A Crown of Lights

Notes and credits

MOST OF THE stranger aspects of this novel are based (as closely as the law and the rules of fiction allow) on fact. The ‘Abracadabra’ charm can be seen at the charming Cascob Church; the Four Stones nestle behind their hedge off the Kinnerton road; and, although you may have difficulty finding Old Hindwell itself, the Hindwell Brook still meanders and sometimes rushes through the Radnor Valley. The area’s huge importance in the Bronze Age was uncovered by the Clwyd-Powys Archaeological Trust and documented by Alex Gibson in The Walton Basin Project, published by the Council for British Archaeology. The locations are illustrated and described in Merrily’s Border (Logaston Press).

My thanks to Glyn Morgan, who pointed me down the dark lane of border spirituality with a very timely photocopy of the witch charm, found in the wall of an old house in North Radnor.

The imperfect Radnor Pentagram also exists. It’s true that only four churches are listed in the official tourism brochure, but the pentagram can be completed by adding St Michael’s, Discoed, an ancient church with an even more ancient yew tree in front. Thanks to Carol for first suggesting what proved to be more than an idea, and to the distinguished medieval historian, Alun Lenny, of Carmarthen, for completing the picture, with the help of Francis Payne’s classic work on Radnorshire.

Pam Baker told me a hospital ghost story and explained about oestrogen, etc. Quentin Cooper discussed a few of the problems involved in owning a church, and extra details were filled in by Brian Chave, Steve Empson and Steve Jenkins at the Church of England. Geoffrey Wansell and John Welch helped with the setting up of the Livenight programme.

Thanks also to Neil Bond, Sally Boyce, Jane Cook, Gina-Marie Douglas, Paul Gibbons, Gavin Hooson, Bob Jenkins, Dick Taylor and Ken Ratcliffe. And, for inspiration, to the white magic of XTC and ‘Apple Venus’.

Of course, the thing would never have come together at all without my ingenious wife, Carol, who plot-doctored, character-trimmed and edited for weeks, with her usual inimitable flair, ruthlessness and lateral thinking. You can do it alone, but it’s never as good.

Lol Robinson’s songs can be found on two full-length CDs, Songs from Lucy’s Cottage and A Message from the Morning (which includes Moon’s Tune) by Lol Robinson and Hazey Jane II, produced by Prof Levin ad Allan Watson. Full details on the website www.philrickman.co.uk.