CHAPTER 55

Ramp slowed as a cop waved him away from Blake Street, then he followed the detour up Twenty-second to Larimer, before turning back down Twentieth all the way to Wynkoop.

A little over ten years before, Wynkoop Street had been ground zero for the rejuvenation of Denver's old warehouse district into the trendy center now called LoDo. The very first renovations in the decrepit section of Denver that bordered the railroad tracks of the Santa Fe and the Union Pacific had been in the brick warehouses that faced Denver's 120-year-old Union Station. The arrival of Coors Field in the mid-1990s had cemented the reincarnation, and the new LoDo was crowded with vibrant businesses, overpriced lofts, and the kind of sidewalk bustle that the Chamber of Commerce coveted.

After turning left onto Wynkoop, Ramp passed one of the most recent renovations, the stately old Beatrice Foods Ice House, and turned into the drive that led to the front entrance of Union Station. The neoclassical railroad hub consisted of a huge stone building that was constructed between the two original 1881 wings after a 1914 fire. From her position on the floor of the truck, Lucy could clearly see the trio of huge arched windows that graced the lobby, and the garish neon "Travel by Train" sign high above the building's stone cornice.

She screamed "No!" into her gag.

Ramp turned up the radio in response to her protest, before pulling the truck to a stop on the far left side of the entrance drive. He reached down to the floor in front of his seat and lifted yet another transmitter. The device was bright yellow. "This one's from a model boat. Decent range," he said for Lucy's benefit. "Listen carefully, you might be able to hear it go off. Maybe not-the walls of this place are really thick. You should feel something in your bones, though. Try."

He lowered the volume on the radio. Lucy screamed again.

He looked askance at her. "You want to know who it is?" Ramp asked.

Lucy nodded vociferously.

"A photographer. She has her studio in there. She's the wife of the guy who was head of the parole board when the guy who killed my mom got out of prison."

Lucy's eyes softened and Ramp pressed straight ahead on a lever on the plastic console.

She heard a muted thud that felt like nothing more to her than an extra heartbeat.

Ramp raised an eyebrow as two huge double-hung windows burst outward on the upper floor of the train station and said, "That's it. The cake is baked. All that's left now is the frosting."


I heard some music in my ear. Not clearly enough that I could recognize the artist or the song, but clearly enough to know that the phone call was still alive. I ran over to Sam and Rivera. "I hear music."

Sam said, "That's it? Just music?"

"Yeah. Maybe some voices in the background. I'm not sure."

He turned back to Rivera.

"And I heard a little pop. A little boom."

"An explosion?" Rivera asked.

I said, "I don't know."

"Give me that thing," he said.

I did. Rivera turned his back, pressed the phone against one ear, and stuck an index finger into the other one.

Two bomb squad members came flying out the front door of the Rockies' offices. "Another explosion. This one's at Union Station," one of them said as he passed by. He directed the words at Rivera's back.

Sam said, "What did he say?"

"He said there was just an explosion at Union Station."

Sam grabbed my arm. "Shit. How far away is that?"

"Maybe three blocks."

He released my arm and tapped Rivera on the shoulder. Rivera lowered the phone and took the finger out of his ear. "I don't hear shit," he reported.

Sam pointed at the activity at the curb. "A bomb just went off at Union Station."

The Denver cop shook his head. In disbelief? Disgust? I couldn't tell. He said, "Union Station? Not East High School? Are you sure?"

"That's what they said."

"How bad is it?"

Sam shrugged. His face was the color of the winter sky.

Rivera pointed to a brown sedan at the curb. "That's mine. Let's go."


Ramp exited the drive in front of Union Station and pulled the truck across Wynkoop and then straight down Seventeenth past the Oxford Hotel into Denver's downtown business district. After a few blocks, the wail of sirens began to echo in the canyons between the blunt faces of Denver's skyscrapers. Seventeenth was a one-way street leading away from Union Station, and Ramp's truck was unimpeded by approaching emergency vehicles as it headed toward Broadway.

While he waited for a light to change, he lifted his windbreaker and threw it behind the seat of the truck. He fumbled for some coins on the console. "I'll need some quarters for the parking meter. Don't want to draw any attention prematurely this morning."

Lucy prayed that he wouldn't see the red light that glowed on her phone. To her, it looked as bright as a streetlight on a dark night. She screamed again to distract him.

He looked at her. "What?"

She screamed again. She was trying to say, "Take this off! Take this off!" She kicked at the floor.

The light changed. He said, "I'll take it off in a minute. We're almost at our next stop."

She pounded the console with her closed fists.

He raised his wrist, displaying the transmitter that was taped to his arm. "I said wait."


From the backseat of Rivera's car, I said, "Voices. Sam, I hear voices."

Sam spun on his seat.

I held up my finger, asking for quiet.

"The guy just said, 'What?' Then there were a couple of muffled screams."

Rivera stared at me in the rearview mirror.

"Now the guy said, 'Wait a second. I'll take it off in a minute. We're almost at our next stop.' And then another muffled scream, and… and some pounding.

"Wait. It's him talking again. He said, 'I said wait.' " I continued to listen intently. "Silence now, Sam. Just background noise."

I looked up. We'd pulled to a stop in front of Union Station. Uniformed cops were directing pedestrians and traffic away from the building. By now I knew the drill. The bomb squad would be evacuating the building prior to beginning a search for secondary devices. I couldn't shake the feeling that we were a step behind Ramp and that that was exactly where he wanted us to be.

Rivera ordered me to "Stay put and keep listening." He got out of the car and huddled in front of the train station entrance with a black man in a brown sport coat. Sam nodded his head in their direction. "The guy with Rivera? That's Walter. My friend Walter." For the first time all morning, Sam smiled.

I said, "The one whose name isn't really Walter?"

"Yeah, that Walter."

He pointed at the phone. "Anything?"

I mouthed, "No."

Sam said, "We're wasting our time here. Going from bomb to bomb after they go off isn't going to get us where we need to be."

"I was thinking the same thing." I raised one index finger. "They're talking again. I think I hear Lucy, Sam. I do. She's still alive."

He exhaled as though he'd been holding his breath for most of the morning. "What'd she say? Give me that thing."

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