A Son of the Circus

Separated at Birth

As for Vera, young Farrokh wouldn’t be a witness to the woman’s worst behavior; he would be back in school in Vienna when Veronica Rose gave birth to twins and elected to leave one of them in the city she hated—she took the other one home with her. This was a shocking decision, but Farrokh wasn’t surprised; Vera was a spur-of-the-moment sort of woman, and Farrokh had observed the monsoon months of her pregnancy—he knew the kind of insensitivity that she was capable of. In Bombay, the monsoon rains begin in mid-June and last until September. To most Bombayites, the rains are a relief from the heat, despite the blocked drains. It was only July when the shooting of the terrible film was finished and the movie rabble left Bombay—alas, leaving poor Vera behind for the remainder of the monsoon and beyond.

It was for “soul-searching” that she told them all she was staying. Neville Eden didn’t care whether she was staying or going; he’d taken Subodh Rai to Italy—a pasta diet, Neville told young Farrokh with relish, improved one’s stamina for the rigors of buggery. Gordon Hathaway was attempting to edit One Day Well Go to India, Darling in Los Angeles; despite changing its title to The Dying Wife, no amount or convolution of editing could save the picture. Every day, Gordon cursed his family for burdening him with a niece as willful and untalented as Vera.

Danny Mills was drying out in a private sanitarium in Laguna Beach, California; the sanitarium was slightly ahead of its time—it favored vigorous calisthenics in tandem with a grapefruit-and-avocado diet. Danny was also being sued by a limousine company, because Harold Rosen the producer was no longer paying for Danny’s so-called business trips. (When Danny couldn’t stand it another second in the sanitarium, he’d call a limo to drive him to L.A. and wait for him while he consumed a hearty beef-oriented dinner and two or three bottles of a good red wine; then the limo would return him to Laguna Beach, where Danny would arrive sated but with his tongue the shape and color of a raw chicken liver. Whenever he was drying out, it was red wine he craved above all else.) Danny wrote to Vera daily—staggeringly claustrophobic love letters, some of them running 20 typed pages. The gist of these letters was always the same and quite simple to understand: that Danny would “change” if Vera would marry him.

Vera, meanwhile, had made her plans, presuming the complete cooperation of the Daruwallas. She would move into hiding, with Dr. Lowji and his family, until the child was born. The prenatal care and delivery would be the responsibility of the senile friend of the senior Dr. Daruwalla, the ancient and accident-prone Dr. Tata. It was unusual for Dr. Tata to make house calls, but he agreed, given his friendship with the Daruwallas and his understanding of the extreme sensitivity ascribed to the hypochondriac movie star. This was just as well, Meher said, because Veronica Rose would not have responded confidently to the peculiar sign with large lettering that was posted outside Dr. Tata’s office building.

It was surely wise to spare Vera the knowledge that Dr. Tata found it necessary to advertise his services as “best” and “most famous,” for Vera would doubtless conclude that Dr. Tata suffered from insecurity. And so Dr. Tata made frequent house calls to the esteemed Daruwalla residence on Ridge Road; because Dr. Tata was far too old to drive a car safely, his arrivals and departures were usually marked by the presence of taxis in the Daruwallas’ driveway—except for one time when Farrokh observed Dr. Tata stumbling into the driveway from the back seat of a private car. This wouldn’t have been of special interest to the young man except that the car was driven by Promila Rai; beside her in the passenger seat was her allegedly hairless nephew, Rahul—the very boy whose sexual ambiguity so discomforted Farrokh.

This loomed as a violation of that secrecy which all the Daruwallas sought for Vera and her pending child; but Promila and her unnerving nephew drove off as soon as Dr. Tata was deposited in the driveway, and Dr. Tata told Lowji that he was sure he’d thrown Promila “off the trail.” He’d told her he was making a house call to see Meher. Meher was offended that a woman as loathsome to her as Promila Rai would be presuming all sorts of female plumbing problems of an intimate nature. It was long after Dr. Tata had departed that Meher’s irritation subsided and she thought to ask Lowji and Farrokh what Promila and Rahul Rai were doing with old Dr. Tata in the first place. Lowji pondered the question as if for the first time.

“I suppose she was concluding an office visit and he asked her for a ride,” Farrokh informed his mother.

“She is a woman past childbearing years,” Meher delightedly pointed out. “If she was concluding an office visit, it would have been for something gynecological. For such a visit, why would she take her nephew?”

Lowji said, “Perhaps it was the nephew’s office visit—probably it has something to do with the hairlessness business!”

“I know Promila Rai,” Meher said. “She won’t believe for one minute that Dr. Tata was house-calling to see me.”

And then, one evening, following a function where there’d been interminable speeches at the Duckworth Club, Promila Rai approached Dr. Lowji Daruwalla and said to him, “I know all about the blond baby—I will take it.”

The senior Dr. Daruwalla cautiously said, “What baby?” Then he added, “There’s no certainty it will be blond!”

“Of course it will,” said Promila Rai. “I know these things. At least it will be fair-skinned.”

Lowji considered that the child might indeed be fair-skinned; however, both Danny Mills and Neville Eden had very dark hair, and the doctor sincerely doubted the baby would be as blond as Veronica Rose.

Meher was opposed, on principle, to Promila Rai being an adoptive mother. In the first place, Promila was in her fifties—not only a spinster but an evil, spurned woman.

“She’s a bitter, resentful witch,” Meher said. “She’d be an awful mother!”

“She must have a dozen servants,” Lowji replied, but Meher accused him of forgetting how offended he’d once been by Promila Rai.

