A Mystery Of Errors

13

Though Smythe was thoroughly perplexed about Sir William’s part in these events, there was no time for any questions as they galloped through the streets of London, scattering all those before them. Sir William led the way on a bay barb, riding switch and spurs as he set a breakneck pace, his cloak billowing out behind him. Smythe was hard pressed to keep up. He had grown up around horses and could ride almost as soon as he could walk, but he was no match for Sir William, who rode as if he were a centaur. As they galloped like berserk cavalrymen in a charge, Smythe knew that on these often slippery, refuse-strewn city streets, if either of their horses fell at this pace, chances were that neither horse nor rider would survive. As for anyone who happened to be in their way, Lord help them if they did not move quickly enough.

As they approached Shoreditch, Smythe realized that it was later in the day than he had thought. He could hear the final trumpet blowing from the Theatre, and it struck him that he had been so intent upon following Gresham that he had lost all track of time. He had completely forgotten about that afternoon’s performance… the very performance that was to have been his debut upon the stage with his one line.

It made no difference anymore, he thought with resignation. It was much too late to worry about that now, and missing his first performance was now the least of his concerns. Those killers had a head start on them, though it was doubtful they had ridden as quickly. Smythe wondered if there was any chance that they could catch them. And for that matter, if they did, Smythe wasn’t sure how much help he would be. Like a fool, he had left his sword back at the Theatre, in the tiring room. Carrying his dagger was second nature to him. He simply tucked the sheath into his belt without even thinking about it. But having never worn a sword before coming to London, he could not seem to get into the habit and he kept forgetting it. And even if he had remembered it, he was under no illusion that he was any kind of swordsman. He had received instruction from his uncle, but he would be no match for a trained mercenary, an assassin. He recalled that set-to in the tavern with those drunks during the street riot. If Marlowe hadn’t been there, things might have gone quite badly. These were not taproom bravos they would be up against, but sober and clear-headed killers. Sir William had his own fencing master. All Smythe had were some lessons from his uncle… and no sword.

As they raced across the field toward the Theatre, in the distance, Smythe could see the people gathering for the play. By now, most of the audience would have already gone inside. The groundlings would be packing the yard and the galleries would be almost full. Ahead of them, he thought he saw the four riders they were chasing, but he wasn’t certain.

“There they are!” Sir William shouted, pointing.

Yes, it was them! Smythe could see the long black cloak on the lead rider. But they would never catch up to them before they reached the Theatre. Even now, Smythe could see that the four riders had reached the gate and were dismounting, handing their horses over to the ostlers by the gate. Once they got inside, it would be difficult, if not impossible, to find them in the crowd. He had not been able to get a good look at any of them, save the one ostler to whom he gave his horse back at the inn. That one man, whom he had seen only briefly, was all that he would have to go by, aside from the black cloak of the leader, whose face he had never even caught a glimpse of. Smythe felt his heart sink. His best chance would be to reach Will first and warn him of the danger.

As they came galloping up to the Theatre, a couple of the ostlers came running up to meet them, doubtless thinking they were late arrivals hurrying to catch the opening of the performance. They recognized Smythe at once and reacted with surprise.

“Smythe! Odd’s blood! Where have you been? You’re late!”

“Aye, Will’s been asking everybody if they’d seen you. The play’s already started!”

“Never mind that,” Smythe said. “There were four riders who arrived ahead of us, big, tough-looking rufflers, led by a man in a long black cloak. Who took their horses?”

“Dunno. Never saw them.”

“Wait, I think I did! Tommy got one of them, I think.”

“Where’s Tommy?”

“In the stables, I should imagine. Why?”

“Those men came here to kill Will.”

“What, Kemp?”

“No, no! Shakespeare! They are going to kill Will Shakespeare!”

“What? Are you joking?”

“I am in deadly earnest! Run and get Tommy, right away! Find out who got their other horses. We have to find those men in there before they get to Will!”

“God blind me!”

“Go!” said Smythe. “Get all the other ostlers, too! And tell them to get weapons! These men are killers! Hurry!”

“Wait!” Sir William said, sharply, as both ostlers started off. “Not both of you, for God’s sake! You, stay here and hold the horses. Now, listen to me. There will be men arriving shortly. Tell them that Sir William gave strict instructions to close off the playhouse and make certain no one leaves until I give the word. And then to stand by for further orders. Understand?”

“Aye, milord!”

“Good man,” Sir William said. He turned to Smythe. “Now, did you get a good look at any of them?”

