An Expert in Murder

As six o’clock approached, Josephine could think of nothing she needed less than food or gossip. Nevertheless, conscious of a 95

guest’s obligations and resigned to a hefty helping of both, she dressed for dinner and set out for the restaurant, never once allowing her thoughts to linger on the performance that lay just the other side of the meal. Still a little unsteady after the drive back from Hammersmith, she decided to brave the rain and walk the half mile or so to Percy Street, taking pleasure in the distractions of Saturday-night London. The city was at its good-humoured best, the pavements growing steadily more crowded with a tangle of umbrellas and laughter as people emerged from buses and underground stations, determined to enjoy themselves. Gladly, she allowed herself the luxury of joining them, if only for the time it took her to reach a small, unassuming restaurant just off the Tottenham Court Road. The Motley sisters were by no means the only members of their profession for whom it was a favourite haunt: in fact, it was often said that a bomb hurled randomly through the doors of the Eiffel Tower would instantly dim the lights at half the theatres in the West End. Full of gaiety and chatter, the Tower admitted no sign of the jazz-age sophistication which had driven artists into public houses all over the city, and consequently remained the ultimate spot in which to see and be seen, even to eat and drink.

Lettice and Ronnie were already seated at a corner table when Josephine arrived, and she was touched by the concern that replaced their banter as soon as they saw her. Ronnie, who possessed the covetable knack of dealing with head waiters together with a firm belief that bubbles could console as well as cheer, wasted no time in ordering a bottle of Moet and Chandon, while Lettice looked solicitously at her friend. ‘This is hardly the celebration we had planned for you,’ she said, as Josephine sat down next to her. ‘You must have had an awful day.’

The table was for four but it was a smaller party than planned.

Reluctantly, Archie had made his apologies and he and Fallowfield had returned to the Yard. His absence was quickly noted by the Tower’s ubiquitous proprietor, Rudolf Stulik, whose expression of desolation was hardly a good advertisement for the Champagne that brought him to the table.

96

‘The Inspector is on his way?’ Stulik asked hopefully in the thick Viennese accent which, along with an impressive moustache and even more impressive waistline, made him a walking cartoon of a restaurant proprietor. With the exception of a scant regard for licensing regulations, Stulik was unswerving in his devotion to this rather handsome embodiment of the law, and had been ever since Penrose had uncovered a gang of extortionists who had targeted his restaurant a couple of years back. The adoration – a source of much mirth and mischief to his cousins – was a huge embarrassment to Archie, so much so that only the prospect of Josephine’s company would have got him to the restaurant at all.

‘No, Rudy, I’m sorry – he can’t get away tonight,’ said Josephine, managing to keep a straight face. ‘But he asked me to apologise and he sends his regards.’

‘And he’d like a table for next Wednesday to make up for missing out on tonight.’ Ronnie’s revenge on Archie’s earlier bad humour was merciless. ‘Can you fit him in?’

Stulik, who was sadly removing the fourth place setting, brightened a little. ‘Of course. I will see to it right away and make sure I’m here to look after him personally.’ He bustled away, satisfied that the world was not as cruel a place as it had briefly seemed.

Josephine raised an eyebrow accusingly from behind the menu.

‘That was positively wicked, even for you.’

‘I know,’ said Ronnie, lighting another cigarette. ‘Sometimes I surprise even myself.’

Josephine laughed in spite of her day and ordered the turbot, bringing forth a culinary invective from Ronnie about a Scottish life being one perpetual Friday. After Lettice had dallied between the noisettes d’agneau and the caneton à l’orange sufficiently long for Stulik to suggest half a plateful of each, Josephine succinctly brought the Motleys up to date with the bare bones of Elspeth’s murder, leaving out the more sensitive points of the investigation but outlining the facts that signalled a connection with Richard of Bordeaux, most of which they had already gleaned from the newspaper. The cocoon of the restaurant, with the constant chink of glass and clatter of knives against forks, went a little way towards 97

anaesthetising her audience against some of the more chilling details, but not against the tragedy of a young girl’s death. As Josephine gave the victim the flesh and blood which had been missing from the lurid but faceless newspaper account, Lettice and Ronnie realised how involved she felt with the crime, and saw through her impatient dismissal of Archie’s concern for her.

‘We all know he’s ridiculously soft on you and always has been,’

said Ronnie with her usual directness, ‘but he’s also a bloody good policeman, much as it shames me to have one in the family. If he’s genuinely worried, then you should take him seriously and be careful. Or, if it suits your pride better, at least humour him until he’s proved wrong.’

‘It’s not a question of pride, just common sense. One afternoon with her relatives gave Archie more than enough time to raise plenty of questions about Elspeth’s life. If he finds the answers to those,’ she counteracted, unconsciously echoing Spilsbury’s advice,

‘I have no doubt he’ll understand why she died, and catch whoever’s responsible. In fact,’ she continued, looking at her watch,

‘he may have already done so. He was off to track down Elspeth’s boyfriend when he left me. You’ll know him, I should think. He works backstage at the theatre.’

‘Surely you don’t mean Hedley?’ asked Lettice, so shocked that her fork was temporarily halted in its relentless ascent from the plate. ‘He wouldn’t hurt a flea – it’s just not in him.’

‘And even if he did, he certainly wouldn’t be clever enough to get away with it,’ added Ronnie, for whom kindness was no adequate substitute for wit. ‘If the girl had been walking out with McCracken, I could believe in a crime passionnel – the woman just oozes spite, and if she’s got a murderous streak then none of us are safe. But I can’t see Hedley taking up arms, and you know me –

happy to see the bad in anyone.’

Long practised at ignoring her sister’s asides, Lettice pressed on with her questioning. ‘Is it really Hedley’s girlfriend who’s been killed? None of us ever saw her, but he’s blossomed since they met and Lydia says he absolutely worships the ground she walks on.

She was teasing him about it just the other day, daring him to 98

show her off to us. He’ll be devastated: I can’t believe he had anything to do with it.’

‘But he was in a very funny mood this afternoon,’ Ronnie said.

‘And he rushed off like a bat out of hell, although I gather he was due a bollocking from Aubrey over something so you can’t blame him for a hasty exit. Well, well – Hedley White. It just shows, doesn’t it?’ she added inconclusively.

‘Don’t make me regret telling you that by spreading it around,’

said Josephine. ‘If he turns out to be completely innocent, he’ll have enough to cope with without every Tom, Dick and Harry looking at him as though he should have a noose around his neck.

And anyway, I’m not going to start imagining that people are waiting for me in dark corners all over London just to please Archie.

Let’s face it,’ she added caustically, ‘the ones we have to deal with in broad daylight are behaving badly enough at the moment.’

Josephine’s reference to the bickering amongst cast and crew at the theatre was not lost on the Motleys, who had seen her attitude towards those involved in her play go from excitement to admiration to irritation over the last year. With the exception of Lydia, who was the most established of the cast when the run began and who had remained gracious in the face of its unprecedented success, those who had gained fame and fortune through the play had not impressed its author with their tantrums and jealousies and determination to cash in on every opportunity it offered – and she had made that perfectly clear. Not that she had any moral objections to commercial success – she believed wholeheartedly that the purpose of telling a story was to entertain an audience and the money had given her the freedom to do what she most loved – but its trappings bored her and she simply did not need that many complications, or that many people, in her life. All in all, the experience had made her approach the staging of another work in a very different spirit, one that questioned the sense of doing it at all.

The solitary appeal of the novel, which required her to rely on no one but herself and Brisena, grew stronger by the day.

Nothing that the Motleys had to report about the afternoon’s meeting was likely to change her mind. ‘I know your day wasn’t 99

easy,’ said Lettice, ‘but at least it was less fractious than the one you were supposed to have. Bernard kept us waiting for ages while he made some telephone calls and then, when he finally did call us all in, I’ve never seen anybody less in the mood to compromise.

It’ll be a wonder if he has any staff left by curtain-up.’

‘I’ve got better things to do with my life than listen to your childish arrogance,’ boomed Ronnie in a passable impression of Aubrey. ‘Then he stormed out, giving Johnny no chance to have the full tantrum he’d been planning so carefully. He had it anyway, of course, but without the audience it was meant for.’

‘Don’t tell me nothing was agreed,’ Josephine said impatiently.

‘I think it would be more accurate to say decided than agreed,’

said Lettice, wiping the contrasting sauces from her plate with the last piece of bread. ‘Bernard made it quite clear from the start that any changes to the plans for a tour of Richard were quite out of the question. He’s insisting that if any money is to be made from it out of London, then it must go now on the back of the momentum it has here and it must go with the cast that people have heard so much about and will pay to see. He said he owed that much to you, if nothing else.’

‘There was a time when I would have appreciated that,’ said Josephine. ‘Now, with everything that’s happened, it can’t be over too soon for me. But he’s right about the timing of a tour, of course. I can see why Johnny needs a change, but this is the moment and Aubrey was never going to let him out of a signed contract. Anyway, it’s only eight weeks, for God’s sake. Surely he can grin and bear it for that long without ruining his career?’

‘You’d think so, although from what he was saying I got the impression that Johnny’s worries at the moment have more to do with money than artistic integrity. He’s usually so choosy about where he wants to go next, but there was a touch of the desperate about him today. He wants this film for the money, pure and simple. If it comes off, he knows how pathetic a stage salary – even his

– will seem by comparison.’

‘In the meantime, he’ll just have to stay strapped like the rest of us because there’s no doubt that your name, Richard’s glory and 100

Johnny’s frustration will all be enjoying April in Manchester. The Producer has spoken,’ Ronnie summarised neatly, ‘and that is the script we’ll be using.’

‘And a murder doesn’t affect his plans?’ Josephine asked. ‘No, you’re right, of course,’ she continued, matching Ronnie for sarcasm. ‘I suppose the only inconvenience that death seems to be causing is by coming at the end of the run. As a publicity stunt, it really would have been so much more beneficial for those quiet matinees just after Christmas.’

‘Although to be fair,’ said Lettice, a little more charitably,

‘Aubrey doesn’t realise it was Hedley’s girlfriend. I know we lapped up the drama of it all when we saw the latest account in the paper, but it’s turning out to be a lot closer to home than we could have suspected. He’s really taken that boy under his wing in the last couple of months, and whether he has to deal with Hedley’s guilt or just his grief, it won’t be easy for him.’

There was no telling which it would be at this stage, thought Josephine, although she had found it difficult to reconcile either Lettice’s opinion of Hedley White or Elspeth’s obvious affection for him with the person who possessed enough nerve and malice to carry out the murder which had been described to her. She wondered how Archie and Fallowfield were getting on in their search for the boy: he was all they had to go on at the moment, but she could not believe in her heart that the solution was as simple as a lovers’ quarrel. In just one short meeting, it had seemed evident to her that the Simmonses were a complex family in which relationships existed on very fragile foundations. Secrets – between husband and wife, between mother and daughter, between brothers –

were in plentiful supply, and she could not forget the hurt in Frank Simmons’s eyes when he realised that his wife knew more about Elspeth’s past than he did. How had he really felt at the prospect of losing the cherished company of his niece to another man? And a man who so obviously shared her passions and could open the door for her to a living, breathing theatre rather than to one enclosed in a glass case. As fascinating as it was, she could not help but feel that Simmons’s extraordinary pocket of nostalgia was a lit-101

tle obsessive, to say the least. She thought again about the alibi that he had given to Archie: was a waitress – run off her feet in a busy coffee shop – really able to put reliable timings on anything, particularly something that was part of an established routine?

Dessert arrived, Stulik needing no further prompting to bring three hot, sweet soufflés to his favourite table. ‘It is all in the steel of the nerve and the strength of the hand on the whisk,’ he said modestly, shrugging off their admiration and remaining oblivious to Ronnie’s smirk.

‘I hardly dare ask if the boys got round to discussing Queen of Scots,’ Josephine asked, when the only evidence that remained of Stulik’s mastery with a whisk was a light dusting of icing sugar on Lettice’s top lip.

‘Oh, they certainly did,’ Ronnie replied, passing her napkin across to her sister. ‘But that just dealt another blow to any prospect of negotiation. When he couldn’t get anywhere with the film, Johnny tried to throw his weight about on the casting for your next play. He demanded that Rafe Swinburne play Bothwell and threatened to walk out if he didn’t get his way.’

‘That’s when Bernard really lost his temper. He said that Swinburne was never getting another job from him, and that he refused to have his theatres used as a . . . as a . . .’

‘As an expensive rehearsal for a cheap fuck was the phrase I believe he used,’ said Ronnie, gleefully jumping in as her more modest sister faltered. ‘Anyway, Aubrey just pointed out that if Lewis Fleming would have been good enough to tour as Richard, then he’d be perfectly fine to stay here as Bothwell.’

‘So the stage is set for another triumphant night in the West End,’ said Josephine with a heavy dose of irony. ‘A happy cast, an untroubled crew and death in the wings – what more could we ask for? But at least it sounds like this film is dead in the water: I can do without that sort of fate-baiting at the moment.’

‘Oh no dear, you haven’t heard the best bit yet.’ Ronnie’s pause to look for her lighter had the desired dramatic effect on Josephine, who impatiently offered her own in exchange for the rest of the story. ‘Well, I couldn’t decide if Aubrey was simply flex-102

ing his muscles or if he really thinks it’s a good idea,’ she said, inhaling deeply, ‘but his final move was his deadliest. He calmed down after the cheap fuck exchange, and announced very firmly that he had every intention of financing a film of Richard, but he wasn’t certain that Johnny was the right man for the role on screen.’

‘Darling, you should have seen the look on Johnny’s face. I thought he was going to hit him,’ Lettice said with feeling before looking questioningly at Ronnie, who nodded slightly. ‘And that’s not the only disappointment, I’m afraid. He’s made it clear that he wants Lillian Gish for Anne of Bohemia, not Lydia. He says she has all the qualities on screen that Lydia has on stage, and that she’s a bigger name in the film world. I really don’t know what’s come over him.’

‘And that, my dear, was that,’ finished Ronnie with a flourish.

‘Aubrey stormed out, muttering something which had

“McCracken” and “bitch” in the same sentence, and we were left to mop up what was left of Johnny.’

As they paid the bill, Josephine was speechless. She loathed the extent to which she was losing control of her work, but could see no way out of the tangle of triumph and disillusionment that seemed to be its inevitable companion. Even if she refused to have anything to do with a film of her play, there was nothing to stop Aubrey asking another writer to produce something along the same lines. As she had argued successfully against Vintner in court, there was no copyright on history. And anyway, in a sense the damage had already been done. Film or no film, in a circle as small as this one, there was no way that Lydia could be protected from the knowledge that she had been overlooked – and for a woman who had been at the top of her profession since the age of fifteen, the journey down was bound to be a painful one.

On the way out, they looked for their host to thank him but Stulik’s attention had already been diverted to another party, recently arrived and headed by a distinguished elderly gentleman around whom the proprietor clucked like a mother hen.

‘Look! It’s Sickert,’ exclaimed Lettice, less subtly than she could 103

have. ‘Thank God Lydia’s not here or he’d be all over us. I can’t believe she spent all that time alone with him. There’s something very shifty about him, don’t you think?’ she asked with a shiver.

Josephine glanced at the painter, who had recently completed an impressive portrait of Lydia as Queen Isabella of France, falling quite naturally under her spell as he did so. Try as she might, the finely cut, sensitive face and untidy white hair revealed to her none of the evil intent which seemed so obvious to Lettice. Before her friend could place London’s most celebrated artist at King’s Cross with something more lethal than a paintbrush in his hand, Josephine told her not to be so ridiculous and led the way purposefully to the door.

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Eight

The telephone on the dark oak desk in Bernard Aubrey’s office rang at exactly seven o’clock. Wearily, he lifted the receiver halfway through the third peal, then brightened as the voice at the other end identified itself.

‘There’s really no need to explain,’ he said, cutting short the apologies with which the caller opened the conversation. ‘It’s very good of you to bother on Saturday night. Do you have what I’m looking for?’

He listened carefully as the woman on the other end gave a succinct but comprehensive response to his questions, his fingers idly tracing the outline of numbers which had been scribbled on the blotting pad in front of him during the last few days. ‘You’re sure about that?’ he asked when she stopped talking. ‘There’s no possibility of a mistake?’ Reassured by her certainty, he thanked her again and carefully replaced the handset. The whole conversation had lasted barely five minutes, but he had all the details he needed.

The only question now was how best to act on them.

Reaching for the bottle of whisky which always stood on his desk, Aubrey noticed how quickly its contents had dwindled. He had never been a heavy drinker, preferring the habitual comforts of tobacco and sufficiently aware of the toll that one addiction had taken on his health to know that the acquisition of another was unwise. But he had long since ceased to care about his own well-being, and the peat-filled warmth of the Scotch soothed him now, taking the edge off the cold that had hovered at the back of his eyes and throat since he awoke that morning and centring his thoughts on the evening ahead: he would get through the performance with-105

out allowing his anxiety to distract him, and he would speak to Josephine and Lydia after the show. His recent behaviour towards them both had been so out of character that he needed to make his peace; his fears, in all truth, were not their concern. He must promise Josephine that she would not have to endure again any of the unpleasantness which had plagued her introduction to theatre, that the madness which had begun with Vintner’s ludicrous allegations was a one-off occurrence. In any case, he knew instinctively that the distorted success of Bordeaux was unlikely to be repeated and certainly not by the play which was soon to go into rehearsal; Queen of Scots would do moderately well, but it lacked the charm of its predecessor and would, he was sure, have a looser grip on the public’s affections. Lydia would be more difficult to appease, simply because the shadow that he had cast over her future in a moment of unnecessary harshness was genuine: it was hard for an actress in her forties, even one as accomplished and versatile as she was, but they were friends and he would find a way to reassure her.

Then there was Hedley to consider. The boy had not come to see him after the show as he had been asked, but he did not think any less of him for that. In love for the first time, he was bound to act out of character but, like anyone who has been given an unexpected chance in life and is anxious to please, he learned his les-sons quickly and well: the reprimand he had already received seemed to have hit home, and there would be no need to refer to the subject again. In fact, he had wanted to make amends for his earlier anger by allowing Hedley to take his girl backstage, to show her the dressing rooms and let her walk on the stage with the lights full on; from what he had been told about her, he knew how much that would mean to Elspeth and how pleased Hedley would be to be able to offer it. Never mind – it could wait until next week; she was staying in London for several days. As far as he could see, the couple stood a good chance of making a go of it: neither was particularly used to excessive kindness or affection, but nor had they been trained to distrust it through those scarring acts of cruelty and betrayal. They were surprised when the love which they had seen in the picture houses and read about in magazines 106

happened to them, but not afraid to embrace it wholeheartedly and turn it into something uniquely theirs. Aubrey shuddered when, by contrast, he thought of the poor murdered girl in that train and the passions which the papers were speculatively blaming for her death. There was a lot to be said for a simple life, undistinguished by any extreme emotion. He would help Elspeth and Hedley in any way he could and that would give him a deeper satisfaction, he suspected, than any of the success he had enjoyed up to now, if only because they had never asked for it.

If he had known the weight of responsibility that would follow him through life, he would perhaps have chosen another path.