As a Malabar Hill resident, Promila had led a protest campaign against the Towers of Silence. She’d offended the entire Parsi community, even old Lowji. Promila had claimed that the vultures were certain to drop body parts in various residents’ gardens, or on their terraces. Promila even alleged that she’d spotted a bit of a finger floating in her balcony birdbath. Dr. Lowji Daruwalla had written an angry letter explaining to Promila that vultures didn’t fly around with the fingers or toes of corpses in their beaks; vultures consumed what they wanted on the ground—anyone who knew anything about vultures knew that.

“And now you want Promila Rai to be a mother!”. Meher exclaimed.

“It isn’t that I want her to be a mother,” the senior Dr. Daruwalla said. “However, there isn’t exactly a lineup of wealthy matrons seeking to adopt an American movie star’s unwanted child!”

“Furthermore,” Meher said, “Promila Rai is a man-hater. What if that poor baby is a boy?”

Lowji didn’t dare tell Meher what Promila had already said to him. Promila was not only certain that the baby would be blond, she was also quite sure it would be a girl.

“I know these things,” Promila had told him. “You’re only a doctor—and one for joints, not babies!”

The senior Dr. Daruwalla didn’t suggest that Veronica Rose and Promila Rai discuss their transaction with each other; instead, he did everything he could to keep them from such a discussion—they didn’t seem to have much interest in each other, anyway. It mattered to Vera only that Promila was rich, or so it appeared. It mattered most of all to Promila that Vera was healthy. Promila had a sizable fear of drugs; it was drugs, she was certain, that had poisoned her fiancé’s brain and caused him to change his mind about marrying her—twice. After all, had he been drug-free and clear-headed, why wouldn’t he have married her—at least once?

Lowji could assure Promila that Vera was drug-free. Now that Neville and Danny had left Bombay and Vera wasn’t trying to be an actress every day, she didn’t need the sleeping pills; in fact, she slept most of the time.

Almost anyone could see where this was going; it was a pity that Lowji couldn’t. His own wife thought him criminal even to consider putting a newborn baby into the hands of Promila Rai; Promila would doubtless reject the child if it was male, or even slightly dark-haired. And then Lowji heard the worst news, from old Dr. Tata—namely, that Veronica Rose wasn’t a true blonde.

“I’ve seen where you haven’t seen,” old Dr. Tata told him. “She has black hair, very black—maybe the blackest hair I’ve ever seen. Even in India!”

Farrokh felt he could imagine the conclusion to this melodrama. The child would be a boy with black hair; Promila Rai wouldn’t want him, and Meher wouldn’t want Promila to have him, anyway. Therefore, the Daruwallas would end up adopting Vera’s baby. What Farrokh failed to imagine was that Veronica Rose wasn’t entirely as artless as she’d appeared; Vera had already chosen the Daruwallas as her baby’s adoptive parents. Upon the child’s birth, Vera had planned to stage a breakdown; the reason she’d appeared so indifferent to discussions with Promila was that Vera had decided she’d reject any would-be adoptive parent—not only Promila. She’d guessed that the Daruwallas were suckers when it came to children, and she’d not guessed wrong.

What no one had imagined was that there wouldn’t be just one dark-haired baby boy, there would be two—identical twin boys with the most gorgeous, almond-shaped faces and jet-black hair! Promila Rai wouldn’t want them, and not only because they were dark-haired boys; she would claim that any woman who had twins was clearly taking drugs.

But the most unexpected turn of events would be engineered by the persistent love letters of Danny Mills to Veronica Rose, and by the death of Neville Eden—the victim of a car crash in Italy, an accident that also ended the flamboyant life of Subodh Rai. Until the news of the car crash, Vera had been illogically hoping that Neville might come back to her; now she determined that the fatal accident was divine retribution for Neville’s preferring Subodh to her. She would carry this thought still further in her elder years, believing that AIDS was God’s well-intentioned effort to restore a natural order to the universe; like many morons, Vera would believe the scourge was a godsent plague in judgment of homosexuals. This was remarkable thinking, really, for a woman who wasn’t imaginative enough to believe in God.

It had been clear to Vera that if Neville ever would have wanted her, he wouldn’t have wanted her cluttered up with a baby. But upon Neville’s abrupt departure, Vera turned her thoughts to Danny. Would Danny still want to marry her if she brought him home a little surprise? Vera was sure he would.

“Darling,” Vera wrote to Danny. “I’ve not wanted to test how much you love me, but all this while I’ve been carrying our child.” (Her months with Lowji and Meher had markedly improved Vera’s English.) Naturally, when she first saw the twins, Vera immediately pronounced them to be Neville’s; in her view, they were far too pretty to be Danny’s.

Danny Mills, for his odd part, hadn’t considered having a child before. He was descended from weary but pleasant parents who’d had too many children before Danny had been born and who’d treated Danny with cordial indifference bordering on neglect. Danny wrote cautiously to his beloved Vera that he was thrilled she was carrying their child; a child was a fine idea—he hoped only that she didn’t desire to start a whole family.

Twins are “a whole family” unto themselves, as any fool knows, and thus the dilemma would sort itself out in the predictable fashion: Vera would take one home and the Daruwallas would keep the other. Simply put, Vera didn’t want to overwhelm Danny’s limited enthusiasm for fatherhood.

Among the host of surprises awaiting Lowji, not the least would be the advice given to him by his senile friend Dr. Tata: “When it comes to twins, put your money on the first one out.” The senior Dr. Daruwalla was shocked, but being an orthopedist, not an obstetrician, he sought to comply with Dr. Tata’s recommendation. However, such excitement and confusion attended the birth of the twins that none of the nurses kept track of which one came out first; old Dr. Tata himself couldn’t remember.

