If you look at a column of ants on the march you will see that there are some who are stragglers or have lost their way. The column has no time for them; it goes on. Sometimes the stragglers die. But even this has no effect on the column. There is a little disturbance around the corpse, which is eventually carried off--and then it appears so light. And all the time the great busyness continues, and that apparent sociability, that rite of meeting and greeting which ants travelling in opposite directions, to and from their nest, perform without fail. So it was after the death of Father Huismans. In the old days his death would have caused anger, and people would have wanted to go out to look for his killers. But now we who remained--outsiders, but neither settlers nor visitors, just people with nowhere better to go--put our heads down and got on with our business. The only message of his death was that we had to be careful ourselves and remember where we were. And oddly enough, by acting as we did, by putting our heads down and getting on with our work, we helped to bring about what he had prophesied for our town. He had said that our town would suffer setbacks but that they would be temporary. After each setback, the civilization of Europe would become a little more secure at the bend in the river; the town would always start up again, and would grow a little more each time. In the peace that we now had, the town wasn't only reestablished; it grew. And the rebellion and Father Huismans's death receded fast. We didn't have Father Huismans's big views. Some of us had our own clear ideas about Africans and their future. But it occurred to me that we did really share his faith in the future. Unless we believed that change was coming to our part of Africa, we couldn't have done our business. There would have been no point. And--in spite of appearances--we also had the attitude to ourselves that he had to himself. He saw himself as part of a great historical process; he would have seen his own death as unimportant, hardly a disturbance. We felt like that too, but from a different angle. We were simple men with civilizations but without other homes. Whenever we were allowed to, we did the complicated things we had to do, like the ants. We had the occasional comfort of reward, but in good times or bad we lived with the knowledge that we were expendable, that our labour might at any moment go to waste, that we ourselves might be smashed up; and that others would replace us. To us that was the painful part, that others would come at the better time. But we were like the ants; we kept on. People in our position move rapidly from depression to optimism and back down again. Now we were in a period of boom. We felt the new ruling intelligence--and energy--from the capital; there was a lot of copper money around; and these two things--order and money--were enough to give us confidence. A little of that went a long way with us. It released our energy; and energy, rather than quickness or great capital, was what we possessed. All kinds of projects were started. Various government departments came to life again; and the town at last became a place that could be made to work. We already had the steamer service; now the airfield was recommissioned and extended, to take the jets from the capital (and to fly in soldiers). The _cit�_ filled up, and new ones were built, though nothing that was done could cope with the movement of people from the villages; we never lost the squatters and campers in our central streets and squares. But there were buses now, and many more taxis. We even began to get a new telephone system. It was far too elaborate for our needs, but it was what the Big Man in the capital wanted for us. The growth of the population could be gauged by the growth of the rubbish heaps in the _cit�_. They didn't burn their rubbish in oil drums, as we did; they just threw it out on the broken streets--that sifted, ashy African rubbish. Those mounds of rubbish, though constantly flattened by rain, grew month by month into increasingly solid little hills, and the hills literally became as high as the box-like concrete houses of the _cit�_. Nobody wanted to move that rubbish. But the taxis stank of disinfectant; the officials of our health department were fierce about taxis. And for this reason. In the colonial days public vehicles had by law to be disinfected once a year by the health department. The disin-fectors were entitled to a personal fee. That custom had been remembered. Any number of people wanted to be disinfectors; and now taxis and trucks weren't disinfected just once a year; they were disinfected whenever they were caught. The fee had to be paid each time; and disinfectors in their official jeeps played hide and seek with taxis and trucks among the hills of rubbish. The red dirt roads of our town, neglected for years, had quickly become corrugated with the new traffic we had; and these disinfectant chases were in a curious kind of slow motion, with the vehicles of hunters and hunted pitching up and down the corrugations like launches in a heavy sea. All the people--like the health officials--who performed services for ready money were energetic, or could be made so: the customs people, the police, and even the army. The administration, however hollow, was fuller; there were people you could appeal to. You could get things done, if you knew how to go about it. And the town at the bend in the river became again what Father Huismans had said it had always been, long before the peoples of the Indian Ocean or Europe came to it. It became the trading centre for the region, which was vast. _Marchands__ came in now from very far away, making journeys much more difficult than Zabeth's; some of those journeys took a week. The steamer didn't go beyond our town; above the rapids there were only dugouts (some with outboard motors) and a few launches. Our town became a goods depot, and I acquired a number of agencies (reassuming some that Ferdinand had had) for things that until then I had more or less been selling retail. There was money in agencies. The simpler the product, the simpler and better the business. It was a different kind of business from the retail trade. Electric batteries, for instance--I bought and sold quantities long before they arrived; I didn't have to handle them physically or even see them. It was like dealing in words alone, ideas on paper; it was like a form of play--until one day you were notified that the batteries had arrived, and you went to the customs warehouse and saw that they existed, that workmen somewhere had actually made the things. Such useful things, such necessary things--they would have been acceptable in a plain brown-paper casing; but the people who had made them had gone to the extra trouble of giving them pretty labels, with tempting slogans. Trade, goods! What a mystery! We couldn't make the things we dealt in; we hardly understood their principles. Money alone had brought these magical things to us deep in the bush, and we dealt in them so casually! Salesmen from the capital, Europeans most of them, preferring to fly up now rather than spend seven days on the steamer coming up and five going down, began to stay at the van der Weyden, and they gave a little variety to our social life. In the Hellenic Club, in the bars, they brought at last that touch of Europe and the big city--the atmosphere in which, from his stories, I had imagined Nazruddin living here.
Mahesh, with his shop just across the road from the van der Weyden, saw the comings and goings, and his excitement led him into a series of little business ventures. It was strange about Mahesh. He was always on the lookout for the big break, but he could spend weeks on things that were quite petty. He acquired at one time a machine for cutting out or engraving letters and numbers, and he acquired a stack of the very tough plastic plates on which the numbers or letters were to be engraved. His idea was to supply name-plates to the town. He practised at home; Shoba said the noise was terrible. Mahesh, in his flat and in his shop, showed off the practise nameplates as though it was he, rather than the machine, that had made the beautiful letters. The modernity and precision--and, above all, the "manufactured" look of the plates--really excited him, and he was sure it would excite everybody else as well. He had bought the equipment from a salesman who had stayed at the van der Weyden. And it was typical of Mahesh's casual approach to business that when it came to getting engraving orders, he could only think of crossing the road back to the van der Weyden--reversing the trip of the salesman who had sold him the equipment. He had pinned all his hopes on the van der Weyden. He was going to redo the room numbers, all the _Hommes__ and _Dames__ signs, and he was going to affix descriptive plates on almost every door downstairs. The van der Weyden alone was going to keep him busy for weeks and pay back for the machine. But the van der Weyden owners (a middle-aged Italian couple who kept themselves in the background and hid behind their African front men) didn't want to play. And not many of us felt the need to have our names on triangular sections of wood on our desk. So that idea was dropped; that tool was forgotten. Mahesh, broaching a new idea, liked to be mysterious. The time, for instance, he wanted to import a machine from Japan for cutting little flat wood sticks and spoons for ice cream, he didn't say so right out. He began by offering me a sample spoon in a paper wrapper which the salesman had given him. I looked at the little shoe-shaped spoon. What was there to say? He asked me to smell the spoon and then to taste it; and while I did so he looked at me in a way that made me feel that I was going to be surprised. There was no surprise: he was just demonstrating to me--something I must say I had never stopped to think about--that ice cream spoons and sticks shouldn't taste or smell. He wanted to know whether there was a local wood which was like that nice Japanese wood. To import the wood from Japan with the machine would be too complicated, and might make the sticks and spoons cost more than the ice cream. So for some weeks we thought and talked about wood. The idea interested me; I got taken up with it, and began to look at trees in a different way. We had tasting sessions, smelling and tasting different kinds of wood, including some varieties that Daulat, the man with the trucks, picked up for us on his runs east. But then it occurred to me that it was important to find out--before the spoon-making machine came down--whether the local people, with their own tastes in food, were ready for ice cream. Perhaps there was a good reason why the ice cream idea hadn't occurred to anybody else; and we had Italians in the town, after all. And how was the ice cream going to be made? Where were the milk and the eggs? Mahesh said, "Do you need eggs to make ice cream?" I said, "I don't know. I was asking you." It wasn't the ice cream that attracted Mahesh. It was the idea of that simple machine, or rather the idea of being the only man in the town to own such a machine. When Shoba had met him he had been a motorcycle repairman; and he had been so flattered by her devotion that he had not risen above that kind of person. He remained the man who loved little machines and electrical tools and saw them as magical means of making a living. I knew a number of men like that on the coast, men of our community; and I believe people like that exist wherever machines are not made. These men are good with their hands and gifted in their own way. They are dazzled by the machines they import. That is part of their intelligence; but they soon start behaving as though they don't just own the machines, but the patents as well; they would like to be the only men in the world with such magical instruments. Mahesh was looking for the wonderful imported thing which he would own exclusively, the simple thing which would provide a short-cut to power and money. So that in this respect Mahesh was only a notch or two above the _marchands__ who came to the town to buy modern goods to take back to their villages. I used to wonder how someone like Mahesh had survived all that he had survived in our town. There was a kind of quiet wisdom or canniness there, no doubt of that. But I also began to feel that he had survived because he was casual, without doubts or deep anxieties, and--in spite of his talk of getting out to a better country (standard talk among us)--without deeper ambitions. He suited the place; he would have found it hard to survive anywhere else. Shoba was his life. She told him--or by her devotion showed him--how fine he was; and I believe he saw himself as she saw him. Outside that, he took things as they came. And now in the most casual way, with almost no attempt at secrecy or guile, he became involved in "business" deals that frightened me when he told me about them. He seemed unable to resist anything that might be described as a business offer. And most of those business offers came to him now from the army. I wasn't too happy with our new army. I preferred the men from the warrior tribe, for all their roughness. I understood their tribal pride and--always making allowance for that--I had found them straight. The officers of the new army were a different breed. No warrior code there; no code. They were all in varying ways like Ferdinand, and they were often as young as Ferdinand. They were as aggressive, but without Ferdinand's underlying graciousness. They wore their uniforms the way Ferdinand had at one time worn his lyc�blazer: they saw themselves both as the new men of Africa and the men of the new Africa. They made such play with the national flag and the portrait of the President--the two now always going together--that in the beginning I thought, after all that the country had gone through, and all that had happened to them, the officers, all the lucky accidents that had taken them where they had got, in the beginning I thought these new officers stood for a new, constructive pride. But they were simpler. The flag and the President's portrait were only like their fetishes, the sources of their authority. They didn't see, these young men, that there was anything to build in their country. As far as they were concerned, it was all there already. They had only to take. They believed that, by being what they were, they had earned the right to take; and the higher the officer, the greater the crookedness--if that word had any meaning. With their guns and jeeps, these men were poachers of ivory and thieves of gold. Ivory, gold--add slaves, and it would have been like being back in oldest Africa. And these men would have dealt in slaves, if there was still a market. It was to the traders in the town that the army turned when they wished to clear their gold or, more especially, the ivory they had poached. Officials and governments right across the continent were engaged in this ivory trade which they themselves had declared illegal. It made smuggling easy; but I was nervous of getting involved, because a government that breaks its own laws can also easily break you. Your business associate today can be your jailer or worse tomorrow. But Mahesh didn't mind. Like a child, as it seemed to me, he accepted all the poisoned sweets that were offered him. But he wasn't a child; he knew the sweets were poisoned. He said, "Oh, they will let you down. But if they let you down, you pay up. That is all. In your costing you make allowances for that. You just pay. I don't think you understand, Salim. And it isn't an easy thing to understand. It isn't that there's no right and wrong here. There's no right." Twice, miraculously interpreting a nonsense telephone call from him as an appeal for help, I had to take away things from his flat. The first time, one afternoon, after some inconsequential talk from him about tennis and the shoes I had asked for, I drove to his flat and blew my horn. He didn't come down. He opened a window of his sitting room and shouted down to me in the street, "I'm sending the boy down with the tennis shoes for you. Right, Salim! " And, still standing before the window, he turned and shouted in patois to someone inside. " '_Phonse! Aoutchikong pour Mis' Salim__!"--_aoutcbikong__, from _caoutchouc__, the French word for rubber, being patois for canvas shoes. With many people looking on, the boy Ildephonse brought down something roughly wrapped in newspaper. I threw it on the back seat and drove off without hanging around. It turned out, when I examined it later, to be a bundle of foreign bank notes; and it went, as soon as it was dark, into the hole in the ground at the foot of my external staircase. To help Mahesh like this, though, was only to encourage him. The next time I had to bury some ivory. Burying ivory! What age were we living in? What did people want ivory for, apart from carving it--and not too well these days--into cigarette holders and figurines and junk like that? Still, these deals made Mahesh money, and he acknowledged my help and put me in the way of adding to my little store of gold. He had said that there was no right. It was hard for me to adapt to that; but he managed it beautifully. He was always cool and casual, never ruffled. I had to admire him for it. Though the casualness could lead him into situations that were quite ridiculous. He said to me one day, with the mysterious, over-innocent manner he put on when he was about to tell about some deal: "You read the foreign papers, Salim. Are you keeping an eye on the copper market? What's it like?" Well, copper was high. We all knew that; copper was at the bottom of our little boom. He said, "It's that war the Americans are fighting. I hear they've used up more copper in the last two years than the world has used in the last two centuries." This was boom talk, salesmen's chat from the van der Weyden. Mahesh, just across the road, picked up a fair amount of that chat; without it, he might have had less idea than he had of what was happening in the world. From copper he turned to the other metals, and we talked for a while, quite ignorantly, about the prospects for tin and lead. Then he said, "Uranium--what about that? What are they quoting that at now?" I said, "I don't think they quote that." He gave me his innocent look. "But it must be pretty high? A chap here wants to sell a piece." "Do they sell uranium in pieces? What does it look like?" "I haven't seen it. But the chap wants to sell it for a million dollars." That was what we were like. One day grubbing for food, opening rusty tins, cooking on charcoal braziers and over holes in the ground; and now talking of a million dollars as though we had talked of millions all our lives. Mahesh said, "I told the general it could be sold only to a foreign power, and he told me to go ahead. You know old Mancini. He is consul for quite a few countries here--that's a nice line of business, I always think. I went to see him. I told him straight out, but he wasn't interested. In fact, Mancini went crazy. He ran to the door and closed it and stood with his back against it and told me to get out. His face was red, red. Everybody's frightened of the Big Man in the capital. What do you think I should tell the general, Salim? He's frightened too. He told me he stole it from some top-security place. I wouldn't like to make an enemy of the general. I wouldn't like him to think I hadn't tried. What do you think I should tell him? Seriously, seriously." "You say he's frightened?" "Very frightened." "Then tell him he's being watched and he mustn't come to see you again." I looked in my science magazines and children's encyclopaedia parts (I had grown to love those) and read up on uranium. Uranium is one of those things we all hear about but not many of us know about. Like oil. I used to think, from hearing and reading about oil reservoirs, that oil ran in trapped underground streams. It was my encyclopaedia parts which told me that oil reservoirs were of stone and could even be of marble, with the oil in tiny pockets. It was in just such a way, I suppose, that the general, hearing of the immense value of uranium, had thought of it as a kind of super-precious metal, a kind of gold nugget. Mancini the consul, must have thought so too. My reading told me of tons and tons of ore that had to be processed and reduced--but reduced to hefty blocks. The general, offering a "piece," might have been duped himself. But for some reason--Mahesh might have told him he was being watched--he never troubled Mahesh again. And not long afterwards he was posted away from our town. It was the method of the new President: he gave his men power and authority, but he never allowed them to settle in anywhere and become local kings. He saved us a lot of trouble. Mahesh went on as coolly as before. The only man who had had a fright was Mancini, the consul.
That was what we were like in those days. We felt that there was treasure around us, waiting to be picked up. It was the bush that gave us this feeling. During the empty, idle time, we had been indifferent to the bush; during the days of the rebellion it had depressed us. Now it excited us--the unused earth, with the promise of the unused. We forgot that others had been here before us, and had felt like us. I shared in the boom. I was energetic in my own modest way. But I was also restless. You so quickly get used to peace. It is like being well--you take it for granted, and forget that when you were ill, to be well again had seemed everything. And with peace and the boom I began to see the town as ordinary, for the first time. The flat, the shop, the market outside the shop, the Hellenic Club, the bars, the life of the river, the dugouts, the water hyacinths--I knew it so well. And especially on hot sunny afternoons--that hard light, those black shadows, that feeling of stillness--it seemed without further human promise. I didn't see myself spending the rest of my days at that bend in the river, like Mahesh and the others. In my own mind I separated myself from them. I still thought of myself as a man just passing through. But where was the good place? I couldn't say. I never thought constructively about it. I was waiting for some illumination to come to me, to guide me to the good place and the "life" I was still waiting for. From time to time now letters from my father on the coast reminded me of his wish to see me settled--married to Nazruddin's daughter: that was almost like a family commitment. But I was less prepared than ever for that. Though it was a comfort on occasion to play with the idea that outside this place a whole life waited for me, all the relationships that bind a man to the earth and give him a feeling of having a place. But I knew that it wasn't like that really. I knew that for us the world was no longer as safe as that. And again events caught up with my anxieties. There was trouble in Uganda, where Nazruddin had a cotton-ginning business. Uganda up till then had been the secure and well-run country Nazruddin had tried to excite us about, the country which received refugees from neighboring countries. Now in Uganda itself a king was overthrown and forced to flee; Daulat brought back stories of yet another army on the loose. Nazruddin, as I remembered, lived with the knowledge that, after all his luck, things were going to end badly for him; and I thought that his luck had run out now. But I was wrong; Nazruddin's luck was still with him. The trouble in Uganda didn't last; only the king suffered. Life there went back to normal. But I began to fear for Nazruddin and his family, and the idea of marriage to his daughter ceased to be the idea of a correct family duty. It became a more oppressive kind of responsibility, and I pushed it to the back of my mind as something I would face when I absolutely had to. So in the midst of the boom I had my anxieties and became almost as dissatisfied and restless as I had been at the beginning. It wasn't only outside pressures, or my solitude and my temperament. It also had to do with the place itself, the way it had altered with the peace. It was nobody's fault. It was something that had just happened. During the days of the rebellion I had had the sharpest sense of the beauty of the river and the forest, and had promised myself that when the peace came I would expose myself to it, learn it, possess that beauty. I had done nothing of the sort; when the peace came I had simply stopped looking about me. And now I felt that the mystery and the magic of the place had gone. In those days of fear I felt we had been in touch, through the Africans, with the spirits of the river and forest; and that everything had been full of tension. But all the spirits seemed now to have left the place, as, after Father Huismans's death, the spirits appeared to have left his masks. We had been so nervous of the Africans during those days; we hadn't taken any man for granted. We had been the intruders, the ordinary men, they the inspired ones. Now the spirits had left them; they were ordinary, squalid, poor. Without effort we had become, in a real way, the masters, with the gifts and skills they needed. And we were so simple. On the land now ordinary again we had arranged such ordinary lives for ourselves--in the bars and brothels, the nightclubs. Oh, it was unsatisfactory. Yet what else could we do? We did only what we could do. We followed Mahesh's motto: we carried on.