Most men were relied upon by a family and he had provided more than adequately for his, but financial support had proved the easiest to give. Every day at the theatre, and throughout those four long years underground, people had looked to him to make things different, to change their fortunes, to keep them alive; the cost of getting it wrong varied, of course, but the pressure was always there, the emphasis was always on him to provide what was missing, be it money, recognition or simply hope. And now, at sixty-five, he was exhausted, so exhausted that he longed to disappear altogether. Perhaps one day he would just give up and leave, but there was something he needed to do first and tomorrow, when he had the building to himself and his mind was more settled, he would consider the most appropriate path to his own redemption.

It had been a long time coming and it would be all too easy to snatch at it in sheer relief, but the stain of damage must not spread.

The innocent must not be made to suffer again.

He emptied the bottle and walked over to the bookcase, where a woman in a silver frame looked out at him from a backdrop of Bennett and Walpole. The picture had been taken forty years ago or more and, until death brought its miraculous peace, the face had aged in that time more starkly than he cared to admit, but this was how he always remembered her. ‘We’re nearly there,’ he said, raising his glass in acknowledgement of the silent pact that ran between them. ‘We’re nearly there.’

*

107

Hedley White stood across the road from the New Theatre in the rain, trying to understand how his world had fallen apart so quickly and knowing it was all his own fault. He had been there for an hour now, huddled against the iron gates that divided the courtyard of 66 St Martin’s Lane from the busy street beyond, and taking advantage of the shadows to watch the comings and goings opposite. Since mid-afternoon, people had been queuing along the draughty passage which ran down one side of the New but there had been no sign of impatience or bad humour, just excitement and the companionship that always characterises a crowd with a shared objective. The queue tailed back as far as he could see, following the passage round past stage door – where he had first set eyes on Elspeth – and on to Wyndham’s, eventually emerging into Charing Cross Road. All reservable seats were long gone, and had been since the play’s last few days had been announced, but hopefuls still turned out in force for the pit and gallery entrances and, even now, when the doors were thrown open and the lucky frontrunners admitted, there was no indication that the line was anything but infinite.

He had liked Elspeth from the moment he set eyes on her, standing patiently at the stage door with an older man whom he later learned was her uncle, waiting for Rafe Swinburne’s autograph.

With no thought in his mind other than to be helpful, and knowing that the actor would be occupied for some time with the blonde who had arrived halfway through the second act with a bottle of gin and some maraschino cherries, Hedley offered to take the programme backstage and get it signed for her. ‘Is she pretty?’

Swinburne had asked, after taking careful note of the name and covering his photograph with the usual flamboyant scrawl.

Blushing as he described her, Hedley laid himself open to some merciless teasing. ‘You have this one, then,’ Swinburne had said, casting a sly glance at the blonde. ‘As you can see, I’ve got my hands full tonight – but don’t let me down. Make sure she says yes.’ And much to Hedley’s astonishment, she had said yes. His tentative request that she might meet him for a cup of tea one day had been met with a smile of disarming pleasure and a blush that 108

matched his own. The last two months had been the happiest he had ever known.

And now he was paying for that happiness with a misery deeper than he could have thought possible. Just for a moment, he allowed himself the foolish luxury of playing out the evening as it should have been: their joyful first glimpse of each other and the endless conversation that always followed an absence; more talk inside the theatre – in all their meetings, he could not remember a single silence – where they would go first to the sweet kiosk so that Elspeth could choose a box of toffees to see them safely through the first half, and then to their seats. He would take her hand the moment the curtain went up and, from then on, would steal secret glances at her, smiling to himself as her lips silently formed the lines she knew by heart and watching as she leaned forward in her seat to anticipate scenes she particularly enjoyed. Then the walk, arm in arm, to the restaurant and dinner, before he saw her safely home. Unable to bear it any longer, Hedley brought the fantasy to an abrupt end and sank to the pavement in despair, bowed by a twin grief because he knew then, in his heart, that he would never want to set foot in a theatre again.

From where he crouched, scarcely noticing how cold and wet the iron railings felt against his back, he saw Lydia walking quickly down the passage towards stage door, arm in arm with the other lady and laughing as the two of them struggled with an umbrella that stubbornly refused to close. If she had been on her own, he might have approached her and asked for her help – she had been kind to him from the moment she found out that he shared her joy in music and old songs – but he was shy in front of her friend. In any case, a gentleman soon sacrificed his place in the queue to force the umbrella into submission and the moment was lost as they disappeared into the theatre. There was no safe haven for him there: Aubrey was furious with him and he, in turn, cursed the older man for his interference, without which Elspeth might still be alive and he would not be standing here with no idea what to do next. With all that the papers had implied, he knew the police would be looking for the dead girl’s boyfriend 109

and it would not take them long to find out who he was. They were probably at his digs now, waiting for him to come home, but he would not risk that, no matter how tempting it was to collect a change of clothes and the small amount of money that he had managed to save each week from his wages, carefully stored in a tin under the bed.

A coin fell to the ground in front of him. Instinctively, he picked it up and stood, ready to return it to its owner, to explain that he was not one of the beggars who lined the West End streets on a Saturday night and that the shilling should go to someone who really needed it. Instead, he just watched as the man disappeared into the crowd, suddenly aware that he faced a stark choice: he could give himself up and take what was coming to him, or he could run – and for that he needed money, not a conscience. As the dreaded ‘House Full’ sign was placed on the pavement outside, the queue began to disperse. Before he could change his mind, Hedley pulled his collar up and strode quickly across the road after a couple who were walking away in disappointment.

‘Excuse me,’ he said, touching the young man’s arm. ‘I was supposed to be going to the play tonight with my friend but she . . .

she can’t be here.’ From his coat, he took the tickets that Aubrey had given him, two front-row dress-circle seats, the most expensive that money could buy. ‘It’d be a shame to let these go to waste.

I’ll sell them to you if you like, just for the cost price.’

The boy looked at him in disbelief. ‘Are you sure?’ he asked.

Hedley nodded and took the money, embarrassed as the girl gave him a spontaneous hug. ‘We’ve just got engaged,’ she said, smiling in delight, ‘and we so wanted to celebrate at the theatre.

Everybody’s talking about it. You’ve no idea how much this means to us.’

The money weighed heavy in his pocket as Hedley turned away, knowing more certainly than the couple could have realised exactly just how much it meant.

For an actress in a hit West End play, Saturday was usually the most gratifying day of the week but, by five o’clock, Lydia 110

Beaumont had had enough. An unsettled air hung over the theatre as the tension which already existed among cast and crew was intensified by the shocking events of the day before; everyone seemed out of sorts because of it, herself and Marta included. As a rule, Lydia enjoyed the occasions when Lewis Fleming stood in for Terry because he brought a strained anger to the role of Richard, a rawness which gave her something different to respond to. This afternoon, however, she felt that both their performances had been distinctly below par and would not have blamed the audience for reflecting this at the end of the show. But matinee crowds were always the easiest to please and the applause was as rapturous as ever. One day they would be found out, but not today.

‘Come on, let’s go for a walk,’ Marta said, watching as Lydia wiped the last of the make-up from her eyes. ‘We both need some air and it’ll do you good to get away from this lot, if only for an hour. If you’re lucky, I’ll even buy you a sausage roll from that coffee stall on the Embankment. You need to keep your strength up –

the plague can take it out of a girl.’

Lydia smiled and took her coat from the back of the door, needing no further persuasion to indulge in a little normal living before she had to return to the stage to die all over again. ‘You know, I’ll actually be quite glad to leave this behind after next week and get out into the country for a bit,’ she said, as they climbed the narrow stairs to ground level and came out into the scene dock.

‘I see, can’t wait to get away from me already,’ Marta said in mock offence, but her playful tone was not reciprocated as Lydia stopped and looked at her.

‘Don’t be ridiculous,’ she said, gently stroking her hair. ‘You know how badly I’ll miss you, but I still haven’t given up hope of talking you into coming with me, at least for some of the time.

What do you say? We could find a little guest house by the sea . . .’

‘In Manchester?’

‘All right, perhaps you’d better skip that week, but how about Brighton? We can walk on the pier if it’s nice or stay in bed all day if it’s not, then smile over dinner as the landlady frowns her 111

disapproval on us in spite of the fact that she’s only got one set of sheets to wash at the end of the week.’ Marta laughed as Lydia warmed to her theme and lapsed into melodrama. ‘Then, as the day dwindles, I’ll show you all the glamour of life on tour,’ she continued. ‘Scratchy grey blankets and shared bathrooms with no hot water, smelly dressing rooms, half-empty theatres and restaurants that close five minutes before the performance ends, leaving you no choice but to go home to cocoa from an old chipped mug. Are you really going to let me go through all that on my own? It’s tantamount to abuse, particularly for a queen of delicate disposition.’

Marta took her arm as they joined the throng of playgoers in St Martin’s Lane and headed south towards the river, taking the sight-seeing circuit which they always enjoyed whenever she met Lydia from the theatre between shows. ‘Don’t make me doubt my decision on this one,’ she said, more seriously this time. ‘I could easily be persuaded to come with you because I don’t want us to be apart any more than you do, but I’ll just be in the way.’ She held her fingers to Lydia’s lips as they started to protest. ‘You know I’m right. It’s your world, and I can skate around the edges and drag you up for air occasionally, but it’s better for both of us if we keep you and me separate from all that. At least that way you have some sanity to come home to, and thank God nobody’s thought of opening the theatres on a Sunday yet: we’ll have a lot of time to make up for on your days off.’

Lydia smiled wickedly back at her and, sensing that the crisis had passed, at least for now, Marta changed the subject. ‘Talking of delicate queens, has your lord and director found you a Bothwell to return to yet?’

‘I don’t know for sure but we’ll find out from Josephine later –

she went to the meeting with them. However, judging by the mood he was in when he came out, I don’t think he got his way so we’re probably safe in assuming that it’ll be Lewis rather than Swinburne.’

‘How miserable for you! From what I saw of him at lunchtime, he’s not exactly going to be a laugh a minute in rehearsals, and 112

there was a gaggle of adolescent girls panting over the other chap’s photograph as I came past Wyndham’s. Wouldn’t he have been a bigger draw?’

‘Possibly, but I’m hardly in a position to argue at the moment.

Bernie made it quite clear the other day that I’m lucky to have a job at all at my advanced age, let alone a leading role.’

‘Don’t be daft. Look at the success you’ve had this last year –

he’d be mad to drop you. You’ve always said before that he values your opinion. He must have been having an off day.’

‘Yes, I know. He has been acting strangely recently and I’m sure he wouldn’t normally have been as blunt in the way he put it, but even I have to face up to the fact that what he said is absolutely right. I might be able to talk Josephine into writing me another role or two, but make the most of these weeks of peace without me

– you’ll be seeing a lot more of me until I’m of character age.’

‘Well I’m hardly likely to complain about that,’ Marta replied affectionately, opening an umbrella to protect them from the strengthening rain. ‘You never know – I may even scribble something for you myself one of these days, and I’m slightly more ancient than you.’

‘It’s all right for you writers, though: you can start as late as you like and go on until you drop, and no one thinks anything of it. In fact, we don’t even chide you for being lazy in not getting around to it sooner. I don’t know how you get away with it. I’ve been doing this since I was fifteen – no wonder I’m exhausted!’

‘Oh I started on and off a long time ago but if I read now what I wrote then, I’d probably be horrified. When you’re young, you only ever write romantic nonsense.’

‘And now you’re so cynical and worldly wise, I suppose? How does that tally with the woman whose idea of a first date is to take me tobogganing on Hampstead Heath to seduce me in the snow, or the one who leaves a single flower at stage door before every performance even though I’ve told her it’s bad luck, or . . .’

‘All right, all right – you win. I’m a different woman since I met you and I’ll probably never write another word because of it.

Books aren’t built on happiness, but I know what I’d rather have.’

113

‘Then we shall be old and poor and illiterate together,’ said Lydia, turning to give her a kiss. ‘Now, what about that sausage roll?’

The Salisbury public house was known to its advocates for liveli-ness and companionship, and to its detractors for noise and interference. Rafe Swinburne was not bothered enough to subscribe to either party, but Terry had suggested the Salisbury as a meeting place convenient for both of them before their evening shows and he had willingly agreed, eager to discover what the future held for him. He bitterly regretted having arrived on the scene too late to make his mark in the biggest success of the year, but his debut in Sheppey – which Terry was directing at the same time as he starred in Richard – had been moderately praised by the critics and keenly welcomed by the audience, and his hopes for Queen of Scots, should he get the part, were high. He had known from the moment he met him that Terry was the future of theatre while Aubrey was the past. Always blessed with a remarkable nose for his own advantage, Swinburne had watched with interest the cooling of their part-nership, which – or so rumour had it – had been particularly tense of late. If a parting of the ways was on the horizon, he had decided very early on which horse he was going to back, and what his stage presence could not get him with Terry, he suspected his face could.

He was ten minutes late for his rendezvous, but there was no sign of Terry in the crowds that lined the long, curved bar. The Salisbury’s clientele was made up almost exclusively of actors, playwrights and the odd agent or two touting for talent, and a dramatic heritage of sorts could no doubt be traced through the various owners of the heavy pewter tankards that hung from the ceiling. Early evening was always one of the busiest times: as the half approached, glasses would be collectively drained and three-quarters of the trade would disperse to one stage or another, gradually drifting back in twos and threes to resume where they had left off. By last orders, the bar would be full again, triumphs mixing leisurely with disasters amid the warm fog of smoke and beer but, at this earlier hour, with the most important performance of the week still to come, the 114

atmosphere was one of nervy expectation. Swinburne bought a glass of beer and found room on the end of one of the hard, horse-hair settees that bordered the room, casually taking in the conversations that came and went around him. He counted seven copies of the evening paper lying around on the brass-topped tables and, for once, none of them were open at the situations vacant pages, but rather at the latest account of the King’s Cross killing. It never ceased to amaze him that the murder of a complete stranger could be so tirelessly fascinating to so many. What difference could the loss of some girl they had never met possibly make to the ponder-ous old man in the corner or the powdery-faced redhead behind the bar? Sensation might be the public face of grief, but Londoners were a fickle bunch: there’d be a new headline along tomorrow and the world would carry on as normal through it all.

As he finished his beer, still on his own, Swinburne began to worry that Terry had been and gone without waiting for him.

Perhaps he should go and look for him? If he walked straight to the New Theatre there was no chance of their missing each other, so he gave up his seat to a pretty but excessively grateful young girl who had spotted an agent she needed to charm at his table, and headed out. He arrived at stage door without encountering anyone he knew on the way, gave a cheery greeting to the chap on duty and went downstairs. Even before he reached Terry’s dressing room he could hear raised voices behind the closed door.

Carefully, he went a little nearer until he was close enough to make out the words beneath the anger. It was Lewis Fleming speaking –

there was no mistaking that dour northern bravado – and he listened intently, confident that both men were too absorbed in the row to think about leaving the room. No one in the business would have been surprised to find the actors at each other’s throats

– their mutual hatred was common knowledge in the West End –

but this particular exchange ran deeper than professional differences. Swinburne was loath to tear himself away but, by the time Fleming began to shout again, he had heard enough. He left as quietly as he had arrived, a faint smile playing on his lips.

*

115

Fleming waited until Terry was on his way out of the theatre before making his move. He was deathly tired, but the rain and the cool evening air that ran through St Martin’s Court refreshed him a little and helped to focus his thoughts. It was all for her, he reminded himself, fixing her image – well and happy, as she used to be and as she would be again – firmly in his mind’s eye so that by the time the familiar figure emerged from stage door and moved briskly, head down, towards St Martin’s Lane, he was ready. When he stepped defiantly in Terry’s path, that famously sensitive face looked up at him impatiently, then, at the realisation that he was not merely a clumsy passer-by, the impatience turned to anger.

Noticing, in spite of Terry’s defiance, that the anger was tinged with fear, Fleming felt a surge of power that sickened him to the stomach, but he continued nonetheless.

‘Isn’t there a little something you’ve been meaning to give me?’

he asked, refusing to let the other man pass. ‘It’s a couple of days late, but everyone deserves a second chance.’

Terry looked at him and then beyond him down the passage, as if weighing up his options. ‘I told you on the telephone: you’ve had all there is to have at the moment. You can threaten me as much as you like, but it’ll get you nowhere.’

‘You don’t think so?’ Fleming gestured towards the queue which was building steadily behind him. It was just a slight move of the hand but proved enough to break Terry’s resolve.

‘All right, but come back inside. I don’t want to discuss this here.’

The bile rose once more in Fleming’s throat as he followed his victim through the backstage area, where McCracken was checking that the dice were in their box ready for the opening scene, and downstairs to the dressing rooms. He thought of his wife again, this time in that narrow bed, fighting silently, and he drew on her strength as an antidote for the conscience which made him so weak. It would be all right, he told himself, she would understand why he was doing this and she would forgive him. Then, when she was well, they would think of a way to make reparation, to Terry at least; God, on the other hand, was a different matter altogether.

116

As they reached his dressing-room door, Terry played for time by feigning difficulty with the lock. He really had no idea what to do, and the meeting that afternoon had left him without any hope of an immediate solution to his problems, without any easy way to make the sort of money he needed to get Fleming off his back.

He cursed Aubrey for his intransigence, but only because it was easier than blaming himself. His private life had always been a discreet matter – it would have been dangerous to allow it to be anything else and, anyway, it was of secondary importance – but he had believed himself to be safe in theatre circles, to be among if not like-minded people, at least tolerant ones. How foolish that now seemed! If Fleming did as he threatened to do, all he had worked for would be lost. He would have let everyone down – his family, his friends, the stage itself. Gossip and chatter would follow him everywhere until the worst was suspected of his most innocent friendships, until even he began to believe his behaviour to be wrong. He held Fleming in precious little esteem but he would be lying to himself if he said he was unaffected by the man’s evident loathing of all he was, so how would he feel when those he cared for turned away in disgust? When the police were brought in and he faced an exposure so public, so humiliating?

Since Fleming had made that first crude and unforeseen threat, his life had been a continuum of sleepless nights and days full of fear.

How was he expected to go on smiling and frisking about the stage as if everything were fine when he really felt wretched and despairing of the years ahead? He had to bring an end to it one way or another: violence he could cope with, but shame was more than he could bear.

Once inside the room, Terry took his crown from the chair and threw it on the floor, sitting to face Fleming with more nonchalance than he felt. ‘You’ve got no proof.’

The other man laughed. ‘I’ve got all I need. And you’d be surprised who’ll crawl out of the woodwork once the idea’s out in the open. Let’s face it – there’s no shortage of candidates.’

He was right, of course. Terry knew that no matter how careful he had been, he could not rely on everyone to protect him forever 117

and it would only take one loose mouth to ruin him completely.

‘How much do you want this time?’ he asked, defeated.

‘Oh, I don’t know. Another five hundred should do for now.

When you’ve got your new projects underway, we can renegotiate.

But hurry up: I haven’t got all the time in the world.’

‘Then you’d better learn some patience, because there aren’t going to be any new projects. At least, not immediately.’

‘What? Has Aubrey started to tire of his golden boy at last?’

Fleming sneered, his professional jealousy for a moment overcom-ing his other concerns. ‘Dear, dear. Well, you’ll just have to find another way because believe me – that little fall from grace will be nothing compared to the one you’re heading for if I don’t get what I need.’

‘Need?’ Terry retorted, suddenly raising his voice. ‘Are you seriously trying to grace that pathetic habit of yours with some sort of necessity? Look at you! You drink your nights away and turn up here to this stage – my stage – to sleepwalk through another performance, and then you expect me to fund your next . . .’

