Blood thundered in Church's head as he made his way down the steps to the chill interior of the tomb. Trepidation filled every part of him, but it was tinged with relief that finally there would be some kind of revelation after so many mysteries.
Inside the bare tomb was a powerful sense of presence. Narrowing his eyes, Church allowed his deep perception to take over until the walls, floor and ceiling came alive with a vascular system of Blue Fire, interlocking at pulse points, drawing together at one section where the depth of blue glowed in the shape of a hand. He steeled himself, then placed his own palm down hard on the spot. There was an instant of hanging before the wall juddered apart to reveal a dark tunnel beyond. Church slipped through quickly and the rock closed behind him with a resounding clash.
The tunnel reminded him of so many others he had experienced in the dark, secret places beneath the earth, although he knew that description was not wholly correct. The Celts and the people who came before them understood perfectly the symbolism of the routes they had established; indeed, it was probably the main reason for their location. He was entering the womb, going back to the primal state.
After a few minutes, the tunnel opened on to a wide corridor filled with different coloured light filtering through a gently drifting mist; near the roof it was golden, near the ground the rich, sapphire tones of the Blue Fire, and in between were flickers of red and green and purple. The mist gave the place an ethereal quality that was deeply soothing. The air smelled like dry ice.
For a while he hovered anxiously, concerned that it was impossible to see what lay ahead. Knowing he had no choice, he strode out, feeling the unnatural sensation of feathers on his skin as he entered the mist. If it resembled the other secret places he had visited, somewhere ahead would lie a puzzle with a particularly lethal sting; if Tom's description of the place was correct, this one would be worst of all.
Within the mist, he lost all his bearing. After a while, a dark smudge appeared in the drifting white, quickly forming into a figure. The Sword was in Church's hand in an instant, electric against his skin. It was a man, dressed in the armour and white silk of a Knight Templar, the red cross on his chest glowing eerily. His face was drawn, his eyes hooded above a drooping white moustache. He rested on the long sword the Templars favoured.
Church waited for him to adopt a fighting posture, but the Knight simply motioned for Church to continue along the corridor. There was an air of deference about him, but his face was dark and threatening. Inexplicably, Church shuddered as he passed.
Further on, other figures emerged from the mist. These were Celts ready for battle, naked and tattooed, their hair matted, spiked and bleached with a lime mixture. They stood against the walls on either side, watching him with baleful eyes. Some broke away, loping past him in the direction from which he had come. Again he felt the same old mixture of wariness and reverence, but his fear of a sudden attack had started to wane.
As he progressed, representatives of the races that preceded the Celts floated in and out of the mist, but most of them were swallowed up again before he got good sight of them. At some point, a troubling noise had started up, so faint at first he hadn't noticed it, but it built until it was pulsing through the walls with steady, rhythmic bass notes that resonated in the pit of his stomach. It sounded like war drums, or the beating of an enormous heart.
And then, suddenly, the mist cleared and he was looking at something so incongruous it was at first hard to take: a large window, and beyond it people in modern dress stared back at him with hard, uncompromising expressions. Before he could see any more, the mist closed in once again. There had been something dismal and threatening about the scene, although he couldn't quite put his finger on what it was. He hurried on and didn't look back.
Finally he was out of the mist. The corridor was even wider at this pointenough for ten men to lie across-but the most curious thing was that the floor was a mass of intricate patterns carved into the hard bedrock. There were the familiar spirals and cup holes he had seen at prehistoric sites during his days as a working archaeologist, but also the detailed interweaving designs of the Celts. The patterns of hundreds, if not thousands, of years were portrayed there.
The swirls and fine detail were almost hallucinogenic, but there was no time to waste examining the inconography. He put one foot on the edge of the pattern.
A spike burst from the ground, through the sole of his boot and into the leather uppers. A bolt of red agony filled his leg and he howled, wrenching his foot off the iron nail with a sickening sucking sound. The spike disappeared back into the design the moment he was free of it. Feeling sick from the shock and the pain, he crumpled down hard on the cold stone, tearing off his boot. The spike had torn the flesh off the insides of his big toe and his second toe, but luckily, had done no further damage.
As he laced the boot back up, he surveyed the floor pattern: a trap. The spikes were obviously buried along the length of the design: step on the correct place, you were fine; make the wrong move and you were impaled. The pattern stretched out in delirious confusion. How was he supposed to divine the path through it?