“I caught a glimpse of one of them,” said Smythe. “I think I would recognize him if I saw him again.”

“For your friend’s sake, you had damn well better hope so. Where is he now? Is he in the production?”

“He is the book-holder for this play,” said Smythe. “He will be inside, backstage, in the wings.”

“Would these men know that?”

Smythe thought quickly, then nodded. “Aye, ‘tis very likely. Dick Burbage brought Will over to meet Sir Anthony this morning at rehearsal. Dick said that he was interested in plays and was a possible investor, and so he puffed things up a bit and told Sir Anthony that Will was about to make his mark as one of England’s greatest playwrights.”

“And he signed his death warrant in the process,” replied Sir William. “ Gresham has your friend confused with Marlowe.”

“But… why would Sir Anthony make such a mistake?”

“Because he is not Sir Anthony!”

“What? Not Sir Anthony? What do you mean? You called him Gresham.”

“Aye, Alastair Gresham. Anthony’s twin brother.”

“His twin brother?”

“I shall explain later. There is no time now, we have to find those men. The guard will be arriving shortly. We need to get to your friend, Shakespeare, in the meantime, and keep him out of sight. ‘Tis doubtful that they shall try anything during the play, but afterward, when everyone is leaving, would be the perfect time for them to make their move. Or perhaps during the break between the acts. Then they could slip away in the confusion. How long is the first act? When does the break come?”

Smythe was at a loss. “I… I cannot remember! After the second act, I think. Aye, after the second act. But as to the time…”

“Never mind. Get to your friend. Warn him and tell him to stay out of sight. When your ostler friends arrive, have several of them stay with him to protect him, then take the others and get out among the groundlings in the yard. ‘Tis where those men will be. If you recognize the one you saw, point him out discreetly and have your ostler friends get as close to him as they can. Watch to see with whom he speaks, that will help us to spot the others. I will look for the one in the black cloak. With any luck, we shall have them before they can make their move.” He glanced down and frowned. “Where the devil is your sword?”

“I… I left it in the tiring room.”

“Well, there’s a useful place for it,” Sir William said, wryly. “Be a good lad and get it, will you? I suspect you may have use for it before too long.”

As they went into the crowded yard, they separated and Sir William made his way around to the far side, heading toward the stairs leading to the upper galleries. Smythe made his way along the railing of the lower gallery toward the stage, which projected out into the yard.

The groundlings, those members of the audience who had paid the cheapest rate of admission and stood in the dirt yard to watch the play, had packed the yard so completely that there was scarcely any room to move. Under any other circumstances, Smythe would have been pleased to see that, for it meant more money for the ostlers, more revenue for the company, more profit for the Theatre, and a boost in Shakespeare’s reputation for having so improved the play that the size of the audience had nearly tripled. The groundlings stood shoulder-to-shoulder in the yard and as Smythe looked up, it seemed to him that every seat in the upper galleries was filled, as well. Good news for the company, bad news for anyone trying to pick out four men amongst this crowd… four men who could easily have split up by now.

It occurred to Smythe as he tried to make his way through the crowd that none of this was as he had imagined it would be. Back home, somehow, he had always pictured the London stage as being so much more elegant, so much more… refined. Actually, quite the opposite was true. All around him, coarse and common-looking people were shifting their weight from foot to foot, changing position to avoid discomfort or else in an attempt to get a better view. They talked amongst themselves and laughed and belched and farted boistrously and called out to others they recognized among the crowd, even while the play was already in progress. A steady drizzle had started to come down into the open yard, which so strongly resembled the courtyards of the country’s inns, upon which the design of the Theatre had been modeled, with only the galleries upon the upper stories covered over with wood and thatch roofing. The light rain was soaking into the thick thatch and making the rushes strewn over the hard packed dirt of the yard slippery underfoot, the wet smell of the straw mingling with the steamy smell of bodies in damp woollen cloaks and the acrid odor of urine from theatregoers relieving themselves into the scattered straw. The briney smell of the Thames blown in upon the breeze hung over everything, occasionally bringing with it on the air the shouts of the rivermen in their boats not too far distant. Together with the creaking of the floorboards on the stage and on the walkways of the galleries, it all had a strangely nautical feel, as if the entire edifice were some sort of crudely constructed ship, its timbers sagging wetly as it floated at its moorings.

Smythe looked for Sir William and spotted him after a few moments, heading up the back stairs to the uppermost gallery, where he would have a commanding view of the stage and the entire courtyard. Smythe quickly swept the galleries with his gaze, but saw no sign of the mysterious man in the black cloak.