In this respect was Dr. Tata said to be “accident-prone”: he blamed the unprofessionalism of the house calls for his failure to hear the two heartbeats whenever he put his stethoscope to Vera’s big belly; he said that in his office, under appropriate conditions, he would surely have heard the two hearts. As it was—whether it was the music that Meher played or the constant sounds of housecleaning by the several servants—old Dr. Tata simply assumed that Vera’s baby had an unusually strong and active heartbeat. On more than one occasion, he said, “Your baby has just been exercising, I think.”

“I could have told you that,” Vera always replied.

And so it wasn’t until she was in labor that the monitoring of the fetal heartbeats told the tale. “What a lucky lady!” Dr. Tata told Vera Rose. “You have not one but two!”

A Knack for Offending People

In the summer of ’49, when the monsoon rains drenched Bombay, the aforementioned melodrama lay, heavy and unseen, in young Farrokh Daruwalla’s future—like a fog so far out in the Indian Ocean, it hadn’t yet reached the Arabian Sea. He would be back in Vienna, where he and Jamshed were continuing their lengthy and proper courtship of the Zilk sisters, when he heard the news.

“Not one but two!” And Vera took only one with her.

To Farrokh and Jamshed, their parents were already elderly. Even Lowji and Meher might have agreed that the most vigorous of their child-raising abilities were behind them; they’d do their best with the little boy, but after Jamshed married Josefine Zilk, it made sense for the younger couple to take over the responsibility. Theirs was a mixed marriage, anyway; and Zürich, where they would settle, was an international city—a dark-haired boy of strictly white parentage would easily fit in. By then he knew Hindi in addition to English; in Zürich he would learn German, although Jamshed and Josefine would start him in an English-speaking school. After a time, the senior Daruwallas became like grandparents to the boy; from the beginning, Lowji had legally adopted him.

And after Jamshed and Josefine had children of their own—and there came that inevitable passage through adolescence, wherein the orphaned twin expressed a disgruntled alienation from them all—it was only natural that Farrokh would emerge as a kind of big brother to the boy. The 20-year difference between them made Farrokh something of another father to the child, too. By then, Farrokh was married to the former Julia Zilk, and they’d started a family of their own. Wherever he went, the adopted boy appeared to belong, but Farrokh and Julia were his favorites.

One shouldn’t feel sorry for Vera’s abandoned child. He was always part of a large family, even if there was something dislocating in the geographical upheavals in the young man’s life—between Toronto, Zürich and Bombay—and even if, at an early age, there could be detected in him a certain detachment. And later there was in his language—in his German, in his English, in his Hindi—something decidedly odd, if not exactly a speech impediment. He spoke very slowly, as if he were composing a written sentence, complete with punctuation, in his mind’s eye. If he had an accent, it was nothing traceable; it was more a matter of his enunciation, which was so very deliberate, as if he were in the habit of speaking to children, or addressing crowds.

And the issue that naturally intrigued them all, which was whether he was the offspring of Neville Eden or of Danny Mills, would not be easily decided. In the medical records of One Day We’ll Go to India, Darling—which are, to this day, the only enduring records that the film was ever made—it was clearly noted that Neville and Danny were of the same common blood group, and the very same type that the twins would share.

Various Daruwallas argued that their twin was too good-looking, and too disinclined toward strong drink, to be a conceivable creation of Danny’s, Furthermore, the boy showed little interest in reading, much less in writing—he didn’t even keep a diary—whereas he was quite a gifted and highly disciplined young actor, even in grammar school. (This pointed the finger at the late Neville.) But, of course, the Daruwallas knew very little about the other twin. If one is determined to feel sorry for either of these twins, perhaps one should indulge such a feeling for the child Vera kept.

As for the little boy who was abandoned in India, his first days were marked by the necessity of giving him a name. He would be a Daruwalla, but in concession to his all-white appearance, it was agreed he should have an English first name. The family concurred that his name should be John, which was the Christian name of none other than Lord Duckworth himself; even Lowji conceded that the Duckworth Club was the source of the responsibility he bore for Veronica Rose’s cast-off child. Needless to say, no one would have been so stupid as to name a boy Duckworth Daruwalla. John Daruwalla, on the other hand, had a friendly Anglo-Indian ring.

Everyone could more or less pronounce this name. Indians are familiar with the letter J; even German-speaking Swiss don’t badly maul the name John, although they tend to Frenchify the name as “Jean.” Daruwalla is as phonetic as most names come, although German-speaking Swiss pronounce the W as V, hence the young man was known in Zürich as Jean Daruvalla; this was close enough. His Swiss passport was issued in the name of John Daruwalla—plain but distinctive.

Not for 39 years did there awaken in Farrokh that first stirring of the creative process, which old Lowji would never experience. Now, nearly 40 years after the birth of Vera’s twins, Farrokh found himself wishing that he’d never experienced the creative process, either. For it was by the interference of Farrokh’s imagination that little John Daruwalla had become Inspector Dhar, the man Bombay most loved to hate—and Bombay was a city of many passionate hatreds.

Farrokh had conceived Inspector Dhar in the spirit of satire—of quality satire. Why were there so many easily offended people? Why had they reacted to Inspector Dhar so humorlessly? Had they no appreciation for comedy? Only now, when he was almost 60, did it occur to Farrokh that he was his father’s son in this respect: he’d uncovered a natural talent for pissing people off. If Lowji had long been perceived as an assassination-in-progress, why had Farrokh been blind to this possible result in the case of Inspector Dhar? And he’d thought he was being so careful!

He’d written that first screenplay slowly and with great attention to detail. This was the surgeon in him; he hadn’t learned such carefulness or authenticity from Danny Mills, and certainly not from his attendance at those three-hour spectacles in the shabby downtown cinema palaces of Bombay—those art-deco ruins where the air-conditioning was always “undergoing repair” and the urine frequently overflowed the lavatories.

