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FROM THE JOURNAL OF Dr. Max Liebermann

Have recently been playing through the complete Chopin Studies, but am quite dissatisfied with my overall performance. Especially No. 12 in C minor. The left-hand part is extremely demanding, and I lack the necessary strength and flexibility. I was in Schott’s and discovered a book of intriguing five-finger exercises devised by Professor Willibald Klammer, a hand surgeon and amateur pianist from Munich. Apparently he is the world’s leading authority on strains and breaks and has been consulted by many virtuosi including Caroline von Gomperz-Bettelheim.

The Klammer Method consists of sixty-two exercises executed at the piano and a supplementary set of twenty-four exercises that can be practiced anywhere (finger stretches, contractions, wrist rotations, and so forth). In his introduction, which is copiously illustrated with finely produced anatomical drawings, he fancifully compares his method to the ascetic disciplines practiced by the fakirs of India.

I asked Goetschl if any of his other customers had found the Klammer Method useful, but he couldn’t say. He only had the one copy. Needless to say, I bought it. I plowed through the exercises and then attempted the C minor again. It sounded much the same. Even so, I think I will persevere.

As I was playing through the exercises, I kept on thinking about the incident on Professor Friedlander’s ward: Baron von Kortig and the priest. Did I do the right thing? I think so. Yes, I did do the right thing. The young baron was not a man of strong character, and the appearance of the priest would have filled him with terror. That is no way for anyone to die.

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