{ ACKNOWLEDGMENTS }






So many people have helped me in so many ways to get me from where I started to where I am today, I hardly know where to begin the task of identifying them all—and where to stop is even more perplexing a choice. So let me state for the record that I know that as both a writer and a person I am a work in progress who thus far is a sum of all I’ve learned and experienced, and that I owe everything to the people who have taught me, helped me, and supported me.

I do want to make sure I acknowledge some of the writings I used in my research into how dogs think. Dogwatching, by Desmond Morris. What the Dogs Have Taught Me, by Merrill Markoe. The Hidden Life of Dogs, by Elizabeth Marshall Thomas. Search and Rescue Dogs, by the American Rescue Dog Association. The works of Cesar Millan, James Herriot, Dr. Marty Becker, and Gina Spadafori.

I wouldn’t be anything without the support of my family, especially my parents, who have always believed in my writing despite a couple of decades’ worth of rejection notices.

Also believing in me is my agent, Scott Miller, at Trident Media, who never gave up, not on this book, not on me.

Scott’s efforts led me to Tor/Forge and my editor, Kristin Sevick, whose faith in A Dog’s Purpose, combined with a careful eye and an expert touch, refined and improved this novel. She and everyone else at Tor/Forge have been a delight to work with.

As I write these words, this book hasn’t yet gone to press, and already there are so many people working to support it. Sheryl Johnston, who is a great publicist and a terror behind the wheel. Lisa Nash, who reached out to her vast network to help validate the voice of this book. Buzz Yancey, who tried to create, well, buzz. Hillary Carlip, who took on the task of redesigning wbrucecameron.com and created adogspurpose.com and succeeded so fabulously. Amy Cameron, who applied her years of teaching experience to the task of writing a study guide for any educator who wants to use A Dog’s Purpose in the classroom. Geoffery Jennings, bookseller extraordinaire, who gave an early draft his thumbs-up. Lisa Zupan, who gets it.

Thanks to all the editors who carry my column in their newspapers, despite the turmoil in the industry. Thanks especially to The Denver Post, which picked me up after the sad demise of the Rocky Mountain News. Thanks, Anthony Zurcher, for doing such a great job editing my column for all these years.

Thanks to Brad Rosenfeld and Paul Weitzman at Preferred Artists, for preferring me, and to Lauren Lloyd, for managing everything.

Thanks, Steve Younger and Hayes Michael, for all the legal work—I still think we should plead insanity.

Thanks, Bob Bridges, for continuing his volunteer work on my column’s mistakes and typos. I wish I could afford to pay you one hundred times your current salary.

Thanks, Claire LaZebnik, for coming out on the ledge to talk to me about writing.

Thanks, Tom Rooker, for whatever the heck it is that you’re doing.

Thanks to Big Al and Evie, for investing themselves in my “genius” career. Thanks, Ted, Maria, Jakob, Maya, and Ethan, for admiring my pants.

Thanks to everyone in the National Society of Newspaper Columnists, for trying to keep us all off the endangered species list.

Thanks, Georgia Lee Cameron, who introduced me to the world of dog rescue.

Thanks, Bill Belsha, for the work you did on my head.

Thanks, Jennifer Altabef, for being there when I needed you.

Thanks, Alberto Alejandro, for almost single-handedly making me a bestselling author.

Thank you, Kurt Hamilton, for motivating me to make sure there was nothing seriously wrong with the pipes.

Thanks to Julie Cypher, for loaning me everything she owns.

Thanks, Marcia Wallace, you are my favorite action figure.

Thanks, Norma Vela, for all the horse sense.

Thanks, Molly, for the car ride, and Sierra, for letting it happen.

Thanks, Melissa Lawson, for providing the final cut.

Thanks, Betsy, Richard, Colin, and Sharon, for showing up for everything and for trying to teach me how to dance the rumba.

The very first person I told this story to was Cathryn Michon. Thank you, Cathryn, for insisting that I write A Dog’s Purpose immediately, and for everything else.

Now I understand why so many people are still talking when the music plays at the Academy Awards: the list of individuals I want to thank is simply endless. So let me just stop here, ending with one final note: I want to acknowledge the sacrifice and tireless hard work of the many men and women who work in animal rescue, helping lost, abandoned, and abused pets find new and happy lives with loving families. You are all angels.


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