He retreated a few paces to see if the change in perspective offered any clues, then moved in close; it was a miasma. From a distance, it was a mess, meaningless; near to, the design hinted at great meaning, but none of it made any sense in any context he understood. Sighing, he sat back, trying to ignore the pain stabbing in his foot. He took comfort from the knowledge that all the previous puzzles they had encountered had been soluble if seen from the cultural or philosophical perspective of the Celts and the earlier people who had originated them. His university studies helped him a little in understanding their worldview, but he had never studied in depth the group that seventeenth-century romantics had designated a unique people. He knew the Celts were a fragmented collection of tribes, originally rising from a broad area centred on India, but common threads tied them together, of which their view of life and spirituality were probably the strongest.
He thought back over the previous puzzles and their odd mix of threat and spiritual instruction: the one at Tintagel, where sacrifice was the key, or the clues at Glastonbury that demanded Shavi, Ruth and Laura search for the "signal hidden in the noise," the truth buried in the confusion, a metaphor for life. There it was. Quickly, he crawled forward to the edge of the pattern. The Celtic design showed serpents-or, he thought excitedly, dragons-flowing in a spiral pattern that progressed from side to side along the floor. And the Spiral Path had been the Celtic metaphor for both the journey through life and a ritual procession that allowed access to the Otherworld, like the spiral path carved into the slopes of Glastonbury Tor.
Was that it? He had no way of knowing for sure until his foot was on the design, so in the end it came down to an act of faith; in himself and his own abilities.
He cracked his knuckles, then took a deep breath. It was time to embark on the Spiral Dance and move from this life to the next.
With the air leaden in his lungs, he stepped on to the stylised Celtic serpents. Every muscle hardened. When he realised nothing had happened, he relaxed a little, but the path was barely wider than a curb, a tightrope winding its way through a sea of danger. What happened if he slipped? A spike ripping through his sole, sprawling across the design, spikes punching into his body wherever he landed. With the blood thundering in his ears, he took his second step.
The path took him from wall to wall, forwards then backwards, in slow progress along the length of the corridor. Sweat soaked through his shirt, ran in rivulets into the nape of his back. His head hurt from staring at the tiny pattern in the half-light. Follow the serpent in the earth to enlightenment. As the ancient Celtic inventors had undoubtedly intended, his stark concentration brought a deep meditation on what he was undertaking; the metaphor of walking a thin path through constant danger did not escape him.
At one point, he paused briefly to rest his eyes. It was a mistake, for he instantly started wavering and almost pitched forward until he threw out both arms to steady himself. It only just did the trick, but it was enough of a scare to focus him even more sharply. He did one final spiral, more complex than any of the others, and then, abruptly, the design had gone and he was back on safe stone flags. He collapsed on to his back, sucking in soothing breaths.
He rested for only a moment before following the corridor once more. The Spiral Path had been some kind of transition, for within a few yards the corridor had been replaced by a wall of trees, their tops lost high up in the shadows. Church had long since forgone trying to apply logic to his experiences in such areas, but the sight was still oddly disturbing. The underground wood appeared healthy enough, with full-leafed oaks and ash and hawthorn, with bracken and brambles growing beneath them. An odd green luminescence filtered amongst the trunks, but Church could not identify its source; it was enough to illuminate the way ahead, and gave the impression of first light or twilight.
The density of the forest added to the deep foreboding that had crept up on him. Anything could be hiding amongst the foliage. As if to echo his suspicions, rustling broke out in the undergrowth. A second later, two rows of sheep emerged from the forest and passed him on either side. The ones on the left were white, the others black, both lines walking in perfect step. The bizarre sight became even more unnerving when one of the white sheep bleated, for then one of the black sheep wandered over to the white queue and immediately became white. The reverse happened when a black sheep bleated. Church looked round to see where they were going, but there were none behind him. When he peered back, the last few sheep emerged from the forest and were gone.
He was sure it meant something, but he had no idea what, and the image continued to haunt him as he began his journey in the quiet, green world.
The atmosphere amongst the trees was so ethereal it was difficult to shake the notion that he was dreaming. Odd sensations began to make their way through his body-a tingling in his legs, a feeling that his hands were no longer handsand a moment later the weightlessness that had crept up on him became palpable. It was not a hallucination, for he really was drifting a little way above the ground. He called out in surprise, only to be shocked that his voice sounded like the cry of a bird. His eyes were astonishingly sharp and his arms were wings, covered with thick, brown feathers. He was a hawk, flying up into the branches, and up and up.
There was no time to question his transformation, for he was immediately confronted by another hawk with blazing yellow eyes. "You are one with the birds of the trees," it said in an unsettlingly human voice.
It swooped down at him, talons raised in attack. Church panicked, losing all control of his form. The hawk raked claws across his back and a shower of brown feathers flew all around. He attempted to steer himself, crashed against a branch and went into a downward spiral.