‘What?’ Fleming was shouting now, and his fury drowned out any level that Terry could manage. ‘You think I’d dirty my soul with your money just for a drink? Christ, you’ve got no idea what normal people have to live with, have you? Locked up here in your own little world, with nothing to care for but your own ego, nothing to lose but another role, another bit of make-believe.’ He picked up the discarded crown and threw it across the room, where it crashed against the dressing-room mirror and shattered Terry’s startled reflection. ‘It’s not just kings, you know. Real people suffer, too, and it would do you good to find out just for once how that feels.’ His voice dropped again, but the change in volume brought no respite for Terry. ‘So yes,’ he continued, ‘I do need that money, and I do need it quickly. And for something much more important than a bottle, which makes things rather more dangerous for you.’

‘I can’t give you five hundred. Fifty’s all I’ve got – take it or leave it.’ He held the money up. ‘Anyway, it’s Aubrey you should be playing your dirty little games with. You’re going to need more than my money when you’re out of work.’

118

‘What?’

‘Hasn’t he told you yet? He’s going to sack you at the end of this run. Says he can’t rely on you any more, that you’ve lost whatever it was you had. I could never see it myself, but at least he’s come to his senses about something. So that’s you out of the running for the next show. You’ll have to think again.’

It was a cheap trick to buy himself some space and he knew it was only a matter of time before the lie was revealed. Fleming recovered quickly, but not quickly enough to prevent Terry from realising he had scored a small victory. ‘Then we’d better think of a way to make Aubrey change his mind about me, hadn’t we?’ he snarled, snatching the money and leaning close enough for Terry to feel the spittle on his cheek. ‘After all, two murders this weekend would look like recklessness.’ He stood up and went over to the door. ‘And in the meantime,’ he said mockingly, ‘we must stop meeting like this. You know how people talk.’

It was always at this time of the evening that Esme McCracken felt most at home in her life. Rather than take a break after the matinee like most of her colleagues, she preferred to stay behind and get the preparations for the evening performance out of the way immediately. Impatiently, she ran through costume and property plots which were automatic to her after more than a year, and made sure that all was in place by seven o’clock at the latest. It was then that she most needed time to herself.

Her one good coat – wool, in a daring blue, cast off by a woman her sister worked for and hardly ever worn – hung on the hook where it was always kept for these occasions. She took it down and put it on as quickly as possible, fastening the buttons firmly to cover a faded black jumper and skirt which felt as worn out and as undistinguished as she did, then slipped out of the stage door and round to the front of the New Theatre, eager to be where she belonged. From where she stood at the top of the steps, just outside those polished timber doors, she could watch the audience arrive without being seen from inside, offering a few words of welcome to any theatregoers who caught her eye and practising an air 119

of gracious humility for the future. As the foyer began to fill with expectation, she wondered what her own audiences would be like when Aubrey finally gave in and put her play into production; more discerning than this, certainly, she thought, looking dis-paragingly at a man in a drenched-through mackintosh and trilby, although she supposed she would have to settle for smaller numbers, at least in the early days. Never mind: what mattered was that those who did come would value her ideas, and of that she had no doubt.

On the dot of seven-thirty, Bernard Aubrey came down from his office into the foyer as he did every night, clad immaculately in evening dress which he wore with a casual elegance. He took up his usual position by the white marble chimneypiece and, ever the genial host, nodded to his Saturday night regulars, many of whom he knew well after several years of faithful attendance. He was still a handsome man, McCracken thought grudgingly, and the attractive coupling of compassion and determination in his eyes had not been dulled by age.

As she watched, Aubrey’s general smile of greeting took on a more personal warmth and she felt a sharp stab of jealousy when she recognised its recipient; in the crush, she had not noticed Josephine Tey arrive, but that was hardly surprising – her looks were as bland as her work. She returned Aubrey’s kiss on the cheek, and he lowered his head to allow her to speak privately into his ear, then the two moved slightly to one side, away from the main crowd. McCracken tutted impatiently as her view of the pair was blocked, and risked moving slightly forward; by the time she had them once again in her view, Aubrey’s expression had completely changed and Tey had laid a consoling hand on his arm.

What was that all about? Perhaps she had told him she was giving up the stage? If so, this could be the moment she’d been waiting for. Her heart lifted briefly, until she saw one of the Motley women

– the overweight one – dragging a young couple through the crowd to where Tey and Aubrey were still in solemn conversation.

The designer, overdressed as usual and apparently oblivious to their mood, pointed to the engagement ring on the girl’s finger and 120

Tey smiled her congratulations, while Aubrey turned and went back upstairs. McCracken watched as the author signed the programme which was tentatively held out to her. All that cringing self-effacement made her sick – it was so affected – and she knew then that whatever had darkened Aubrey’s mood, it wasn’t the prospect of having to replace a successful author: this one loved her glory far too much to relinquish it. Trust the smug bitch to spoil even this ritual for her. Already late for the half, McCracken turned round and headed bitterly for the dark anonymity of backstage, pushing the last few stragglers roughly aside as she went.

Josephine was about to take her seat in the royal circle when she felt a tap on the shoulder. She turned round, the practised smile already in place, but took an involuntary step back when she found Frank Simmons looking intently back at her. He was soaked to the skin and, as he removed his hat, the water fell in a steady drip from its brim, creating a patch of deeper crimson in the foyer’s carpet.

‘Mr Simmons – Frank – what are you doing here?’ she asked, torn between sympathy for his grief and unease at seeing him so unexpectedly. ‘Are you all right?’

‘Yes, miss, I’m fine but I had to get out for a bit. The flat felt so empty with Betty gone up north, and all I could think about was my Elspeth lying alone somewhere, so I came here. I know it sounds strange, but this is where I feel closest to her.’

He looked at the floor, tears threatening to join forces with the rain. Josephine struggled to find something to say which would bring this excruciating scene to an end without sounding too callous or too encouraging, but nothing came to her and she remained locked in an uncomfortable silence with him, conscious that everyone left in the foyer was beginning to stare. When Archie appeared at her side, seemingly out of nowhere, she had never been more pleased to see him.

‘It’s a terrible night, Sir, can we give you a lift anywhere?’ he asked, his natural courtesy tinged with a firmness that was not lost on Simmons, who released Josephine’s hand and appeared to get a 121

grip on himself. ‘That’s very kind of you, Inspector, but a walk does me good and I can’t get much wetter than I am already. I just wanted to see Miss Tey again and to thank her for this afternoon,’

he said, turning to her, although his voice was so low and uncertain that she could barely make out the words. ‘I’ll let you go in now – you don’t want to miss the start.’

‘Oh I think I know how it goes by now,’ said Josephine with a nervous laugh, and bid him goodnight. Gratefully, she allowed Archie to lead her away and Simmons watched them go, continuing to stare long after they had disappeared into the auditorium.

122

Nine

Penrose had not intended to use his ticket for the performance but, with his cousins seated in another part of the theatre and Josephine visibly shaken by her encounter in the foyer, he was reluctant to leave her on her own immediately. Their seats at the side of the royal circle afforded a splendid view of the stage, but neither of them seemed particularly inclined to look in that direction. More often than not, Josephine’s gaze was fixed on the relief figures of Music and Peace which hovered optimistically above the proscenium arch, and he doubted that the world in which she was absorbed belonged to the fourteenth century. His own attention, meanwhile, was focused on the auditorium. His eyes followed the line of the three balconies, sinuously curved and decorated with painted panels, lamps and sconces, but nowhere could he see the two empty seats which he had expected to stand out as a poignant reminder of yesterday’s events. He would have to check in the rear stalls and balcony, which were currently hidden from his view, but every row seemed full; certainly the coveted top-price seats – of which Hedley White was supposed to have had two – were all taken. So what had happened to those tickets? Had he got rid of them, or asked someone else to do it for him? Is that why Frank Simmons had appeared so unexpectedly downstairs? Or had White never actually bought the tickets, knowing that Elspeth would be dead by the time the performance began?

Impatiently, Penrose glanced at his watch and was frustrated to see that the interval was still half an hour away. Almost as restless as he was, Josephine touched his arm and nodded to the exit, urg-ing him to leave her and get on with what he needed to do, but he 123

shook his head – he hoped reassuringly – and tried to settle back in his seat. It was irrational, this feeling he had that she was in danger, but it carried the force of conviction and he was not prepared to take a chance for the sake of thirty minutes, not when someone had already been killed just yards away from a crowd. Trying not to fidget, he was relieved to note that no one else was likely to be disturbed by his irreverent disregard for the play. Every other head was turned towards the stage and held there as if by force, and the silence in the auditorium was of a quality rarely found in London outside of its sacred spaces. In the last year John Terry had acquired the authority and presence of a truly great actor but tonight there was a nervous brilliance about his performance which surpassed everything he had achieved up to now. The audience, many of whom were regulars and had several performances to compare it to, realised they were watching something special.

Terry was only slight in build but he dominated the stage, determined, it seemed, to prove that it was his. In scene after scene he extracted every ounce of opportunity from Josephine’s lightly drawn portrait, seeming to relish the King’s strengths and weaknesses in equal measure and moving effortlessly from the airy carelessness of Richard’s early scenes to the disillusionment of someone in whom the poison of suspicion has begun to work.

Eventually, even Penrose was drawn in and he marvelled at the way in which the actor’s movements took on a morbid, feline elegance as he responded to the treachery against him. ‘To become an expert in murder’, he whispered bitterly to his queen as the first act drew to a close, ‘cannot be so difficult,’ and the intensity in his voice held the audience – Penrose included – spellbound.

He thought back to the first time he had seen Terry, playing the very same role but in Shakespeare’s version at the Old Vic. It was five years ago now, but he remembered it vividly because the production’s brief run had coincided with one of Josephine’s then rare visits to London. They had gone together and, if he recalled the evening more for the pleasure of her company than the power of Terry’s acting, it was no less poignant to him now. It had been one of those hot summer evenings which occasionally graced the city 124

with a leisurely decadence. As they walked back down the Waterloo Road, still laughing at one of the more eccentric patrons, whose cracked but resounding rendition of ‘God Save the King’

rang out from the front of the gallery at the end of the performance, he had seen in Josephine a willingness to engage with the future which had been absent since Jack’s death. Since then, she had often referred to that night as the inspiration for Richard of Bordeaux, but it had been less fondly of late and, if he really wanted to torment himself, he could curse the impulse that had made him buy those tickets. Fortunately, before he could dwell too long in the past, the dusty-pink brocade and velvet curtains fell, drawing a jarring air of opulence over the simple lines of the Motleys’ stage designs.

Leaving Josephine safely in the bar with Lettice and Ronnie, Penrose walked round to stage door to look for Bernard Aubrey.

The rain which had fallen so fiercely in the early part of the evening had finally relented, but it was impossible to avoid the puddles, and the light from the Salisbury’s solid Victorian coach lamps blurred and splintered as his feet disturbed its perfect reflection. He had met Aubrey a few times, mostly at opening nights but more recently during that vicious court case, when Elliott Vintner had accused Josephine of plagiarism in the writing of Richard of Bordeaux, claiming that it echoed the events of his own novel, The White Heart, published twelve years earlier. Aubrey, as the play’s producer, had given evidence on Josephine’s behalf and Penrose had been impressed with his intelligence and sense of justice. His opinion of White’s character would, no doubt, be worth listening to and he might even be able to help the police find the boy. There were men posted wherever White was likely to appear and a description would be out by now in the evening paper, but Elspeth’s young man had so far proved elusive and any other suggestions would be gratefully received.

He announced who he was and the stage doorkeeper – a burly, red-faced man in his late fifties – wasted no time in telephoning up to Bernard Aubrey’s office and handing over the receiver. Penrose came to the point quickly and discreetly, aware that the doorman 125

was giving a display of nonchalance which would never get him a job on the other side of the footlights.

‘Bernard? It’s Archie Penrose. I’m sorry to interrupt you on a Saturday night but I need to talk to you, and the sooner the better.

Is now convenient? It shouldn’t take too long.’

There was a second’s pause while Aubrey blew a lungful of smoke into the air, then Penrose heard his voice, thick and guttural from a lifetime’s devotion to cigarettes. ‘Actually, Archie, it might take longer than you think. I’m glad you’re here because there’s something I need to talk to you about, as well. I was going to come and see you on Monday, but after this terrible business it can’t wait until then. As it is, I’ve got to live with the fact that I’ve left it this long.’ He exhaled again, then continued. ‘I’ve got to be on stage in the second half and I can’t get out of that – there’s no one else here to do it – but I’ll meet you downstairs as soon as we finish. I’m supposed to be taking everyone for a drink, but we can talk privately first. What I have to say might help you. In any case, it will help me.’

‘Then perhaps we could at least make a start now?’ Penrose said, but the line was dead even before he had finished the sentence. Frustrated, but daring to hope that he might at last be getting somewhere, he resigned himself to another agonising wait and walked back down St Martin’s Court.

The Grand Circle Bar was always packed on a sold-out Saturday night. Ronnie, who never allowed even the densest of crowds to stand between her and a large gin, returned triumphant from the bar and passed two tall glasses to Lettice and Josephine before falling heavily into the third herself. ‘Fuck, it’s Fitch,’ she said, as she came up for air. ‘Don’t look round.’

But it was too late. ‘A hundred thousand in a year at the box office!’ cried the critic from the Evening Standard, forcing his way over. ‘Aubrey can afford to go dark for a month and I dare say Inverness has seen a few corks popped of late?’

‘Oh, it’s been nothing but fizz and fun since last February,’ said Josephine, brushing the comment skilfully aside and trying to hide 126

her dislike. ‘I can’t thank you enough for all the reviews, and I do so appreciate it when you include a list of criticisms.’

Over Lettice’s head, Josephine saw Marta appear at the door and make her way through the crowd, drawing some appreciative glances as she did so. ‘I’ve been sent to offer you the chance of some peace and quiet backstage if you don’t want to go back in after the interval,’ she said. ‘Come down to the dressing room.

Once Lydia’s died, we can all have a drink.’

Gratefully, Josephine took the lifeline she was offered. ‘I’ll see you at stage door afterwards,’ she called back over her shoulder, and felt a brief stab of guilt as she saw Fitch take a deep breath, ready to continue.

‘You came just at the right moment,’ she said as they went downstairs. ‘Grovelling really doesn’t suit me, and it’s so hard to fake it well.’

‘Tell me about it. The only row I’ve had with Lydia was when I told her to stop fawning round producers and have faith in her own talent. She looked at me as though I were two days out of a lunatic asylum, then asked me how far that approach had got me in publishing.’ She smiled, and her eyes were filled with a warmth which transformed the dark beauty of her face into something more approachable. ‘That friend of yours has a wicked tongue. It’s one of the things I love most about her.’

Wryly, Josephine raised an eyebrow. ‘I’m sure she’d say much the same about you. She’s right, of course – about the fawning, I mean; I can’t speak for the tongue. Actresses live on goodwill.’

By the time they reached the dressing room, Lydia had returned to the wings ready for her brief appearance in the second act but Josephine felt none of the awkwardness that often comes when mutual friends are thrown together in the absence of the common link. In contrast to their first brief meeting, Marta made conversation easily, avoiding the small change to which strangers often limit themselves and talking animatedly about the last couple of months, but her concerns about Lydia’s future were never far away and Josephine realised that she was genuinely troubled.

‘Is her work a problem for you?’ she asked almost brutally, real-127

ising that Lydia would be back with them in a few moments’ time and the opportunity for confidences would be lost.

‘No, it’s not that. It’s been her life and I’d never ask her to give that up – just the opposite, in fact. What worries me is how she’ll cope if – when – it all dries up. She’s had a couple of knock-backs lately and the harder she pretends to take it all in her stride, the more I know it’s hurting her.’

‘She’s bound to feel unsettled when something like this comes to an end. Long runs are a luxury, but they lull you into a false sense of security and get you out of the habit of moving on. It’ll pass as soon as she gets out on tour and into rehearsals for something new.’

‘Perhaps.’ Marta looked at her as if assessing how direct she could be. ‘Tell me – would you have written a play about Mary Queen of Scots if Lydia hadn’t asked you to?’

‘No, I don’t think I would. I can see why the idea of playing her on stage is attractive, but I’ve never had any real sympathy for the woman.’

Marta nodded. ‘You know, I almost wish you hadn’t done it. We all need something to work towards, and the idea that someone could bring that creature to life has been a dream of hers for years.

Now it’s become a reality and she’ll have done it before the year’s out, and I’m not sure that leaves her anywhere to go. As it is, I keep catching her looking over her shoulder, thinking that the best is behind her.’

Josephine said nothing, wondering if she should warn Marta that another blow was coming Lydia’s way if Aubrey’s film ever got off the ground. She decided against it. There was enough unrest for everyone at the moment and it might never happen but, if it did, the more time they had to cement their relationship against outside anxieties the better. ‘Of course, Lydia’s never had anything meaningful outside the theatre until now,’ she said instead. ‘Having a life with you must count as something to look forward to, surely?’

‘Oh come off it,’ Marta said scornfully. ‘Women need both –

love and work – and these days they can have it. Lydia’s got a right to expect both. Would you seriously put your pen down if you fell 128

in love?’ Josephine was silent, taken aback by the question. ‘I’m sorry, I don’t mean to be rude and I shouldn’t be speaking like this to someone I don’t know,’ Marta continued, ‘but I can see so much sorrow ahead for Lydia and there’s nothing I can do to stop it. You won’t tell her I’m worried, will you? I’ve spent all this time being so bloody reassuring.’

‘No, I won’t say anything. But in answer to your question: yes, I think there are times when I would give all this up for a different life. Or, at least, there are times when having someone in particular would make this life a little less lonely, so don’t underestimate what you mean to her.’

Marta was silent, seeming to consider how much of what Josephine said was sincere and how much was designed to make her feel better. ‘Maybe you’re right,’ she said eventually. ‘Thank you.’

‘And perhaps you’re right about Queen of Scots. I think what you meant but were too polite to say is that my indifference to the woman has made for rather an average play?’ Marta blushed a little and Josephine continued. ‘It’s all right – you can be honest, and it’s nothing I don’t already know. My affection for Lydia made me say yes when I should have said no. You can’t write to order – at least I can’t. I neither love nor loathe Mary Stuart, so she’s a character rather than a person. The best we can hope for, I suppose, is that she’ll be popular.’

‘It’s funny how our ideas of people change. I was telling Lydia earlier today – the people I valued when I was younger and the stories I wrote about them bear no resemblance to what I feel now.’

‘Have you always written, then?’

‘On and off. Actually, more off than on until a year or so ago. I started during the war when my husband was away. My mother-in-law was a friend of May Gaskell – have you heard of her?’

‘No, I haven’t.’

‘Well, she started a war library for soldiers abroad. Her son-in-law was wounded in the South African War and she sent him books and magazines in hospital to distract him from the misery of it all. Apparently, it’s what got him through, so May decided on 129

the first day of war that British soldiers in France would never be without stories to take their minds off the suffering. She was in her sixties by then, but she was a remarkable woman and well connected enough to make it happen. She persuaded somebody to lend her a house in Marble Arch and turned it into a book ware-house. People sent things in from all over the country. One day we’d get dirty packets of rubbish from Finchley; the next, thirty thousand volumes from a country estate would turn up.’

‘How extraordinary! And you worked there?’