He continued to make his way up toward the stage, shouldering through the crowd and getting some shoves and surly remarks back as he went. It was maddening. They simply would not get out of his way and a couple of times, he almost got into fights as he pushed and bulled his way through. Then, with a sudden burst of inspiration, he started coughing, bringing a handkerchief up to his mouth, as if he were spewing every time he coughed. Ever mindful of the Plague, people suddenly shrank back from him, turning their faces away with expressions of alarm, and he made much quicker progress. Soon, he had reached the front of the stage, which projected out into the courtyard like a wooden pier into a river of churning flesh.

The crowd was packed so thickly, people were even sitting on the edge of the stage, watching the performance, so close to the actors that they could reach out and touch them. Smythe tried to determine at what point in the play they were. The production ran about two hours long, with the acts divided into roughly equal parts. Two acts in the beginning, two acts at the end, with a break in the middle. They were at least halfway through the first act, perhaps a little more. He wasn’t sure. He had enough trouble remembering his one line, much less everybody else’s. All he knew was that his line had come a short way into the second act, right after Kemp announced, “I would give a king’s ransom for a horse!”

He grimaced. Now he remembered his cue! And, inexplicably, he remembered his line, too. “Milord, the post horses have arrived!” Of course, now that it made no difference, he remembered. Well, clearly, someone else would have already been picked to play his tiny part. It would only mean an extra line for one of the other hired men. Something as insignificant as that would pose no difficulty for the production, and would probably improve it, Smythe thought, since he could never seem to get it right and only managed to succeed in getting on Kemp’s nerves. But just the same, it rankled him that he remembered now, when it no longer mattered.

As he had made his way toward the front of the stage, he kept looking at the faces all around him, desperately seeking the man that he had seen back at the inn, but from where he was, he could not see much more than several feet around him in the yard. The killers could all be within fifteen or twenty feet of him and he would have no way of knowing. He would need to get some height so he could see better.

He had now reached a spot roughly parallel to the middle of the stage. A bit further and he could get backstage, into the tiring room where he had left his sword and where he could warn the other members of the company about what was going on. He continued to push his way through, coughing hard and hacking like a man on his last legs, trying to get the people to make way for him. It worked, and soon he was even with the rear of the stage and then climbing up and going through into the backstage area. The fist person he ran into was Robert Speed, costumed and waiting to go on.

“Tuck! What the devil! Where in God’s name have you been?”

“There is no time to explain, Bobby. We’ve got trouble.”

“You mean you’ve got trouble. Shakespeare was furious when you simply took off in the middle of rehearsal. And now Kemp wants you out of the company entirely.”

“Never mind all that,” said Smythe. “Will is in terrible danger. Four men are here to kill him.”

“What, Kempt?”

“No, Shakespeare!”

“Why would anyone want to kill him? What has he done?”

“Nothing. ‘Tis a mistake. They think that he is someone else.”

“Well, then, explain things to them, for God’s sake. I have no time for this sort of nonsense now, I have to go on in a moment!”

“Damn it, Speed…”

“Hold on, there’s my cue!” He drew himself up, raised his chin, and swept out onto the stage.

Smythe swore in frustration. Toward the end of the first act, most of the company were onstage in a scene that took place at a ball, with everyone who was not delivering lines engaged in milling around and dancing. Several of the hired men would be making rapid entrances and exits, changing pieces of their costume to make the cast seem larger than it was. Smythe rushed up to one of them as he came off the stage and ran to make his change.

“Miles!”

“Smythe! Bloody hell! You’re late!”

“Never mind, where’s Will?” “Kemp? He’s out on stage, of course.”

“No, no, Will Shakespeare!”

“On the other side, standing in the wings and prompting.”

“Miles, listen, you must tell him-”

“No time now, I’m off!”

“Miles!”

But he had already rushed out of the tiring room and back onstage.

“Damn!” Smythe swore and looked out through the curtain, toward the back of the playhouse, where he saw his fellow ostlers all standing at the rear, holding staves and clubs and pitchforks, looking around for him to tell them what to do. “Hell,” he muttered, through gritted teeth. He could see no sign of Sir William, or the killers, or the man in the black cloak who led them. But they were all out there, somewhere. He had to warn Will, and then get back to the ostlers and let them know what they had to do.

He found his sword, which was fortunately right where he had left it earlier that day, buckled the scabbard around his waist, then quickly made his way around across the backstage area and to the other side. Will was standing just offstage, in the wings, holding the book, following the action and making certain everyone picked up their cues and made their entrances on time, with the right props.

