Prowche, who had motored over from the other side of the county. She wore the air of one who is not interested in cricket and not particularly interested in life. She shook hands limply with Lena, and remarked that it was a beastly day.

"The party, how has it gone off?" asked Lena quickly.

"Don't speak of it!" was the tragical answer; "why do I always have such rotten luck?"

"But what has happened?"

"It has been awful. Hyaenas could not have behaved with greater savagery. Sir Richard said so, and he has been in countries where hyaenas live, so he ought to know. They actually came to blows!"

"Blows?"

"Blows and curses. It really might have been a scene from one of Hogarth's pictures. I never felt so humiliated in my life. What the servants must have thought!"

"But who were the offenders?"

"Oh, naturally the very two that we took all the trouble about."

"I thought they agreed on every subject that one could violently disagree about--religion, politics, vivisection, the Derby decision, the Falconer Report; what else was there left to quarrel about?"

"My dear, we were fools not to have thought of it. One of them was Pro-Greek and the other Pro-Bulgar."

Hyacinth

"The new fashion of introducing the candidate's children into an election contest is a pretty one," said Mrs. Panstreppon; "it takes away something from the acerbity of party warfare, and it makes an interesting experience for children to look back on in after years.

Still, if you will listen to my advice, Matilda, you will not take Hyacinth with you down to Luffbridge on election day."

"Not take Hyacinth!" exclaimed his mother; "but why not? Jutterly is bringing his three children, and they are going to drive a pair of Nubian donkeys about the town, to emphasise the fact that their father has been appointed Colonial Secretary. We are making the demand for a strong Navy a special feature in our campaign, and it will be particularly appropriate to have Hyacinth dressed in his sailor suit. He'll look heavenly."

"The question is, not how he'll look, but how he'll behave. He's a delightful child, of course, but there is a strain of unbridled pugnacity in him that breaks out at times in a really alarming fashion. You may have forgotten the affair of the little Gaffin children; I haven't."

"I was in India at the time, and I've only a vague recollection of what happened; he was very naughty, I know."

"He was in his goat-carriage, and met the Gaffins in their perambulator, and he drove the goat full tilt at them and sent the perambulator spinning. Little Jacky Gaffin was pinned down under the wreckage, and while the nurse had her hands full with the goat Hyacinth was laying into Jacky's legs with his belt like a small fury."

"I'm not defending him," said Matilda, "but they must have done something to annoy him."

"Nothing intentionally, but some one had unfortunately told him that they were half French--their mother was a Duboc, you know--and he had been having a history lesson that morning, and had just heard of the final loss of Calais by the English, and was furious about it. He said he'd teach the little toads to go snatching towns from us, but we didn't know at the time that he was referring to the Gaffins. I told him afterwards that all bad feeling between the two nations had died out long ago, and that anyhow the Gaffins were only half French, and he said that it was only the French half of Jacky that he had been hitting; the rest had been buried under the perambulator. If the loss of Calais unloosed such fury in him, I tremble to think what the possible loss of the election might entail."

"All that happened when he was eight; he's older now and knows better."

"Children with Hyacinth's temperament don't know better as they grow older; they merely know more."

"Nonsense. He will enjoy the fun of the election, and in any case he'll be tired out by the time the poll is declared, and the new sailor suit that I've had made for him is just in the right shade of blue for our election colours, and it will exactly match the blue of his eyes.

He will be a perfectly charming note of colour."

"There is such a thing as letting one's aesthetic sense override one's moral sense," said Mrs. Panstreppon. "I believe you would have condoned the South Sea Bubble and the persecution of the Albigenses if they had been carried out in effective colour schemes.

However, if anything unfortunate should happen down at Luffbridge, don't say it wasn't foreseen by one member of the family."

The election was keenly but decorously contested. The newly- appointed Colonial Secretary was personally popular, while the Government to which he adhered was distinctly unpopular, and there was some expectancy that the majority of four hundred, obtained at the last election, would be altogether wiped out. Both sides were hopeful, but neither could feel confident. The children were a great success; the little Jutterlys drove their chubby donkeys solemnly up and down the main streets, displaying posters which advocated the claims of their father on the broad general grounds that he was their father, while as for Hyacinth, his conduct might have served as a model for any seraph-child that had strayed unwittingly on to the scene of an electoral contest. Of his own accord, and under the delighted eyes of half a dozen camera operators, he had gone up to the Jutterly children and presented them with a packet of butterscotch; "we needn't be enemies because we're wearing the opposite colours," he said with engaging friendliness, and the occupants of the donkey-cart accepted his offering with polite solemnity. The grown-up members of both political camps were delighted at the incident--with the exception of Mrs. Panstreppon, who shuddered.