‘Yes, for a couple of years before the Red Cross took it over. The response was better than May could have hoped for, so she needed volunteers. People were donating entire libraries. On a good day, the vans bringing in the books blocked the traffic all around Marble Arch. We sent them to hospitals all over the world, not just France, but whenever I knew there was a consignment going to my husband’s regiment, I’d send stories of my own to make it more personal. You couldn’t always rely on their getting to the right person, but it was a way of keeping some sort of connection alive.’

‘And your husband?’

‘He died.’

‘I’m sorry.’

‘Don’t be. It wasn’t the happiest of marriages and it seems a lifetime away now.’ The sound of applause drifted down from the stage and Marta stood up to look for a corkscrew. ‘Talking of dying, it sounds like she’s gone again. That’s our cue for a drink.’

By now, Josephine had revised her earlier opinion of Lydia’s lover, not dropping the ‘nice’ which had so disappointed Ronnie but adding some more interesting qualities, passionate and engag-ing being top of the list. Instead of trying to avoid the subject of Marta’s own book, she found herself rather intrigued at the prospect of reading it.

‘Lydia says you’ve finished the first draft of your novel, and she asked me to look at it,’ she said, accepting the glass that Marta held out to her. ‘There’s nothing worse than someone chipping in with helpful advice you don’t need, but I’d be happy to read it if you want an outside opinion.’

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‘That’s very sweet of you both but you really don’t have to, you know. You must get hundreds of people asking for your time and it’s hideous to have to be tactful to someone you know.’

‘I wouldn’t be. If I didn’t like it I’d say so, but even then it would just be the comments of a friend. It’s your novel.’

‘Yes, it is. For better or worse, it’s certainly that.’

There was a rustle of satin from the corridor. ‘You know, one night I think I might shock them all and simply refuse to die,’ said Lydia as she came into the room and collapsed onto the sofa in a heap of pale pink. ‘Can you imagine the look on Johnny’s face if I suddenly rallied and stole his best scene? It’s almost worth it.’ She took an appreciative sip of her wine. ‘How is everyone?’

‘Fine,’ said Marta, laughing as she removed Lydia’s flowered head-dress and ran her fingers affectionately through her hair.

‘Yes, your plan for us to get to know each other better has worked beautifully,’ said Josephine drily. ‘In fact, I was just trying to get my hands on this manuscript that I’ve heard so much and so little about.’

Lydia raised an eyebrow questioningly at Marta, who held up her hands in defeat. ‘All right, all right,’ she said. ‘I’ll hand it over.

But be gentle – that’s all I ask.’

As the final scene got underway, Esme McCracken placed four chairs around a small table which stood in the wings, just to the right of prompt corner. Through the flats, she had a fractured view of the playing area and the first two rows but she did not need to look at the audience to know that it would be gazing, as one, at John Terry as he sat alone downstage, a tray of food untouched beside him. She sighed heavily. God knows why, but this scene, with all its cheap sentiment, did it for them every time. In a minute there would be a stifled sob from the auditorium as Richard’s fate in the Tower became too much for someone: she could predict it almost as accurately as she could the knock from the rear of the set which served as a cue for Aubrey’s cameo appearance. When it came, he pushed past her, dressed in a guard’s suit of string mail, and she caught the scent of alcohol already on his breath, as tan-131

gible as the felt from his costume which brushed against her skin.

Grumbling to herself, she carefully polished three wine glasses and a whisky tumbler and placed them on the table in readiness for the ridiculous private ritual about to take place. They were like schoolboys, the lot of them: as if she didn’t have enough to do without preparing little tableaux to which only the chosen few would be privy. Sneering at the bottle of claret – such expense when she was paid so little – she put it next to the corkscrew.

Finally, she lifted the crystal decanter down from the shelf and added it to the tray, where the light from the stage sparkled on the glass and gave a rich, amber colour to the liquid inside. There wasn’t much left but, judging by his breath, Aubrey had had quite enough already, although that was no excuse for how beastly he’d been to her earlier. Looking round to make sure that no one was watching, she removed the glass stopper and spat into the decanter.

She moved away from the table just in time. Fleming strode purposefully into the wings from the stage, his character having made his last exit. He tossed a role of parchment – the prop for Richard’s abdication – to McCracken, then set about easing the cork sound-lessly from its bottle, the first duty in the Ricardian ceremony.

Aubrey, as his soldier, followed him offstage, his minor role in the play’s climax soon over. As he walked past Fleming, the actor grabbed his arm.

‘Not joining us?’ he whispered sarcastically. ‘But we’re such a happy company. It would be a shame not to toast our success, don’t you think?’

Aubrey shook him off and seemed about to retaliate, but suddenly stopped himself. McCracken turned round to see what the distraction was and found Lydia just behind her, waiting at the side of the stage to take her share of the applause when the curtain fell. The actress smiled at Aubrey, who appeared to calm down and satisfied himself with a glare at Fleming as he took the lid off his decanter. Meanwhile, the next actor off poured the wine into three glasses, not oblivious to the tension among his colleagues but at a loss to know what had caused it.

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Then Terry’s distinctive voice cut through the atmosphere.

‘How Robert would have laughed,’ he said, delivering his famous closing line with a hollow amusement which was all the more powerful for its restraint, and the curtain dropped. As the applause broke out – louder than ever, if that were possible – he left the stage, a glint of triumph in his eyes, and raised his glass for a new toast.

‘To memorable exits,’ he said, his eyes fixed on Aubrey, and drank the wine in one go. His defiance shocked even McCracken, whose acts of rebellion were always less overt, but Fleming simply laughed and replaced his glass untouched on the tray. As the cast assembled round them, ready for the first of many curtain-calls, McCracken watched Aubrey pour the last of the Scotch into his glass, down it with a grimace and head for the stairs to his office.

Penrose waited impatiently at stage door for Aubrey to keep their appointment, and tried not to show how irritated he was by the doorman’s constant chatter. ‘I haven’t seen fans like this for twenty-five years or more,’ he said, looking in wonder at the crowds that had gathered in the passageway outside as though it were his first night on the job. ‘Of course, it was different back then – all hansom cabs and evening clothes, bunches of flowers and black canes with silver tops. Now they come dressed as they like and ask for signed photographs. Still, it’s almost like the old days. A bit of the old magic’s come back, that’s for sure.’

While privately wondering what sort of man was happy to do a job that involved sitting in the same chair for years on end, Penrose smiled and nodded. There was no denying the truth of what he said, though: his drone only just carried over the noise outside, where an undisciplined but good-natured crowd of enthusiasts waited for their respective favourites to appear. Terry was the first to brave the adoration, plunging into the noise and notice-ably drawing the schoolgirl contingent away from the rest of the bunch. Fleming soon followed, and Penrose was amused to note that his rougher good looks appealed almost uniformly to the housewife market. He must remember to compliment Aubrey on 133

his shrewdness in casting someone for all possible tastes: it must have helped ticket sales tremendously.

‘The number of times I’ve been offered a small fortune just to run downstairs with a note,’ the doorman continued, oblivious to any lack of interest on Penrose’s part. ‘Take Miss Lydia, for example: she’s always been popular. When she was here a few years ago, there was one gent who’d come every night and insist on reciting a poem to her. Terrible, they were – even I could tell that – but she smiled through the lot of them. A real lady, she is.’

Not entirely comfortable in a world where an immunity to bad verse was a sign of moral rectitude, Penrose was relieved to be distracted by the sight of his sergeant. Fallowfield pushed his way steadily through the crowds, which were building again as Sheppey drew to a close at Wyndham’s, the proximity of the two theatres doubling the bustle and confusion in St Martin’s Court.

‘Give me a nice film any day, Sir,’ he said as he moved a couple of gentlemen out of the way to reach the comparative calm inside the building. ‘None of this nonsense – just home for a cup of tea.’

He greeted the stage doorman politely, then – recognising the type

– moved to one side to talk more discreetly to Penrose. ‘No sign of White at his digs, Sir. Maybrick called in to say that Simmons got back home about half an hour ago, but he was alone and there’s no one else at the house. Any luck here?’

‘No, but I’m hoping that might be about to change.’ He brought Fallowfield quickly up to date and shared his hopes for the imminent interview with Aubrey. ‘It might be nothing to do with this, but he’s not the type to make something sound more important than it is. Whatever he’s got to say, he seems to have taken White under his wing so it’s the most promising thing we’ve got to go on at the moment.’

A renewed murmuring at the door signalled the end of the wait for the male stragglers in the crowd. Lydia signed all the autographs that were requested of her, graciously accepted more flowers, then collected the handful of letters and cards that had been left with the doorman, while Josephine introduced Marta to Archie and Fallowfield. ‘I don’t suppose you know if Bernard Aubrey is on his 134

way, do you?’ Penrose asked. ‘I gather he’s meeting you for a drink, but I need to talk to him first.’

‘I’ll go and hurry him up,’ said Lydia, overhearing. ‘God knows what he’s doing at this time of night, but he always has to be forcibly dragged away from his desk. The man’s obsessed with work.’ While Marta and Josephine exchanged a look that silently spoke the words pot, kettle and black, the Motleys came in from the passage.

‘Sorry we’re late but we got stopped in the foyer by that lovely young couple who got their tickets outside at the last minute,’

Lettice said, unwrapping her last toffee and handing the empty box to the doorman with an apologetic smile. ‘I don’t think I’ve ever seen anybody so excited.’ She turned to Josephine. ‘They asked me to tell you . . .’ but she was unceremoniously interrupted by her cousin before she could deliver the message.

‘What did you say?’ asked Penrose.

Lettice looked at him, surprised. ‘Nice to see you, too, Archie. I was just saying that this couple were over the moon to have seen the play at last. They’ve just got engaged, you see, and . . .’

‘No, no – what did you say about the tickets?’

‘I said they got them at the last minute. Someone outside was selling two that he couldn’t use. His girlfriend was ill or something.’

‘Why on earth didn’t you tell me that before?’ Penrose asked, more than a little unreasonably, and Ronnie glared at him.

‘Because we left our crystal ball and our police uniforms at home tonight,’ she said tartly. ‘If we’d known we were working under-cover, we’d have issued a full statement during the interval.’

Ignoring her, Penrose scowled at Fallowfield. ‘I thought Bravo was supposed to be watching out the front?’ he barked. ‘If I find out he’s left his post for a second and missed our prime suspect, I’ll personally make him wish he’d never been born.’ He turned back to Lettice. ‘I’m sorry. Will you take Sergeant Fallowfield back to the front of the theatre and see if you can find this couple?’

‘Of course I will,’ said Lettice, who always remained admirably untouched by her family’s sparring. ‘How exciting!’

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The Yard’s newest recruit had been gone only a moment or two when the others heard footsteps coming quickly down the stairs and Lydia reappeared, paler than she had ever been when dying on stage. She gripped the handrail as if it were the sole thing holding her upright and stared at the small group below, seemingly at a loss to understand how they could all be so calm. It could only have been a matter of seconds but it felt like an age before she spoke, and Penrose had the odd sensation of being cast in a bad melodrama, waiting for the next line to be delivered and knowing only too well what the gist of it would be.

‘For God’s sake, come quickly,’ she cried, confirming his worst fears but soon departing from the expected script. ‘He didn’t deserve this.’

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Ten

Bernard Aubrey’s body lay just inside his office and Penrose silently acknowledged the truth of Lydia’s words: surely no one deserved this. There was nothing restful about the finality of the moment, no indication that the man at his feet had found in death a peace from which the living could take comfort, and he imagined the absolute horror that Lydia must have felt on encountering the aftermath of such suffering. In truth, despite his years of experience, he was not entirely immune to it himself.

A dress suit was draped over the back of the settee but Aubrey had not had time to change after the performance, and the stage clothes lent an artifice to his death which might have been convincing had his face and neck not been visible, clearly showing the signs of poison which no amount of make-up could simulate.

Penrose considered the possibilities. Antimony, perhaps, or mer-cury; arsenic, of course, and he had seen cases of boric acid which looked similar. The most obvious symptoms in front of him could be attributed to any of these substances, but the post-mortem would provide the answers. Whichever it was, the attractive features that age had not been able to undermine were altered almost beyond recognition by the agony of those final moments. Aubrey’s eyes, glazed and unyielding, stared out from sockets which now seemed barely able to contain them and their blank expression, coupled with parted lips and sagging chin, gave the face an ugly stupidity which it had never possessed in life. The upper part of his costume, a tunic of false chain mail made from felt, had been violently torn away from his chest and neck, and his throat was covered in raw scratch marks where he had clawed at his clothes and 137

skin, presumably in a desperate struggle for air. One hand remained clenched at his chest, the other reached towards the door, fingers outstretched and palm upwards, as if begging for a little more time.

The expensive but well-worn Persian rug on which Aubrey had collapsed had been caught up in his convulsions, and Penrose stepped carefully over its rucks and past several books and a small card table which had been knocked to the floor. The force of his struggle with death must have been quite incredible: he was a strong man, tall and heavily built and, even now, his limbs seemed to strain towards life, but he had not been able to withstand whatever had invaded his body. Kneeling at his shoulder, Penrose put his hand lightly against Aubrey’s cheek. His skin was cold to the touch, unnaturally so for someone in whom life had only very recently been extinguished, and there was a brownish, salivary substance about his nose which mixed with the vomit around his mouth and ran in narrow lines down his face and onto the carpet.

The stench of urine and diarrhoea was unmistakable. Even to Penrose, who had encountered the effects of poison many times, it was sickening, almost intolerably so, and just for a second he had to turn away. Looking back, he was struck by how the squalid physicality of Aubrey’s death was made all the more humiliating by the bizarre state of his dress: the false armour might hint at the nobility of a soldier fallen in battle, but there was no dignity here; for all man’s emotional and spiritual aspirations, Penrose thought with sadness, it was invariably the body that decided his fate in the end.

‘Jesus bloody Christ,’ said Fallowfield from the doorway. ‘That’s ruined our chances of finding anything out from him, Sir.’

It was hardly something that Penrose needed to have spelt out for him and his sergeant had put it a little more bluntly than was tactful, but he shared the sentiment. If he had only insisted on speaking to Aubrey at the interval, he might still be alive; at worst, they would have a clearer understanding of what – if anything –

linked this violent, messy death with the less agonising but no less theatrical murder of a young girl in a railway carriage. ‘Go back 138

downstairs and call the team in,’ he said. ‘I don’t want the telephone in here touched until it’s been dusted. Make it clear I want the works and they’re to be here immediately. And it must be Spilsbury.’

‘I’ll send a car to his house right away, Sir.’

‘No, it’s Saturday night – he’ll be at the Savoy Theatre. Get someone to nip up the road – it’ll be quicker. Then have the whole place sealed off. Ask anyone who’s here to stay until I’ve spoken to them, but on no account is anyone else to be let in through either entrance. Make that clear to the fellow at stage door until our lot get here. We’ll need Aubrey’s home address and a next of kin – can you sort that out?’

‘Of course, Sir. Was he married, do you know?’

‘Yes, I believe he was, but I remember Josephine saying something once about it not being a particularly happy marriage. We’ll go and see his wife as soon as we’ve finished here. Did you see Miss Beaumont on your way up? She found his body.’

‘Yes, Sir, she’s still down there with Miss Tey and another lady –

and your cousins, of course. They’re looking after her, but she’s in a terrible state. I can’t say I’m surprised,’ he said, looking down at the body. ‘I gather they were friends.’

‘Yes, they were. Will you take them somewhere more comfortable and get them a drink? I’ll be down to see them as soon as I can. If they’d rather go across the road to Number 66, that’s fine, but I don’t want them to be left alone.’

‘I’ll tell them, Sir. Just one thing before I go, though – we found that couple outside, and it was definitely White they got the tickets off. Fits the description to a tee.’

‘Then keep that idiot Bravo out of my sight for his own sake, and have a car go over the area. White might still be nearby if he’s had anything to do with this.’

‘Right, Sir, and don’t worry about Miss Tey and her friends – I’ll see they’re all right.’

‘Thanks, Bill, I appreciate it, but come back up here as quickly as you can.’

Fallowfield went downstairs with his usual calm efficiency and 139

Penrose was left alone. The building was extraordinarily quiet and he took advantage of the silence to absorb every detail of the scene. As soon as Scotland Yard arrived en masse, the operation moved into a different phase with recognised procedures, and something was lost in the relentless progress of it all; not the humanity of the victim – he hoped that was always paramount –

but what he could best describe as the personality of the crime.

This was the closest he would get to the act which he was trying to unravel, and these minutes alone with the victim were rare and precious. It was vital to make the most of them.

He had expected Aubrey’s office to have something of the atmosphere of a gentleman’s club about it, but he was wrong. The remnant of many a savoured cigarette hung in the air and the furniture – an assortment of mahogany, oak and leather – could easily have been transported to White’s or Boodle’s, but that was where the similarity ended. In fact, there were a number of unexpectedly feminine touches to the room: vases of flowers – irises, he noted with interest – were dotted around the shelves and on the mantelpiece, and soft, pale colours had been chosen for the walls and cushions. Clearly, Aubrey had spent a good deal of time here: even without the disarray caused by his death, the room was untidy and littered with books – unpretentious editions of plays and novels, most of which looked well-read – and photograph albums containing informal pictures of actors and actresses next to their professional stage portraits. Two large windows – their curtains still tied back – stretched down to the floor, suggesting that, in the daytime, this was a light and airy space.

Penrose walked over to the huge oak desk which dominated the side of the room nearest the windows, and knew as surely as if her blood were still on it that he was looking at the weapon which had killed Elspeth Simmons. Just to the right of a leather blotter, which took up most of the desk’s surface, lay a bayonet of simple design, its polished blade contrasting starkly with the dark wood of the furniture. Although shockingly out of context here, the weapon was a familiar sight to him: knife bayonets like this had been common issue in the war as an infantryman’s most impor-140

tant close combat weapon. They were a crucial part of life in the trenches – just as crucial, in fact, as the rectangular brass tin that had been placed next to the knife, something less deadly, perhaps, but no less evocative to anyone who had lived through those times. It was a tobacco tin, a Christmas present sent out to the troops each year of the war to boost their morale. He remembered his own, received during the Christmas of 1915; he still had it –

everyone did, if they had returned safely, because there was something inexplicably precious about a small piece of English metal that had not been fashioned to kill. An identical tin was the only thing of Jack’s that he had been able to give to Josephine after her lover’s death. The tin in front of him now was particularly battered and worn. Its hinged lid was open and he could see a cream card with a red crest at the bottom – good wishes for a victorious new year from the Princess Mary and friends at home – but what interested him more was not standard issue. On top of the card lay a flower head, an iris, which had evidently been preserved for some time. It was fragile and drained of all its colour, but unmistakably the same variety that had been found with Elspeth’s body.

The shape of the leaves, closed tightly around the flower, mirrored almost precisely the form of the bayonet. They lay parallel, and the direction of the twin blades led his eyes beyond the desk towards a single photograph, not in an album like the others but placed alone on a bookshelf. The woman framed in silver had a pleasant face, but she lacked the glamour and self-consciousness that united the actresses pictured elsewhere in the room; it was certainly no one he recognised. Was she Aubrey’s wife, or someone else who had been important in his life? And was he reading too much into the flower and knife by imagining that they pointed towards her? They might easily have been casually placed, but somehow he doubted it.

The other items on and around the desk were less incongruous.