More than the movies, he’d watched the audience eating their snacks. In the 1950s and ’60s, the masala recipe was working—not only in Bombay but throughout South and Southeast Asia and the Middle East, and even in the Soviet Union. There was music mixed with murder, sob stories intercut with slapstick, mayhem in tandem with the most maudlin sentimentality—and, above all, the satisfying violence that occurs whenever the forces of good confront and punish the forces of evil. There were gods, too; they helped the heroes. But Dr. Daruwalla didn’t believe in the usual gods; when he started writing, he’d just recently become a convert to Christianity. To that Hindi hodgepodge which was the Bombay cinema, the doctor added his tough-guy voice-over and Dhar’s antiheroic sneer. Farrokh would wisely leave his newfound Christianity out of the picture.

He’d followed Danny Mills’s recommendations to the letter. He selected a director he liked. Balraj Gupta was a young man with a less heavy hand than most—he had an almost self-mocking manner—and more important, he was not such a well-known director that Dr. Daruwalla couldn’t bully him a little. The deal was as Danny Mills had said a deal should be, including the doctor’s choice of the young, unknown actor who would play Inspector Dhar. John Daruwalla was 22.

Farrokh’s first effort to pass off the young man as an Anglo-Indian wasn’t at all convincing to Balraj Gupta. “He looks like some kind of European to me,” the director complained, “but his Hindi is the real thing, I guess.” And after the success of the first Inspector Dhar movie, Balraj Gupta would never dream of interfering with the orthopedist (from Canada!) who’d given Bombay its most hated antihero.

The first movie was called Inspector Dhar and the Hanging Mali. This was more than 20 years after a real gardener had been found hanging from a neem tree on old Ridge Road in Malabar Hill, a posh part of town for anyone to be hanged in. The mali was a Muslim who’d just been dismissed from tending the gardens of several Malabar Hill residents; he’d been accused of stealing, but the charge had never been proven and there were those who claimed that the real-life gardener had been fired because of his extremist views. The mali was said to be furious about the closing of the Mosque of Babar.

Although Farrokh fictionalized the mail’s story 20 years after the little-known facts of the case, Inspector Dhar and the Hanging Mali wasn’t viewed as a period piece. For one thing, the 16th-century Babri mosque was still in dispute. The Hindus still wanted their idols to remain in the mosque in honor of the birthplace of Rama. The Muslims still wanted the idols removed. In the late 1960s, very much in keeping with the language of that time, the Muslims said they wanted to “liberate” the Mosque of Babar—whereas it was the birthplace of Rama that the Hindus said they wanted to liberate.

In the movie, Inspector Dhar sought to keep the peace. And, of course, this was impossible. The essence of an Inspector Dhar movie was that violence could be relied upon to erupt around him. Among the earliest of the victims was Inspector Dhar’s wife! Yes, he was married in the first movie, albeit briefly; the car-bomb death of his wife apparently justified his sexual licentiousness for the rest of the movie—and for all the other Inspector Dhar movies to come. And everyone was supposed to believe that this all-white Dhar was a Hindu. He’s seen lighting his wife’s cremation fire; he’s seen wearing the traditional dhoti, with his head traditionally shaved. All during the course of the first movie, his hair is growing back. Other women rub the stubble, as if in the most profound respect for his late wife. His status as a widower gains him great sympathy and lots of women—a very Western idea, and very offensive.

To begin with, both Hindus and Muslims were offended. Widowers were offended, not to mention widows and gardeners. And from the very first Inspector Dhar movie, policemen were offended. The misfortune of the real-life hanging mali had never been explained. The crime—that is, if it was a crime, if the gardener hadn’t hanged himself—was never solved.

In the movie, the audience is offered three versions of the hanging, each one a perfect solution. Thus the unfortunate mali is hanged three times, and each hanging offended some group. Muslims were angry that Muslim fanatics were blamed for hanging the gardener. Hindus were outraged that Hindu fundamentalists were blamed for hanging the gardener; and Sikhs were incensed that Sikh extremists were blamed for hanging the gardener, as a means of setting Muslims and Hindus against each other. The Sikhs were also offended because every time there’s a taxi in the movie, it’s driven wildly and aggressively by someone who’s perceived to be a crazed Sikh.

But the film was terribly funny! Dr. Daruwalla had thought.

In the darkness of the Ladies’ Garden, Farrokh reconsidered. Inspector Dhar and the Hanging Mali might have been terribly funny to Canadians, he imagined—with the notable exception of Canadian gardeners. But Canadians had never seen the film, except those former Bombayites who lived in Toronto; they’d watched all the Inspector Dhar movies on videocassettes, and even they were offended. Inspector Dhar himself had never found his films especially funny. And when Dr. Daruwalla had questioned Balraj Gupta concerning the comic (or at least satiric) nature of the Inspector Dhar movies, the director had responded in a most offhand manner. “They make lots of lakhs!” the director had said. “Now that’s funny!”

But it was no longer funny to Farrokh.

What if Mrs. Dogar Was a Hijra?

In the first darkness of the evening, the Duckworthians with small children had begun to occupy the tables in the Ladies’ Garden. The children enjoyed eating outdoors, but not even their enthusiastic high-pitched voices disturbed Farrokh’s journey into the past. Mr. Sethna disapproved of all small children—he especially disapproved of eating with them—but he nevertheless considered it his duty to oversee Dr. Daruwalla’s state of mind in the Ladies’ Garden.

Mr. Sethna had seen Dhar leave with the dwarf, but when Vinod returned to the Duckworth Club—the steward assumed that the nasty-looking midget was simply making his taxi available to Dr. Daruwalla, too—the dwarf hadn’t waddled in and out of the foyer, as usual; Vinod had gone into the Sports Shop, where the dwarf was on friendly terms with the ball boys and the racquet stringers. Vinod had become their favorite scavenger. Mr. Sethna disapproved of scavenging and of dwarfs; the steward thought dwarfs were disgusting. As for the ball boys and the racquet stringers, they thought Vinod was cute.