Mahesh did more than that. He pulled off a coup. He continued to consult catalogues, fill in coupons, write off for further information; and at last he found the package he had been looking for, the thing he could import whole and use as a short-cut to business and money. He got the Bigburger franchise for our town. It wasn't what I was expecting. He had been running an odd little shop that dealt in ironmongery of various sorts, electrical goods, cameras, binoculars, lots of little gadgets. Hamburgers--Bigburgers--didn't seem to be his thing. I wasn't even sure that the town would go for Bigburgers. But he had no doubts. He said, "They've done their market research and they've decided to make a big push in Africa. They have an area office now in one of the French places on the west coast. The chap came the other day and measured up and everything. They don't just send you the sauce, you know, Salim. They send you the whole shop." And that was what they did. The crates that came up on the steamer in a couple of months did contain the whole shop: the stoves, the milk-shake machines, the coffee machines, the cups and plates, the tables and chairs, the made-to-measure counter, the stools, the made-to-measure wall panelling with the Bigburger design. And after all this serious stuff there were the toys: the Bigburger cruets, the Bigburger ketchup containers, the Bigburger menus and menu holders, and the lovely advertisements: "Bigburgers--The Big One--The Big-wonderful One," with pictures of different kinds of Big-burgers. I thought the Bigburger pictures looked like smooth white lips of bread over mangled black tongues of meat. But Mahesh didn't like it when I told him, and I decided not to say anything disrespectful about Bigburgers again. Mahesh had been full of jokes about the project; but as soon as the stuff arrived he became deadly serious--he had become Bigburger. Mahesh's shop was structurally quite simple, the standard concrete box of our town; and in no time the local Italian builder had cleared it of Mahesh's shelves, rewired, put in new plumbing, and fitted up a dazzling snack bar that seemed to have been imported from the United States. The whole prefabricated business did work; and it was great fun to be in Bigburger, to leave the sewer smells of the street, and the dust and the rubbish, and to step into this modern interior, with the advertisements and everything. So Mahesh did, after all, pull it off. The prettiness had an effect on Shoba too. It made her energetic and brought out something of her family business talents. She organized the place and soon had it running smoothly. She arranged for the deliveries of meat from our new supermarket (the meat came from South Africa, like our eggs now) and she arranged with an Italian for the loaves. She trained the boys and worked out their schedules. Ildephonse, the houseboy, was taken from the flat and given a Bigburger chef's cap and a yellow Bigburger jacket and put behind the counter. It was Mahesh's idea to give Ildephonse a label for his jacket with his name and the designation--in English, for the extra style--Manager. Mahesh did little things like that sometimes which showed you that, casual as he was, he knew instinctively how to operate in our town. He said he called Ildephonse the manager to ward off African resentment of the new, rich-looking place, and also to attract African customers. And he made a point of leaving Ildephonse in charge for some hours every day. It was strange about Ildephonse, though. He loved his Bigburger costume and he loved his new job. No one was quicker and more friendly and more anxious to please than he was, when Shoba or Mahesh was around. They trusted Ildephonse; they boasted of their trust in him, in his presence. Yet as soon as he was left alone he became a different person. He went vacant. Not rude, just vacant. I noticed this alteration in the African staff in other places as well. It made you feel that while they did their jobs in their various glossy settings, they were only acting for the people who employed them; that the job itself was meaningless to them; and that they had the gift--when they were left alone, and had no one to act for--of separating themselves in spirit from their setting, their job, their uniform. Bigburger was a success. The van der Weyden, across the road, was content to make money from its beds and rooms. The service and the kitchens there drove people out to look for food, and Bigburger was perfectly placed to capture that refugee trade. Bigburger attracted a lot of African officials and army people as well--they liked the decor and the modernity. So that Mahesh, from running a nondescript little hardware shop, found himself at the centre of things in our town. All this happened quickly, in less than a year. Everything happened quickly now. It was as though everyone felt he had to make up for the lost years, or as though everyone felt that time was short, that the place might close down at any moment again. Mahesh said to me one day, "Noimon offered me two million. But you know Noimon. When he offers two, you know it's worth four." Noimon was one of our local big Greeks. The new furniture shop--doing fantastic business--was just one of his ventures. The two million he offered were local francs, which were thirty-six to the dollar. Mahesh said, "I suppose your place is worth a lot now. Nazruddin offered it to me, you know. A hundred and fifty thousand. What do you think you'll get for it now?"
You heard that kind of property talk everywhere now. Everyone was totting up how much he had gained with the boom, how much he was worth. People learned to speak huge figures calmly. There had been a boom before, just at the end of the colonial period, and the ruined suburb near the rapids was what it had left behind. Nazruddin had told a story about that. He had gone out there one Sunday morning, had thought that the place was bush rather than real estate, and had decided to sell. Lucky for him then; but now that dead suburb was being rehabilitated. That development or redevelopment had become the most important feature of our boom. And it had caused the big recent rise in property values in the town. The bush near the rapids was being cleared. The ruins which had seemed permanent were being levelled by bulldozers; new avenues were being laid out. It was the Big Man's doing. The government had taken over all that area and decreed it the Domain of the State, and the Big Man was building what looked like a little town there. It was happening very fast. The copper money was pouring in, pushing up prices in our town. The deep, earth-shaking burr of bulldozers competed with the sound of the rapids. Every steamer brought up European builders and artisans, every airplane. The van der Weyden seldom had rooms to spare. Everything the President did had a reason. As a ruler in what was potentially hostile territory, he was creating an area where he and his flag were supreme. As an African, he was building a new town on the site of what had been a rich European suburb--but what he was building was meant to be grander. In the town the only "designed" modern building was the van der Weyden; and to us the larger buildings of the Domain were startling--concrete louvres, pierced concrete blocks of great size, tinted glass. The smaller buildings--houses and bungalows--were more like what we were used to. But even they were on the large side and, with air conditioners sticking out in many places like building blocks that had slipped, looked extravagant. No one was sure, even after some of the houses were furnished, what the Domain was to be used for. There were stories of a great new model farm and agricultural college; a conference hall to serve the continent; holiday houses for loyal citizens. From the President himself there came no statement. We watched and wondered while the buildings were run up. And then we began to understand that what the President was attempting was so stupendous in his own eyes that even he would not have wanted to proclaim it. He was creating modern Africa. He was creating a miracle that would astound the rest of the world. He was by-passing real Africa, the difficult Africa of bush and villages, and creating something that would match anything that existed in other countries. Photographs of this State Domain--and of others like it in other parts of the country--began to appear in those magazines about Africa that were published in Europe but subsidized by governments like ours. In these photographs the message of the Domain was simple. Under the rule of our new President the miracle had occurred: Africans had become modern men who built in concrete and glass and sat in cushioned chairs covered in imitation velvet. It was like a curious fulfilment of Father Huismans's prophecy about the retreat of African Africa, and the success of the European graft. Visitors were encouraged, from the _cites__ and shanty towns, from the surrounding villages. On Sundays there were buses and army trucks to take people there, and soldiers acted as guides, taking people along one-way paths marked with directional arrows, showing the people who had recently wished to destroy the town what their President had done for Africa. Such shoddy buildings, after you got used to the shapes; such flashy furniture--Noimon was making a fortune with his furniture shop. All around, the life of dugout and creek and village continued; in the bars in the town the foreign builders and artisans drank and made easy jokes about the country. It was painful and it was sad. The President had wished to show us a new Africa. And I saw Africa in a way I had never seen it before, saw the defeats and humiliations which until then I had regarded as just a fact of life. And I felt like that--full of tenderness for the Big Man, for the ragged villagers walking around the Domain, and the soldiers showing them the shabby sights--until some soldier played the fool with me or some official at the customs was difficult, and then I fell into the old way of feeling, the easier attitudes of the foreigners in the bars. Old Africa, which seemed to absorb everything, was simple; this place kept you tense. What a strain it was, picking your way through stupidity and aggressiveness and pride and hurt! But what was the Domain to be used for? The buildings gave pride, or were meant to; they satisfied some personal need of the President's. Was that all they were for? But they had consumed millions. The farm didn't materialize. The Chinese or the Taiwanese didn't turn up to till the land of the new model African farm; the six tractors that some foreign government had given remained in a neat line in the open and rusted, and the grass grew high about them. The big swimming pool near the building that was said to be a conference hall developed leaks and remained empty, with a wide-meshed rope net at the top. The Domain had been built fast, and in the sun and the rain decay also came fast. After the first rainy season many of the young trees that had been planted beside the wide main avenue died, their roots waterlogged and rotted. But for the President in the capital the Domain remained a living thing. Statues were added, and lamp standards. The Sunday visits went on; the photographs continued to appear in the subsidized magazines that specialized in Africa. And then at last a use was found for the buildings. The Domain became a university city and a research centre. The conference-hall building was turned into a polytechnic for people of the region, and other buildings were turned into dormitories and staff quarters. Lecturers and professors began to come from the capital, and soon from other countries; a parallel life developed there, of which we in the town knew little. And it was to the polytechnic there--on the site of the dead European suburb that to me, when I first came, had suggested the ruins of a civilization that had come and gone--that Ferdinand was sent on a government scholarship, when he had finished at the lyc�
The Domain was some miles away from the town. There was a bus service, but it was irregular. I hadn't been seeing much of Ferdinand, and now I saw even less of him. Metty lost a friend. That move of Ferdinand's finally made the difference between the two men clear, and I thought that Metty suffered. My own feelings were more complicated. I saw a disordered future for the country. No one was going to be secure here; no man of the country was to be envied. Yet I couldn't help thinking how lucky Ferdinand was, how easy it had been made for him. You took a boy out of the bush and you taught him to read and write; you levelled the bush and built a polytechnic and you sent him there. It seemed as easy as that, if you came late to the world and found ready-made those things that other countries and peoples had taken so long to arrive at--writing, printing, universities, books, knowledge. The rest of us had to take things in stages. I thought of my own family, Nazruddin, myself--we were so clogged by what the centuries had deposited in our minds and hearts. Ferdinand, starting from nothing, had with one step made himself free, and was ready to race ahead of us. The Domain, with its shoddy grandeur, was a hoax. Neither the President who had called it into being nor the foreigners who had made a fortune building it had faith in what they were creating. But had there been greater faith before? _Miscerique probat populos et foedera jungi__: Father Huismans had explained the arrogance of that motto. He had believed in its truth. But how many of the builders of the earlier city would have agreed with him? Yet that earlier hoax had helped to make men of the country in a certain way; and men would also be made by this new hoax. Ferdinand took the polytechnic seriously; it was going to lead him to an administrative cadetship and eventually to a position of authority. To him the Domain was fine, as it should be. He was as glamorous to himself at the polytechnic as he had been at the lyc� It was absurd to be jealous of Ferdinand, who still after all went home to the bush. But I wasn't jealous of him only because I felt that he was about to race ahead of me in knowledge and enter realms I would never enter. I was jealous more of that idea he had always had of his own importance, his own glamour. We lived on the same patch of earth; we looked at the same views. Yet to him the world was new and getting newer. For me that same world was drab, without possibilities. I grew to detest the physical feel of the place. My flat remained as it had always been. I had changed nothing there, because I lived with the idea that at a moment's notice I had to consider it all as lost--the bedroom with the white-painted window panes and the big bed with the foam mattress, the roughly made cupboards with my smelly clothes and shoes, the kitchen with its smell of kerosene and frying oil and rust and dirt and cockroaches, the empty white studio-sitting room. Always there, never really mine, reminding me now only of the passing of time. I detested the imported ornamental trees, the trees of my childhood, so unnatural here, with the red dust of the streets that turned to mud in rain, the overcast sky that meant only more heat, the clear sky that meant a sun that hurt, the rain that seldom cooled and made for a general clamminess, the brown river with the lilac-coloured flowers on rubbery green vines that floated on and on, night and day. Ferdinand had moved only a few miles away. And I, so recently his senior, felt jealous and deserted.
Metty, too, was like a man with preoccupations. Freedom had its price. Once he had had the slave's security. Here he had gained an idea of himself as a man to be measured against other men. That had so far brought him only pleasure. But now it seemed to have brought him a little bitterness as well. He seemed to be staying away from his friends. He was full of friends, and all kinds of people came to the shop and the flat to ask about him. Or sometimes they sent others to ask about him. One such messenger I grew to recognize. She was like a very thin boy, the kind of girl you would see poling the dugouts, someone regarded by her people just as labour, a pair of hands. Hard work and bad food appeared to have neutered her, worn away her feminine characteristics, and left her almost bald. She used to come for Metty at the shop, hanging around outside. Sometimes he spoke to her; sometimes he was rough with her. Sometimes he made as if to chase her away, bending down to pick up an imaginary stone, the way people did here when they wanted to frighten away a pariah dog. No one like the slave for spotting the slave, or knowing how to deal with the slave. This girl was among the lowest of the low; her status, in whatever African household she was, would have been close to that of a slave. Metty succeeded in driving her away from the shop. But one afternoon, when I went to the flat after closing the shop, I saw her on the pavement outside, standing among the dusty hummocks of wild grass near the side entrance to our back yard. An ashy, unwashed cotton smock, wide-sleeved and wide-necked, hung loosely from her bony shoulders and showed she was wearing nothing else below. Her hair was so sparse her head looked shaved. Her thin little face was set in a frown which wasn't a frown but was only meant to say she wasn't looking at me. She was still there when, after making myself some tea, and changing, I went down again. I was going to the Hellenic Club for my afternoon squash. It was my rule: whatever the circumstances, however unwilling the spirit, never give up the day's exercise. Afterwards I drove out to the dam, to the Portuguese nightclub on the cliff, now got going again, and had some fried fish there--I am sure they did it better in Portugal. It was too early for the band and the town crowd, but the dam was floodlit, and they turned on the coloured lights on the trees for me. The girl was still on the pavement when I went back to the flat. This time she spoke to me. She said, "_Metty-ki l�?" She had only a few words of the local patois, but she could understand it when it was spoken, and when I asked her what she wanted she said, "_Popo malade. Dis-li Metty__." _Popo__ was "baby." Metty had a baby somewhere in the town, and the baby was sick. Metty had a whole life out there, separate from his life with me in the flat, separate from his bringing me coffee in the mornings, separate from the shop. I was shocked. I felt betrayed. If we had been living in our compound on the coast, he would have lived his own life, but there would have been no secrets. I would have known who his woman was; I would have known when his baby was born. I had lost Metty to this part of Africa. He had come to the place that was partly his home, and I had lost him. I felt desolate. I had been hating the place, hating the flat; yet now I saw the life I had made for myself in that flat as something good, which I had lost. Like the girl outside, like so many other people, I waited for Metty. And when, very late, he came in, I began to speak at once. "Oh, Metty, why didn't you tell me? Why did you do this to me?" Then I called him by the name we called him at home. "Ali, Ali-wa! We lived together. I took you under my roof and treated you as a member of my own family. And now you do this." Dutifully, like the servant of the old days, he tried to match his mood to mine, tried to look as though he suffered with me. "I will leave her, _patron__. She's an animal." "How can you leave her? You've done it. You can't go back on that. You've got that child out there. Oh, Ali, what have you done? Don't you think it's disgusting to have a little African child running about in somebody's yard, with its _toto__ swinging from side to side? Aren't you ashamed, a boy like you?" "It is disgusting, Salim." He came and put his hand on my shoulder. "And I am very ashamed. She's only an African woman. I will leave her." "How can you leave her? That is now your life. Didn't you know it was going to be like that? We sent you to school, we had the mullahs teach you. And now you do this." I was acting. But there are times when we act out what we really feel, times when we cannot cope with certain emotions, and it is easier to act. And Metty was acting too, being loyal, reminding me of the past, of other places, reminding me of things I could scarcely bear that night. When I said, acting, "Why didn't you tell me, Metty?" he acted back for my sake. He said, "How could I tell you, Salim? I knew you were going to get on like this." How did he know? I said, "You know, Metty, the first day you went to school, I went with you. You cried all the time. You began to cry as soon as we left the house." He liked being reminded of this, being remembered from so far back. He said, almost smiling, "I cried a lot? I made a lot of noise?" "Ali, you screamed the place down. You had your white cap on, and you went down the little alley at the side of Gokool's house, and you were bawling. I couldn't see where you had gone. I just heard you bawling. I couldn't stand it. I thought they were doing terrible things to you, and I begged for you not to go to school. Then the trouble was to get you to come back home. You've forgotten, and why should you remember? I've been noticing you since you've been here. You've been very much getting on as though you're your own man." "Oh, Salim! You mustn't say that. I always show you respect." That was true. But he had returned home; he had found his new life. However much he wished it, he couldn't go back. He had shed the past. His hand on my shoulder--what good was that now? I thought: Nothing stands still. Everything changes. I will inherit no house, and no house that I build will now pass to my children. That way of life has gone. I have lost my twenties, and what I have been looking for since I left home hasn't come to me. I have only been waiting. I will wait for the rest of my life. When I came here, this flat was still the Belgian lady's flat. It wasn't my home; it was like a camp. Then that camp became mine. Now it has changed again. Later, I woke to the solitude of my bedroom, in the unfriendly world. I felt all the child's heartache at being in a strange place. Through the white-painted window I saw the trees outside--not their shadows, but the suggestion of their forms. I was homesick, had been homesick for months. But home was hardly a place I could return to. Home was something in my head. It was something I had lost. And in that I was like the ragged Africans who were so abject in the town we serviced.