A crystal tumbler containing half an inch or so of whisky stood at one corner, the corresponding bottle having been consigned –

empty – to a nearby waste paper basket, where it nestled amongst some torn-up envelopes. Next to a well-used ashtray, the tele-141

phone receiver dangled uselessly off its hook, but it had obviously been put to good service recently because the blotting paper was covered in half a dozen numbers and initials. Penrose copied them down, then put on his gloves and gently opened the top middle drawer of the desk. It was full of headed note paper, and the drawers to left and right contained a similar assortment of stationery, but the lower levels seemed more revealing. The first one he came to was full of bills and accounts, the second of contracts for those employed in Aubrey’s two theatres; they would have to be gone through in detail, but it was personal documents that he hoped to find now, anything that might give more substance to an idea forming in his head as to the link between Elspeth Simmons and Bernard Aubrey. Is that what Aubrey wanted to talk to him about?

He began to give up hope as he turned up pile upon pile of business correspondence, then, in the very last drawer, he unearthed something more promising – a collection of letters, all addressed to Aubrey in the same distinctive hand and, judging by the lack of any postmark, all privately delivered. Starting at the top of the heap, he worked his way through them with increasing astonishment: the letters were not what he was looking for, but they certainly offered another line of enquiry. So absorbed was he that Fallowfield had been standing quietly at his side for a couple of minutes, looking at the weapon and the flower, before Penrose even noticed he was there.

‘Are you thinking what I’m thinking, Sir?’

‘A narrow blade, about nine inches long and as sharp as hell – I think it fits the bill perfectly, don’t you? But what on earth is it doing here?’

‘You don’t think he did it then?’

‘No, try as I might, I really can’t see Bernard Aubrey sneaking into a railway carriage with this to kill a young girl. Particularly if she was his daughter.’

‘His daughter? How do you know that?’

‘I don’t, but at the moment I’m trying to think of logical connec-tions between the two deaths other than the Richard of Bordeaux link – but we’ll come to that in a minute. Let’s think about it: we 142

know that Elspeth was passed over unofficially between colleagues during the war, so we need to find out from Alice Simmons if Aubrey knew or served with her husband.’

‘Aubrey was a tunneller, Sir, I know that much because Miss Beaumont was just talking about it. That’s why he went upstairs to change: he could never bear to be underground, not even in his own theatre, because he’d had such a dreadful war. We could ask Frank Simmons if they knew each other – Walter Simmons would probably have talked more about his friends and the war to his brother than his wife, and it’d be quicker than waiting for Mrs Simmons to get here from Berwick.’

‘True, but I’d rather not let Frank Simmons know anything about the way we’re thinking at the moment. No, we’ll talk to her alone as soon as she gets here. I’d also like her to take a look at Aubrey’s handwriting: if he sent the letters to Walter each year –

and let’s face it, he was wealthy enough to send the money – she might recognise it from the one she saw. The claustrophobia’s interesting, though. I wonder how many people knew about that?’

‘It didn’t seem to be any great secret, at least not among the theatre lot. But even if he does turn out to be her father, I don’t see why that should get them both killed.’

‘Don’t you? Aubrey was Hedley White’s boss, so the chances are he’ll have heard about Elspeth. Perhaps he even met her and realised who she was. What if he wanted to acknowledge her and get to know her better? That won’t have gone down well with Frank Simmons if he thought he was losing his niece. It seemed to me this afternoon that the whole family has lived in constant fear of Elspeth’s being taken away from them. That’s only natural if the adoption was illegal – they built all that love on very shaky foundations, but who knows what they’d do to protect it? And then there’s White, of course. Aubrey might not have approved of his daughter dating the stage hand. I agree that the motivation is much stronger for his killing Aubrey than Elspeth, but there’s a very fine line between love and ownership, and jealousy can distort where it falls. He wouldn’t be the first person to kill his girl rather than lose her to another life.’

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‘No, I don’t suppose he would, and we know he was hanging about here tonight.’

‘Yes, both he and Frank Simmons were here just before the show.’

‘But Simmons couldn’t get up here, whereas White could. No one would think twice about seeing him anywhere in this theatre, even on his night off.’

‘Don’t forget – Simmons said something about having a mate on stage door who helped him collect his memorabilia. He wouldn’t admit it, of course, but the man on tonight might have turned a blind eye if there was something in it for him.’

‘Tell me again what he said to you, Sir.’

‘Aubrey? He said there was something he wanted to tell me, but the way he said it implied that if he’d talked sooner Elspeth might not have died. It was something like “I’ve got to live with the fact that I’ve waited until now.”’ Archie paused. ‘Of course, if I’m right about the connection, I suppose we can’t rule out suicide.

Josephine said he was upset when she told him who’d been killed and I assumed that was because he felt sorry for Hedley, but it could have been much more than that. If you spend all those years wanting to get to know your child, then have the chance so violently snatched from you, that’s bad enough – but if you know you could have saved her, that might prove impossible to live with. It’s a terrible way to do it, though. Look at his body, Bill: what must those last moments have been like?’

‘You can’t imagine, can you, but I think we can rule suicide out.’

Penrose looked at him questioningly. ‘Miss Beaumont says that the door was locked when she got up here – from the outside.’

‘What? I noticed the key on the outside but I just assumed that Aubrey had used it to get in and not bothered to take it out of the lock.’

‘She says not, Sir. She says she knocked a few times and got no answer, so she unlocked the door herself and found him there on the floor.’

‘What else did she say, Bill?’

‘That he hadn’t made himself very popular lately. Apparently 144

there’s been lots of bickering about contracts and tours and who gets what part. Lots of people seem to have held a grudge against him: he’d fallen out with John Terry particularly badly, and – this fits in well with your theory, Sir – she’d heard he’d been furious with Hedley White about something earlier today, although she didn’t know what. She’d had arguments with him herself lately, too – she was very honest about that.’

‘That’s probably what she meant about his not deserving what he got: he’d made himself unpopular but it shouldn’t have gone this far. Did she mention anyone called McCracken?’

‘Yes, Sir, Esme McCracken – she’s the stage manager. Apparently they have some sort of tradition at the end of the play where three of the cast make a toast, and Miss McCracken has to arrange things. Sounds like another excuse for a drink to me, but Miss Beaumont said it was different today because Aubrey was involved and it got nasty.’

‘She saw it or just heard about it?’

‘Saw it, Sir. It happens just before they all take their bows so she was waiting in the wings.’

Penrose listened intently while Fallowfield recounted Lydia’s impression of events backstage. ‘And you say McCracken gets all this stuff ready?’

‘Her or White, Sir – whoever’s on duty. Why did you ask about her?’

Penrose pointed towards the bunch of letters that he had found in Aubrey’s desk. ‘Those are all from her. From what I can work out, she sees herself as a bit of a playwright. They start off very politely, asking Aubrey if he’d read her work and consider putting it on. Clearly he must have ignored her, because they soon lose their courtesy and start criticising all the work he stages and questioning his judgement. She has a very high opinion of her own talent and not much time for anybody else’s, and she’s particularly vitriolic about Richard of Bordeaux and the money it’s making –

she accuses Aubrey of having no artistic soul, only a commercial one. It’s a wonder he didn’t get rid of her: I’m not sure I’d keep someone on the payroll if they sent me this kind of thing on a reg-145

ular basis. It’s obsessive, to say the least.’ He handed the letters over. ‘They were written over a three-month period, and the latest one’s dated today. She loses it completely at the end, throws in a bit of abuse, then says that Aubrey would be wise to take her more seriously. That could be just a rather extreme way of letting him know he’s missing out on the theatrical event of the decade, or it could be a threat – and judging by what’s happened tonight, I’m inclined to read it as the latter.’

‘Blimey,’ said Fallowfield, glancing through the pile. ‘I see what you mean. She’s got to be up there with White and Simmons.’

‘Yes, particularly after what you’ve just told me about the drinks session after work. I’d put money on his having drunk whatever killed him then.’

‘Me too, Sir. I had a quick look backstage and it’s all still there, the decanter and glass I mean. I’ve put young Armstrong down there until the rest of the team get here to pack it all up. He’s a good lad – always does what he’s told. It’s a pity we didn’t have him outside while White was flogging theatre seats.’

‘That’s good, Bill, thank you. Of course, the world and his wife have walked past that decanter tonight, but McCracken had plenty of time alone with it.’

‘I don’t quite see why she’d kill the Simmons girl, though.’

Penrose thought about it for a moment. ‘Yes, Aubrey’s murder is much easier to understand because he was in a position to make enemies, but Elspeth’s death made a mockery of Richard of Bordeaux and we have all the evidence we need in those letters that McCracken resented that play and despised Josephine. I think we can also safely say that she’s not the most stable of people: I can imagine the person who writes notes like this being so full of spite that it could send her over the edge. There’s an arrogance about them, a vanity that we’ve seen in a lot of criminals. Before this happened, it occurred to me that Elspeth’s death might have been a mistake, that whoever did it had meant to kill Josephine.

Now, I can’t help feeling that what links these murders is more deep-rooted than professional jealousy, but it’s still a possibility that whoever is doing this is doing it to destroy the play. But we’re 146

getting away from this locked door business. Have you spoken to the stage doorman yet?’

‘Yes, and he swears that no one went up or down those stairs except Aubrey, Miss Beaumont and you. By the time the body was found, everyone else – actors and staff alike – had gone out through stage door or were waiting there with you. I gather that’s not unusual. He says no one ever hangs around for long and Aubrey is invariably the last person left in the building.’

‘Then nobody else should know about the murder, at least.

Except one person, of course. So how did that door get locked?’

‘Come with me, Sir, and I’ll show you.’

Penrose looked bewildered as Fallowfield led him out of Aubrey’s office and down the corridor. ‘Have you been reading John Dickson Carr again, Bill?’ he asked.

Fallowfield smiled. ‘It’s not as clever as that, Sir, I’m afraid.

Have you ever noticed that bridge that runs across St Martin’s Court?’

Penrose visualised the passage and immediately realised what Fallowfield was talking about. ‘Of course. It links the New to Wyndham’s. I’d never thought about it before.’

‘Go through that door, Sir, and you’ll be on it. Apparently Aubrey had it built as an extra fire exit for both theatres. We’d have found it soon enough – it’s no secret – but the stage doorman mentioned it and saved us a bit of time.’

Penrose did as he was told and found himself at one end of a small walkway. Moving to the centre of the bridge, he looked down into St Martin’s Court. The rain had started again and the crowds were long gone; stripped of its glitter, the passage that had buzzed with excitement just an hour earlier now looked squalid and depressing. ‘So it’s possible to get up here from Wyndham’s without going anywhere near stage door?’

‘Exactly. Not for every Tom, Dick and Harry, of course, because it goes through to private areas in both theatres, so the general public could only use it in an emergency.’

‘But the people we’re interested in would know about it.’

‘Yes they would. McCracken and White and the rest of the stage 147

crew work in both theatres anyway, so they’d be familiar with the layout and people would expect to see them there. But according to matey on stage door, there’s a lot of mingling among the actors as well. Aubrey employed both casts and they hang around together a lot, have a drink in each other’s dressing rooms – that sort of thing.’

Penrose thought about it. The play at Wyndham’s had run for around another fifteen minutes after the curtain fell on Richard of Bordeaux so, by the time the staff were leaving the New, the passage would have been at its busiest with audiences spilling out to go home or hanging around for autographs. Nobody would find it easy to get through those crowds, particularly actors waylaid by fans, but he had watched most of the Richard cast leave while he was waiting for Aubrey at the stage door, and they had not hung about. It would have been possible for them to get into Wyndham’s and up to this bridge, and so to the door of Aubrey’s office.

Whoever it was stood a chance of being seen through the glass on the walkway, but most people were either looking out for a famous face or walking head-down against the cold; it wasn’t much of a risk, compared with everything else. ‘God, it’s just hopeless,’ he said to Fallowfield. ‘The list is getting longer rather than shorter, and we can’t necessarily eliminate them from Elspeth’s murder, either. Her death occurred just before any of them would have been expected at the theatre last night. Lydia met Josephine and got back to the theatre in good time, so any of the people we’ve got here could feasibly have been at King’s Cross and not been missed.’

Fallowfield nodded. ‘Any of them could have passed through the scene dock and tampered with the whisky, and any of them could have come up here later on.’

‘But why do both, I wonder? If the whisky was in the decanter, from which only Aubrey was going to drink, he was already as good as dead. What would be the point of taking an extra chance to go to his office, assuming that the same person did both?’

‘To make sure he couldn’t get out and call for help, I suppose, Sir.’

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‘I would have thought the choice of poison made certain of that.

It must have acted immediately on entering his system. From what I’ve seen of his body, no one could have helped him, even if they’d found him alive.’

‘But what else could it be?’

‘I would have said to incriminate him with Elspeth’s murder weapon if it weren’t for the locked door. If somebody wanted to set Aubrey up, that would explain why the knife was swapped for the hatpin but the door instantly undermines the suicide theory and I don’t think we’re dealing with someone who would have panicked and locked it by mistake. No, those other things on the desk are central. The flower again, and the tin; they’re like the dolls in that railway carriage. It’s almost as if he or she is leaving an explanation at each scene – a message for us, or some sort of justification.’

‘I suppose whoever it was could have come here to fetch something, as well, something that might have been incriminating.’

‘Yes, Bill – that could easily be it, in which case McCracken’s ruled out because those letters would never have been left in the desk.’ He sighed heavily. ‘We’d better get back – the lads will have arrived by now. I need to talk to Lydia, and then I’ll pay a call on Mrs Aubrey while you bring McCracken in for questioning.’ He handed Fallowfield a piece of paper. ‘That’s a list of the phone numbers from Aubrey’s blotter – I want to know who they all are as soon as possible, so get someone back at the Yard onto that right away. And can you have a look at the Wyndham’s side of this bridge? Find out exactly where it goes and how easy it is to get to from the other side.’

‘Right-o, Sir, I’ll do it now. I just hope I don’t end up on stage in the middle of a performance.’

‘I can’t help feeling that the performance has been up here tonight – and we’ve missed it. I’ll see you in a bit.’

Penrose went back down the corridor and found that the disquieting calm of Aubrey’s room had been dispelled by forensics at work. By the desk, a couple of officers were carefully packing the empty whisky bottle and tumbler, preserving them for analysis.

149

Another was perched on a set of steps, leaning out over the body to photograph it from above. Unexpectedly, the flash from the camera illuminated Aubrey’s face, and the image of death that it framed in that momentary explosion of light was so intensely familiar and so suddenly thrust upon him that he had to blink to rid himself of it, and to anchor himself firmly in the present.

‘Archie – there you are. You know, when I dressed for the theatre tonight this wasn’t quite what I had in mind.’ Without any further preamble, Spilsbury joined Penrose by the body. ‘It’s nicotine, without a doubt. You can tell by the brown mucus around the nostrils. I’ll expect to find a fairly hefty dose in the stomach and kidneys when we open him up – but you can be certain that’s what killed him.’

‘Can you say when it was taken?’

‘Not long ago. The tiniest measure can cause death in a few minutes. In animals, it has much the same effect as hydrocyanic acid –

a quarter of a drop can kill; for a man, one or two drops will be fatal. Exposure to nicotine in small doses through smoking or chewing tobacco can build up a tolerance to the toxic effects, and he obviously was a smoker, but nobody’s immune. A lethal amount would be the equivalent of absorbing all the nicotine in three or four cigarettes. That’s all, but what was it Goethe said?

“There’s no such thing as poison – it just depends on the dose.”’

‘Nicotine is used as an insecticide, isn’t it? I remember it as a child. My father swore death to the aphids on his roses, but he used to throw a blue fit if I went within fifty yards of the stuff.’

‘Yes, every gardener has some tucked away. It’s a fairly simple chemical process to extract the neat stuff from tobacco leaves, but there’s no need to go to all that trouble now – it’s readily available.

You could walk into a shop and buy more than enough to manage this, and the toxicologist will be able to tell us the likely brand.

You know, it’s becoming an increasingly fashionable way to do yourself in. I’ve had three times as many suicides from a dose of nicotine over the last twelve months as in the previous year. It’s a nasty way to oblivion, but it has the advantage of being a quick one. Is that what you’re looking at here? Suicide?’

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‘I’d be surprised,’ he said. ‘The door was locked from the outside and, in any case, it doesn’t fit with what I know of him. He was intelligent enough to find a less painful way if he wanted to kill himself. He could have taken it without being aware of it, I suppose?’

‘Absolutely. I’ve known several cases of people drinking insecticides by accident. In its natural state, it’s a sort of colourless, oily liquid but it soon changes on contact with air and looks remarkably like whisky. Of course, it takes so little to kill you that even if you realised what you’d done it would be too late. One swig would do it. An easy mistake, but an expensive one.’

‘In that case, there’s a decanter and glass downstairs that he drank from just before he died. It’s in the scene dock.’

‘Fine, we’ll go there next.’

‘So it could be murder?’

‘Well, it’s not a common choice for a planned killing, I have to say. I only know of one other case – a French count who killed his brother-in-law by forcing him to ingest nicotine – but that was nearly a hundred years ago. It’s usually self-inflicted or a practical joke gone wrong – snuff in beer, ridiculous amounts of cigars smoked in a row for a bet, that sort of thing. I had a child not long back who blew bubbles for an hour through an old clay pipe and died. There’s no reason why it couldn’t be murder, but it’s unusual.’

‘What are the symptoms?’

‘He would have collapsed almost immediately. If you’re right about that decanter, he did well to make it up the stairs at all.

Death would have followed in anything from five to thirty minutes.’

‘And in between?’

‘Briefly, the nicotine will have acted as a stimulant, but that will have given way to a depression of the central nervous system, lowered blood pressure, slowed heart rate and death from paralysis of the respiratory muscles.’

‘So he suffocated? That’s the cause of death?’

‘Asphyxia, yes. Along the way, he’ll have gone through nausea, 151

abdominal pain, heart palpitations and increased salivation; he’ll have experienced a burning sensation in the mouth, mental confusion and dizziness. Everyone is affected slightly differently, but you don’t need a post-mortem to tell you some of what he went through; it’s all too obvious here.’

‘And his eyes?’

‘I’m impressed, Archie. Yes, nicotine poisoning often affects the eyes – that’s true of a heavy smoker, not just these extreme cases.

It’s known as tobacco blindness – the sudden appearance of a rapidly growing dark patch in the field of vision, not dissimilar to alcohol.’

‘There was a lot of it in the trenches.’

‘Exactly. It was very common then, mostly because of home-grown or badly cured tobacco. That stuff often has a lower com-bustion temperature than properly prepared tobacco, so less of the nicotine is destroyed.’

‘If I told you that Bernard Aubrey spent his war underground and was clinically claustrophobic as a result, what would you say?’

Spilsbury stepped out of the way as his colleagues prepared to remove Aubrey’s body from the room. ‘Well, he died not being able to breathe or, in all probability, to see, so with the possible exception of being buried alive – which presents obvious practical difficulties – I’d say he had the worst death imaginable.’ He gestured to the desk where the bayonet had been found. ‘Are you linking this to the girl on the train?’

Penrose nodded. He had two deaths and two victims which, on the face of it, could not have been more different: a young girl and a man facing old age; a stabbing with relatively little suffering and an agonising, degrading end. But he was starting to see more connections and, although the theatre was the most obvious link, the past seemed to him more significant. Aubrey had died surrounded by reminders of the war – a war which was also the backdrop to an illegal and inevitably painful adoption. And even the causes of death, apparently so contrasting, had in common a spiteful appropriateness to their victim: Elspeth’s murder had undermined every-152

thing that mattered to her, had scorned her innocence; Aubrey, a man of wealth and authority all his life, had been physically humiliated and had died gasping for air. In both crimes, there was a terrifying lack of humanity, a mockery of the dead which chilled him even more than the loss of life itself.