"Never was Clytemnestra's kiss sweeter than on the night she slew me," she quoted, but made the quotation to herself.

The last hour of the poll was a period of unremitting labour for both parties; it was generally estimated that not more than a dozen votes separated the candidates, and every effort was made to bring up obstinately wavering electors. It was with a feeling of relaxation and relief that every one heard the clocks strike the hour for the close of the poll. Exclamations broke out from the tired workers, and corks flew out from bottles.

"Well, if we haven't won; we've done our level best." "It has been a clean straight fight, with no rancour." "The children were quite a charming feature, weren't they?"

The children? It suddenly occurred to everybody that they had seen nothing of the children for the last hour. What had become of the three little Jutterlys and their donkey-cart, and, for the matter of that, what had become of Hyacinth. Hurried, anxious embassies went backwards and forwards between the respective party headquarters and the various committee-rooms, but there was blank ignorance everywhere as to the whereabouts of the children. Every one had been too busy in the closing moments of the poll to bestow a thought on them. Then there came a telephone call at the Unionist Women's Committee-rooms, and the voice of Hyacinth was heard demanding when the poll would be declared.

"Where are you, and where are the Jutterly children?" asked his mother.

"I've just finished having high-tea at a pastry-cook's," came the answer, "and they let me telephone. I've had a poached egg and a sausage roll and four meringues."

"You'll be ill. Are the little Jutterlys with you?"

"Rather not. They're in a pigstye."

"A pigstye? Why? What pigstye?"

"Near the Crawleigh Road. I met them driving about a back road, and told them they were to have tea with me, and put their donkeys in a yard that I knew of. Then I took them to see an old sow that had got ten little pigs. I got the sow into the outer stye by giving her bits of bread, while the Jutterlys went in to look at the litter, then I bolted the door and left them there."

"You wicked boy, do you mean to say you've left those poor children there alone in the pigstye?"

"They're not alone, they've got ten little pigs in with them; they're jolly well crowded.

They were pretty mad at being shut in, but not half as mad as the old sow is at being shut out from her young ones. If she gets in while they're there she'll bite them into mincemeat. I can get them out by letting a short ladder down through the top window, and that's what I'm going to do IF WE WIN. If their blighted father gets in, I'm just going to open the door for the sow, and let her do what she dashed well likes to them. That's why I want to know when the poll will be declared."

Here the narrator rang off. A wild stampede and a frantic sending- off of messengers took place at the other end of the telephone. Nearly all the workers on either side had disappeared to their various club-rooms and public-house bars to await the declaration of the poll, but enough local information could be secured to determine the scene of Hyacinth's exploit. Mr. John Ball had a stable yard down near the Crawleigh Road, up a short lane, and his sow was known to have a litter of ten young ones. Thither went in headlong haste both the candidates, Hyacinth's mother, his aunt (Mrs. Panstreppon), and two or three hurriedly-summoned friends. The two Nubian donkeys, contentedly munching at bundles of hay, met their gaze as they entered the yard. The hoarse savage grunting of an enraged animal and the shriller note of thirteen young voices, three of them human, guided them to the stye, in the outer yard of which a huge Yorkshire sow kept up a ceaseless raging patrol before a closed door. Reclining on the broad ledge of an open window, from which point of vantage he could reach down and shoot the bolt of the door, was Hyacinth, his blue sailor-suit somewhat the worse of wear, and his angel smile exchanged for a look of demoniacal determination.

"If any of you come a step nearer," he shouted, "the sow will be inside in half a jiffy."

A storm of threatening, arguing, entreating expostulation broke from the baffled rescue party, but it made no more impression on Hyacinth than the squealing tempest that raged within the stye.

"If Jutterly heads the poll I'm going to let the sow in. I'll teach the blighters to win elections from us."

"He means it," said Mrs. Panstreppon; "I feared the worst when I saw that butterscotch incident."

"It's all right, my little man," said Jutterly, with the duplicity to which even a Colonial Secretary can sometimes stoop, "your father has been elected by a large majority."

"Liar!" retorted Hyacinth, with the directness of speech that is not merely excusable, but almost obligatory, in the political profession; "the votes aren't counted yet. You won't gammon me as to the result, either. A boy that I've palled with is going to fire a gun when the poll is declared; two shots if we've won, one shot if we haven't."