Discovering the ways of pain, the aging that it brings, I wasn't surprised that Metty and myself should have been so close just at that moment when we understood that we had to go our separate ways. What had given the illusion of closeness that evening was only our regret for the past, our sadness that the world doesn't stand still. Our life together didn't change. He continued to live in his room in the flat, and he continued to bring me coffee in the mornings. But now it was understood that he had a whole life outside. He altered. He lost the brightness and gaiety of the servant who knows that he will be looked after, that others will decide for him; and he lost what went with that brightness--the indifference to what had just happened, the ability to forget, the readiness for every new day. He seemed to go a little sour inside. Responsibility was new to him; and with that he must also have discovered solitude, in spite of his friends and his new family life. I, too, breaking out of old ways, had discovered solitude and the melancholy which is at the basis of religion. Religion turns that melancholy into uplifting fear and hope. But I had rejected the ways and comforts of religion; I couldn't turn to them again, just like that. That melancholy about the world remained something I had to put up with on my own. At some times it was sharp; at some times it wasn't there. And just when I had digested that sadness about Metty and the past, someone from the past turned up. He walked into the shop one morning, Metty leading him in, Metty calling out in high excitement, "Salim! Salim!" It was Indar, the man who had first brought out my panic on the coast, confronted me--after that game of squash in the squash court of his big house--with my own fears about our future, and had sent me away from his house with a vision of disaster. He had given me the idea of flight. He had gone to England, to his university; I had fled here. And I felt now, as Metty led him in, that he had caught me out again, sitting at my desk in the shop, with my goods spread out on the floor, as they had always been, and with my shelves full of cheap cloth and oilcloth and batteries and exercise books. He said, "I heard some years ago in London that you were here. I wondered what you were doing." His expression was cool, balanced between irritation and a sneer, and it seemed to say that he didn't have to ask now, and that he wasn't surprised by what he had found. It had happened so quickly. When Metty came running in saying, "Salim! Salim! Guess who's here," I had at once had an idea that it would be someone we had both known in the old days. I thought it would be Nazruddin, or some member of my family, some brother-in-law or nephew. And I had thought: But I can't cope. The life here is no longer the old life. I cannot accept this responsibility. I don't want to run a hospital. Expecting, then, someone who was about to make a claim on me in the name of family and community and religion, and preparing a face and an attitude for that person, I was dismayed to find Metty leading Indar into the shop, Metty beside himself with joy, not pretending now, but for that moment delighted to re-create something of the old days, being the man in touch with great families. And from being myself the man full of complaint, the man who was going to pour out his melancholy in harsh advice to a new arrival who was perhaps already half crushed--"There is no place for you here. There is no place here for the homeless. Find somewhere else"--from being that kind of man, I had to be the opposite. I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. I couldn't be any other way with Indar. He had always made me feel so backward. His family, though new on the coast, had outstripped us all; and even their low beginnings--the grandfather who was a railway labourer, then a market money-lender--had become (from the way people spoke) a little sacred, part of their wonderful story. They invested adventurously and spent money well; their way of living was much finer than ours; and there was their unusual passion for games and physical exercise. I had always thought of them as "modern" people, with a style quite different from ours. You get used to differences like that; they can even begin to appear natural. When we had played squash that afternoon, and Indar had told me he was going to England to a university, I hadn't felt resentful or jealous of him for what he was doing. Going abroad, the university--that was part of his style, what might have been expected. My unhappi-ness was the unhappiness of a man who felt left behind, unprepared for what was coming. And my resentment of him had to do with the insecurity he had made me feel. He had said, "We're washed up here, you know." The words were true; I knew they were true. But I disliked him for speaking them: he had spoken as someone who had foreseen it all and had made his dispositions. Eight years had passed since that day. What he had said would happen had happened. His family had lost a lot; they had lost their house; they (who had added the name of the town on the coast to their family name) had scattered, like my own family. Yet now, as he came into the shop, it seemed that the distance between us had remained the same. There was London in his clothes, the trousers, the striped cotton shirt, the way his hair was cut, his shoes (oxblood in colour, thin-soled but sturdy, a little too narrow at the toes). And I--well, I was in my shop, with the red dirt road and the market square outside. I had waited so long, endured so much, changed; yet to him I hadn't changed at all. So far I had remained sitting. As I stood up I had a little twinge of fear. It came to me that he had reappeared only to bring me bad news. And all I could find to say was: "What brings you to the back of beyond?" He said, "I wouldn't say that. You are where it's at." " 'Where it's at'?" "Where big things are happening. Otherwise I wouldn't be here." That was a relief. At least he wasn't giving me my marching orders again, without telling me where to go. Metty all this while was smiling at Indar and swinging his head from side to side, saying, "Indar! Indar!" And it was Metty who remembered our duty as hosts. He said, "You would like some coffee, Indar?" As though we were on the coast, in the family shop, and he just had to step down the lane to Noor's stall and bring back the little brass cups of sweet and muddy coffee on a heavy brass tray. No coffee like that here; only Nescafe, made in the Ivory Coast, and served in big china cups. Not the same kind of drink: you couldn't chat over it, sighing at each hot sweet sip. Indar said, "That would be very nice, Ali." I said, "His name here is Metty. It means 'half-caste.' " "You let them call you that, Ali?" "African people, Indar. _Kafar__. You know what they give." I said, "Don't believe him. He loves it. It makes him a great hit with the girls. Ali's a big family man now. He's lost." Metty, going to the storeroom to boil the water for the Nescafe, said, "Salim, Salim. Don't let me down too much." Indar said, "He was lost a long time ago. Have you heard from Nazruddin? I saw him in Uganda a few weeks ago." "What's it like out there now?" "Settling down. For how long is another matter. Not one bloody paper has spoken up for the king. Did you know that? When it comes to Africa, people don't want to know or they have their principles. Nobody cares a damn about the people who live in the place." "But you do a lot of travelling." "It's my business. How are things with you here?" "It's been very good since the rebellion. The place is booming. Property is fantastic. Land is two hundred francs a square foot in some parts now." Indar didn't look impressed--but the shop wasn't an impressive place. I felt, too, I had run on a little bit and was doing the opposite of what I intended to do with Indar. Wishing to let him know that his assumptions about me were wrong, I was in fact acting out the character he saw me as. I was talking the way I had heard traders in the town talk, and even saying the things they said. I said, attempting another kind of language, "It's a specialized business. A sophisticated market would be easier in some ways. But here you can't follow your personal likes and dislikes. You have to know exactly what is needed. And of course there are the agencies. That's where the real money is." Indar said, "Yes, yes. The agencies. It's like old times for you, Salim." I let that pass. But I decided to tone the whole thing down. I said, "I don't know how long it's going to last, though." "It will last as long as your President wants it to last. And no one can tell how long that will be. He's a strange man. He seems to be doing nothing at all, and then he can act like a surgeon. Cutting away some part he doesn't like." "That's how he settled the old army. It was terrible, Indar. He sent a message to Colonel Yenyi telling him to stay at the barracks and to welcome the commander of the mercenaries. So he stayed on the steps in full uniform, and when they arrived he began to walk to the gate. They shot him as he walked. And everybody with him." "It saved your bacon, though. I have something for you, by the way. I went to see your father and mother before I came here." "You went home?" But I dreaded hearing about it from him. He said, "Oh, I've been there a few times since the great events. It isn't so bad. You remember our house? They've painted it in the party colours. It's some kind of party building now. Your mother gave me a bottle of coconut chutney. It isn't for you alone. It is for Ali and you. She made that clear." And to Metty, coming back then with the jug of hot water and the cups and the tin of Nescafe and the condensed milk, he said, "Ma sent you some coconut chutney, Ali." Metty said, "Chutney, coconut chutney. The food here is _horrible__, Indar." We sat all three around the desk, stirring coffee and water and condensed milk together. Indar said, "I didn't want to go back. Not the first time. I didn't think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. I felt he had spoken the words before, or had gone over them in his mind. I thought: He fights to keep his style. He's probably suffered more than the rest of us. We sat, the three of us, drinking Nescafe. And I thought the moment beautiful. Still, the conversation had so far been one-sided. He knew everything about me; I knew nothing about his recent life. When I had first arrived in the town I had noticed that for most people conversation meant answering questions about themselves; they seldom asked you about yourself; they had been cut off for too long. I didn't want Indar to feel that way about me. And I really wanted to know about him. So, a little awkwardly, I began to ask. He said he had been in the town for a couple of days and was going to stay for a few months. Had he come up by the steamer? He said, "You're crazy. Cooped up with river Africans for seven days? I flew up." Metty said, "I wouldn't go anywhere by the steamer. They tell me it's horrible. And it's even worse on the barge, with the latrines and the people cooking and eating everywhere. It's horrible-horrible, they tell me." I asked Indar where he was staying: it had occurred to me that I should make the gesture of offering him hospitality. Was he staying at the van der Weyden? This was the question he was waiting to be asked. He said in a soft and unassuming voice, "I'm staying at the State Domain. I have a house there. I'm a guest of the government." And Metty behaved more graciously than I. Metty slapped the desk and said, "Indar!" I said, "The Big Man invited you?" He began to scale it down. "Not exactly. I have my own outfit. I am attached to the polytechnic for a term. Do you know it?" "I know someone there. A student." Indar behaved as though I had interrupted him; as though--although I lived in the place, and he had just arrived--I was trespassing, and had no right to know a student at the polytechnic. I said, "His mother's a _marchande__, one of my customers." That was better. He said, "You must come and meet some of the other people there. You may not like what's going on. But you mustn't pretend it isn't happening. You mustn't make that mistake again." I wanted to say: "I live here. I have lived through quite a lot in the last six years." But I didn't say that. I played up to his vanity. He had his own idea of the kind of man I was--and indeed he had caught me in my shop, at my ancestral business. He had his own idea of who he was and what he had done, the distance he had put between himself and the rest of us. His vanity didn't irritate me. I found I was relishing it, in the way that years before, on the coast, as a child, I had relished Nazruddin's stories of his luck and of the delights of life here, in the colonial town. I hadn't slapped the desk like Metty, but I was impressed by what I saw of Indar. And it was a relief to put aside the dissatisfactions he made me feel, to forget about being caught out, and to give him a straight admiration for what he had made of himself--for his London clothes and the privilege they spoke of, his travelling, his house in the Domain, his position at the polytechnic. To give him admiration, to appear not to be competing or resisting, was to put him at his ease. As we chatted over our Nescafe, as Metty exclaimed from time to time, expressing in his servant's manner the admiration which his master also felt, Indar's edginess wore off. He became gentle, full of manners, concerned. At the end of the morning I felt I had at last made a friend of my kind. And I badly needed such a friend.
And far from being his host and guide, I became the man who was led about. It wasn't all that absurd. I had so little to show him. All the key points of the town I knew could be shown in a couple of hours, as I discovered when I drove him around later that morning. There was the river, with a stretch of broken promenade near the docks. There were the docks themselves; the repair yards with open corrugated-iron sheds full of rusting pieces of machinery; and some way downriver the ruined cathedral, beautifully overgrown and looking antique, like something in Europe--but you could only look from the road, because the bush was too thick and the site was famous for its snakes. There were the scuffed squares with their defaced and statueless pedestals; the official buildings from the colonial time in avenues lined with palmiste trees; the lyc� with the decaying masks in the gun room (but that bored Indar); the van der Weyden and Mahesh's Bigburger place, which were hardly things to show to a man who had been to Europe. There were the _cit�_ and the squatters' settlements (some of them I was driving into for the first time) with their hills of rubbish, their corrugated dusty lanes, and a lot of old tires lying in the dust. To me the rubbish hills and the tires were features of the _cit�_ and shanty towns. The spidery little children that we had here did wonderful somersaults off those tires, running, jumping on the tires, and then springing high in the air. But it was nearly noon. There were no children doing somersaults when we drove by; and I realized that (after a monument with nothing on it, and pedestals without statues) I was literally just showing Indar a lot of rubbish. I cut short the tour at that point. The rapids and the fishermen's village--that had been incorporated into the State Domain; that he had already seen. As we drove to the Domain--the intervening area, once empty, now filling up with the shacks of new arrivals from the villages: shacks which, in Indar's company, I seemed to be seeing for the first time: the red ground between the shacks stained with rivulets of black or grey-green filth, maize and cassava planted in every free space--as we drove, Indar said, "How long did you say you've been living here?" "Six years." "And you've shown me everything?" What hadn't I shown him? A few interiors of shops and houses and flats, the Hellenic Club--and the bars. But I wouldn't have shown him the bars. And really, looking at the place with his eyes, I was amazed at the little I had been living with. And I had stopped seeing so much. In spite of everything, I had thought of the town as a real town; I saw it now as an agglomeration of shack settlements. I thought I had been resisting the place. But I had only been living blind--like the people I knew, from whom in my heart of hearts I had thought myself different. I hadn't liked it when Indar had suggested that I was living like our community in the old days, not paying attention to what was going on. But he wasn't so far wrong. He was talking about the Domain; and for us in the town the Domain had remained only a source of contracts. We knew little of the life there, and we hadn't wanted to find out. We saw the Domain as part of the waste and foolishness of the country. But more importantly, we saw it as part of the President's politics; and we didn't want to become entangled with that. We were aware of the new foreigners on the periphery of our town. They were not like the engineers and salesmen and artisans we knew, and we were a little nervous of them. The Domain people were like tourists, but they were not spenders--everything was found for them on the Domain. They were not interested in us; and we, thinking of them as protected people, looked upon them as people separate from the true life of the place, and for this reason not quite real, not as real as ourselves. Without knowing it, and thinking all the time that we were keeping our heads down and being wise and protecting our interests, we had become like the Africans the President ruled. We were people who felt only the weight of the President's power. The Domain had been created by the President; for reasons of his own he had called certain foreigners to live there. For us that was enough; it wasn't for us to question or look too closely. Sometimes, after Ferdinand had come to the town to see his mother during one of her shopping trips, I had driven him back to his hostel in the Domain. What I saw then was all that I knew, until Indar became my guide.
It was as Indar had said. He had a house in the Domain and he was a guest of the government. His house was carpeted and furnished showroom style--twelve hand-carved dining chairs, upholstered chairs in fringed synthetic velvet in two colours in the sitting room, lamps, tables, air conditioners everywhere. The air conditioners were necessary. The Domain houses, naked in levelled land, were like grander concrete boxes, with roofs that didn't project at all, so that at any hour of a bright day one wall, or two, got the full force of the sun. With the house there was also a boy, in the Domain servant costume--white shorts, white shirt and a white _jacket de boy__ (instead of the apron of colonial days). It was the Domain style for people in Indar's position. The style was the President's. It was he who had decided on the costumes for the boys. And in the strange world of the Domain Indar appeared to be well regarded. Part of this regard was due to the "outfit" to which he belonged. He couldn't quite explain to me what the outfit was that sent him on African tours--or I might have been too na� to understand. But a number of people on the Domain seemed to belong to outfits that were as mysterious; and they looked upon Indar not as a man of our community or a refugee from the coast, but as one of themselves. It was all a little extraordinary to me. These were the new-style foreigners whom we, in the town, had seen arriving for some time past. We had seen them putting on African clothes; we had noticed their gaiety, so unlike our own caution; their happiness with everything they found. And we had considered them parasites and half dangerous, serving some hidden cause of the President's, people we had to be careful with. But now, being with them in the Domain, which in every way was their resort, and being admitted so easily to their life, their world of bungalows and air conditioners and holiday ease, catching in their educated talk the names of famous cities, I swung the other way and began to see how shut in and shabby and stagnant we in the town would have seemed to them. I began to get some sense of the social excitements of life on the Domain, of people associating in a new way, being more open, less concerned with enemies and danger, more ready to be interested and entertained, looking for the human worth of the other man. On the Domain they had their own way of talking about people and events; they were in touch with the world. To be with them was to have a sense of adventure. I thought of my own life and Metty's; of Shoba and Mahesh and their overheated privacy; of the Italians and Greeks-especially the Greeks--bottled up and tense with their family concerns and their nervousness of Africa and Africans. There was hardly anything new there. So to travel those few miles between the town and the Domain was always to make some adjustment, to assume a new attitude, and each time almost to see another country. I was ashamed of myself for the new judgments I found myself making on my friends Shoba and Mahesh, who had done so much for me for so many years, and with whom I had felt so safe. But I couldn't help those thoughts. I was tilting the other way, to the life of the Domain, as I saw it in the company of Indar. I was aware, in the Domain, that I belonged to the other world. When I met people with Indar I found I had little to say. There were times when I thought that I might be letting him down. But there seemed to be no such thought in his head. He introduced me round as a friend of his family's from the coast, a member of his community. He didn't only want me to witness his success with the people of the Domain; he seemed to want me to share it as well. It was his way of rewarding me for my admiration, and I saw a delicacy in him that I had never seen on the coast. His manners were like a form of consideration; and however small the occasion, his manners never failed. They were the manners of an impresario, a little bit. But it was also his old family style; it was as though he had needed security and admiration to bring it out again. In the artificiality of the Domain he had found his perfect setting. We in the town could offer Indar nothing like the regard and the social excitements he enjoyed at the Domain; we could scarcely appreciate what he enjoyed there. With our cynicism, created by years of insecurity, how did we look on men? We judged the salesmen in the van der Weyden by the companies they represented, their ability to offer us concessions. Knowing such men, having access to the services they offered, and being flattered by them that we were not ordinary customers paying the full price or having to take our place in the queue, we thought we had mastered the world; and we saw those salesmen and representatives as men of power who had to be courted. We judged traders by their coups, the contracts they landed, the agencies they picked up. It was the same with Africans. We judged them by their ability, as army men or officials in the customs or policemen, to do us services; and that was how they also judged themselves. You could spot the powerful in Ma-hesh's Bigburger place. They, sharing in our boom, and no longer as shoddy as they once were, wore gold as much as possible--gold-rimmed glasses, gold rings, gold pen-and-pencil sets, gold watches with solid gold wristlets. Among ourselves we scoffed at the vulgarity and pathos of that African lust for gold. Gold--how could it alter the man, who was only an African? But we wanted gold ourselves; and we regularly paid tribute to the Africans who wore gold. Our ideas of men were simple; Africa was a place where we had to survive. But in the Domain it was different. There they could scoff at trade and gold, because in the magical atmosphere of the Domain, among the avenues and new houses, another Africa had been created. In the Domain, Africans--the young men at the polytechnic--were romantic. They were not always present at the parties or gatherings; but the whole life of the Domain was built around them. In the town "African" could be a word of abuse or disregard; in the Domain it was a bigger word. An "African" there was a new man whom everybody was busy making, a man about to inherit--the important man that years before, at the lyc� Ferdinand had seen himself as. In the town, when they were at the lyc� Ferdinand and his friends--certainly his friends--were still close to village ways. When they were off duty, not at the lyc�or with people like myself, they had merged into the African life of the town. Ferdinand and Metty--or Ferdinand and any African boy--could become friends because they had so much in common. But in the Domain there was no question of confusing Ferdinand and his friends with the white-uniformed servants. Ferdinand and his friends had a clear idea of who they were and what was expected of them. They were young men on government scholarships; they would soon become administrative cadets in the capital, serving the President. The Domain was the President's creation; and in the Domain they were in the presence of foreigners who had a high idea of the new Africa. Even I, in the Domain, began to feel a little of the romance of that idea. So foreigners and Africans acted and reacted on one another, and everyone became locked in an idea of glory and newness. Everywhere the President's photograph looked down at us. In the town, in our shops and in government buildings, it was just the photograph of the President, the ruler, something that had to be there. In the Domain the glory of the President brushed off onto all his new Africans. And they were bright, those young men. I had remembered them as little tricksters, pertinacious but foolish, with only a kind of village cunning; and I had assumed that for them studying meant only cramming. Like other people in the town, I believed that degree courses had been scaled down or altered for Africans. It was possible; they did go in for certain subjects--international relations, political science, anthropology. But those young men had sharp minds and spoke wonderfully--and in French, not the patois. They had developed fast. Just a few years before, Ferdinand had been incapable of grasping the idea of Africa. That wasn't so now. The magazines about African affairs--even the semi-bogus, subsidized ones from Europe--and the newspapers, though censored, had spread new ideas, knowledge, new attitudes. Indar took me one evening to one of his seminars, in a lecture room in the big polytechnic building. The seminar was not part of any course. It was an extra, and was described on the door as an exercise in English-speaking. But more must have been expected from Indar. Most of the desks were taken. Ferdinand was there, in a little group of his own. The biscuit-coloured walls of the lecture room were bare except for a photograph of the President--not in army uniform, but in a chief's leopard-skin cap, a short-sleeved jacket and a polka-dotted cravat. Indar, sitting below this photograph, began to speak, easily, about the other parts of Africa he had visited, and the young men were fascinated. Their innocence and eagerness were astonishing. In spite of the wars and coups they were hearing about, Africa was still to them the new continent, and they behaved as though Indar felt like them, was almost one of them. The language exercise turned into a discussion about Africa, and I could feel polytechnic topics, lecture topics, coming to the surface. Some of the questions were dynamite; but Indar was very good, always calm, never surprised. He was like a philosopher; he tried to get the young men to examine the words they were using. They talked for a while about the coup in Uganda, and about the tribal and religious differences there. Then they began to talk more generally about religion in Africa. There was some movement in the group around Ferdinand. And Ferdinand--not unaware of me--stood up and asked, "Would the honourable visitor state whether he feels that Africans have been depersonalized by Christianity?" Indar did what he had done before. He restated the question. He said, "I suppose you are really asking whether Africa can be served by a religion which is not African. Is Islam an African religion? Do you feel that Africans have been depersonalized by that?" Ferdinand didn't reply. It was as in the old days--he hadn't thought beyond a certain point. Indar said, "Well, I suppose you can say that Islam has become an African religion. It has been on the continent for a very long time. And you can say the same for the Coptic Christians. I don't know--perhaps you might feel that those people have been so depersonalized by those religions that they are out of touch with Africa. Would you say that? Or would you say they are Africans of a special sort?" Ferdinand said, "The honourable visitor knows very well the kind of Christianity I mean. He is trying to confuse the issue. He knows about the low status of African religion, and he knows very well that this is a direct question to him about the relevance or otherwise of African religion. The visitor is a gentleman sympathetic to Africa who has travelled. He can advise us. That is why we ask." A number of desk lids were banged in approval. Indar said, "To answer that question you must allow me to ask you one. You are students. You are not villagers. You cannot pretend you are. You will soon be serving your President and his government in different capacities. You are men of the modern world. Do you need African religion? Or are you being sentimental about it? Are you nervous of losing it? Or do you feel you have to hold on to it just because it's yours?" Ferdinand's eyes went hard. He banged the lid of his desk and stood up. "You are asking a complicated question." And "complicated," among these students, was clearly a word of disapproval. Indar said, "You are forgetting. I didn't raise the question. You raised it, and I merely asked for information." That restored order, put an end to the banging of the desk lids. It made Ferdinand friendly again, and he remained friendly for the rest of the seminar. He went to Indar at the end, when the boys in the _jackets de boy__ pushed in chromium-plated trolleys and began serving coffee and sweet biscuits (part of the style the President had decreed for the Domain). I said to Ferdinand, "You've been heckling my friend." He said, "I wouldn't have done it if I had known he was your friend." Indar said, "What are your own feelings about African religion?" Ferdinand said, "I don't know. That's why I asked. It is not an easy question for me." Later, when Indar and I left the polytechnic building to walk back to his house, Indar said, "He's pretty impressive. He's your _marchande's__ son? That explains it. He's got that little extra background." In the asphalted space outside the polytechnic building the flag was floodlit. Slender lamp standards lifted fluorescent arms down both sides of the main avenue; and the avenue was also lit with lights at grass level, like an airport runway. Some of the bulbs had been broken and grass had grown tall around the fittings. I said, "His mother's also a magician." Indar said, "You can't be too careful. They were tough tonight, but they didn't ask the really difficult question. Do you know what that is? Whether Africans are peasants. It's a nonsense question, but big battles are fought about that one. Whatever you say you get into trouble. You see why my outfit is needed. Unless we can get them thinking, and give them real ideas instead of just politics and principles, these young men will keep our world in turmoil for the next half century." I thought how far we had both come, to talk about Africa like this. We had even learned to take African magic seriously. It hadn't been like that on the coast. But as we talked that evening about the seminar, I began to wonder whether Indar and I weren't fooling ourselves and whether we weren't allowing the Africa we talked about to become too different from the Africa we knew. Ferdinand didn't want to lose touch with the spirits; he was nervous of being on his own. That had been at the back of his question. We all understood his anxiety; but it was as though, at the seminar, everyone had been ashamed, or fearful, of referring to it directly. The discussion had been full of words of another kind, about religion and history. It was like that on the Domain; Africa there was a special place. I wondered, too, about Indar. How had he arrived at his new attitudes? I had thought of him, since the coast, as a hater of Africa. He had lost a lot; I didn't think he had forgiven. Yet he flourished on the Domain; it was his setting. I was less "complicated"; I belonged to the town. And to leave the Domain and drive back to the town, to see the shacks, acres and acres of them, the rubbish mounds, to feel the presence of the river and the forest all around (more than landscaping now), to see the ragged groups outside the drinking booths, the squatters' cooking fires on the pavements in the centre of the town--to do that drive back was to return to the Africa I knew. It was to climb down from the exaltation of the Domain, to grasp reality again. Did Indar believe in the Africa of words? Did anyone on the Domain believe? Wasn't the truth what we in the town lived with--the salesmen's chat in the van der Weyden and the bars, the photographs of the President in government offices and in our shops, the army barracks in the converted palace of the man of our community? Indar said, "Does one believe in anything? Does it matter?" There was a ritual I went through whenever I had to clear a difficult consignment through the customs. I filled in the declaration form, folded it over five hundred francs, and handed it to the official in charge. He would--as soon as he had got his subordinates out of the room (and they of course knew why they had been asked to leave the room)--check the notes with his eyes alone. The notes would then be taken; the entries on the form would be studied with exaggerated care; and soon he would say, "_C'est bien, Mis' Salim. Vous �s en ordre__." Neither he nor I would refer to the bank notes. We would talk only about the details on the declaration form, which, correctly filled, correctly approved, would remain as proof of both our correctness. Yet what had lain at the heart of the transaction would be passed over in silence, and would leave no trace in the records. So, in my talks with Indar about Africa--the purpose of his outfit, the Domain, his anxieties about imported doctrines, the danger to Africa of its very newness, first ideas being caught most securely by new minds as sticky as adhesive tape--I felt that between us lay some dishonesty, or just an omission, some blank, around which we both had to walk carefully. That omission was our own past, the smashed life of our community. Indar had referred to that at our first meeting that morning in the shop. He said that he had learned to trample on the past. In the beginning it had been like trampling on a garden; later it had become like walking on ground. I became confused myself. The Domain was a hoax. But at the same time it was real, because it was full of serious men (and a few women). Was there a truth outside men? Didn't men make the truth for themselves? Everything men did or made became real. So I moved between the Domain and the town. It was always reassuring to return to the town I knew, to get away from that Africa of words and ideas as it existed on the Domain (and from which, often, Africans were physically absent). But the Domain, and the glory and the social excitements of the life there, always called me back.