The hawk didn't give up its attack, shrieking loudly as it bore down on him. Once more the talons tore through his back, and this time the pain almost made him lose consciousness. But he recovered slightly, and his mind was focused. He didn't fight against the messages that were coming from instinct, and after a slow start, where he only narrowly evaded another scarring, he found he could move swiftly amongst the trees.
He wasn't about to stand and fight-he didn't see the point of it-so he flew as swiftly as he could, before a weight pressed down hard on his shoulders and forced him to the ground. His wings gone, he hit the turf hard, tumbling athletically.
Barely able to catch his breath, he rolled to his feet, which were now grey paws. "You are one with the beasts of the field," a rough voice said. He looked round to see a large grey wolf away amongst the trees. It was watching him with the same hateful yellow eyes of the hawk.
It moved, but Church was quicker, loping through the trunks, leaping the clusters of vegetation, avoiding the pits and hollows with ease. As he ran, he moved further off the ground and his paws became hooves, while a sharp pain in his forehead signalled the sprouting of antlers like those Cernunnos sported.
The hoofbeats of his pursuer continued to thunder across the soft ground. And then Church was back on his own legs, and in his peripheral vision he could see his own hands; his lungs burned from the exertion. Church didn't know if he had truly transformed or if it had been a hallucination. He tried to look over his shoulder and awkwardly caught his foot in a root, stumbled, and slid down a slight incline.
What he saw made his blood run cold. There was no man behind him, as there had been a deer, a wolf and a hawk. At first it was a stark white glow, before he realised that what he was seeing was a pack of dogs, savage and alien, filled with their own brilliance.
He picked himself up and ran as fast as he could. The beasts' crazed howling made him sick with primal fear. They were not like the dogs of the Wild Hunt, which were fearsome enough, but were filled with an unbridled ferocity and, he was convinced, controlled by one mind. He risked another backwards glance and saw them bounding amongst the trees like spectres, there, then gone, moving on two flanks to capture him in a pincer movement.
He jumped a stream, almost skidding down the opposite bank, then hurdled a fallen log. The pack was relentless, and drawing closer; he would not be able to outrun them. Their howling became even more blood crazed as they sensed this.
He came out of the forest so fast he barely realised he had left the last of the trees behind him. The land fell away sharply, becoming hard rock again, and the roof had closed once more twenty feet above his head. In the distance he could make out a brilliant blue glow. Slipping on the rock, he tumbled, cracking his head hard, but he was up and running in one fluid movement, wiping the blood away that had started to puddle in his left eye.
He had hoped the pack would remain behind in the forest, but now their shrieks were echoing off the walls, growing more intense, more terrifying. If he looked back, he knew he would see them snapping only inches from his heels.
As he ran, he pulled out the Sword once more. Legend said it could kill anything with a single blow. Swinging it behind him without slowing his step, he felt it connect with two hard forms. A terrible howling rang up from the whole pack.
He carried on that way for a few minutes more, but his arm muscles were soon burning and his joints ached. There was no time for an alternate strategy: the path ahead of him ended abruptly at a cliff edge, and beyond was a lake of the Blue Fire, the energy rising up in coruscating bursts like the bubbling of lava.
A few feet from the edge he spun round, lashing out wildly with the sword, but the pack had already halted a few yards away. All the dogs were watching him with their sickly yellow eyes, their mouths open to reveal enormous, sharp fangs; drool ran out in rivulets to splatter on the rock where it gave a hot fat sizzle.
Breathless, he waved the Sword at them while attempting to look over his shoulder to see if there was some exit he had missed.
"There is no escape from here," the dogs said as one. "You have reached the Chapel Perilous. Your life is now over." They advanced a step in perfect, unnerving rhythm, like some drilled Roman legion.
"No," Church gasped. "It wouldn't end like this. There has to be a way out or there's no point to the trial." He looked all around quickly, but could see no exit. "I'm missing something."
"No escape," the dogs repeated. "This is your death. Behind you is the source of everything. One step and you will be swallowed up, eradicated. Here we stand, ready to tear you to pieces. To turn your meat to fibres and your bones to dust."
"I can fight," Church said.
"You can," the dogs said, "for you have already killed some of us. But do we seem any less to you?"
The pack appeared to go on forever. "Where there's life, there's hope," Church said.
The dogs advanced another step.
He wiped the blood away from his eye, his heart pounding. The Sword handle was slick with sweat.
The dogs moved four paces in rapid procession. He waved the Sword wildly. Only a couple of yards away now, the white of their coats was almost blinding. Their jaws moved in unison-click-their eyes rolled as one.