153

Eleven

Penrose stood at the door to the Green Room, and was not surprised to see that his cousins’ efforts to comfort everyone with tea and brandy had had very little effect: Lydia was dreadfully pale and clearly shocked to the core, while Josephine and the woman to whom he had been introduced earlier were united in solicitous concern for her. It was Marta who spoke first.

‘What the hell has happened, Inspector?’ she asked with a flash of anger which took him by surprise. ‘How can you have allowed her to walk in on something like that? You should have gone to find him, not Lydia.’

‘I’m truly sorry you’ve had to go through this,’ he said to Lydia with genuine compassion, ‘and I don’t want to cause anybody any further distress, but I do need to talk to you briefly about what happened tonight.’ He turned to the others in the room. ‘And to anybody else who saw or spoke to Bernard Aubrey in the last twenty-four hours.’

Marta was not so easily dismissed. ‘Can that really not keep until the morning? Right now, I’d like to take Lydia home to get some rest. She’s had enough.’

Penrose, who had already missed out on one vital interview that evening through having been made to wait, had no intention of letting it happen again, but he was saved the discourtesy of insisting.

‘It’s fine, darling, honestly it is,’ said Lydia, taking Marta’s hand.

‘I’d rather do it now. The sooner I stop having to talk about it, the sooner I can start trying to get that image out of my head.’ She smiled unconvincingly, as if recognising the naivety of her words, and turned to Penrose. ‘Although somehow I don’t think it will be 155

that easy, do you Archie? Can I still call you Archie, by the way, or does it have to be Inspector now that this is official?’

‘Archie’s fine. And I won’t keep you any longer than I have to.’

‘All right, but can I have a minute to pull myself together?’ She looked at her reflection in the full-length mirror which ran along one wall. ‘I know it’s not the time to mention it, but I feel worse now than I ever have on my deathbed. I just need to pop to my dressing room for a moment.’

Penrose nodded, trying not to look too impatient. As soon as Lydia had left the room, accompanied by a seething Marta, Lettice took the seat opposite her cousin.

‘Can we tell you about our encounter with Aubrey before they get back,’ she whispered, nodding towards the door and glancing conspiratorially at Josephine, who understood immediately what she was getting at. ‘Something happened that would only upset Lydia even more, and I’d rather not mention it in front of her tonight.’

‘Go on. Josephine told me it wasn’t exactly an amicable meeting.’

‘No, not at all. In fact, it couldn’t have been frostier.’ She gave an uncharacteristically succinct account of the afternoon’s meeting, missing out many of the more entertaining asides which had been shared with Josephine over dinner, but leaving Penrose in no doubt as to how unpopular Aubrey had made himself.

‘So, by the time the meeting was over, Terry was put out, to say the least?’

‘Oh, face like a slapped arse, dear,’ confirmed Ronnie. ‘He was absolutely furious.’

‘But powerless to do anything about it, presumably.’ And impo-tence had a habit of making people dangerous, he thought. He had seen that quality in Terry’s performance earlier – a barely suppressed anger which had made his portrayal of the increasingly vulnerable Richard all the more convincing. But was it enough to drive him to murder? And did he have it in him to kill so mali-ciously? Arrogance, yes, he could believe that was in character, but spite? He turned to Josephine. ‘How serious do you think it is for Terry to miss out on a film like that?’

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She shrugged. ‘It’s hard to say, really. Artistically, it could take his career in a whole new direction, but I’m not sure he’d want that long-term. He’d be starting at the bottom again, you see, whereas on stage he’s so established and highly thought of that he can do virtually what he likes. There are very few people who’d dream of standing in his way in the theatre.’ And one of those was now dead, Penrose thought as Josephine continued. ‘Financially speaking, though, it’s a different matter. There’s simply no comparison between the money he could make in a film and what he gets for a stage role. And the girls were saying earlier that he seems more money-driven these days. I don’t know why that should be. He’s never struck me as the greedy type, except for praise, of course.’

‘That’s useful to know, but I don’t quite see why you were so reluctant to tell me all this in front of Lydia. What does she have to do with Terry?’

‘Oh, it’s not that,’ Lettice said quickly. ‘We just didn’t want Lydia to find out about Aubrey’s plans for her – or rather the lack of them.’ She stopped guiltily as the door opened again, but it was only Fallowfield.

‘Aubrey’s address, Sir,’ he said, handing Penrose a piece of paper. ‘His wife’s expecting you, and there’s a car waiting outside.’

‘Thanks, Sergeant. How did she take it?’

‘Calmly, I’d say, Sir. I don’t mean she wasn’t shocked, but she didn’t strike me as the type to go in for hysterics. She insisted she didn’t need anybody to wait with her until you got there, but there’s a maid in the house, so she’s not on her own.’

‘All right. I’ll get over there now, but wait here a minute – this is interesting.’ He turned back to Lettice. ‘Go on, but be as quick as you can.’

‘It’s only that Lydia isn’t in line for a part in the film either, and she’ll be devastated when she hears about it. I didn’t think she needed that news on top of everything else.’

‘Are you absolutely sure she didn’t know?’

‘Archie, for God’s sake!’ Josephine looked horrified. ‘You surely can’t be suggesting that Lydia had anything to do with this? That’s not what Lettice meant at all.’

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‘I’m not suggesting anything,’ he said, as Lettice put her finger to her lips and nervously checked the corridor outside. ‘I just need to establish who knows what. How about Marta? Could she have got wind of it?’

‘No, I really don’t think so,’ Josephine continued. ‘We had a long chat this evening about Lydia and the future, and I’m sure she would have mentioned it if she’d known.’

‘I can hear someone coming,’ said Lettice from the doorway.

‘Time for us to go.’ She passed Ronnie her gloves. ‘That’s all right, isn’t it Archie? I thought we’d go back to 66 and get a bit of supper ready for everyone. We all need to keep our strength up.’

‘That’s fine. You’ll get one of my lot to see you over when you’re ready to go?’ he asked Josephine. She nodded and, although he wouldn’t have wished the night’s events on anyone, he was pleased to see that she seemed now much less defiant about his concerns for her.

Lettice looked worried as she allowed Fallowfield to help her on with her coat. ‘I do hope I haven’t landed anyone in it,’ she said.

‘Don’t be silly, dear, of course you haven’t. It’s Archie’s job to make a Judas of us all.’ Ronnie’s smile was sweet and deadly.

‘Judas? I don’t like the sound of that.’ Lydia had returned looking considerably more composed, and Penrose was relieved to see that she was alone.

‘I’m afraid so, dear,’ Ronnie said, deliberately ignoring Lettice’s frantic attempts to catch her eye. ‘Detective Inspector Penrose has been quite ruthless in his interrogations and we’ve had to snitch on Josephine to save our own skins.’ For once, her sarcasm defused the tension in the room. ‘Seriously, though, we were just saying that Aubrey’s behaviour of late hasn’t made him very popular with any of us.’

‘That’s true enough,’ Lydia acknowledged, kissing Ronnie and Lettice goodbye and settling down next to Josephine on the settee.

‘And before you have the embarrassment of asking, Archie, that includes me. We had a very frank discussion only the other day in which he made it quite clear that my top billing days were nearly over.’ She took a sip from the glass of wine that she had brought in 158

with her. ‘It must have been torture for him, mustn’t it? I’ll never forget his face. All that pain, and no one there to help him. I can’t think of anything worse than to leave this world alone like that.

How did he die, Archie? Do you know? Can there really have been two murders in two days?’

‘We can’t be sure of what’s happened at the moment,’ he said, non-committally, ‘but I am sorry that it was you who found his body. I know you and Aubrey were close.’

‘Yes, we were. He was a good man, you know. But how were you to know what was waiting for me at the top of those stairs?

Don’t think badly of Marta. I’m sorry she was angry with you but this is the first crisis we’ve had and you know what that’s like in a relationship. She’s just being protective.’

‘I understand. Where is she now?’

‘In self-imposed exile in my dressing room. She said she couldn’t trust herself to be civil so she’d wait there until I was free to go.’

Penrose took Lydia gently through the period between the end of the play and the discovery of Aubrey’s body, but learned nothing that Fallowfield had not already discovered in his earlier brief conversation with the actress. ‘I suppose I should have come to fetch you when I realised that the door was locked,’ she said.

‘Something was obviously not right, but you do things instinctively, don’t you? I just opened it without even thinking what might be on the other side.’

‘You’re absolutely sure that the door was locked, aren’t you, and not just stuck or difficult to open?’

‘I’m positive. I tried the handle once, turned the key and tried again. The door opened, and I saw him right away. I know it’s odd, but that’s how it was.’

‘Did you go into the room?’

‘No more than a couple of steps. It was obvious that I was too late to help him. A part of me couldn’t believe what I was seeing, but most of all I just wanted to get away.’

‘You told Sergeant Fallowfield about some unpleasantness amongst the cast after the show. What had Aubrey done to upset everyone so much?’

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‘Well, Esme McCracken has always hated him just for being successful, but it’s got worse since he refused to accept her play for production. I don’t know about Lewis Fleming; he and Johnny have always hated each other, and that’s about rivalry and social background as much as anything, but I’ve never known Lewis to show Bernie anything other than respect until today. As for Johnny, I think he was simply starting to outgrow what Bernie could offer him. He’s always been restless, but he’s sick to the back teeth of this play and Bernie is – was – determined to hold him to his contract. And there’s the Swinburne issue, of course. Johnny was set on having him – in all senses of the word, probably – for Bothwell in Queen of Scots, but Bernie preferred Fleming. At least, I thought he did. Perhaps he’d changed his mind. That might explain Fleming’s behaviour, but not Johnny’s.’

‘Aubrey hadn’t changed his mind about Bothwell,’ Josephine said. ‘Apparently he was still very keen this afternoon on hiring Fleming.’

Lydia gave an involuntary shudder. ‘You know, I’ve just remembered what Johnny said when he made the toast tonight: “To memorable exits.” He couldn’t have known, could he? Surely he wouldn’t . . .’ she tailed off, unable to bring herself to say the words.

‘I thought you said you wouldn’t keep her long, Inspector?’

Marta stood in the doorway, calmer now, but no less protective.

Penrose looked up at her and said, politely but firmly, ‘There are a couple more questions. Please take a seat, though, I’ll be as brief as I can.’ Marta moved across to be near Lydia, but remained standing. ‘Now, the tray of drinks for this ritual,’ Penrose continued, ‘who got that ready today?’

‘Hedley made sure everything was there before the matinee. At least, that’s what usually happens. McCracken was on duty tonight, so she’ll have put the drinks in place.’

‘And do those two get on? White and Miss McCracken, I mean.’

‘I don’t think you could honestly say that McCracken gets on with anyone – except Johnny, perhaps. He actually thinks she can write. But Hedley isn’t the confrontational type and he has to work with the woman, so he puts up with all her nonsense and just 160

gets on with it. How is Hedley, by the way? I didn’t realise until Josephine told me tonight that it was his girlfriend who was killed yesterday. I can’t believe I met her at the station and didn’t make the connection. He’ll be devastated. He was so in love with her, you know, it was really very sweet. And of course Bernie had become like a father to him over the last few months. It’ll feel like his whole world has collapsed when he finds out what’s happened now.’

‘Actually, we’re having a bit of trouble getting hold of Mr White,’ Penrose said, with an edge in his voice which was lost on neither Lydia nor Marta. ‘I don’t suppose you have any idea where he might be, do you?’

‘I haven’t seen him since the matinee,’ Lydia said, and Penrose was interested to note that her tone had lost some of its warmth.

‘If I had, I’d have no qualms about telling you. He wouldn’t do anything wrong, Archie. He’s just a boy.’

Fallowfield spoke up for the first time. ‘He had done something wrong, though, hadn’t he, Miss? The stage doorman says he was supposed to report to Mr Aubrey after the matinee this afternoon for some sort of disciplinary, but he never showed up. Do you know what that was about?’

‘I’ve really no idea, Sergeant, but I can’t imagine it was a matter for the police.’ She accepted the cigarette that Marta held out to her, and paused while it was lit. ‘He shares digs with Rafe Swinburne over the river. If he’s not there, I’ve no idea where you’ll find him, but I just hope he’s all right.’

‘Rafe Swinburne – you mentioned him earlier,’ Penrose said.

‘Why is Terry so keen on him?’

‘Well, partly out of sheer stubbornness. He hates Fleming so much that anyone who has some talent and fits the same sort of roles would be preferable. And Swinburne is talented – he’s made quite a success of things in Sheppey at Wyndham’s, helped along no doubt by his looks. Johnny’s a fool for a pretty face.’

At the mention of Wyndham’s Theatre, Penrose looked across at Fallowfield. ‘And does Rafe Swinburne want to take this role as much as John Terry wants to give it to him?’

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‘Oh, I don’t think there’s any doubt about that. He’s very ambitious. I’ve seen him work the room a couple of times now, and he certainly knows how to pull out all the stops.’

Marta made no attempt to disguise the contempt in her voice.

‘Has the world really come to that, Inspector? Are we all so shal-low now that we’ll kill for a part in a play? Whatever happened to the good old-fashioned motives that people used to murder for? At least they were a little more convincing.’

Protective Marta might be, but Penrose was beginning to lose patience with her sarcasm. He stood up, aware that Aubrey’s widow would be waiting for him. ‘My officers will be in the theatre for the rest of the night,’ he said. ‘You’re all welcome to stay here as long as you want to, but I’d be grateful if you didn’t go anywhere else in the building. When you’re ready to leave, the constable at stage door will call for a car to take you home.’ He reserved a smile for Josephine on his way out of the room, and paused at the door. ‘Last year, I had to investigate the murder of a young woman in Pimlico,’ he said, looking back at Marta. ‘She was a secretary in a large firm of solicitors, and she was strangled because she was allocated a desk that somebody else wanted. Not a very old-fashioned motive, I agree, Miss Fox, but I’m sure it seemed convincing enough to the woman who hanged for it.’

Penrose heard four bolts being shot back from their sockets and the jangle of keys in a lock before a maid opened the front door to admit him to the imposing house on Queen Anne’s Gate. What a shame, he thought, that Bernard Aubrey hadn’t shown the same concern for security in his theatres as he clearly had at home.

‘Mrs Aubrey’s upstairs, Sir,’ the woman said, with a balance of civility and economy born of many years in domestic service. ‘I’ll show you to the drawing room, and she’ll join you shortly.’

The room in which Penrose was asked to wait was of similar proportions to Aubrey’s office at the theatre and showed the same exquisite taste in its décor and furnishings, but the signs of everyday living which had personalised his study were entirely absent from the domestic space that he had shared with his wife. It was, 162

in fact, the sort of room in which no object was permitted to serve the purpose for which it had been created: the sofa – an elegant Chesterfield – was attractive but uninviting; the fireplace was beautifully polished but far too clean to have known much warmth; and the handful of books in a corner cabinet seemed chosen more to offset the light browns of the walnut than to entertain.

He had little doubt that, were he to take one down, he would find some of its gilt-edged pages still uncut. The masculine traces of cigarette smoke, so dominant in Aubrey’s office, were replaced here by a faint, violet-scented fragrance; by now, he was not surprised to trace its origin to a vase of irises, dark purple and all in full bloom, and so uniform in their display that only their perfume proved them to be the work of nature rather than man.

Just above the flowers hung an oil painting, and Penrose wondered if it had been chosen out of a spontaneous love for its beauty or merely with a shrewd eye to its future value. From what he knew of the man, Aubrey was capable of either. It was a beach scene, centred, he guessed, on one of those French coastal resorts that had become so fashionable in the second half of the last century. The foreground was dominated by men with elaborate bathing paraphernalia and women sporting crinolines and para-sols – all very different from the easy-going holidaymakers of his own age – and even the children were dressed in the finest of clothes and hats, with no prospect, it seemed, of venturing into the tame sea beyond. Penrose didn’t need to look at the signature to know that the painting was by Eugène Boudin: studying in Cambridge, he had been lucky enough to have the Fitzwilliam’s fine collection of Impressionism on his doorstep and he had always been drawn to these small, quietly beautiful paintings, much preferring them to the louder canvases of Boudin’s more famous con-temporaries.

‘Beautiful, isn’t it? It was my husband’s favourite painting. The beach is at Trouville in Normandy, and he used to spend his summer holidays there as a child. Unfortunately, his more recent memories of France were less happy.’

The words were spoken softly but carried authority, and he 163

turned to greet a woman whose appearance was in perfect harmony with her voice. Grace Aubrey was tall and elegant, with an intelligence in her face that the lines of age had only served to intensify.

Unusually for a woman in her sixties, and perhaps only because of the hour, she wore her hair long and loose, making it easy for Penrose to imagine how she had looked in her youth, before the deep browns were tinged with grey. Without question, she was still beautiful and – despite his professional instinct to question appearances – Penrose found it hard to reconcile the Aubreys’ visual com-patibility with their reputed marital differences.

‘You know, after the war he could hardly bear to look at it any more,’ she said, her eyes still on the painting. ‘I suppose it’s not right to mourn such a thing when so many people didn’t come back at all, but it seems to me that the loss of a sense of beauty is as tragic as the loss of life.’ She sat down at one end of the settee and invited Penrose to take the other, brushing his condolences efficiently aside.

‘This has come as a great shock to me, Inspector, but I’m not going to waste your time by pretending that relations between my husband and I were anything other than habitual. I’m sorry he’s dead, of course I am. We all hope for the privilege of hanging on until our last natural moment, and no human being should die as he did – your sergeant was very diligent in his efforts to spare my feelings, by the way, but I can’t imagine any poison being painless.

That said, it would be ridiculous to claim a grief which I simply don’t feel.’

Penrose doubted that anyone had ever had cause to think Grace Aubrey ridiculous. ‘When did you last speak to your husband?’ he asked, confident now that he would be told everything he needed to know with a frankness which was refreshing, if a little disconcerting.

‘This morning, at breakfast. He left for work as usual at about half past nine. I wasn’t surprised that he hadn’t come home by the time I went to bed. He often stays out late, either working or socialising, so I didn’t expect to see him until tomorrow morning.’

‘And you didn’t speak on the telephone?’

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‘No. We led very separate lives, Inspector. There was little enough to talk about when we were in each other’s company, and certainly nothing important enough to warrant a telephone call.’

‘How long had you been married?’

‘It would have been forty-one years next month, although we stopped marking anniversaries a lifetime ago.’

‘That’s a long time to stay together if you were both unhappy.’

‘Are you married, Inspector?’

‘No.’

‘I thought not. The idea that you stay together if you’re happy and part if you’re not tends to be one held by single people. It wasn’t as straightforward as that. I can’t speak for Bernard, but I don’t remember ever actually being un happy. We were both privileged to start off with, and he always worked hard to make sure we stayed that way, so we never wanted for anything, materially speaking.

And it wasn’t that we didn’t get on – it’s just that we never created that spark of joy in each other’s lives that makes everything else irrelevant. It’s a terrible thing to admit, but any of the pleasures that I did take from our life together would not have been lessened had he not been there to share them.’ She looked down at her hands, and gently touched her wedding ring. ‘I was a little harsh on you just then, Inspector. I’m sorry, and perhaps you’re right; perhaps if we had been unhappy rather than merely bored we might have separated and looked for happiness elsewhere. But when you’re neither one thing nor the other, time slips away before you realise that there might be something more.’