Indar said, "We are going to a party after dinner. It's being given by Yvette. Do you know her? Her husband, Raymond, keeps a low profile, but he runs the whole show here. The President, or the Big Man, as you call him, sent him down here to keep an eye on things. He's the Big Man's white man. In all these places there's someone like that. Raymond's a historian. They say the President reads everything he writes. That's the story anyway. Raymond knows more about the country than anyone on earth." I had never heard of Raymond. The President I had seen only in photographs--first in army uniform, then in the stylish short-sleeved jacket and cravat, and then with his leopard-skin chief's cap and his carved stick, emblem of his chieftaincy--and it had never occurred to me that he might be a reader. What Indar told me brought the President closer. At the same time it showed me how far away I, and people like me, were from the seat of power. Considering myself from that distance, I saw how small and vulnerable we were; and it didn't seem quite real that, dressed as I was, I should be strolling across the Domain after dinner to meet people in direct touch with the great. It was strange, but I no longer felt oppressed by the country, the forest and the waters and the remote peoples: I felt myself above it all, considering it from this new angle of the powerful. From what Indar had said I had expected that Raymond and Yvette would be middle-aged. But the lady--in black slacks in some shiny material--who came to meet us after the white-jacketed boy had let us in was young, in her late twenties, near my own age. That was the first surprise. The second was that she was barefooted, feet white and beautiful and finely made. I looked at her feet before I considered her face and her blouse, black silk, embroidered round the low-cut collar--expensive stuff, not the sort of goods you could get in our town. Indar said, "This lovely lady is our hostess. Her name is Yvette." He bent over her and appeared to hold her in an embrace. It was a piece of pantomime. She playfully arched her back to receive his embrace, but his cheek barely brushed hers, he never touched her breast, and only the tips of his fingers rested on her back, on the silk blouse. It was a house of the Domain, like Indar's. But all the upholstered furniture had been cleared out of the sitting room and had been replaced by cushions and bolsters and African mats. Two or three reading lamps had been put on the floor, so that parts of the room were in darkness. Yvette said, referring to the furniture, "The President has an exaggerated idea of the needs of Europeans. I've dumped all that velvety stuff in one of the bedrooms." Remembering what Indar had told me, I ignored the irony in her voice, and felt that she was speaking with privilege, the privilege of someone close to the President. A number of people were already there. Indar followed Yvette deeper into the room, and I followed Indar. Indar said, "How's Raymond?" Yvette said, "He's working. He'll look in later." We sat down all three next to a bookcase. Indar lounged against a bolster, a man at ease. I concentrated on the music. As so often when I was with Indar on the Domain, I was prepared only to watch and listen. And this was all new to me. I hadn't been to a Domain party like this. And the atmosphere itself in that room was something I had never experienced before. Two or three couples were dancing; I had visions of women's legs. I had a vision especially of a girl in a green dress who sat on a straight-backed dining chair (one of the house set of twelve). I studied her knees, her legs, her ankles, her shoes. They were not particularly well made legs, but they had an effect on me. All my adult life I had looked for release in the bars of the town. I knew only women who had to be paid for. The other side of the life of passion, of embraces freely given and received, I knew nothing of, and had begun to consider alien, something not for me. And so my satisfactions had only been brothel satisfactions, which hadn't been satisfactions at all. I felt they had taken me further and further away from the true life of the senses and I feared they had made me incapable of that life. I had never been in a room where men and women danced for mutual pleasure, and out of pleasure in one another's company. Trembling expectation was in that girl's heavy legs, the girl in the green dress. It was a new dress, loosely hemmed, not ironed into a crease, still suggesting the material as it had been measured out and bought. Later I saw her dancing, watched the movements of her legs, her shoes; and such a sweetness was released in me that I felt I had recovered a part of myself I had lost. I never looked at the girl's face, and it was easy in the semi-gloom to let that remain unknown. I wanted to sink into the sweetness; I didn't want anything to spoil the mood. And the mood became sweeter. The music that was being played came to an end, and in the wonderfully lit room, blurred circles of light thrown onto the ceiling from the lamps on the floor, people stopped dancing. What next came on went straight to my heart--sad guitars, words, a song, an American girl singing "Barbara Allen." That voice! It needed no music; it hardly needed words. By itself it created the line of the melody; by itself it created a whole world of feeling. It is what people of our background look for in music and singing: feeling. It is what makes us shout "_Wa-wa__! Bravo!" and throw bank notes and gold at the feet of a singer. Listening to that voice, I felt the deepest part of myself awakening, the part that knew loss, homesickness, grief, and longed for love. And in that voice was the promise of a flowering for everyone who listened. I said to Indar, "Who is the singer?" He said, "Joan Baez. She's very famous in the States." "And a millionaire," Yvette said. I was beginning to recognize her irony. It made her appear to be saying something when she had said very little--and she was, after all, playing the record in her house. She was smiling at me, perhaps smiling at what she had said, or perhaps smiling at me as Indar's friend, or smiling because she believed it became her. Her left leg was drawn up; her right leg, bent at the knee, lay flat on the cushion on which she sat, so that her right heel lay almost against her left ankle. Beautiful feet, and their whiteness was wonderful against the black of her slacks. Her provocative posture, her smile--they became part of the mood of the song, too much to contemplate. Indar said, "Salim comes from one of our old coast families. Their history is interesting." Yvette's hand lay white on her right thigh. Indar said, "Let me show you something." He leaned across my legs and reached up to the bookcase. He took out a book, opened it and showed me where I was to read. I held the book down to the floor, to catch the light from the reading lamp, and saw, among a list of names, the names of Yvette and Raymond, acknowledged by the writer of the book as "most generous of hosts" at some recent time in the capital. Yvette continued to smile. No embarrassment or playing it down, though; no irony now. Her name in the book mattered to her. I gave the book back to Indar, looked away from Yvette and him, and returned to the voice. Not all the songs were like "Barbara Allen." Some were modern, about war and injustice and oppression and nuclear destruction. But always in between there were the older, sweeter melodies. These were the ones I waited for, but in the end the voice linked the two kinds of song, linked the maidens and lovers and sad deaths of bygone times with the people of today who were oppressed and about to die. It was make-believe--I never doubted that. You couldn't listen to sweet songs about injustice unless you expected justice and received it much of the time. You couldn't sing songs about the end of the world unless--like the other people in that room, so beautiful with such simple things: African mats on the floor and African hangings on the wall and spears and masks--you felt that the world was going on and you were safe in it. How easy it was, in that room, to make those assumptions! It was different outside, and Mahesh would have scoffed. He had said, "It isn't that there's no right and wrong here. There's no right." But Mahesh felt far away. The aridity of that life, which had also been mine! It was better to pretend, as I could pretend now. It was better to share the companionship of that pretence, to feel that in that room we all lived beautifully and bravely with injustice and imminent death and consoled ourselves with love. Even before the songs ended I felt I had found the kind of life I wanted; I never wanted to be ordinary again. I felt that by some piece of luck I had stumbled on the equivalent of what years before Nazruddin had found right here. It was late when Raymond came in. I had, at Indar's insistence, even danced with Yvette and felt her skin below the silk of her blouse; and when I saw Raymond my thoughts--leaping at this stage of the evening from possibility to possibility--were at first only about the difference in their ages. There must have been thirty years between Yvette and her husband; Raymond was a man in his late fifties. But I felt possibilities fade, felt them as dreams, when I saw the immediate look of concern on Yvette's face--or rather in her eyes, for her smile was still on, a trick of her face; when I saw the security of Raymond's manner, remembered his job and position, and took in the distinction of his appearance. It was the distinction of intelligence and intellectual labours. He looked as though he had just taken off his glasses, and his gentle eyes were attractively tired. He was wearing a long-sleeved safari jacket; and it came to me that the style--long sleeves rather than short--had been suggested to him by Yvette. After that look of concern at her husband, Yvette relaxed again, with her fixed smile. Indar got up and began fetching a dining chair from against the opposite wall. Raymond motioned to us to stay where we were; he rejected the chance of sitting next to Yvette, and when Indar returned with the dining chair, sat on that. Yvette said, without moving, "Would you like a drink, Raymond?" He said, "It will spoil it for me, Evie. I'll be going back to my room in a minute." Raymond's presence in the room had been noted. A young man and a girl had begun to hover around our group. One or two other people came up. There were greetings. Indar said, "I hope we haven't disturbed you." Raymond said, "It made a pleasant background. If I look a little troubled, it is because just now, in that room, I became very dejected. I began to wonder, as I've often wondered, whether the truth ever gets known. The idea isn't new, but there are times when it becomes especially painful. I feel that everything one does is just going to waste." Indar said, "You are talking nonsense, Raymond. Of course it takes time for someone like yourself to be recognized, but it happens in the end. You are not working in a popular field." Yvette said, "You tell him that for me, please." One of the men standing around said, "New discoveries are constanty making us revise our ideas about the past. The truth is always there. It can be got at. The work has to be done, that's all." Raymond said, "Time, the discoverer of truth. I know. It's the classical idea, the religious idea. But there are times when you begin to wonder. Do we really know the history of the Roman Empire? Do we really know what went on during the conquest of Gaul? I was sitting in my room and thinking with sadness about all the things that have gone unrecorded. Do you think we will ever get to know the truth about what has happened in Africa in the last hundred or even fifty years? All the wars, all the rebellions, all the leaders, all the defeats?" There was a silence. We looked at Raymond, who had introduced this element of discussion into our evening. Yet the mood was only like an extension of the mood of the Joan Baez songs. And for a little while, but without the help of music, we contemplated the sadness of the continent. Indar said, "Have you read Muller's article?" Raymond said, "About the Bapende rebellion? He sent me a proof. It's had a great success, I hear." The young man with the girl said, "I hear they're inviting him to Texas to teach for a term." Indar said, "I thought it was a lot of rubbish. Every kind of cliche parading as new wisdom. The Azande, that's a tribal uprising. The Bapende, that's just economic oppression, rubber business. They're to be lumped with the Budja and the Babwa. And you do that by playing down the religious side. Which is what makes the Bapende dust-up so wonderful. It's just the kind of thing that happens when people turn to Africa to make the fast academic buck." Raymond said, "He came to see me. I answered all his questions and showed him all my papers." The young man said, "Muller's a bit of whiz kid, I think." Raymond said, "I liked him." Yvette said, "He came to lunch. As soon as Raymond left the table, he forgot all about the Bapende and said to me, 'Do you want to come out with me?' Just like that. The minute Raymond's back was turned." Raymond smiled. Indar said, "I was telling Salim, Raymond, that you are the only man the President reads." Raymond said, "I don't think he has much time for reading these days." The young man, his girl now close to him, said, "How did you meet him?" "It is a story at once simple and extraordinary," Raymond said. "But I don't think we have time for that now." He looked at Yvette. She said, "I don't think anybody is rushing off anywhere right at this minute." "It was long ago," Raymond said. "In colonial times. I was teaching at a college in the capital. I was doing my historical work. But of course in those days there was no question of publishing. There was the censorship that people pretended didn't exist, in spite of the celebrated decree of 1922. And of course in those days Africa wasn't a subject. But I never made any secret of what I felt or where I stood, and I suppose the word must have got around. One day at the college I was told that an old African woman had come to see me. It was one of the African servants who brought me the message, and he wasn't too impressed by my visitor. "I asked him to bring her to me. She was middle-aged rather than old. She worked as a maid in the big hotel in the capital, and she had come to see me about her son. She belonged to one of the smaller tribes, people with no say in anything, and I suppose she had no one of her own kind to turn to. The boy had left school. He had joined some political club and had done various odd jobs. But he had given up all that. He was doing nothing at all. He was just staying in the house. He didn't go out to see anybody. He suffered from headaches, but he wasn't ill. I thought she was going to ask me to get the boy a job. But no. All she wanted me to do was to see the boy and talk to him. "She impressed me a great deal. Yes, the dignity of that hotel maid was quite remarkable. Another woman would have thought that her son was bewitched, and taken appropriate measures. She, in her simple way, saw that her son's disease had been brought on by his education. That was why she had come to me, the teacher at the college. "I asked her to send the boy to me. He didn't like the idea of his mother talking to me about him, but he came. He was as nervous as a kitten. What made him unusual--I would even say extraordinary--was the quality of his despair. It wasn't just a matter of poverty and the lack of opportunity. It went much deeper. And, indeed, to try to look at the world from his point of view was to begin to get a headache yourself. He couldn't face the world in which his mother, a poor woman of Africa, had endured such humiliation. Nothing could undo that. Nothing could give him a better world. "I said to him, 'I've listened to you, and I know that one day the mood of despair will go and you will want to act. What you mustn't do then is to become involved in politics as they exist. Those clubs and associations are talking shops, debating societies, where Africans posture for Europeans and hope to pass as evolved. They will eat up your passion and destroy your gifts. What I am going to tell you now will sound strange, coming from me. You must join the Defence Force. You won't rise high, but you will learn a real skill. You will learn about weapons and transport, and you will also learn about men. Once you understand what holds the Defence Force together, you will understand what holds the country together. You might say to me, "But isn't it better for me to be a lawyer and be called _ma�e__?" I will say, "No. It is better for you to be a private and call the sergeant sir." This isn't advice I will want to give to anybody else. But I give it to you.' " Raymond had held us all. When he stopped speaking we allowed the silence to last, while we continued to look at him as he sat on the dining chair in his safari jacket, distinguished, his hair combed back, his eyes tired, a bit of a dandy in his way. In a more conversational voice, as though he was commenting on his own story, Raymond said at last, breaking the silence, "He's a truly remarkable man. I don't think we give him enough credit for what he's done. We take it for granted. He's disciplined the army and brought peace to this land of many peoples. It is possible once again to traverse the country from one end to the other--something the colonial power thought it alone had brought about. And what is most remarkable is that it's been done without coercion, and entirely with the consent of the people. You don't see policemen in the streets. You don't see guns. You don't see the army." Indar, sitting next to Yvette, who was still smiling, seemed about to change the position of his legs prior to saying something. But Raymond raised his hand, and Indar didn't move. "And there's the freedom," Raymond said. "There's the remarkable welcome given to every kind of idea from every kind of system. I don't think," he said, addressing Indar directly, as though making up to him for keeping him quiet, "that anyone has even hinted to you that there are certain things you have to say and certain things you mustn't say." Indar said, "We've had an easy ride here." "I don't think it would have occurred to him to try to censor you. He feels that all ideas can be made to serve the cause. You might say that with him there's an absolute hunger for ideas. He uses them all in his own way." Yvette said, "I wish he would change the boys' uniforms. The good old colonial style of short trousers and a long white apron. Or long trousers and a jacket. But not that carnival costume of short trousers and jacket." We all laughed, even Raymond, as though we were glad to stop being solemn. And Yvette's boldness was also like proof of the freedom Raymond had been talking about. Raymond said, "Yvette goes on about the boys' uniforms. But that's the army background, and the mother's hotel background. The mother wore a colonial maid's uniform all her working life. The boys in the Domain have to wear theirs. And it isn't a colonial uniform--that's the point. In fact, everybody nowadays who wears a uniform has to understand that. Everyone in uniform has to feel that he has a personal contract with the President. And try to get the boys out of that uniform. You won't succeed. Yvette has tried. They want to wear that uniform, however absurd it is to our eyes. That's the amazing thing about this man of Africa--this flair, this knowledge of what the people need, and when. "We have all these photographs of him in African costume nowadays. I must confess I was disturbed when they began to appear in such number. I raised the issue with him one day in the capital. I was shattered by the penetration of his answer. He said, 'Five years ago, Raymond, I would have agreed with you. Five years ago our African people, with that cruel humour which is theirs, would have laughed, and that ridicule would have destroyed our country, with its still frail bonds. But times have changed. The people now have peace. They want something else. So they no longer see a photograph of a soldier. They see a photograph of an African. And that isn't a picture of me, Raymond. It is a picture of all Africans.' " This was so like what I felt, that I said, "Yes! None of us in the town liked putting up the old photograph. But it is different seeing the new photographs, especially in the Domain." Raymond permitted this interruption. His right hand was being raised, though, to allow him to go on. And he went on. "I thought I would check this. Just last week, as a matter of fact. I ran into one of our students outside the main building. And just to be provocative, I dropped some remark about the number of the President's photographs. The young man pulled me up quite sharply. So I asked him what he felt when he saw the President's photograph. You will be surprised by what he said to me, that young man, holding himself as erect as any military cadet. 