Perhaps this was the trial: to fight and fight and fight, until he was down to his last reserves. But against an enemy that could not be killed, or even weakened? What was the point in that? Sooner or later they would overwhelm him.
He gripped the Sword with both hands and adopted a fighting stance.
What was the meaning in that?
And then it came to him. It took only a second or two to weigh it up, and then he sheathed the Sword and spun round. The blue looked so inviting: relief after his long, arduous struggle. He closed his eyes and stepped off the cliff.
He expected burning, but there was no sensation at all for a long time, just a world of blue overwhelming everything. He also expected his consciousnesshis sense of self-to be broken up within seconds of contact, then dissipated amongst the blue waves, to be returned to the source, but that didn't happen either. He remained who he had always been, since the beginning of time.
When sensation began to return, it was fitful, and quite alien. He felt the beating of mighty wings coming from his own arms; he saw with crystal refracted vision through serpent eyes; he felt the blast of flames pass his lips, the stink of smoke in his nostrils.
"You are one," a voice from nowhere said.
He was looking at blue, but the shade was much softer. It took him a few seconds to accept the change in hue, and then a fluffy cloud drifted into his vision and he realised he was staring at the sky. He closed his eyes, smiling, enjoying the heat of the sun on his face.
Sitting up, he found himself lying on the causeway that joined St. Michael's Mount to the mainland. From the position of the sun, it must have been around noon; he had been gone barely any time at all.
Ruth's cry stirred him from memories of flying; reluctantly, he realised they were fading rapidly, but the sense of freedom didn't go. She came running along the causeway towards him, her hair lashing in the breeze. She grinned with relief and joy. He jumped up and took her in his arms, overjoyed that she was with him.
"I saw you from the top," she said. "How did you get here?"
"Look at that," he said, pointing over their heads.
A Fabulous Beast swooped on the air currents, the sun glinting brightly off its scales, reds and golds and greens. Church was overcome with a sense of wonder. The Beast was otherworldly and lithe and graceful as it gently circled the top of the Mount, but it was what it represented that truly affected him: a world where anything could happen, a world where the mundane had forever been stripped from life.
"It's the old one, from Avebury. The oldest of them all." Tom was at their side, craning his neck to peer beneath a shielding hand. "You've done it. It wouldn't have left its home if the Fiery Network hadn't been brought back to life."
"Then I really did it?" Church asked, barely believing. "I woke the sleeping land?"
"There are more of them," Ruth marvelled. "Loads of them."
Church counted ten, then gave up; they were coming from all directions to converge on the Mount. Some were smaller, some obviously younger, their colours slightly different, but they were all flying with abandon, rolling and gliding and looping the loop, so that there was an unmistakable feeling of joyous celebration.
"We did it," he said in awe.
That night they made camp on a hillside overlooking St. Michael's Mount. Tom had already located tents and sleeping bags before coming to meet them at Mousehole, and they lit a fire to keep out the autumnal chill that came down with the night. He had also found a bottle of whisky to drink to their success.
The cleric, Michael, had met them briefly after Church's return, but he was eager to get back to his parishioners to spread a message of hope. The deference he had shown Church had been almost embarrassing.
"How do you feel?" Ruth asked Church hesitantly, once Tom had gone off to build up their wood supply.
It was a question he had avoided, for he was almost afraid to examine himself. "Good," he said.
"Don't think you're going to get away with that. Do I have to kiss your hand every time I meet you? Are you going to walk on water for your party trick?"
He tapped his head. "Up here I feel pretty much the same as always. I mean, I think the same way. I'm definitely the me I always was, which is good because I had this feeling I'd turn out like a reformed smoker or Born-Again Christian, turned off by half the things I used to be in my old life."
Her smile showed relief; it was obvious she had felt the same way.
"But in here," he said, tapping his chest, "I feel amazing. I feel… I don't know, the best way to describe it is right. I feel at ease with everything. Positive. Confident." He thought hard. "I feel at peace."
She was looking at him with an expression that suggested she wished she felt that way too. She took his hand and gave it a squeeze.
"I expected it to be earth-shattering," he continued. "But it's so subtle. I don't feel like the man who's going to lead humanity to the next level. In fact, I cringe at the thought of it."
"Maybe that's the point. Maybe you were like a jigsaw with one piece missing. Now you've found it you can be the person you always might have been."
He shook his head, laughing quietly. "Now I know how I feel, I'm taking it all with a pinch of salt. Tom gets so wrapped up with these predictions and prophecies. They're all so vague they can mean virtually anything under any circumstance. Who knows? Maybe Veitch is the big saviour."
"But what does it mean? For us?" Her eyes shimmered brightly in the firelight.