Guessing that Aubrey’s widow would despise any form of pre-varication, Penrose decided to make his questions as direct as possible. ‘Were you always faithful to each other?’

‘Yes, absolutely.’

‘You seem very sure. Can you speak so certainly for your husband?’

‘I can afford to be sure, if only for the simple reason that I wouldn’t have minded if he had strayed. There would have been no need for him to lie about it. I might even have been relieved, although of course you never know when jealousy will strike. No, 165

we were both too lazy to have an affair.’ She took a cigarette from the silver box on the table beside her and paused to light it.

‘Do you have any children?’

‘A son, Joseph. He lives in Gloucestershire. He and Bernard were never very close – they were far too much alike to get on well, and Bernard always resented the fact that Joe didn’t want anything to do with his precious theatres. And thank God he didn’t, bearing in mind what’s happened to his father.’

‘Did he have enemies, then?’

‘Clearly he did, Inspector. I would have thought that much was obvious.’

‘But specifically within the theatre? You seem to blame his work for his death.’

‘Bernard was a powerful man. He made careers and he destroyed them. His decisions were invariably right but often ruthless, and he made them with no thought for sentiment or even loyalty. And he was found poisoned in the private area of his theatre.

You’re the detective, of course, but the evidence does seem to point in that direction.’

Penrose resisted the temptation to return the charge of seeing things too simply. ‘I believe your husband’s death is connected to another murder which took place on Friday. Does the name Elspeth Simmons mean anything to you?’

She thought for a moment. ‘The girl who was killed at King’s Cross? I read about it in the paper tonight but I’d never heard of her before that. What makes you think Bernard’s death had anything to do with hers?’

‘She was involved with one of his employees – a young man named Hedley White. I gather your husband thought a lot of him and was very upset at the news of Miss Simmons’s death.’

She shrugged her shoulders. ‘I’m sorry – I can’t really help you there. He did talk fondly about Hedley – I remember because it’s an unusual name – and he was certainly a great believer in giving young people a chance, but I can’t be more specific than that.’

‘Had you noticed any change in his behaviour recently?’ Penrose asked, although he was rapidly coming to believe that Grace 166

Aubrey knew too little about her husband’s life to be able to throw much light on his death. ‘At the risk of being too straightforward, had he been unhappy?’

She smiled at him with a growing respect. ‘At the risk of being pedantic, I’d say angry rather than unhappy. He always had a short temper, but it was usually soon over. Lately, he often seemed worried or frustrated.’

‘Do you have any idea why?’

‘When Bernard was angry, it was usually because he couldn’t get his own way over something, but don’t ask me what.’

‘I know it’s unlikely, bearing in mind the manner of his death, but can you imagine anything that might have led Bernard to take his own life?’

‘No. Absolutely nothing. He had no great faith to prevent him from doing it, but after all he went through in the war and all the lives he saw snatched away before they were ever really begun, he scorned suicide as the coward’s way out. That was something he never was – a coward – and he despised it in other people. He had a bleak view of the world and he could be very hard on himself at times, usually because of things he hadn’t done that he thought he should have, but he always claimed that the greatest punishment for any sin was to go on living.’

Penrose wondered if the sin for which Bernard Aubrey had felt the need to repent went back as far as the war. He asked as much, and was rewarded once again with a look of approval.

‘What makes you think that, I wonder? You’re right, though.

Bernard had a terrible time, and he came back a very different man. Not broken, you understand, but with a combination of resentment and guilt which ran deeper than the grief we all felt to some extent.’ She lit another cigarette but lodged it almost immediately in the ashtray, where it burned steadily down, forgotten.

‘He’d been in the war in South Africa and distinguished himself there, so, although he was really too old to fight in France, they begged him to go over and lead the war underground. Lots of older men did the same – they needed the youngsters to do all the digging, but they only had a week’s basic training or something 167

ridiculous before they were sent out to that God-forsaken landscape and then expected to do battle with earth and water and charges going off all over the place. People like Bernard, who were experienced and could lead by example, were worth their weight in gold. I know that there was no such thing as an easy war for anyone – you look the right age to vouch for that – but it always seemed to me that tunnelling was a different level of hell. There’s something peculiarly unnatural about never seeing daylight. But he was marvellous with those boys, at least at first; he looked after them, taught them how to keep their nerve and anticipate the enemy’s next move, and believe me – there was nobody better than my husband at doing that. And they learned quickly – they had to; the slightest noise down there could cost lives and if you gave way to panic, that was it – you lost the confidence of your colleagues and your usefulness was over.’

‘And is that what happened to Bernard?’

‘No, not at all, although I don’t know how he kept it together.

He had to spend hours alone in cramped positions, straining every sinew to hear enemy noise. Apparently, sound travels further through solid ground and water than it does through air and it was his job to interpret what he heard, to plot the direction of the tunnels and judge the distances for the charges. There must have been enormous pressure on him, psychologically I mean, knowing how much depended on his decisions and how close he was to the enemy. It would have been easy to let your imagination run away with you in a situation like that.’

Penrose waited, not wanting to hurry her. When she didn’t speak for some time, he said, ‘It’s not surprising that he developed claustrophobia. Surely nobody could leave that behind and come away unscathed?’

‘I don’t know. He was a strong man, in some ways incredibly so, and I think he’d have been fine if it hadn’t been for one particular incident. It was in the spring of 1916 – some of the tunnels ran a third of a mile or so under enemy territory by then, so you can imagine how important the ventilation was. They’d judge it by a candle – forgive me if I’m telling you things you already know –

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and if it stayed alight, even if it was only the feeblest of blue flames, it was judged safe to work. With the longest tunnels, there’d be an infantryman above ground working those big blacksmith’s bellows, pumping air to the face along lines of stove piping. It was real teamwork, and a huge act of faith for the men underground.’

She got up and poured herself a whisky and soda from a decanter next to the flowers, then picked up a second glass and looked at him questioningly. He shook his head, reluctant to accept anything that would make him more tired than he was already, and she resumed her story. ‘One day, Bernard was down there with two others, young engineers who were placing charges according to his instructions. They’d nearly finished when they noticed that the air was beginning to deteriorate and it was getting harder to breathe. Obviously they couldn’t just call up to see what was happening with the bellows – it was too far and anyway, only sign language was permitted below ground – so Bernard ordered them back up immediately. Fortunately, because their senses were so attuned to the slightest change, they’d noticed in time to make it back to safety, but one of them refused to go.’

‘Why?’

‘Because he’d nearly finished laying the charge and was determined to get it done. Bernard knew the boy had misjudged how long he could stay down there safely and he tried to drag him away, but he wasn’t strong enough to do it on his own – the third man had followed orders immediately and left – and he knew it would be dangerous to make a noise by struggling because it would alert the enemy to their position. He had no choice but to go back and get the bellows working again, and try to save him that way. When he reached the surface, he found his colleague and a few other soldiers wrestling with the piping; apparently the infantryman had been working the bellows constantly, so they realised there must be a blockage somewhere in the system. Of course, Bernard knew there wasn’t a chance in hell of locating it before the man below suffocated, so he turned and went back down.’

Penrose was silent, trying to imagine the courage it must have 169

taken for anyone to respond like that, to descend to what must have seemed like certain death. The mental picture of Aubrey’s contorted face and outstretched hand, already fixed distressingly in his mind, took on a new horror.

‘Needless to say, it was hopeless. The air in the tunnel was all but extinguished and Bernard only got a hundred yards or so in before he was gasping for breath and losing consciousness. He was on his knees, still trying to move forward, when the man he’d sent back caught up with him and dragged him out. It’s a miracle that either of them got out alive.’

‘And the boy?’ Penrose asked, although he knew there could only be one outcome.

‘When they got the air circulating again, they found him about a hundred yards from the face, obviously on his way back. What a terrible death it must have been – all that blackness and nothing to breathe, and the sheer terror of being down there alone and knowing you’re doomed. He was face down, Bernard said, with his mouth full of soil. They may as well have buried him alive.’ She shuddered, and added with a wry bitterness, ‘The charge was perfectly laid, however. They used it that evening and I gather it was rather successful.’

‘It’s impossible for anyone who wasn’t there to understand how that must have affected him and I’m sorry if this sounds naive –

but I don’t quite see why he felt that to be a sin for which he had to be punished. Guilty for not being able to help, perhaps – but not responsible. It was an accident, surely? What more could he have done?’

‘Yes, it was an accident, but the boy who died wasn’t just anyone: he was Bernard’s nephew, Arthur, his sister’s only child, and Bernard had made a promise to look after him. That in itself is ridiculous, of course – you can’t make promises in war, it doesn’t work that way – but he made it all the same and never forgave himself for being unable to keep it, even though his sister certainly never laid the blame at his door.’

For Penrose, a piece of the jigsaw fell at last into place. He had no idea how it got him any closer to finding Aubrey’s killer, but 170

somehow he knew it was important. ‘Do you happen to have a photograph of her?’ he asked.

‘Of Nora? Yes, of course. I’ve got one of her with Arthur, taken not long before his death. Do you want to see it?’

‘Yes please, if you don’t mind.’ She was gone only a couple of minutes and, when she returned, handed him a small photograph in a plain gold frame. The boy in the picture was, he guessed, little more than twenty, and he smiled broadly out from behind the glass, handsome in his new uniform and with a warmth in his eyes which would have made him attractive even if the rest of his features had been less appealing. He had his arm round his mother, who looked up at him proudly but with an apprehension which had been justified all too soon. Her face was in profile and she was older here than when Penrose had last seen her, but it was unmistakably the same woman whose picture looked down from the bookshelf in Aubrey’s office, the woman to whom he imagined the bayonet and flower had been pointing. Without really knowing why, he asked: ‘The irises – here and in Bernard’s office – are they connected at all to his sister?’

She looked at him, completely taken aback. ‘I suppose in a way they are, although how you know so much about my husband puzzles me.’

It puzzled Penrose, too, although he had no intention of discussing the scenes – and they were, he realised now, very much like theatrical scenes – which had been created for him both on the train and in Aubrey’s office. In truth, almost everything he knew about Aubrey was based on what the killer had told him, so who else, he wondered, was so familiar with the man’s past?

Too polite to question him more, Grace Aubrey continued with her explanation. ‘Actually, the irises are more linked with Arthur.

He was a brilliant young man, you know. When he enlisted, he was two years into an engineering degree at Cambridge, but what he loved most was gardening and he spent virtually all his time in the Botanic Gardens. It was always his intention to go back there after the war. There was a job waiting for him as soon as he graduated.’

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Penrose remembered the Gardens; he’d visited them once or twice himself during his university days and, although they lay just on the edge of the town, within easy walking distance of his col-lege, their contrasting landscapes offered a seductive other world.

He and Aubrey’s nephew must have been in Cambridge at the same time, he realised.

‘Arthur got his love of flowers from his mother, although she was a botanical illustrator, not a gardener. He transformed their own garden when he was still just a boy, and their neighbours’, then he earned money doing it in his spare time at university. The iris was his favourite flower. After he died, when Bernard came back from the war, he had twenty-one different varieties planted here in the garden, one for each year of Arthur’s life. Part of the penance, I think, although he hardly needed flowers to remind him.’ She stood, and walked over to the vase below the painting.

‘Bernard chose the species to have flowers all year round, so it’s just as well I’ve grown to love them too. See how beautiful they are when you look at them closely.’

He joined her and saw what she meant. The flowers which he had believed to be of a uniform deep lilac with a single splash of yellow were, in fact, a complex blend of tones and colours, each slightly different to the next. ‘Did you know it’s supposed to be the flower of chivalry?’ she asked. ‘Three petals – one for faith, one for wisdom, and one for valour. Bernard laid an iris on the Cenotaph for Arthur every week, almost without fail. I shall do the same now for both of them – there’s no one else left to remember. Nora died five years ago – she had cancer – and Arthur’s father was already long dead when he went to France.’

‘Did Arthur have a lover?’

‘Not that I know of. Certainly there was no girlfriend at the memorial service we held for him.’

Having believed at first that he would get nothing from Grace Aubrey, Penrose now sensed that the time spent with her had hinted at everything of significance in the case. At a loss for the moment as to how it related back to the theatre and to Elspeth Simmons, he fell back on a more conventional line of enquiry.

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‘Can I have the name of your husband’s solicitor, Mrs Aubrey? I’ll need to see the details of his will.’

‘It’s John Maudelyn at Maudelyn & De Vere. They’re in Lan-caster Place, but I think I can save you some time. If there was one thing that Bernard and I did discuss, it was our financial affairs.’

She left the room, again only briefly. ‘This is a copy of his will,’ she said, handing Penrose a large ivory-coloured envelope. ‘You’ll want to check with John, but you certainly won’t find him at work on a Sunday so this might help in the meantime. I’d be very surprised if he’d changed it without telling me, and there are none of those startling revelations in here that make things so much easier for detective writers.’ She smiled wryly. ‘And theatre producers, for that matter. Put simply, the houses, Bernard’s stocks and shares and a significant amount of capital go to Joseph and to me; neither of us will ever want for anything, as you’ll see.’

‘And the theatres?’

‘Ownership of the bricks and mortar goes to Joseph, but no executive powers in their management. That falls to John Terry, together with a sizeable share of the profits. Or, I suppose, the losses, although he’d have to be very stupid to whittle away assets of the scale that Bernard has built up over the years. A lump sum has been left to Lydia Beaumont; they were good friends, and he could always fancy himself a little in love with her without the fear of having to do anything about it – I’m sure you know what I mean. The most unusual clause concerns Hedley White – I knew I’d seen the name somewhere. He is to have a job – and a well-paid one – at the New and Wyndham’s theatres for as long as he wants one or, should he choose to leave, he will receive a sum of money that should set him up for life.’

Penrose thanked her and held out his hand, ready to leave her in peace, but she walked with him down to the hallway, stopping at the door to another room on the way to point out a second vase of flowers. ‘These don’t strictly belong to the iris family but I liked them so much that Bernard planted them for me. Ironic, isn’t it?’

He looked at the velvety brown and green flowers without understanding her meaning. ‘ Hermodactylus tuberosus, Inspector. Or, to 173

you and me, the widow iris.’ At the door, she offered her hand again and looked gravely up at him. ‘Will I be able to see Bernard’s body soon? We may not have been in love, but we did always respect each other and the more I see of the world, the rarer I consider that to be. I don’t intend to stop now simply because he’s dead.’

‘Of course. I’ll have a car sent for you in the morning. Would midday suit?’ She nodded, and Penrose paused at the door. ‘I spoke to Bernard very briefly tonight – I wanted to ask him about Hedley White and Elspeth Simmons – and he said there was something he needed to see me about, too. I don’t suppose you have any idea what that might have been?’

She shook her head. ‘I can’t imagine why he would need to talk to the police but I can easily understand why, if he did, he would choose you. Thank you for your courtesy, Inspector, and for your intelligence. I appreciate them both, and I’d be grateful if you could do one thing for me. When you find whoever did this, as I’ve every confidence you will, I’d like you to make sure that they know what they’ve done. I don’t mean bring them to justice in the courts

– that will happen, of course, but I have no faith in capital punishment. Death means different things to different people, and I think Bernard was right when he said it could often be the easy way out.

But before they die, I’d like you to try to make sure they understand what they’ve taken from this world. He was a good man.’

Penrose knew it wasn’t his place to question what Grace Aubrey had said about the relationship she shared with her husband, but he couldn’t help reflecting that there were many kinds of love. As he left, he could not decide for whom he felt the greater sadness: the man who had died so full of regret; or the woman left alone to deal with a grief which she had sincerely never expected to know.

A walk through London in the early hours of the morning would not have been Josephine’s preferred way of dealing with the shock of Aubrey’s murder, but she found herself with very little choice.

Archie’s departure had been followed by an uncomfortable interlude in the Green Room, during which Marta’s anger had dis-174

solved into frustration tinged with embarrassment, and things were only made worse when Lydia snapped at her to calm down and stop wrapping her in cotton wool. Josephine’s gentle suggestion that they all go home and get some rest met with adamant refusal.

‘No, you two go home if you want to,’ Lydia said, getting up suddenly, ‘but after what I’ve seen tonight I intend to put off rest for as long as I can – particularly the eternal sort. I need to see a bit of life, so I’m going for a walk. You’re welcome to join me, or I’ll see you later.’

Marta started to protest but thought better of it and gave Josephine a look which begged for solidarity, so they left together, accepting a police chaperone as far as Number 66 and then, as soon as the constable’s back was turned, setting off in the other direction. God help him if any harm came to them, Josephine thought: Archie’s fury would be merciless.

The night was cold and damp, but the rain seemed to have cleared permanently now and the air was not unpleasant. All signs of Saturday’s revelry were long gone and, as they skirted Covent Garden and crossed the Strand to head down Villiers Street towards the river, there was barely a soul to be seen. It was a little after 3 a.m. and ordinary people – those whose evening had not been interrupted by death – had gone home to bed long ago, leaving London in the care of a very different populace. The coffee stalls – which appeared out of nowhere as the public houses closed, taking up their nocturnal pitches at the foot of bridges and on street corners – were in full swing, a magnet to the sleepless, the lonely, and the fugitive; to anyone, in other words, who could be regarded as a poor relation of the city’s daylight hours. Josephine and her friends crossed Victoria Embankment and made for the stall that was tucked against the steps to Hungerford Bridge. The soft yellow glow of its interior was a welcome distraction from the unrelenting blackness of the river, and the pungent aroma of sausages and coffee did its best to be inviting, but Josephine doubted that the affirmation of life which Lydia craved was to be found among its clientele.

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‘Never let it be said I don’t know how to show a girl a good time,’ Lydia insisted with a flash of her old humour and walked undaunted to the counter, where a man and a woman stared out into the street as if from a box at the theatre. As the woman pushed three mugs of hot liquid towards Lydia, her wedding ring

– sunk almost without trace into the middle-aged plumpness of her fingers – seemed a revealing expression of the extent to which she had given up on life.

They sat down on one of the benches that lined the Embankment, and Lydia was the first to speak. ‘It’s funny, you know, now I think about it – although it was such a shock to find Bernie tonight, I couldn’t honestly say it’s a surprise that he ended up like that.’

Josephine was intrigued. ‘Why do you say that? I know theatre can be harsh but violent death seems to me a little excessive.’

Lydia was quiet for a moment, trying to put her finger on why she felt the way she did. ‘This may sound melodramatic, but he always seemed to live in a darker world than the rest of us – something more sinister than the sad old muddle that most of us will admit to. I remember we got drunk one night during a particularly awful run of the Dream. It was Christmas Eve and his wife had gone to visit their son in Cirencester, and Bernie didn’t fancy seeing Christmas in on his own so we sat in his office and got smashed on his finest malts.’ She drained her mug, staring out across the river. ‘It’s not the most cheerful of drinks at the best of times,’ she continued, ‘and it was getting close to the anniversary of my brother’s death, so we soon got to talking about the war. It surprised me, his attitude towards it all.’

‘In what way?’

‘Well, I’d always thought of him as quite a peaceable man, a reluctant soldier if you like, but he was adamant that war was a natural instinct. I can still hear him saying it, in that great booming voice he had when what he was saying came from the heart – that the trenches appealed to those murderous instincts which slum-bered close to the surface, and the war had simply smashed this flimsy armour of culture that we all thought was so strong. Up until then, I thought that war was the interlude for him as for all of us –

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tragic, unforgettable, but something to leave behind. That night, I realised he carried it with him all the time. All the colour and the joy and the make-believe that he made so real for the rest of us – it had never convinced Bernie.’