'It is a photograph of the President. But here on the Domain, as a student at the polytechnic, I also consider it a photograph of myself.' The very words! But that's a quality of great leaders--they intuit the needs of their people long before those needs are formulated. It takes an African to rule Africa--the colonial powers never truly understood that. However much the rest of us study Africa, however deep our sympathy, we will remain outsiders." The young man, sitting now on a mat with his girl, asked, "Do you know the symbolism of the serpent on the President's stick? Is it true that there's a fetish in the belly of the human figure on the stick?" Raymond said, "I don't know about that. It is a stick. It is a chief's stick. It is like a mace or a mitre. I don't think we have to fall into the error of looking for African mysteries everywhere." The critical note jarred a little. But Raymond seemed not to notice. "I have recently had occasion to look through all the President's speeches. Now, what an interesting publication that would make! Not the speeches in their entirety, which inevitably deal with many passing issues. But selections. The essential thoughts." Indar said, "Are you working on that? Has he asked you?" Raymond lifted a palm and hunched a shoulder, to say that it was possible, but that he couldn't talk about a matter that was still confidential. "What is interesting about those speeches when read in sequence is their development. There you can see very clearly what I have described as the hunger for ideas. In the beginning the ideas are simple. Unity, the colonial past, the need for peace. Then they become extraordinarily complex and wonderful about Africa, government, the modern world. Such a work, if adequately prepared, might well become the handbook for a true revolution throughout the continent. Always you can catch that quality of the young man's despair which made such an impression on me so long ago. Always you have that feeling that the damage can never perhaps be undone. Always there is that note, for those with the ears to hear it, of the young man grieving for the humiliations of his mother, the hotel maid. He's always remained true to that. I don't think many people know that earlier this year he and his entire government made a pilgrimage to the village of that woman of Africa. Has that been done before? Has any ruler attempted to give sanctity to the bush of Africa? This act of piety is something that brings tears to the eyes. Can you imagine the humiliations of an African hotel maid in colonial times? No amount of piety can make up for that. But piety is all we have to offer." "Or we can forget," Indar said. "We can trample on the past." Raymond said, "That is what most of the leaders of Africa do. They want to build skyscrapers in the bush. This man wants to build a shrine." Music without words had been coming out of the speakers. Now "Barbara Allen" began again, and the words were distracting. Raymond stood up. The man who had been sitting on the mat went to lower the volume. Raymond indicated that he wasn't to bother, but the song went faint. Raymond said, "I would like to be with you. But unfortunately I have to get back to my work. Otherwise I might lose something. I find that the most difficult thing in prose narrative is linking one thing with the other. The link might just be a sentence, or even a word. It sums up what has gone before and prepares one for what is to come. As I was sitting with you I had an idea of a possible solution to a problem that was beginning to appear quite intractable. I must go and make a note. Otherwise I might forget." He began to move away from us. But then he stopped and said, "I don't think it is sufficiently understood how hard it is to write about what has never been written about before. The occasional academic paper on a particular subject, the Bapende rebellion or whatever--that has its own form. The larger narrative is another matter. And that's why I have begun to consider Theodor Mommsen the giant of modern historical writing. Everything that we now discuss about the Roman Republic is only a continuation of Mommsen. The problems, the issues, the very narrative, especially of those extraordinarily troubled years of the later Republic--you might say the German genius discovered it all. Of course, Theodor Mommsen had the comfort of knowing that his subject was a great one. Those of us who work in our particular field have no such assurance. We have no idea of the value posterity will place on the events we attempt to chronicle. We have no idea where the continent is going. We can only carry on." He ended abruptly, turned, and went out of the room, leaving us in silence, looking after where he had disappeared, and only slowly directing our attention to Yvette, now his representative in that room, smiling, acknowledging our regard. After a little Indar said to me, "Do you know Raymond's work?" Of course he knew the answer to that one. But, to give him his opening, I said, "No, I don't know his work." Indar said, "That's the tragedy of the place. The great men of Africa are not known." It was like a formal speech of thanks. And Indar had chosen his words well. He had made us all men and women of Africa; and since we were not Africans the claim gave us a special feeling for ourselves which, so far as I was concerned, was soon heightened by the voice of Joan Baez, turned up again, reminding us sweetly, after the tensions Raymond had thrown among us, of our common bravery and sorrows. Indar was embraced by Yvette when we left. And I was embraced, as the friend. It was delicious to me, as the climax to that evening, to press that body close, soft at this late hour, and to feel the silk of the blouse and the flesh below the silk. There was a moon now--there had been none earlier. It was small and high. The sky was full of heavy clouds, and the moonlight came and went. It was very quiet. We could hear the rapids; they were about a mile away. The rapids in moonlight! I said to Indar, "Let's go to the river." And he was willing. In the wide levelled land of the Domain the new buildings seemed small, and the earth felt immense. The Domain seemed the merest clearing in the forest, the merest clearing in an immensity of bush and river--the world might have been nothing else. Moonlight distorted distances; and the darkness, when it came, seemed to drop down to our heads. I said to Indar, "What do you think of what Raymond said?" "Raymond tells a story well. But a lot of what he says is true. What he says about the President and ideas is certainly true. The President uses them all and somehow makes them work together. He is the great African chief, and he is also the man of the people. He is the modernizer and he is also the African who has rediscovered his African soul. He's conservative, revolutionary, everything. He's going back to the old ways, and he's also the man who's going ahead, the man who's going to make the country a world power by the year 2000. I don't know whether he's done it accidentally or because someone's been telling him what to do. But the mish-mash works because he keeps on changing, unlike the other guys. He is the soldier who decided to become an old-fashioned chief, and he's the chief whose mother was a hotel maid. That makes him everything, and he plays up everything. There isn't anyone in the country who hasn't heard of that hotel maid mother." I said, "They caught me with that pilgrimage to the mother's village. When I read in the paper that it was an unpublicized pilgrimage, I thought of it as just that." "He makes these shrines in the bush, honouring the mother. And at the same time he builds modern Africa. Raymond says he doesn't build skyscrapers. Well, he doesn't do that. He builds these very expensive Domains." "Nazruddin used to own some land here in the old days." "And he sold it for nothing. Are you going to tell me that? That's an African story." "No, Nazruddin sold well. He sold at the height of the boom before independence. He came out one Sunday morning and said, 'But this is only bush.' And he sold." "It could go that way again." The sound of the rapids had grown louder. We had left the new buildings of the Domain behind and were approaching the fishermen's huts, dead in the moonlight. The thin village dogs, pale in the moonlight, their shadows black below them, walked lazily away from us. The fishermen's poles and nets were dark against the broken glitter of the river. And then we were on the old viewing point, repaired now, newly walled; and around us, drowning everything else, was the sound of water over rocks. Clumps of water hyacinths bucked past. The hyacinths were white in the moonlight, the vines dark tangles outlined in black shadow. When the moonlight went, there was nothing to be seen; the world was then only that old sound of tumbling water. I said, "I've never told you why I came here. It wasn't just to get away from the coast or to run that shop. Nazruddin used to tell us wonderful stories of the times he used to have here. That was why I came. I thought I would be able to live my own life, and I thought that in time I would find what Nazruddin found. Then I got stuck. I don't know what I would have done if you hadn't come. If you hadn't come I would never have known about what was going on here, just under my nose." "It's different from what we used to know. To people like us it's very seductive. Europe in Africa, post-colonial Africa. But it isn't Europe or Africa. And it looks different from the inside, I can tell you." "You mean people don't believe in it? They don't believe in what they say and do?" "No one is as crude as that. We believe and don't believe. We believe because that way everything becomes simpler and makes more sense. We don't believe--well, because of this." And Indar waved at the fishermen's village, the bush, the moonlit river. He said after a time, "Raymond's in a bit of a mess. He has to keep on pretending that he is the guide and adviser, to keep himself from knowing that the time is almost here when he will just be receiving orders. In fact, so as not to get orders, he is beginning to anticipate orders. He will go crazy if he has to acknowledge that that's his situation. Oh, he's got a big job now. But he's on the slippery slope. He's been sent away from the capital. The Big Man is going his own way, and he no longer needs Raymond. Everybody knows that, but Raymond thinks they don't. It's a dreadful thing for a man of his age to have to live with." But what Indar was saying didn't make me think of Raymond. I thought of Yvette, all at once brought nearer by this tale of her husband's distress. I went over the pictures I had of her that evening, ran the film over again, so to speak, reconstructing and reinterpreting what I had seen, re-creating that woman, fixing her in the posture that had bewitched me, her white feet together, one leg drawn up, one leg flat and bent, remaking her face, her smile, touching the whole picture with the mood of the Joan Baez songs and all that they had released in me, and adding to it this extra mood of moonlight, the rapids, and the white hyacinths of this great river of Africa.
It was on that evening, by the river, after he had spoken about Raymond, that Indar began to tell me about himself. The evening that had excited me had enervated and depressed him; he had become irritable as soon as we had left Yvette's house. Earlier in the evening, as we had walked across to the house for the party, he had spoken of Raymond as a star, someone close to power, the Big Man's white man; but then, by the rapids, he had spoken of Raymond in quite another way. As my guide Indar had been anxious for me truly to understand the nature of life on the Domain, and his own position there. Now that I had seized the glamour of his world he was like a guide who had lost faith in what he showed. Or like a man who, because he had got someone else to believe, had felt he could let go of some of his own faith. The moonlight that made me light-headed deepened his depression, and it was out of this depression that he began to speak. The mood of the evening didn't stay with him, though; the next day he had bounced back, and was like the man he had always been. But he was more ready to acknowledge his depression when it came; and what he outlined that evening he returned to and filled in at other times, when the occasion suited, or when he drifted back to that earlier mood. "We have to learn to trample on the past, Salim. I told you that when we met. It shouldn't be a cause for tears, because it isn't just true for you and me. There may be some parts of the world--dead countries, or secure and by-passed ones--where men can cherish the past and think of passing on furniture and china to their heirs. Men can do that perhaps in Sweden or Canada. Some peasant department of France full of half-wits in ch�aux; some crumbling Indian palace-city, or some dead colonial town in a hopeless South American country. Everywhere else men are in movement, the world is in movement, and the past can only cause pain. "It isn't easy to turn your back on the past. It isn't something you can decide to do just like that. It is something you have to arm yourself for, or grief will ambush and destroy you. That is why I hold on to the image of the garden trampled until it becomes ground--it is a small thing, but it helps. That perception about the past came to me at the end of my third year in England. And oddly enough, it came to me beside another river. You've told me that I've led you here to the kind of life you've always felt you needed. It was something like that, too, that I began to feel beside that river in London. I made a decision about myself then. And it was as an indirect result of that decision that I came back to Africa. Though when I left it was my intention never to return. "I was very unhappy when I left. You remember that. I tried to depress you--in fact, I tried to wound you--but that was only because I was myself so depressed. The thought of the work of two generations going to waste--it was very painful. The thought of losing that house built by my grandfather, the thought of the risks he and my father had taken to build up a business from nothing, the bravery, the sleepless nights--it was all very painful. In another country such effort and such talent would have made us millionaires, aristocrats, or at any rate secure for some generations. There it was all going up in smoke. My rage wasn't only with the Africans. It was also with our community and our civilization, which gave us energy but in every other way left us at the mercy of others. How do you rage against a thing like that? "I thought when I went to England I would put all that behind me. I had no plans beyond that. The word 'university' dazzled me, and I was innocent enough to believe that after my time in the university some wonderful life would be waiting for me. At that age three years seems a long time--you feel that anything can happen. But I hadn't understood to what extent our civilization had also been our prison. I hadn't understood either to what extent we had been made by the place where we had grown up, made by Africa and the simple life of the coast, and how incapable we had become of understanding the outside world. We have no means of understanding a fraction of the thought and science and philosophy and law that have gone to make that outside world. We simply accept it. We have grown up paying tribute to it, and that is all that most of us can do. We feel of the great world that it is simply there, something for the lucky ones among us to explore, and then only at the edges. It never occurs to us that we might make some contribution to it ourselves. And that is why we miss everything. "When we land at a place like London Airport we are concerned only not to appear foolish. It is more beautiful and more complex than anything we could have dreamed of, but we are concerned only to let people see that we can manage and are not overawed. We might even pretend that we had expected better. That is the nature of our stupidity and incompetence. And that was how I spent my time at the university in England, not being overawed, always being slightly disappointed, understanding nothing, accepting everything, getting nothing. I saw and understood so little that even at the end of my time at the university I could distinguish buildings only by their size, and I was hardly aware of the passing of the seasons. And yet I was an intelligent man, and could cram for examinations. "In the old days, after three years like that, and with some scraped-through degree, I would have returned home and hung up my board and devoted myself to the making of money, using the little half-skill I had picked up, the half-knowledge of other men's books. But of course I couldn't do that. I had to stay where I was and I had to get a job. I hadn't acquired a profession, you understand; nothing at home had pushed me in that direction. "For some time the boys of my year at the university had been talking of jobs and interviews. The more precocious ones had even been talking about the interview expenses various companies paid. In the porter's lodge the pigeonholes of these boys were full of long brown envelopes from the University Appointments Committee. The dimmest boys were naturally the ones with the most varied prospects; they could be anything; and in their pigeonholes the brown envelopes fell as thick as autumn leaves. That was my attitude to those adventurous boys--slightly mocking. I had to get a job, but I never thought of myself as someone who would have to go through the brown-envelope adventure. I don't know why; I just didn't; and then, almost at the end of my time, with bewilderment and shame I realised that I had. I made an appointment with the Appointments Committee and on the morning put on a dark suit and went. "As soon as I got there I knew my errand was fruitless. The Committee was meant to put English boys in English jobs; it wasn't meant for me. I realised that as soon as I saw the look on the face of the girl in the outer office. But she was nice, and the dark-suited man inside was also nice. He was intrigued by my African background, and after a little talk about Africa he said, 'And what can this great organization do for you?' I wanted to say, 'Couldn't you send me some brown envelopes too?' But what I said was: 'I was hoping you would tell me.' He seemed to find this funny. He took down my details, for the form of the thing; and then he tried to get a conversation going, senior dark suit to junior dark suit, man to man. "He had little to tell me, though. And I had less to tell him. I had hardly looked at the world. I didn't know how it worked or what I might do in it. After my three unamazed student years, I was overwhelmed by my ignorance; and in that quiet little office full of peaceful files I began to think of the world outside as a place of horror. My dark-suited interviewer became impatient. He said, 'Good heavens, man! You must give me some guidance. You must have some idea of the kind of job you see yourself doing.' "He was right, of course. But that 'Good heavens, man!' seemed to me affected, something he might have picked up in the past from someone his senior and was now throwing at me as someone lesser. I became angry. The idea came to me that I should fix him with a look of the utmost hostility and say, 'The job I want is your job. And I want your job because you enjoy it so much.' But I didn't speak the words; I didn't speak any words at all; I just gave him the hostile look. So our interview ended inconclusively. "I became calmer outside. I went to the cafe where I used to go for coffee in the mornings. As a consolation, I bought myself a piece of chocolate cake as well. But then, to my surprise, I found I wasn't consoling myself; I was celebrating. I found I was positively happy to be in the cafe in the middle of the morning, drinking coffee and eating cake, while my tormentor fussed about with his brown envelopes in his office. It was only escape, and it couldn't last long. But I remember that half hour as one of pure happiness. "After this I didn't expect anything from the Appointments Committee. But the man was, after all, a fair man; a bureaucracy is a bureaucracy; and a couple of brown envelopes did arrive for me, unseasonably, not as part of the autumn rush, choking the pigeonholes in the porter's lodge, but like the last dead leaves of the year, torn away by the gales of January. An oil company, and two or three other large companies with connections in Asia or Africa. With each job description I read, I felt a tightening of what I must call my soul. I found myself growing false to myself, acting to myself, convincing myself of my rightness for whatever was being described. And this is where I suppose life ends for most people, who stiffen in the attitudes they adopt to make themselves suitable for the jobs and lives that other people have laid out for them. "None of those jobs came my way. There again I found myself amusing my interviewers unintentionally. Once I said, 'I don't know anything about your business, but I can put my mind to it.' For some reason this brought the house down--in this case it was a three-man board. They laughed, the oldest man leading the laughter and in the end even wiping away tears; and they dismissed me. With each rejection came a feeling of relief; but with each rejection I became more anxious about the future. "Once a month or so I had lunch with a woman lecturer. She was about thirty, not bad-looking, and very kind to me. She was unusual because she was so much at peace with herself. That was why I liked her. It was she who made me do the absurd thing I am now going to describe. "This lady had the idea that people like myself were at sea because we were men of two worlds. She was right, of course. But at the time it didn't seem so to me--I thought I saw everything very clearly--and I thought she had got the idea from some young man from Bombay or thereabouts who was trying to make himself interesting. But this lady also thought that my education and background made me extraordinary, and I couldn't fight the idea of my extraordinariness. "An extraordinary man, a man of two worlds, needed an extraordinary job. And she suggested I should become a diplomat. That was what I decided to do, and the country I decided to serve--since a diplomat has to have a country--was India. It was absurd; I knew it was absurd, even while I was doing it; but I wrote a letter to the Indian High Commission. I got a reply, and was given an appointment. "I went up to London by train. I didn't know London very well, and didn't like what I knew; and I liked it less that morning. There was Praed Street with its pornographic bookshops that didn't deal in real pornography; there was the Edgware Road, where the shops and restaurants seemed continually to be changing hands; there were the shops and crowds of Oxford Street and Regent Street. The openness of Trafalgar Square gave me a lift, but it reminded me that I was almost at the end of my journey. And I had begun to be very embarrassed by my mission. "The bus took me down the Strand and dropped me at the curve of the Aldwych, and I crossed the road to the building that had been pointed out to me as India House. How could I have missed it, with all the Indian motifs on the outside wall? At this stage my embarrassment was acute. I was in my dark suit and my university tie, and I was entering a London building, an English building, which pretended to be of India--an India quite different from the country my grandfather had spoken about. "For the first time in my life I was filled with a colonial rage. And this wasn't only a rage with London or England; it was also a rage with the people who had allowed themselves to be corralled into a foreign fantasy. My rage didn't die down when I went inside. There again were the Oriental motifs. The uniformed messengers were English and middle-aged; they clearly had been taken on by the old management, if you can call it that, and were working out their time under the new. I had never felt so involved with the land of my ancestors, and yours, and so far from it. I felt in that building I had lost an important part of my idea of who I was. I felt I had been granted the most cruel knowledge of where I stood in the world. And I hated it. "It was a minor official who had written me. The receptionist spoke to one of the elderly English messengers, and he led me, with no great ceremony and a lot of asthmatic breathing, to a room that contained many desks. At one of these my man was sitting. His desk was bare, and the man himself seemed quite vacant and easy in his mind. He had small, smiling eyes, a superior manner, and he didn't know what I had come about. "In spite of his jacket and tie he wasn't what I was expecting. He wasn't the kind of man I would have worn a dark suit for. I thought he belonged to another kind of office, another kind of building, another kind of city. His name was the name of his merchant caste, and it was easy for me to imagine him in a dhoti reclining against a bolster in a cloth shop in a bazaar lane, with his feet bare, and his fingers massaging his toes, rubbing off the dead skin. He was the kind of man who would say, 'Shirtings? You want shirtings?' and, barely moving his back from the bolster, would throw a bolt of cloth across the sheet spread on the floor of his stall. "It wasn't shirtings that he flung across the desk at me, but my letter, the letter he had written himself, which he had asked to see. He understood that I was looking for a job and his small eyes twinkled with amusement. I felt very shabby in my suit. He said, 'You had better go and see Mr. Verma.' The English messenger, breathing heavily, and seeming to choke with every breath, led me to another office. And there he abandoned me. "Mr. Verma wore horn-rimmed glasses. He sat in a less crowded office and he had many papers and folders on his desk. On the walls there were photographs, from the British days, of Indian buildings and Indian landscapes. Mr. Verma looked more worried than the first man. He was higher in