"I'm carrying on with my life as it was. I'm not thinking about tomorrow. I'm not thinking about the big picture. I'm making the most of each minute and I'll deal with whatever's thrown at me, as and when it happens. And I'm doing it with you." He pulled her forward and kissed her tenderly.
They were interrupted by Tom's irritated muttering. "You've got time for all that spooning in the privacy of your tent," he said.
"You're only jealous because you're not getting any," Ruth replied.
The night was clear and bright and filled with a deep, abiding magic. The full moon brought silver tips to the waves, their gentle lapping a soothing symphony accompanied by the occasional breeze rustling the goldening leaves; the perfect soundtrack to Church's thoughts. Stars glistened everywhere they looked; they felt peaceful for the first time in months.
"It could be like this all over," Church said, his arm around Ruth, the two of them watching the light on the waves.
"And I thought I was the hippie," Tom said. "Don't start going soft. This is a little oasis. The real world is out there and it's thoroughly unpleasant."
"Can't we just enjoy the moment?" Ruth protested.
"You go right ahead." Tom prodded the fire with an annoyance that matched the sneer in his voice. "We'll just forget about all those bodies getting torn apart and eaten, all those lives being ruined, land being blasted, cities razed to the ground, rivers polluted. Oh, and while we're at it, let's forget the end of the world in just a few short days." He punctuated it with a tight smile.
"I didn't mean that." Ruth's eyes blazed. "But we can't do anything right here, right now, so do we have to continue flagellating ourselves? We've worked hard. We've achieved something… Church has achieved something. We should celebrate our victories."
"I simply wanted you to remember-"
"Of course I remember! I know what we're up against! And I know what our chances are, even with what Church has done today." Tom flinched. "Yes, I can see it in your face. Even if we win we aren't all going to make it through alive, right? So I just want to enjoy this quiet time with Church and my friend because it might be my last."
Tom shrugged. "Point taken." He gave a slight grin that punctured the mood.
For the next half hour, they did take it easy, enjoying their company with jokes and gossip while handing round the whisky. Even so, they found it impossible to bury the momentous events of the day and soon they were chatting animatedly once more about what had happened. Church couldn't bring himself to discuss what he had felt once he had given himself up to the Blue Fire-it had been too personal, a spiritually transcendent moment that would be devalued by being discussed. That infuriated Ruth, who was eager to understand.
"But I don't see what he did to bring the land alive," she said. "It wasn't as if he unblocked a channel or something."
"He gave it his life, his spirit, in honesty and openness, and the Blue Fire gave it back to him, but not before that vital surge had brought the whole of the system alive." Tom was lying on his back, watching the stars through his cloud of smoke. "It is fuelled by belief, and Church believed in a way that nobody had for centuries. Not just believed in the Fiery Network, but in himself, in humanity and the universe and hope, and childish things too, like dreams and wishing."
"So he's just one big battery."
"The only battery who could have done it."
"I don't get it," Ruth continued. "You talked about waking the land as if it were a big thing, but apart from the Fabulous Beasts we saw earlier, everything looks the same."
"Maybe you're not looking in the right place, or the right way. Maybe you're not feeling."
Ruth hurled some mild abuse at his patronising attitude. He sighed wearily and dragged himself to his feet. "Do you remember that night at Stonehenge when I gave you the first sign of the Blue Fire?" he said.
"No, I don't," Ruth said, "because I was fast asleep. You saved that demonstration for your favourite son here."
"Yes, I remember," Church said. "It was amazing. Like something I'd been looking for all my life."
"The power of Stonehenge made that easier," Tom said, "because it's a node in the network. Look around-do you see any standing stones in the vicinity?" They agreed that there weren't any.
They waited for him to continue, but all he did was smoke, and check his watch and the moon and stars, until they were convinced he'd slipped into a drugged stupor. Ruth shifted impatiently, made to speak, but Church placed a restraining hand on her forearm. She looked at him curiously; he put his finger to his lips.
After fifteen minutes, Tom said, "Now." He dropped to his haunches and placed one hand flat on the cool grass. "The time has to be right. The mood has to be right. Everything has to be right, and it's not been righter for centuries. You even need the right eyes for this-not everyone can see it-but you should be ready now. Watch carefully."
Around his hand, tiny sparks began to fly. They had a life of their own, dancing and jumping into the grass, surging towards the nearby trees. Other strands ran to Church and Ruth, infiltrating them with a prickly thrill; they both felt a sudden surge of euphoria.
"It's in everything," Ruth gasped.
"You think that's good." Tom smiled. "Watch this."
