She was an old cat, coal black, lean and ugly. Her right ear had been chewed and her old hide showed scars, but she had a regal look when she sat under the rosebushes in the plaza and surveyed us with yellow-green eyes.
If the witch cat had a name, we never knew it. Miss Tessie fed it, as she fed other strays. She even let the old cat sleep in her store in rainy weather. But mostly the cat slept under the rosebushes in our plaza in Caton City, Texas. We have a pretty little plaza, or square, here in the center of town. It has a fountain and a statue of a tired Confederate solder facing north, ready to defend us from Northern invaders, and a bit of grass and lots of rosebushes.
Nobody dared to pet the old cat. People gave the cat scraps of bread and meat from hamburgers and hot dogs. She accepted this placidly, as a queen accepts homage from peons. Now and then a stray dog came through our small dusty town, saw the cat, and made a lunge at it. The cat would retreat to the base of the fountain, turn, lash with a razor-sharp claw that sliced the poor dog’s nose. The dog would run howling while townspeople laughed. Our dogs, having learned the hard way, left that cat alone.
When I was fourteen, my mother’s jailbird distant relative, Cousin Rush, came to live with us. My little brother Pete and I had to give up our room to this scruffy relative, but that wasn’t the only reason I disliked him. I despised his dumpy figure and his smelly cigars and his scaly bald head and his way of looking at me with beady small eyes and nodding and winking.
Mama told me to show Cousin Rush the town, and I had to do it. This was the day before Halloween, and half the town was in the theater across the street from the plaza, rehearsing for the Heritage Festival we have every Halloween night. Miss Tessie was at the front of the theater, selling plastic masks of Cajun Caton and Davy Crockett. We have this play about Cajun Caton and a Delaware Indian, Chief Cut Hand, saving the town from Comanches on a Halloween night in the early 1800’s. It ends with Cajun Caton, town hero, leaving his eight children and one wife later on and going off with Davy Crockett and getting killed in the Alamo during the Texas Revolution against Mexico in 1836.
Cousin Rush bought a mask from Miss Tessie. He smiled and flirted and talked of the Importance of History. His face smiled, but his eyes remained cold and scornful, and I could tell he thought this heritage business was hillbilly country foolishness. He’d already told me Caton City was a hick town filled with stupid people. It didn’t compare with real towns.
As we started walking across the plaza, the black cat jumped from the rosebushes and ran in front of us.
To keep walking in a straight direction would have meant bad luck. I sidestepped, made a little circle, and prevented bad luck. I’m not superstitious, not really, but no use taking chances.
Cousin Rush laughed at me. Then, to show his scorn of superstition and black cats, he did a fat-legged little hop and skip and kicked that cat in the stomach.
The old cat doubled up on Cousin Rush’s sharp-toed shoe. She clawed at his sock, then bounced into a rosebush. She landed on her feet, stood there, weaving, hurt. Cousin Rush kicked again, and she dodged. She ran into the street, stopped, looked at Cousin Rush with yellow-green eyes. As he popped his hands together, making a threatening noise, she stood her ground for a moment, then ran into Miss Tessie’s store.
“You didn’t have to do that,” I said.
Cousin Rush stood there, the October sun beating down on his bald head and his cigar sticking out of his fat face. “You country bumpkins don’t have to act ignorant, but you do. The only way to deal with a black cat running across your path is to kick the manure out of the cat. It’s a callous world, Brian, and the only way to deal with it is to skin your buddy before he skins you.”
“We don’t act that way here,” I disagreed.
“You are fools,” he stated. He blew cigar smoke and looked at people milling around in front of the theater, talking and being friendly. “Now, tell me about this Heritage Festival you’ll have tomorrow night. As I understand it, half the town is in the play, including the sheriff and his deputy. The other half — and that includes a lot of people that make this a sort of homecoming — will buy tickets and make cash contributions to the historical society. I understand this crazy old maid, this Miss Tessie, has collected a neat bit of cash.”
“She’s raising money for a historical marker to honor her ancestor, Cajun Caton.”
“Yes. That’s the idiot the town is named for.”
“He was not an idiot. Caton and Davy Crockett were both killed in the Alamo, and they were Texas heroes.”