the service; and he had probably taken the name Verma to conceal his caste origins. He was puzzled by my letter; but he was also made uneasy by my dark suit and university tie and he attempted in a half-hearted way to interview me. The telephone rang a lot and our interview never got going. At one stage, after talking on the telephone, Mr. Verma left me and went out of the room. He was away for a while and when he came back, with some papers, he seemed surprised to see me. He told me then that I should go to an office on another floor; and, giving me real attention for the first time, told me how to get there. "The room I knocked at turned out to be a dark little antechamber, with a small man sitting before an old-fashioned standard typewriter with a wide carriage. He looked at me with something like terror--it was the effect of my dark suit and the tie, my man-of-two-worlds garb--and he calmed down only when he had read my letter. He asked me to wait. There was no chair. I remained standing. "A buzzer rang, and the typist-secretary jumped. He seemed, after this jump, to land on the tips of his toes; he very quickly drew his shoulders up and then down into a kind of cringe, making himself smaller than he already was; and with a curious long tiptoeing stride, a lope, he reached the great wooden doors that separated us from the room on the other side. He knocked, opened; and with his hunched gait, his prepared cringe, disappeared. "My wish for the diplomatic life had by now vanished. I studied the large framed photographs of Gandhi and Nehru and wondered how, out of squalor like this, those men had managed to get themselves considered as men. It was strange, in that building in the heart of London, seeing those great men in this new way, from the inside, as it were. Up till then, from the outside, without knowing more of them than I had read in newspapers and magazines, I had admired them. They belonged to me; they ennobled me and gave me some place in the world. Now I felt the opposite. In that room the photographs of those great men made me feel that I was at the bottom of a well. I felt that in that building complete manhood was permitted only to those men and denied to everybody else. Everyone had surrendered his manhood, or a part of it, to those leaders. Everyone willingly made himself smaller the better to exalt those leaders. These thoughts surprised and pained me. They were more than heretical. They destroyed what remained of my faith in the way the world was ordered. I began to feel cast out and alone. "When the secretary came back to the room, I noticed that he still walked on tiptoe, still cringed, still leaned forward. I saw then that what had looked like a cringe, that humping of the shoulders as he had jumped off his chair and loped across to the door, wasn't something he had put on, but was natural. He was a hunchback. This was a shock. I began confusedly to think back to my earlier impressions of the man, and I was in a state of confusion when he motioned me through the door into the inner office, where a fat black man in a black suit, one of our black Indians, was sitting at a big black table, opening envelopes with a paper knife. "His shiny cheeks were swollen with fat and his lips appeared to pout. I sat down on a chair placed some distance away from his desk. He didn't look up at me and he didn't speak. And I didn't speak; I let him open his letters. Not an hour's exercise had he taken in his life, this devout man of the South. He reeked of caste and temple, and I was sure that below that black suit he wore all kinds of amulets. "At last, but still not looking up, he said, 'So?' "I said, 'I wrote in about joining the diplomatic service. I had a letter from Aggarwal and I came to see him.' "Opening his letters, he said, '_Mister__ Aggarwal.' "I was glad he had found something we might fight about. " 'Aggarwal didn't seem to know too much. He sent me to Verma.' "He almost looked at me. But he didn't. He said, 'Mister Verma.' " 'Verma didn't know too much either. He spent a long time with someone called Divedi.' " 'Mister Divedi.' "I gave up. He could outplay me. I said, wearily, 'And he sent me to you.' " 'But you say in your letter you are from Africa. How can you join our diplomatic service? How can we have a man of divided loyalties?' "I thought: How dare you lecture me about history and loyalty, you slave? We have paid bitterly for people like you. Who have you ever been loyal to, apart from yourself and your family and your caste? "He said, 'You people have been living the good life in Africa. Now that things have got a little rough you want to run back. But you must throw in your lot with the local people.' "That was what he said. But I don't have to tell you that what he was really talking about was his own virtue and good fortune. For himself the purity of caste, arranged marriage, the correct diet, the services of the untouchables. For everybody else, pollution. Everybody else was steeped in pollution, and had to pay the price. It was like the message of the photographs of Gandhi and Nehru in the room outside. "He said, 'If you become a citizen of India, there are the examinations. We have arranged for them to be taken at some of the universities here. Mr. Verma should have told you. He shouldn't have sent you to me.' "He pressed a buzzer on his desk. The door opened, and the hunchback secretary sent in a tall, thin man with bright, anxious eyes and a genuine cringe. The new man carried an artist's zip-up portfolio, and he had a long green woollen scarf wound about his neck, although the weather was warm. Without reference to me, with eyes only for the black man, he unzipped his portfolio and began taking out drawings. He held them one by one against his chest, giving the black man an anxious open-mouthed smile every time, and then looking down at what he was showing, so that, with his head bowed over his drawings, and with the cringe that was already there, he looked like a man doing penance, displaying one sin after another. The black man didn't look at the artist, only at the drawings. They were of temples and of smiling women picking tea--perhaps for some window display about the new India. "I had been dismissed. The hunchback secretary, tense over his old, big typewriter, but not typing, his bony hands like crabs on the keys, gave me one last look of terror. This time, though, in his look I thought there was also a question: 'Do you understand now about me?' "Walking down the steps, surrounded by the motifs of imperial India, I saw Mr. Verma, away from his desk again, and with more papers; but he had forgotten me. The idle merchant-caste man in the office downstairs remembered me, of course. I received his mocking smile, and then I went out through the revolving door into the London air. "My crash course in diplomacy had lasted a little over an hour. It was past twelve, too late for the comfort of coffee and cake, as a sign in a snack bar reminded me. I set to walking. I was full of rage. I followed the curve of Aldwych to the end, crossed the Strand, and went down to the river. "As I walked, the thought came to me: It is time to go home. It wasn't our town that I thought of, or our stretch of the African coast. I saw a country road lined with tall shade trees. I saw fields, cattle, a village below trees. I don't know what book or picture I had got that from, or why a place like that should have seemed to me safe. But that was the picture that came to me, and I played with it. The mornings, the dew, the fresh flowers, the shade of the trees in the middle of the day, the fires in the evening. I felt I had known that life, and that it was waiting for me again somewhere. It was fantasy, of course. "I awakened to where I was. I was walking on the Embankment, beside the river, walking without seeing. On the Embankment wall there are green metal lamp standards. I had been examining the dolphins on the standards, dolphin by dolphin, standard by standard. I was far from where I had started, and I had momentarily left the dolphins to examine the metal supports of the pavement benches. These supports, as I saw with amazement, were in the shape of camels. Camels and their sacks! Strange city: the romance of India in that building, and the romance of the desert here. I stopped, stepped back mentally, as it were, and all at once saw the beauty in which I had been walking--the beauty of the river and the sky, the soft colours of the clouds, the beauty of light on water, the beauty of the buildings, the care with which it had all been arranged. "In Africa, on the coast, I had paid attention only to one colour in nature--the colour of the sea. Everything else was just bush, green and living, or brown and dead. In England so far I had walked with my eyes at shop level; I had seen nothing. A town, even London, was just a series of streets or street names, and a street was a row of shops. Now I saw differently. And I understood that London wasn't simply a place that was there, as people say of mountains, but that it had been made by men, that men had given attention to details as minute as those camels. "I began to understand at the same time that my anguish about being a man adrift was false, that for me that dream of home and security was nothing more than a dream of isolation, anachronistic and stupid and very feeble. I belonged to myself alone. I was going to surrender my manhood to nobody. For someone like me there was only one civilization and one place--London, or a place like it. Every other kind of life was make-believe. Home--what for? To hide? To bow to our great men? For people in our situation, people led into slavery, that is the biggest trap of all. We have nothing. We solace ourselves with that idea of the great men of our tribe, the Gandhi and the Nehru, and we castrate ourselves. 'Here, take my manhood and invest it for me. Take my manhood and be a greater man yourself, for my sake!' No! I want to be a man myself. "At certain times in some civilizations great leaders can bring out the manhood in the people they lead. It is different with slaves. Don't blame the leaders. It is just part of the dreadfulness of the situation. It is better to withdraw from the whole business, if you can. And I could. You may say--and I know, Salim, that you have thought it--that I have turned my back on my community and sold out. I say: 'Sold out to what and from what? What do you have to offer me? What is your own contribution? And can you give me back my manhood?' Anyway, that was what I decided that morning, beside the river of London, between the dolphins and the camels, the work of some dead artists who had been adding to the beauty of their city. "That was five years ago. I often wonder what would have happened to me if I hadn't made that decision. I suppose I would have sunk. I suppose I would have found some kind of hole and tried to hide or pass. After all, we make ourselves according to the ideas we have of our possibilities. I would have hidden in my hole and been crippled by my sentimentality, doing what I was doing, and doing it well, but always looking for the wailing wall. And I would never have seen the world as the rich place that it is. You wouldn't have seen me here in Africa, doing what I do. I wouldn't have wanted to do it, and no one would have wanted me to do it. I would have said: 'It's all over for me, so why should I let myself be used by anybody? The Americans want to win the world. It's their fight, not mine.' And that would have been stupid. It is stupid to talk of _the__ Americans. They are not a tribe, as you might think from the outside. They're all individuals fighting to make their way, trying as hard as you or me not to sink. "It wasn't easy after I left the university. I still had to get a job, and the only thing I knew now was what I didn't want to do. I didn't want to exchange one prison for another. People like me have to make their own jobs. It isn't something that's going to come to you in a brown envelope. The job is there, waiting. But it doesn't exist for you or anyone else until you discover it, and you discover it because it's for you and you alone. "I had done a little acting at the university--that had begun with a walk-on part in a little film somebody had made about a boy and girl walking in a park. I fell in with the remnants of that group in London and began to do a certain amount of acting. Not in any important way. London is full of little theatrical groups. They write their own plays, and they get grants from firms and local councils here and there. A lot of them live on the dole. Sometimes I played English parts, but usually they wrote parts for me, so that as an actor I found myself being the kind of person I didn't want to be in real life. I played an Indian doctor visiting a dying working-class mother; I did another Indian doctor who had been charged with rape; I was a bus conductor no one wanted to work with. And so on. Once I did Romeo. Another time there was an idea of rewriting _The Merchant of Venice__ as _The Malindi Banker__, so that I could play Shylock. But it became too complicated. "It was a bohemian life, and it was attractive at first. Then it became depressing. People dropped out and took jobs and you understood that they had had pretty solid connections all along. That was always a letdown, and there were times during those two years when I felt lost and had to fight hard to hold on to that mood that had come to me beside the river. Among all those nice people I was the only real dropout. And I didn't want to be a dropout at all. I'm not running these people down. They did what they could to make room for me, and that is more than any outsider can say for us. It's a difference in civilization. "I was taken one Sunday to lunch at the house of a friend of a friend. There was nothing bohemian about the house or the lunch, and I discovered that I had been invited for the sake of one of the other guests. He was an American and he was interested in Africa. He spoke about Africa in an unusual way. He spoke of Africa as though Africa was a sick child and he was the parent. I later became very close to this man, but at that lunch he irritated me and I was rough with him. This was because I had never met that kind of person before. He had all this money to spend on Africa, and he desperately wanted to do the right thing. I suppose the idea of all that money going to waste made me unhappy. But he also had the simplest big-power ideas about the regeneration of Africa. "I told him that Africa wasn't going to be saved or won by promoting the poems of Yevtushenko or by telling the people about the wickedness of the Berlin Wall. He didn't look too surprised. He wanted to hear more, and I realised I had been invited to the lunch to say the things I had been saying. And it was there that I began to understand that everything which I had thought had made me powerless in the world had also made me of value, and that to the American I was of interest precisely because I was what I was, a man without a side. "That was how it began. That was how I became aware of all the organizations that were using the surplus wealth of the Western world to protect that world. The ideas I put forward, aggressively at that lunch, and more calmly and practically later, were quite simple ones. But they could only have come from someone like myself, someone of Africa, but with no use at all for the kind of freedom that had come to Africa. "My idea was this. Everything had conspired to push black Africa into every kind of tyranny. As a result Africa was full of refugees, first-generation intellectuals. Western governments didn't want to know, and the old Africa hands were in no position to understand--they were still fighting ancient wars. If Africa had a future, it lay with those refugees. My idea was to remove them from the countries where they couldn't operate and send them, if only for a little while, to those parts of the continent where they could. A continental interchange, to give the men themselves hope, to give Africa the better news about itself, and to make a start on the true African revolution. "The idea has worked beautifully. Every week we get requests from one university or the other where they would like to keep some kind of intellectual life going without getting involved in local politics. Of course, we've attracted the usual freeloaders, black and white, and we've run into trouble with the professional anti-Americans. But the idea is good. I don't feel I have to defend it. Whether it's doing any good as of now is another matter. And perhaps we don't have the time. You've seen the boys at the Domain here. You've seen how bright they are. But they only want jobs. They'll do anything for that, and that's where it may all end. There are times when I feel that Africa will simply have its own way--hungry men are hungry men. And that is when I can get very low. "To work for an outfit like this is to live in a construct--you don't have to tell me that. But all men live in constructs. Civilization is a construct. And this construct is my own. Within it, I am of value, just as I am. I have to put nothing on. I exploit myself. I allow no one to exploit me. And if it folds, if tomorrow the people at the top decide we're getting nowhere, I've now learned that there are other ways in which I might exploit myself. "I'm a lucky man. I carry the world within me. You see, Salim, in this world beggars are the only people who can be choosers. Everyone else has his side chosen for him. I can choose. The world is a rich place. It all depends on what you choose in it. You can be sentimental and embrace the idea of your own defeat. You can be an Indian diplomat and always be on the losing side. It's like banking. It is stupid setting up as a banker in Kenya or the Sudan. That was more or less what my family did on the coast. What do the banks say in their annual reports about those places? That many of the people are 'outside the monetary sector'? You're not going to be a Rothschild there. The Rothschilds are what they are because they chose Europe at the right time. The other Jews, just as talented, who went to bank for the Ottoman Empire, in Turkey or Egypt or wherever, didn't do so well. Nobody knows their names. And that's what we've been doing for centuries. We've been clinging to the idea of defeat and forgetting that we are men like everybody else. We've been choosing the wrong side. I'm tired of being on the losing side. I don't want to pass. I know exactly who I am and where I stand in the world. But now I want to win and win and win."
Indar had begun his story at the end of that evening at Raymond and Yvette's. He had added to it at different times later. He had begun his story on the first evening I had seen Yvette, and whenever I saw Yvette afterwards she was in his company. I had trouble with both their personalities: I could pin down neither. In my mind I had my own picture of Yvette, and this never varied. But the person I saw, at different times of day, in different kinds of light and weather, in circumstances so different from those in which I had first seen her, was always new, always a surprise. I was nervous of looking at her face--I was becoming obsessed with her. And Indar too began to change for me. His personality too had a dissolving quality. As he filled in his story he became in my eyes quite unlike the man who had presented himself in my shop many weeks before. In his clothes then I had seen London and privilege. I had seen that he was fighting to keep up his style, but I hadn't thought of his style as something he had created for himself. I had seen him more as a man touched by the glamour of the great world; and I had thought that given the chance to be in his world, I, too, would have been touched by the same glamour. In those early days I had often wanted to say to him: "Help me to get away from this place. Show me how to make myself like you." But that wasn't so now. I could no longer envy his style or his stylishness. I saw it as his only asset. I felt protective towards him. I felt that since that evening at Yvette's--the evening which had lifted me up but cast him down--we had exchanged roles. I no longer looked on him as my guide; he was the man who needed to be led by the hand. That perhaps was the secret of his social success which I had envied. My wish--which must have been like the wish of the people in London he had told me about, who had made room for him--was to clear away the aggressiveness and the depression that choked the tenderness I knew was there. I was protective towards him and towards his stylishness, his exaggerations, his delusions. I wished to keep all those from hurt. It saddened me that in a little while he would have to leave, to carry on with his lecturer's duties elsewhere. That was what, from his story, I judged him to be--a lecturer, as uncertain of his future in this role as he had been in his previous roles. The only friends in the town I had introduced him to were Shoba and Mahesh. They were the only people I thought he would have had something in common with. But that hadn't worked. There was suspicion on both sides. These three people were in many ways alike--renegades, concerned with their personal beauty, finding in that beauty the easiest form of dignity. Each saw the other as another version of himself; and they were like people--Shoba and Mahesh on one side, Indar on the other--sniffing out the falseness in one another, At lunch in their flat one day--a good lunch: they had gone to a lot of trouble: silver and brass polished, the curtains drawn to keep out the glare, the three-stemmed standard lamp lighting up the Persian carpet on the wall--Shoba asked Indar, "Is there any money in what you do?" Indar had said, "I get by." But outside, in the sunlight and red dust, he raged. As we drove back to the Domain, his home, he said, "Your friends don't know who I am or what I've done. They don't even know where I've been." He wasn't referring to his travels; he meant they hadn't appreciated the kind of battles he had fought. "Tell them that my value is the value I place on myself. There is no reason why it couldn't be fifty thousand dollars a year, a hundred thousand dollars a year." That was his mood as his time at the Domain came to an end. He was more easily irritated and depressed. But for me, even during those racing days, the Domain remained a place of possibility. I was looking for a repeat of the evening I had had--the mood of the Joan Baez songs, reading lamps and African mats on the floor, a disturbing woman in black slacks, a walk to the rapids below a moon and drifting cloud. It began to feel like fantasy; I kept it secret from Indar. And Yvette, whenever I saw her, in harsher electric light or ordinary daylight, confounded me again and again, so different from what I remembered. The days passed; the polytechnic term was over. Indar said goodbye abruptly one afternoon, like a man who didn't want to make too much fuss about a goodbye; he didn't want me to see him off. And I felt that the Domain, and the life there, had been closed to me forever. Ferdinand too was going away. He was going to the capital to take up his administrative cadetship. And it was Ferdinand whom I went to see off on the steamer at the end of the term. The hyacinths of the river, floating on: during the days of the rebellion they had spoken of blood; on heavy afternoons of heat and glitter they had spoken of experience without savour; white in moonlight, they had matched the mood of a particular evening. Now, lilac on bright green, they spoke of something over, other people moving on.
