Vermilion Drift

PROLOGUE

Some nights, Corcoran O’Connor dreams his father’s death.

Although the dream differs in the details, it always follows the same general pattern: His father falls from a great height. Sometimes he stumbles backward over a precipice, his face an explosion of surprise. Or he’s climbing a high, flat face of rock and, just as he reaches for the top, loses his grip and, in falling, appears both perplexed and angry. Or he steps into an empty elevator shaft, expecting a floor that is not there, and looks skyward with astonishment as the darkness swallows him.

In the dream Cork is always a boy. He’s always very near and reaches out to save his father, but his arm is too short, his hand too small. Always, his father is lost to him, and Cork stands alone and heartbroken.

If that was all of it, if that was the end of the nightmare, it probably wouldn’t haunt him in quite the way that it does. But the true end is a horrific vision that jars Cork awake every time. In the dream, he relives the dream, and in that dream revisited something changes. Not only is he near his father as the end occurs but he also stands outside the dream watching it unfold, a distanced witness to himself and to all that unfolds. And what he sees from that uninvolved perspective delivers a horrible shock. For his hand, in reaching out, not only fails to save his father. It is his small hand, in fact, that shoves him to his death.