Cousin Rush blew more smoke. “And there are at least a hundred people in this town descended from Caton. I understand that during the finale of this play, which Miss Tessie wrote, it has become a custom for every man in the audience to put on a mask to honor Cajun Caton or Davy Crockett? Hmmm.”
I didn’t like the sudden suspicion I had. I’d heard Mama and Dad talking in whispers, telling that Rush had served time in a Texas penitentiary for small-time robbery. I didn’t like the cold, greedy look on my cousin’s face.
I could have reported my suspicion to Sheriff Mitchell or to Deputy Haskins except for one thing — my mother was an Adams. Every Adams is intensely loyal to other Adamses, and don’t you forget it. Cousin Rush was Rushid E. Sarosy, and his daddy had been a shoe salesman in Dallas, but his mama was Verney Adams to start with. Verney was a hot little blonde who was born with a female urge and grew up around it. She left Caton County fifty-six years ago for the big city, but she was still an Adams.
I had a suspicion, from the calculating look on his face, that Cousin Rush would burglarize some place tomorrow night when everybody was in the theater, or he’d rob the box office at the theater, wearing a mask like everybody else would wear.
I couldn’t talk to Mama about my suspicions. If I was wrong and Cousin Rush didn’t do anything bad, she’d say I was disloyal to the name of Adams.
As we left the plaza, the old black cat that Cousin Rush had kicked came out of Miss Tessie’s store and looked at us as if she were casting a spell. I shivered.
I still wonder if what happened that night was just coincidence.
My little brother Pete had been unsuccessfully baiting that animal trap for a week. The trap was in the back yard. Here in Caton City, which is in northeast Texas, just south of Oklahoma and not far from Arkansas between the Red River and the Sulphur River, things were different. Coyotes and raccoons and possums and other animals came into town at night to raid garbage cans. Pete had been baiting that animal trap, actually a cage, for a week with cornbread, beans, cabbage, and such, hoping to catch a raccoon and make a pet of it. On this night, with a big moon beaming down, he had jerry-rigged a Rube Goldberg device that would turn on a light if the trap door was triggered.
Cousin Rush had our room now, so we slept in beds on our big screened-in back porch. About midnight the signal light came on to show the trap door had slammed down. Pete got out of bed in his underwear and ran barefoot to the trap, waving a flashlight.
He came back in a hurry. “Brian, we got trouble!”
I sat up, sniffed. “I smell it.” The smell of skunk was not all that strong, showing the animal was fairly content, but it was definitely skunk.
“You got to shoot it.”
“Hell, no! If you shoot that skunk, it’ll make a smell that will wake up the town,” I cautioned. “It has plenty of food and water and room to move around in that cage-trap. After it eats, it will probably go to sleep, won’t it?”
Pete thought this over. “I guess so, unless it’s disturbed.”
“Okay. I’ll make sure the yard gates are closed, so no dogs or other animals can disturb that skunk. We’ll figure what to do after it gets daylight tomorrow. Let sleeping skunks sleep, that’s my motto.”
After Pete had gone back to bed, I lay awake, thinking. I could take a long fishing pole, hold the cage as far from me as possible, and move gently. I’d have to get that skunk out of our back yard somehow...
I finally went to sleep and dreamed that Cousin Rush robbed Miss Tessie of all the Heritage Festival money. He got by with it because he was wearing a mask and all the men in the crowd he joined afterward wore masks. Nobody knew which masked man had the money. I woke up. Then I went to sleep again and this time I dreamed Cousin Rush didn’t get away with it after all. He came out of the theater with the money still in his hands, and the old black cat cast a spell on him and made him throw the money in the air.
And I dreamed the old cat was really a witch in disguise.
When I woke up, it was Halloween Day and I still didn’t know what to do about Cousin Rush. Maybe I was suspicious of him because I didn’t like him.
But later in the day, as I listened to him talk with Miss Tessie, I became more alarmed. Oh, it was just general talk, discussion of the fact that Cajun Caton wasn’t really a cajun. He was from Henry County, Tennessee, and he had picked up that nickname in Louisiana in what Miss Tessie described as an “indiscreet house.”