The steamer had arrived the previous afternoon with its passenger barge in tow. It hadn't brought Zabeth and her dugout. Ferdinand hadn't wanted her to be there. I had told Zabeth this was only because Ferdinand was at the age when he wanted to appear quite independent. And this was true up to a point. The journey to the capital was important to Ferdinand; and because it was important, he wished to play it down. He had always seen himself as important. But this was part of the new unsurprised attitude to himself that he had developed. From dugout to a first-class cabin on the steamer, from a forest village to the polytechnic to an administrative cadetship--he had leapt centuries. His passage hadn't always been easy; during the rebellion he had wanted to run away and hide. But he had since learned to accept all sides of himself and all sides of the country; he rejected nothing. He knew only his country and what it offered; and all that his country offered him he wished now to take as his due. It was like arrogance; but it was also a form of ease and acceptance. He was at home in every setting, he accepted every situation; and he was himself everywhere. That was what he demonstrated that morning when I picked him up from the Domain to drive him to the dock. The change from the Domain to the shanty settlements outside--with their scattered plantings of maize, their runnels of filth and mounds of sifted rubbish--jarred more on me than on him. I would have preferred, being with him, and thinking of his pride, to ignore them; he spoke about them, not critically, but seeing them as part of his town. At the Domain, saying goodbye to people he knew, he had behaved like the administrative cadet; with me in the car he had been like an old friend; and then outside the dock gates he had become a reasonably happy, and patient, member of an African crowd, taken with the market bustle. _Miscerique probat populos et foedera jungi__. I had long since ceased to reflect on the vainglory of the words. The monument had only become part of the market scene on steamer days. Through that crowd we now began to make our way, accompanied by an old man, feebler than either of us, who had taken possession of Ferdinand's suitcases. Basins of grubs and caterpillars; baskets of trussed-up hens, squawking when they were lifted by one wing by the vendor or a prospective buyer; dull-eyed goats on the bare, scuffed ground, chewing at rubbish and even paper; damp-haired young monkeys, full of misery, tethered tightly around their narrow waists and nibbling at peanuts and banana skin and mango skin, but nibbling without relish, as though they knew that they themselves were soon to be eaten. Nervous passengers from the bush, barge passengers, travelling from one far-off village to another, and being seen off by families or friends; the established vendors in their established places (two or three at the foot of the monument), with their box seats, cooking stones, pots and pans, bundles, babies; idlers, cripples and scroungers. And officials. There were many more officials nowadays, and most of them appeared to be active in this area on steamer days. Not all of them were in police or army uniform, and not all of them were men. In the name of his dead mother, the hotel maid, "the woman of Africa," as he called her in his speeches, the President had decided to honour as many women as possible; and he had done so by making them government servants, not always with clear duties. Ferdinand and myself and the porter made a noticeable group (Ferdinand much taller than the men of the region), and we were stopped about half a dozen times by people who wanted to see our papers. Once we were stopped by a woman in a long African-style cotton dress. She was as small as her sisters who poled the dugouts in village creeks, and fetched and carried; her head was as hairless and looked as shaved; but her face had plumped out. She spoke to us roughly. She held Ferdinand's steamer tickets (one for the fare, one for the food) upside down when she examined them; and she frowned. Ferdinand's face registered nothing. When she gave him back the tickets he said, "Thank you, _citoyenne__." He spoke without irony; the woman's frown was replaced by a smile. And that seemed to have been the main point of the exercise--the woman wanted to be shown respect and to be called _citoyenne__. _Monsieur__ and _madame__ and _boy__ had been officially outlawed; the President had decreed us all to be _citoyens__ and _citoyennes__. He used the two words together in his speeches, again and again, like musical phrases. We moved through the waiting crowd--people made room for us simply because we were moving--to the dock gates. And there our porter, as though knowing what was to follow, dropped his load, asked for a lot of francs, quickly settled for less, and bolted. The gates, for no reason, were closed against us. The soldiers looked at us and then looked away, refusing to enter into the palaver Ferdinand and I tried to get going. For half an hour or more we stood there in the crowd, pressed against the gate, in the stinging sun, in the smell of sweat and smoked food; and then, for no apparent reason, one of the soldiers opened the gate and let us in, but just us, not anyone behind, as though, in spite of Ferdinand's tickets and my own dock pass, he was doing us a great favour. The steamer was still pointing towards the rapids. The white superstructure, with the first-class cabins, just visible above the customs-shed roof, was at the stern end of the steamer. On the steel-plated deck below, just a few feet above the water, a range of iron-clad barrack-like structures ran all the way to the rounded bow. The iron barracks were for the lesser passengers. And for passengers who were least of all there was the barge--tiers of cages on a shallow iron hull, the cages wire-netted and barred, the wire netting and bars dented and twisted, the internal organization of the cages hidden, lost in gloom, in spite of the sunlight and the glitter of the river. The first-class cabins still suggested luxury. The iron walls were white; the timbered decks were scrubbed and tarred. The doors were open; there were curtains. There were stewards and even a purser. I said to Ferdinand, "I thought those people down there were going to ask you for your certificate of civic merit. In the old days you had to have one before they let you up here." He didn't laugh, as an older man might have done. He didn't know about the colonial past. His memories of the larger world began with the mysterious day when mutinous soldiers, strangers, had come to his mother's village looking for white people to kill, and Zabeth had frightened them off, and they had taken away only a few of the village women. To Ferdinand the colonial past had vanished. The steamer had always been African, and first class on the steamer was what he could see now. Respectably dressed Africans, the older men in suits, the evolved men of an earlier generation; some women with families, everyone dressed up for the journey; one or two of the old ladies of such families, closer to the ways of the forest, already sitting on the floor of their cabins and preparing lunch, breaking the black hulls of smoked fish and smoked monkeys into enamel plates with coloured patterns, and releasing strong, salty smells. Rustic manners, forest manners, in a setting not of the forest. But that was how, in our ancestral lands, we all began--the prayer mat on the sand, then the marble floor of a mosque; the rituals and taboos of nomads, which, transferred to the palace of a sultan or a ma-haraja, become the traditions of an aristocracy. Still, I would have found the journey hard, especially if, like Ferdinand, I had to share a cabin with someone else, someone in the crowd outside who had not yet been let in. But the steamer was not meant for me or--in spite of the colonial emblems embroidered in red on the frayed, much laundered sheets and pillowcase on Ferdinand's bunk--for the people who had in the old days required certificates of civic merit, with good reason. The steamer was now meant for the people who used it, and to them it was very grand. The people on Ferdinand's deck knew they were not passengers on the barge. From the rear end of the deck, looking past the lifeboats, we could see people going aboard the barge with their crates and bundles. Above the roof of the customs sheds the town showed mainly as trees or bush--the town which, when you were in it, was full of streets and open spaces and sun and buildings. Few buildings showed through the trees and none rose above them. And from the height of the first-class deck you could see--from the quality of the vegetation, the change from imported ornamental trees to undifferentiated bush--how quickly the town ended, what a narrow strip of the riverbank it occupied. If you looked the other way, across the muddy river to the low line of bush and the emptiness of the other bank, you could pretend that the town didn't exist. And then the barge on this bank was like a miracle, and the cabins of the first-class deck an impossible luxury. At either end of that deck was something even more impressive--a _cabine de luxe__. That was what the old, paint-spattered metal plates above the doors said. What did these two cabins contain? Ferdinand said, "Shall we have a look?" We went into the one at the back. It was dark and very hot; the windows were sealed and heavily curtained. A baking bathroom; two armchairs, rather beaten up, and one with an arm missing, but still armchairs; a table with two shaky chairs; sconces with bulbs missing; torn curtains screening off the bunks from the rest of the cabin; and an air conditioner. Who, in that crowd outside, had such a ridiculous idea of his needs? Who required such privacy, such cramping comforts? From the forward end of the deck came the sound of a disturbance. A man was complaining loudly, and he was complaining in English. Ferdinand said, "I think I hear your friend." It was Indar. He was carrying an unusual load, and he was sweating and full of anger. With his forearms held out at the horizontal--like the fork of a fork-lift truck--he was supporting a shallow but very wide cardboard box, open at the top, on which he could visibly get no grip. The box was heavy. It was full of groceries and big bottles, ten or twelve bottles; and after the long walk from the dock gates and up all the steamer steps, Indar seemed to be at the end of all physical resource and on the verge of tears. With a backward lean he staggered into the _cabine de luxe__, and I saw him drop--almost throw--the cardboard box on the bunk. And then he began to do a little dance of physical agony, stamping about the cabin and flexing his arms violently from the elbows down, as though to shake out the ache from all kinds of yelping muscles. He was overdoing the display, but he had an audience. Not me, whom he had seen but was yet in no mood to acknowledge. Yvette was behind him. She was carrying his briefcase. He shouted at her, with the security that the English language gave him here, "The suitcase--is the bugger bringing the suitcase?" She looked sweated and strained herself, but she said soothingly, "Yes, yes." And a man in a flowered shirt whom I had taken to be a passenger appeared with the suitcase. I had seen Indar and Yvette together many times, but never in such a domestic relationship. For a dislocating moment the thought came to me that they were going away together. But then Yvette, straightening up, and remembering to smile, said to me, "Are you seeing someone _off__ too?" And I understood that my anxiety was foolish. Indar was now squeezing his biceps. Whatever he had planned for this moment with Yvette had been destroyed by the pain of the cardboard box. He said, "They had no carrier bags. They had no bloody carrier bags." I said, "I thought you had taken the plane." "We waited for hours at the airport yesterday. It was always coming and coming. Then at midnight they gave us a beer and told us that the plane had been taken out of service. Just like that. Not delayed. Taken away. The Big Man wanted it. And no one knows when he is going to send it back. And then buying this steamer ticket--have you ever done that? There are all kinds of rules about when they can sell and when they can't sell. The man is hardly ever there. The damned door is always locked. And every five yards somebody wants to see your papers. Ferdinand, explain this to me. When the man was totting up the fare, all the de luxe supplements, he worked the sum out twenty times on the adding machine. The same sum, twenty times. Why? Did he think the machine was going to change its mind? That took half an hour. And then, thank God, Yvette reminded me about the food. And the water. So we had to go shopping. Six bottles of Vichy water for the five days. It was all they had--I've come to Africa to drink Vichy water. One dollar and fifty cents a bottle, U. S. Six bottles of red wine, the acid Portuguese stuff you get here. If I had known I would have to carry it all in that box, I would have done without it." He had also bought five tins of sardines, one for each day of the journey, I suppose; two tins of evaporated milk; a tin of Nescaf�a Dutch cheese, some biscuits and a quantity of Belgian honey cake. He said, "The honey cake was Yvette's idea. She says it's full of nourishment." She said, "It keeps in the heat." I said, "There was a man at the lyc�who used to live on honey cake." Ferdinand said, "That's why we smoke nearly everything. Once you don't break the crust it lasts a long time." "But the food situation in this place is appalling," Indar said. "Everything in the shops is imported and expensive. And in the market, apart from the grubs and things that people pick up, all you have are two sticks of this and two ears of that. And people are coming in all the time. How do they make out? You have all this bush, all this rain. And yet there could be a famine in this town." The cabin was more crowded than it had been. A squat barefooted man had come in to introduce himself as the steward of the _cabine de luxe__, and after him the purser had come in, with a towel over one shoulder and a folded tablecloth in his hand. The purser shooed away the steward, spread the tablecloth on the table--lovely old material, but mercilessly laundered. Then he addressed Yvette. "I see that the gentleman has brought his own food and water. But there is no need, madame. We follow the old rules still. Our water is purified. I myself have worked on ocean liners and been to countries all over the world. Now I am old and work on this African steamer. But I am accustomed to white people and know their ways well. The gentleman has nothing to fear, madame. He will be looked after well. I will see that the gentleman's food is prepared separately, and I will serve him with my own hands in his cabin." He was a thin, elderly man of mixed race; his mother or father might have been a mulatto. He had conscientiously used the forbidden words--_monsieur__, _madame__; he had spread a tablecloth. And he stood waiting to be rewarded. Indar gave him two hundred francs. Ferdinand said, "You've given him too much. He called you _monsieur__ and _madame__, and you tipped him. As far as he's concerned, his account has been settled. Now he will do nothing for you." And Ferdinand seemed to be right. When we went down one deck to the bar, the purser was there, leaning against the counter, drinking beer. He ignored all four of us; and he did nothing for us when we asked for beer and the barman said, "_Termin�." If the purser hadn't been drinking, and if another man with three well-dressed women hadn't been drinking at one of the tables, it would have looked convincing. The bar--with a framed photograph of the President in chief's clothes, holding up the carved stick with the fetish--was stripped; the brown shelves were bare. I said to the barman, "_Citoyen__." Ferdinand said, "_Citoyen__." We got a palaver going, and beer was brought from the back room. Indar said, "You will have to be my guide, Ferdinand. You will palaver for me." It was past noon, and very hot. The bar was full of reflected river light, with dancing veins of gold. The beer, weak as it was, lulled us. Indar forgot his aches and pains; a discussion he started with Ferdinand about the farm at the Domain that the Chinese or Taiwanese had abandoned trailed away. My own nervousness was soothed; my mood was buoyant: I would leave the steamer with Yvette. The light was the light of the very early afternoon--everything stoked up, the blaze got truly going, but with a hint of the blaze about to consume itself. The river glittered, muddy water turned to white and gold. It was busy with dugouts with outboard motors, as always on steamer days. The dugouts carried the extravagant names of their "establishments" painted in large letters down their sides. Sometimes, when a dugout crossed a patch of glitter, the occupants were all silhouetted against the glitter; they appeared then to be sitting very low, to be shoulders and round heads alone, so that for a while they were like comic figures in a cartoon strip, engaged on some quite ridiculous journey. A man teetered into the bar on platform shoes with soles about two inches thick. He must have been from the capital; that style in shoes hadn't reached us as yet. He was also an official, come to check our tickets and passes. Not long after he had teetered out, panic appeared to seize the purser and the barman and some of the men drinking at tables. It was this panic that finally distinguished crew and officials, none of them in uniform, from the other people who had come in and palavered for their beer; and it meant only that the steamer was about to leave. Indar put his hand on Yvette's thigh. When she turned to him he said gently, "I'll see what I can find out about Raymond's book. But you know those people in the capital. If they don't reply to your letters, it's because they don't want to reply. They're not going to say yes or no. They're going to say nothing. But I'll see." Their embrace, just before we got off, was no more than formal. Ferdinand was cool. No handshake, no words of farewell. He simply said, "Salim." And to Yvette he gave a nod rather than a bow. We stood on the dock and watched. After some maneuvering the steamer was clear of the dock wall. Then the barge was attached; and steamer and barge did a slow, wide turn in the river, the barge revealing at its stern tiers, slices, of a caged back-yard life, a mixture of kitchens and animal pens. A departure can feel like a desertion, a judgment on the place and people left behind. That was what I had been accustoming myself to since the previous day, when I thought I had said goodbye to Indar. For all my concern for him, I had thought of him--as I had thought of Ferdinand--as the lucky man, the man moving on to richer experience, leaving me to my little life in a place once again of no account. But I didn't think so now, standing with Yvette on the exposed dock, after the accident and luck of that second goodbye, watching the steamer and barge straighten in the brown river, against the emptiness of the far bank, which was pale in the heat and like part of the white sky. The place where it was all going on after all was where we were, in the town on the riverbank. Indar was the man who had been sent away. The hard journey was his.
It was past two, a time when, on sunny days, it hurt to be in the open. We had neither of us had anything to eat--we had only had that bloating beer--and Yvette didn't reject the idea of a snack in a cool place. The asphalt surfacing of the dock area was soft underfoot. Hard black shadows had pulled back to the very edges of buildings, buildings which here on the dock were of the colonial time and substantial--ochre-washed stone walls, green shutters, tall, iron-barred windows, green-painted corrugated-iron roofs. A scratched blackboard outside the closed steamer office still gave the time of the steamer sailing. But the officials had gone; the crowd outside the dock gates had gone. The market around the granite wall of the ruined monument was being dismantled. The feathery leaves of the flamboyant trees made no shade; the sun struck right through. The ground, hummocked around tufts of grass, scuffed to dust elsewhere, was littered with rubbish and animal droppings and patches of wet which, coated and bound on the underside with fine dust, seemed to be curling back on themselves, peeling off the ground. We didn't go to Mahesh's Bigburger bar. I wanted to avoid the complications--Shoba hadn't approved of Yvette's connection with Indar. We went instead to the Tivoli. It wasn't far away, and I hoped that Mahesh's boy Ildephonse wouldn't report. But that was unlikely; it was the time of day when Ildephonse was normally vacant. The Tivoli was a new or newish place, part of our continuing boom, and was owned by a family who had run a restaurant in the capital before independence. Now, after some years in Europe, they had come back to try again here. It was a big investment for them--they had skimped on nothing--and I thought they were taking a chance. But I didn't know about Europeans and their restaurant habits. And the Tivoli was meant for our Europeans. It was a family restaurant, and it served the short-contract men who were working on various government projects in our region--the Domain, the airport, the water supply system, the hydroelectric station. The atmosphere was European; Africans kept away. There were no officials with gold watches and gold pen-and-pencil sets, as at Mahesh's. While you were at the Tivoli you could live without that tension. But you couldn't forget where you were. The photograph of the President was about three feet high. The official portraits of the President in African garb were getting bigger and bigger, the quality of the prints finer (they were said to be done in Europe). And once you knew about the meaning of the leopard skin and the symbolism of what was carved on the stick, you were affected; you couldn't help it. We had all become his people; even here at the Tivoli we were reminded that we all in various ways depended on him. Normally the boys--or citizen waiters--were friendly and welcoming and brisk. But the lunch period was more or less over; the tall, fat son of the family, who stood behind the counter by the coffee machine, superintending things, was probably having his siesta; no other member of the family was present; and the waiters stood about idly, like aliens in their blue waiters' jackets. They weren't rude; they were simply abstracted, like people who had lost a role. The air conditioning was welcome, though, and the absence of glare, and the dryness after the humidity outside. Yvette looked less harassed; energy returned to her. We got the attention of a waiter. He brought us a jug of red Portuguese wine, chilled down and then allowed to lose its chill; and two wooden platters with Scottish smoked salmon on toast. Everything was imported; everything was expensive; smoked salmon on toast was in fact the Tivoli's plainest offering. I said to Yvette, "Indar's a bit of an actor. Were things really as bad as he said?" "They were much worse. He left out cashing the traveller's cheques." She was sitting with her back to the wall. She made a small arresting gesture--like Raymond's--with the palm of her hand against the edge of the table, and gave a slight tilt of her head to her right. Two tables away a family of five were finishing lunch and talking loudly. Ordinary people, the kind of family group I had been used to seeing at the Tivoli. But Yvette seemed to disapprove, and more than disapprove; a little rage visited her. She said, "You can't tell about them. I can." And yet that face, of rage, still seemed close to a smile; and those slanting eyes, half closed above the small cup of coffee which she was holding at the level of her mouth, were quite demure. What had irritated her about the family group? The district she had judged them to come from? The job the man did, the language, the loud talk, the manners? What would she have said about the people in our nightclubs? I said, "Did you know Indar before?" "I met him here." She put the cup down. Her slanting eyes considered it and then, as though she had decided on something, she looked at me. "You live your life. A stranger appears. He is an encumbrance. You don't need him. But the encumbrance can become a habit." My experience of women outside my family was special, limited. I had had no experience of dealing with a woman like this, no experience of language like this, no experience of a woman with such irritations and convictions. And in what she had just said I saw an honesty, a daringness which, to a man of my background, was slightly frightening and, for that reason, bewitching. I was unwilling for us to have Indar in common, as Indar and she seemed to have had Raymond in common. I said, "I can't tell you how much I liked being in your house that evening. I've never forgotten the blouse you wore. I've always been hoping to see you in it again. Black silk, beautifully cut and embroidered." I couldn't have touched a better subject. She said, "There hasn't been the occasion. But I assure you it's still there." "I don't think it was Indian. The cut and the work were European." "It's from Copenhagen. Margit Brandt. Raymond went there for a conference." And at the door of the Tivoli, before we went out again into the heat and the light, during that moment of pause which in the tropics is like the pause we make before we finally go out into the rain, she said to me, as though it were an afterthought, "Would you like to come to lunch at the house tomorrow? We have to have one of the lecturers, and Raymond finds that kind of occasion very trying these days." The steamer would have been about fifteen miles downriver. It would have been travelling through bush; it would have passed the first bush settlement. There, though the town was so close, they would have been waiting for the steamer since morning, and there would have been the atmosphere of a fair until the steamer passed. Boys would have dived off dugouts and swum towards the moving steamer and barge, trying to get the attention of passengers. Trading dugouts, poling out from their stations on the bank with their little cargoes of pineapples and roughly made chairs and stools (disposable furniture for the river journey, a specialty of the area), would have been attached in clusters to the sides of the steamer; and these dugouts would be taken--were being taken--miles downriver, to paddle back for hours, after that brief excitement, through the fading afternoon, dusk and night, in silence.