If the film press was at first being facetious when they referred to Vinod as “Inspector Dhar’s dwarf bodyguard”—they also called the dwarf “Dhar’s thug chauffeur”—Vinod took his reputation seriously. The dwarf was always well armed, and his weapons of choice were both legal and easily concealed in his taxi. Vinod collected squash-racquet handles from the racquet stringers at the Duckworth Sports Shop. When a racquet head was broken, a stringer sawed the head off and sanded down the stump until it was smooth; the remaining squash-racquet handle was of the right length and weight for a dwarf, and the wood was very hard. Vinod wanted only wooden racquet handles, which were becoming scarce. But the dwarf hoarded them; and the way he used them, he rarely broke one. He would jab or strike with only one racquet handle—he would go for the balls or the knees, or both—while he held the other handle out of reach. Invariably, the man under attack would grab hold of the offending racquet handle; thereupon Vinod would bring the other handle down on the man’s wrist.

It had been an unbeatable tactic. Invite the man to grab one racquet handle, then break his wrist with the other handle. The hell with a man’s head—Vinod often couldn’t reach a man’s head, anyway. A broken wrist usually stopped a fight; if a fool wanted to keep fighting, he would be fighting with one hand against two squash-racquet handles. If the film press had turned the dwarf into a bodyguard and a thug, Vinod didn’t mind. He was genuinely protective of Inspector Dhar.

Mr. Sethna disapproved of such violence, and of the Sport Shop racquet stringers who happily provided Vinod with his arsenal of squash-racquet handles. The ball boys also gave the dwarf dozens of discarded tennis balls. In the car-driving business, as Vinod described it, there was a lot of “just waiting” in his car. The former clown and acrobat liked to keep busy. By squeezing the dead tennis balls, Vinod strengthened his hands; the dwarf also claimed that this exercise relieved his arthritis, although Dr. Daruwalla believed that aspirin was probably a more reliable source of relief.

It had occurred to Mr. Sethna that Dr. Daruwalla’s longstanding relationship with Vinod was probably the reason the doctor didn’t drive a car; it had been years since Farrokh had even owned a car in Bombay. The dwarf’s reputation as Dhar’s driver tended to obscure, for most observers, the fact that Vinod also drove for Dr. Daruwalla. It spooked Mr. Sethna how the doctor and the dwarf seemed so aware of each other-even as the dwarf loaded up his car with squash-racquet handles and old tennis balls, even as the doctor went on sitting in the Ladies’ Garden. It was as if Farrokh always knew that Vinod was available—as if the dwarf were waiting only for him. Well, either for him or for Dhar.

It now occurred to Mr. Sethna that Dr. Daruwalla was intending to occupy his luncheon table through the dinner hours; perhaps the doctor was expecting dinner guests and had decided it was the simplest way to hold the table. But when the old steward inquired of Dr. Daruwalla about the number of place settings, Mr. Sethna was informed that the doctor was going home for “supper.” Promptly, as if he’d been awakened from a dream, Farrokh got up to leave.

Mr. Sethna observed and overheard him calling his wife from the telephone in the foyer.

“Nein, Liebchen,” said Dr. Daruwalla. “I have not told him—there wasn’t a good moment to tell him.” Then Mr. Sethna listened to Dr. Daruwalla on the subject of the murder of Mr. Lal. So it is a murder! Mr. Sethna thought. Bonked by his own putter! And when he heard the part about the two-rupee note in Mr. Lal’s mouth, and specifically the intriguing threat that was connected to Inspector Dhar—MORE MEMBERS DIE IF DHAR REMAINS A MEMBER—Mr. Sethna felt that his eavesdropping efforts had been rewarded, at least for this day.

Then something mildly remarkable happened. Dr. Daruwalla hung up the phone and turned into the foyer without first looking-where he was going, and who should he run smack into but the second Mrs. Dogar. The doctor bumped into her so hard, Mr. Sethna was excited by the possibility that the vulgar woman would be knocked down. But instead it was Farrokh who fell. More astonishing, upon the collision, Mrs. Dogar was shoved backward into Mr. Dogar—and he fell down, too. What a fool for marrying such a younger, stronger woman! Mr. Sethna thought. Then there was the usual bowing and apologizing, and everyone assured everyone else that he or she was absolutely fine. Sometimes the absurdities of good manners, which were demonstrated in such profusion at the Duckworth Club, gave Mr. Sethna gas.

Thus, finally, Farrokh escaped from the old steward’s overseeing eye. But while he waited for Vinod to fetch the car, Dr. Daruwalla—unobserved by Mr. Sethna—touched the sore spot in his ribs, where there would surely be a bruise, and he marveled at the hardness and sturdiness of the second Mrs. Dogar. It was like running into a stone wall!

It crossed the doctor’s mind that Mrs. Dogar was sufficiently masculine to be a hijra—not a hijra prostitute, of course, but just an ordinary eunuch-transvestite. In which case Mrs. Dogar might not have been eyeballing Inspector Dhar for the purpose of seducing him; instead, she might have had it in her mind to castrate him!

Farrokh felt ashamed of himself for thinking like a screenwriter again. How many Kingfishers have I had? he wondered; it relieved him to hold the beer accountable for his far-fetched fantasizing. In truth, he knew nothing about Mrs. Dogar—where she’d come from—but hijras occupied such a marginal position in Indian society; the doctor was aware that most of them came from the lower classes. Whoever she was, the second Mrs. Dogar was an upper-class woman. And Mr. Dogar—although he was a foolish old fart, in Farrokh’s opinion—was a Malabar Hill man; he came from old money, and lots of it. Nor was Mr. Dogar such a fool that he wouldn’t know the difference between a vagina and a burn scar from the famous hijra hot-oil treatment.