Privately, Josephine wasn’t sure how many people it had convinced. Lydia lived her roles wholeheartedly – it was one of the great joys of watching her on stage – but she would be the first to admit that she sometimes found it reassuring to continue the performance in her daily life. Like Aubrey, Josephine found it difficult to ignore the contradictions between her personal sense of justice and the single-mindedness which war demanded: one day, if an Englishman killed a German he was hanged; the next he was a patriot, and she remembered how upset she had been to see her friends and neighbours, even her family, scanning the papers for news of enemy slaughter with hopeful eyes, driven by fear for those they loved. She was not yet twenty at the time but, as the years passed, she realised that her revulsion had nothing to do with age: now, with talk of Nazi rallies and worries over Britain’s air power, another storm was gathering and, at thirty-seven, her anxiety for people on both sides was as complex as ever. If war broke out again, she knew there would be some difficult years ahead for people who felt as she did.

‘I can understand what Bernard meant,’ she said. ‘Jack was in London at the time of the declaration, and he wrote to me about it. Jack was my lover,’ she explained, realising there was no reason why Marta should know anything about her personal history. ‘He was killed at the Somme. But he said the crowds in the city as war broke out were really quite terrifying: when the population was united like that in a mob, all the instincts of hatred and prejudice were given a free rein and nobody questioned them. It was as if everyone had reverted to an innate violence, with all reason and mercy just swept away.’

‘I didn’t know you’d lost someone,’ Marta said.

‘Haven’t we all?’ Josephine retorted quickly, then remembered she was talking to a friend and put away the curt matter-of-factness which she habitually used to deflect sympathy. ‘He was medically 177

trained, and shot in the back trying to help another soldier – an English one, although I’m sure he would have done the same if he’d come across a German alone and needing help. He found it very hard to reconcile his pacifism with the role he was given. It was one of the things I loved about him. In fact, I based a lot of Richard’s character on Jack.’ She smiled, remembering Marta’s earlier comments about Queen of Scots. ‘And of course I did love him, which is perhaps why people are so convinced by Richard.’ Marta took the dig good-naturedly, and Josephine turned back to Lydia. ‘I don’t see why a dark heart makes Bernard a candidate for murder, though.’

‘It’s not just that, it’s something much more personal he told me that night.’ She didn’t go on straight away, but now it was not her sense of timing in front of an audience that made her hesitate. ‘He made me promise never to mention this to anyone, but I don’t suppose it matters now. His nephew died in an accident halfway through the war, but Bernard was convinced he was murdered, and that one of his colleagues had killed him out of spite.’

‘But why?’ Josephine asked, horrified.

‘He didn’t say anything more. It was a secret he’d carried with him all that time and I think he regretted telling me almost as soon as he’d opened his mouth. But Bernard was there when it happened, so he must have had his reasons for suspecting foul play.’

‘Why didn’t he just go to the authorities?’ Josephine asked, highly sceptical. ‘Even in war, there are laws and systems of redress.’

‘I got the impression that he had no proof – either that or he wanted to deal with it himself.’

‘You should have told Archie this earlier, you know. If Bernard Aubrey was going around swearing revenge for a twenty-year-old murder, I’m not surprised someone wanted him silenced.’

‘It really wasn’t like that. Bernard knew how to keep his mouth shut.’

‘How can you be so sure? He’s dead, Lydia, and there’s no point in protecting him now. If you don’t want to tell Archie, I will – but either way, he has to know.’

‘OK, OK, but there are different ways of making amends, you 178

know. I’m not sure that Bernard intended revenge. I think one of the reasons he was so soft on Hedley was as a way of making up for what happened to his nephew. Hedley’s about the same age, and I think Bernard wanted to give him a start in life, to look after him.’

Perhaps, Josephine thought, remembering how devastated Aubrey had been in the foyer earlier that evening when she had explained that it was Hedley’s girlfriend who had been killed; had that really been simply sympathy for a young friend’s grief, or was there more to it? She wondered if Archie had made any progress in finding a connection between the two murders. Was there anything she could think of in what Elspeth had told her which might link her to Aubrey, or to what had supposedly happened to his nephew? Or something that might give Hedley White a reason to resent them both?

‘I wonder where Hedley is?’ Lydia said, as if reading her thoughts. ‘He must be shattered by what’s happened, and I don’t expect he even knows about Bernie yet. That’s what I really meant about Bernie’s death not being a surprise; you don’t expect people like Hedley’s girl to be killed, not with all that youth and innocence

– why would anyone want to? But Bernie was different – you always got the feeling that he understood violence, even if he didn’t have it in him.’

‘I have to say, I wouldn’t have wanted him as an enemy,’

Josephine admitted. ‘Without his support, I think I would have found Elliott Vintner’s accusations much harder to deal with. He propped me up through that trial with his loyalty and his determination – and that was professional, not personal. I can imagine how ruthless he could be if something really mattered to him, if it were a question of life and death.’

Marta, not having known Aubrey, had taken little part in the conversation but she seemed glad now to have the chance to speak about something other than murder. ‘That must have been a difficult time for you – after all that success, to be accused of stealing someone else’s story. I remember reading The White Heart ages ago – I worked in a hospital for a bit after the war and one of the patients asked for it to be read aloud to him. I liked it, but I 179

remember being so disappointed by the books Vintner wrote later; perhaps I’d just moved on.’

‘No, you’re right, it was something special and I never questioned its merits – only my reliance on them. But he couldn’t repeat the success of that first novel, no matter how hard he tried – the rest were all failures.’

‘So he thought he’d get the money from you instead?’

‘Yes, and he might have succeeded if it hadn’t been for Bernard, an expensive lawyer and a judge who said that if any dues were to be paid, Vintner should first settle his account with Shakespeare.

Of course, it turned out that the judge had seen the play five times and was a huge fan. I imagine Bernard treated him to a sixth performance on the house after that.’

‘You certainly couldn’t fault Bernie’s generosity,’ Lydia agreed.

‘Did you know he’s given all the money he made from Richard of Bordeaux to the families of those who died in the war?’

‘What, you mean he hasn’t made a penny out of it himself?’

Marta asked, astonished.

‘Not one. He said its pacifism was what struck a chord and he wanted to honour that. He really was a remarkable man. I owe my career to him. So does Josephine, in a way. I only wish I could have thanked him.’

‘The best way to do that now is to help Archie catch his killer,’

said Josephine firmly. ‘Tell him what you’ve just told us, or at least let me tell him.’ As Lydia looked doubtful, she added, ‘Has it occurred to you that knowing something about Aubrey’s secret might put you in danger as well?’

Clearly it hadn’t. ‘All right,’ she conceded at last. ‘You talk to Archie, Josephine. If he has any questions, no doubt he’ll find me, but I’ve told you everything I know. I wonder what will happen to Bernie’s theatres now? It seems disrespectful to say this so soon but, if Queen of Scots falls through, I’ll have to look for something else to give me a reason to get up in the morning. Nothing would compensate for a future without work. What else is there? I’d rather lie down and die.’

Josephine saw the hurt in Marta’s eyes, and marvelled that 180

Lydia could concern herself with a dead man’s feelings when she had just all but destroyed her lover’s hopes that they might have a life together. In the silence that followed, she watched as the coffee woman came out from behind her counter, collecting coins from under the plates and brushing bits of saveloy skin and cigarette ends onto the pavement, and was suddenly overwhelmingly depressed by the ease with which – through carelessness or cruelty

– hope could be trampled on and destroyed. Having to look on while Marta attempted to shake off the slap and continue as before did not help her mood.

‘You know, with all that’s happened tonight I completely forgot to thank you for the flower you left at stage door for me,’ she said, brushing Lydia’s cheek affectionately. ‘It’s supposed to be the other way round, but I’m not complaining. Those green and brown petals are extraordinary – almost like velvet.’ She got up, and Josephine’s heart sank still further: she didn’t say anything but she could tell from Lydia’s bemused expression that, no matter how extraordinary the flower, it wasn’t she who had left it for Marta.

‘Are you all right?’ Archie’s voice was urgent and concerned, and Josephine felt a pang of remorse for not appreciating that of course he would worry when he got the message she had left for him at the Yard, asking him to telephone her as soon as possible.

She reassured him, then gave a brief but thorough account of her conversation with Lydia.

‘If it’s true that Aubrey’s nephew was murdered, it would be hard to think of a more appalling crime,’ he said, and told her about the boy and how he had died. ‘It would have been quite easy to arrange, though. I don’t suppose there was any suggestion that Aubrey thought he might have been the intended victim and not his nephew?’

‘No, nothing like that, and there was no indication of who would have wanted the nephew dead or why. Apparently, Bernard regretted saying anything at all and refused to explain. It was nearly twenty years ago, though – do you really think the deaths could be connected?’

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‘I know they are, but until now I couldn’t see how one could lead to the other. Aubrey was playing a dangerous game if he was out for revenge, and there must be a reason why it’s taken so long to come to anything.’

‘How did you know there was a link?’

Confident of Josephine’s discretion, Archie repeated what Grace Aubrey had told him about the significance of the flower found with Aubrey’s body. ‘Apparently, the iris represents chivalry.’

‘Yes, I think I knew that. “A sword for its leaf and a lily for its heart” – I can’t remember where I read that, but it struck me as an interesting description. It was probably in one of the letters I got when Richard opened: apparently, I was wrong to go on about lilies; for medieval writers, fleur-de-lis always meant the iris, and plenty of people wrote politely to tell me so.’

Archie remembered the note in the railway carriage: ‘Lilies are more fashionable.’ Was there a more sophisticated message there than he had thought? A reference, perhaps, to past mistakes, to things being named incorrectly – to an adoption that should never have taken place?

‘Archie? Are you still there?’

‘Sorry, yes. I was just thinking about Elspeth Simmons.’

‘Was there a flower with her body, too?’

‘Yes, an iris again. It occurred to me that she might have been Aubrey’s child, but Grace Aubrey convinced me it was unlikely.

Still, perhaps Elspeth’s death was the catalyst for his. Perhaps when she died she took the reason for nearly twenty years of silence with her. The question is – whose silence? I’m hoping Alice Simmons might be able to help there. Betty telephoned earlier to say they were ready to leave Berwick – Alice wanted to come down straight away to be near Elspeth – so they should be here in a few hours.’

‘Perhaps Arthur fathered a child before he died,’ Josephine suggested. ‘Elspeth could have been related to Bernard that way.’

‘Yes, she could,’ he agreed. ‘Again, Grace claimed not to know of a lover, but they could have kept the relationship quiet. And if the girl was pregnant out of wedlock, she’s hardly going to parade the illegitimacy at a memorial service.’ He sighed heavily. ‘There 182

are so many permutations, but what you’ve told me tonight helps enormously. Where is Lydia now, by the way?’

‘She’s gone home with Marta. They got a car to take them, as you instructed,’ she added, with no intention of admitting that Lydia’s revelations had been made by the side of the Thames in questionable company rather than in the safety of Number 66. ‘I think there are some things they need to sort out – personal stuff, nothing to do with this – and they both looked shattered.’

‘You must be, too. You should go to bed.’

‘I know. I don’t suppose there’s any point in my telling you to get some rest? You can’t go on like this indefinitely.’

‘I’ll see what I can do,’ he promised, ‘and I’ll speak to you tomorrow – well, later today. I can’t say when because God knows what’s going to happen next, but I’ll try to find time to come and see you. And Josephine?’

‘Don’t worry, Archie, I will,’ she said, anticipating his instructions to take care.

As Archie said goodnight, Fallowfield put his head round the door. ‘Miss McCracken’s downstairs, Sir. She’s older than I expected – it’s funny, I always think of the theatre set as packed with sweet young things, but she’s no youngster now and I doubt she’s ever been sweet. Nasty piece of work, but I suppose she’d have to be to write those letters. And she hasn’t stopped talking from the moment I knocked on her door to the moment I put her in the interview room.’

‘Anything interesting?’

‘Mostly vicious stuff about people she worked with – all except Terry. He seems to share her high opinion of herself. Very nasty about Miss Tey, though, and not a good word to say about Bernard Aubrey.’

‘But no indication that she already knew he was dead?’

‘No, but she’s not stupid, Sir. She wouldn’t give herself away.’

‘I think we’ll let her wait for a bit; our hospitality might calm her down and anyway, I want to bring you up to date.’

Fallowfield listened intently to what Penrose had to say, then added his own news. ‘Nothing further on White yet, Sir, but 183

Seddon’s been through the list of numbers on Aubrey’s blotter.

Most of them aren’t very interesting – firms you’d expect him to deal with in theatre – but one is the number for Somerset House and another is a private number down south. There’s no answer, but I’ve told Seddon to keep trying.’

‘Somerset House is interesting,’ Penrose said. ‘I wonder what Aubrey was digging around there for?’

‘I don’t know yet, Sir, but we’re trying to track down a home number for someone who works there. If not, it’ll be first thing Monday morning at the latest.’

‘Good work, Bill – thanks,’ Penrose said. What he needed now was a voice to unlock the past, someone who could help remove the barrier which time had placed between him and that first terrible death. From that, the more immediate answers would follow, he was sure, and he looked forward more than ever to meeting Alice Simmons.

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Twelve

The early hours of Sunday morning brought nothing but despair to Hedley White. Last night, buoyed up by the beginnings of a plan and some money in his pocket to carry it out, he had almost convinced himself that running away was a feasible solution; perhaps if he left London behind he could also discard the pain of Elspeth’s death, if not the fact of it. He would go to one of the stations – not King’s Cross, he couldn’t bear that and anyway it would be full of police – and buy a ticket to get himself as far away from the city as he could afford to go. He’d choose a town he liked the name of, maybe somewhere on the coast, where he could keep his head down, work hard and start again.

But as daylight released the life back into Paddington Station, things looked very different. Hedley stood by the station’s great memorial to railway staff who had fallen during the war, dwarfed by the statue of a soldier and envious of the huge greatcoat in which it was draped. It wasn’t the cold or the rain that had eaten away at his resolve, though; it was the loneliness that had worn him down. All his life, Hedley had known companionship: in a large and close-knit family, in the chaotic but familial world of the theatre and, most recently, in the intimate miracle of love; now, as he gazed over towards the long line of platforms, each leading out to a different version of that second chance he had craved, the isolation of such a life bore down on him with a merciless reality. If Elspeth were with him, he thought, he would be stronger; she always brought out the best in him and he would know what to do for them both. He looked up again at his bronze companion, who held not a weapon but a letter from home, and 185

imagined him to be so engrossed in this reminder of tenderness that the trenches were forgotten. That was nobility, he thought, and Elspeth’s absence returned again to mock him. Who was he trying to fool? Who was this decisive and courageous protector that his imagination conjured up so readily? Elspeth was dead, and he was no hero.

By now, the ticket office had opened and Hedley joined the queue, hoping it would force him into making a decision. ‘Where to?’ the booking clerk snapped when his turn came and tapped a ruler impatiently on the counter. As Hedley hesitated, a policeman came into view. He was just a bobby on an early shift, looking forward to his first hot drink of the day, but Hedley – who had been brought up to believe in the power of authority – saw it as a sign.

He recalled a book he had read recently. When he first met Elspeth and discovered her love for Richard of Bordeaux, he had borrowed a couple of Josephine Tey’s novels from the library to impress her. He couldn’t remember the titles but the one he had particularly enjoyed was a mystery which involved the chase and inevitable capture of a suspected murderer. Reliving it now, and finding himself on the wrong side of the story, he knew without any doubt that a life on the run was not for him. Hurriedly, he left the queue. What on earth had he been thinking of? He couldn’t spend the rest of his life cowering in the shadows, afraid to show his face, no matter how much trouble he was in. Decisive now, Hedley walked quickly to the nearest public telephone and called the only person he could think of without fear.

Lydia took some time to answer and, when she did, her voice was full of sleep. ‘I’m sorry to wake you so early on a Sunday,’ he said, ‘but I didn’t know who else to ring.’

‘Hedley? Where on earth are you? Are you all right?’

He explained, and she listened patiently. When she spoke again, all traces of sleep had disappeared and her tone was warm but firm. ‘You have to go to the police, darling. You haven’t done anything wrong but if you run away they’ll have something to hold against you; if you go now, there’s nothing to be afraid of.’

When he didn’t speak immediately, Lydia continued reassuringly.

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‘Inspector Penrose is a fair man, Hedley, and he’ll be on your side as long as you’re honest with him. You want them to find who did this to Elspeth, don’t you?’ He could tell from the sudden forced brightness in her voice that she knew it was a cheap shot, but she was right to guess that nothing would make him see sense more readily.

‘You’re right and this sounds stupid, but I just can’t face having to walk into a police station,’ he said. ‘I know I’ve made it worse by waiting till now. Could you speak to Mr Penrose for me? Tell him I’m here?’

There was silence on the line, and Hedley waited for Lydia’s answer. ‘Look, I’ll speak to him now for you but I think it’s best if you go back to your digs and he comes to find you there. There’ll probably be a policeman waiting, but just explain what’s happening. You don’t want to have all this out in the middle of Paddington Station.’

Reading between the lines, Hedley realised that she was doing her best to keep his shame as private as possible without saying as much, and he appreciated her efforts while suspecting that they signalled a rough time ahead for him with Inspector Penrose. Still, he had made his decision and he wouldn’t go back on it now.

‘Thanks for trusting me,’ he said.

‘Don’t be silly, Hedley – of course I trust you. I’m glad you phoned me and I want you to let me know straight away if you need me. It’ll be all right, really it will. I’m sure the police will sort it out. And Hedley?’

‘Yes?’

‘I’m truly sorry about Elspeth. I know how much you loved each other.’

Hedley replaced the receiver without speaking and made for the underground, fighting back tears. He trusted Lydia and knew her advice was sensible, but first there was something he needed to do.

Penrose was unavailable, so Lydia left an urgent message with the constable on the desk and climbed back into bed, shivering as she removed her dressing gown.

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‘You didn’t tell Hedley about Aubrey’s death,’ Marta said, putting her arms around her.

‘No,’ said Lydia. ‘I just couldn’t. I was afraid I’d be able to tell from his voice that he already knew.’

Rafe Swinburne rode over the river and into Blackfriars Road, taking advantage of the straight, broad street and peaceful Sunday morning to reach a satisfying speed which was rarely possible in the city. He passed the entrances to Stamford Street and the Cut before turning right into the network of smaller roads behind Waterloo Station, and was pleased to see that the area in which he always parked his motorcycle – close to his digs, where he could keep an eye on it – was clear of cars. He cut the engine, relieved for once to be home and alone: his nightly diversions were taking their toll, although it was the smiling rather than the sex which wore him out. Perhaps he should have tonight off: it was supposed to be a day of rest, after all.

He took his keys from the ignition and crossed Chaplin Close, heading towards the old three-storey house in which he and Hedley shared rooms. It was shabby, but cheaper than lodgings on the other side of the river and, with his bike or the underground, the West End was only a few minutes away. If all went well, it wouldn’t be long before he could afford something better but, in the meantime, this suited him perfectly. The street was quiet and, from Waterloo Road, he could hear the bells of St John’s. It must be about nine o’clock, he thought. With a bit of luck, Hedley would still be in bed and he could enjoy a cup of coffee in peace before getting some sleep himself.