The ground erupted with Blue Fire. It shot out in lines across the land, towards the sea and under the waves, intersecting at regular points where tiny flares burned. And then it suddenly burst upwards in a tremendous, breathtaking rush, hundreds of feet high, a dazzling cathedral of lights like the one Church had seen at Stonehenge. A paler blue light shimmered between the connecting strands, turning opaque, then clear, like protective walls. Only this cathedral was not the only one. An even bigger structure covered St. Michael's Mount; and there were more beyond, stretching right across the land. It was dazzling in its potency. Caught up in the sheer wonder of it, there was no doubt the whole of the land had become infused with the vital force.
"How did you do that?" Ruth gasped.
"Sometimes when things fall into alignment it becomes more active. I simply helped you to see it."
"This is why the ancients put up the stone circles," Ruth said in awe.
"And the standing stones and cairns and other places of sacred power." Tom was now sitting cross-legged on the grass, watching the display with a beatific smile. "To channel it, to help it to live, and to reap the benefits it provides."
"It heals," Ruth said.
"It heals the body, certainly. But more importantly, it heals the spirit."
"I want to feel that." Ruth looked from Tom to Church. "You've both had experience of it. It's changed you both, I can see. I need to feel it."
"There'll be time," Tom said.
"Will there?" Ruth replied. The note in her voice infected them all, and gradually the astonishing display faded.
Church put his arm tightly around her shoulders. "But it's worth fighting for, isn't it?"
Veitch and Shavi escaped from the farmhouse, but only with a helping of guile and a good serving of luck. They kept to the hedgerows, hiding in ditches at the slightest sound, barely moving, barely breathing.
The Fomorii were out in force, scurrying along the roads all around the farm. Veitch and Shavi were in no doubt the Night Walkers still considered them a threat. At times when the beasts drew a little too close, Shavi used his shamanic abilities to direct various field animals to cause a distraction so they could escape. Since his return from the Grim Lands, he was even more adept at the things at which he had previously excelled.
Eventually they were faced with open countryside; as dawn began to break they were moving as fast as they could towards the west.
Over the following days, they kept as far away from any roads or centres of population as possible. They slept in trees or ditches, wrapped in dustbin bags and other items of rubbish, like two tramps. Sometimes they found a hollow where they could light a fire without being seen. Veitch cooked rabbits or birds, while Shavi satisfied himself with any autumnal berries and fruits or roots that he could scavenge.
On a day that began cold and overcast with light drizzle sweeping across the countryside in gusts, they made their way over fields towards the rendezvous point. Ahead lay a rise where they expected a good vista over the rolling valleys that led down to the Thames; the outer reaches of the London sprawl was not far away.
When they came close to the ridge, they dropped to their bellies and wriggled up the remaining few yards, their clothes already sodden and thick with mud. Peeking over the summit so they would not be silhouetted against the skyline, they witnessed a sight that made their blood run cold.
London lay beneath a thick bank of seething clouds that formed no part of the surrounding weather system. Occasional bursts of lightning punctured the oppressive gloom so they could see that, somewhere in the centre of the capital, a large black tower had been raised up. It was still incomplete, and the edges were indistinct, as if roughly constructed. It reminded Shavi of pictures he had seen of enormous termites' nests in the African veldt. Ruth had spoken of a similar tower she had seen in the Lake District, constructed from the detritus of humanity: abandoned cars, plastics, bricks and girders, old washing machines, anything that could be reclaimed and stacked. And all across the city, fires blazed, sending up thick gouts of greasy smoke to join the lowering clouds.
There were things buzzing the tower with the insistent, awkward motion of flies. The distance was too great to tell exactly what they were, but there were clouds of them, black and threatening. And from the periphery of the city, across the surrounding countryside, swarmed what at first glance appeared to be ants. The Fomorii scurried back and forth, thousands upon thousands of them, sweeping out in wider and wider arcs as they spread across the country. Their movement looked chaotic and meaningless, but that only masked the complexity of regimented actions designed to scour and destroy. It was a scene from Hell.
Veitch watched the panorama for long minutes, his face heavy with hatred and repressed anger. "How the fuck are we going to fight something like that?" he said in a cold, dead voice.
In the shadow of the M25, Laura and the Bone Inspector sheltered amongst a tangled maze of wrecked and abandoned cars. Through gaps in the vehicles they could make out waves of Fomorii fanning out across the Essex fields.
"We don't stand a chance," Laura whispered. "They're everywhere." She still felt sick from the shock of losing her arm. Pressure was building deep in her shoulder, as if her blood was about to gush out of the gaping socket, despite the stained shirt she had pressed against the wound; she still couldn't understand why she hadn't bled out.
