Peter Lewis, Sondra’s grandfather, arrived on Wednesday afternoon. It was both a relief and a disappointment to her that Gary did not accompany him. “He’ll be here for the concert,” her grandfather said, “but he’s very busy and could not take the extra time. Besides, I think he is astute enough to know that in the days before an artist is performing in a major concert, she is better left alone with her music, and with as few distractions as possible.”
Sondra knew what her grandfather was implying. Gary Willis loved music with a deep passion and understood the strains inherent in an artist’s life.
“I’m glad he waited,” she said, “but I’m thrilled that you’re here. Granddad, you look spectacular.” It was an unexpected delight to her that her grandfather looked so well. Even though the signs of the arthritis were always visible in his swollen wrists and fingers, the triple bypass had restored color to his face and vigor to his appearance-things she had feared he had lost with age and illness.
When she told him how healthy he looked for his years, he responded, “Thanks, Sondra, but seventy-five is considered to be only the dawn of aging today. An unobstructed blood supply to the heart does wonders, although I hope that’s something you never need to find out for yourself.”
At least, Sondra thought, in an effort to draw some comfort from the situation, Granddad looks strong enough to take it when I tell him about the baby and what I’m going to do after the concert. But just thinking about it, she grew paler.
“And you look thin and troubled,” he told her crisply. “Is something wrong, or is it just the usual pre-performance nerves? If so, I’m disappointed. I thought I had cured you of that.”
She had turned aside the question. “Granddad, this is Carnegie Hall,” she had told him. “It’s different.”
He had then spent Thursday and Friday renewing old friendships, while she practiced with her New York coach.
On Friday evening, at dinner, he talked about his visit to St. Clement’s and having learned of the theft of Bishop Santori’s chalice. “Apparently that same night a baby was abandoned there,” he said as he studied the menu, absorbed as always in the task at hand. “It seems to have been the subject of a recent newspaper article.” He paused. “Grilled Dover sole and a salad,” he announced, then he looked across the table at her, his eyes probing. “When I take you to Le Cirque 2000, my dear, at least have the courtesy to look interested in the menu.”
The next day, when he came to hear her practice, she could read the disappointment in his eyes. She was rehearsing a Beethoven sonata, and while she knew her playing was technically perfect, she was also aware that there was neither passion nor fire in her music. And she knew that her granddad was aware as well.
When she was finished, he shrugged. “Your technique is marvelous; it can’t be faulted. But you have always withheld something of yourself from your music. Why, I don’t know. Now you are withholding everything.” He looked at her sternly. “Sondra, keep it up, and you will appear and immediately disappear from the major concert stage, like that!” He snapped his fingers. ‘What is wrong? You withhold yourself from a man who loves you, and whom I believe you love in return. You resent me. I do not know why, but I have been aware of it for years. Does nothing touch you?”
With a shrug of dismay and resignation, he turned and began walking toward the studio exit.
“I am the mother of the baby who was abandoned at St. Clement’s,” she shouted at him, the words hanging in the air.
He stopped and turned, his expression incredulous, but with a look of deep concern in his eyes.
With little expression in either her face or her voice, Sondra told him everything, the words rushing out of her.
When she was finished, there was a long silence. Then he nodded. “So that is it. And I see that, in a way, you blame me because you let her go. Maybe you are right and maybe you are not. It is no matter. We will move heaven and earth to find her. We will tell Gary; he has enormous resources at his disposal. And if he does not understand, then he is not worthy of you. Now,” he picked up Sondra’s violin and thrust it into her hands. “Now play with all your heart to the child you are seeking.”
Sondra tucked the violin under her chin and reached for her bow. In her mind she could see her child. But would she have blond hair like her own, or would it be like her father’s-silky, dark? Her eyes-were they still blue or brown like hers, or dark hazel like his? He was a man she had known so briefly, and in the end cared not a whit about, but he had fathered her child. She will be like me, Sondra decided. She will look as I did at her age.
She’s seven now; music must be in her soul, she reflected as she drew the bow across the strings. She still eludes me, but I see her in the distance. I hear her footsteps. I feel her presence. She senses that I want her. Forgetting her grandfather, Sondra began to play.
I never gave her a name, she thought. What would I have called her? What do I call her in my heart? She sought the answer as she played, but could not find it.
When the last notes faded into silence, after a long pause, her grandfather nodded. “Now you are becoming a true musician. You are still holding back, but that was an infinite improvement. You will be required to play an encore. What have you chosen?”
Sondra did not know what her answer would be until she heard herself say it: “A simple song of Christmas,” she told him. “‘All Through the Night.’”