Afraid Of A Gun and Other Stories

BODIES PILED UP

Note, story also known as "House Dick."

The Montgomery Hotel's regular detective had taken his last week's rake-off from the hotel bootlegger in merchandise instead of cash, had drunk it down, had fallen asleep in the lobby, and had been fired. I happened to be the only idle operative in the Continental Detective Agency's San Francisco branch at the time, and thus it came about that I had three days of hotel-coppering while a man was being found to take the job permanently.

The Montgomery is a quiet hotel of the better sort, and so I had a very restful time of it —until the third and last day. Then things changed.

I came down into the lobby that afternoon to find Stacey, the assistant manager, hunting for me.

"One of the maids just phoned that there's something wrong up in 906," he said.

We went up to that room together. The door was open. In the centre of the floor stood a maid, staring goggle-eyed at the closed door of the clothes-press. From under it, extending perhaps a foot across the floor toward us, was a snake-shaped ribbon of blood.

I stepped past the maid and tried the door. It was unlocked. I opened it. Slowly, rigidly, a man pitched out into my arms—pitched out backward—and there was a six-inch slit down the back of his coat, and the coat was wet and sticky.

That wasn't altogether a surprise: the blood on the floor had prepared me for something of the sort. But when another followed him—facing me, this one, with a dark, distorted face —I dropped the one I had caught and jumped back.

And as I jumped a third man came tumbling out after the others.

From behind me came a scream and a thud as the maid fainted. I wasn't feeling any too steady myself. I'm no sensitive plant, and I've looked at a lot of unlovely sights in my time, but for weeks afterward I could see those three dead men coming out of that clothespress to pile up at my feet: coming out slowly—almost deliberately—in a ghastly game of 'follow your leader.'

Seeing them, you couldn't doubt that they were really dead. Every detail of their falling, every detail of the heap in which they now lay, had a horrible certainty of lifelessness in it.

I turned to Stacey, who, deathly white himself, was keeping on his feet only by clinging to the foot of the brass bed.

"Get the woman out! Get doctors—police!"

I pulled the three dead bodies apart, laying them out in a grim row, faces up. Then I made a hasty examination of the room.

A soft hat, which fitted one of the dead men, lay in the centre of the unruffled bed. The room key was in the door, on the inside. There was no blood in the room except what had leaked out of the clothespress, and the room showed no signs of having been the scene of a struggle.

The door to the bathroom was open. In the bottom of the bathtub was a shattered gin bottle, which, from the strength of the odour and the dampness of the tub, had been nearly full when broken. In one corner of the bathroom I found a small whisky glass and another under the tub. Both were dry, clean, and odourless.

The inside of the clothespress door was stained with blood from the height of my shoulder to the floor, and two hats lay in the puddle of blood on the closet floor. Each of the hats fitted one of the dead men.

That was all. Three dead men, a broken gin bottle, blood.

Stacey returned presently with a doctor, and while the doctor was examining the dead men, the police detectives arrived.

The doctor's work was soon done.

"This man," he said, pointing to one of them, "was struck on the back of the head with a small blunt instrument, and then strangled. This one"—pointing to another—"was simply strangled. And the third was stabbed in the back with a blade perhaps five inches long. They have been dead for about two hours—since noon or a little after."

The assistant manager identified two of the bodies. The man who had been stabbed—the first to fall out of the clothespress—had arrived at the hotel three days before, registering as Tudor Ingraham of Washington, D.C., and had occupied room 915, three doors away.

The last man to fall out—the one who had been simply choked—was the occupant of this room. His name was Vincent Develyn. He was an insurance broker and had made the hotel his home since his wife's death, some four years before.

The third man had been seen in Develyn's company frequently, and one of the clerks remembered that they had come into the hotel together at about five minutes after twelve this day. Cards and letters in his pockets told us that he was Homer Ansley, a member of the law firm of Lankershim and Ansley, whose offices were in the Miles Building—next door to Develyn's office.

Develyn's pockets held between $150 and $200; Ansley's wallet contained more than $100; Ingraham's pockets yielded nearly $300, and in a money-belt around his waist we found $2,200 and two medium-sized unset diamonds. All three had watches--Develyn's was a valuable one— in their pockets, and Ingraham wore two rings, both of which were expensive ones. Ingraham's room key was in his pocket.