While he waited for Vinod, Dr. Daruwalla watched the second Mrs. Dogar help Mr. Dogar into their car. She towered over the poor parking-lot attendant, who sheepishly opened the driver’s-side door for her. Farrokh was unsurprised to see that Mrs. Dogar was the driver in the family. He’d heard all about her fitness training, which he knew included weight lifting and other unfeminine pursuits. Perhaps she takes testosterone, too, the doctor imagined, for the second Mrs. Dogar looked as if her sex hormones were raging—her male sex hormones, Dr. Daruwalla speculated. He’d heard that such women sometimes develop a clitoris as large as a finger, as long as a young boy’s penis!

When either too much Kingfisher or his run-amuck imagination caused Dr. Daruwalla to speculate in this fashion, the doctor was grateful that he was merely an orthopedic surgeon. He truly didn’t want to know too much about these other things. Yet Farrokh had to force himself from further contemplation, for he found that he was wondering what would be worse: that the second Mrs. Dogar sought to emasculate Inspector Dhar, or that she was in amorous pursuit of the handsome actor—and that she possessed a clitoris of an altogether unseemly size.

Dr. Daruwalla was in such a transfixed state of mind, he didn’t notice that Vinod had one-handedly wheeled into the circular driveway of the Duckworth Club and was, with his other hand, belatedly applying the brakes. The dwarf nearly ran the doctor down. At least this served to take Dr. Daruwalla’s mind off the second Mrs. Dogar. If only for the moment, Farrokh forgot her.

Load Cycle

The better of the dwarf’s two taxis—of those two that were equipped with hand controls—was in the shop. “The carburetor is being revised,” Vinod explained. Since Dr. Daruwalla had no idea how one accomplished a carburetor revision, he didn’t press the dwarf for details. They departed the Duckworth Club in Vinod’s decaying Ambassador, which was the off-white color of a pearl—like graying teeth, Farrokh reflected. Also, its hand control for acceleration was inclined to stick.

Nevertheless, Dr. Daruwalla abruptly asked the dwarf to drive him past his father’s former house on old Ridge Road, Malabar Hill; this was doubtless because Farrokh had his father and Malabar Hill on his mind. Farrokh and Jamshed had sold the house shortly after their father’s murder—when Meher had decided to live out the rest of her life in the company of her children and her grandchildren, all of whom had already chosen not to live in India. Dr. Daruwalla’s mother would die in Toronto, in the doctor’s guest bedroom. Meher’s death, in her sleep—when it had snowed all night—was as peaceful as the bombing of old Lowji had been violent.

It wasn’t the first time Farrokh had asked Vinod to drive by his old Malabar Hill home. From the moving taxi, the house was barely visible. The former Daruwalla family estate reminded the doctor of how tangential his contact with the country of his birthplace had become, for Farrokh was a foreigner on Malabar Hill. Dr. Daruwalla lived, like a visitor, in one of those ugly apartment buildings on Marine Drive; he had the same view of the Arabian Sea as could be found from a dozen similar places. He’d paid 60 lakhs (about 250,000 dollars) for a flat of less than 1,200 square feet, and he hardly lived there at all—he visited India so rarely. He was ashamed that, the rest of the time, he didn’t rent it out. But Farrokh knew he would have been a fool to do so; the tenancy laws in Bombay favor the tenants. If Dr. Daruwalla had tenants, he’d never get them out. Besides, from the Inspector Dhar movies, the doctor had made so many lakhs that he supposed he should spend some of them in Bombay. Through the marvels of a Swiss bank account and the guile of a cunning money-dealer, Dhar had been successful in getting a sizable portion of their earnings out of India. Dr. Daruwalla also felt ashamed of that.

Vinod seemed to sense when Dr. Daruwalla was vulnerable to charity. It was his own charitable enterprise that the dwarf was thinking of; Vinod was routinely shameless in seeking the doctor’s support of his most fervent cause.

Vinod and Deepa had taken it upon themselves to rescue various urchins from the slums of Bombay; in short, they recruited street kids for the circus. They sought the more acrobatic beggars—demonstrably well coordinated children—and Vinod made every effort to steer these talented waifs toward circuses of more merit than the Great Blue Nile. Deepa was particularly devoted to saving child prostitutes, or would-be child prostitutes; rarely were these girls suitable circus material. To Dr. Daruwalla’s knowledge, the only circus that had stooped to adopt any of Vinod and Deepa’s discoveries was the less-than-great Blue Nile.

To Farrokh’s considerable discomfort, many of these girls were Mr. Garg’s discoveries—that is, long before Vinod and Deepa had found them. Mr. Garg was the owner and manager of the Wetness Cabaret, where a kind of concealed grossness was the norm. Strip joints, not to mention sex shows, aren’t permitted in Bombay—at least not to the degree of explicitness that exists in Europe and in North America. In India, there’s no nudity, whereas “wetness”—meaning wet, clinging, almost transparent clothing—is much in evidence, and sexually suggestive gestures are the mainstay of so-called exotic dancers in such seedy entertainment spots as Mr. Garg’s. Among such spots, even including the Bombay Eros Palace, the Wetness Cabaret was the worst; yet the dwarf and his wife insisted to Dr. Daruwalla that Mr. Garg was the Good Samaritan of Kamathipura. In the many lanes of brothels that were there, and throughout the red-light district on Falkland Road and on Grant Road, the Wetness Cabaret was a haven.