The situation began to look critical. "Drug the sow," whispered Hyacinth's father.

Some one went off in the motor to the nearest chemist's shop and returned presently with two large pieces of bread, liberally dosed with narcotic. The bread was thrown deftly and unostentatiously into the stye, but Hyacinth saw through the manoeuvre. He set up a piercing imitation of a small pit in Purgatory, and the infuriated mother ramped round and round the stye; the pieces of bread were trampled into slush.

At any moment now the poll might be declared. Jutterly flew back to the Town Hall, where the votes were being counted. His agent met him with a smile of hope.

"You're eleven ahead at present, and only about eighty more to be counted; you're just going to squeak through."

"I mustn't squeak through," exclaimed Jutterly, hoarsely. "You must object to every doubtful vote on our side that can possibly be disallowed. I must NOT have the majority."

Then was seen the unprecedented sight of a party agent challenging the votes on his own side with a captiousness that his opponents would have hesitated to display. One or two votes that would have certainly passed muster under ordinary circumstances were disallowed, but even so Jutterly was six ahead with only thirty more to be counted.

To the watchers by the stye the moments seemed intolerable. As a last resort some one had been sent for a gun with which to shoot the sow, though Hyacinth would probably draw the bolt the moment such a weapon was brought into the yard. Nearly all the men were away from their homes, however, on election night, and the messenger had evidently gone far afield in his search. It must be a matter of minutes now to the declaration of the poll.

A sudden roar of shouting and cheering was heard from the direction of the Town Hall.

Hyacinth's father clutched a pitchfork and prepared to dash into the stye in the forlorn hope of being in time.

A shot rang out in the evening air. Hyacinth stooped down from his perch and put his finger on the bolt. The sow pressed furiously against the door.

"Bang," came another shot.

Hyacinth wriggled back, and sent a short ladder down through the window of the inner stye.

"Now you can come up, you unclean little blighters," he sang out; "my daddy's got in, not yours. Hurry up, I can't keep the sow waiting much longer. And don't you jolly well come butting into any election again where I'm on the job."

In the reaction that set in after the deliverance furious recrimination were indulged in by the lately opposed candidates, their women folk, agents, and party helpers. A recount was demanded, but failed to establish the fact that the Colonial Secretary had obtained a majority. Altogether the election left a legacy of soreness behind it, apart from any that was experienced by Hyacinth in person.

"It is the last time I shall let him go to an election," exclaimed his mother.

"There I think you are going to extremes," said Mrs. Panstreppon; "if there should be a general election in Mexico I think you might safely let him go there, but I doubt whether our English politics are suited to the rough and tumble of an angel-child."

The Image Of The Lost Soul

There were a number of carved stone figures placed at intervals along the parapets of the old Cathedral; some of them represented angels, others kings and bishops, and nearly all were in attitudes of pious exaltation and composure. But one figure, low down on the cold north side of the building, had neither crown, mitre, not nimbus, and its face was hard and bitter and downcast; it must be a demon, declared the fat blue pigeons that roosted and sunned themselves all day on the ledges of the parapet; but the old belfry jackdaw, who was an authority on ecclesiastical architecture, said it was a lost soul. And there the matter rested.

One autumn day there fluttered on to the Cathedral roof a slender, sweet-voiced bird that had wandered away from the bare fields and thinning hedgerows in search of a winter roosting-place. It tried to rest its tired feet under the shade of a great angel-wing or to nestle in the sculptured folds of a kingly robe, but the fat pigeons hustled it away from wherever it settled, and the noisy sparrow-folk drove it off the ledges. No respectable bird sang with so much feeling, they cheeped one to another, and the wanderer had to move on.

Only the effigy of the Lost Soul offered a place of refuge. The pigeons did not consider it safe to perch on a projection that leaned so much out of the perpendicular, and was, besides, too much in the shadow. The figure did not cross its hands in the pious attitude of the other graven dignitaries, but its arms were folded as in defiance and their angle made a snug resting-place for the little bird. Every evening it crept trustfully into its corner against the stone breast of the image, and the darkling eyes seemed to keep watch over its slumbers. The lonely bird grew to love its lonely protector, and during the day it would sit from time to time on some rainshoot or other abutment and trill forth its sweetest music in grateful thanks for its nightly shelter. And, it may have been the work of wind and weather, or some other influence, but the wild drawn face seemed gradually to lose some of its hardness and unhappiness. Every day, through the long monotonous hours, the song of his little guest would come up in snatches to the lonely watcher, and at evening, when the vesper-bell was ringing and the great grey bats slid out of their hiding-places in the belfry roof, the bright- eyed bird would return, twitter a few sleepy notes, and nestle into the arms that were waiting for him. Those were happy days for the Dark Image. Only the great bell of the Cathedral rang out daily its mocking message, "After joy . . . sorrow."