Yvette had cancelled the lunch. But she hadn't let me know. The white-jacketed servant led me to a room which obviously awaited no visitors and was not at all like the room I remembered. The African mats were on the floor, but some of the upholstered chairs that had been taken away for that evening (and, as I remembered Yvette saying, stored in a bedroom) had been brought out again--fringed imitation velvet, in the "old bronze" colour that was everywhere in the Domain. The buildings of the Domain had been run up fast, and the flaws that lamplight had hidden were noticeable in the midday brightness. The plaster on the walls had cracked in many places, and in one place the crack followed the stepped pattern of the hollow clay bricks below. The windows and doorways, without architraves or wooden facings, were like holes unevenly cut out of the masonry. The ceiling panels, compressed cardboard of some sort, bellied here and there. One of the two air conditioners in the room had leaked down the wall; they were not on. The windows were open; and with no projecting roof, no trees outside, just the levelled land, the room was full of light and glare and there was no feeling of shelter. What fantasies I had built around this room, around the music that had come out of the record player--there, against the wall next to the bookcase, with its smoked Perspex cover showing dust in the bright light! To see the room like this, as Yvette lived in it every day, to add my knowledge of Raymond's position in the country, was to catch her unawares and get some idea of her housewifely ordinariness, some idea of the tensions and dissatisfactions of her life at the Domain, which had until then seemed so glamorous to me. It was to fear to be entangled with her and this life of hers; and it was to be surprised and relieved at the disappearance of my fantasies. But relief and fear lasted only until she came in. The surprise then, as always for me, was herself. She was more amused than apologetic. She had forgotten, but she knew there was something she had had to remember about that lunch. There had been so many changes of plan about the lunch--which was in fact taking place in the staff room of the polytechnic. She went away to make us some scrambled South African eggs. The servant came in to clear some receipts from the oval table, which was dark and highly polished, and to lay the table. "You live your life. A stranger appears. He is an encumbrance." On the upper shelf of the bookcase I saw the book Indar had shown me that evening in which there was a mention of Raymond and Yvette as generous hosts at one time in the capital--a mention which had mattered to Yvette. The bright light and the altered room seemed to make it a different book. Colour had faded from the backs of books. One book I took out carried Raymond's signature and the date 1937--a note of ownership, but also perhaps at that date a statement of intent, Raymond's expression of faith in his own future. That book felt very tarnished now, with the paper brown at the edges, the red letters on the paper spine almost bleached away--something dead, a relic. Another, newer book carried Yvette's signature with her unmarried name: very stylish, that Continental handwriting, with a fancy _y__, and speaking in much the same way as Raymond's signature of twenty-three years before. I said to Yvette while we were eating the scrambled eggs, "I would like to read something by Raymond. Indar says he knows more about the country than any man living. Has he published any books?" "He's working on this book, and has been for some years now. The government were going to publish it, but now apparently there are difficulties." "So there are no books." "There's his thesis. That's been published as a book. But I can't recommend it. I couldn't bear to read it. When I told Raymond that, he said he could scarcely bear to write it. There are a few articles in various journals. He hasn't had time for many of those. He's spent all his time on that big book about the history of the country." "Is it true that the President has read parts of that book?" "That used to be said." But she couldn't tell me what the difficulties now were. All I learned was that Raymond had temporarily put aside his history to work on a selection of the President's speeches. Our lunch began to feel sad. Understanding Yvette's position in the Domain now, knowing that the stories I had heard about Raymond would have been heard by others, I began to feel that the house must have been like a prison to her. And that evening when she gave a party and wore her Margit Brandt blouse began to appear like an aberration. I said, as I was getting ready to leave, "You must come with me to the Hellenic Club one afternoon. You must come tomorrow. The people there are people who have been here a long time. They've seen it all. The last thing they want to talk about is the situation of the country." She agreed. But then she said, "You mustn't forget them." I had no idea what she was talking about. She left the room, going through the door that Raymond had gone through after he had made his exit speech that evening; and she came back with a number of magazines, _Cahiers__ of this and that, some of them printed by the government printery in the capital. They were magazines with articles by Raymond. Already, then, we had Raymond in common; it was like a beginning. The rough-bladed grass of the lawns or open areas of this part of the Domain was high; it almost buried the low-level lights housed in mushroom-like aluminum structures that lined the asphalted avenues. A number of those lights had been smashed, some a long time ago; but there seemed to be no one to mend them. On the other side of the Domain the land for the model farm had become overgrown; all that remained of the project was the Chinese gateway that the now absent Taiwanese or Chinese had built, and the six tractors standing in a line and rotting. But the area where the public walked on Sundays, following a fixed one-way route--watched now by the Youth Guard and not the army--was maintained. New statues were still added from time to time to this public walk. The most recent, at the end of the main avenue, was a bulky sculpture in stone, unfinished-looking, of a mother and child. Nazruddin's old words came to me. "This is nothing. This is just bush." But my alarm wasn't like Nazruddin's. It had nothing to do with my business prospects. I saw the empty spaces of the Domain, and the squatters from the villages camping just outside; and my thoughts were of Yvette and her life on the Domain. Not Europe in Africa, as it had seemed to me when Indar was there. Only a life in the bush. And my fear was at once the fear of failing with her, being left with nothing, and the fear of the consequences of success. But that alarm vanished the next afternoon when she came to the flat. She had been there before with Indar; in that setting, my own, she had for me a good deal of her old glamour. She had seen the Ping-Pong table with my household junk and with one corner left clear for Metty's ironing. She had seen the paintings of European ports that the Belgian lady had bequeathed me with the white studio--sitting room. It was against this white wall that, after some talk about the paintings and the Hellenic Club, both of us standing, she showed me her profile, turning away when I drew close, not rejecting me or encouraging me, just seeming weary, accepting a new encumbrance. That moment--as I read it--was the key to all that followed. The challenge that I saw then was what I always saw; it was the challenge to which I never failed to respond. Until then my fantasies were brothel fantasies of conquest and degradation, with the woman as the willing victim, the accomplice in her own degradation. It was all that I knew. It was all that I had learned from the brothels and nightclubs of our town. It had been no hardship to me to give these places up while Indar was around. I had grown to find those occasions of vice enervating. For some time, in fact, though it still excited me to see these women in groups in a bar or a brothel front room, I had shrunk from true sex with bought women, and restricted myself to subsidiary sexual satisfactions. Familiarity of this kind with so many women had bred something like contempt for what they offered; and at the same time, like many men who use brothels alone, I had grown to think of myself as feeble, critically disadvantaged. My obsession with Yvette had taken me by surprise; and the adventure with her (unbought but willing) that began in the white sitting room was for me quite new. What I have called my brothel fantasies hurried me through the initial awkwardness. But in the bedroom with the very large bed with the foam mattress--at last serving the purpose for which I was certain the Belgian painter had intended it--in the bedroom those fantasies altered. The self-regard of those fantasies dropped away. Women make up half the world; and I thought I had reached the stage where there was nothing in a woman's nakedness to surprise me. But I felt now as if I was experiencing anew, and seeing a woman for the first time. I was amazed that, obsessed with Yvette as I had been, I had taken so much for granted. The body on the bed was to me like the revelation of woman's form. I wondered that clothes, even the apparently revealing tropical clothes I had seen on Yvette, should have concealed so much, should have broken the body up, as it were, into separate parts and not really hinted at the splendour of the whole. To write about the occasion in the manner of my pornographic magazines would be more than false. It would be like trying to take photographs of myself, to be the voyeur of my own actions, to reconvert the occasion into the brothel fantasy that, in the bedroom, it ceased to be. I was overwhelmed, but alert. I did not wish to lose myself in the self-regard and self-absorption of that fantasy, the blindness of that fantasy. The wish that came to me--consuming the anxiety about letting myself down--was the wish to win the possessor of that body, the body which, because I wished to win its possessor, I saw as perfect, and wanted continuously, during the act itself, to see, holding myself in ways that enabled me to do so, avoiding crushing the body with my own, avoiding that obliteration of sight and touch. All my energy and mind were devoted to that new end of winning the person. All my satisfactions lay in that direction; and the sexual act became for me an extraordinary novelty, a new kind of fulfilment, continuously new. How often before, at such moments, moments allegedly of triumph, boredom had fallen on me! But as a means of winning, rather than the triumph in itself, the present act required constant alertness, a constant looking outward from myself. It wasn't tender, though it expressed a great need for tenderness. It became a brute physical act, an act almost of labour; and as it developed it became full of deliberate brutality. This surprised me. But I was altogether surprised by my new self, which was as far from the brothel man I had taken myself to be, with all his impulses to feebleness, as this act was from the brothel act of surrender, which was all I had so far known. Yvette said, "This hasn't happened to me for years." That statement, if it was true, would have been a sufficient reward; my own climax was not important to me. If what she said was true! But I had no means of gauging her response. She was the experienced one, I was the beginner. And there was a further surprise. No fatigue, no drowsiness overcame me at the end. On the contrary. In that room with the window panes painted white, a white that now glowed with the late afternoon light, in that heated room, at the end of one of our heavy, hot days, sweating as I was, with a body slippery with sweat, I was full of energy. I could have gone and played squash at the Hellenic Club. I felt refreshed, revitalized; my skin felt new. I was full of the wonder of what had befallen me. And awakening from minute to minute to the depth of my satisfactions, I began to be aware of my immense previous deprivation. It was like discovering a great, unappeasable hunger in myself. Yvette, naked, wet, unembarrassed, her hair lank, but already herself again, her flush gone, her eyes calm, sat with crossed legs on the edge of the bed and telephoned. She spoke in patois. It was to her house servant: she was coming home right away: he was to tell Raymond. She dressed and made up the bed. This housewifely attention reminded me--painfully, already--of attentions like this that she gave elsewhere. Just before she left the bedroom she stopped and kissed me briefly on the front of my trousers. And then it was over--the corridor, Metty's dreadful kitchen, the landing, the yellowing afternoon light, the trees of back yards, the dust in the air, the cooking smoke, the active world, and the sound of Yvette's feet pattering down the external staircase. That gesture, of kissing my trousers, which elsewhere I would have dismissed as a brothel courtesy, the gesture of an overtipped whore, now moved me to sadness and doubt. Was it meant? Was it true? I thought of going to the Hellenic Club, to use up the energy that had come to me, and to sweat a little more. But I didn't go. I wandered about the flat, letting the time pass. The light began to fade; and a stillness fell over me. I felt blessed and remade; I wanted to be alone for a while with that sensation. Later, thinking of dinner, I drove out to the nightclub near the dam. It was doing better than ever now, with the boom and the expatriates. But the structure hadn't been added to and still had a temporary look, the look of a place that could be surrendered without too much loss--just four brick walls, more or less, around a cleared space in the bush. I sat outside at one of the tables under the trees on the cliff and looked at the floodlit dam; and until someone noticed me and turned on the coloured bulbs strung about the trees, I sat in the darkness, feeling the newness of my skin. Cars came and parked. There were the French accents of Europe and Africa. African women, in twos and threes, came up in taxis from the town. Tur-banned, lazy, erect, talking loudly, they dragged their slippers over the bare ground. It was the other side of the expatriate family scene that had offended Yvette at the Tivoli. To me it all felt far away--the nightclub, the town, the squatters, the expatriates, "the situation of the country"; everything had just become background. The town, when I drove back, had settled down to its own night life. At night now, in the increasingly crowded main streets, there was the atmosphere of the village, with unsteady groups around the little drinking stalls in the shanty areas, the cooking fires on the pavements, the barring off of sleeping places, the lunatic or drunken old men in rags, ready to snarl like dogs, taking their food to dark corners, to eat out of the sight of others. The windows of some shops-especially clothing shops, with their expensive imported goods--were brightly lit, as a precaution against theft. In the square not far from the flat a young woman was bawling--a real African bawl. She was being hustled along the pavement by two men, each one twisting an arm. But no one in the square did anything. The men were of our Youth Guard. The officers got a small stipend from the Big Man, and they had been given a couple of government jeeps. But, like the officials at the docks, they really had to look for things to do. This was their new "Morals Patrol." It was the opposite of what it said. The girl would have been picked up from some bar; she had probably answered back or refused to pay. In the flat I saw that Metty's light was on. I said, "Metty?" He said through the door, "_Patron__." He had stopped calling me Salim; we had seen little of one another outside the shop for some time. I thought there was sadness in his voice; and going on to my own room, considering my own luck, I thought: Poor Metty. How will it end for him? So friendly, and yet in the end always without friends. He should have stayed on the coast. He had his place there. He had people like himself. Here he is lost.
Yvette telephoned me at the shop late the next morning. It was our first telephone call, but she didn't speak my name or give her own. She said, "Will you be at the flat for lunch?" I seldom had lunch at the flat during the week, but I said, "Yes." She said, "I'll see you there." And that was all. She had allowed no pause, no silence, had given me no time for surprise. And indeed, waiting for her in the white sitting room just after twelve, standing at the Ping-Pong table, turning over a magazine, I felt no surprise. I felt the occasion--for all its unusualness, the oddity of the hour, the killing brightness of the light--to be only a continuation of something I had long been living with. I heard her hurry up the steps she had pattered down the previous afternoon. Out of every kind of nervousness I didn't move. The landing door was open, the sitting room door was open--her steps were brisk and didn't falter. I was utterly delighted to see her; that was an immense relief. There was still briskness in her manner; but though her face seemed set for it, she wore no smile. Her eyes were serious, with a disturbing, challenging hint of greed. She said, "I've been thinking of you all morning. I haven't been able to get you out of my head." And as though she had entered the sitting room only to leave it, as though her arrival at the flat was a continuation of the directness of her telephone call, and she wanted to give neither of us time for words, she went into the bedroom and began to undress. It was as before with me. Confronted with her, I shed old fantasies. My body obeyed its new impulses, discovered in itself resources that answered my new need. New--it was the word. It was always new, familiar though the body and its responses became, and as physical as the act was, requiring such roughness, control and subtlety. At the end (which I willed, as I had willed all that had gone before), energized, revivified, I felt I had been taken far beyond the wonder of the previous afternoon. I had closed the shop at twelve. I got back just after three. I hadn't had any lunch. That would have delayed me further, and Friday was a big day for trade. I found the shop closed. Metty hadn't opened up at one, as I had expected him to. Barely an hour of trade remained, and many of the retailers from the outlying villages would have done their shopping and started back on the long journey home by dugout or truck. The last pickup vans in the square, which left when they had a load, were more or less loaded. I had my first alarm about myself, the beginning of the decay of the man I had known myself to be. I had visions of beggary and decrepitude: the man not of Africa lost in Africa, no longer with the strength or purpose to hold his own, and with less claim to anything than the ragged, half-starved old drunks from the villages who wandered about the square, eyeing the food stalls, cadging mouthfuls of beer, and the young trouble-makers from the shanty towns, a new breed, who wore shirts stamped with the Big Man's picture and talked about foreigners and profit and, wanting only money (like Ferdinand and his friends at the lyc�in the old days), came into shops and bargained aggressively for goods they didn't want, insisting on the cost price. From this alarm about myself--exaggerated, because it was the first--I moved to a feeling of rage against Metty, for whom the previous night I had felt such compassion. Then I remembered. It wasn't Metty's fault. He was at the customs, clearing the goods that had arrived by the steamer that had taken Indar and Ferdinand away, the steamer that was still one day's sailing from the capital.
For two days, since my scrambled-eggs lunch with Yvette at her house in the Domain, the magazines with Raymond's articles had lain in the drawer of my desk. I hadn't looked at them. I did so now, reminded of them by thoughts of the steamer. When I had asked Yvette to see something Raymond had written, it was only as a means of approaching her. Now there was no longer that need; and it was just as well. The articles by Raymond in the local magazines looked particularly difficult. One was a review of an American book about African inheritance laws. The other, quite long, with footnotes and tables, seemed to be a ward-by-ward analysis of tribal voting patterns in the local council elections in the big mining town in the south just before independence; some of the names of the smaller tribes I hadn't even heard of. The earlier articles, in the foreign magazines, seemed easier. "Riot at a Football Match," in an American magazine, was about a race riot in the capital in the 1930s that had led to the formation of the first African political club. "Lost Liberties," in a Belgian magazine, was about the failure of a missionary scheme, in the late nineteenth century, to buy picked slaves from the Arab slave caravans and resettle them in "liberty villages." These articles were a little more in my line--I was especially interested in the missionaries and the slaves. But the bright opening paragraphs were deceptive; the articles weren't exactly shop-time, afternoon reading. I put them aside for later. And that evening, as I read in the large bed which Yvette a few hours earlier had made up, and where her smell still lingered, I was appalled. The article about the race riot--after that bright opening paragraph which I had read in the shop--turned out to be a compilation of government decrees and quotations from newspapers. There was a lot from the newspapers; Raymond seemed to have taken them very seriously. I couldn't get over that, because from my experience on the coast I knew that newspapers in small colonial places told a special kind of truth. They didn't lie, but they were formal. They handled big people--businessmen, high officials, members of our legislative and executive councils--with respect. They left out a lot of important things--often essential things--that local people would know and gossip about. I didn't think that the papers here in the 1930s would have been much different from ours on the coast; and I was always hoping that Raymond was going to go behind the newspaper stories and editorials and try to get at the real events. A race riot in the capital in the 1930s--that ought to have been a strong story: gun talk in the European cafes and clubs, hysteria and terror in the African _cites__. But Raymond wasn't interested in that side. He didn't give the impression that he had talked to any of the people involved, though many would have been alive when he wrote. He stuck with the newspapers; he seemed to want to show that he had read them all and had worked out the precise political shade of each. His subject was an event in Africa, but he might have been writing about Europe or a place he had never been. The article about the missionaries and the ransomed slaves was also full of quotations, not from newspapers, but from the mission's archives in Europe. The subject wasn't new to me. At school on the coast we were taught about European expansion in our area as though it had been no more than a defeat of the Arabs and their slave-trading ways. We thought of that as English-school stuff; we didn't mind. History was something dead and gone, part of the world of our grandfathers, and we didn't pay too much attention to it; even though, among trading families like ours, there were still vague stories--so vague that they didn't feel real--of European priests buying slaves cheap from the caravans before they got to the depots on the coast. The Africans (and this was the point of the stories) had been scared out of their skins: they thought the missionaries were buying them in order to eat them. I had no idea, until I read Raymond's article, that the venture had been so big and serious. Raymond gave the names of all the liberty villages that had been established. Then, quoting and quoting from letters and reports in the archives, he tried to fix the date of the disappearance of each. He gave no reasons and looked for none; he just quoted from the missionary reports. He didn't seem to have gone to any of the places he wrote about; he hadn't tried to talk to anybody. Yet five minutes' talk with someone like Metty--who, in spite of his coast experience, had travelled in terror across the strangeness of the continent--would have told Raymond that the whole pious scheme was cruel and very ignorant, that to set a few unprotected people down in strange territory was to expose them to attack and kidnap and worse. But Raymond didn't seem to know. He knew so much, had researched so much. He must have spent weeks on each article. But he had less true knowledge of Africa, less feel for it, than Indar or Nazruddin or even Mahesh; he had nothing like Father Huismans's instinct for the strangeness and wonder of the place. Yet he had made Africa his subject. He had devoted years to those boxes of documents in his study that I had heard about from Indar. Perhaps he had made Africa his subject because he had come to Africa and because he was a scholar, used to working with papers, and had found this place full of new papers. He had been a teacher in the capital. Chance--in early middle age--had brought him in touch with the mother of the future President. Chance--and something of the teacher's sympathy for the despairing African boy, a sympathy probably mixed with a little bitterness about the more successful of his own kind, the man perhaps seeing himself in the boy: that advice he had given the boy about joining the Defence Force appeared to have in it something of a personal bitterness--chance had given him that extraordinary relationship with the man who became President and had raised him, after independence, to a glory he had never dreamed of. To Yvette, inexperienced, from Europe, and with her own ambitions, he must have glittered. She would have been misled by her ambitions, much as I had been by her setting, in which I had seen such glamour. Really, then, we did have Raymond in common, from the start.