“Will! Thank God!”

“Tuck! Damn you, where the devil did you get to?” Shakespeare said, angrily.

“Never mind that. Listen to me, your life is in danger. Four men are here to kill you.”

“What?”

“Look, I do not have much time to explain-”

“Phillip! Now! Your cue! Go on!” said Shakespeare, to one of the young boys playing one of the female parts.

“Blast! Sorry,” said the lad, and lifting up his skirts, he rushed out onto the stage.

“Will-”

“Not now, Tuck, for heaven’s sake! I cannot be distracted! You are getting in the way! The act is almost over. There is still time for you to change and do your part if you hurry.”

“Will, have you even heard what I said? There are people here to kill you!”

“What? Why would anyone wish to kill me?”

“Because they are acting on Gresham ’s orders!”

Shakespeare rolled his eyes. “Oh, what rot! What sort of nonsense has that damned girl filled your head with now? I told you to stay away from her! Burbage told you to stay away from her! You are just going to cause everyone a lot of trouble!” He reached out and grabbed one of the hired men as he was rushing past. “Wait, Adrian, the tray! Do not forget the tray!”

“Shit. Thanks.”

“Will, please… listen to me, Elizabeth has nothing to do with this-”

“She has everything to do with it! That girl is out of her bloody mind. Sir Anthony is a perfectly decent man who deserves a lot better than her, if you ask me. Now forget this nonsense and get back there and change. The first act is ending any moment… no, ‘tis done, they are coming in.”

“Will-”

“I have no time now! We can discuss this later! Right, come on, now, everyone! Costumes and places for the second act! Check the pegboard for your props and cues!”

As the refreshment vendors plied their wares out in the courtyard among the crowd, the other players all came rushing back offstage, heading for the tiring room. The second act followed hard upon the heels of the first, with no break in between. Will Kemp, as one of the leading players, had to go back out on stage almost immediately, along with young Michael Jones, who was playing the lead female role. Kemp’s gaze fell on Smythe and his lip curled down in a sneer.

“Oh, so you finally decided to grace us with your presence, did you, young prodigal?”

Smythe ignored him. “Dick!” he said to Burbage, as he hurried by. “They are going to try to murder Will!”

“What, me?” said Kemp, astonished.

“No! Shakespeare!”

“What?” Shakespeare said, turning around.

“They are going to try to kill you, you fool!”

“What is all this about killing?” Burbage demanded, insistantly.

“I am going to kill someone if you do not all keep quiet!” Kemp said. “I am listening to Fleming for my cue!”

“And you just missed it!” Shakespeare said. “Kemp, Jones, you’re on!”

“Oh, bollocks!” Kemp said, as he and Jones rushed out on stage.

“Tuck, what is this talk of killing?” Burbage repeated.

“Oh, Sir Anthony Gresham wants me dead, it seems,” said Shakespeare, wryly. “You know… Elizabeth.” He made a circling motion with his forefinger by his temple.

“Oh, God’s wounds!” said Burbage, looking heavenward. “Smythe, did I not tell you to keep away from her?”

“Is Smythe going to give his line or do you still want me to do it?” Miles asked, glancing from Smythe to Shakespeare.

“Smythe can do it, now that he’s here,” Shakespeare said.

“Smythe never came on time,” said Burbage, curtly, overriding him. “You do it, Miles.”

“Well, I really do not mind stepping aside,” said Miles, trying to be considerate of his fellow player.

“He was late,” said Burbage, “and he is not even in proper costume. You do it.”

“Somebody damn well do it!” Shakespeare said, in exasperation. “There is the cue!”

“I said” Kemp raised his voice from centerstage, repeating the cue, “I would give a king’s ransom for a horse!”

Smythe and Miles both stepped out on the stage together. Realizing what they’d done, they glanced at one another, trying to decide which of them would say the line. There was an awkward moment of silence, and then suddenly, from out in the audience, somebody neighed loudly.

For a moment, the audience was stunned. Startled, Smythe and Miles both looked toward the sound and, in the same moment, Will Kemp, staying totally in character, turned to face the audience, flung out an arm expansively and pointed in the direction of the offending heckler, crying out, “Never mind the horse! Saddle yon’ braying ass!”

As the audience exploded into laughter and spontaneous applause, Smythe saw who had made the sound. Incredibly, it had been Sir William, standing in the uppermost gallery! He was gesticulating wildly. Smythe turned and looked in the direction he was pointing and there, in the middle gallery clear on the other side, stood the black-cloaked stranger!