The folk in the verger's lodge noticed a little brown bird flitting about the Cathedral precincts, and admired its beautiful singing. "But it is a pity," said they, "that all that warbling should be lost and wasted far out of hearing up on the parapet." They were poor, but they understood the principles of political economy. So they caught the bird and put it in a little wicker cage outside the lodge door.

That night the little songster was missing from its accustomed haunt, and the Dark Image knew more than ever the bitterness of loneliness. Perhaps his little friend had been killed by a prowling cat or hurt by a stone. Perhaps . . . perhaps he had flown elsewhere. But when morning came there floated up to him, through the noise and bustle of the Cathedral world, a faint heart-aching message from the prisoner in the wicker cage far below. And every day, at high noon, when the fat pigeons were stupefied into silence after their midday meal and the sparrows were washing themselves in the street-puddles, the song of the little bird came up to the parapets--a song of hunger and longing and hopelessness, a cry that could never be answered. The pigeons remarked, between mealtimes, that the figure leaned forward more than ever out of the perpendicular.

One day no song came up from the little wicker cage. It was the coldest day of the winter, and the pigeons and sparrows on the Cathedral roof looked anxiously on all sides for the scraps of food which they were dependent on in hard weather.

"Have the lodge-folk thrown out anything on to the dust-heap?" inquired one pigeon of another which was peering over the edge of the north parapet.

"Only a little dead bird," was the answer.

There was a crackling sound in the night on the Cathedral roof and a noise as of falling masonry. The belfry jackdaw said the frost was affecting the fabric, and as he had experienced many frosts it must have been so. In the morning it was seen that the Figure of the Lost Soul had toppled from its cornice and lay now in a broken mass on the dustheap outside the verger's lodge.

"It is just as well," cooed the fat pigeons, after they had peered at the matter for some minutes; "now we shall have a nice angel put up there. Certainly they will put an angel there."

"After joy . . . sorrow," rang out the great bell.

The Purple Of The Balkan Kings

Luitpold Wolkenstein, financier and diplomat on a small, obtrusive, self-important scale, sat in his favoured cafe in the world-wise Habsburg capital, confronted with the Neue Freie Presse and the cup of cream-topped coffee and attendant glass of water that a sleek-headed piccolo had just brought him. For years longer than a dog's lifetime sleek-headed piccolos had placed the Neue Freie Presse and a cup of cream-topped coffee on his table; for years he had sat at the same spot, under the dust-coated, stuffed eagle, that had once been a living, soaring bird on the Styrian mountains, and was now made monstrous and symbolical with a second head grafted on to its neck and a gilt crown planted on either dusty skull. To-day Luitpold Wolkenstein read no more than the first article in his paper, but read it again and again.

"The Turkish fortress of Kirk Kilisseh has fallen . . . The Serbs, it is officially announced, have taken Kumanovo . . . The fortress of Kirk Kilisseh lost, Kumanovo taken by the Serbs, these are tiding for Constantinople resembling something out of Shakspeare's tragedies of the kings . . . The neighbourhood of Adrianople and the Eastern region, where the great battle is now in progress, will not reveal merely the future of Turkey, but also what position and what influence the Balkan States are to have in the world."

For years longer than a dog's lifetime Luitpold Wolkenstein had disposed of the pretensions and strivings of the Balkan States over the cup of cream-topped coffee that sleek-headed piccolos had brought him. Never travelling further eastward than the horse-fair at Temesvar, never inviting personal risk in an encounter with anything more potentially desperate than a hare or partridge, he had constituted himself the critical appraiser and arbiter of the military and national prowess of the small countries that fringed the Dual Monarchy on its Danube border. And his judgment had been one of unsparing contempt for small-scale efforts, of unquestioning respect for the big battalions and full purses. Over the whole scene of the Balkan territories and their troubled histories had loomed the commanding magic of the words "the Great Powers"--even more imposing in their Teutonic rendering, "Die Grossmachte."

Worshipping power and force and money-mastery as an elderly nerve- ridden woman might worship youthful physical energy, the comfortable, plump-bodied cafe-oracle had jested and gibed at the ambitions of the Balkan kinglets and their peoples, had unloosed against them that battery of strange lip-sounds that a Viennese employs almost as an auxiliary language to express the thoughts when his thoughts are not complimentary.