Beyond this money—whose presence would seem to indicate that robbery hadn't been the motive behind the three killings—we found nothing on any of the persons to throw the slightest light on the crime. Nor did the most thorough examination of both Ingraham's and Develyn's rooms teach us anything.

In Ingraham's room we found a dozen or more packs of carefully marked cards, some crooked dice, and an immense amount of data on race-horses. Also we found that he had a wife who lived on East Delavan Avenue in Buffalo, and a brother on Crutcher Street in Dallas; as well as a list of names and addresses that we carried off to investigate later. But nothing in either room pointed, even indirectly, at murder.

Phels, the Police Department Bertillon man, found a number of fingerprints in Devetyn's room, but we couldn't tell whether they would be of any value or not until he had worked them up. Though Develyn and Ansley had apparently been strangled by hands, Phels was unable to get prints from either their necks or their collars.

The maid who had discovered the blood said that she had straightened up Develyn's room between ten and eleven that morning, but had not put fresh towels in the bathroom. It was for this purpose that she had gone to the room in the afternoon. She had gone there earlier— between 10:20 and 10:45—for that purpose, but Ingraham had not then left it.

The elevator man who had carried Ansley and Develyn up from the lobby at a few minutes after twelve remembered that they had been laughingly discussing their golf scores of the previous day during the ride. No one had seen anything suspicious in the hotel around the time at which the doctor had placed the murders. But that was to be expected.

The murderer could have left the room, closing the door behind him, and walked away secure in the knowledge that at noon a man in the corridors of the Montgomery would attract little attention. If he was staying at the hotel he would simply have gone to his room; if not, he would have either walked all the way down to the street, or down a floor or two and then caught an elevator.

None of the hotel employees had ever seen Ingraham and Develyn together. There was nothing to show that they had even the slightest acquaintance. Ingraham habitually stayed in his room until noon, and did not return to it until late at night. Nothing was known of his affairs.

At the Miles Building we—that is, Marty O'Hara and George Dean of the Police Department Homicide Detail, and I—questioned Ansley's partner and Develyn's employees. Both Develyn and Ansley, it seemed, were ordinary men who led ordinary lives: lives that held neither dark spots nor queer kinks. Ansley was married and had two children; he lived on Lake Street. Both men had a sprinkling of relatives and friends scattered here and there through the country; and, so far as we could learn, their affairs were in perfect order.

They had left their offices this day to go to luncheon together, intending to visit Develyn's room first for a drink apiece from a bottle of gin someone coming from Australia had smuggled in to him.

"Well," O'Hara said, when we were on the street again, "this much is clear. If they went up to Develyn's room for a drink, it's a cinch that they were killed almost as soon as they got in the room. Those whisky glasses you found were dry and clean. Whoever turned the trick must have been waiting for them. I wonder about this fellow Ingraham."

"I'm wondering, too," I said. "Figuring it out from the positions I found them in when I opened the closet door, Ingraham sizes up as the key to the whole thing. Develyn was back against the wall, with Ansley in front of him, both facing the door. Ingraham was facing them, with his back to the door. The clothespress was just large enough for them to be packed in it—too small for them to slip down while the door was closed.

"Then there was no blood in the room except what had come from the clothespress. Ingraham, with that gaping slit in his back, couldn't have been stabbed until he was inside the closet, or he'd have bled elsewhere. He was standing close to the other men when he was knifed, and whoever knifed him closed the door quickly afterward.

"Now, why should he have been standing in such a position? Do you dope it out that he and another killed the two friends, and that while he was stowing their bodies in the closet his accomplice finished him off?"

"Maybe," Dean said.

And that "maybe" was still as far as we had gone three days later.

We had sent and received bales of telegrams, having relatives and acquaintances of the dead men interviewed; and we had found nothing that seemed to have any bearing upon their deaths. Nor had we found the slightest connecting link between Ingraham and the other two. We had traced those other two back step by step almost to their cradles. We had accounted for every minute of their time since Ingraham had arrived in San Francisco—thoroughly enough to convince us that neither of them had met Ingraham.

Ingraham, we had learned, was a bookmaker and all around crooked gambler. His wife and he had separated, but were on good terms. Some fifteen years before, he had been convicted of "assault with intent to kill" in Newark, N.J., and had served two years in the state prison. But the man he had assaulted had died of pneumonia in Omaha in 1914.