“Ostlers’.” Smythe shouted, stepping to the front of the stage and pointing up. “Get that man!”

Abruptly realizing that Smythe was pointing straight up at him, the black-cloaked stranger bolted toward the stairs. The ostlers in the yard below moved to intercept him. Sir William ran toward the stairs on the other side. The audience, thinking it was all part of the play, laughed uproariously and applauded.

“Milord,” said Miles, picking up the cue belatedly, “the post horses have arrived!”

“Just in the nick of time!” said Kemp, returning to the script, “Then I am off, to spur on toward my fate!”

They all left the stage together to thunderous applause.

“What in heaven’s name was that?” demanded Burbage, as they all came off.

“Dick, you’re on!” said Shakespeare, pushing Burbage out on stage before he could receive a reply. “John Fleming, stand by!”

“I am bloody well going to kill you!” Kemp turned on Smythe furiously, shaking his finger in his face.

“What did I do?” Smythe said.

“You and that idiot friend of yours up there in the gallery just absolutely ruined my scene!”

“Ruined it?” said Shakespeare. “Damn it, Kemp, you were brilliant!”

“That ‘idiot friend’ of mine just happens to be Sir William Worley,” Smythe said.

“Sir William Worley?” Fleming said, with astonished disbelief. “You mean the master of the Sea Hawks?”

“John, your cue,” said Shakespeare.

“But… he is an intimate of the queen!” said Fleming.

“Fleming! Your cue!”

“Oh! Good Christ!” Fleming rushed out on the stage.

“You really think I was brilliant?” Kemp asked.

“Your improvisation was not only brilliant, it was absolutely inspired,” Shakespeare said. He turned to Smythe. “That was Sir William neighing? You cannot be serious!”

“Will!” someone called out from behind them. “Will Shakespeare!”

“What now?” Shakespeare turned around.

“Look out, Will!” Smythe shoved Shakespeare hard. The poet fell, sprawling, to the floorboards. The dagger sailed through the air where he had stood an instant earlier and buried itself in a wooden beam right by Kemp’s ear.

“HELP! MURDER!” Kemp cried out and, without thinking, ran straight out onto the stage, where he had no business being until the last scene of the act.

Smythe reached for his sword, but before he could draw it, the man who’d thrown the knife, the burly ostler he’d recognized from the inn, bellowed like a maddened bull and charged him. He struck Smythe hard, wrapping his arms around him in a bear hug, and his momentum carried them both backward, out into the middle of the stage, where they both fell heavily with a resounding crash. The second man came right behind him, charging with a large Florentine stiletto, but before he could reach Shakespeare, Miles kicked his legs out from under him and the man fell, impaling himself on his own blade.

Burbage and Fleming, onstage in the middle of their scene, suddenly found themselves rudely interrupted as Kemp came shrieking out onto the stage from the wings. Seconds later, Smythe and the hired killer came tumbling on, as well, to the immense amusement of the audience, who cheered and applauded the spectacle.

“Defend yourself!” Burbage cried to Fleming, improvising. “We are attacked!”

He drew his sword, just as Shakespeare came running out onto the stage, with the third killer in hot pursuit with a drawn blade of his own. Seeing Burbage with his sword, the man hesitated and then struck. Burbage parried, and in the next instant, what appeared to be a young girl came flying out from the wings and tackled the hired killer as young Mick Jones bravely leapt into the fray to defend his fellow players.

Smythe broke the grip of his antagonist and dislodged him, scrambling to his feet. They both got up at the same time. The man swung, but Smythe blocked the blow with his left forearm and with his right fist knocked the man clear off the stage and into the audience.

“Groundlings, don’t let him get away!” Fleming shouted to the audience. “The man’s a pickpocket!”

That one word galvanized the groundlings into action. Now realizing this was not part of the production, they surged around what they believed to be the scourge of playhouse audiences everywhere and proceeded to stomp and kick the man repeatedly. Meanwhile, Smythe drew his blade and went to aid Burbage, but by now, a number of the ostlers had reached the stage and they came storming on, brandishing clubs and pitchforks, and the man threw down his weapon and surrendered as the audience cheered loudly and kept up a sustained applause.

The man Smythe had knocked off the stage was hauled up to his feet, badly battered and bleeding profusely, barely even conscious. And the third man had not survived the fall onto his own knife. Smythe hurried to check on Shakespeare.