British travellers had visited the Balkan lands and reported high things of the Bulgarians and their future, Russian officers had taken peeps at their army and confessed "this is a thing to be reckoned with, and it is not we who have created it, they have done it by themselves." But over his cups of coffee and his hour-long games of dominoes the oracle had laughed and wagged his head and distilled the worldly wisdom of his castle. The Grossmachte had not succeeded in stifling the roll of the war-drum, that was true; the big battalions of the Ottoman Empire would have to do some talking, and then the big purses and big threatenings of the Powers would speak and the last word would be with them. In imagination Luitpold heard the onward tramp of the red-fezzed bayonet bearers echoing through the Balkan passes, saw the little sheepskin-clad mannikins driven back to their villages, saw the augustly chiding spokesman of the Powers dictating, adjusting, restoring, settling things once again in their allotted places, sweeping up the dust of conflict, and now his ears had to listen to the war-drum rolling in quite another direction, had to listen to the tramp of battalions that were bigger and bolder and better skilled in war-craft than he had deemed possible in that quarter; his eyes had to read in the columns of his accustomed newspaper a warning to the Grossmachte that they had something new to learn, something new to reckon with, much that was time-honoured to relinquish. "The Great Powers will have not little difficulty in persuading the Balkan States of the inviolability of the principle that Europe cannot permit any fresh partition of territory in the East without her approval. Even now, while the campaign is still undecided, there are rumours of a project of fiscal unity, extending over the entire Balkan lands, and further of a constitutional union in imitation of the German Empire. That is perhaps only a political straw blown by the storm, but it is not possible to dismiss the reflection that the Balkan States leagued together command a military strength with which the Great Powers will have to reckon . . . The people who have poured out their blood on the battlefields and sacrificed the available armed men of an entire generation in order to encompass a union with their kinsfolk will not remain any longer in an attitude of dependence on the Great Powers or on Russia, but will go their own ways . . . The blood that has been poured forth to-day gives for the first time a genuine tone to the purple of the Balkan Kings. The Great Powers cannot overlook the fact that a people that has tasted victory will not let itself be driven back again within its former limits. Turkey has lost to-day not only Kirk Kilisseh and Kumanovo, but Macedonia also."

Luitpold Wolkenstein drank his coffee, but the flavour had somehow gone out of it. His world, his pompous, imposing, dictating world, had suddenly rolled up into narrower dimensions. The big purses and the big threats had been pushed unceremoniously on one side; a force that he could not fathom, could not comprehend, had made itself rudely felt.

The august Caesars of Mammon and armament had looked down frowningly on the combat, and those about to die had not saluted, had no intention of saluting. A lesson was being imposed on unwilling learners, a lesson of respect for certain fundamental principles, and it was not the small struggling States who were being taught the lesson.

Luitpold Wolkenstein did not wait for the quorum of domino players to arrive. They would all have read the article in the Freie Presse. And there are moments when an oracle finds its greatest salvation in withdrawing itself from the area of human questioning.

The Cupboard Of The Yesterdays

"War is a cruelly destructive thing," said the Wanderer, dropping his newspaper to the floor and staring reflectively into space.

"Ah, yes, indeed," said the Merchant, responding readily to what seemed like a safe platitude; "when one thinks of the loss of life and limb, the desolated homesteads, the ruined--"

"I wasn't thinking of anything of the sort," said the Wanderer; "I was thinking of the tendency that modern war has to destroy and banish the very elements of picturesqueness and excitement that are its chief excuse and charm. It is like a fire that flares up brilliantly for a while and then leaves everything blacker and bleaker than before. After every important war in South-East Europe in recent times there has been a shrinking of the area of chronically disturbed territory, a stiffening of the area of chronically disturbed territory, a stiffening of frontier lines, an intrusion of civilised monotony. And imagine what may happen at the conclusion of this war if the Turk should really be driven out of Europe."

"Well, it would be a gain to the cause of good government, I suppose," said the Merchant.

"But have you counted the loss?" said the other. "The Balkans have long been the last surviving shred of happy hunting-ground for the adventurous, a playground for passions that are fast becoming atrophied for want of exercise. In old bygone days we had the wars in the Low Countries always at our doors, as it were; there was no need to go far afield into malaria-stricken wilds if one wanted a life of boot and saddle and licence to kill and be killed. Those who wished to see life had a decent opportunity for seeing death at the same time."