Ingraham had come to San Francisco for the purpose of opening a gambling club, and all our investigations had tended to show that his activities while in the city had been toward that end alone.

The fingerprints Phels had secured had all turned out to belong to Stacey, the maid, the police detectives, or myself. In short, we had found nothing!

So much for our attempts to learn the motive behind the three murders.

We now dropped that angle and settled down to the detail--studying, patience-taxing grind of picking up the murderer's trail. From any crime to its author there is a trail. It may be —as in this case—obscure; but, since matter cannot move without disturbing other matter along its path, there always is—there must be—a trail of some sort. And finding and following such trails is what a detective is paid to do.

In the case of a murder it is possible sometimes to take a short-cut to the end of the trail, by first finding the motive. A knowledge of the motive often reduces the field of possibilities; sometimes points directly to the guilty one.

So far, all we knew about the motive in the particular case we were dealing with was that it hadn't been robbery; unless something we didn't know about had been stolen—something of sufficient value to make the murderer scorn the money in his victims' pockets.

We hadn't altogether neglected the search for the murderer's trail, of course, but— being human—we had devoted most of our attention to trying to find a short-cut. Now we set out to find our man, or men, regardless of what had urged him or them to commit the crimes.

Of the people who had been registered at the hotel on the day of the killing there were nine men of whose innocence we hadn't found a reasonable amount of proof. Four of these were still at the hotel, and only one of that four interested us very strongly. That one—a big raw-boned man of forty-five or fifty, who had registered as J. J. Cooper of Anaconda, Montana —wasn't, we had definitely established, really a mining man, as he pretended to be. And our telegraphic communications with Anaconda failed to show that he was known there. Therefore we were having him shadowed—with few results.

Five men of the nine had departed since the murders; three of them leaving forwarding addresses with the mail clerk. Gilbert Jacquemart had occupied room 946 and had ordered his mail forwarded to him at a Los Angeles hotel. W. F. Salway, who had occupied room 1022, had given instructions that his mail be readdressed to a number on Clark Street in Chicago. Ross Orrett, room 609, had asked to have his mail sent to him care of General Delivery at the local post office.

Jacquemart had arrived at the hotel two days before, and had left on the afternoon of the murders. Salway had arrived the day before the murders and had left the day after them. Orrett had arrived the day of the murders and had left the following day.

Sending telegrams to have the first two found and investigated, I went after Orrett myself. A musical comedy named What For? was being widely-advertised just then with gaily printed plum-coloured handbills. I got one of them and, at a stationery store, an envelope to match, and mailed it to Orrett at the Montgomery Hotel. There are concerns that make a practice of securing the names of arrivals at the principal hotels and mailing them advertisements. I trusted that Orrett, knowing this, wouldn't be suspicious when my gaudy envelope, forwarded from the hotel, reached him through the General Delivery window.

Dick Foley—the Agency's shadow specialist—planted himself in the post office, to loiter around with an eye on the 'O' window until he saw my plum-coloured enveloped passed out, and then to shadow the receiver.

I spent the next day trying to solve the mysterious J. J. Cooper's game, but he was still a puzzle when I knocked off that night.

At a little before five the following morning Dick Foley dropped into my room on his way home to wake me up and tell me what he had done.

"This Orrett baby is our meat!" he said. "Picked him up when he got his mail yesterday afternoon. Got another letter besides yours. Got an apartment on Van Ness Avenue. Took it the day after the killing, under the name of B. T. Quinn. Packing a gun under his left arm--there's that sort of a bulge there. Just went home to bed. Been visiting all the dives in North Beach. Who do you think he's hunting for?"

"Who?"

"Guy Cudner."

That was news! This Guy Cudner, alias 'The Darkman,' was the most dangerous bird on the Coast, if not in the country. He had only been nailed once, but if he had been convicted of all the crimes that everybody knew he had committed he'd have needed half a dozen lives to crowd his sentences into, besides another half-dozen to carry to the gallows. However, he had decidedly the right sort of backing—enough to buy him everything he needed--in the way of witnesses, alibis, even juries and an occasional judge.

I don't know what went wrong with his support that one time he was convicted up North and sent over for a one-to-fourteen-year hitch; but it adjusted itself promptly, for the ink was hardly dry on the press notices of his conviction before he was loose again on parole.

"Is Cudner in town?"