“Are you all right, Will?”

“Aye, I think so,” Shakespeare replied. “Odd’s blood, they really were trying to kill me! But why?”

“I am not entirely sure of that myself,” Smythe replied, “but I think I may have an idea. Stay here with the others. And watch yourself. Their leader is still unaccounted for. I must go and find Sir William.”

He jumped down off the stage and struggled to make his way through the throng of groundlings to the entrance. There he found Sir William, waiting for him along with several of the ostlers.

“Did you get him?” Smythe asked, anxiously.

“No, curse the luck,” Sir William said. “But we got his cloak.” He held up the garment. “A couple of the ostlers found it on the stairs.”

Smythe exhaled heavily. “Damn it! So he got away, then?”

“Not yet,” Sir William said grimly, shaking his head. “Come with me.”

They moved toward the theatre entrance. Outside, Smythe saw the guardsmen in their helms and breastplates, posted at the gate. Sir William smiled. “I do not think he had a chance to slip past them,” he said. “They arrived not long after we did.”

The Captain of the Guard came up to Sir William and saluted. “We stand by for your orders, milord.”

“No one has been allowed out past you?”

“No, milord, no one. Only the lady.”

Worley’s eyes narrowed. “What lady?” he said, sharply.

“Why, the one you told to leave, milord.”

“The one I told to leave? What the devil are you talking about? I told no one to leave! I gave strict orders that no one was to be allowed out! No one!”

The captain looked concerned. “Aye, milord, that was what I told her. I said that Sir William gave strict instructions that no one was to leave, but she said that you had sent her home, because it would be too dangerous for her to remain. There would be trouble and you did not wish to see her placed at risk-”

“You damn fool!” Sir William said. “Where did she go?”

“Why, she… she left in the coach, milord.”

“What coach?”

There was now panic in the captain’s eyes. “Well, the one she said you sent for her, milord! A very handsome coach, ‘twas, milord. She… she said it bore your crest-”

“ Gresham!” Smythe said. He looked out and across the field. “Look! There!” He pointed.

“Damn! Where is my horse?”

“Right here, milord,” the ostler who had been holding both their horses all along called out to him.

“Mount up!” Sir William shouted to the guard as he and Smythe ran to get their horses. “There’ll be a gold sovereign for you when we return,” he said to the ostler, as he swung up into the saddle. “And Captain, if you do not catch that coach, you shall be a stableboy by sunset!”

“Aye, milord!”

They all set spurs and galloped off full speed across the field. The coach was well ahead of them, but the driver could not match their pace and they closed the distance rapidly. Before long, Smythe, riding up front with Sir William, could see the driver of the coach whipping up the horses, glancing back nervously over his shoulder. That would be Drummond, surely. But who was in the coach?

If Sir Anthony was not Sir Anthony, as Sir William had said, but his twin brother, who then was the woman? Smythe hoped it wasn’t who he thought it might be. She could not possibly be part of this, he thought, could she?

They had nearly closed with the coach as they reached the city limits and the chase continued through the cobbled streets. But here the coach was even more at a disadvantage. People scattered, crying out in fear, as the black coach careened wildly through the streets, and then the inevitable happened. Another coach was coming the other way as Drummond whipped his horses round a bend. In a desperate effort to avoid a collision, Drummond swung wide and tried to go around the other coach, but there simply wasn’t enough room. The horses screamed as they collided and the coaches struck one another with a tremendous impact. Gresham ’s coach overturned and the horses fell in a horrible, thrashing tangle.

As the pursuing guard reined in, Sir William dismounted and went with several of the guardsmen to see if anyone was injured. There was only one occupant of the smaller coach, a young gen-tleman, but though he was shaken up and bruised, with a cut lip and a bloody nose, he seemed otherwise unhurt. Gresham ’s coach had not fared nearly so well.

Drummond had been thrown from the seat with such force that he had flown through the air more than a dozen feet and struck a building wall, snapping his spine on impact. His battered body was twisted and bent at an unnatural angle when they found it lying in a puddle on the street. Inside the coach, they found Gresham, with his neck broken. But there was one survivor.

She was badly bruised and bloody when they pulled her out, but Smythe immediately noticed the striking resemblance that he had not marked before, when he had glimpsed her only very briefly at The Hawk and Mouse, on the road outside of London. She looked up at Sir William with a venemous gaze and spat right into his face. “Heretic pig!” she snarled.

“Well, I’ll be damned,” said Sir William, wiping his cheek with his handkerchief. “Triplets.”