"It is scarcely right to talk of killing and bloodshed in that way," said the Merchant reprovingly; "one must remember that all men are brothers."

"One must also remember that a large percentage of them are younger brothers; instead of going into bankruptcy, which is the usual tendency of the younger brother nowadays, they gave their families a fair chance of going into mourning. Every bullet finds a billet, according to a rather optimistic proverb, and you must admit that nowadays it is becoming increasingly difficult to find billets for a lot of young gentlemen who would have adorned, and probably thoroughly enjoyed, one of the old-time happy-go-lucky wars. But that is not exactly the burden of my complaint. The Balkan lands are especially interesting to us in these rapidly-moving days because they afford us the last remaining glimpse of a vanishing period of European history. When I was a child one of the earliest events of the outside world that forced itself coherently under my notice was a war in the Balkans; I remember a sunburnt, soldierly man putting little pin-flags in a war-map, red flags for the Turkish forces and yellow flags for the Russians. It seemed a magical region, with its mountain passes and frozen rivers and grim battlefields, its drifting snows, and prowling wolves; there was a great stretch of water that bore the sinister but engaging name of the Black Sea--nothing that I ever learned before or after in a geography lesson made the same impression on me as that strange- named inland sea, and I don't think its magic has ever faded out of my imagination. And there was a battle called Plevna that went on and on with varying fortunes for what seemed like a great part of a lifetime; I remember the day of wrath and mourning when the little red flag had to be taken away from Plevna--like other maturer judges, I was backing the wrong horse, at any rate the losing horse. And now to-day we are putting little pin-flags again into maps of the Balkan region, and the passions are being turned loose once more in their playground."

"The war will be localised," said the Merchant vaguely; "at least every one hopes so."

"It couldn't wish for a better locality," said the Wanderer; "there is a charm about those countries that you find nowhere else in Europe, the charm of uncertainty and landslide, and the little dramatic happenings that make all the difference between the ordinary and the desirable."

"Life is held very cheap in those parts," said the Merchant.

"To a certain extent, yes," said the Wanderer. "I remember a man at Sofia who used to teach me Bulgarian in a rather inefficient manner, interspersed with a lot of quite wearisome gossip. I never knew what his personal history was, but that was only because I didn't listen; he told it to me many times. After I left Bulgaria he used to send me Sofia newspapers from time to time. I felt that he would be rather tiresome if I ever went there again. And then I heard afterwards that some men came in one day from Heaven knows where, just as things do happen in the Balkans, and murdered him in the open street, and went away as quietly as they had come. You will not understand it, but to me there was something rather piquant in the idea of such a thing happening to such a man; after his dullness and his long-winded small-talk it seemed a sort of brilliant esprit d'esalier on his part to meet with an end of such ruthlessly planned and executed violence."

The Merchant shook his head; the piquancy of the incident was not within striking distance of his comprehension.

"I should have been shocked at hearing such a thing about any one I had known," he said.

"The present war," continued his companion, without stopping to discuss two hopelessly divergent points of view, "may be the beginning of the end of much that has hitherto survived the resistless creeping-in of civilisation. If the Balkan lands are to be finally parcelled out between the competing Christian Kingdoms and the haphazard rule of the Turk banished to beyond the Sea of Marmora, the old order, or disorder if you like, will have received its death-blow. Something of its spirit will linger perhaps for a while in the old charmed regions where it bore sway; the Greek villagers will doubtless be restless and turbulent and unhappy where the Bulgars rule, and the Bulgars will certainly be restless and turbulent and unhappy under Greek administration, and the rival flocks of the Exarchate and Patriarchate will make themselves intensely disagreeable to one another wherever the opportunity offers; the habits of a lifetime, of several lifetimes, are not laid aside all at once. And the Albanians, of course, we shall have with us still, a troubled Moslem pool left by the receding wave of Islam in Europe. But the old atmosphere will have changed, the glamour will have gone; the dust of formality and bureaucratic neatness will slowly settle down over the time-honoured landmarks; the Sanjak of Novi Bazar, the Muersteg Agreement, the Komitadje bands, the Vilayet of Adrianople, all those familiar outlandish names and things and places, that we have known so long as part and parcel of the Balkan Question, will have passed away into the cupboard of yesterdays, as completely as the Hansa League and the wars of the Guises.