"Don't know," Dick said, "but this Orrett, or Quinn, or whatever his name is, is surely hunting for him. In Rick's place, at 'Wop' Healey's, and at Pigatti's. 'Porky' Grout tipped me off. Says Orrett doesn't know Cudner by sight, but is trying to find him. Porky didn't know what he wants with him."

This Porky Grout was a dirty little rat who would sell out his family—if he ever had one—for the price of a flop. But with these lads who play both sides of the game it's always a question of which side they're playing when you think they're playing yours.

"Think Porky was coming clean?" I asked.

"Chances are—but you can't gamble on him."

"Is Orrett acquainted here?"

"Doesn't seem to be. Knows where he wants to go but has to ask how to get there. Hasn't spoken to anybody that seemed to know him."

"What's he like?"

"Not the kind of egg you'd want to tangle with offhand, if you ask me. He and Cudner would make a good pair. They don't look alike. This egg is tall and slim, but he's built right— those fast, smooth muscles. Face is sharp without being thin, if you get me. I mean all the lines in it are straight. No curves. Chin, nose, mouth, eyes—all straight, sharp lines and angles. Looks like the kind of egg we know Cudner is. Make a good pair. Dresses well and doesn't look like a rowdy—but harder than hell! A big-game hunter! Our meat, I bet you!"

"It doesn't look bad," I agreed. "He came to the hotel the morning of the day the men were killed, and checked out the next morning. He packs a rod, and changed his name after he left. And now he's paired off with The Darkman. It doesn't look bad at all!"

"I'm telling you," Dick said, "this fellow looks like three killings wouldn't disturb his rest any. I wonder where Cudner fits in."

"I can't guess. But, if he and Orrett haven't connected yet, then Cudner, wasn't in on the murders; but he may give us the answer."

Then I jumped out of bed. "I'm going to gamble on Porky's dope being on the level! How would you describe Cudner?"

"You know him better than I do."

"Yes, but how would you describe him to me if I didn't know him?"

"A little fat guy with a red forked scar on his left cheek. What's the idea?"

"It's a good one," I admitted. "That scar makes all the difference in the world. If he didn't have it and you were to describe him you'd go into all the details of his appearance. But he has it, so you simply say, 'A little fat guy with a red forked scar on his left cheek.' It's a ten to one that that's just how he has been described to Orrett. I don't look like Cudner, but I'm his size and build, and with a scar on my face Orrett will fall for me."

"What then?"

"There's no telling; but I ought to be able to learn a lot if I can get Orrett talking to me as Cudner. It's worth a try anyway."

"You can't get away with it—not in San Francisco. Cudner is too well-known."

"What difference does that make, Dick? Orrett is the only one I want to fool. If he takes me for Cudner, well and good. If he doesn't, still well and good. I won't force myself on him."

"How are you going to fake the scar?"

"Easy! We have pictures of Cudner, showing the scar, in the criminal gallery. I'll get some collodion—it's sold in drug stores under several trade names for putting on cuts and scratches—colour it, and imitate Cudner's scar on my cheek. It dries with a shiny surface and, put on thick, will stand out enough to look like an old scar."

It was a little after eleven the following night when Dick telephoned me that Orrett was in Pigatti's place, on Pacific Street, and apparently settled there for some little while. My scar already painted on, I jumped into a taxi and within a few minutes was talking to Dick, around the corner from Pigatti's.

"He's sitting at the last table back on the left side. And he was alone when I came out. You can't miss him. He's the only egg in the joint with a clean collar."

"You better stick outside—half a block or so away—with the taxi," I told Dick. "Maybe brother Orrett and I will leave together and I'd just as leave have you standing by in case things break wrong."

Pigatti's place is a long, narrow, low-ceilinged cellar, always dim with smoke. Down the middle runs a narrow strip of bare floor for dancing. The rest of the floor is covered with closely packed tables, whose cloths are always soiled.

Most of the tables were occupied when I came in, and half a dozen couples were dancing. Few of the faces to be seen were strangers to the morning 'line-up' at police headquarters.

Peering through the smoke, I saw Orrett at once, seated alone in a far corner, looking at the dancers with the set blank face of one who masks an all-seeing watchfulness. I walked down the other side of the room and crossed the strip of dance-floor directly under a light, so that the scar might be clearly visible to him. Then I selected a vacant table not far from his, and sat down facing him.