It was only a haven compared to a brothel, Farrokh supposed. Whether one called Garg’s girls strippers or “exotic dancers,” most of them weren’t whores. But many of them were runaways from the Kamathipura brothels, or from the brothels on Falkland Road and on Grant Road. In the brothels, the virginity of these girls had been only briefly prized—until the madam supposed they were old enough, or until there was a high enough offer. But when many of these girls ran away to Mr. Garg, they were much too young for what the Wetness Cabaret offered; ironically, they were old enough for prostitution but far too young to be exotic dancers.

According to Vinod, most men who wanted to look at women wanted the women to look like women; apparently, these weren’t the same men who wanted to have sex with underage girls—and even those men, Vinod claimed, didn’t necessarily want to look at those young girls. Therefore, Mr. Garg couldn’t use them at the Wetness Cabaret, although Farrokh fantasized that Mr. Garg had used them in some private, unmentionable way.

Dr. Daruwalla’s Dickensian theory was that Mr. Garg was perverse because of his physical appearance. The man gave Farrokh the creeps. Mr. Garg had made an astonishingly vivid impression on Dr. Daruwalla, considering that they had met only once; Vinod had introduced them. The enterprising dwarf was also Garg’s driver.

Mr. Garg was tall and of military erectness, but with the sort of sallow complexion that Farrokh associated with a lack of exposure to daylight. The skin on Garg’s face had an unhealthy, waxy sheen, and it was unusually taut, like the skin of a corpse. Further enhancing Mr. Garg’s cadaverlike appearance was an unnatural slackness to his mouth; his lips were always parted, like the lips of someone who’d fallen asleep in a seated position, and his eye sockets were dark and bloated, as if full of stagnant blood. Worse, Mr. Garg’s eyes were as yellow and opaque as a lion’s—and as unreadable, Dr. Daruwalla thought. Worst of all was the burn scar. Acid had been flung in Mr. Garg’s face, which he’d managed to turn to the side; the acid had shriveled one ear and burned a swath along his jawline and down the side of his throat, where the raw pink smear disappeared under the collar of his shirt. Not even Vinod knew who’d thrown the acid, or why.

All Mr. Garg’s girls needed from Dr. Daruwalla was the trusted physician’s assurance to the circuses that these girls were in the pink of health. But what could Farrokh say about the health of those girls from the brothels? Some of them were born in brothels; certain indications of congenital syphilis were easy to spot. And nowadays, the doctor couldn’t recommend them to a circus without having them tested for AIDS; few circuses—not even the Great Blue Nile—would take a girl if she was HIV-positive. Most of them carried something venereal; at the very least, the girls always had to be de-wormed. So few of them were ever taken, even by the Great Blue Nile.

When the girls were rejected by the circus, what became of them? (“We are being good by trying,” Vinod would answer.) Did Mr. Garg sell them back to a brothel, or did he wait for them to grow old enough to be Wetness Cabaret material? It appalled Farrokh that, by the standards of Kamathipura, Mr. Garg was considered a benevolent presence; yet Dr. Daruwalla knew of no evidence against Mr. Garg—at least nothing beyond the common knowledge that he bribed the police, who only occasionally raided the Wetness Cabaret.

The doctor had once imagined Mr. Garg as a character in an Inspector Dhar movie; in a first draft of Inspector Dhar and the Cage-Girl Killer, Dr. Daruwalla had written a cameo role for Mr. Garg—he was a child molester named Acid Man. Then Farrokh had thought better of it. Mr. Garg was too well known in Bombay. It might have become a legal matter, and there’d been the added risk of insulting Vinod and Deepa, which Dr. Daruwalla would never do. If Garg was no Good Samaritan, the doctor nevertheless believed that the dwarf and his wife were the real thing—they were saints to these children, or they tried to be. They were, as Vinod had said, “being good by trying.”

Vinod’s off-white Ambassador was approaching Marine Drive when the doctor gave in to the dwarf’s nagging. “All right, all right—I’ll examine her,” Dr. Daruwalla told Vinod. “Who is she this time, and what’s her story?”

“She is being a virgin,” the dwarf explained. “Deepa is saying that she is already an almost boneless girl—a future plastic lady!”

“Who is saying she’s a virgin?” the doctor asked.

“She is saying so,” Vinod said. “Garg is telling Deepa that the girl is running away from a brothel before anyone is touching her.”

“So Garg is saying she’s a virgin?” Farrokh asked Vinod.

“Maybe almost a virgin—maybe close,” the dwarf replied. “I am thinking she used to be a dwarf, too,” Vinod added. “Or maybe she is being part-dwarf. I am almost thinking so.”

“That’s not possible, Vinod,” said Dr. Daruwalla.

As the dwarf shrugged, the Ambassador surged into a rotary; the roundabout turn caused several tennis balls to roll across Farrokh’s feet, and the doctor heard the clunking of squash-racquet handles from under Vinod’s elevated seat. The dwarf had explained to Dr. Daruwalla that the handles of badminton racquets were too flimsy—they broke—and the handles of tennis racquets were too heavy to swing with sufficient quickness. The squash-racquet handles were just right.

Only because he already knew where it was, Farrokh could faintly make out the odd billboard that floated on the boat moored offshore in the Arabian Sea; the hoarding bobbed on the water. TIKTOK TISSUES were being advertised again tonight.

And tonight, and every night, the metal signs on the lampposts promised a good ride on APOLLO TYRES. The rush-hour traffic along Marine Drive had long ago subsided, and the doctor could tell by the lights from his own apartment that Dhar had already arrived; the balcony was lit up and Julia never sat on the balcony alone. They’d probably watched the sunset together, the doctor thought; he was aware, too, that the sun had set a long time ago. They’ll both be mad at me, Farrokh decided.