"They were the heritage that history handed down to us, spoiled and diminished no doubt, in comparison with yet earlier days that we never knew, but still something to thrill and enliven one little corner of our Continent, something to help us to conjure up in our imagination the days when the Turk was thundering at the gates of Vienna. And what shall we have to hand down to our children? Think of what their news from the Balkans will be in the course of another ten or fifteen years. Socialist Congress at Uskub, election riot at Monastir, great dock strike at Salonika, visit of the Y.M.C.A. to Varna. Varna--on the coast of that enchanted sea! They will drive out to some suburb to tea, and write home about it as the Bexhill of the East.

"War is a wickedly destructive thing."

"Still, you must admit--" began the Merchant. But the Wanderer was not in the mood to admit anything. He rose impatiently and walked to where the tape-machine was busy with the news from Adrianople.

For The Duration Of The War

The Rev. Wilfrid Gaspilton, in one of those clerical migrations inconsequent-seeming to the lay mind, had removed from the moderately fashionable parish of St. Luke's, Kensingate, to the immoderately rural parish of St. Chuddocks, somewhere in Yondershire. There were doubtless substantial advantages connected with the move, but there were certainly some very obvious drawbacks. Neither the migratory clergyman nor his wife were able to adapt themselves naturally and comfortably to the conditions of country life. Beryl, Mrs. Gaspilton, had always looked indulgently on the country as a place where people of irreproachable income and hospitable instincts cultivated tennis-lawns and rose-gardens and Jacobean pleasaunces, wherein selected gatherings of interested week-end guests might disport themselves. Mrs. Gaspilton considered herself as distinctly an interesting personality, and from a limited standpoint she was doubtless right. She had indolent dark eyes and a comfortable chin, which belied the slightly plaintive inflection which she threw into her voice at suitable intervals. She was tolerably well satisfied with the smaller advantages of life, but she regretted that Fate had not seen its way to reserve for her some of the ampler successes for which she felt herself well qualified. She would have liked to be the centre of a literary, slightly political salon, where discerning satellites might have recognised the breadth of her outlook on human affairs and the undoubted smallness of her feet. As it was, Destiny had chosen for her that she should be the wife of a rector, and had now further decreed that a country rectory should be the background to her existence. She rapidly made up her mind that her surroundings did not call for exploration; Noah had predicted the Flood, but no one expected him to swim about in it. Digging in a wet garden or trudging through muddy lanes were exertions which she did not propose to undertake. As long as the garden produced asparagus and carnations at pleasingly frequent intervals Mrs. Gaspilton was content to approve of its expense and otherwise ignore its existence. She would fold herself up, so to speak, in an elegant, indolent little world of her own, enjoying the minor recreations of being gently rude to the doctor's wife and continuing the leisurely production of her one literary effort, The Forbidden Horsepond, a translation of Baptiste Leopoy's L'Abreuvoir interdit. It was a labour which had already been so long drawn-out that it seemed probable that Baptiste Lepoy would drop out of vogue before her translation of his temporarily famous novel was finished. However, the languid prosecution of the work had invested Mrs. Gaspilton with a certain literary dignity, even in Kensingate circles, and would place her on a pinnacle in St. Chuddocks, where hardly any one read French, and assuredly no one had heard of L'Abreuvoir interdit.

The Rector's wife might be content to turn her back complacently on the country; it was the Rector's tragedy that the country turned its back on him. With the best intention in the world and the immortal example of Gilbert White before him, the Rev. Wilfrid found himself as bored and ill at ease in his new surroundings as Charles II would have been at a modern Wesleyan Conference. The birds that hopped across his lawn hopped across it as though it were their lawn, and not his, and gave him plainly to understand that in their eyes he was infinitely less interesting than a garden worm or the rectory cat. The hedgeside and meadow flowers were equally uninspiring; the lesser celandine seemed particularly unworthy of the attention that English poets had bestowed on it, and the Rector knew that he would be utterly miserable if left alone for a quarter of an hour in its company. With the human inhabitants of his parish he was no better off; to know them was merely to know their ailments, and the ailments were almost invariably rheumatism.

Some, of course, had other bodily infirmities, but they always had rheumatism as well.

The Rector had not yet grasped the fact that in rural cottage life not to have rheumatism is as glaring an omission as not to have been presented at Court would be in more ambitious circles. And with all this death of local interest there was Beryl shutting herself off with her ridiculous labours on The Forbidden Horsepond.

"I don't see why you should suppose that any one wants to read Baptiste Lepoy in English," the Reverend Wilfrid remarked to his wife one morning, finding her surrounded with her usual elegant litter of dictionaries, fountain pens, and scribbling paper; "hardly any one bothers to read him now in France."