Ten minutes passed while he pretended an interest in the dancers and I affected a thoughtful stare at the dirty cloth on my table; but neither of us missed so much as a flicker of the other's lids.

His eyes—gray eyes that were pale without being shallow, with black needle-point pupils —met mine after a while in a cold, steady, inscrutable stare; and, very slowly, he got to his feet. One hand—his right—in a side pocket of his dark coat, he walked straight across to my table and sat down.

"Cudner?"

"Looking for me, I hear," I replied, trying to match the icy smoothness of his voice, as I was matching the steadiness of his gaze.

He had sat down with his left side turned slightly toward me, which put his right arm in not too cramped a position for straight shooting from the pocket that still held his hand.

"You were looking for me, too."

I didn't know what the correct answer to that would be, so I just grinned. But the grin didn't come from my heart. I had, I realised, made a mistake—one that might cost me something before we were done. This bird wasn't hunting for Cudner as a friend, as I had carelessly assumed, but was on the war path.

I saw those three dead men falling out of the closet in room 906!

My gun was inside the waist-band of my trousers, where I could get it quickly, but his was in his hand. So I was careful to keep my own hands motionless on the edge of the table, while I widened my grin.

His eyes were changing now, and the more I looked at them the less I liked them. The gray in them had darkened and grown duller, and the pupils were larger, and white crescents were showing beneath the gray. Twice before I had looked into eyes such as these—and I hadn't forgotten what they meant—the eyes of the congenital killer!

"Suppose you speak your piece," I suggested after a while.

But he wasn't to be beguiled into conversation. He shook his head a mere fraction of an inch and the corners of his compressed mouth dropped down a trifle. The white crescents of eyeballs were growing broader, pushing the gray circles up under the upper lids.

It was coming! And there was no use waiting for it!

I drove a foot at his shins under the table, and at the same time pushed the table into his lap and threw myself across it. The bullet from his gun went off to one side. Another bullet—not from his gun—thudded into the table that was upended between us.

I had him by the shoulders when the second shot from behind took him in the left arm, just below my hand. I let go then and fell away, rolling over against the wall and twisting around to face the direction from which the bullets were coming.

I twisted around just in time to see—jerking out of sight behind a corner of the passage that gave to a small dining-room—Guy Cudner's scarred face. And as it disappeared a bullet from Orrett's gun splattered the plaster from the wall where it had been.

I grinned at the thought of what must be going on in Orrett's head as he lay sprawled out on the floor confronted by two Cudners. But he took a shot at me just then and I stopped grinning. Luckily, he had to twist around to fire at me, putting his weight on his wounded arm, and the pain made him wince, spoiling his aim.

Before he had adjusted himself more comfortably I had scrambled on hands and knees to Pigatti's kitchen door—only a few feet away—and had myself safely tucked out of range around an angle in the wall; all but my eyes and the top of my head, which I risked so that I might see what went on.

Orrett was now ten or twelve feet from me, lying flat on the floor, facing Cudner, with a gun in his hand and another on the floor beside him.

Across the room, perhaps thirty feet away, Cudner was showing himself around his protecting corner at brief intervals to exchange shots with the man on the floor, occasionally sending one my way. We had the place to ourselves. There were four exits, and the rest of Pigatti's customers had used them all.

I had my gun out, but I was playing a waiting game. Cudner, I figured, had been tipped off to Orrett's search for him and had arrived on the scene with no mistaken idea of the other's attitude. Just what there was between them and what bearing it had on the Montgomery murders was a mystery to me, but I didn't try to solve it now.

They were firing in unison. Cudner would show around his corner, both men's weapons would spit, and he would duck out of sight again. Orrett was bleeding about the head now and one of his legs sprawled crookedly behind him. I couldn't determine whether Cudner had been hit or not.

Each had fired eight, or perhaps nine, shots when Cudner suddenly jumped out into full view, pumping the gun in his left hand as fast as its mechanism would go, the gun in his right hand hanging at his side. Orrett had changed guns, and was on his knees now, his fresh weapon keeping pace with his enemy's.

That couldn't last!

Cudner dropped his left-hand gun, and, as he raised the other, he sagged forward and went down on one knee. Orrett stopped firing abruptly and fell over on his back—spread out full-length. Cudner fired once more—wildly, into the ceiling—and pitched down on his face.