I watched as Cousin Rush got his Oldsmobile filled with gas and the tires and oil checked. Looked like he was planning for a trip. He couldn’t go to Houston, because police would arrest him if he went back there. He’d have trouble with his fourth wife in Dallas, and was wanted on charges there. But the way he was fussing around his car, it looked as if he would go somewhere in a hurry.
Long before the Heritage Play started that night, he parked his car on the north side of the plaza near the biggest rosebush. Then he went into the theater early, carrying a cape and a mask as some other men were doing.
I stood looking across the plaza, worried. The black cat came from the rosebushes, sat on the base of the fountain, and stared back at me. Darkness came, and a full moon rose. Stars shone.
Looking at that cat, I knew what I had to do. Maybe it wouldn’t work, but maybe it would. I had to try.
After the play was well under way, with everyone except me in the theater, I got a long fishing pole and some cord. Cautiously, holding my breath at times, I carried that animal cage-trap the three blocks to the plaza. The skunk, his belly full of cornbread and cabbage and beans, slept most of the time.
I learned later that during the last two minutes of the play a man wearing a mask and a cape went inside the box office where Miss Tessie was counting money. He didn’t speak a word, but he pushed a small pistol in Miss Tessie’s face and motioned for her to sit down. He tied her to the chair. She opened her mouth to scream, and he jammed a handkerchief in it. Nobody would have heard if she had screamed because the audience and the cast were singing the finale.
The man put his pistol inside his cape, took handfuls of the paper money she’d been sorting. He stuffed money in his pockets and inside the cape pockets, and left with some money in his hands.
He walked out of the theater as the townspeople, wearing capes and masks, also walked out.
I knew which one was Cousin Rush. I could tell by the prissy walk and the dumpy figure.
A couple of kids ran ahead of him across the plaza, but I pulled the cord I had rigged to the trap door. With that door open, and with all the noise, the skunk would come out. He would not be disturbed or afraid, because skunks are not usually afraid. Even a grizzly bear would tippity-toe around a skunk.
The two kids apparently saw him, hollered, “Uh-oh,” detoured slightly, and kept running. Cousin Rush paid them no attention.
Then Miss Tessie’s old black cat ran out of the rosebushes, ran right in front of Cousin Rush, ran back into the bushes.
Cousin Rush slowed in his fast walk to the Oldsmobile. It was a beautiful night, bright as day with white moonlight and black shadows. Just as Cousin Rush got near his car, a small black animal came out of the rosebushes again, right in front of him.
If he had climbed in his car without noticing, he would have gotten away with robbery. Being Cousin Rush and being naturally mean, and probably thinking this was Miss Tessie’s old black cat, he kicked the skunk.
Then he bent over, ready to kick again. He got that spray full in his face. He staggered back, threw both arms in the air, hands spread wide. Money fluttered high, caught the wind, and blew all over the plaza. Cousin Rush fought for breath, ran into the monument, bounced off, stumbled against the fountain, coughed, gasped, vomited, waved his hands again.
He tore off his mask and cape, and money came from the pockets inside the cape and swirled in the air. People stood watching, wondering.
Somebody found Miss Tessie bound and gagged and cut her loose. She ran into the street, screaming she’d been robbed.
With all those dollar bills and five dollar bills and ten dollar bills floating in the air around Cousin Rush, he became the Prime Suspect. Nobody went near him for a while, though. The smell was nauseating.
Finally Sheriff Mitchell spoke firm words to Deputy Haskins. Haskins looked reluctant, but Mitchell gave the orders. Don’t take him to our clean jail, he said. Take him to the old county stables and lock him up for the night.
The skunk got away in all the excitement. Nobody would have touched him anyway. I knew I would pick up the cage-trap when everybody left, or I’d be incriminated. I didn’t want Mama to know I’d had anything to do with trapping Cousin Rush.
Citizens picked up the money that was blowing around and put it in a well-ventilated place for the night. Then people left for the American Legion Barbecue and Dance. Some of those who had gotten close to skunk smell while picking up the money might have to stay outside the Legion Hall, but they’d eat barbecue and drink Blanton Creek bourbon and they’d survive.
As the crowd left the plaza, and as Deputy Haskins started Cousin Rush walking twenty feet ahead of him to the stables, I saw Miss Tessie’s old black cat sitting on the base of the fountain. Her eyes glinted in the Halloween moonlight, and I’ll swear that cat was laughing.