"My dear," said Beryl, with an intonation of gentle weariness, "haven't two or three leading London publishers told me they wondered no one had ever translated L'Abreuvoir interdit, and begged me--"

"Publishers always clamour for the books that no one has ever written, and turn a cold shoulder on them as soon as they're written. If St. Paul were living now they would pester him to write an Epistle to the Esquimaux, but no London publisher would dream of reading his Epistle to the Ephesians."

"Is there any asparagus in the garden?" asked Beryl; "because I've told cook--"

"Not anywhere in the garden," snapped the Rector, "but there's no doubt plenty in the asparagus-bed, which is the usual place for it."

And he walked away into the region of fruit trees and vegetable beds to exchange irritation for boredom. It was there, among the gooseberry bushes and beneath the medlar trees, that the temptation to the perpetration of a great literary fraud came to him.

Some weeks later the Bi-Monthly Review gave to the world, under the guarantee of the Rev. Wilfrid Gaspilton, some fragments of Persian verse, alleged to have been unearthed and translated by a nephew who was at present campaigning somewhere in the Tigris valley. The Rev. Wilfrid possessed a host of nephews, and it was of course, quite possible that one or more of them might be in military employ in Mesopotamia, though no one could call to mind any particular nephew who could have been suspected of being a Persian scholar.

The verses were attributed to one Ghurab, a hunter, or, according to other accounts, warden of the royal fishponds, who lived, in some unspecified century, in the neighbourhood of Karmanshah. They breathed a spirit of comfortable, even-tempered satire and philosophy, disclosing a mockery that did not trouble to be bitter, a joy in life that was not passionate to the verge of being troublesome.

"A Mouse that prayed for Allah's aid

Blasphemed when no such aid befell:

A Cat, who feasted on that mouse,

Thought Allah managed vastly well.

Pray not for aid to One who made

A set of never-changing Laws,

But in your need remember well

He gave you speed, or guile--or claws.

Some laud a life of mild content:

Content may fall, as well as Pride.

The Frog who hugged his lowly Ditch

Was much disgruntled when it dried.

'You are not on the Road to Hell,'

You tell me with fanatic glee:

Vain boaster, what shall that avail

If Hell is on the road to thee?

A Poet praised the Evening Star,

Another praised the Parrot's hue:

A Merchant praised his merchandise,

And he, at least, praised what he knew."

It was this verse which gave the critics and commentators some clue as to the probable date of the composition; the parrot, they reminded the public, was in high vogue as a type of elegance in the days of Hafiz of Shiraz; in the quatrains of Omar it makes no appearance.

The next verse, it was pointed out, would apply to the political conditions of the present day as strikingly as to the region and era for which it was written -

"A Sultan dreamed day-long of Peace,

The while his Rivals' armies grew:

They changed his Day-dreams into sleep

- The Peace, methinks, he never knew."

Woman appeared little, and wine not at all in the verse of the hunter-poet, but there was at least one contribution to the love- philosophy of the East -

"O Moon-faced Charmer, and Star-drowned Eyes,

And cheeks of soft delight, exhaling musk,

They tell me that thy charm will fade; ah well,

The Rose itself grows hue-less in the Dusk."

Finally, there was a recognition of the Inevitable, a chill breath blowing across the poet's comfortable estimate of life -

"There is a sadness in each Dawn,

A sadness that you cannot rede:

The joyous Day brings in its train

The Feast, the Loved One, and the Steed.

Ah, there shall come a Dawn at last

That brings no life-stir to your ken,

A long, cold Dawn without a Day,

And ye shall rede its sadness then."

The verses of Ghurab came on the public at a moment when a comfortable, slightly quizzical philosophy was certain to be welcome, and their reception was enthusiastic.

Elderly colonels, who had outlived the love of truth, wrote to the papers to say that they had been familiar with the works of Ghurab in Afghanistan, and Aden, and other suitable localities a quarter of a century ago. A Ghurab-of-Karmanshah Club sprang into existence, the members of which alluded to each other as Brother Ghurabians on the slightest provocation. And to the flood of inquiries, criticisms, and requests for information, which naturally poured in on the discoverer, or rather the discloser, of this long-hidden poet, the Rev. Wilfrid made one effectual reply: Military considerations forbade any disclosures which might throw unnecessary light on his nephew's movements.

After the war the Rector's position will be one of unthinkable embarrassment, but for the moment, at any rate, he has driven The Forbidden Horsepond out of the field.

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