I sprang to Orrett's side and kicked, both of his guns away. He was lying still but his eyes were open.

"Are you Cudner, or was he?"

"He."

"Good!" he said, and closed his eyes.

I crossed to where Cudner lay and turned him over on his back. His chest was literally shot to pieces.

His thick lips worked, and I put my ear down to them. "I get him?"

"Yes," I lied, "he's already cold."

His dying face twisted into a grin.

"Sorry... three in hotel...," he gasped hoarsely. "Mistake... wrong room... got one... had to... other two... protect myself... I..." He shuddered and died.

A week later the hospital people let me talk to Orrett. I told him what Cudner had said before he died.

"That's the way I doped it out," Orrett said from out of the depths of the bandages in which he was swathed. "That's why I moved and changed my name the next day.

"I suppose you've got it nearly figured out by now," he said after a while.

"No," I confessed, "I haven't. I've an idea what it was all about but I could stand having a few details cleared up."

"I'm sorry I can't clear them up for you, but I've got to cover myself up. I'll tell you a story, though, and it may help you. Once upon a time there was a high-class crook—what the newspapers call a master-mind. Came a day when he found he had accumulated enough money to give up the game and settle down as an honest man.

"But he had two lieutenants—one in New York and one in San Francisco—and they were the only men in the world who knew he was a crook. And, besides that, he was afraid of both of them. So he thought he'd rest easier if they were out of the way. And it happened that neither of these lieutenants had ever seen the other.

"So this master-mind convinced each of them that the other was double-crossing him and would have to be bumped off for the safety of all concerned. And both of them fell for it. The New Yorker went to San Francisco to get the other, and the San Franciscan was told that the New Yorker would arrive on such-and-such a day and would stay at such-and-such a hotel.

"The master-mind figured that there was an even chance of both men passing out when they met—and he was nearly right at that. But he was sure that one would die, and then, even if the other missed hanging, there would only be one man left for him to dispose of later."

There weren't as many details in the story as I would have liked to have, but it explained a lot.

"How do you figure out Cudner's getting the wrong room?" I asked.

"That was funny! Maybe it happened like this: My room was 609 and the killing was done in 906. Suppose Cudner went to the hotel on the day he knew I was due and took a quick slant at the register. He wouldn't want to be seen looking at it if he could avoid it, so he didn't turn it around, but flashed a look at it as it lay—facing the desk.

"When you read numbers of three figures upside-down you have to transpose them in your head to get them straight. Like 123. You'd get that 321, and then turn them around in your head. That's what Cudner did with mine. He was keyed up, of course, thinking of the job ahead of him, and he overlooked the fact that 609 upside-down still reads 609 just the same. So he turned it around and made it 906—Develyn's room."

"That's how I doped it," I said, "and I reckon it's about right. And then he looked at the key-rack and saw that 906 wasn't there. So he thought he might just as well get his job done right then, when he could roam the hotel corridors without attracting attention. Of course, he may have gone up to the room before Ansley and Develyn came in and waited for them, but I doubt it.

"I think it more likely that he simply happened to arrive at the hotel a few minutes after they had come in. Ansley was probably alone in the room when Cudner opened the unlocked door and came in—Develyn being in the bathroom getting the glasses.

"Ansley was about your size and age, and close enough in appearance to fit a rough description of you. Cudner went for him, and then Develyn, hearing the scuffle, dropped the bottle and glasses, rushed out, and got his.

"Cudner, being the sort he was, would figure that two murders were not worse than one, and he wouldn't want to leave any witnesses around.

"And that is probably how Ingraham got into it. He was passing on his way from his room to the elevator and perhaps heard the racket and investigated. And Cudner put a gun in his face and made him stow the two bodies in the clothespress. And then he stuck his knife in Ingraham's back and slammed the door on him. That's about the—"

An indignant nurse descended on me from behind and ordered me out of the room, accusing me of getting her patient excited.

Orrett stopped me as I turned to go.

"Keep your eye on the New York dispatches," he said, "and maybe you'll get the rest of the story. It's not over yet. Nobody has anything on me out here. That shooting in Pigatti's was self-defence so far as I'm concerned. And as soon as I'm on my feet again and can get back East there's going to be a master-mind holding a lot of lead. That's a promise!"

I believed him.

-- End—