"They're searching for us." The dismal note in the Bone Inspector's voice told her he agreed with her assessment. Their luck had run out.
"What do we do? Stay here?"
"Nowhere to run. They're all around now." He tapped a syncopated rhythm with his staff.
Laura rubbed at her shoulder joint; the pressure was growing unbearable.
"We can't stay-
Her words were drowned out by the sudden rending of metal. Cars flew on either side, as if they were made of paper. Laura flung herself backwards in shock. The Bone Inspector raised his staff in defence, his face drained of blood. Eight or nine Fomorii ploughed through the vehicles with ease, tossing aside what they could move, rending apart what they could not.
Laura thought: Shit. What a way to go.
The noise of crashing metal was so loud neither of them heard the hunting horn, and so they were surprised when the first of the Fomorii dissolved in a thin, black rain. To Laura, the world appeared fractured: frozen frames, sudden temporal jumps. The Fomorii were turning as one. Red and white dogs leaped through the air, their teeth tiny yet so very sharp. Spears tipped with cruel sickles sliced into the Night Walkers, the beasts falling apart at the slightest touch. Drifting through the grey rain were men on horseback, swathed in furs and armour, their eyes hidden by shadows.
In less than two minutes the Fomorii were gone, their remains steaming amongst the shattered cars. The Wild Hunt reined in their horses and cantered around the area as the one of their number with the most fearsome face dismounted. As he walked towards Laura he began to change; antlers sprouted from his forehead, fur and leaves intermingled across his body. Cernunnos passed the Bone Inspector as if he were not there and dropped to his haunches before Laura, his wide-set, golden eyes calm and soothing.
"Daughter of the Green, I greet you."
"I thought you only came out at night in that last form," Laura gasped, not really knowing what to say.
"The world has changed. Many rules are falling like autumn leaves." Then he did turn to the Bone Inspector. "Guardian, you have moved beyond the bounds of your calling on this occasion. You sought this one out at great personal danger, and you have protected her to the best of your abilities. I look kindly on you. A reward will come your way."
The Bone Inspector bowed his head slightly. "I seek no reward."
"Nonetheless, it shall be yours." Returning his attention to Laura, he trailed his long, gnarled fingers gently through her hair. "Frail creature. Fragile creature, yet filled with wonder."
Laura lost herself in the swirling gold in his eyes. He held her gaze for a moment, then rose. "Come, this place is corrupted. We must find safe haven."
All Laura could remember of the journey from her seat on Cernunnos's horsealthough he wore the hideous form of the Erl-King as he rode-was a blur of green fields and grey road. They came to a halt in no time at all on the fringes of Brentwood, where the Essex countryside still rolled out peacefully.
In a thickly wooded swathe of the South Weald country park, the Hunt dismounted and let their horses wander amongst the trees. The Erl-King became Cernunnos once more and led Laura off to a quiet area where he could talk to her privately.
"What's going on?" she said weakly as she lay against the foot of an enormous oak.
"Events move faster as they rush towards the point of greatest change. You are caught up in the flow, Sister of Dragons, as you were from the moment existence came calling for you. This is your time, your destiny."
"What use am I going to be?" The pressure in her shoulder made her stomach turn. "My arm-"
"Remove the rag."
Laura hesitated, afraid to see the tangled parts that remained after her arm had been torn off. He urged her once more, gently. She dropped the stained shirt and looked away. The pressure in her shoulder grew unbearable and she was forced to ram her fist into her mouth to stop herself screaming. But within a moment the pressure had broken, to be replaced by another disturbing sensation: it felt like everything inside her was rushing out of her shoulder. It was impossible not to look.
What she saw made her mind warp. The dangling tendons and skin were moving of their own accord. Before her eyes, cells multiplied and grew into long tendrils that twisted and knotted, then fused, became bone and muscle and gristle. The stump of an upper arm protruded from her shoulder. The process grew faster, reminding her of time-lapse film of sprouting plants. The tendrils lashed so quickly her face was buffeted by the air currents they made. An elbow formed perfectly. A forearm and wrist. The palm came together in a blur, and finally the fingers, the nails added with a flourish.
She couldn't take her eyes off it. Slowly, she turned it over, examining it from every angle. It was her arm; she knew the patterns of light and shade from the muscle structure beneath the skin. Her stomach flipped and she thought she was going to be sick, but as she brought her hand to her mouth she noticed the circle of interlocking leaves Cernunnos had branded into her flesh on the eerie island in Loch Maree. "The green blood, green skin… What did you do to me?" Thoughts trampled through her head. Her hands went to her stomach. "I didn't imagine it. I was ripped open when that thing came out of me. And I. Mended myself?"