The doctor told Vinod that he’d examine the “almost boneless” girl in the morning—the almost-a-virgin, Dr. Daruwalla almost said. The half-dwarf or former dwarf, the doctor imagined. Mr. Garg’s girl! he thought grimly.

In the stark lobby of his apartment building, Farrokh felt for a moment that he could have been anywhere in the modern world. But when the elevator door opened, he was greeted by a familiar sign, which he detested.

The sign assaulted him with a numbing sense of inadequacy. It was a part of the pecking order of Indian life—not only the acceptance of discrimination, which was worldwide, but the deification of it, which Lowji Daruwalla had believed was so infuriatingly Indian, even though much of it was inherited from the Raj.

Farrokh had tried to convince the Residents’ Society to remove the offensive sign, but the rules about servants were inflexible. Dr. Daruwalla was the only resident of the building who wasn’t in favor of forcing servants to use the stairs. Also, the Residents’ Society discounted Farrokh’s opinion on the grounds that he was a Non-Resident Indian—“NRI” was the doctor’s official government category. If this dispute about the use of the lift was the kind of issue that old Lowji would have got himself killed over, the younger Dr. Daruwalla self-deprecatingly viewed his failure with the Residents’ Society as typical of his political ineffectualness and his general out-of-itness.

As he got off the elevator, he said to himself, I’m not a functioning Indian. The other day, someone at the Duckworth Club had been outraged that a political candidate in New Delhi was conducting a campaign “strictly on the cow issue”; Dr. Daruwalla had been unable to contribute an opinion because he was unsure what the cow issue was. He was aware of the rise of groups to protect cows, and he supposed they were a part of the Hindu-revivalist wave, like those Hindu-chauvinist holy men proclaiming themselves to be reincarnations of the gods themselves—and demanding to be worshiped as gods, too. He knew that there was still Hindu-Muslim rioting over the Mosque of Babar—the underlying subject of his first Inspector Dhar movie, which he’d found so funny at the time. Now thousands of bricks had been consecrated and stamped SHRI RAMA, which means “respected Rama,” and the foundation for a temple to Rama had been laid less than 200 feet from the Babri mosque. Not even Dr. Daruwalla imagined that the outcome of the 40-year feud over the Mosque of Babar would be “funny.”

Here he was again, with his pathetic sense of not belonging. He knew that there were Sikh extremists, but he didn’t know one personally. At the Duckworth Club, he was on the friendliest terms with Mr. Bakshi—a Sikh novelist, and a great conversationalist on the subject of American movie classics—yet they’d never discussed Sikh terrorists. And Farrokh knew about the Shiv Sena and the Dalit Panthers and the Tamil Tigers, but he knew nothing personally. There were more than 600 million Hindus in India; there were 100 million Muslims, and millions of Sikhs and Christians, too. There were probably not even 80,000 Parsis, Farrokh thought. But in his own small part of India—in his ugly apartment building on Marine Drive—all these contentious millions were reduced in the doctor’s mind to what he called the elevator issue. Concerning the stupid lift, all these warring factions concurred: they disagreed only with him. Make the servants climb the stairs.

Farrokh had recently read about a man who was murdered because his mustache gave “caste offense”; apparently, the mustache was waxed to curl up—it should have drooped down. Dr. Daruwalla decided: Inspector Dhar should leave India and never come back. And I should leave India and never come back, too! he thought. For so what if he helped a few crippled children in Bombay? What business did he have even imagining “funny” movies about a country like this? He wasn’t a writer. And what business did he have taking blood from dwarfs? He wasn’t a geneticist, either.

Thus, with a characteristic loss of self-confidence, Dr. Daruwalla entered his apartment to face the music he was certain he would hear. He’d been late in telling his beloved wife that he’d invited his beloved John Daruwalla for the evening meal, and the doctor had kept them both waiting. Also, he’d lacked the courage to tell Inspector Dhar the upsetting news.

Farrokh felt he was trapped in a circus act of his own creation, an annoying pattern of procrastination that he couldn’t break out of. He was reminded of an item in the Great Royal Circus; at first he’d found it a charming sort of madness, but now he thought it might drive him crazy if he ever saw it again. It conveyed such a meaningless but relentless insanity, and the accompanying music was so repetitious; in Dr. Daruwalla’s mind, the act stood for the lunatic monotony that weighed on everyone’s life from time to time. The item was called Load Cycle, and it was a case of simplicity carried to idiotic extremes.

There were two bicycles, each one pedaled by a very solid, strong-looking woman. The pair followed each other around the ring. They were joined by other plump, dark-skinned women, who found a variety of means by which to mount the moving bicycles. Some of the women perched on little posts that extended from the hubs of the front and back wheels; some mounted the handlebars and wobbled precariously there—others teetered on the rear fenders. And regardless of how many women mounted the bicycles, the two strong-looking women kept pedaling. Then little girls appeared; they climbed on the shoulders and stood on the heads of the other women—including the laboring, sturdy pedalers—until two struggling pyramids of women were clinging to these two bicycles, which never stopped circling the ring.

The music was of a sustained madness equal to one fragment of the cancan, repeated and repeated, and all the dark-skinned women—both the fat, older women and the little girls—wore too much face powder, which gave them a minstrel-like aura of unreality. They also wore pale-purple tutus, and they smiled and smiled and smiled as they tottered around and around and around the ring. The last time the doctor had seen a performance of this item, he’d thought it would never end.

Perhaps there’s a Load Cycle in everyone’s life, thought Dr. Daruwalla. As he paused at the door of his apartment, Farrokh felt he’d been enduring a Load Cycle sort of day. Dr. Daruwalla could imagine the cancan music starting up again, as if he were about to be greeted by a dozen dark-skinned girls in pale-purple tutus—all of them white-faced and moving to the insane, incessant rhythm.