Cernunnos made a strange growling noise deep in his throat that was almost sympathetic. "You are a Daughter of the Green. Within you is the potency of nature in all its fury and wonder."
"What did you do to me?"
"Your old form had reached the end of its days-"
"You killed me?" Her mind was reeling.
"There is no life or death. All things have no beginning and no end. For the immutable laws, you only have to look around you. Seasons turn. Things fall into the earth, then rise again. New forms are made, but the essence remains the same. The rules have always been laid bare for your kind to see, but in recent times you have been blinded by arrogance. You saw yourselves as special. You thought that, for you, with death there came an ending when everything around you told you otherwise. It trapped you in your forms, made you truly into frail, fragile creatures. It prevented you reaching out to existence or utilising the greatness that lies within you."
She examined her arm once more, not sure if she should feel horror or wonder. "I can grow bits of myself? Like a plant?"
"This gift is not given lightly, Sister of Dragons. You are of my essence now. You are part of the greatness of nature, you are a vibrant branch of my bountiful family."
Laura nodded; slowly it was starting to feel right. If Cernunnos hadn't changed her she would have died when Balor had been reborn into the world. But more than that, she felt something indefinable yet all-consuming, as if she had finally come to a place she was always meant to be.
"All things are open to you now, Sister of Dragons, Daughter of the Green," Cernunnos continued. "The sunlit uplands stretch before you. All is possible."
"Why me? There were others, Shavi-"
"Your heart was given to the green long ago."
He was right: in childhood, she had always been drawn to nature; as an adult, she had devoted herself to environmental activism. It had always been the most important thing in the world to her. "Ruth got the same mark from you, but she didn't get the same treatment."
"As my daughters, you each have roles to fulfil. She echoes a different aspect of my essence. The force that cannot be stopped."
"She's the sledgehammer, I'm the stiletto." She felt uncomfortable using weapons as a metaphor for abilities that were so life affirming.
"Yet there is danger for her. The gift I have given her is great. It fills her being, shifts the balance of her day and nightside. She must learn to encompass it or it will consume her." Cernunnos began to roam around her, tearing at the turf with his hooves.
"Will she be okay?"
He remained silent for a little too long. "The greatest danger lies at the place where all things converge. If her will fails her, the power will drive her down darker lanes."
Laura subconsciously flexed her new fingers. "The power's eating her up. She's losing control." She felt a pang of worry for the woman she had disliked for so long. "Can't you do something?"
"It is her gift. To intervene would make it worthless."
Laura ground her teeth; the shock of losing then regaining her arm had ebbed and she was overcome once more with urgency. "I need to get back to the others. Time's running out." She stood up shakily. "So Ruth gets all the bigshot powers. I'm just indestructible."
"You can do more. Much more. Let me show you." He smiled and held out his hand.
Church and Ruth had been intrigued by Tom's account of how he had used the lines of Blue Fire to travel vast distances, and were eager to utilise it to get closer to the rendezvous point. He refused flatly, emphasising the many dangers.
"It's not like catching a train, you know. Whatever you might think, the chance of getting lost in it is high. You need skills taught over the course of a lifetime to follow the channels and flow. I could look after one of you, but two… that's too many. Imagine diving into a white water river gushing through a ravine over rapids-that is what it is like. If it is a life or death matter, I will attempt it. But after coming so far, we can't afford to throw it all away by losing one of you. Time is short, but in my opinion the best option is to take the horses and ride them hard."
Reluctantly, they agreed, and within minutes of sunrise they were riding fast across the rugged Cornish landscape. They picked up the A30, eventually following the route on which Ruth, Laura and Shavi had been pursued by the Wild Hunt, crossing the M5 to bypass Bristol, where they joined the M4. It was still eerie to see the motorway devoid of cars. Already thick weeds and long grass had sprouted in the central reservation, and birds strutted defiantly across the lanes. At one point they disturbed rabbits gambolling lazily in the fast lane, enjoying their freedom from the tyranny of humanity.
They ransacked the motorway services for any food that had not spoiled, giving the horses water and rest, taking the opportunity to doze in the dry air of the cafeterias. But the closer they got to London, the more the atmosphere became depressive, the more they felt an unpleasant anxiety building in the pit of their stomachs. The skies were darker, filled with charred matter blowing in the wind. The stink of burning was everywhere. Their instincts told them to turn back to seek out the green fields and sunlit lands of the West Country, but they forced themselves to keep on.
With only two days to Samhain, they finally parted company just past Reading, with Tom heading on to find Veitch and Shavi, while Ruth and Church continued to the camp of the Tuatha De Danann. Although none of them gave voice to it, they all dreaded what the coming days would bring.